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This review may contain spoilers
Korea once again delivered.
The poster captivated me into watching this and I couldn’t find the right words to describe the series as a whole – it was not perfect but far from bad. I do not know why but it feels like something is missing throughout watching. I wasn't that hooked up, unlike the other ones that I've watched. One thing is for sure, Korea served us one great plot.For the story, I do not have anything much to say. It was cute and somehow fluffy. Once again, I like to point how most Korean BLs including this one stays away from a school setting. I love how each series produced by Korea explores or tackles a unique plotline. Far from cliches and third parties whatsoever. And given that Korea or most Koreans are conservative, I loved how they didn’t incorporate the idea of homophobia throughout the series, it felt like they were in a world without judgement. The story is cohesive.
I like how they incorporated dancing into the story. The character’s lives were completely opposite but they found the right spot to meet in the middle and change each other. The pacing was quite good given that the length of the whole series is just like a movie. They didn’t put unnecessary scenes as fillers to make it longer and they maximized the time they have to deliver a considerably good series.
The actors fit their roles, not to mention their visuals. But in terms of skills, they were able to portray their character nicely, I am satisfied with how they executed emotional scenes, it didn’t feel awkward at all. It seemed natural.
I do not have any comments about cinematography, camera angles, OSTs, and other technical aspects, they were okay to me.
Overall, this is a good watch if you do not have anything much to do. Korea once again delivered a good one. The title really fits the story because they do make each other’s heart dance.
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Fun, but a "pretzel" ending
I'm a critical because I have a background in production, so you may think some of my opinions are harsh. First, I want to comment on the actors. My criteria for good acting is, if I can suspend reality, immerse myself in the story, and emotionally connect with the character, the acting is good. If the audience doesn't relate to the characters, everything else is irrelevant, because the viewer won't care about what happens to them. I cared about these characters. It was especially fun watching the FL and ML bicker and banter as their relationship developed.The plot had good doses of mystery and mayhem, romance and evil, comedy and tragedy. The production values were good; the sets were believable, decent camera work, the CGI wasn't obvious, the costumes were attractive, etc. I liked the music because it was well integrated into the scenes, and didn't distract from the action. The genre is Wuxia, which I watch because I love martial arts choreography. I particularly liked the small details that made the ML's "wolf" abilities more realistic, like how he could whisk around so fast he was almost invisible, how his ear twitched when he used his augmented hearing, and how he could transform. There was only one instance of seeing his full transformation, which was disappointing. His character arc was well-defined, however, because he went from stone-cold to warm and affectionate. The FL had less of an evolution, but was a good contrast to the ML.
Unfortunately, the last two episodes were disappointing. Great writers can write great endings; mediocre writers can't. I like it when the audience gets rewarded with a cathartic moment at the end; sometimes it's joy because it's a happy ending, or a sigh of sadness because it was tragic, or they have a flash of insight because, although the ending may not be what they wanted, it was appropriate. Instead of a climatic moment, I felt betrayed. The reveal of the villain in episode 35 used an old, worn out, plot device to supposedly create a surprise twist. But the plot had to be bent into a "pretzel" in order to make the twist work. Instead of the twist being a dramatic moment, it was laughable, probably because I'm not Alice in Wonderland who "believes as many as six impossible things before breakfast."
After the reveal, the writer tried to stuff too many emotional ups and downs into the last episode. Some of it was satisfying, and the "dénouement" was good. However, after I managed to stay immersed in the drama's fantasy world for 34 episodes, I couldn't sustain it during the last two episodes, and crash-landed back into reality with a giant thud.
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It tells an ordinary story in a refreshingly modern way, without giving up on those elements we inevitably associate to k-dramas and make them into the shows we are all addicted to: a love triangle or square of some sort, love obstacles of various nature, parents who meddle but without being completely unreasonable or out of this universe evil and a corporate sub-plot.
I wouldn't call this a romantic comedy. I think it's more of a life drama. There's romance, of course, and there's a mature, clever humour, but both these aspects are rationed throughout the narration in a sedate and yet very effective way. This is why I believe I do, I do isn't for you, if what you're looking for is a typical rom-com. The pace may deter some, and others could find the raised issues uninteresting or controversial.
I loved it because it offers the viewer a range of different points of view on subjects which are very common in real life, and not so common in the Korean drama world; there's no judgment involved, no stance is presented as better than the other. It's up to you to decide what you would do and how you would react in a similar situation.
A life drama is only successful when the characters are well outlined. And this is the true strength of I do, I do. I myself was amazed at how gradually and yet fiercely I got attached to some of the characters, mainly the two leads. They are both so well portrayed I ended up identifying without having a trait in common with either one.
Acting is spot on. I consider Kim Sun A a guarantee. I may not like all the dramas she acted in, but it's never been due to her. She enters the character in such a plausible way, she does not create fictional characters but real persona. Always believable, never predictable. And let me add how wonderfully satisfying it is when you finally land on a drama with an intelligent, self-assured, successful female lead who does not passively accepts events but make them happen!
The character of Tae Kang has been an amazing revelation for me. A cute thing who looks like a puppy and acts like one is all I believed he was in the beginning. I was very wrong. He's tremendously endearing and such a blend of childlike enthusiasm and caring maturity I couldn't help but being completely captured by him. My admiration goes to the actor for capturing the essence of his character and portraying it in such an adorable way.
The chemistry between those two is also a work-in-progress. Their feelings grow as the characters grow. We fall in love with Tae Kang the moment Ji An does, not before. I loved this aspect the most, as I am usually very frustrated by knowing a truth which the characters will be oblivious about for three quarters of a drama.
The secondary characters are normal people. They make mistakes, they gossip, they laugh, they get angry. With the exception of "madame CEO" - and her horrid taste in figurative art, allow me to add - I liked them all. Everyone has an arc and a role in this story. They are not thrown in just in order to fill empty spaces.
The music isn't unforgettable, but I must confess the main theme is addicting and the instrumental pieces very well chosen.
This isn't a drama I will run to re-watch as soon as it's finished airing. However, it has many delicious, thought-provoking and poignant moments I'll be more than happy to immerse in again in the future. I recommend this drama to everyone who likes a solid, modern script, unusually believable characters and a no-nonsense plot.
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1The mountains are high and the emperor is far away 山高皇帝远.
Under the Microscope takes a detailed look at some of the ancient financial shenanigans that eventually collapsed a dynasty. It is an adaptation of a documentary written by Ma Boyong based on rare ancient folk archives from the Ming dynasty. The Ming dynasty's demise was in large part due to the inability of the government to properly manage its finances, particularly with respect to tax revenue collection. The mountains are high and the emperor is far away 山高皇帝远/shān gāo huángdì yuǎn; thus local fief lords and officials in remote locations were able to do as they please. Social unrest frequently erupted as a result of local officials' failure to carry out central government directives due to both incompetence and corruption. That is the backdrop against which this ancient tax puzzle cum murder mystery unfolds.Shuai Jiamo is an orphaned peasant and a math savant. He is known in Renhua county as a simpleton and is probably either Aspergic or mildly autistic. He makes a simple living providing field measurement services. In his spare time, he counts cards for his only friend Feng Baoyu, playboy and scion of the prosperous Feng's Ham Shop. He is obsessed with accuracy and when he discovers discrepancies in land records, he tries to track it down. In the process, he stumbles across a misallocated tax that awakens long-dormant memories of the day his whole life changed. Without considering broader consequences, he obstinately decides it must be made right and single-mindedly sets out to rectify these errors. All sorts of vested interests from fief lords to various county officials are affected and conspire to frustrate him. First they turn Chen Renqing, a wily lawyer whose justice and honour can be bought by the highest bidder, loose on him. They also inflame peasants across all eight counties of Jin'an Prefecture, ensuring that chaos, murder and mayhem ensues.
Zhang Ruoyun steps out of his comfort zone in this role of a character that is not always in the moment and relates to others in a different way. Although he seems to over-act in places, the brilliance in his overall interpretation is how insidiously he plants the seeds of doubt. Is the over-acting deliberate and in character? Is the real Shuai Jiamo the one who chastises Feng Baoyu for not paying more heed to his sums and observes that he will soon have a brother-in-law? Or are the glimpses of cunning, empathy, even wit and humour just inconsistent characterisations? Is Shuai Jiamo really that simple and traumatised or does he have complex hidden motives? His nemesis the shrewd and cynical Chen Renqing certainly believes the latter. Leaving these questions largely unanswered makes this yet another fascinating and memorable characterisation by Zhang Ruoyun. His incredible chemistry with Wang Yang thrills and delights in new ways as their roles here force them to connect across entirely different wavelengths. Wang Yang is always at his best in morally ambiguous roles and delivers a wicked and empathetic performance as this lawyer on a white horse. It is also nice to see the limelight shared by Fei Qiming (Feng Baoyu) and Qi Wei (Feng Biyu), who also deliver hilariously engaging portrayals.
This is a beautifully shot production with a detailed eye that captures the humble, tattered and vivid humanity of the common people and the contrasting texture of their venal overlords. The devil is always in the detail with these kinds of accounting and mathematical puzzles that do not lend themselves well to screen adaptation. But this production creatively and humorously dresses up the inherently dry subject matter and does its best to avoid too much exposition. The plot is well paced and the conspiracy builds to a climax that shook me and left me speechless with my heart in my mouth. The villains are well foreshadowed but the reveal still satisfyingly ties up loose ends. Some bad guys got off too lightly but this is realistic and somewhat dictated by historical fact. This is a superbly well-written and entertaining ancient grassroots story that will appeal to anyone on the lookout for fresh themes and stories. 8.5/10.0.
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The plot for the story was very tightly written so there are no huge holes or what the heck moments to deal with. It was also a great romance as well as providing the viewer with great historical context. If you are looking for a historical drama to watch this would be my #1 suggested drama.
Also the episodes are short so the 108 episode count is misleading. It is not at all a hard drama to get through.
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You'll fall in love with it slowly
when I started this series I rly liked the synopsis and the little twists and turns of the storyand now after completing, it almost feels magical , I always loved this actor but felt like he needed a story and a partner that matches his emotions in the same way he does every time.
I finally found it , the actress rly did such a great job portraying the FL's emotions the story rly suited them ( it was my first time watching her drama)
I loved the pacing of it as well, contrary to popular believes that it was too slow , it's just the right amount for an introvert I do connect with them they're rly so cute together and perfectly matched each other.
the post credit scenes after most of the episodes were just as beautiful
the side characters and their story were so good as well not too weird characters just the right amount
even the SML was adorable
I consider it a rly wholesome comfort watch for when I needed the most
waiting everyday for episodes to release was a joy in itself
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This drama has both its pro's and it's cons. The cons being the loops in the plot, the "unnecessary" drama and dare I say, the acting from the main leads who can sometimes come off as either annoying or "what is that face you're making!?" (Though I have to say I have to give Tseng Pets her cred for rocking that ugly bowlcut and old grandma getup/toe socks throughout the entire series while still acting out Xiao Xi in a way that was realistic and fun.)
The story starts off really well and builds nicely towards the romance. For all the romantic drama lovers, if you are like you me, (a crazy fool for cute romantic skinship and words) you will definitely enjoy the romance that takes off here. While the beginning and the romance makes for the beginnings of a good drama, the downfall comes near the end where you may or may not feel content with the ending.
While this drama doesn't exactly hit right out of the park, it is still a good watch and I'd recommend this show to anyone who is looking for something to watch. There is humor, romance and action all in one. This drama also shows the growth of Ming Xiao Xi as she tries to find her place in a new environment and adjust to the blissfulness and sourness of love. This isn't the type of drama you would take seriously, seeing as there are many similarities here with Boys Over Flowers, however what makes this series stands out is the main heroine Ming Xiao Xi and her great resilience to overcome different obstacles that occurs in her life and through her special relationship with the 3 princes of Gaung Yu.
Overall I give this drama an 8.0 for making me the crazy drama fangirl I am for skipping study sessions just to watch each episode as it was released. The music was excellent here (The Intro is hella addicting and the ending music is my most favorite song from this OST [Sung by Pets Tseng]]) and this is a drama I can say for certain you will want to re-watch.
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1Story: The story was pretty good. The fact that Dan Sa Ran was a foundling and the route she took in her life to supplement this was a bit different from other dramas. People usually try to live their lives better after learning something so shocking; Not sink further down not minimize the damage. I think the idea of using Gisaengs is something that many dramas have not touched upon, it really brought an old world feel to a modern age situation. I do think it was a little cheesy how everyone was connected by the Gisaeng House but it didn't take away anything from the drama. The only thing that people may find fault with about this drama is the fact that it took so long for the secrets to come out and to find out anything really. The other fault would be the story progression in episodes 40-50.
Acting: I absolutely loved the casting for this drama. Im Soo Hyang is perfect for the role of Dan Sa Ran. Dan Sa Ran is wise with classic beauty and a cautious but loving heart. Sa Ran's character was played perfectly, more so than any other character. Ah Da Mo was played by a new actor and while he was shaky in the first couple of episodes, you could see that he loosened up and really embraced his role as the cocky rich son who falls in love and is willing to give everything up. Geum Ra Ra had a lot growth in the drama, going from the spoiled rich girl to someone who really wanted genuine happiness. At first I was not sure how her character could redeem herself because the actress looks arrogant but she pulled it off and I developed a new found respect for Han Hye Rin.
Acting;Other characters: As far as other characters go, for the stepmom I don't think they could have found anyone as annoying as they did, the adoptive father was soft as tissue, and the sister took the family ties further than anyone else in the drama. The hospital director was very stoic and I felt he could have displayed more emotion. The head chef played the bereaved mother perfectly also.
Music: While I think they played the same song too many times, I can't really complain because I loved it. Kim Ye Won/Kim Shin Ah (the Vietnamese girl from Romance Town) sings the ending song for this drama. It is titled Yeonjungga (Song of Passion). It was beautiful and sad and seemed to match the drama perfectly. During happy times they would play a more upbeat song that still conveyed elegance.
Rewatch Value: Well I think that the rewatch value for this drama is pretty high (I've watched it twice already and will watch again) I think that for many of the actors to be old and quite a few of them to be young and new to the acting scene, you realize a lot of the differences between the generations. Watching it over you can discover new things and think of the situations from different perspectives. I know that the number of episodes is a turn-off for a lot of people but the drama really is worth it.
Overall: Overall I think this drama was absolutely brilliant, by far my favorite drama. This isn't just a one dimensional view of the drama. Considering the acting from Im Soo Hyang and Sung Hoon to the unique storyline, to the beautiful ending song that sprang up at best times during the drama I think this drama is a must watch.
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Fifty Shades of Pink
Fifty Shades of Grey, this isn’t. There are parallels to be drawn involving primarily the contractual relationship trope and the BDSM theme, if it isn’t already apparent. That is where the similarities end, however. Despite the R-18 rating, I would consider Love and Leashes to be much less intense and provocative but rather more fun and heartwarming. After all, this film is meant to coincide with this year’s V-Day which takes place in just a couple of days. Hence the more upbeat and romantic vibe, this is definitely a case of love being slowly unleashed.Jung Ji Hoo is your average salaryman working in a 9 to 5 job. Unbeknownst to his co-workers, however, he has another side to him - one that involves a fetish for BDSM. One day, due to a mix-up by the delivery service, a female colleague finds out his secret. What transpires subsequently involves a whole lot of awkwardness and embarrassment as well as the resulting suggestive intimate moments, before eventually leading to something more profound.
Directed by Park Hyun Jin, who also co-wrote the screenplay adaptation with Lee Da Hye, the source material is the Naver webtoon entitled The Moral Sense conceived by Gyeoul aka Winter, which was serialised from 2015 to 2018. The original score was composed by Kim Hong Jip and Lee Jin Hee, with Lee Sun Kyu playing the guitar. Principal photography took place from April to July 2021.
What I Generally Liked
Running at just under 2 hours, I thought the film was rather entertaining and eventful. The concept is refreshing, by Korean or even Asian standards, for a mainstream production distributed globally by Netflix. You don’t often come across BDSM-themed romance as the main feature of the story and in this case, the subject matter was handled in a very tasteful and mature manner.
For me, the main takeaway from the film has more to do with the relationship dynamics in terms of the emotional connection between two individuals rather than purely the explicit nature of the BDSM acts themselves to be manifested as a comedic effect or cheap thrills. I particularly appreciated the nuances drawn from the eventual growth of both leads and the organic evolution of their relationship. Additionally, the film explores elements of office politics and gender discrimination that are very much borne of a deep-rooted patriarchal culture.
Given the involvement from Netflix, the film unsurprisingly delivers reasonably high production values. I’ve enjoyed the overall quality of the visuals presented and the set designs, while the accompanying music score nicely complements the ambience of the scenes.
My first time seeing both Seo Hyun and Lee Jun Young in lead roles and they gave a pretty decent account of themselves in their portrayals of Jung Ji Woo and Jung Ji Hoo respectively. I haven’t read the webtoon but I do think they managed to personify their characterizations the way they were intended to be convincing and relatable to viewers, to a certain extent.
The ML is just adorable, almost like a puppy who loves playing with whips, handcuffs and candle wax. The FL, on the other hand, is like a deer caught in headlights. At first, anyway, as she gradually gets a hang of the whole situation. In fact, her transformation from the down-to-earth girl next door to a dominatrix behind closed doors is quite remarkable.
For the most part, the film comes across as quite lighthearted but things do get a tad serious in the final third, where we get to observe a bit more substance in the portrayals of both leads as they finally deal with the repercussions of their actions. I honestly feel that Seo Hyun generally did more of the heavy lifting in this film.
Final Thoughts
As a feature length film that is meant to be mostly a romance comedy, I think the scope of the storytelling is quite extensive. Perhaps certain aspects could have been fleshed out more, such as the respective backstories of the leads and interactions with the people around them but I honestly think those aren’t particularly major issues. For all intents and purposes, and without giving too much away, I was rather pleased with the final outcome and closure to their story. Suffice to say, all’s well that ends well.
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I enjoyed it
I rate this show highly, not only because the acting is good. Mental health is a difficult area and a taboo subject. We all suffer from mental health issues to varying degrees and at different points in our lives. This show to me brings this issue out in the open and perhaps will enable some of us to appreciate the problem and develop some understanding. I feel that this is what has led to some negative reviews. It was very brave of the writers and producers to run with the story line.Aside from this tricky issue, the show was fun, cute, well thought out and well performed. Admittedly there were a few times when it dragged a bit. I liked that there wasn’t the love triangle and the romance of each couple was heartwarming and at times the antics were hilarious. Of course you had the not so nice people and it was justifying to see good win over bad. Steadfast love and a willingness to stay together, cute scenes and many funny moments. I laughed and cried. To me it was a feel good love story, just what I want when I’m watching romance dramas.
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This review may contain spoilers
KDrama sure can do historical drama. Goryeo-Khitan War is another prime example of this
"Goryeo Khitan War" is a historical epic intended to honor not only the historically exceptional achievements during the Goryeo-Khitan War, but also half a century of KBS (Korean Broadcasting System). And it does. Perfectly done in all instances and scales. What's even more fascinating is how it succeeds to fill ca. 1,000 years long bygone history with life in a gripping way - close to the facts and colorfully embedded within the midst of the political milieu surrounding the royal court.If I hadn't accidentally stumbled into the filming set in the early summer of 2023, this thoroughly historical KDrama might have slipped a bit back on my list. But this personal connection eventually made me more curious. And now I'm full of praise.
32 hours long history lesson - history can be told so vividly… Complex personalities, an even more complex political context and a highly demanding challenge of war come very close to the audience. You don't have to be of Korean origin to be inspired - by its heart, intelligence, daring, perseverance and humanistic ethos. It is not about simply enumerating historic facts. It is colorful, complex, character driven – what happened about 1.000 years ago comes as close as it gets: Those years around the turn of the millennium at the beginning of the 11th century, when the 8th king of Goryeo - the then still quite young Hyeongjong of Goryeo - had to face the successive invasions of the numerically superior, Khitan of the Liao Dynasty.
What happened way back then obviously has happened a long time ago, but actually many policymakers today could be inspired and encouraged by the political attitude that is being exercised here. Even though facing the acute threat, this canny, courageous, responsible king isn´t willing to simply fly on sight, but rather acts cool-headed and with foresight. He is someone who does not shy away from complex, fundamental, unpopular, but far-reaching, forward-looking structural reforms... And then there is a government official, who not simply and opportunistically cares about himself, but about the cause - about the people, the country and the ´good´ (even if uncomfortable) decision.
The book "Sweet Rain in Winter" by Gil Seung-soo certainly contributed significantly to an excellent script. The historical greats, both large and small, impressively come to life. Romance is secondary, bromance is the theme here. By this I mean less the homosexuality of Mokjong, the 7th king of Goryeo. Rather, the intense struggle and relationship between King Hyeonjong and Gang Gam-chan, a scholar, government official, mentor of the king and crucial military commander during the third Goryeo invasion.
The KDrama offers a distinctively Korean (chapter of hi)story. One with a lot of pathos and even more ethos. One about people and their relationship dynamics, about their character strengths and weaknesses.
KDrama sure can do historical drama. Goryeo-Khitan War is another prime example of this.
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This review may contain spoilers
Before I begin this review...1. I have watched all licensed live versions of this story (Taiwan, Japan, Korea and now this China remake).
2. I grew up watching the original Meteor Garden.
3. Japanese Hana Yori Dango became my ultimate favorite adaptation.
Here’s my review.
It was clear from the very first episode that there were going to be many changes made to the origin story in this new remake. One being the iconic F4 banner in the locker symbolizing F4's desire to challenge you to a poker match. Two being the noticeable absence of bullying and flaunting of wealth (due to China censorship)... which left me asking, whether this was truly Hana Dango. Why does it look so different? Third being DMS is actually quite the gentleman in this version. He is still arrogant and hot tempered but not really a bully per say. His rocky start with Shan Cai is very "Pride and Prejudice-ques" in that, it stemmed from misunderstanding and poor communication on both sides rather than bullying. Despite all of the noticeable changes, I was addicted by the first episode. The acting wasn’t very good. The story line was familiar but not at the same time. Yet, curiosity and awe at how this version looks and feels kept me going.
I compare the feeling of watching this version to falling in love when you are in your early teens. It is clear that this version of Meteor Garden is marketed towards that age group. The actors are all new people. Their youthful looks and clear inexperience with acting actually helps with the portrayal of these seemingly innocent and naive characters. These characters are not deep nor well developed at all. You can say they are one dimensional and kinda cartoony. So if you are expecting some well fleshed out story with deep characters and development... this show is definitely not for you. But, if you take this version for what it is meant to be, which is a highly entertaining, childish story of two characters falling in love despite ridiculous obstacles... then you will love this version. Hana Yori Dango is the king of all that is good and bad about cliche Asian Rom Coms and this version delivered the cheesiness in unapologetic style. Ultimately, it is silly to expect anything more from the king of all idol dramas.
Personally, I watched this version for Dylan Wang and Shen Yue. I grew to be very fond of the two actors and loved seeing their natural chemistry on screen. Despite being newbies, these two delivered strong performances in difficult scenes that really moved me. I didn’t care much for the other characters but didn’t mind them that much when they were on screen. I also grew to love the blatant product placement. It was so in your face that you couldn’t help but laugh. I also enjoyed the new scenes and the faithful adaptation to the original manga. This was the most faithful adaptation to the manga which is probably why the original author, Yoko Kamio, is also a fan. She drew Dylan as Tsukasa... so if that’s not a sign off, I don’t know what is...
As much as I loved this version, there were many moments in this drama that were so ridiculous that I wasn’t sure what the hell I was watching... it almost felt like the screen writers flat out gave up.
So, the jury is pretty split on the reception of this version. I think it’s best to watch and decide for yourself whether you enjoy it or not. I liked it and I had a good time watching.
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CAST:
You can not help but fall for Shin Min Ah's bubbly and attractive personality. She's so genuine that I don't think of her as an actress but as a human being. Then we So ji Sub who is naturally and effortlessly hot. The way he looks at Shin Min Ah's character, you can feel the love oozing out lol. In the end, GREAT CHEMISTRY which is one of the most important factors in a successful drama.
PLOT & MESSAGE:
I hate how in transformation dramas/movies the protagonist stops everything once they reach their goal. In Oh my Venus, the main actress kept exercising and eating healthy way after she reached her goal and I loved how they showed us that till the very end of the drama. It's a realistic reminder to keep a long healthy lifestyle instead of the yoyo method.
Other dramas also accentuate the actress's figure after the transformation and make it the main focus most of the time however in Oh my venus, I was surprised that they kept making her wear loose and sometimes unflattering clothing even after she lost weight but that reminded me that the important thing is not how you look but how healthy you are which is why she didn't only use the scale to check her progress but she also did blood tests.
In the end, I think the great elements of this drama outweighs all of the negatives making it a great and even rewatchable drama!
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Take NOTES THAILAND
This is ACTING.. this is CINEMATOGRAPHY. this is chemistry without PUSHING it in our face.. it's subtle. it's unspoken. I grew up watching shows like skam and skins and despite me loving the fluff of Thai BL's... I love gritty lgbtq stories and I believe shows like this will open the door and kick it wide open for more Asian countries to do more lgbtq esque shows like this and what 180 degree longitude did a while ago as well. how are these actors ACTING without even speaking...they don't even need dialogue and it's so powerful between them that they don't even need words.Was this review helpful to you?
