This review may contain spoilers
Lovers in denial
Yugure's premise is the classic premise of a love story. A failed marriage, repeated encounters, and both leads getting trapped to live in the same house are things you can find in most romance dramas.This dorama tells about the dream and having someone special to support your dream. How both leads support and being affectionate but still being in denial is the main core of this dorama. This dorama is not the slow-burn one but maybe you will get squealed for their unending misunderstanding. The ending is still acceptable. However, I wish Yugure would explore on Soramame and her mother's relationship more and a glimpse of her life in Paris. Also, I personally think it would be better if we got both POVs of the leads. Not only from Oto but also from Soramame. In addition, this dorama also has LGBT character who is supported by her surroundings. Also, the cinematography is an eye-pleasing scenery for me.
Ren and Suzu are really cute as a couple and their chemistry is believable to me. The OST is so beautiful and it spreads good positivity. Cute ending dance in every episode that you may don't want to miss.
Give it a shot if you are looking for a light romance dorama!
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This webdrama... is awesome, easy going, the storyline we out of logic but so much acceptasble. i was wondering whether the male lead one of WINNER boys would pull this off, but he actually did it.
It was watchable and rewatchable. it was so fresh and all had equal lines to say.
over all... it rewatchable and fun.
and u r never bored watching this,
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A MUST WATCH
Watching this drama with zero expectation. Turned out Run On becoming one of my favorites.A healing & warm drama with a realistic event so you can feel related to this drama.
It gets better each episode and make you craving for more.
It also breaks many K-Drama stereotypes, giving a fresh air to the industry.
The storyline revolve around our daily life, which create a connection between the audience while showing us how mature and healthy relationship are. Not only romantic relationship, but also a friendship and the importance of communication + self love.
At first i thought it would be just another drama. But i was wrong, this drama is well written and well executed. The dialogues between them are so meaningful. Their character's development and progress are well thought.
Definitely get a place in my heart, it give me meaning and valueable life lesson.
You'll find a lot of strong and admirable female characters (i would say all of them!). You won't find a weak and annoying female character in this drama. They know what they want and they're not afraid to achieve it. They're bold and not asking for a justification.
I can go on and on and on because this is one of the best drama. just take a look and watch it! because this drama deserved more recognition since it's not your typical k-drama, it'll teach you and heal you.
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Now for the first time, after so many series: I was more drawn to the second leads\couple. There were so many emotions going on with these two. It was heartfelt, sweet and somewhat exciting too. In truth, you get more development from the second leads than from anyone else. You also get a beginning, middle and conclusion. Yes, no cliffhangers.
Overall it was fair. It’s not on my rewatch list. I really did love the music.
Cast: I am definitely a fan of the female lead. I have enjoyed almost every drama she has stared in. Today I can officially say that the ML is also going to be an actor that I am watching for. He’s performance in this series with amazing. From the main leads to the secondary to the supporting cast, every cast member performed well. The energy that they brought to series really made it what it was.
Action: there was tons it. The fighting in this series is one that had me rewinding and re-watching them more than twice. Some of the choreography in terms of how they maneuver around and did all of these moves while they were fighting is something that was commended by followers and viewers while watching this series. I can almost guarantee that if you watched it you are going to rewind a couple of these scenes at least three times. They did not dial back with the action. In truth it almost look like these people are good actors but they’re not but it always looks so cool real.
Plot: what can I say? Initially I wasn’t really sure what the flight was but if you read the synopsis you will get somewhat of an idea. In reality it’s a battle of kingdoms. And not multiple kingdoms there’s really just one main one and then you have a few small little class but there is bickering and plotting amongst the minor one toward the larger one. I believe that the bigger plot about one princess a.k.a. the female lead fight for justice and her revenge. Although the revenge is really not a major part of the series. From start to finish you don’t really feel like the theories were all over the place. Everything had a clear point and added value.
Romance: yes I put a romance tag here because it’s listed under the genre historical romance. To be completely honest I liked the series a great deal but in terms of romance, it wasn’t present. Which leads me to my next point; the chemistry between the leads was almost nonexistent. Hilarious point is when they have a kiss scene or about to kiss, they’re replaced with a bird kissing each other supplement. Throughout series I also felt like they were just not in sync. I guess another word it just means that I didn’t really feel the intimacy. And yes you can have intimacy without all of the censored singing is it spell more like friends not lovers.
Characters: most of the characters were likable. Of course in every series I have to be a villain and we do have one here. The twister that is the villain is kind of an unexpected one. My favorite character in the series is best ‘Sher’. He’s not the main lead but for me he appears to be loyal, sweet, and passionate.
2nd FL and 2nd ML were great. They had such character growth.
No really overly annoying cast members.
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Short (altogether not even an hour long) and cheaply made for an online platform like TikTok so don't expect a masterpiece. It's not. Because of its shortness and cheapness there isn't much space for character development or any kind of a deep story. But!But it still pushed all my buttons because I was smitten with the relationship between the princess and her bodyguard. The power dynamic there was so very much up my alley that it made me do a shimmy in my seat!
She's definitely the one in control, both outside the bedroom AND inside it. Yes, they actually do have sex in this drama, a sight pretty much unseen in a Cdrama, I know. And not only that - she's the one in power and he definitely enjoys letting her do whatever she wants. And what a pretty toy he makes. And he suffers so very nicely in the vein of many Cdrama male leads, heh.
So, the story is nothing to write home about but their relationship? Wowza!
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Too close to RL or not close enough?
I think this drama will have a solid core of supporters but also its fair share of detractors.I find myself in two minds about this show as well. Fundamentally, this series is uniquely Korean. Its main subject matter will be much more relatable to locals who has children who has lived through exam hell or spent half their youth in tutoring academies themselves. However, even then, there are those who would consider this not realistic enough and is nothing more than dramatisation.
I suppose from my perspective, this show is much more "real" than the usual romcom. Even those set in a tutoring ecosystem like Crash Course in Romance feels almost cartoon-y in comparison.
This is a double-edged sword. The day-to-day aspect is a bit dull. There is a lot of jockeying of positions and details about the Korean education system, especially the last years leading up to the all mighty CSAT. The fact that our leads teaches Korean literature makes it harder for non-Korean to form a connection. Any nuisance about a particular author or a piece of writing is mostly lost in translation.
This is not helped by a slow burn romance. There is a lot of push-pull in the beginning. The age difference and their original teacher/student status adds to the complication. While the ML is all in, the FL is very hesitant to accept his advances. While some scenes are touching and heart fluttering, the majority are mundane, and work related. This improves once they are a couple and there are more emphasis on them. Nevertheless, most episodes are dialogue heavy.
The acting of our leads definitely help to steady the ship and made it watchable. The ML is handsome in a manly way and the FL has good chemistry with him. Their portrayals are on point. The rest of the ensemble cast is a mixed bag. Most of the senior cast members did well. The grey witch’s role is a challenging one and SJY is a class act. However, some of the lesser support roles are one dimensional.
Don’t get me wrong. I enjoyed this show. This is not your typical idol drama full of beautiful people. This one will not grab you from the opening scene and hook you till the end. You have to be patient, invest your time and walk a mile in their shoes to appreciate their struggles. These are mostly normal people doing a challenging job. BTW, I’m glad that there are no murders or psycho stalker. I’m getting tired of that trope.
OST is fine and catchy. I doubt I’ll rewatch this drama anytime soon.
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It's one of the best romance Japanese dramas around, from the golden age when Jdramas showed great kisses and realistic love scenes.
Maybe you've read the synopsis and the idea of a teacher-student romance really doesn't appeal to you... but after watching this drama you will change your mind completely and fall in love with these characters.
This isn't a perfect drama. It certainly has its flaws. But I think the positive aspects far outweigh the negative.
The Good:
- Great casting. The actors are the same age as their characters, therefore making everything more believable.
- Good chemistry between the actors. They pulled off the romance despite their age gap.
- Good kissing.
- Very pretty scenes. Great cinematography!
- Wonderful music.
The Bad:
- The "evil" characters were kind of ridiculous. The crazy jealous Mother and the Tutor were the worst.
- Michiru went a little overboard on the childishness and rashness at times.
- The last couple of episodes weren't so satisfying.
In short: it's a one-of-a-kind drama with age-appropriate actors and a very sweet romance.
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So in my opinion....
So in my opinion this show 10, 10 on all things story, cast, music and ofc romance. For people who are massive lovers of vampire romances and BLS this is 100% your series but if your here for the action of it ehhh I imagine that you would give it about a 5 to 4 star rating. It doesn't follow your typical vampire shows for sure in the sense that vampire are cruel, blood sucking monsters that bite without any shame or care. It's a very mellow, well balanced show in just about all things between comedy, tear jerkers and a dash of some spicy lip touching and bare skin moments! The story was captivating and the characters were interesting, some situations did have me clapping like seal cause I was so on edge my freakout meter was breaking and yea cliff hangers.... ah good old cliff hangers had me on edge just about every week and having to wait was agonizing. I feel like the ending completed very well and about how even I had expected it to end, so for me the ending didn't feel like it left anything out, maybe a tab bit longer so I could continue to eyeball the handsome Marks chest some more but eh I can just rewatch it.So my overall conclusion would be this, don't go in expecting this to be a super action packed ride, it's very heart warming, loving and in some places tragic but it's a very good romance to warm the hearts of those who just love to see two people being in love with a little life difficulties. Also music is totally going on my playlist. The music was so good.
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A little slow in parts, but overall it is a good series and worth watching until the end.
I wasn't sure I was going to like this Korean version but I was pleasantly surprised. it is not perfect and is a little different than the Thai version, but is enjoyable and actually good. Unlike the Thai version it is not using any big name BL stars to play any of the characters and I think it works in their favor. For many of the lead characters this is their 1st series and I feel they have a lot of potential and hope to see them in future series. There is some chemistry between the lead characters. This series is about half the length of the Thai version and I like how the Korean BL series cut out a lot of the B.S. drama that you find in series from Thailand.Was this review helpful to you?
I enjoyed it..!
If you are looking for something fresh and cool you will enjoy this drama. Every character is interesting and the main couple is so cute, you can see Choi Minho and Chae Soobin have a good chemestry. Also the friendship of the 4 friends is adorable, I will really miss Joseph, Seon-ho, Ji-eun and Woo-min. I really enjoyed the drama so much because of them.Finally, it was really nice to see Minho in a lead role again, he did a good job as Woo-min. Hopefully there will be more oprtunities to see him in other projects.
My punctuation in general is 10/10. The acting, the plot, the soundtrack and cinematography was really nice and I'm planing to watch it again with my friends.
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ILLOGICAL
Haven't seen the original and don't plan to do so. I'm reviewing this as a stand alone series.I'm a sucker for family centered dramas and the concept of being a family by choice not blood relation or marriage is interesting but nothing makes sense here. Even if I haven't seen the og I can clearly see they had a hard time putting everything in 16 episodes. Its too fast paced for its story. It looks like they had a list of all the plot points of the story and they were going through them to make sure they included everything without bothering to give them any explanations or enough screen time. Everything is eighter half baked or ignored.
San has mom is one of the most disgusting characters in kdrama I've ever seen. A whole psychopath. She comes and goes as she pleases and says and does whatever she wants without any consideration. She is self centered, manipulative and violent. My blood pressure went to the roof any time she was on screen. They never try to help us understand her character. I don't think anyone had the slightest idea about who this women was or what she wanted, not even the writers. Her presence is really over powering but we get to the last episode and there isn't any time left to make any sense of this story so the writers just physically remove her from the story where she moves to England. The AUDACITY. So what now? She has moved her living place many times and it never helped. She can comeback any time she wants. We never see her get redemption. We also never see her get the sweet sweet karma. The way they handled it is just infuriating.
San ha never gets a real confrontation nor any closure. His relationship with his parent is as broken as ever at the end. He is one of the main characters for god sake.
San has dad is a cowardly sad excuse of a man that didn't have the gut to stand up for his son or himself, never made any effort to understand his own son and just hide himself behind his ex wife or Jowons dad. They tried to glaze over his share in San has problems by turning him into a dorky goofball but I don't buy it.
jowon is such an annoying character both as kid and a teenager. I can understand kid Jowon but when she grew up she was straight up gaslighting her family members with all her nonsense and not once she was called out on it. Thankfully that habit doesn't stay in adult Jowon but now she's just bland. Im not sure if its the way the story is written or the way she is played by the actor but I know I just didn't care about her at all.
Hae joon is a weird character. He is warm, kind, friendly, popular and athletic. At times he could be very intelligent, confident and out spoken. He could say what ever he felt and thought. Other times he had two digit IQ level, completely oblivious to most simple things in his surrounding or having random outbursts of emotion that no one seem to be able to help. He was very hot and cold. Don't get me wrong I like him the most out of the main trio, he is quite charming but I think they went overboard in some aspect when writing him
Dal is fine. Seen many other characters like her in kdrama land. its quite cliche but I don't hate it. She and Hae joon were cute as a couple. Wished we saw more of them
This couldve been alot better if it was longer I think. I hated almost all of the characters behavior right from the start but I had hope that it would get better. it never happened.
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Fighting For Garbage
LMAO, the screenwriter hoodwinked viewers into thinking that this garbage adaptation would still have the three important elements that drew people into the book which were the following:1. No palace drama
2. Strong and capable female lead
3. Female lead centric drama
Yet somehow the story shifts focus and the male lead becomes the main character and the second male lead becomes a background character/afterthought.
The only redeeming quality this drama has is that the fight scenes are pretty decent and that the ending was somewhat satisfactory since she did not end up with anyone and refused to see the emperor. However, they including her running off into the sunset made no sense to me. Honestly, this drama wasted so much of my time and was a big disappointment. Giving this 5.5 out of 10 stars was me being kind.
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Dying is easy, surviving is hard
All of Us Are Dead is adapted from the serialized Naver digital webtoon entitled Now at Our School, which was written by Joo Dong Geun and published from 2009 to 2011. I haven’t read the webtoon but it reportedly consists of only nine chapters. Therefore it would probably stand to reason that the live-action adaptation has expanded on its lore, especially when Netflix is involved where the potential exists for a series to be renewed for a second season, depending on the success of the first season.The drama is co-directed by Lee Jae Gyoo, who won a Baeksang for Damo and directing honours for Beethoven Virus, and Kim Nam Soo. It is based on the screenplay adaptation written by Cheon Seong Il, the screenwriter for Chuno and The Pirates. Principal photography took place from June 2020 to February 2021, which was prolonged due to the Covid-19 outbreak during filming.
In a nutshell, the story revolves around a group of highschool students who are trapped at their school, the ground zero for the onset of a zombie virus outbreak. The drama depicts them fighting to survive both the zombies and virus infection while waiting to be rescued. The rating classification for this production is R-18 and aside from the expected zombie action and gore, certain trigger warnings are present in the form of bullying violence that even borders on sexual assault.
In a recent interview with director Lee Jae Gyoo via the online presentation of the production in South Korea on 26th January, he had intimated that this drama would be uniquely distinct within the K-drama zombie genre that has become commonplace in recent years. According to him, All of Us Are Dead features thought-provoking themes that add a different meaning to a zombie apocalypse, where the focus is on the choices young students make at the boundary between life and death. In addition, the story also provides a satirical take on South Korea's educational system and school space.
What I Liked
I love the K-drama zombie genre and anything closely or even remotely associated in the form of mutants, monsters and the like, complete with the horror, action, adventure tags whether in contemporary, sageuk or fantasy settings. As much as I’ve enjoyed the recently aired Happiness, my preference for zombies leans towards the more feral variety with hordes of them rampaging through the populace annihilating anything and everything in their path, in the mould of Train to Busan (which gets a shoutout in this drama), Kingdom and Rampant. Call me sadistic but I’m all for epic levels of productions with economies of scale in delivering the exhilaration of the action, thrills and suspense, along with all the emotive aspects of human drama as well. Based on what I’ve seen of the depiction of zombies in this drama, it manages to convey all of the above, and has successfully fulfilled most, if not all, of my expectations.
A co-production between JTBC Studios’ Film Monster and Kim Jong Hak Production for Netflix, the quality of the technical execution is beyond doubt. No effort or budget was spared as even a huge four-storey set was constructed as the setting of the fictional Hyosan High School. The money was very well spent indeed as the production design looks top notch with all the nitty gritty details providing an intriguing backdrop to the zombie outbreak. The zombies themselves are deftly manifested in terms of the makeup, special and sound effects, as well as the blood, gore and contortions which complement the extensive range of expertly choreographed sequences.
The cinematography is deserving of praise with the crucial aspect for productions of this nature being the calibre of the camerawork, which for the most part does not let me down (or induce nausea). The well rendered scene transitions are testament to the standard of editing as well, where it’s worth mentioning that the chaotic scenes at the cafeteria and library involving 200 or so extras are reportedly the result of a single-take shooting.
As far as the narrative is concerned, the premise of a school-based zombie outbreak is refreshingly new to me. Some viewers may associate elements of Dark Hole to be of similar vein but personally it really isn’t despite the comparable vibes. While I wouldn’t consider the overall plot trajectory as particularly inventive or groundbreaking, what distinguishes this drama from most others that I’ve seen is the storytelling approach.
In addition to the multiple POV perspectives of the main characters, the screenplay takes its time to explore the origins of the zombie outbreak and motivations behind the actions resulting in the said virus being unleashed on humanity. The depiction of characters dealing with the tragic circumstances in the aftermath certainly elicits an emotional response as well.
True to the director's word, this drama tackles both existing and hypothetical societal concerns which provide added dimensions to the storytelling. Among the thought provoking themes incorporated into the storytelling - unchecked and unmitigated school violence, the ingrained hierarchical social order within a society segmented by wealth and power, the deeply polarised mindsets of the local government and communities in the event of an apocalypse or the aftermath of a mass casualty event. The role that technology plays in binding all these themes together is tackled as well in the form of the ever increasing reliance on and abuse of social media as an outlet that fuels the dissemination of actual and fake news.
The infusion of a number of side stories, character arcs and a narrative that steadily evolves as the drama progresses helped to allay my initial concerns of the story sustaining its momentum over 12 episodes. The dynamic between characters giving rise to various forms of conflicts, teen angst, and even hints of romance contribute towards preserving an atmosphere filled with tension and suspense. That said, I do think the drama could have been slightly shortened without adversely impacting the storytelling.
The main cast is made up of young actors, some of whom were prolific child actors and even critically acclaimed talent as well. Park Ji Hoo, Yoon Chan Young, Jo Yi Hyun, Park Solomon and Yoo In Soo portray the highschool students who are caught up in the ensuing chaos. Featuring roles of varying capacities, these youngsters provide a decent account of themselves through characterizations that are adequately written, for the most part. Lee Yoo Mi is particularly impressive here following her brief appearance in Squid Game, given her experience of being the oldest actress portraying a student and for her captivating portrayal of the antagonistic Lee Na Yeon that actually steals the scenes from the protagonists at times. Meanwhile, I would consider Park Solomon’s affable Lee Soo Hyuk, Jo Yi Hyun’s stoic Choi Nam Ra and Ha Seung Ri’s heroic archer Jang Ha Ri as my favourite characters amongst the students.
The supporting cast come across as being more familiar, where we get to observe Kim Byung Chul (Sisyphus, Doctor Prisoner), Lee Kyu Hyung (Happiness, Voice 4), Lee Yo Mi (Squid Game), Uhm Hyo Sub (King of Tears, War of the Son) , Bae Hae Seon (Happiness, Inspector Koo, HomeCha), Jeon Bae Soo (Stranger, Lawless Lawyer), Kim Jong Tae (The Veil, Sisyphus), and Yoon Byung Hee (Hot Stove League). The more nuanced acting in the drama is provided by these mostly experienced veterans, especially Kim Byung Chul as science teacher Lee Byeong Chan. Utterly intense, sinister, and convincing, unsurprisingly the best performance in the entire drama comes from this award-winning actor. Jeon Bae Soo gets to play the hero this time in a memorable performance as firefighter Nam So Ju.
What I Didn’t Appreciate
When it comes to K-dramas and school students, bullying and violence are par for the course - they’re never far away and will probably remain as a staple trope. It’s infuriating and disturbing to watch at times and seems to be escalating in brutality these days. The scale of the savagery seems to be higher than the actual zombie action itself but it’s something that all viewers of K-content will need to accept and get used to, unfortunately.
The main villain of the story is featured through the gangster wannabe and low-life bully Yoon Gwi Nam, played almost too well by Yoo In Soo. This despicable human thrash has the typical clichéd story arc that stretches far too long, in my opinion, before eventually fizzling out as a mere afterthought.
As mentioned earlier, I think the storytelling would have been better presented if it were slightly shorter, perhaps with 8 or so episodes.Despite the multiple POVs, too much time is allocated to the teen drama at school than is perhaps necessary. I would have liked to have seen Kim Byung Chul’s character more fleshed out in real time rather than merely as a series of flashbacks. The same goes for Jeon Bae Soo’s firefighter who is desperately trying to get to his daughter.
There are numerous annoying characters in this drama, some of whom supposedly supplying the usual ill-fitting comic relief that appears very much jarring to the senses.The tough girl wannabe and her whingeing companion, the cowardly police sergeant, and the bickering couples, to name a few. I think generally the boys are better written than the girls who come across as petty and physically abusive towards their male counterparts, as far as the youngsters are concerned.
Final Thoughts
All things considered and despite its flaws as well as the overly dramatic ending that has the potential for expansion either as a sequel or a side story, I had a great time mainly because of my love for horror and zombies. We honestly do need more zombie stories because there is too much romance, rom-coms and melodrama in dramaland already and simply not enough of the macabre flesh-eating, blood-sucking undead. All of Us Are Dead is not the best in the genre, where Kingdom still reigns supreme, but as a one-time weekend watch it definitely fulfils my insatiable hunger for such content, albeit temporarily.
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Such a Disappointment……
Ranted in the comments, making it into a review. After reading the Webtoon since its very beginning, I’ve been waiting for a drama adaptation for years. Although the ending may not be everyone’s cup of tea, the rest of the story and plot had such good potential for one of the best rom-coms/slice of life’s this year. Completely ruined the drama with Ira being Joon’s childhood friend, and just not including so many important and memorable scenes like the school festival or Kook Su Jin fanboying over Doona at the shared house. No dream trip to Hawaii either? Wasted cast too, Suzy was the perfect actress for this role, her acting has improved so much over the years and gets dealt a terrible script and story. Ending was terrible too, just let Joon and Ira end up together, why leave it open-ended? Satisfies no one. Only positives are the cinematography and OSTs, great work there.Was this review helpful to you?
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Trashy guilty pleasure with a side of good smut
Kinn is the second son of a mafia boss who meets the barfly, Porsche. With no parents and a younger brother to care for, Porsche is willing to do just about anything for money. Following an excellent first episode, he gets recruited to be a bodyguard for Kinn's gangster family. As the two fall in love, they find themselves mired in generic gangster shootouts and a complex family scandal that involves the mystery of Porsche's dead parents.Which is to say, that on paper KinnPorsche sounds like fun. In reality, it's A-grade, rolled-gold trash full of Makjang twists, inconsistent characterisation and a whole lot of sexy boys doing sexy things - most of it non-consensual or involving incest.
KinnPorsche is essentially a fetish drama, with the various fetishes interspersed with something that resembles a plot only in passing: it doesn't stand up to scrutiny, doesn't make much sense and isn't important anyway, frankly.
The show is also a tonal mess, with different direction and production styles clashing (the first episode is surprisingly good, the next two are confusing and contradictory, and the tones clash regularly from there).
But once you get past the idea that this show should be taken in any way seriously - and if you're in the right mood - it could be your latest guilty pleasure watch as it quickly descends into a morass of hot guys boning; sometimes drugged, sometimes drunk, sometimes underage, and sometimes as a result of chained-up basement torture. And nearly always when they're related in some way.
There's a lot of gratuitous sex and mindless violence and the odd, weird, fluffy date episode, which doesn't fit at all. But, I guess, for some people fluffy dating is their fetish so that's here for you as well.
The acting is actually pretty good, especially for a Thai BL, and the sex scenes are genuinely steamy as long as you handwave the rape, incest, torture, murder and creepy borderline paedophilia.
Kinn rapes Porsche, gaslights him, abuses him, manipulates him and yet the relationship somehow seems the most healthy when compared to the other ones in the show. Especially Vegas/Pete ["Nobody can hurt you but me!"] and the super creepy Kim/Porschay ["You're my underage cousin but I'm going to manipulate you into kissing me anyway"].
Anyway, put your brain on hold and enjoy the abuse trainwreck. Otherwise, steer clear.
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