Reviews

Logic is non-existent, let's be real, everyone is only watching it for Song Joong Ki

Reborn Rich, a drama based on a web novel, is yet another story that uses the "born again" concept. It introduced the main character of Yoon Hyeon Woo, who, despite his stellar results in high school, had to give up going to university because his family could not afford his tertiary education. In an era where full scholarships and bank study loans probably had not been established in South Korea, Hyeon Woo joined the mega-corporation Soonyang after leaving school and soon climbed the ranks to become a senior finance manager in rank, but super-manservant in practice. In spite of his hard work, he was betrayed and discarded by the very people he served, and subsequently found himself reliving the life of a young boy, Jin Do Jun, the youngest son of the youngest son of the founder of Soonyang.

Most of the above was already given to us in the synopsis, and from what I have seen, Song Joong Ki performed far better in his role as Hyeon Woo than in his role as Jin Do Jun. As Hyeon Woo, Joong Ki's expressions were more real - in moments of servitude, he was spontaneous, relenting, and in times of panic, his fear more raw, the helplessness he was supposed to feel more convincing. The reborn Do Jun, who had lived through all of the 2000s before, knowing what would happen when it comes to government politics, monetary policies, and global catastrophes, was the character in focus for much of the story, but even so, I couldn't feel the impact of this character the same way Joong Ki delivered Hyeon Woo.

The second time skip happened when Do Jun grew up, but we can assume he didn't finish his law studies or sat for the bar, because by that time he didn't need to - he just had to get really rich. Did he commit insider trading through his ability? Yes, of course - coming from the future, he already had information on what happened in the past, and utilised that information to earn a lot of money. But because of the supernatural circumstances in how he obtained the information, no one can prove that insider trading happened. This is the secret of the bulk of his success for most of the drama. Nevertheless, the first few episodes had a decent start and a reasonable flow of congruency.

The basis for this drama is how the rich and powerful Jin family operates their business. Whether one finds the business principles interesting or otherwise, with the most basic understanding of the subject, following the drama would not be a challenge. However, even with the most basic understanding of the subject, this is also where the flow of logic started to break, and repetitions set in. Every one or two episodes, a "twist" happens for the sake of providing some "shock value" to the viewers, but provides no progress in plot development. The ongoing crisis is merely dropped and waved away while another new trouble is brewing. And every one or two episodes, someone's office will be raided; they will be investigated for committing a business crime, but no worries, the cheap contrivances in attempting to produce anxiety rush in viewers peters off like a whiny balloon out of air when the climax ends. And so, for 14 episodes, the focus were placed on business operations, and the phenomenon of time reversal and soul-switching were not at all touched during all that time. How was this explained in the end? It's "redemption".

I never expected solid logic from fiction, but I was still hoping for some level of cogency. Reborn Rich quickly became boring and ridiculous to me as the episodes went on, and by Episode 8, the drama was a chore to watch. The human relationships in this drama also leave much to be desired, as no one is honest with one another. The closest thing to honesty was seen in the grandfather-grandson bond between Do Jun and Yang Cheol, but even then, the two exercised a moderate degree of caution against each other. The romance between Do Jun and Shin Hyun Bin's character Min Young was initiated early, but it was marred with doubts, mistrust and misunderstandings. Seong Jun's wife, who initially had a crush on Do Jun, was introduced as a highly intelligent and ambitious woman who eventually resigned to her fate as a marriage pawn to a less capable heir. She became a character who seemed to have a lot of cards on her hands only to be relegated to appearing once in a while, having all purposes stripped from her.

The final two episodes would only be a surprise if the viewer has gotten used to Do Jun's rich and comfortable lifestyle, thinking all would just end with him becoming the CEO of the whole Soonyang Group, marrying his lovely girlfriend whom he doesn't understand and who doesn't understand him, chugging along with a fat ass account loaded with money for the rest of his newfound identity. So maybe getting killed in the first place wasn't that bad after all - but nah. Off pops the bubble, the rose-tinted glasses shatters, 16 hours of a lifetime watching this drama gone, and comes the cries of despair of the ones heavily invested. No, I lied. It really wasn't that devastating. But Hyeon Woo did become better off - by becoming a new partner of Miracle Investment. And the way it transpired? No explanations required. Doesn't matter that a person currently under criminal investigation is not allowed by law to work in any business or finance-related capacity. It's okay, no one will look for this detail. When this happened, there were approximately 20 minutes left on the final episode, so the writers probably thought, eh, whatever, let's just wing it.

And of course the final nail in the coffin was a recorded phone conversation, which is the same like, way too many dramas out there. This wouldn't be absurd with today's technology, but we are talking about 2004 when people were still using the most basic flip phones. A majority of people still alive today have lived through this era with a flip phone. Phone conversations do not automatically get recorded. The phones in that era did not even have a recording function, what more to say a convo-recording function. Yes, this drama is fiction, but the idea of writing fiction is skillfully imbibing and presenting theories that the audience could not refute. It's usually either because the theory itself is a fact, or it is unproven and vague. To say a flip phone in 2004 automatically records conversations as soon as a call is made or answered is like saying carbonara tastes like chocolate, which it doesn't.

I will add that with all the flaws and absurdity typical of a Korean drama with a vengeance-agaisnt-a-rich-family setting, this was somewhat 2% better than Vincenzo and not as bad as Eve - which is arguably the worst drama of the year. Reborn Rich obtaining an 8.8 rating is not a testament to how good the drama is. Like many MDL ratings, it's a reflection of how many people have watched it and how many people love it. Correlation does not imply causation, so if Song Joong Ki's face is all you need to preoccupy yourself for a weekend binge sans sense and logic, by all means, watch it. But this isn't a good script by any definition of the word.

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This series is utter trash. I literally feel like hanging myself because I ran my ass home every day after college tryna jump onto Ccasian to watch 'Coffee & Vanilla' ((believing that the story and the god awful acting would improve)).. I mean, just from the introductional episode, I knew this series was shit but to my surprise.. it's shittier than I could ever imagine .. but that didn't stop me, I carried on (Mistake!!). ༎ຶ‿༎ຶ
There was literally no storyline!!!! WHAT THE HELL DID I WASTE MY PRECIOUS TIME ON !?!!!
God knows. I absolutely would not recommend this to a living soul unless they're livin' the bum life.
Anyways, this is my list of complaints:
- ML is supposedly 30 years old but looks like a young teen fresh outta his 15th birthday .
- FL is supposed to be Hella pretty but it appears that they ran out of pretty actors .
- FLs and MLs acting is shit. it's like they're talking to trees but I'm sure we'd be a lot better at expressing ourselves to a branch. - They're stiff and appear inexperienced . . . Especially for this genre but to be honest, the narrative performed was so bad you can't analyse a single genre or comprehend jack .
- FL and ML should have had a better closet. The clothes they wore were truly dull and limited... That orange dress the FL wore is literally the only thing nice but the lighting in the episode is deceptive so I can't really rely on that comment. And what's with the fashion sense, was this series really released in 2019? It's questionable .
- Oh, the lighting was soo poorly controlled that the front cover of the series looks different to the actors in the series itself. It appeared as though the filmmakers wanted to alter the realism and throw on a filter to hide any blemishes or faulty cells.
- FL acting was as I said previously, trash. I didn't read the manga but I could tell there was gaps of story missing... Like how the characters are supposed to be portrayed and the so called 'dark past' the ML has, which is to be exposed ( they left this crucial part out so in the end you're left sighing and shouting "HUH?" )
- During intimate scenes the FL was SO DAM STIFF! This was the most vexing part becuz her MUDAFAQIN head was always drooling on the floor! Omg! Omg! Just recalling the memory is boiling my blood. And this dumbass moves like a fish! The girls floppin around just from undoing a couple of her man's buttons on his shirt!! Like WTF!?
I can totally relate if he had a sexy ass torso but this dude is skin and bones!! What's there to exaggerate @bout?!
Not to mention the eye contact! It's the most frustrating thing ever because the best thing about romantic genres is when emotions are linked with eye contact and the build up of any romance, IS EYE CONTACT! WHY THE HELL IS THIS MISSING?!?! I SWEAR DOWN, ITS THAT FEMALE LEAD!
Wait wait wait, the kissing scenes were ಠ益ಠ because everything about the FL reminded me of a FISH! She resembled a fish so mfing much ತ_ತ. If you type 'Risa and Hiroto' on YouTube, you'll be able to empathize with me 1000%
So to summarise, it's that dam FL ! For God's sake, if you don't believe me, just watch it yourself. You will die on repeat.

Yours truly,

Suicide.

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What if I am the change I have been waiting for!

When I read the synopsis, I was expecting a love story across parallel timelines with that 'what if' gimmick, but after finishing it, it has left me with a question or realisation that "What if life doesn't change because the world shifts but because you finally stopped standing in your own way?" Well, rude question but valid! This is a story about choice, stagnation, the cost of staying the same and understanding growth frustratingly requires effort.

The story starts with Kano Akihito emotionally boxed in. He isn't unlikeable but a very passive person. A person who lets life happen around him instead of actively stepping in. I liked how the drama did a good job at showing how that mindset slowly transitions into quiet dissatisfaction, even though nothing is " wrong" yet nothing feels right.

With the frustration, he has shifted to a new world... his ideal world. The ideal world where Kano is expressive, takes accountability, and doesn't wallow in self-pity and avoidance. I liked how this upgrade was handled. It showed that it doesn't matter whether you are in a different world or were given another chance, unless you reset your habits, every world is the same. I might have taken this whole shift too philosophically than intended lol, but it was refreshing to see a plot where you are not rewarded for enduring but rather noticing yourself and prioritising.

Coming to our other lead Ogami, I enjoyed his character too. We didn't get a detailed POV of him, but he is very observant. At first glance, he is like any other office character we have, who is cold, aloof and calm in a dreading way but as we get to see more of him, he is more like quiet, kind and mature. What I liked about him was how he didn't try to change anyone. He tried helping in Kano in the best way he could. Kano and us realised it late.

Moving to romance, I would say this is not a drama you solely watch for romance. It is definitely present but it is not loud. They really had good chemistry and I liked how Ogami didn't act as a saviour or fixer, just nudged Kano when needed. The tension between them comes less from any dramatic misunderstanding but more from emotional hesitation which felt surprisingly real.

That said, it could have benefited from 2 more episodes because the pacing was a bit uneven for all aspects, whether it is romance or the realisation. Some reflection scenes work well, but a few felt very fast-paced. The last episode felt a little too convenient.
Also, the fantasy aspect of drama is more introspective and unexplored. I would advise holding all the theories after episode 1 because that isn't the focus.

Acting-wise, it was a good performance by both the leads. The expressions were on point and in sync with scenes. Production and cinematography were good and it somehow elevated the watching experience. Lighting choices matched the mood of the scenes. Even though there are not too many outdoor shots, the sets felt lived in, like the office. Special mention to the opening OST. Loved it!

Overall, this was a thoughtful watch, or maybe I went too deep into the rabbit hole because of how relatable the struggles were. This will not drown you in over-the-top melodrama or spoon-feed you fluffy romance, but let you sit with some uncomfortable but well known facts that sometimes the only way out of your miseries is change, not external but internal.
Again, not promising a perfect, not life-altering drama considering the run time, but surprisingly reflective. If you are into this, I would definitely recommend this.

Thank you for reading my review and Merry Christmas! <3

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The story is a ten because it is a remake. The cast .....as the series progressed I thought to myself, others could have done better. The music was so - and -so doesn't give you LSS feels and the rewatch- nope I am not gonna watch this, I would rather watch the lengthy Goong than this.

This had a promising start but this drama turned out to be a disappointment. It was such a waste because it was obvious that they had spent a great deal of money for the production. I managed to watch the first few episodes with much expectation but as the series progressed I couldn't watch any further. At times I did try to pick it up but it just got too stale for my taste. As a remake it was a complete disappointment. Most of the weight of its failure went to the actors and how the plot was executed. The original Korean showed character depth and development, but here the series is almost done but still they act like a bunch of elementary kids. I am also uncertain if there was a non kissing clause in the main female lead's contract but if it turns out to be true then it is a disappointment. There are some drama that have no kissing scenes but still managed to deliver but this one just went around the bush, it is not even a push and pull. This drama failed me so much, It failed as a romance genre because the main leads are just too cringy to watch with all those fake kisses. The villains are just plainly annoying. This drama will go into the archives that I assure you. Hey it is just my opinion.

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Strong start, but weak finish

I'm always a fan of Young Woo, because of his great past performances ... so I stuck with this series right till the end. It was a great story at the beginning, along with great acting by the four protagonists in their roles, but somewhere about halfway through, things changed a bit for me. I found the direction of the plot a bit confusing at times, but as I said, I stayed with it, hoping it would correct itself. Unfortunately that didn't happen, it really didn't seem to be as interesting from the middle part of the series through episode 11. The finale did have some good direction toward the very end, but I think it was just a bit too far gone for me at that point. To no fault of Young Woo, Yi Hyun or Kang Yoon, giving all strong performances, but I just wish the last six or so episodes were as enjoyable to watch as the first six.
Looking forward to his future projects!

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A Problematic Tearjerker...

If you ask for a drama watcher’s recommendations of “ saddest dramas they’ve ever seen”, it is probably likely that you’ll hear or see “ Uncontrollably Fond” ranked somewhere on that list.

The series focuses upon successful superstar Sin Joon Young ( Kim Woo Bin) who awkwardly meets his old flame from his youth, No Eul ( Bae Suzy), a producer of documentaries. When their respected careers awkwardly make their paths cross once again, No Eul is surprised to learn how much Joon Young has changed into a shallow and materialistic individual, rather than the kind-hearted person she once fell in love with, however, Joon Young also begins to stumble upon a life-changing truth which may finally ruin his relationship with his former love...

Undeniably, Uncontrollably Fond isn’t the type of drama to watch if you’re looking for something” fun and fluffy” ; the focal point of the series centralises upon terminal illness, tragic love and angst with Lee Kyung Hee’s ( The Innocent Man, Chocolate) screenwriting hoping to tug at heartstrings of viewers , rather than relish in a sweet romance tale (as shown in his more light-hearted works). The show is certainly effective within inflicting heartache onto viewers towards the particular fate of our characters, however, it is still certainly problematic when it comes to characterisation, as well as clearing up the evident inconsistencies which arose in this angst-ridden ride as well.It is important to note that the acting in the show is certainly quite good. Kim Woo Bin and Bae Suzy are undeniably brilliant actors, however, it is fair to say that their characters are tackled interestingly, to say the least.

Bae Suzy’s character, No Eul is undeniably a kind-hearted soul who is passionate about her work and desperately tries to make amends with Joon Young over the course of the series . On the other hand, No Eul often felt too dormant within her actual role and presence as a fleshed-out individual onscreen. Whilst it is important to stress that a show doesn’t necessarily need to go into a whole life story upon a character in order for viewers to “ get to know them personally”, it’s hard to really distinguish or get a grip upon No Eul as a character outside of her “ necessary flashbacks “ and past relationship with Joon Young. Even minor details such as her interests, interactions outside of her workplace and reactions to prominent obstacles over the course of the story , often felt passive and lacking in emotional depth to truly portray her as a well-written female lead.

Then of course there is Kim Woo Bin’s role as Joon Young. Undeniably Joon Young goes through several terrible ordeals even before the main events of the series, which fundamentally shapes his certain outlook upon life, relationships and characters (No Eul, being the evident subject of Joon Young’s changed interactions and feelings). No Eul’s entry into Joon Young’s life again comes nearly simultaneously with his life-changing news. This consequently causes him to try pushing No Eul away, as she becomes his saddening and haunting reminder of a past that he’s tried to reject, and he can never return to.

This of course leads us down two routes of “ problematic” characterisation; the first within Joon Young’s behaviour, and secondly towards this behaviour is inflicted towards the female lead No Eul . It’s important to say that Joon Young’s reactions and attempts to drive No Eul away by flirting with other women, did add a slightly realistic reaction towards the male lead’s scenario. Joon Young is supposed to be only human and naturally intrinsically driven like most people towards rash decision-making.

However, Joon Young’s often anger-driven emotions and reactions towards his situation by throwing things or beginning a screaming match, soon became both frustrating when he began to lash out at times upon No Eul. A lot of fans of Uncontrollably Fond’s pairing often seem to gloss over the fact that ,for the majority of the series, Joon Young was emotionally abusive and physically harassed the female lead upon several occasions ( not least throwing her out of the car in the middle of nowhere, grabbing her arm often without consent and often manipulating her feelings rather than merely being honest).

Again, this is not saying it was “ wrong” for Joon Young to have feelings anger or for the show to touch upon emotional abuse or physical harassment, but it was concerning that the drama neither raised this up prominently as a terrible issue or relationships, and suddenly tried to “ sweeten” this by Joon Young and No Eul’s more “ romantic” feelings before the finale. This sudden transition from Joon Young tossing No Eul out of a car to hugging her several episodes later, wasn’t just nonsensical, but ridiculous in terms of character and relationship progression.Nevertheless, despite the questionable relationship between the two characters, the finale did leave a sucker- punch for viewers’ feelings. Without spoiling too much, it is fair to say that upon reflection the ending isn’t “ sad” per say because of the fate of our characters, but rather the blinded acceptance towards what is happening in their present, rather than their pasts or futures.

Overall Uncontrollably Fond wasn’t a bad show with some well-written qualities of the psychological complexity of coming to grasps with terminal illness, relationships, love and an emotional ending. On the other hand, Uncontrollably Fond had little greater character depth, straying away from cliches and explanations ( not least the “ unexplained illness”) ,a healthily progressive portrayal of relationships and problems of sugarcoating issues of emotional abuse and physical harassment within the main couple as well. As a drama to pass the time and as a tearjerker , Uncontrollably Fond is undeniably a good-binge watch, however, if you’re looking for a show with genuine depth and a well-written relationship between our leads, then look elsewhere because Uncontrollably Fond certainly isn’t the one that you’re looking for.

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A drama sure to check off many people's boxes for their "ideal type" of drama

This was such a refreshing firework of a drama! The two leads, in particular, made it crazy fun to watch with their so-far-out-there-they-might-as-well-be-floating-in-space personalities that were only heightened when they shared the same air. And they were consistently predictable yet unpredictable, leaving me either correct in my predictions while also being pleasantly befuddled at the path taken or both puzzled beyond belief and amused. Meanwhile, the side couple offered something unique with the often overlooked issue of financial inequality in a relationship and the myriad of ways it can affect it, including self-inflicted shame, pressure, and guilt.

It was a true delight tuning into Boys Be Brave. I highly recommend giving it a go! Especially if you're into "quirky" characters and dramas.

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Let's talk about the plot. For me, I like the topic about trying to achieve one's dream but having so many hurdles in front of you that a lot of times, you just want to give up. I sensed that in the first half of this drama. I felt the hardship. Being ripped off, being seen from others as a no potential, having others stepping on you like your worthless because of your status. At the same time, we see two sides of family impact as well, barely any support and too much support to where they are controlling and you don't know how to adapt to reality. Some people may find these kind of issues in a drama boring but I liked the realness of it and I could sense it. I would've been fine with this drama had the whole drama revolved around this, focusing on the family relationship issues and the relationship hurdles when becoming a celeb now.
But here's where it went wrong. The writer lost a sense of direction in the second half of this drama. Past ep 8 is pretty much worthless to me. They added conflicts that, in my opinion, weren't needed. I think they were trying to add the reality of scandals occurring in a celebrity's life but I just didn't see a purpose for this relating to the initial plot. The annoying reporter and the stupid old manager who cheated on Hye Joon's success and growth were a real pain that ruined the 2nd half of this drama. To be honest, the last few episodes weren't handled well. The last episode may solve a few things but in honesty, a lot of episodes wasted.

Character wise, they have a few strong moments but it's really forgettable due to the overall character of the leads being pretty bland.

Music wise, this drama has some great OSTs. It's just that it wasn't played much as I would've liked to hear.

Definitely not worth a rewatch after seeing the direction the writer decided to go with this. Had the potential to be a good drama for me but failed miserably.

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A faux-deep show with a harmful message

I’m actually surprised to see how much praise is being sung for Death’s Game. Death’s Game is by no means philosophical, nor does it bring anything new to the table in terms of discussion around the subject of suicide. It simply offers the common - and harmful - rhetoric of “You should feel guilty about (thinking of) killing yourself because your death will hurt others.”

Living to avoid causing pain to others - and by proxy living FOR others - is no way to live at all. In fact, according to this rhetoric, if no one would mourn your passing, then it should be fine for you to die by your own hands. Your desire to live has to come from yourself because the minute it depends on other factors you lose any semblance of control over it.

Death’s Game tackled its message wrong from the start. In my opinion, an anti-suicide show should focus on the “joys” rather than the pains of life. If you’ve ever said something along the lines of “I’m feeling down/sad/upset” and been told “well others have it worse,” did that really make you feel any less upset? Probably not. This is why reincarnations such as the baby’s don’t work as substantial support for the show’s main message.

On the topic of support for the show’s main message: this support is thin. Why? Because so much of it is just pure shock value. There are multiple instances of this. The baby. But also the prisoner reincarnation. One would think this particular story would end with the hit-and-run daughter’s father killing who he believes to be the perpetrator BECAUSE this would tie in with the idea the show was pushing about the consequences of Korea’s lenient juvenile laws. But no, the main character is then stabbed a SECOND time by another twist villain. Did this add anything to the show? No. In fact, it lessened the impact of the previous scene. So why did it need to happen?

On a side-note, the twists in this show are so random. Some I predicted from the start, like the brother being behind the airplane crash. Other twists just exist to be twists. That is not good writing.

Additionally, logically-speaking, why does Death target our main character specifically? Does she give this same experience to everyone? Surely there are others who fit her criteria more explicitly. And, on the other hand, imagine someone who has suffered much worse than Choi Yi Jae. Does said person deserve to experience more suffering (multiple deaths) simply because they sought to put an end to their own? Definitely not.

I really can’t tell what this show wants to be. It feels so ungrounded from reality that I find it hard to take it seriously. The tone feels a bit all over the place. It doesn’t help that the special effects look cheap, and that the dialogue sometimes sounds incredibly comic book-y. All it was missing was some text bubbles. I’m assuming that might be because the show is an adaptation from a Webtoon, but what works in comic format won’t always work in live action. Also, I’m not usually one to comment on bad acting, and I’m sorry to say that despite the cast being visually stunning, this show is chock-full with it.

Lastly, I felt no emotional connection to any of the characters? I wasn’t sad about any of the deaths. Which I find surprising given I’m very empathetic and often have no trouble doing so. Nor did any character relationships particularly stand out. The main character and his gf have the stock template, textbook start to their relationship, and their dynamic isn’t particularly interesting.

If Death truly cared about the main character’s respect for “death” she would show him how to love living again instead of torturing and potentially emotionally traumatizing him for the remainder of his existence.

Death’s game is not as deep and thought-provoking as some laud it to be, and it's honestly worrisome how well-received such a show is. It presents its singular perspective on suicide, which negates and ignores the mental health aspects that come along with suicidal ideation.

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This is a hard review for me. I love the writer and I love love love Lee Jong Suk. For me, he's an actor who has a knack for good roles and the talent to pull off those roles. He's my favorite! So it wasn't until yesterday, after much introspection, I admitted to myself that maybe I did not enjoy this drama as much as I wanted to (god, I wanted to). And as soon as I let that buried feeling out, the reasons came pouring down on me.

1. The Plot - What I loved about Park Hye Run's writing (particularly in Pinocchio and I Hear Your Voice) was that she knew what to say and when to say it. With Korean dramas, things can get messy and all over the place, particularly when dealing with themes of past and present. She did a fab job tying lose ends before, but in WYWS the story was all over the place. The back-and-forth of the story was really messy and the "past" didn't have the impact it intended. It reminded me of Kill Me Heal Me (another amazing drama with painful back-flashes). I loved how original her idea was but it wasn't articulated properly.

2. Suzy - I have always felt Suzy has potential to be a decent actress but so far, everything she has done has been problematic to me. I don't know if anyone else feels this way but I have spent some time thinking why I don't feel affected by her. It's not bad acting but it's the "cutesy" act. For some reason, Suzy's acting comes off as a half-hearted cutesy attempt. Instead of improving her acting, she focuses more on being pretty and sounding cute. When she acts, it feels like we're supposed to bow down to her beauty or something. And it hinders my experience because, instead of empathizing with her character, I end up feeling envious or annoyed. She has a hard time evoking that feeling of human-connection and understanding in me.

3. Lee Jong Suk - My two points are self-contradictory here. Firstly, I feel Lee Jong Suk is being typecast as this perfect character. In every drama, he practically plays the same guy in  different professional fields and having different life stories. Secondly, he did try to do something new in this drama  by pulling a Jang Hye Jung. He's literally the male version of Lee Bo Young's iconic character in I Hear Your Voice here. But sadly, he does not pull it off convincingly. So basically, he did try something new but it didn't work out well. But he really needs to keep experimenting more. I know he can pull it off and show more variety!

The chemistry was sadly lacking between the main couple. I don't know whose fault it is, but my disappointment was palpable while watching the whole drama. I was waiting for that "click" moment but they never seemed to click. At least not for me.

The rest of the cast was relatively better. I loved Woo Tak and the people in Jae Chan's office. The cases were interesting but not enough. The last case was the best out of the lot and the saving grace for me! Overall, I loved the idea but I wish they had built upon it some more and the lead pair had more chemistry.

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This was one of the best drama I have ever watched, if not the best. Light but at the same time quite complicated. It definitely was The Best Hit.

First of all there is a plotline. It started off pretty weak but quickly got better. It was funny, it balanced well between cliche and innovation. The most important thing is it was totally enjoyable. There was not even a moment I got bored, I barely skipped anything in this drama. Characters were well developed, even side characters had their story that explained their actions and behaviour. And the relations between them! Something beautiful. Especially good was bonding between Lee Sun Tae and his granddaughter Mal Sook. The humoristic aspect was ideal. I love how they did so many parodies and at the same time managed to make more dramatic plot. No exaggerated plot-twists. I like how they made us think it is going to be predictable but they did something totally new and refreshing. Even the ending was good and it's hard for me to like the ending as well.

Casting was the best thing that could have ever happened to this drama. All those cameos were so good! For those who watch 1n2d they were even more enjoyable. I really liked Deokhwa in this drama as well as his character's granddaughter. Yoon Shi Yoon did great in portraying his characters and changes in him. I want to praise Cha Eun Woo too - he did really good. Hong Kyung Min managed to act so good it had me wondered why did he not pursue his acting career. He was the real scene stealer in this drama. Special mention to Lee Han Seo who made this drama even more approachable. Not to mention Cha Tae Hyun - it is undoubtedly difficult to do both acting and directing, yet he managed to do exceptionally well in both.

When it comes to directing it would be a huge mistake to forget about Yoo Ho Jin. It was his first drama and he did a really good job. I think it wouldn't be an exaggeration to call him a genius. I am really looking forward for his upcoming projects.

I can't say much about the music in this drama, it's pretty ordinary, nothing's out of order. I do want to say I really like T-ara's song and it weirdly matches this drama well. Also it really bugged me that the instrumental of Yoon Mirae's song is pretty much the same as her previous work in Descendants of the Sun.

Summing up, it was quite a journey. I can't say that as a fan of 1n2d I'm not biased towards this drama team but I tried my best to give an objective opinion. The only thing I hated about this drama is the beginning. I even thought about not watching it and hanged on just because of the cast. And I do not regret this decision.

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A turning point for GMM BL series, but not a masterpiece

Most people loved this series, but I don't like it so much. One of the main reasons is the acting. Many people might hate me for saying that, but Earth's performance is far inferior to Mix's. I really cannot feel much sympathy for Phupha. I don't hate him, but I don't like him either. He causes me indifference, which is a problem in a series that depends on its main characters so much.

Although people say 1000 Stars is a mature series, it looks like more a fairy tale. When I think about a mature movie or series, fairy tales don't come to my mind. A mature series explore real issues faced by adults. This series is not like that. The main purpose here is to make the audience emotional to Tian's redemption story. It is true that we are presented to the struggle of the poor villagers, but this is more to develop Tian's character other than denouncing or reflecting on North Thailand's social issues. If they had explored the social problem more seriously, maybe we could consider it a mature series. Poverty here is portrayed in a very romanticized way. It doesn't seem real. The plight of the villagers are not developed and the difficulties faced by Tian in the village are there to emphasize his redemption arc, not to give life to any hidden social dilemma. All the community's suffering is more a background to the development of Tian & Phupha's romance. Even the conflict with the weapon/drug dealers is easily solved. If the solution was only calling the police and leading an armed attack on the bad guys' settlement, why have they never done this before?

But it is ok, a TV show doesn't need to be mature to be good. I just expected more from 1000 Stars. The production is better than other GMM series, but it is still inferior to Nadao, for example. Some scenes are embarrassingly unrealistic, such as the drowning of the school kid in episode 2. Other scenes are simply cringe, such as the episode where the villagers and Tian observe a sexual performance inside a wooden house. This kind of comedic moments were a turn off. I would have preferred if they explored more the psychology of the characters. Phupha, for instance, is an unidimensional character. It is difficult to develop a realistic romance when one of the characters is so plain and shallow.

Finally, I disliked a lot the way they treated Tian's crimes. He organized a street race and gave his car to the killer. According to Thai law, he should be prosecuted. I have the feeling that the plot justifies a very bad underlying moral in Thai society: the rich ones only need to make a "social work/charity" to get away with their crimes, no matter what they did. No one ends up behind bars. If you are curious about what I am saying here, search for Orachorn “Praewa” Thephasadin's case. It happened in 2010 and it is a very good example of how rich young Thai people can do whatever they want and get away with it .

If you pay attention, the main ideia here is: a rich boy causes someone else's death. Through a series of criminal tricks, his family gets the heart of the girl who was indirectly killed by their son and gives the boy the heart of the same girl the boy helped to kill. Then, the boy gets away with all his crimes, devotes part of his life to help the poor villagers, pays for his karma and gets a price: a hot boyfriend.

No justice for Torfun at all.

In sum, it is an interesting GMM series. Much better than the average for a series from this TV channel, but not the masterpiece it could have been.

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