Visually stunning with a truly poetic story. Insights into the early 16th century art included
"Saimdang, Memoir of Colors" is an excellent KDrama with historically impressive dimensions. The focus here is on the legendary artist Shin Saimdang, whose head is also depicted on the 50,000 won note today. The KDrama pays tribute to the great artist and also pays tribute to her roles as a devoted mother and virtuous, yet uncompromisingly progressive woman. The focus is on a time and space transcending, tragic love story - fictitious... or at least not historically documented. (But why should´t it have happened in this way or another? ... :-)----------------- SIDE NOTE --- Shin Saimdang (1504 -1551) ---
... was a painter, calligrapher and poet who was valued in her time and far beyond. Since her father had no son, he gave her (rather unorthodox for a girl) an education and training in literature, poetry, calligraphy, embroidery and painting. Her works as a painter are characterized by their particularly sensitive view of nature and its subtle, sensitive representation. Today only about 40 paintings in Indian ink and mineral colors can be directly assigned to Saimdang. However, it is suspected that many more works of art have survived, although they are not clearly signed as her works. Shin Saimdang has also gone down in history as the ideal of the good mother. She had five sons and three daughters, some of whom also inherited their mother's talent. One of her sons is the even more famous Neo-Confucian scholar and politician Yul-gok Yi I.
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In addition, as far as the perspective of traditional art is concerned, the special focus of this KDrama is the nature of the world of animals, plants and mountains. Actually, it could be mentioned here, that South Korea is characterized by several mountains and 21 national parks on more than two thirds of the country's surface. This KDrama aesthetically focuses on the spiritually legendary mountain region around the Geumgangsand - The Diamond Mountain. It probably got its name in connection with the Diamond Sutra of Buddhism. It was a center of Korean Buddhism, traces of which can be dated back to the 1st century. At the beginning of the 20th century there were still more than 40 active monasteries in the region. In any case, the mountain world plays in several respects an important role in this gripping historical drama.
Special dynamics arise through the play with intertwining time and space. There are two plots. One is set in 2017, the other in the early 16th century during the Joseon era. One follows a young art historian writing her PhD thesis on artist An Gyeon's work 'Geumgangsando'. The other follows historical Shin Saimdang through the first 3-4 decades of her passionate yet virtuous life. Parallel to the art historian's research and struggle with it, that is at the same time enhanced and endangered by Saimdang´s diary, insights on the artist´s eventful life are revealed. Both storylines are quite exciting in their own way. Particularly charming: people from Saimdang's time-line seem to have reincarnated in Seoul in 2016 and are once more somehow connected to each other... Surprisingly, the fulcrum where the timelines converge is Tuscany in Italy.
This extraordinary and visually stunning KDrama offers a truly poetic, heart-rending story, added with interesting insights into the special aesthetics and sensitivity of contemporary Korean art of the early 16th century, as well as the paper production craftmanship of that time. It is rounded by an atmospheric soundtrack and, last but not least, actors who are as if absorbed in their roles. At last, there is plenty of makjang, too.
Taking everything into account, the story is effortlessly captivating over 28 episodes.
At the end I was left in bewilderment, yet to some extend somehow surprisingly satisfied, too.
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"Sometimes, it's better to choose your own family."
(I deleted my previous review because it was too verbose)Understated yet touching, fantastic performances especially in the last half hour, perfect casting, great direction, a close look at economic disparity within a modern and developed nation, doesn't glamorise poverty, balances both hope and bleakness, fully deserving of Palme D'Or IMO. A testament to love transcending biological relations, proof that a complete puzzle of family can be formed out of leftover pieces.
You should watch this one twice.
10/10
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Definitely recommended!
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The smoothest series, watchable- not bad but not exactly amazing.First a quick recap. The cutest motorcycle driver (Mork) was dumped by his girlfriend for being poor. The (probably rich) doctor (Tawan) was heartbroken by a cheating lover. Together, they formed a friendship, and becasue the doctor, who brings his own protection(i mean the helmet), keeps riding the cute guy, I mean getting his services, I mean as a driver (SPOILER ALERT) they fell in love. And lived happily ever after. The end.
But seriously, who wouldnt fall for those dimples. Those sweet smile can make one wet and flood the dryest of the Saharan desert. The real question is why it took Tawan approximately 9 episodes to finally admit his feelings for Mork, still puzzles me.
There are so many things to love about the series. First, its a breath of fresh air that the series is not school or university themed, because god knows we have way too much of that already. Second, the main couple, their chemistry is not exactly electric but its hard to hate them. Did i mention how cute Fluke is? Everytime i think the show is too boring, this guy hooks me back in. Third, i love Mork's uncles specially since it is rare to see long-term same sex couple in a series. Fourth, the motorcycle ride in episode 7, when Tawan fell asleep behind Mork is BL gold.
On the other hand, these are some of the things they could have improved. First, Mork's friends were ok, but the riot act during the festival was totally unbelievable and could have been played better. Next, the second couple Toy and Boss. I loved seeing Yoon but Best could use some acting workshop, i just cant believe their chemistry. Third, I also hate to say this but Nadia and Mayom couple didnt make much impact, if only they gave them better arc. Fourth, and i dont know why, has something to do with the pacing, sometimes, it can feel a little too boring.
So, in overall, would i recommend? Yes, like i said, the dimples alone deserves the screen time. Would i rewatch? Hard to tell, but maybe not anytime soon.
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We don't need another hero.
This is a dark, intensely melodramatic classic wuxia about heroes. The Chinese title 说英雄谁是英雄 (Speaking of heroes, who is a hero?) asks the question who is a hero 英雄/yīngxióng? What is distinctive about this story is that there is no main protagonist. It is left to the audience to decide which character(s) are heroes. Although novelist Wen Ruian is not considered to be in the same league as Jin Yong or Gu Long, there is a cynical provocativeness that distinguishes this best work of his. The martial artists or 大侠/dàxià, featured in this are swordsman known for their legendary weapons. Despite 江湖/jiānghú lore about their great feats and relative prowess, 一山还有一山高, there is always a higher mountain so the outcome to any encounter between these fighters is not known until actually put to a test.Li Muge's brilliant camera work evocatively captures the essence of a wuxia from the wild vastness of the terrain, the spirit of adventure, the air of intrigue to finally, the profound sense of fatalism and impermanence. Yet despite the stunning aesthetics, the fast paced and bloody fight scenes are over choreographed and somewhat lacking. The action scenes mostly comprise of discontinuous slasher heavy shots that are stitched together to end in exaggerated fierce posing by the combatants. There seems to be a lot of slashing around without capturing the flinch inducing violence and intensely muscular swordsmanship seen in shows like Lu Yang's Brotherhood of Blades. The two final fight scenes are powerful and much more satisfyingly executed with the right mix of violence, emotion and intensity.
This drama's ensemble cast delivers nuanced and polished portrayals of memorable characters such as Chen Chuhe's charismatic Su Mengzhen and Meng Ziyi's heart rending Lei Chun. The diversity and eccentricity of jianghu's denizens from the flamboyant Fang Yingkan, the staunch and astute Yang Wuxie, the hilariously coquettish Zhao Xiaoyao , the fanatical Lei Mei , the wily Lei Sun and the enigmatic Di Feijing anchors this wuxia. Naturally the performances of the three young idol actors who represent the next generation of martial artists, suffers by comparison in such formidable company. While both Zeng Shunxi's Wang Xiaoshi and Liu Yuning's Bai Choufei struggle visibly in more complicated scenes, they deliver credible performances overall. Besides, Bai Choufei is a difficult role that would challenge many seasoned actors. As for Yang Chaoyue, her acting mantra must be "when in doubt, just pout" because besides crying, that is what she does best in every scene. Even though Wen Rou is a superfluous and archetypal character, she has many well written comedic moments with the advisor that disappointingly fall flat in execution. I won't lie, the idol actors failed to convince me of any of their relationships or make me care much for them. I find Su Mengzhen's bond with Yang Wuxie far more compelling than Wang Xiaoshi's with Bai Choufei.
The story opens with the young and decent Wang Xiaoshi's first foray into jianghu, tasked by his shifu to deliver a mysterious box to Su Mengzhen, the young master of the House of Golden Wind Drizzle (House Drizzle). Along the way he forms a fast friendship with the deadly and ambitious Bai Choufei and the well-born, pouty and marriage evading Wen Rou. Together, they head to the capital, seeking fame, fortune and adventure. Near the city, Wang Xiaoshi and Bai Choufei save Su Mengzhen from an ambush and the three become sworn brothers. Thus they find themselves allied with House Drizzle and pitted against their arch-rivals, the Six-Half Hall. The high-minded and valiant do-gooders are drawn to House Drizzle while the less scrupulous, commercial and profit minded converge at Six-Half Hall. There are formidable martial artists and yes, heroes at both sects; neither is completely good or bad they simply live by different ideologies.
All too soon, it becomes clear that Bai Choufei's unrestrained ambition and world view is incompatible with that of Su Mengzhen and House Drizzle. This man has a massive chip on his shoulder and his ambition tragically exceeds his ability. Thus his bottom line is flexible and he is willing to get what he wants by fair means or foul making him better suited towards Six-Half Hall. His desire for Lei Chun, a woman who only has eyes for Su Mengzhen, further fans the flames of his resentment. It is inevitable that Bai Choufei succumbs to his worst instincts to become the kind villain I love to hate; one that I can ultimately somewhat empathize with and understand. Sadly, this is where the screenwriter inexplicably decides to whitewash Bai Choufei and rob him of his free will. What follows is one of the worst character assassinations ever. Bai Choufei, a strong minded, unapologetically ambitious and arrogant character is reduced to a mentally unstable puppet of a corrupt government official. He becomes so unhinged, despicable and pathetic that he is little more than a rabid dog that has to be put down. What a waste. None of the other villains really step up; both Thirteen Doom and Fang Yingkan had potential but are too cursorily dealt with at the end and their motives and some of their actions not satisfactorily explained. That said, Thirteen Doom will always be a bit of a hero to me just for gagging Wen Rou.
The ending bloodbath between the sworn brothers is predictable and inevitable. At this point, Li Muge gives in to his love for melodrama and sprays dogs blood over everything with wild abandon. I was nonplussed at the tragicomic drawn out twitching after going splat death scene that eventually just made me laugh. I expected Su Mengzhen to play a more active role in the finale but his decision was already foreshadowed. He explains himself with his parting words 独立三边静 轻生一剑知 which Tencent simply translated as "The fearless brings peace for many but dies a death that's lonely." Those are incredibly fitting parting words for Su Mengzhen that those who love him can understand and must accept. It is actually a beautiful, famous ancient Tang poem with deep meaning that I will hide in a spoiler in the comment section of this review. The ending was good albeit overly melodramatic for my taste.
Which comes back to the conversation about heroes or 英雄/yīngxióng. When all is said and done, a hero does not have to fit the conventional wuxia hero in terms of righteousness or chivalry. It is enough that they are true to their own ideals and thus the hero of their own story. For me, Di Feijing is unambiguously the hero of this story. In his own way, he is no less chivalrous than Su Mengzhen and between them, they maintained a stable balance of power in the capital. He is the one character that is consistently true to his ideals and lives to protect those he loves. I find his chemistry with Lei Chun to be the most natural and moving in the drama. He is the only character who truly and only loved Lei Chun. Tragically Su Mengzhen is the only one that Lei Chun loved even though he did not love her quite as intensely or as selflessly as Di Feijing did. They are the three characters I cared the most about in this drama. I still don't forgive Li Muge for short changing me of Di Feijing's and to a lesser extent, Thirteen Doom's ending combat scenes. It is not enough for me to know that justice is served, I wanted to see it happen. As for Wang Xiaoshi, he is at best a work in progress. Even though he did his best to fix things, he also ineptly set in motion many of the events that led to among other things, Lei Sun's downfall which snowballed into this giant, tragic mess. If he is a hero, we don't need another hero. In any case, as Lei Chun discovered, heroes are not there when you most need them. Best be your own hero.
I have very mixed feelings about this drama. I think I am mostly disappointed because it could have been so much more had the scriptwriter and the director stuck with the novel and not succumbed to whitewashing and dogs blood melodrama. Thanks to the substance and depth of the original works however, it still a good watch if for nothing else, the stunning aesthetics. This feels like a 7.5/10 for me but I bumped it up to an 8.0 because Di Feijing (Yang Tong) is such an unforgettable character, he stole the show as far as I am concerned.
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An intense, powerful and emotional thriller.
„If you’d have all the money and power in the world, what would you want next? To live forever.”I didn’t expect much when I started this drama. Sure, I finished the first episode and thought „ugh, another 16 hour show about serial killers.” I was so glad I was wrong. Oh boy, It is MUCH deeper than that.
To be honest, it is extremely hard to express how dark and emotional this drama really is. As we arrive to the second half of the show we realize that our beloved ML is not only fighting against the antagonists, but also his own darkness.
The cinematography and music was on point. The combination of the dark atmosphere and the sometimes suspenseful, other times overly emotional music just came together perfectly, making a drama that feels like a punch in the gut – in the best way possible.
While some characters could have been a little bit more interesting, and some things did feel a tiiiny bit convenient and exaggerated, I have to say: everything connects BEAUTIFULLY. The writing is actually so good that even when you see a twist coming, you're still going to feel the things you’re supposed to.
That is a word I would use to describe this drama: FEELINGS. All kinds of feelings and maybe too much of them, because I swear to GOD it ripped my soul apart.
The plot is really well done and there are many twists throughout it, constantly keeping us on the edge of our seat and eager to see what happens next or just simply feeling hopeless.
The three main leads are phenomenal and the side characters are great. The old man was my favourite. The acting is incredible. Seol Hyun's acting was just too good. At times I could feel what her character was feeling. I wanted to cry with her.
I could go on for hours about how good the fight scenes were and how explosive the chemistry between the leads was, but I’m just going to tell you to watch it. It’s something everyone needs to experience. Go watch it.
So what is Awaken really like?
Addictive. Unforgettable. Emotional. Brilliant.
Also it's great to see more dramas get more than one season, but why not do the same with this one? There is so much potential here for a second season.
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1This review may contain spoilers
Dramas with a moderately dark, controversial, and intense plots addicts me to it a LOT. And, 'Sachi-iro no One Room' is such a drama. The plot is pretty controversial, as you can see how it romanticized a case of kidnapping. But, if you check out the drama, you'd realize that it isn't exactly a case of kidnapping, as the supposedly stalker male-lead simply saved the female-lead from committing suicide and only asked if she wanted to live with him. She agreed, as she had given up on life. It was nothing serious for her to live with a stalker after getting abused by parents, bullied by classmates, and sexually harassed by her teacher. If you simply look into the drama, you'll find out how the story is interesting and how it would pull you into it- and the doubtful thought you had after seeing the summary would go away from your mind.
The actors are pretty good too and the simple-yet-so-satisfying cinematography would surely make you enjoy this short drama as much as I did. Plus, the OST is absolutely amazing. Recommended indeed!
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First the things that I liked... I really enjoyed the relationships that developed between all of the main characters and the staff at The Most (yes, THE Most). Ha Ri and Hye Jin are adorable together. While Ha Ri does have some demons I really do feel like the girls authentic friendship was delightful and not something I see in many dramas. The main couple were cute together but SIWON WAS AMAZING. If it were up to me, his character would be the lead of a spin off show. Also shout out to Shin Dong Mi as the Fashion Director. It was a minor role but she brought a lot of heart to it and was one of the main reasons that I loved The Most staff.
Okay, now despite all of that... the story was pretty superficial and a bit of a mess. We had these beautiful characters but their stories didn't really come together to tell anything meaningful. Hye Jin as a young girl and Hye Jin as a young woman have a lot of similar interests but virtually no personality traits in common with each other. One is elegant, the other goofy and the story never explains how just because she ran into hard times a person could change so much. This is just one example of MANY where the plot details are thrown in but never really integrated into the story. The Management Team, Sung Joon's weird eating/zombie habits, Hye Jin's sister, Ha Ri's bizarre relationship with her parents and step-parents, (which had oddly both too much and too little detail)...and don't get me started about the CEO's son mystery. In the end all of these things just felt like red herrings thrown in to fill time around the central love quadrangle.
In summary, I really, really enjoyed parts of this show but, despite the show being about the importance of what's below the surface, as a cohesive drama She was pretty lacked a lot of depth. Watch it for the cute fluff but don't expect much more.
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Have you ever asked yourself what's more important in a drama? Plot or acting? Can a good performance turn a mediocre plot into something unique? Fated to Love You answers this question with a decisive Yes.
Let's have a look at this plot. Aside from it being a remake of a popular Taiwanese drama, this is a collection of old clichés: doormat girl meets obnoxious rich guy, an incident of some sort occurs and compels them to live under the same roof, meddling – and maddening – relatives, random humour, misunderstandings, birth secrets, the 'other girl' and the 'other guy', all spiced up with a lot of noble idiocy (although this might be one of the few cases when the noble act is frustrating but comprehensible). It's not hard to see why I treaded on this very makjang field on tiptoe.
Therefore, my overall 9 has to be ascribed entirely to the impeccable acting and one of the best thought of OST of songs I've come across. Try out the first 10 minutes of this show, and you'll have no doubts the whole thing is going to be played on style, rather than plot substance. The performance of the whole cast is brilliant, but the two leads manage to outshine everything and everyone.
What could have resulted in two trite, annoying characters in lesser hands, becomes one of the best matched couple in melo/romantic comedy. Even when their plot-line drags – and it does, here and there – they are both able to sustain the silence and make it resound.
Jang Hyuk… wow, the man can act. Yes, I suppose this is a very superfluous statement for the many of you who know him, but this is my first time and I was enchanted. The character he creates here has no grey areas: Gun is so over the line he goes from hysterically funny to heartbreaking in the space of a few minutes. At times the two aspects are interwoven, and the viewer gets glimpses of his pain through his laughter. But his best trait in my opinion is that he doesn't give a dry fig about what people think of him: he goes on doing what he believes is right in the craziest of manners.
It doesn't hurt that the actor is seriously hot. Seriously. When he cuts his hair – this is not considered a spoiler, is it? - I was so distracted here and there I forgot to watch the drama and just watched him.
This said, Jang Na Ra is downright brilliant. For the first time in my drama addicted life, I loved a 'weak' heroine. There's a special quality about the rendition of her character that turns her weakness into strength, and her compliance into endearing sweetness. One can see why Gun falls in love with her, because the viewer experiences the same. Possibly, we all know from the start that Kim Mi Young will eventually change, and yet she keeps her true, generous nature intact. With her beautiful, huge eyes she speaks volumes and her chemistry with Jang Hyuk on screen is tangible.
Notable mention for Song Ok Sook, aka Mi Young's mother. I enjoyed every minute of her antics and rejoiced in her relationship with both her daughter and her son in law.
I already mentioned the music. As a rule, I only like instrumental pieces in dramas. I'm making an exception here not only because the songs are beautiful, but because each piece is chosen with the utmost care, emphasising in turn the fun, the suffering, the romance, the absurd. Isn't this what an Ost should do? Perfect score from me.
Because I believe the plot to be absolutely secondary in this drama, I'm sure it lends itself very well to future re-watching.
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The plot lines may hardly be original, but the complexity of the main characters gives the old stories a freshness and power they would otherwise lack. Song Il Guk does a fine job as the young prince destined to found an empire, but my favorite actors (and characters) were Hu Joon Ho as the grizzled veteran Haemosu and Jun Kwang Ryul as the tormented king Kumwa. Hu exudes presence every moment he’s onscreen, and Jun’s portrayal of the king’s increasingly conflicted and destructive loyalties is devastating. The show also uses its length to draw us so completely into its web of relationships that many of its most powerful scenes are not the giant battles but the quiet moments where a truth is revealed or a lie is told or a heart is broken.
Does everything work? No. The plot meanders in the final third, with wild goose chases down narrative lines that seem designed to kill time rather than actually deliver meaningful revelations. I could have lived without the saccharine pop ballad love songs on endless repeat and you could get rip-roaring drunk in no time if you took a shot whenever someone stages an ambush, falls off a cliff, discusses an evil plan around an ornate wooden table or survives getting shot by multiple arrows. However, if you’re looking for ridiculously immersive popular entertainment and don’t mind sleep deprivation, you’re in for a hell of a ride. Just be careful – this whole drama thing can get addictive . . . .
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Every episode of Hotel del Luna is amusing, captivating, intriguing, stirring, and thrilling due to the perfect balancing of humour, fantasy, myth-making, drama, romance, and horror further enhanced by the gorgeous costumery of the female lead, visually-dazzling production, heartstrings-tugging soundtrack music, cameo roles, and socially-relevant sub-plots that tackled: molka epidemic; prevailing patriarchal assumptions; and toxic netizen culture.
Two of the most popular young actors today, Lee Ji-eun or better known as IU and Yeo Jin-goo exude palpable chemistry in their memorable lead performances as Jang Man-wol and Gu Chan-seong, respectively. The accursed millenium-old Man-wol is the alluring, chic, ethereal, luxurious, and petulant chatelaine of the mystical and marvellous Hotel of the Moon while the dashing, dutiful, empathetic, and courageous Harvard graduate Gu Chan-seung serves as the hotel's 99th or current human manager.
Veteran thespian Seo Yi-sook leads the trio of superb supporting cast as the mysterious deity with several identical manifestations. She is joined by Shin Jung-geun who plays the 500 y/o untimely-killed Joseon top scholar-turned-hotel bartender and by Bae Hae-sun, the 200 y/o grudgeful murdered daughter-in-law of a privileged clan who is the hotel's meticulously efficient room service supervisor. Also starring are promising actors Lee Do-hyun and Lee Tae-sun; idols P.O and Mina; and Cho Hyun-cheul and Park Yoo-na. Jung Dong-hwan as ex-Manager Noh and Kang Ho-seok as Grim Reaper are also endearing in the portrayal of their special characters.
Hotel del Luna, although a fantastical drama, is actually a foray into the reality of life. It teaches among other things: that like flowers from the moon tree, life is beautiful yet fleeting - and so, we must make the most out of it; that humans are endowed with the ability to make choices and are consequently tasked to bear responsibility for the choices they made; that life is not always easy or fair - as such, we must learn to play the hand we're dealt with much courage and grace; that if the past is a source of suffering or ill-feelings, we must learn to let go and make peace with it and with ourselves if there's nothing anymore that can be done about it; that our way of thinking and feeling can have a powerful outcome or influence; that revenge is sweet for it provides an outlet for pent-up aggression and wounded feelings, but, at the same time, it is also burdensome and masochistically painful for it recoils and does not diminish with time, thus inflicting endless pain on the person who exacted vengeance; that forgiveness has a rending and liberating power; that love has a transmogrifying power which can contour our character - either for the worse or for the better; and as Gu Chan-seung has perfectly shown us - that true love is self-abnegating or it makes you forget yourself and seek the welfare of your beloved.
Unfailingly riveting until the end, Hotel del Luna will for sure hold a place in the hearts of many of us. A big kudos to the writers, director, actors, and production crew for making this drama an enjoyable and worthwhile watch.
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First problem, and I think many who have watched it will agree, that Wild Romance seemed to have lacked a little in the romance department let alone anything "wild". I WISH WISH WISH, there was more romance between the main characters, because I absolutely adored them! Lee Dong Wook and Li Si Young did an AWESOME job in their roles and I have become a fan of both of them because of this drama! :D This is actually rare for me to say but...I WANTED MORE LOVEY DOVEY SCENES BETWEEN THEM! Haha. But I did enjoy the few cute scenes they did share. LDW and LSY are what drove me to finish this drama and they never failed to make me laugh with their silliness. :DDD
Second problem, and I think I will gain a few haters by saying this, but the amount of air-time they gave Jessica (from SNSD) was just...too much. I mean c'mon... side characters are just...SIDE CHARACTERS! It really frustrated me on how much of the drama was focused on her. I have nothing against Jessica of course...I think she's a very cute girl. But like I said, it was just too much for me. But to those of you who are huge Jessica fans, BY ALL MEANS this is the drama for you! :P
As for the story, I thought it was exciting,suspenseful and mysterious and the plot was very good for a such a short drama and I did enjoy some of the songs in it as well.
Overall I think this drama is very underrated and deserves much more praise than it seems to be getting. :)))
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Total run-time: 2 hours 34 minutes over 8 episodes, so each episode is around 20 minutes long. Get this, the intro is 1m 45s, and the credits are 2m 30s! Each episode has more than 4 minutes of bloated credits! Cut that out and the whole show is probably only 2 hours long!
ACTING/CAST: The cast are all very attractive, and play their parts well. I totally loved the part played by the doctor.
MUSIC: Standard drama music. Nothing stood out for me.
REWATCH VALUE: Yes, this is a neat series. Gonna watch with a friend.
OVERALL: Fun series, with cute guys and it's also short. Binge on!
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