Iconic Cult Classic
I will start out by saying this series will not be for everyone, in fact it won't be for most people but what it will be is memorable!Playboyy is NOT your typical run of the mill predictable Thai BL. If you are looking for Boy meets Boy, Boy falls in love with Boy, Boy (maybe) kisses Boy, There is a miscommunication and then they make up and live happily ever after.....this IS NOT the series for you. There is nothing wrong with those types of series but Playboyy is not that!
Playboyy is unhinged, camp, satirical, hilarious, sex positive, fashion forward and unapologetic.
If you scratch just below the surface of the iconic one liners and murder mystery plot you will find that Playboyy celebrates gay sex in all its forms. Playboyy shows you that their isn't just one way to be in a relationship with someone and that none of those relationships are less than just because they are not traditional BL relationships. They are complex and messy and are unique to each couple rather than being cookie cutter.
The series also doesn't shy away from some of the very realistic issues that come from being a gay person or worse yet a gay sex worker in Thailand. How this community is marginalized, abused and struggling to live let alone be accepted. The show also reminds you that money is power and that we can all end up doing things we are not proud of just to survive.
Now lets address the NC scenes. Let me say it one more time because everyone seems to be taken aback or surprised by this....The series is 18+ and it is sex positive! Yes there are a lot more NC compared to normal Thai BL. They are also far more explicit and unhinged. They are not your dead fish kiss, squeal because someone touched me, we are dating and kissing is all we will ever do NC. As I mentioned before Playboyy celebrates all forms of gay sex so you will have crazy unhinged make you scream in shock scenes, you will have sweet romantic scenes, you will have BDSM, role play and the list could go on. This isnt a porn so no you aren't going to see full frontal nudity but you will be asked to use your imagination and think about what the shot would be like if the underwear weren't there!
Yes the show is low budget, yes some of the acting is questionable, yes some times the plot takes a back seat to the NC, Yes there is a lot of broken English being spoken, Yes the NC can get crazy and/or uncomfortable or down right funny. It's for all of these reasons that I say Playboyy is not for everyone. But if you are someone who likes something different, who loves to laugh and scream some times at the same scene, if you want subversive and unique then Playboyy is absolutely for you.
I recommend finding a friend just as unhinged as you are to watch the show with. I will admit that the comment section and the members of the Chaos Train who all watch it as it aired added the icing on top of the cake for me. You will absolutely need someone to talk to about this show with so don't be shy in finding a watch buddy!
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TRIGGER WARNING!
An excerpt from Desmond Tutu's book goes like, "If you are neutral in situations of injustice, you have chosen the side of the oppressor. If an elephant has its foot on the tail of a mouse, and you say that you are neutral, the mouse will not appreciate your neutrality." Courage could be as fierce as fire, but bullying is as weak as smoke. For some, it could be a foregone past which they might forget as a flowing wind, but the it hunts down the victim for the rest of their lives. The consequences of such cases can be as serious as a war and it's been evidenced. The drama depicts this through the tale of a revenge game.Adapted from an animated movie of 2011 of the same title by the same author, "KING OF PIGS (돼지의 왕) [2022]" is a revenge cum chase thriller drama. Produced by 'Studio Dragon' & 'Hidden Sequence', the drama was distributed by TVING as an original OTT content.
The story follows a series of mysterious murder cases, that connects to one single person namely Hwang Kyung Min (Kim Dong Wook), who was a victim of heart-wrenching, continuous school bullying incident, 20 years ago. As the police attempts to track down the culprit and assemble pieces from the past, the circuitous involvement of one of their own people, detective Jung Jong Suk (Kim Sung Kyu), comes to surface, who was also the victim of the same. Kang Jin Ah (Chae Jung An) is a quick and intelligent detective who is a part of the investigative team. While the thrilling quest and chase for a criminal furthers, the unfolding of truth takes us, into the depths of school violence, the roles of different people in it and their outcomes.
There are many other familiar faces in the supporting roles as well but remarkable praises should be credited to all the child actors, playing the teenage counterparts of the current characters, all invoved in the school violence case. Special mentions for Lee Chan Yoo, Shim Hyin Seo and Choi Hyun Jin, playing Kyung Min, Jong suk and Kim Cheol, respectively.
Plot development was amazing. The Story straightaway starts with a death and gradually leads to subsequent investigation and then to another series of killings. This enables the furtherance of investigation and facts about these events start surfacing in fragments. The pilot episode served its job of captivating the attention of the viewers, and the further evolution is engaging. I don’t think there was any episode which didn’t have me awe, the performance, the characters, the stories and everything else was so masterfully drawn, that it makes you keep going. There were also many instances which I found triggering and had to pause or put on hold, so that I could recover, but thankfully I was able to bear them. There are several peak moments in the drama, from both the past and present, the former enraged and saddened me to extents whereas the latter made me relieved and angry. Coming to the ending sequences, it was magnificently plotted and excellently executed, leading to satisfactory outcomes. In simple words, the way it ended was very good and in fact, atypical and rare of the Kdrama trends; I am beyond convinced. In a way, I wish it were longer than 12 episodes but on the other hand I was relieved the trauma was over.
Tak Jae Young jakkanim debut as a young and budding writer through this drama, and though the drama is adapted, we must not assume that his job had been easy. Book to live action adaptions being the most difficult task, we could tell that an animation film to drama adoption would have been less unchallenging, however, they are still different. I wish jakkanim all the best for his future endeavours.
As one of the most talked directors, Kim Dae Jin PDnim has been active for over a decade and half, "Kill Me, Heal Me" being the most acclaimed. In my opinion, this drama is his second best though it was released on a web platform and poorly marketed, otherwise would have gained more attention. Oweing to his skills, the execution, screenplay management, scenario establishment, flow of story, connecting plots, revelations and flashbacks between past & present have been well handled. Tbe cinematography with dark hue was a great fit and exhibited visual pleasure through the acts. The sound and screen editing are of high values as well. The pacing is perfect.
What I liked…
# The plot development is compelling and intriguing, for it uses unique methods of revealing and unfolding truth, of the past, through detailed investigation in the present by relating to the foregone story that took place 20 years ago. The storytelling method with two perspectives, of Kyung Min and of Jong Suk, the differential narratives, and the monologues are what make it an interesting & engaging as well as a nail-biting watch.
# Kim Cheol, the character, is something that all of us unaskingly fell in love with, no? His existence itself adds to the value of this show as a whole; his rise in the class, from a mere slacker to the king of pigs and then his downfall finally leading to a forever memorable (for the characters of the drama) god, is a journey that I will never forget. The way his story was told, especially through the acts of Kyung Min, was gripping and enthralling. He is the real hero of this drama.
# Kim Dong Wook as Hwang Kyung Min, has, once again, left me baffled with his skills, no doubt he is one of the best in terms of acting. He, in both sane and insane state, performed so smoothly and comfortably that it helped me to survive the traumatic events in the drama. His emotions, his angst, his eyes, his expressions, his dialogue delivery and everything he did was so on point, it’s like his act felt the only hope left, for the world he lived in. Kim Sung Kyu and Kang Jin Ah also did very well, for they are already good actors.
# The young actors have great importance in the drama as they and their story of the past share about 45% of the screentime the approx. 600 minutes show. Again, special mention must be credited to Choi Hyun Jin who played Kim Cheol, for he delivered a justified and splendid performance, and I don’t think anyone else could have match him. Other than the ones playing Kyung Min & Jong Suk, the actors playing young bullies also did a good job portraying their parts and it felt real and engrossing.
# The song sung by Lee Ji Hyun (Kim Pu Reum), Park Sung Jin (Hwang Man Ik)’s niece in the 8th episode (the only song of the rdama) was melancholic, touchy and enraging at the same time. It was a call for help, to rescue the souls of the ones who has to go through the unfortunate and heartbreaking days, spending their time in school with fear and trauma, dismay and terror of which also follow them for the rest of their lives.
# Kdramas based on school bullying or having the elements in it has been very common, being placed in over hundreds of shows over the last 2 decades, but this stands out for many reasons. First and foremost, this is solely based on school violence, as it tells a foregone story of 3 victims of several bullying incidents that took place over years. Secondly, the present day events, that has caused headache to the cops, roots back to the past incident only, resulting in an extremely brutal revenge game. The show attempts to dissect the entire scenario by performig RCA (root cause analysis) and shows to a great deal, the consequences, the bullying cases can inflict for both the victims and the perpetrators.
# I loved the way the title of the show has been justified throughout, from the beginning to the end, through the storytelling and the acts by the characters. The immensely dark story with portrayal of real bullying cases could be hugely triggering but it is truly thought-provoking and, in a way, demands reforms in laws and awareness in society. Provided that it is based on a real story, makes it a sad thing but I feel, everyone needs to witness it in order to be made aware and learnt.
What I didn’t like…
# The character arch for adult Jong Suk is very roughly done and not llikable. I mean obviously, for the story, he has his parts of flaws, but as an audience watching a story, I could not get used to many a things that he attempted to do. It did not indicate his insanity to me, rather some technical drawbacks which could have been avoided.
# The investigative methods felt absurd sometimes, particularly after the 7th episode, there is little to no contribution by the other members of the team. It was only Jin Ah and Jong Suk who were doing everything, that too independently; plus the state of mind in which Jong Suk was, he should not have been a part of the investigation to begin with, also provided that he was somehow related to the incident.
# I wanted moreeeeeeee.
Final Remarks… “THE KING OF PIGS” is a solid and extremely heavy watch, and a treat for whoever is into such dark genres with a cogent story and plausible plot development. Screenwriting, direction, performance and the overall outcomes are praiseworthy and all the efforts have been reflected through the mighty values and well paid off. This actually deserves more attention since not many were watching when it was on air. If you are planning to start it, make sure you are mentally prepared to receive what it offers, and watching in small doses might make it easier. MUST RECCOMENDED!
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Bitter sweet melancholia
I'm shocked at the low ratings this drama had. It is such a beautiful and unique story and one that will stay with me for a long time. Who knew maths could be so beautiful. This drama gives the viewer the opportunity to see the world through the lens of a mathematician. True slow burn love which is never made to feel inappropriate and the fight for justice against the corruption of an elitist education system. It was never too dark or depressing. I found this story with the backdrop of maths to be very deep and poignant without being boring. The ML and FL and the headteacher were excellent in their roles. I can't believe how young the FL leads looks ....she looked the same age as the ML. This drama deserves to be a hit and tbh I've seen so many K dramas C Dramas Lakorns and J dramas and this is really one of the most unique of them all. This is a must watch imo.Was this review helpful to you?
Complete Waste of Time
I hate to give such a terrible review to any Korean BL, but this one was terrible.100 minutes is plenty of time to tell a story - there are very few films that are longer than that. But it's a problem when you try to tell a 1,000 minute story in 100 minutes and so you film 100 of those 1,000 minutes, but apparently randomly selected.
It's perfectly OK to hint at backstory without fleshing it out, like the relationship between Yi Bin and Ki Jin - that was fine. It only takes a few seconds to set the stage & show us Yeong Woo's life - that was fine too. But what is the story that was being told? I have no idea, because it was entirely skipped and no context provided. Did Ki Jin break up with Yeong Wu? Ghost him? Give his job to Yi Bin? Flee the country for several years? Or did only a week or two pass? Yi Bin more or less says that everything we thought was happening didn't happen, so where was Ki Jin for the last few episodes, and why was he suddenly behaving like an old woman instead of a puckish young designer?
If Ki Jin broke up with Yeong Woo, that might have been a nice scene to see. If there was a big fashion show (which appeared to be the climax to which this was building), I can understand it not being shown due to cost, but we could at least have seen the aftermath. Likewise, in Nobleman Ryu's Wedding, we didn't need to see the actual wedding - people complained about that, but do you really expect them to produce a Joseon-era noble wedding? That would blow the annual budget of a small nation.
The production quality of this was very average, and perhaps below. There are lots of sound mistakes, and the acting is mediocre - the two mains are good enough to enjoy, but uninspiring. The best that can be said is that the kisses looked pretty good, not the usual rubber lip-touch.
My best guess is that they filmed a lot more but the acting or production quality was too poor to put in the final cut and they didn't have money or time for reshoots. Either that or the director's dog ate the script and they had to dig whatever scraps of it that they could out of its poop.
I would stay away from this one.
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Despite billing itself as a medical drama which features a savant surgeon, Good Doctor evolved into quite a different animal. While it does feature bloody surgeries and a hospital atmosphere, this drama yearns to be an inspiring slice-of-life. Most patients serve as episodic cases and often provide the backdrop for the hospital staff to interact. Though the medical side was handled relatively well, it often felt gimmicky. Developments between the hospital staff seemed much more important to the writers. To their credit, character interaction is where this drama excels. The exchanges may elicit wide ranges of emotions from viewers, anything between sorrow and anger to warmth and joy.
Certain things did not work as intended. Hospital politics feature in most medical dramas, but they were boring and unnecessary in Good Doctor. A particular romantic red herring exists (as they always do), taking up a large chunk of episodes. When things are finally sorted, the "proper" progression initially feels jagged and too quick -- despite the pairing itself being very nice and even desirable. This phenomenon of sudden forward motion occurs also with the lead character, as he moves from extended developmental purgatory to huge successive change. Even these issues are somewhat forgivable though, due to the power and likability of the actors.
As you might have garnered, Good Doctor features an earnestly talented cast. Joo Won shines at the top as gentle-hearted savant Park Shi On. Everything about his performance, from the way he held his body to his speech, spoke of good research and execution. Prickly Kim Do Han is something of an internet sensation, lovingly dubbed Doctor Wook ("anger") by Korean netizens. Joo Sang Wook brings natural charisma to this role, believably building a man colored by both by hardness and secret warmth. Though she was handed a character with little back story, something about Moon Chae Won just clicks. Her Cha Yoon Seo might dole out less impact, but she serves her purpose well. All three have wonderful chemistry, in any combination. Of the supporting cast, nearly everyone involved with the hospital politic aspect of the plot felt wasted. This is especially true of Kim Min Seo, Na Young Hee, Chun Ho Jin (who always seemed thunderstruck).
Many musical tracks were great, especially instrumental pieces. Various themes adopt an ethereal quality and a nonsense language reminiscent of Yuki Kaijura; these are masterful. Unfortunately, traditional vocal pieces are far more numerous than expected. This led to many forgettable ballads; during a particular episode, they actually stuffed every single into the action -- and topped the final scene off with an entirely new song! Despite this slight overcrowding, most were at least decent. Standouts include "I Am In Love" (2BiC), "How Come You Don't Know?" (Kim Jong Kook), and late game offering "Love Medicine" (Joo Won).
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Original, heartwarming, thoughtful, hilarious with quiet a few really amazing characters
I absolutely adored this saeguk. I binged it in almost 3 days. The concept is fascinatingly original, the characters and plot deliciously mature, I'd say there's almost no part of this show that was unnecessary (something very rare in Kdramas). I practically started watching bcz everyone was hating it despite the unusual plot summary (I have no idea why'd people not admire a well-made project like this). It has some veteran actors in their best forms playing some of the best developed characters. The king and the mother-in-law of the Jo family were flawless.In fact, it has one of the finest negative characters I've seen in a while. And she's a smart, wise, plotting woman who is infinitely complex as a character to simply be a villain. I loved that dialogue when she said, "Must you disappoint me till the end?" She literally savored the death of her husband! And Rowoon's character improved with every episode. I loved how frank Jung Woo is. He confessed multiple times, and with such heart! It's a beautiful, thoughtful drama. The exaggerated comedy complemented the dark assassination plots. I actually enjoyed how childlike our hero is, his innocence never undermined his courage. And Sun Duk is such a mature character, I loved how she listened to the encounter of the princess and Jung Woo, I don't think the expression of love can get any more profound. I loved how Jung Woo mentioned his remark to his father as cruel. Those are bits of life. The matchmaking of lady Yoeju too was fine in its deductive finesse, it was a display of strategy at its finest. Lady Sam Soon was a literal delight. I wasn't fond of all the pairings (I'd have liked the farmer to fall for Doo Ri, it was so predetermined I wished they'd show that people don't always fall in love with who they're supposed to be with. The 14-year-old prince and 24-year-old lady Ha Na was another daring move. I don't know if 14-year-old kids actually fall for older women like this or vice versa especially considering how grown-up Ha Na is and how mature her taste is) but at this point I'd rather not complain (and it all worked out in the end like pieces coming together in a puzzle).
Could not find a single plot hole in the drama till the end. And I have to mention the playful music and stunning visuals. The interiors were especially detailed. The pingfengs (folding screens) in every room were so pretty and distinct (I especially liked the mother-in-law's minimalist and the princess's maximalist flower-patterned screens). In a way they reflected the personality of the inhabitants. There were also indicative cinematography, pretty visuals and nice locations (probably common in every high budget saeguk, so I digress).
The ending was fitting, wise, not shocking but reassuring and very proper. I loved it. I think the last I contemplated rating a Kdrama 9 was 'Flower of Evil' and even that didn't have a perfect ending. This was a well written, well-acted and well executed drama, which managed to strike the right balance between light and dark and remained warm till the end.
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If I could summarize this drama in one word it would be this: painful.
This drama is SUPER sad so prepare a box of tissues or you'll end up getting tears everywhere. If you're looking for a drama that is realistic and sad to watch then I wholeheartedly recommend this, but if you don't like watching realistic dramas, this one's not for you. That being said, lets get to the review!Story: This story is very well written even though it does have some typical kdrama elements in it but I really appreciate how there are no plot holes and the pace is quick. A lot of people don't like the love story in this but I think it's refreshing. I don't think I could make it through this drama without some refreshing breaks LOL. I really like the character developments and I don't think In Ha is unnecessary in the drama. It's nice to see the main character have someone to rely on (thats a girl ofc lol). One thing though, the ending could have been tweaked a little better.. well I wanted some magical cure for Alzheimers but its okay I understand lol.
Acting/Cast: Min Young, as always, was great and she did a really good job portraying In Ha as Jin Woo's supporter and noona. Seung Ho as Jin Woo was amazing, I'm in love with his acting. Everytime he cried I cried and everytime he smiled I smiled. His acting is splendid and I'd like to see him as a main role in more dramas :) (happy dramas lol). P.S. he's super handsome so thats a bonus haha. Nam Goong Min as Nam Kyu Man (wow so close... a coincidence I don't think so? haha) was AMAZING as a villain. He really portrayed all sides of the villain. Kyu Man spends his whole life pleasing his father and you can really see that and his anger issues are extreme. I'd have to say he definitely did an awesome job at giving this character dimension. Kyu Man's sister was okay, nothing special about her & lastly Park Dong Ho's character was amazing. His Busan accent and his acting was very good.
Music: what? there was music? lol srry I was too busy crying...
Rewatch Value: yes. definitely. a gem. but I won't watch this when I'm depressed LOL
Overall: overall I definitely wholeheartedly recommend this drama to anyone who wants a sad, realistic drama. This drama is very realistic because in reality the rich really do overpower the poor. I watched this drama for the cast and I was not disappointed. Awesome cast and great storyline.
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ACTING/CAST: Both the younger and older selves are cute guys. They did a fine job.
MUSIC: If I could have given an 11 or more, I would have. Outstanding music.
REWATCH VALUE: It's practically required to get the most out of the story.
OVERALL: A great BL story with cute cast and amazing soundtrack.
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The 'A' Team | Mission Impossible Theme
When I first read the title, I thought it was some youthful drama full of modern vibes and silliness, so I didn't give it much attention. How wrong I was! Normally, it takes me 1 or 2 episodes to get acquainted with a drama and the actors. But with this drama, my attention is immediately captured.I love the acting of all the characters - each has his/her own flaws, and greatness. They also have their own stories and aspirations. How they come together to work as a team eventually to beat the evil doers and to bring good to the country is something that is inspirational and heart-warming. The actors are good and play their roles convincingly.
This drama is out of my expectation! It is serious, and yet humorous with great taste. There are some lighthearted moments, but they are not from the story itself; rather, they are from the playfulness of the main male character, Yuan Zhongxin, and the dumbness of Wei Ya Nei.
The story starts with a lot of twists and turns evolving around Yuan Zhongxin; it becomes difficult to discern his orientation and loyalty initially. And that's exactly the reason that captures my interest. He is my most loved character - honorable, upstanding, wily, street smart, intelligent, and mischievous. He stands behind his friends and family fully, and one can be assured that with him, things will be taken care of. I also love the character Wei Ya Nei played by Bruce He. He is spoiled, dumb and silly, and yet he is honorable and funny. Bruce He is so convincing that I begin to love him. My other favorite character would be Zhao Jian who is a badass girl, beautiful, smart, decisive and skillful in fighting. She is a natural leader that makes me feel good watching this drama. The other characters are equally lovable and impressive. Together, they make the 'A' team, fighting and solving espionage cases.
The story is fast paced. Viewers can brace for something to happen in every scene. Sometimes, it's hard to discern what is true or false, what is black or white, what is right or wrong. Every time when something seems to be bad, becomes good, and vice versa. There are twists and turns till the end of the story.
The fighting scenes are wonderful with beautiful choreography; the young actors are convincing and good looking; the setting of Northern Song is authentic and believable; the politics, espionage and scheming are cliff hangers and page turners.
This is a really good drama. It is highly recommended.
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!!!!! Wow
Story: AMAZING. There were so many twists and turns in the storyline that just came out of nowhere (in a good way) I was constantly on my toes and never knew who was good or bad and who was in the right or wrong. Are they on the good team? Have they now switched to the bad team or were they there all along? Who knows. (Well me, because I’ve seen it ;) )It made me feel ALL the emotions, even the ones I didn’t want to feel, I was on edge one minute, then swooning at Joon Hwi the next and then crying about something afterwards.
Acting/Cast: For me, the acting never felt stiff or forced, obviously I can’t speak for others. Everyone played their role well and I think the perfect people were cast for each role. I loved that we got backstories and plots for a lot of the characters as well, it helped immerse me in the story because I felt like I knew everyone I was seeing on screen, I could understand their actions and motives better.
Music: Gosh that one song was catchy “it’s pulling me undeeeerrrrr, it’s driving me CRAAAAZYYYY”. The music was dark and sinister when it needed to be which made me feel in danger at the right moments and help keep the pacing of the show.
I would definitely watch again, if not for Ye Seul’s storyline and Joon Hwi’s heart eyes then for the rush I felt during the high intensity scenes.
If you like investigation/law (kind of detectivy I guess) dramas, then this is a good watch for you. Enjoy!
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The story was simply genius. The twists and turns didn't seem deliberate, the characters were true to life, the sub-plots were all significant as well! Nothing, and I really mean NOTHING was out of place. No side characters seemed forcefully added or hastily exited (Although the finale did seem to exclude an end to a tiny plot the writers were building, but I'm willing to squelch that itch in my brain). The story itself taught so much! I still remember the great things I learned from I Hear Your Voice and the writers haven't failed to teach me several things in this show either. There was such commendable courage, unconditional love, and selflessness shown in this drama, it simplifies many things that have become complicated in our lives these days. The main pivotal element, that brought freshness and brilliancy to the story, was the drama's namesake medical condition - Pinocchio Syndrome. The inability to lie brings such delightful reprieve from all the deceits and hidden truths and misunderstandings that come along with relationships. If only people were usually so honest and open about their emotions, things wouldn't be so complex. There are some of the most beautiful bonds that I saw in this show that I will never forget. I could go on and on about how remarkable the story of this show was, and still not say enough.
I need to take a deep breath before I begin about the actors. Why? Because I need to make coherent sentences from the heap of positive adjectives that are popping in my head. All I can think of, are words such as - Perfect, incredible, incomparable, outstanding, amazing, brilliant, etc. etc. I can certainly say that from the leads to the guest appearances, EVERY single actor, that worked on this show, deserves an applause or a pat on the back at least. I've never seen such a plethora of great performances, all in one show. Each performance of the actors seems to be imprinted in my head. Lee Jong Suk was positively dazzling throughout the series! And Park Shin Hye pleasantly surprised me with her remarkable portrayal of Choi In Ha. I'd never been a fan of hers, but I have to admit, she gave an absolutely stunning performance. The veteran actors, that were part of the cast, need no extra praise, they were great as always. A special mention for Jin Kyung and Kim Hae Sook though, these two ladies gave such captivating performances as the antagonists that I couldn't help but respect and admire their characters even while hating them. Kim Young Kwang and Lee Yoo Bi looked really promising! I've seen other works by these two, but Pinocchio definitely brought out the best of them, as well as every other actor in the cast.
The OSTs in the drama struck a chord in every situation they were played in. The music really brought forth the emotions and conveyed the intensity of the moments spectacularly. There were so many scenes where I simply shed tears because of the perfect harmony of the music and the script.
Which reminds me to mention the powerful script that the show had! Such impactful words, such brilliant dialogues! The chemistry between, not just the lead pair, but every actor was evident and impressive. I've run out of adjectives that I usually get to use while describing a show, but I still have many things I haven't been able to mention. The list of things that worked in the favor of the show is too long to post in this already too long review. If anybody has had the patience to read till now, I'd like to request you Dear Reader, do not let anything stop you from watching this show, it'll be one of the best you've ever seen. I can guarantee that. I'm off to place this in the top slot of my favorite dramas.
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I was glad to see some fine acting from Jo Bo Ah, nothing like her performance in Shut Up: Flower Boy Band. Looks like she is maturing as an actress and I look forward to her next movies. She took a serious challenge with this role and I must confess I was worried she might not have what it takes YET to pull it off. But she did! And her chemistry with Jang Hyuk was beyond my wildest expectations, more so as their age gap IRL is 15 years and he is such a sunbae to her!!! They are both smoking hot and manage to suck the viewer into the story and keep him holding his breath most of the time.
Yes, you have some mature content and violent scenes here and there, but nothing gratuitous! Let's face it: you cannot dive into the depths of human mind and soul without getting a bit dirty in the process. Lust, obsession, betrayal, guilt, revenge are not easy to portrayal, nor digest. So beware!
I majored in Psychology (plus my father is a PE teacher LOL), so I liked this movie very much, but it sure won't be everyone's cup of tea. However it's worth watching and you won't get bored for sure.
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This review may contain spoilers
don’t waste your time
don’t waste your time on this for it shitty ending.It started well for me, but the plot went down hill at some point, the last 6 eps were disappointing.
The good :
- the acting was decent
- the music
- the third couple (who was not seen a lot) was cute, pretty good communications, healthy relationship. they solved their problems pretty fast
- I think all 3 couples have good chemistry
- some scenes impacted me emotionally, like ep 18 with the second couple or just scene related to first and second couple, I was almost crying
- I like the eps when the leads were with the kid
- the friendship
- this is a good and bad point, but I appreciate at first using mental illness of ML as a plot for problems/breakup, that felt real to some aspect and not like some cdrama where are think the breakup is pretty stupid or the use of a third party is annoying
- at some level, I liked the second couple, I loved their chemistry, but I don’t think their story was well written
- I enjoyed the romance between the leads (expect the last part of the drama)
the bad :
- dragging second couple getting together
- dragging the problems between the leads
- became somehow boring at some point, 36 eps was too much
- the worst ending possible that literally ruins everything. Doesn’t make any sense, rushed, nothing explained. FL is 100% hallucinating him, sad ending. And this is just nonsense. be clear damn it!! if he is dead, explain it, be clear about it. Why end with such horrible nonsense ending. Feel incomplete. Poor FL too, I hate it.
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The lust becomes respect and love and the enlightenment becomes the basis of collapse of this couple's plans.
The drama is extremely addictive with a maturer theme and filming - the story was well written and the actors were excellent throughout. Total investment in their outcomes. A good analysis of the uncertainties of what would or could be considered a certainty. A good analysis of obsession and its eventual outcomes. Without writing a spoiler - the ending was perfect - more of a reality (especially after understanding WeiWei's character).
I am really glad that I never watch the prologue "clips" and always fast forward to the story because it was apparently depicted in the finale. (don't like to know parts of the ending in advance).
The music was so good and set the tone for most scene changes or encounters. This drama is not for everyone and I would give parental guiding warnings if you have young viewers interested in checking it out.
Infidelity or cheating issues are not adulterous issues. All characters are single and dating.
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You can't bring a sword to a gun fight.
Like many wuxia fans, I consider Jin Yong / Gum Yoong (Cantonese) the greatest wuxia writer of all time. Side Story of Fox Volant 飛狐外傳 is one of his early works. It was written shortly after The Flying Fox of Snowy Mountain 雪山飞狐, which is both a prequel and a sequel. Unlike many versions that combine both novels, Side Story of Fox Volant is adapted as a stand-alone story. Despite some meaningful changes, this adaptation captures the essence of the original story, the spirit of martial heroes or daxia/大侠 and the vagaries of jianghu/江湖.The drama is action packed with fast paced, intense, starkly violent and brilliantly choreographed combat sequences that will satisfy any hard core wuxia buff. Slow motion is used sparingly for maximum brutal impact. No one has magic qigong or special powers. The main fighters - Hu Yidao, Miao Renfeng, Hu Fei and Tian Guinong are swordsman with distinct combat styles and battle advantages. When they clash it is very muscular and lethally up close. The nimble Yuan Ziyi's weapon of choice is a whip, which minimizes close encounters to compensate for the physical disadvantage of being a woman. With each episode I think the action has to be as good as it gets but to my surprise and delight, the production keeps delivering into the final wulin arc. The wulin arc in terms of both plot design and action is the best I have seen. While Miao Renfeng and Hu Fei's martial teamwork in episode 22 may be the best of the best, the ending battle encounters are inventive, exhilarating and savagely satisfying. The action scenes are this drama's strongest point and are worthy of multiple thrilling re-watches.
I am not a fan of the trend of whitewashing characters, especially Jin Yong's characters. Jin Yong is the master of multi-faceted characters. His heroes are flawed. His villains have redeeming features. Nobody is perfect in the Jin Yong universe. So when writers have the audacity to tweak his characters, they usually muck it up. When it comes to earlier, less refined works like this, I don't mind so much as there is room for improvement. While this version does a good job with Yuan Ziyi, Hu Fei is disappointingly adapted beyond recognition. The attempt to make Tian Guinong and Nan Lan empathetic is nauseating and boring. This is one of the four don'ts Jin Yong specifically warned against in the preface to the latest edition of the novel.
This is one of the author's darker, more cynical works. Most of the characters love too well but not wisely - Hu Fei, Miao Renfeng, Cheng Lingsu, Ma Chunhua, and Nan Lan. The heart wants what the heart wants, consequences be damned. Nan Lan and Ma Chunhua are selfish and don't care who they hurt in the process while Cheng Lingsu, Hu Fei and Miao Renfeng are noble idiots. They all pay a terrible price for following their hearts. Yuan Ziyi is the only exception; she dares only to hate but not to love.
Yuan Ziyi is one of Jin Yong's most under appreciated and saddest heroines. She is the only heroine who is not an extension of the hero; she is on her own independent path to salvation. Born from an act of violence, she is consumed by self loathing; doomed by unkind karma to seek justice and then live a life of atonement for the sins of her father. In the context of her beliefs, if she breaks her solemn oath she will only prolong her bad karma. In the novel, she acts out and does very controversial things. These actions drown out her piteous backstory and make her a widely disliked character. This adaptation deftly writes out those events, enabling us to see her in a more empathetic light. Her shifu should have been left offscreen as her pressure obscures Ziyi's own resolve to keep her vow. I always feel terribly sorry for Ziyi; she never had free will. She is alive but she does not live. I am not sure that chanting sutras into oblivion is a better fate than death, which is final liberation from all suffering. I don't love Liang Jie's acting but her Ziyi impressed me. The slightest shadow of regret in her eyes in a stone cold face and her ability to convey so much beyond her words moved me to tears several times.
Even though Cheng Lingsu is a clever character, I never found her relatable because her entire reason for existence is Hu Fei. But to my surprise, I like Xing Fei's warm and personable rendition of Lingsu. Her Lingsu is devoted to Hu Fei without coming across as a doormat and she gets him out of many tight spots with her quick thinking. The complex entanglement between the three of them is well portrayed. Hu Fei's chemistry with Ziyi is tangibly different from his dynamics with Lingsu, making it immediately obvious who he loves and who loves him. He is much more of one heart with Ziyi and they instinctively act in unison with little need for communication or explanation. Whereas Lingsu is constantly reining Hu Fei in and giving him instructions that are at odds with his natural instincts. When he can't help disobeying, he appears reckless and unintelligent. This character flaw arguably contributes to what happens to Lingsu at the end. There are better ways to show that Hu Fei is less in sync with Lingsu without throwing his character under the bus.
Lin Yushen's Miao Renfeng steals the show in this drama. Criticism that his Miao Renfeng is too much like his Yang Xiao in Heaven Sword is fair but he is so cool and he pulls off the character's inner conflicts and emotions so well that I don't mind. This performance anchors the drama for he is the martial hero of this story, His code of honor demands that he does the right thing even when it is the wrong thing for himself and those he loves. I wouldn't object if they call this the Legend of Miao Renfeng because of this compelling portrayal of what it means to be a daxia. Even though he is movingly handsome when he is suffering, the story wallows in Miao Renfeng's betrayal and loss for too long. The tawdry Nan Lan/Tian Guinong arc is a boring extended digression. The opportunity missed is that Hu Fei and Miao Renfeng do not get enough scenes together. They have remarkable combined chemistry and their joint fight scene is the one of the drama's best.
As for the titular character Hu Fei 胡斐, (which is a homonym for fox volant or flying fox), I always loved his character design. Far from being infallible, he is a work in progress - young and smart with tons of potential but a bit hot headed and too idealistic. He is the people's hero; the guy who demands justice for the underdog regardless of the cost to himself. His best traits, this strong sense of righteousneous and his willingness to fight the unfair fight is dumbed down to recklessness and even stupidity in this adaptation. He is written off as a bull in the China shop whose hot headedness could wreck the Red Flower Society's mission to save wulin. He doesn't accomplish much on his own and without Ziyi and Lingsu, he'd have died many times. It does not help that despite his phenomenal acting, Qin Junjie looks a bit too mature to play an 18 year old.
Despite good pacing, the plot digresses into too many dull sub-plots and arcs. This is an issue with the original work, which this adaptation already cleans up considerably. The Nan Lan and Poison Valley disciple arcs are the least interesting and Hu Fei deserves to be less peripheral in the reveal of the conspiracy behind Hu Yidao's death. The wulin arc brings the story to a climax, one that exceeds that of the novel on some fronts but is a let down in other aspects. Good characters die in wuxias, it is par for the course. But their deaths must be worthy and not gratuitous. What I dislike most about the ending is that it unnecessarily sacrifices a knight errant after they capture the king. It is a futile sacrifice because you can't bring a sword to a gun fight. Sadly, the advent of guns heralds the demise of jianghu and martial heroes.
This is a good adaptation overall that is limited by original works that lack the finesse of Jin Yong's subsequent masterpieces. The novel is already too dark and unbalanced. It is not necessary to outdo Jin Yong in how incredibly cruel he is to Hu Fei. Despite its darkness, the novel still ends on a note of optimism because Hu Fei's journey continues. But in the drama Hu Fei seems to be left to live largely in the past with two women, one too old and too icky for him and another so young it would be too icky. Thus to me this is at best an 8.0 in terms of storytelling that I bump up to an 8.5 for the not to be missed fight scenes. Nonetheless, this wuxia takes you on a stirring and addictive journey that is well worth it - as long as you do not need a Disney ending.
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