Reviews

Preachy with questionable lessons and toddler love story.

Can’t believe I watched a whole show with a cloud of flies as the villain. Why did he do what he did? Because he is evil. Why was the war happening? No one knows, it just was. Why was the leader of fairies wanting to keep the war going? Why not I guess, they just hate each other.

Here’s the thing, if you take 10 random viewers of the show and ask them to describe in detail what was the plot of the show and motivations for all the characters, you would get a description of 10 completely different shows. Why? Because all this drama had was a framework of the plot, but no substance inside it. There was little to no world or character building, no proper set up, no proper conclusion, no details of the magic system and rules how it operates. The drama just lacked… writing.

I could potentially still enjoy it for the romance, if the romance was good. It was not. I just cannot get behind the weird toddler with grown up man romance. Here me out - I have exactly zero issues with childish female leads, there are quite a few dramas with them that I enjoyed, but I am completely against child-like female leads. There is a huge difference between a character behaving in an immature fashion, and a character behaving like a child, and sadly the Fairy was just an annoying toddler.

Possessive and toxic love story? Sign me up, but not when it feels like a romance between a father and his minor kid. I do not care if she matured in the last 6 episodes - too little too late. This whole pairing freaked me out for a good 30 episodes.

Orchid just ain’t it. Girl was dumb, loud, irresponsible, pretentiously good (sorry, but a guy colluding with evil for 30k years and getting so many people dead because of his delusional love was not just a small mistake). While Dongfang Qing Cang was truly hot during many scenes, I still could not enjoy the character to his full potential because of the context of his romance with the little flower. Out of all the characters, the two I truly enjoyed were Die Yi and Dear Daddy Devil’s little brother.

Yes, the performances were strong. Esther Yu was perfect for the role of the most annoying child female lead and delivered all the proper expressions and lines needed. The emotional scenes were great and I actually really liked her in the last 3 episodes. Dylan Wang ate the role. All the pain and suffering, all the confusion about the new emotions he was feeling, all the internal and external dilemmas he was facing. Not to mention both Esther and Dylan did a phenomenal job with the soul switching scenes (even if I did not enjoy them, I am not going to deny the acting skills needed to deliver them).

Production value was great, at least in terms of special effects and most of the set and costume designs. There were few extremely cheap looking additions to few dresses and war armors, but overall - for sure more beauty than trash. Truth to be told, it kind of felt as if they used 80% of the budget on the aesthetics.

As for the soundtrack, can we talk about that one song that sounds like an anime intro that felt painfully misplaced in the story? Too many tracks were completely mismatched, and while they sounded like nice tunes, they did not fit the scenes at all.

Overall, I am just happy I survived this watch. I hated the preachy narration at the end about how love can cure us all, when literally the whole villain story and all the wars happened because of one dude’s delusional love. The writers need to reread their material before they write dumb conclusions, really.

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Hidden gem!

I didn’t look for the title, the title found me. And simply, if you liked WWW, you will love this one, me thinks. It’s not sugar coated romcom, and it’s beautifully written, directed and acted. A gem!
The series give you very well developed characters, the actors for me portrayed the resolution and hope of youth and the struggles and complicated world the older generation have. It created a circus of relationships, clashing those, who always have everything, their games, and contrast this world with the one of other people. They both have their struggles and truth and it’s interesting how you are guided to also the see both side fairly.
Despite all, there is a simple, pure love born out of being connected, truly connected, with someone. Haven’t finished the drama(2ep to go), but I loved it so far.
Why not 10 for me - mainly because I’m a bit tired to be shown that we have to bare the responsibilities of age - we all need to be free at some point, to hell everything else, we need to breath (I secretly hope that’s what will happen in the last two episodes) So I’m holding my horses:-)

(By comparison with Now we are breaking up, 100% better!)

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I had high expectations for this drama due to the cast and the seemingly different storyline and style of editing, but I guess I shouldn't have because it's one of those dramas that changed according to the viewer response each week. I mainly ended up continuing with this drama because of the diversity of the side characters and the overall comedic timing.

Kim Soo Hyun was downright hilarious and really showed his worth and growth as an actor. IU was excellent as well, and even though I didn't expect much from her, I can totally see why they cast her; she was perfect. Cha Tae Hyun and Gong Hyo Jin didn't get to do much with their characters after all, as the focus was increasingly put on Kim Soo Hyun and IU due to viewer response and a commitment to fan service. Kim Soo Hyun ended up with the majority of the screen time, followed by IU and Cha Tae Hyun.

Gong Hyo Jin's character is surprisingly irrelevant for most of the drama, except the romance. This drama seemed to concentrate too much on the story of a pop star (IU), and any work-related problems for the female PD (Gong Hyo Jin) were relatively nonexistent for a drama about the work environment of PDs.

I don't have much to say about the romantic scenes; I ended up skipping most of them because I just wasn't entertained (and this is coming from someone who barely watches anything but romantic dramas). The acting, the comedy, and the sound track are on point so I gave this drama a pretty good score, but I wish there was more of the unique documentary-style editing which they decreased once they switched directors. I expected something fresh and different, but this ended up being pretty stale and it gave in to cliches. I think someone commented somewhere about how the world in which the characters live is pretty boring and slow-paced, and I would have to agree.

I wouldn't rewatch it as a whole, but some scenes are good enough to go find to make GIFs for tumblr, if you know what I mean (lol). Basically, I don't recommend this drama unless you're a die-hard Kim Soo Hyun or IU fan.

BUT THAT'S JUST ME...maybe you'll enjoy it more than I did!

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Interesting premise but struggles mightily with setting a consistent tone and story.

Taxi Driver had an interesting setup and premise. I really liked how it highlighted a vigilante taxi driver and his squad out for vengeance to defend the helpless. I loved that the cases were based on real stories which did well to ground this drama.

Yet this drama had a hard time creating a special tone for itself. I’m thinking that it’s because I expected more grit from this drama, and it had settled on giving more #SquadGoal vibes.

Around the second half, the overarching story went a bit off the rails, and I don’t feel like it was ever able to right itself. I personally think this drama would have done much better if it stuck to its more episodic arcs focused on real-life cases. Those cases were all heart. In contrast, it tried to develop an overarching baddie, that took the drama into eyebrow-raising unbelievable territory. I also think with the exit of the original writer, the second half lacks a lot of focus and purpose. Unfortunately, Taxi Driver left a lot of opportunity on the table and veered away from a lot of what made it fun and magical early on. Quite the shame!

If you are looking for a crime drama, this may fit the bill. Alternatively, if you are looking for a drama that is offering something new and never been done before, I may suggest looking elsewhere.

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well, the only good for this drama is the OST.. BTOB did a good job on the remake of the haru OST by SUJU.. when one of my fav OST is being remake, i'm sure loving the remake version also.. both are just soothing to my ears..

even it is hard to watch all those cringe scene and script but i manage to pull through this drama solely for park so dam and jung il woo.. i always love their drama..

the character was meehhh~~ but i did jump like 6 y/o when those cute scene between ha won and ji won.. the hardest character that i was forced to accept was hyeji, my god~~!!!! the development of the character was shit!!! i'm wondering what are the writers thinking during the development of the character.. it's like the writer are so diligent in the 1st halve of the drama and gettin lazy by the end of it~~

well, the most character that i like is *drum rolls* YOONSUNGie~~~~ why?? because he just too gorgeous when he smile.. not to mention, among 4 of them, he is the truest knight (for me) XD

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It felt like a wattpad story xD

I didn't hate it, but it was very questionable

I had a hard time caring for Phayu and Rain...
They lacked emotional intimacy and everything happened way too fast.

I didn't like the way either of the couples got together.

I was skeptical about the second couple and how Prapai didn't take "no" for an answer, but it's MAME so what's new...
I did however like that Prapai really tried to gain Sky's trust towards the end.

Gun is a piece of sh*t and I was just waiting for Prapai to beat him up.
The whole thing with Sky's trauma was way too rushed... this boy needs therapy!!
Things like this can't be cured with "the power of love" as much as we wish it would.

However in the end I liked that couple more than the first one.

I don't have much to say about the acting.
They did a good job for their first role.

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Never‑Ending Summer (2026) — Review

From the moment I finished the final episode of Never-Ending Summer, I knew this drama would linger with me long after the credits rolled. Adapted from Tian Cu Yu’s web novel Zhui Luo, this 29 episode series directed by Hsu Chao Jen delivers a heartfelt exploration of love, regret, resilience, and redemption that feels both intimately personal and universally resonant. I went in expecting a standard youth romance with a time-skip twist, but what I encountered was a profoundly character driven story that earns its emotional weight through nuanced performances and thoughtful writing. It is, without hesitation, a 10/10 for me.

Zhou Wan, portrayed with remarkable depth by Bao Shang’en. Zhou Wan is not your typical flawless heroine; she is resilient yet burdened, intelligent yet flawed by desperation. As a top student facing her grandmother’s life threatening illness and the abandonment by her mother, she makes a calculated decision to approach Lu Xi Xiao. What begins as a strategic move born of necessity evolves into something far more complex.

Bao Shang’en captures the quiet strength and internal conflict of this young woman beautifully. Her expressions convey layers of guilt, longing, and determination that words alone cannot. You feel her isolation, her fierce protectiveness over her grandmother, and the weight of every moral compromise she navigates. In the later timeline, her growth into a capable professional who still carries the scars of youth is portrayed with subtlety and grace watching her confront her past self while refusing to be defined by it is deeply moving.

Opposite her, Daniel Zhou embodies Lu Xi Xiao with a magnetic intensity that perfectly suits the rebellious, wounded heir. Lu Xi Xiao is the quintessential bad boy with a golden heart, but the performance elevates him beyond trope. He is arrogant, fiercely independent, and initially guarded, yet Daniel infuses him with vulnerability that makes his affection for Zhou Wan feel earned and authentic.

Daniel’s portrayal shines in the subtle shifts: the way Lu Xi Xiao’s sharp gaze softens during quiet summer evenings, revealing a young man starved for genuine connection beneath his defiant exterior. We witness his internal battle as he recognizes Zhou Wan’s calculated approach yet chooses to trust her anyway, drawn by her quiet strength.

His protective instincts surface in small, meaningful gestures helping her navigate family pressures or encouraging her dreams while his own artistic passions and strained family ties add rich layers. In the ten year reunion, Daniel masterfully conveys lingering hurt through restrained anger and reluctant tenderness, making Lu Xi Xiao’s gradual thawing feel profoundly real. This depth transforms him into a fully realized character whose growth mirrors the story’s themes of forgiveness and enduring love.

Ten years later, the reunion is charged with unresolved pain. His initial coldness and deliberate difficulties toward her stem not from hatred but from a love he never fully extinguished. The way he gradually lowers his defenses while they collaborate on uncovering truths about a past factory accident adds layers of tension and tenderness. Daniel’s micro expressions and physical presence make Lu Xi Xiao’s emotional journey compelling his quiet realizations and protective instincts shine through even in moments of conflict.

The chemistry between Bao Shang’en and Daniel Zhou is electric and believable. Their early interactions crackle with uncertainty and budding attraction, while the post time skip dynamic is laced with bittersweet familiarity. Height difference, lingering glances, and shared history make every scene between them feel lived in. Whether they are navigating youthful summers filled with small acts of mutual support or confronting workplace challenges and lingering misunderstandings, their connection drives the narrative. The drama excels at showing how love can persist through separation, how misunderstandings rooted in protective lies can fracture even the strongest bonds, and how truth seeking can pave the way back.

What sets Never-Ending Summer apart is its refusal to shy away from emotional complexity. The youthful phase beautifully captures the idealism and fragility of first love. We see Zhou Wan and Lu Xi Xiao supporting each other through family pressures, personal setbacks, and the harsh intrusion of adult realities. Their bond strengthens through shared hardships, but the world intervenes with painful misunderstandings that feel organic rather than contrived. Without revealing too much, certain revelations around family secrets and sacrifices hit hard, forcing both characters to grapple with guilt and forgiveness. These moments elevate the story from simple romance to a meditation on growth and second chances.

In the present timeline, the workplace setting introduces fresh stakes. Their collaboration on the factory accident investigation allows for meaningful character development. Lu Xi Xiao’s evolution from vengeful to understanding, and Zhou Wan’s quiet courage in facing both professional and personal demons, are portrayed with care. The supporting cast adds texture friends like Gu Meng and Jiang Fan provide levity and perspective, while family members represent the complicated ties that shape our leads. Not every side character is deeply fleshed out, but they serve the central relationship effectively.

Visually, the drama is a treat. Warm, sun drenched cinematography in the summer sequences evokes nostalgia and fleeting happiness, contrasting effectively with the cooler, more restrained tones of the later years. The OST complements the mood perfectly, with tracks that underscore tender moments and angsty turning points without overpowering the performances.

Some may critique occasional plot conveniences or pacing in the expanded adaptation from the novel, but for me, these never detracted from the emotional core. The focus remains steadfastly on Zhou Wan and Lu Xi Xiao’s inner worlds their fears, growth, and unwavering pull toward one another. This character focus makes the drama feel intimate and true. It reminded me why stories of youthful passion meeting adult realities can be so powerful: they mirror our own experiences of love lost and, sometimes, rediscovered.

Never-Ending Summer left me with a profound appreciation for its leads’ journeys. Zhou Wan’s quiet determination and Lu Xi Xiao’s fierce loyalty create a romance that feels authentic in its imperfections. The drama doesn’t promise perfection; it shows healing, forgiveness, and the courage to choose love again despite past wounds. For anyone seeking a story rich in emotional depth, stellar acting, and a romance that lingers, this is essential viewing. It perfectly captures why some summers and some loves never truly end.

I HIGHLY RECOMMENDED!

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Doona: Lost Potential & Mixed Signals

"Doona!" began with a premise that promised an intriguing dynamic between its main characters - Doo Na, a former member of the girl group Dream Sweet, and Won Jun, a college student unaware of her celebrity status. Their initial misunderstandings had the potential to craft a compelling narrative about identity, fame, and genuine connections.

However, as the episodes progressed, the series seemed to lose its way. The first episode depicts Lee Doo-Na (brilliantly portrayed by Bae Suzy) in a prolonged state of introspection, seemingly detached from Won Jun (played by Yang Se-Jong). This sense of detachment quickly shifts in the following episode, making Doo Na's motivations perplexing. A subtle indication of her character's emotional volatility could have been appreciated, but the stark contrast between episodes feels inconsistent.

A significant subplot that added to my confusion was Doo Na's complex relationship with an older character, her manager P. This relationship, seemingly oscillating between paternal and romantic feelings, could have been a deep dive into Doo Na's psyche. Instead, it felt like an underdeveloped plot device that only muddied the waters. The series tried to touch upon Doo Na's inner turmoil and her need for validation, but the execution often felt superficial, making her actions seem capricious rather than profound.

Throughout the nine episodes, there were moments that felt drawn out, such as prolonged smoking scenes and introspective silences. While such scenes can be artistically valuable, in "Doona!" they often felt like fillers, detracting from the overall pacing. The dialogues, though meant to be meaningful, often fell short, leaving me craving more depth and clarity.

In conclusion, while "Doona!" had the potential to be a nuanced exploration of fame, identity, and relationships, it felt disjointed and, at times, directionless. The series tried to tackle complex emotions but often skirted around them, making the narrative feel somewhat hollow. I had high hopes but was left with a sense of unfulfilled potential.

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Bloodhounds is back with its sequel and this time it’s less stylized, more brutal, raw and packed with action.. I honestly missed this kind of fight scenes.. I gotta say, this is how a second season should be.. It stays true to its core story of heartfelt friendship, and family.. While bringing back all the gripping elements from the first season.. But this time the action, the boxing, the fighting, it’s just wild, intense and bloody..

WDH really unleashes his talent here.. He was too good.. You can tell he has put in an insane amount of hard work and preparation.. It shows his discipline and mindset as an actor.. And while we are talking about insane hard work and preparation, we have to talk about the antagonist this season.. Rain, you absolute freak.. His physical transformation is genuinely insane and his screen presence is strong.. Ruthless, obsessive, physically intimidating, dangerous, unpredictable, he was a force to reckon with.. Almost unstoppable, one of the most terrifying villains.. And the way he fought?? His boxing, his skills?? Not flashy, just pure ruthless violence..

The visuals and soundtrack were really good as well.. The fight scenes are visceral and intense, shot with a kind of frenetic energy.. And what made this drama even more special was the cast and the cameos.. The whole cast was perfect.. Everyone played their roles to perfection.. They didn’t try to glorify or heroize just one person.. It felt like a true team effort.. Even the supporting cast had some insane fight scenes and showed some mad skills.. It’s a knockout performance from everyone, full of blood, sweat and tears..

The cameos?? Just crazy.. Who would have thought eh?? So many of them.. Park Seo Joon?? Wow.. He was an intriguing character and someone I would honestly love to see more of if there is another season.. Oh and Kang Min Ah?? The transformation, slick.. Give her more badass roles.. She absolutely killed it with her screen presence..

Now.. The script is more straightforward.. It lacks a bit of emotional weight.. It doesn’t feel story driven.. Everything is more or less set up for the fights.. Which I don’t think is a bad thing honestly.. Because they really do make up for the script with some wild action..

One more thing I need to mention.. This time it felt like Hong U Jin was sort of sidelined.. He got his ass kicked more than once and didn’t feel as strong as he did in the first season.. Maybe that’s because of the five year break and his lack of actual boxing.. Still, I would have loved to see him do more..

Overall this season is darker, more violent and delivers an insane amount of wild, well choreographed, bloody, tactical fight scenes.. It doesn’t pull any punches, it goes all in on the action.. Everyone’s commitment to their character is genuinely impressive.. You can see they have put their whole heart into it.. WDH delivers an absolutely astonishing performance with Rain being purely evil and intimidating.. Season 2 feels bigger and more relentless.. I just hope we don’t have to call this underrated.. It really deserves more recognition..

P.S.. Oh, to be loved by so many people.. Kim Geon U is surrounded by people who love him dearly.. That’s who he is, that’s his character.. And WDH, he portrayed that innocence so well..

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Let me start by saying that I LOVED the 1st season of Scarlet Heart. I had recently come around to watching period dramas and was recommended that I watch it. And boy was I not disappointed...I wish the same could be said of this second season. Let me begin with the obvious: season 2 is set in modern day, so the feel is completely different as are the problems all of the characters face. The beginning started somewhat strong for me. There were flashbacks to season 1 and a few of the characters' reincarnated selves in modern day was a nice touch.

story: the plot was weak sauce. Nothing we drama fans haven't seen before: love triangle, poor girl catching the eye of the rich heirs and deciding who she truly loves. The revenge plots did keep me interested with just how far the characters will go for 'justice' and the truths behind long-kept family secrets. But the doppelganger storyline wasn't needed AT ALL. Plus, after the first few episodes, there isn't a whole lot of interaction between the main couple (Zhang Xiao & Yin Zheng) until episode 15, and even then the build up felt too rushed. Maybe because I couldn't really get a sense of time passing, or how much time passed from one problem popping up to another being resolved.

cast: the actors did what they could with the script they were given. And after watching the whole drama I know why more actors from the first season didn't sign on for the 2nd. From episode 1 to the finale the main actress was ALWAYS crying or on the verge of tears. It got to the point that her tears meant nothing to me as a viewer because she cried SOOOO much.

music: It didn't move me, and it wasn't memorable. But it served its purposed to give dramatic flair when needed.

Rewatch: Dear God NO! Knowing how it all came together and ended, I'd rather just rewatch the first season and pretend that (potential SPOILER ALERT for season 1) Ruoxi chases after 4th Prince in the museum with a smile on her face and a sense of hope. Honestly, had the 1st season ended on that note I wouldn't have bothered with the 2nd.

Overall: I'm harsh on this BECAUSE the 1st season was so good. In comparison, season 2 is a 5, but as a standalone I'd give it a solid 7.5. So in fairness, the actual 7 i'm giving this is more than it deserves :-(

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I LOVED THIS ABSOLUTELY

ERROR! ERROR! REVIEW REQUIRED!

I WILL ALWAYS SAY IT, THE POTENTIAL KOREAN BLs HAVE!!!!!!!!!!!!!!
But seriously, I was really shocked at the quality of it all, it was impressive and great, and I loved every second of it.
Before we kick off, I would like to highlight If you are someone looking for like just skinship, then I don't think this is the series for you, if you want story, great acting, production etc, then this is for you. Side Note: They had great kisses though
But the story is quite interesting and cool, I like how it wasn't focused on a guy struggling with his sexuality or any of that drama, but they knew what they wanted, and they went for it straight.

Reviews are usually broken into
1. Introduction
2. General Review, Themes, Specific Issues
3. Story arc and Storylines
4. Characters and Casting
5. Acting
6. Misses
7. Production
8. Rewatch Value

INTRODUCTION
Alright, no matter how much I want a change in the themes of BL to things like Manner of Death and the upcoming KinnPorsche the series, I won’t say I don’t appreciate my good old fluffy bls and Semantic Error was something in that manner. On a general I loved the series, it’s a great one.

GENERAL REVIEW and STORYARC
On an overall, we kinda went with the popular trope of bad boy and rebel who falls in love with the upright, top of the class, quiet kid. And I am not opposed to it because they executed it and I think part of it is tied down to the acting and the actors who really had great chemistry together. Loved the pacing of the series because it didn’t feel too rushed, though I wish we had more romance time between them, but they always had cuteness, so I don’t mind. The storyline was nothing too complex, just two boys who fate brings together in the weirdest way, they start off on a misunderstanding then eventually end up needing each other while being a balance to each other. From a boy who viewed the world through a binary view, thinking love was manipulation to becoming a boy who couldn’t understand what was happening to him when someone he considered to be a “virus” was removed. Loved the idea behind it

CHARACTERS, CASTING AND ACTING
First on the characters, I absolutely love the main characters and two support characters. They were funny, I mean watching Sangwoo go sassy on Choi when she tells them they weren’t the only ones in the office and watching Jang enjoy every moment of his boyfriend (to be) was so cool. The casting was perfect, the height difference between the actor that plays Jang and Sangwoo makes the casting all the much better, like the difference in their height made them more likeable.
For the acting, I think chemistry between the two actors helped so much in this because I love their acting, watching Sangwoo go from uptight to when he starts experiencing his error and then finally when he falls for Jang. Their acting was great.

MISSES
The only miss, which I would not necessarily call a miss for me was the stalker start that the show had because those things can easily go haywire and weird

PRODUCTION AND REWATCH VALUE
Loved the production on this show, it was great, the entire team tried with the direction of the show, and I would a hundred percent watch this show again in the future

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Generally speaking, I usually have the opposite effect for over-hyped things. The more hype a thing has, the more likely it is for me to not like it. I went into watching Eternal Love with low expectations and as I had predicted at the time, I didn't find it too extra ordinary in the beginning.

STORY:

Eternal Love is comprised of the following three stages:

Episode 1-15:
This is when Yang Mi plays Si Yin and we are mostly being introduced to the characters. Ye Hua and Su Su meet up. It sets the pace of the story. This part doesn't have any wow factors, rather it provides an undercurrent of mild amusement. At this point you're not completely invested in the story but you also cannot let it go.

Episode 16-30:
Now this part was just plain torturous. This constructs the build up towards the main plot. It showcases Su Su's and Ye Hua's love and all the hardships she had to face as a mortal. Even though their sweet moments were heart warming, over-all this is literally the deadest portion of the show. It's not exactly the shows fault, rather the sypnosis's. We already know that SuSu is going to go blind and kill herself and honestly, I just felt like only after that, the true story would kick in which is why I had to fast forward some scenes because the whole wait did get, frankly, very boring. I understood that it was necessary for the character development and it provided a strong basis for the story to continue but that didn't mean that I found the drag-on particularly enjoyable. But since my intuition said that the light at the end of the tunnel would be very bright, I persevered.

Episode 30-58:
And this is when the show sky rockets to its summit. I think Episode 30 was by far the best episode made. From here onwards there are so many emotions; one great scene followed by another and suddenly I went from being half-heartedly interested to full on obsessed.

Acting:
Damn, I think I have a little bit of a crush on Yang Mi. She's such an absolute star to be honest. She portrayed her different personalities excellently. From the youthful and mischievous Si Yin, to the kind-hearted and vulnerable SuSu and finally to the boss ass queen Bai Qian; she simply slayed. There is this utter grace with which she speaks and moves that you can't help but be entranced by her. She was the true embodiment of a Queen and a total badass. Her fighting scenes were so empowering and the way she wields that Jade Purity Fan; just dang. She's a woman of power to her core and when Ye Hua forcefully kisses her once, she doesn't just let it be -nuhhun- she bestows him with a five fingered bitch slap 'cause ain't nobody messing with the Queen of Qing Qiu.

Mark was also a very nice surprise. He expressed a multitude of emotions just with his eyes. He didn't have to speak or show rather even the slightest twitch of his face spoke volumes. To be honest, I really fell in love with Ye Hua's character in the later part of the show. He's so selfless and devoted in his affection for Bai Qian that you can't help but root for him. Mark's delivery of Mo Yuan's character was also very impressive. Mo Yuan is a personality that demands respect and he gave him the elegance and majestic aura that was required.

Their chemistry is sizzling hot and both of them compliment each other to the max. I love how their love story transcends all worlds and they're two people destined to be together. I mean towards the end I was so committed to seeing their happy ending that for the first time in my life, I deliberately went to seek out spoilers just so I could have a consolation that everything wouldn't be in vain. Even though the ending is pretty sappy and the consequent events just turn out to be interestingly very very convenient for everybody, I think I wouldn't have opted for less.

The most annoying part of this show probably has to do with everything that was related to the Ghost Realm. Xian nu is literally the world's dumbest villain to ever grace the screens. I mean sure if you gonna be a negative ass bitch, filled to the brim with inferiority complexes, the least you can do is actually have some brains to execute your deviltry, instead she remains pitiful throughout and besides being an annoyance, doesn't amount to much.
Never fear though, because her husband matches her toe to toe as far as stupidity is concerned. Li JIng has a constant "woe-is-me" expression plastered on. He always acts like he is the most tragic person alive and he's constantly throwing pity parties and pining after someone he wronged. Like really bitch, if you gon' whine about how pathetic your life is and how you're suffering so much you should've thought better when you decided to waste your life being a nuisance and cheating on someone you supposedly loved. Smh. I was very thankful when both of these roaches finally ended up dead 'cause they literally belonged with each other in hell.

One of the best things about Eternal Love are the side stories. I had so much love for Dijun and Feng Jiu. Dijun, with his constantly amused face (as if the whole world was a huge joke to him) and Feng Jiu, with her endearing personality and child like tendencies really won me over. This show has so much character development and attention to detail. With excellent emotional delivery and story writing, I think the hype surrounding it is more or less justified.

One thing that I found hilarious was how little Bai Qian truly cared for her son like, ain't nobody got time for that but A-li is legit a ball of adorableness and the few moments they share together are absolute bliss.

Rewatching a 58 episode show is no easy feat so I don't think that I'd be doing that but there are definitely some iconic moments that I have already watched a thousand times over and will continue to revisit.

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