Reviews

Ever Night has its flaws, but it ended up being one of my favorites anyway. The first thing that stands out about this drama is its beautiful cinematography and great action scenes; the fight choreography is exceptional, and the CGI is pretty solid overall. The main characters are interesting and likable, but flawed enough to be realistic. Ning Que, the protagonist, is more antihero than hero, shaped by his childhood trauma and his struggle to survive while also supporting his "maid," Sang Sang. He comes across as having a chip on his shoulder (with pretty good reason) and he is guarded around most of the other characters - Sang Sang being one of the few notable exceptions. She is such a gentle, cheerful young woman that it would be easy to forget what a difficult life she's led if not for her extreme practicality and her anxieties surrounding finances. Occasionally Sang Sang's emotions get the best of her, but no other character is as supportive or industrious as she is.

The relationship between Ning Que and Sang Sang is complex due to their unusual circumstances and there are multiple layers to their dynamic. She initially appears to be a maid who happens to be very fond of the person she serves, but it's quickly evident that their power dynamic is not quite that cut-and-dried. When he was a young child, he found her as a baby in a pile of corpses and took her in. They are a few years apart in age, and although he was obviously her caretaker in her younger years, it wasn't too long before she was carrying her own weight. He has made a living by killing bandits, while she has taken care of domestic chores and finances. There are subtle elements of caretaker-dependent and older brother-younger sister to their interactions at times, but overall they seem best described as platonic life partners for the first thirty or so episodes (with occasional, subtle hints of romantic feelings/attraction).

Later in the series, when Ning Que shows up with a love interest after a period of being away from home, they're forced to confront their true feelings and figure out what they really want. It's pretty obvious just by the fact that Sang Sang is the second lead which way Ning Que will lean (or even by the synopsis on this page), so I don't think this could be considered a spoiler. I watched this drama on Viki with comments on, so I know how divisive their relationship is. It is an upsetting development for some viewers who only see one aspect of Ning Que and Sang Sang's dynamic. Some viewers consider Ning Que to be too much of a father figure to Sang Sang to accept the turn their relationship takes, claiming (or implying) that it is incest. I personally don't agree with this viewpoint – but if you think the relationship could be squicky for you based on how I described it, and you believe that would interfere too much with your enjoyment of the series as a whole, you may want to give this one a pass. Just a heads up.

I rated this drama highly in large part because I really enjoyed most of the characters and the main relationship (I can forgive a lot if I become attached to the characters), however I did feel that there were some issues with the plot. The pacing is a bit uneven, and the exposition scenes are quite dull at times. Although there were a couple of exceptions, I felt that the antagonists were much too one-dimensional. The character arc for one of the main antagonists – Long Qing – particularly felt like a waste of time. Most of his scenes could have been left out and the result would have been the same. That was especially irritating given that his scenes were so tedious to watch. The last ten episodes are sluggish and feel like they could have been cut in half (at least). In fact, the same could be said for the series as a whole - but that has been true with almost any Chinese drama I've seen.

Another thing that I found off-putting is that, sometimes, some of the characters would know what's going on in a distant location without any apparent reason - as if they were watching it on television. When it was Fu Zi - who is generally considered the greatest cultivator in the world - I decided to just go with it. It didn't make sense, but whatever. When it was Fu Zi's disciples, I also just accepted it; they learned it from him, I guessed. But when it was still used with characters who had no background in cultivation, it became kind of aggravating. No matter what, it feels like lazy writing, but there really should be some brief explanation given for something like that. Similarly, there were many times when characters received news quicker than really seemed believable. Things like this were just minor annoyances, but they did pull me out of the viewing experience.

I've read some criticisms of Chen Feiyu (Arthur Chen)'s acting, but I didn't think he was a bad Ning Que overall. He was actually pretty expressive, though unevenly so; he was effective at conveying affection/infatuation and anger/aggression, but fell short in scenes that required him to express emotional anguish and physical pain. One thing that I found a bit annoying is that he frequently raises/moves his eyebrows in a way that kind of looks like they're spasming. Sometimes the eyebrow raise is effective, but more often it's not. That aside, I became attached to his character in spite of his considerable shortcomings, and some of that was due to Feiyu's charm and charisma. (Note: He won't be returning to the role in the second season due to scheduling conflicts; he will be replaced by Dylan Wang.)

I felt that Song Yiren (Ireine Song)'s acting was stronger; she was lively, sweet, and adorable as Sang Sang. Whatever the scene called for, she was almost always able to hit the right emotional notes. When I watched the trailer, the only thing I had reservations about was her character, so it's kind of ironic that she ended up being my favorite. I looked forward to her scenes most, and I'm very glad Song Yiren will be returning for a second season. There were many great supporting characters, and the other actors were quite good overall. I enjoyed the fact that several older characters had prominent roles in the story, and they also ended up being among the most interesting characters to watch (most notably Chin Shih Chieh as Yan Se and Ni Dahong as Wei Guangming).

So, tl;dr:

Pros – memorable characters, cute relationship, great action scenes, beautiful cinematography, lovely OST, mostly good CGI

Cons – one-dimensional antagonists, potentially squicky relationship (YMMV)

If you're into action/adventure and fantasy dramas, and you don't think that the main relationship would negatively impact your ability to enjoy the series, then definitely give this one a shot.

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Bloodshed And History ; Where To Begin With One Of The Most Controversial Dramas Of 2021...

Before getting on to analysing the main storyline and characters of the series as individuals , it is probably most prominent to address two main controversies which ultimately affected character and production in the drama. First, dropping initial actor Ji Soo with his allegations in favour of Na In Woo in episode 7 ( subverting On Dal’s personality ) and then having to reshoot scenes eventually with Na In Woo and releasing the earlier episodes after the initial finale . Whilst a lot of diehard advocates of the show will probably sugarcoat this by stating that “ it didn’t stop the storyline from being good” or “ Kim So Hyun made up for this”, it is important to note that even in early episodes, the series did often feel hampered by several incoherent screenwriting choices.

A notable example of poor scriptwriting occurs by the usage of contemporary vernacular in the show’s main setting of the Goguryeo era (37BC – 668AD). Although admittedly it would be equally ridiculous for the show to even attempt speaking in an outdated and incomprehensible tongue for the whole course of the series, it felt laughable when a palace guard or a member of the royal court suddenly sprouted demotic Korean phrases that would not be out of place in an Internet cafe in Seoul today. Of course, it is understandable that the drama does want to resonate with modern audiences, and as a fictionalised story, tweaking history can present an interesting depiction of the director and screenwriter’s thoughts. However, instead of actually bothering to take the time to present authenticity through discourse exchanges, some of the spoken lines of the series felt awkwardly mismatched with its time and setting. ( Though admittedly this did improve in later episodes.)

As a consequence, this often took away from the more intriguing portrayal of the historical costumes , and the storyline ‘s main focus on a warring nation torn by clans. The premise is fairly intriguing by its initial setup of the amnesiac heroine Princess Pyeonggang ( Kim So-hyun) defying her fate , falling in love with “the fool” On Dal ( Ji Soo/ Na In Woo) and of course taking its origins from a modern spin on the traditional folktale based on the 2010 novel Princess Pyeonggang (written by Choi Sa-gyu).

Nevertheless, Kim So-Hyun is able to brilliantly capture Pyeonggang ( or “ Ga Jin”) through her individual performance , however, something which should initially be addressed as an example of questionable miscasting, was the choice also to use So-Hyun to play her character’s mother, Queen Yeon during flashbacks in early episodes. ( Leading to a lot of confusion for first-time viewers of the show.)

In addition to this whilst it is hard to fault Kim So Hyun’s performance, her character felt oddly-written. When we are first introduced to Ga Jin she is a ‘’blank slate’’ due to not possessing defining memories of her past. However, the main issue towards Pyeonggang is due to her character development as the story progresses. We were told that Pyeonggang grew up as a top assassin Yeom Ga-jin, which implied that she should not only be skilled in martial arts, but also would be able to be quick-thinking in dire situations. Yet often during key events in the series, Ga Jin/ Pyeonggang was often reckless and foolish. Near the ending, admittedly Pyeonggang did resort back to her resilient and tough role as the heroine, however, the development in between deeply questioned how such a fierce, decisive and brave warrior from the flash-forward during the opening montage matched up with the character who seemed to unfold over the course of the series in front of viewers’ eyes.

This moves us onto the biggest elephant in the room, On Dal. Being played by two different actors, there is the most evident problem of how to assess this character from the two difference performances upon the archetype of the ‘ kind-hearted and foolish male lead’.

Ji Soo seemed to capture the ‘ fool’ as benign and goofy, adding a notably fractious and eccentric undertone to On Dal as a character. However, Na In Woo took a less childish approach to On Dal’s constant grins and confused tone , through dumbstruck expressions for the latter part of the series before taking on a more serious tone towards the character (as he is becomes a more revered individual due to the circumstances ). Regardless, On Dal acts as a major asset within Pyeonggang’s journey of self discovery and their fairly sweet romance tale by bringing out her personality and as a tie to her complicated past. However, the problem still remains not merely by the different performances of On Dal for viewers , but trying to flesh-out On-Dal as a sentient character.

In fact, this was an evident problem between how the show dedicated time to sketching out the drama’s personae , but it’s hard to really “ grasp” or feel intricate emotional attachment towards most of them. The early episodes of the drama enjoyed using the stock side characters of the village as comic relief, before in the second half and the time-skip bringing in a multitude of either newly introduced or previously mentioned antagonists and characters . (Whilst many of these characters and villains were incredibly interesting , they often struggled to have decent screen time in order to develop out of their one-dimensional shell.)

Perhaps the one character in the show who was surprisingly quite intriguing in the beginning of the series was General Go Geon ( Lee Ji Hoon). As it may seem evident through tropes, Go Geon naturally becomes the ‘ second love interest’ through his ‘ complicated’ feelings with Ga-Jin. However, whilst Go Geon did surprisingly possess the potential role as an an intriguingly motivated anti-hero in the series, his role ( without any spoilers) was sadly blanked out due to poor character development.

The ending was predictable to say the least and arguably anticlimactic by straying away from the actual conclusion of the renowned tale. Of course, this is a fictionalised drama and having an artistic license is not inherently wrong. However, the ending may cause a little bit of head scratching for viewers by ( the change of actors for On Dal aside) the entire flashforward , weather and certain events being subverted entirely. In addition to this, the ending felt more like a ” quick-fix”, than being built upon strong foundations by the slow-paced storyline (in parts ) diminishing often the more intriguing elements of the drama.

So, is ” A Moon Where The River Rises” being unfairly criticised, or is it genuinely a good watch? Controversies aside, whilst the aesthetic cinematography, a high-budget production value ( especially remaining apparent with its CGI and beautiful outfits) and Kim So Hyun ’s brilliant performance remained compelling enticements towards watching the drama, ” River Where The Moon Rises" suffered ultimately from whimsical screenwriting. Intriguing characters and villains often felt half-baked, the overused tropes in the first-half of the series often made the second-half struggle to catch-up with the more intriguing elements of the storyline ( resulting in slow-pacing also ) and the ending felt rushed to say the least. Ultimately, ” River Where The Moon Rises” isn’t a dire or terrible drama and certainly does have some redeemable qualities , however, there are better sageuks ( historical dramas) out there with stronger plots, more three-dimensional characters and well-written endings also.

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An Insult to The Author.

I have created an account for the purpose of writing a review for this series, I haven't a clue, how this sorry excuse of an adaptation has a rating above 8. It is my sincere request to each and every one of you to go and read the Web Novel or for an even better experience, the Webtoon adaptation of the Webnovel, the author of the series and the characters he has written deserve better and I will explain why.

1. The Plot : The problem with the plot is that, in the novel, the MC dies and goes back in time as the son on the Chairman's estranged but his own son he has with his wife. In the drama, since it would be difficult to view the character as someone else, it is made so that this particular grandson had the same face which is Song Joong-ki. The ending is even more disastrous, it is a thorough insult to the author of the Webnovel.

2. Characters: Lee Sung-min as Jin Yang-cheol was perfect, his acting skills had me in awe, but the entire characters, regardless of the casting were no where near as deep as the original work. Jin Yang-cheol is a complete sociopath, he is an indomitable wall, the wall that has defended Soonyang and the general that spear headed it's growth, he is not a vulnerable person and his ability to think rationally and stay calm is what makes him a truly scary character, the essence of Jin Yang-cheol who I would argue is more important to the series than the MC was lost, he was a broken old man in the series. Jin Yang-cheol is feared by his children because they know he would rather take Soonyang to his grave than give it to his children, he wants them to steal it from him, yes 'steal' is the right word and that is how much of a sociopath he is.

The MC is actually a lot smarter, he does not get out maneuvered, he is always steps ahead of his enemies, to make the series feel like a thriller, unnecessary twists and turns were added. The characters in the original work have a deeper story and better development, they don't want Soonyang just because they think "I should be the rightful heir", it gets a lot more complex than that. The original work also has romance, they removed a good portion of it.

I do not claim to be an expert on K-Dramas, but this series, is a complete bastardization of the original work, the author and his hard work has been insulted in my opinion, I could write a lot more, but the more I write the angrier I get. I have nothing but absolute pity and contempt for those who gave this pathetic adaptation anything above a 2 star rating. I implore my fellow audience to look beyond the cast while deciding to rate a series.

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A bit of magical impetus needed to effectively counter autocratic networking and corruption

"Again my Life" is about a personal revenge campaign and at the same time a fight for the rule of law. David is once again up against Goliath. In his first life, the young prosecutor fails - and dies. But miraculously he gets a second chance. Eventually, in this second attempt he sophisticatedly works on a supportive network. ´David´ no longer fights alone.

"Again My Life" is part of a kind of law-and-order series invasion that swept over the KDrama world in 2022. The country seems to be crying out for justice. There is obviously a growing urge for real justice and effective punishment for the backroom masterminds, who are holding the true strings of power. A yearning for an end to eternal corruption. At the same time, there is great frustration that it seems so extremely difficult, almost impossible, to truly say goodbye to the old autocratic structures. There are laws, but they still don't seem to equally apply to everyone. For some time already, KDrama creatives (and their sources like webtoons etc.) have been fervently exploring the possibilities for a new horizon. In 2022, however, we see an unprecedented abundance, almost a climax, on a desperate path of effectively and/or morally defying the machinations of the powerful and the injustices and loopholes within the practiced legal/societal system. E. g. "Military Prosecutor Doberman", "Juvenile Justice", "Why Her", "Insider", "Doctor Lawyer", "Law Cafe", "The Empire", "May it Please the Court", "One Dollar Layer" and even "Extraordinary Attorney Woo" mercilessly bombard the audience with the same basic structural problems over and over again. In doing so, in their own individual way they juggle with the possibilities, opportunities and limitations that the legal system and the rule of law have to offer. And so does "Again my Life".

"Again my Life" is one of those productions that, bottom-line, choose a rather sobering, almost pessimistic perspective. A pessimistic tone might come from the fact that the protagonist actually needs a magical impetus to even get a minimum chance to clean up the ailing, corrupt and mendacious system: with a second life. Time is practically turned back and he gets the opportunity to live once more - to make it better with the advantage of his knowledge about connections and context.
Pessimistic might also be the fact that in the end the outlook is a questionable one. The audience may be satisfied in many respects, yet the basic problem can´t be thoroughly resolved - which I would think is pretty close to reality. The audience is mercilessly confronted with the question: is real democracy an illusion? Is democracy just a modern marketing gimmick that secretly hides the old concept of autocracy that has been tried and tested on the peninsula for centuries? A new, beautified skin for the old wine?

Is the message therefore a pessimistic one? Almost, but then no. Because even if it feels (and really) requires rather superhuman efforts (or circumstances) to counter the old autocratic domination effectively, it can individually still succeed. The evil resides in each individual human being - in our seductibility and venality. Everyone has to face that. Again and again. It's not something that's rooted in the system, but in people. People fill community with life. Everyone contributes to it. This is partake and participation. However, this is only possible with mature, responsible, self-responsible, upright citizens who cannot be bought - and thus degraded to bowed lackeys.
Autocrats (= powerful private individuals within the given democratic framework conditions) need appropriate lackeys who give them power by supporting them in undermining the existing legal system. Therefore: what may come across as a pessimistic message at second glance turns out to be a rousing warning finger: Be vigilant! Stay alert! Do not give up! Take your chance, every day! Prove to yourself that you are a sincere citizen: Self-determined. Independent. Responsible. This is the only way, democracy and the rule of law can actually work. Otherwise, we agree with those self-proclaimed autocrats - and then we don't have a right to grumble and complain... Against this background, "Again my Life" offers a compelling, exciting story and at the same time a vivid lesson in 'responsible citizens versus corrupt lackeys'.

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loved this!! I think this was the only series wherein I liked all the characters even the antagonists!! Almost all of the main characters were so smart and wise that it was so entertaining to watch their political wars and power struggles especially Deokman's and Mishil's fight for the throne. At first, I didn't like the character of Deokman but as the story progressed, I found myself admiring her and cheering for her success.

I only have two complaints for this drama though; first was the romance side of it. I didn't really like the characters that were paired with her. I didn't hate them, I just found myself rooting for an alcheon x deokman pairing all throughout even though I very well knew that it wouldn't happen. Hehe... Anyway, I'm just in the minority so you might actually like the love story part of it since most people do. :)

My 2nd complaint was the ending. I just think that they could have ended it better. I know the number of episodes was actually extended from its original plan but somehow the ending felt a little rushed and it seemed like there were missing scenes that should have been shown.

However, all in all, I think this was a great historical drama that left a deep impression on me. Plus, the soundtrack is good! It added to the tension and excitement of the drama!

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" Extracurricular " had an interesting story, but there were many flaws for this drama that lessen the enjoyment.

Though the issues that extracurricular is dealing with are not the typical korean school drama presents, even though the angst, drama and having the character hit a low point is part of the korean drama repertoire, the drama did a good job with dealing with them, keeping the pace fast and the cinematography dark and moody. So, the idea was there and so were the elements to make a good psychological thriller, however, the drama didn't succeed in doing so.

First of all, the characters, not all of them, but the main ones, were annoying. Actually, the leading lady was unlikable and not easy to root for, in a drama were you have to like the criminals. The main character was a bit too toned down, with the title of genius being only a tag that followed him, but in reality, or, at least as far as the drama showed us, he was just a boy with a good idea, but lonely and in a desperate situation. The characters overall were acting way too mature for their age and it was difficult to be believable.

Second of all, the drama had its boring moments. The whole action thing got tiring to watch after it followed one twist after the other and the frustrating moments were too much. And yet, somehow, they managed to get the interest hit low beats towards the end. However, the ending was nicely managed. The performances, also, were brilliant from everyone in the cast, even though most of them are young actors.

So, overall, six out of ten.

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From Obsession to Disappointment... That's the plot and my review

In the beginning, I became quickly obsessed with "Nevertheless," even during the torturous wait each week for only one new episode. This series is short so things move pretty fast in the beginning and it's clear that the subject matter is more adult and risqué than usual. What started out as a realistic look at a messy, addictive, and super toxic relationship turned into a much safer story that I lost interest in. This drama struggles with the idea of exploring non-traditional, and non-idealistic relationships while still wanting to play it safe and not cross too many lines. This drama had the potential to be cautionary but sadly turned into another love triangle cliché.

The best thing about this drama is definitely the chemistry between the leads. Han So Hee as the recently heartbroken Na Bi and Song Kang as the manipulative Jae Eon are definitely sexy as a duo. I also admit that Na Bi is annoying at times. Also, even though she is the main lead, she has the least interesting personality of the entire cast, even when listening to her inner monologues. I hated seeing her same wide-eyed expression over and over. Still Na Bi was also super relatable. If you have ever been in a toxic relationship with a narcissist you can probably understand Na Bi and her struggle between doing what she knows she should vs what she can't help but desire. Song Kan is perfectly cast as the charming baby-faced bad boy Jae Eon. His confident smirk is enough to make him very believable as the guy everyone wants, and the guy who can get away with doing whatever he wants. He gave me chills because I definitely know some "Jae Eons" and had my own struggles with one. If you ever come across one, run away and save yourself. Believe me! lol! Sadly in the later episodes, his character shifts in a way that made no sense and his performance seemed much more fake and forced, and Na Bi barely had a character arc.

As for the supporting cast, this drama does a great job of spotlighting other relationships that are just as interesting as the leads. My only issue is that I felt a little cheated when those other relationships weren't as fully explored. It was clear that there was only so far this drama was willing to go with each story, but the performances were still great, and the couples were cute.

Of course, I have to mention the all-star of this drama, the infamous "Potato Boy". Chae Jong Hyeop as Yang Do Hyuk is the 2nd lead MVP that dreams are made of. He's cute, he has a sweet smile, he's understanding, he can cook! If you love "shipping" the underdog Potato Boy will not disappoint. He was exactly the boost the main couple needed before they got too boring and repetitive. I'm also currently watching him in "The Witch's Diner" and he definitely has the potential to become a new favorite of mine. I can't wait to see him star in a full 16 episode drama.

Would I watch this again? I'm torn. I think there are definitely some scenes I could rewatch in the early episodes but the payoff was so disappointing that I probably wouldn't. I liked the characters but not enough to want to revisit them. So much about this drama is about awkwardness so it's not exactly a fun rewatch either. I also had zero interest in the art scenes besides the 2 art pieces that bookend the story. Since Art is what connects all of these characters, that's not a good thing. At least they didn't stretch the story out to make it longer. I maybe even could have been shorter.

Overall this drama should have been much better but playing it too safe was its downfall. I know many romance dramas promote unrealistic scenarios, and I don't want to give away anything, but I feel guilty recommending this drama because it may give people too much false hope in a way that could be damaging. Maybe I am too personally biased about the situation, but it still felt a little irresponsible by the end, and It seems the ending is different than the webtoon version (which I am excited to check out). I thought I might love this drama, but instead, those feelings didn't even last for the full 10 episodes. Nevertheless, I have no regrets and I'm glad I watched it.

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Romance Drama Chemistry Is A Must

Unfortunately, they failed to build that chemistry between the main couple. It is mainly because of the male lead poor acting ability and performance. He also doesn’t have the look and charisma on an equal level with the female lead.
Chemistry is very important in romance drama.

This is another of those series that I was rooting where the second male lead gets the girl. LMX has that conflicted, dark but oh so sexy. The actor did a good job portraying his character and he is also quite charming.

Disregard the plot holes, it is a decent drama. OST is very nice especially the ending song.

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Totally underrated urban professional life romance revenge and crime story

It had me sitting up over here in Europe every night, combing the net for the next airing of new episodes.

Although it took some getting used to the FL squeeky voice I do love the main couple and found them convincing since episode one.

The couple fights huge social gaps. This drama actually shows a piece of how some of the working class people in China live. The expectances they face. From their families and friends. The shallowness they are met with when it comes to money high society people.

Wang Ju An, heir to a share of a group called Ansheng is called back to China to be Anshengs new CEO at Shanghai.

He faces internal and external oponents, has to clean up and rationalise overcome company structures, eliminate devious employees.... and accidentally meets the woman he falls in love with.

Su Mo, a uni graduate who messed up her own brilliant carreer opportunities by taking the blame for her former boyfriend's cheating in exams, can only make ends meet as a sales person at a dress shop. When she loses that job she applies at Ansheng. And finds herself rejected at first.

As she is upright she faces Wang Ju An and explains. But neither humiliates herself. Nor ask for extra favors. Impressed - nobody dares to stand up to him- (which he neeeds so badly!) he hires her. And that's how it all begins.

Bad acting, other reviews say. WHAT bad acting? It's Vengo Gao at his best. Sporty, nonchalant refined society man... so convincing. Foil fencing like a mad devil! Jumping the carpet in 3 leaps just to mark a point. Competitive, bold, secretive, scheming... vulnerable, loving, protective... it's all there.

The rest of the cast is not less convincing. FL stands her ground when CEO is being "emotionally stupid". She gets his feet back to the ground. And stands by her miserable beaten and framed man, when he is at his lowest.

They are toooo ollld... reviers say!
"Crap they are!" I say. To be a CEO at a huge company it takes a certain age. The Cdramas China is so used to with teenage CEO's and giggeling secretaries are much, but neither interesting, nor convincing. Nor real.

"The Outsider" shows mature actors, cinvincing characters... who sometimes do act foolishly. But WHO of us... doesn't do that every now and then?

I like the lead couples interactions. Second leads are funny oposites. Until tragedy hits. Wang Jian is starred in such an endearing manner... everybody would like to have a little brother like him. Developing from lazy beans into determined young man. Deeply in love with the brainer cousin of Su Mo.

I loved this drama. Do give it a try. To see Vengo Gao have mimics, smirking, sneering, being shy, being coy, being angy, menacing, concentrated, cooking, fencing, DANCING, (yes, he dances!), tearing up, (yes, he is emotional here, showing the entire bandwith of emotions involved with the grandezza of a great actor), going down on one knee, is already worth it all.

The way the actors are being dressed was great. Wang Ju An can wear anything, from that needle stripe business suit to his fencing outfit... and last but not least that sand colored outfit with those matching Chelsey boots... he wears them all to perfection. Cudos to Vengo Gao being an international Haute Couture model.

To me this is a "watch and repeat". Definitely.
♥️♥️♥️♥️♥️♥️♥️

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This movie could have been so much more... Spoilers!

My gripe with this movie is that it had the perfect setting to turn into a romantic or social message. But in the end, it ended up being neither. The main character does grow in some sense, but not entirely.

One example: The ML went through harassment himself while dressed as a woman, but he never directly addressed why he was wrong, just saying, "I am sorry," even when he got a stage to say it out loud. He apologized to several women, but it didn't feel like he understood why his previous behavior was problematic. His realization seemed surface-level. In addition, it is really hard for me to believe that he grew up with a sister and was raised by a mom and ended up doing what he did.

But the comedy was good and you can never go wrong with this guy! His acting was A+!!!

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It's Gwanhee's Inferno

The worst season so far. There were no games, no real challenges, no cooking or any other meaningful activities. The participants were not genuinely interested in anyone else but themselves. Most of the girls and guys have no personality whatsoever. Gwanhee being an exception although I really disliked how much screen time he had. However, now that the show is over it makes sense that they have focused so much on him - the others are so one-dimensional. Like someone mentioned in the comments, without him you wouldn't have a show and no one would be watching it. I also think the producers did him dirty - I doubt he is such a POS like they made him out to be. It's just that they had nothing else to work with.

It was frustrating to watch nothing happen. All they did was talk, talk, talk. Drama and more drama that became so messy and lead nowhere. The ending was predictable because there was no challenge. The contestants did not manage to develop any sort of bonds with others in the group, especially not with the ones they claimed to like.

The whole show lacked substance because of how shallow most people seemed to be. I also have a feeling there were some major budget cuts for this show or it is just that people involved did not want to get their hands dirty. Literally.

Don't waste your time on this.

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A Classic

This series will be a classic in future, with its cinematography, story line, strong acting and musical arrangement.

The first few episodes were slow to develop. But, once it gets to episode 5 or so, it gets exciting with Hu Ge using his wits to turn the tables and defeat his opponents. Hu Ge's role is literally Mei Chang Su in a Western suit in 1990s in Shanghai. Bao Zhong is as intelligent and scheming as Mei Chang Su, with the added advantage that he plays a charming lady's man in perfect health that oozes sex appeal.

What I enjoyed about this show was that the characters are not one dimensional. I don't think I have watched a drama where I hoped all 3 of the FLs would attain the happiness that they so deserve. Even the "villains" had some positive quality that made you want to root for them, be it Wei Zhong, Qiang Zhong or Lu Mei Lin; which is the reality of life, that no one is truly all good or all bad.

The music (they must have paid a lot for royalties) added to the mood and I hope some fan can compile all the music scenes into one video.

Go watch this show!

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