A Lifetime of Obsession and Yearning
He Simu is a 400yo sovereign of the Spirit Realm, holding the ultimate power against all the other spirits for the past 300years, and is on vacation in the mortal realm when she chanced upon Duan Xu, an eccentric scholar of the court who was punished to lead the army at the border which was thought by other ministers to be a death sentence for him. But to everyone’s surprise, he managed to excel in this military endeavour and went on to reclaim cities after cities that were previously conquered by the neighbouring kingdom, North Chong. He Simu, seeing the young general wielding the Breaking Delusion Sword forged by her aunt 300 years ago, immediately set her eyes on him, curious on why the sword had acknowledged a mortal as its master, especially when it also means that he could be her spell bearer whom could lend his five senses that she was deprived of as somebody who was born as a spirit right from the getgo, not just somebody who turned into a spirit upon death like the rest of the spirits in her realm. As she posed as the mortal He Xiaoxiao with an adopted brother Chen Ying whom she picked up along the way, she managed to get closer to the general and learnt that there was so much more to the general than what meets the eye.These two main characters are really unique, one a born spirit that had never been indulged by senses that we humans usually never notice - the sense of touch, taste, smell, sight (as in seeing colours) and hearing music. While the other was a human who had been left to survive on his own in sweat, blood and grit from a very young age despite coming from an aristocrat family revered in court, due to being kidnapped by the enemy state and turned into an assassin. One grew up filled with love and contentment only to meet with disaster upon her parents’ demise, turning her into a stone-cold, disconnected and ruthless Spirit Lord, while the other grew up in pain and misery, only to find love and contentment when he met the arrogant and mindless Spirit Lord. They both felt alive when they met each other, although they could not hide from the fact that that it was indeed a forbidden relationship that could ruin the both of them.
What I liked about the characters here is both FL and ML never expected to be rescued by each other in their respective fights, but somehow when they were in the verge of perishing for real, the other half would always come through, though FL didnt need any saving even when she was at her lowest. But most of the time, they held on their own and fought their own battles, which took a considerable amount of years of being apart from each other. I am also glad they did not water down the FL’s OG powers just so the mortal ML with no supernatural neili could shine by coming to her rescue, like in most typical love stories.
I commend the CGI team that managed to make all the special effects look seamless without looking out of place or cartoonish. The fights are excellent, they had good choreograph in that part too. The makeup department was great, they actually managed to make the ML look messy during and after battles, like real messy with blood and grit splashed over the face instead of full on flawless foundation. 🫣
For those who complains that the last 10 episodes to be draggy, well, i guess the screenwriter cant help it if they were to follow the novel, cuz it was written that way by the original author. They did spend years apart from each other during Yan Ke’s rebellion and the war with North Chong, although FL did share a more frequent sense-exchange with ML which contributed to his worsened health that the FL realized only too late.
I’m grateful that the adaptation managed to adhere to the novel’s plot pretty much to the T, without much deviation. And I especially liked how they improvised the novel’s ending into two parts, which was pretty neat.
I have to say this show is packed with excellent music scores, especially those for the spirit realm, they sounded eerie and mysterious which is most fitting for the occasion. There are quite a number of tracks that I would add to my running playlist. The Lantern Guide song had similar ring to What Defines Humanity from Whispers of Fate, although I wondered if the composer was the same person, it turned out the former was by Yang Bingyin while the latter was by Zeng Zilin. Both songs were a feast to my ears with its unique lyrics and music.
All in all, for somebody who has read the novel before watching the adaptation, this is definitely one of the better ones out there that managed to satisfy the novel’s reader by being faithful to it.
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This review may contain spoilers
unfortunately..NOT INTERESTING ENOUGH.
Plot: Xiao le and yi lan are childhood best friends. They share every aspect of their lives:issues, achievement, familiar problems.
Xiao le is trying to find his way in life without giving in with his father's expectations; yi lan instead knows what she wants to do. Her first love is playing cello just like her mother did. Unfortunately his father is not on her side.
We follow them as they navigate their problems through highschool and adult life.
Observations:
I liked the initial episodes of the drama. There is nothing groundbreaking here to watch but the atmosphere was nice and the characters were cute. I particularly liked the town/ school setting. It was a bit darker than usual school settings. It looked like they went to highschool in forks (twilight's)🤣.
I think the main issue in this drama is that everything is surface level.
We never get into anything too deeply.
Music is a main focus of the drama or at least this should be the case.
I'm still not sure about what kind of school they attended because they were involved all in music on some level, but it looked like a regular highschool instead of a conservatory.
Music is never discussed or shown except for the reoccurring "sorry, I gotta go play cello".
The fact that everytime someone is singing or playing an instrument another track is playing in the background takes you out of the moment.
I get that the actor may not be able to play, but you can cut the camera away from their faces and let a real musician play.
Maybe it was a budget issue, but it didn't help with setting the right tone in certain scenes.
Building momentum was also a big issue. The drama cuts short important or emotional scenes. They cut right in the middle of a scene, they never linger too much to actually make you feel the tension and that has an impact on the romance as well.
I found their love cute but how they got together was frankly a mess.
They jump from being distant, to being cold, to being together, to feel at ease with each other in the blink of an eye.
The whole "senpai" moment was "meh". Yi Lang starts liking him over nothing, confesses her love, than changes her mind. Right after she rejects Xiao le but wants to keep him a friend. She then sees him for a millisecond with a girl and gets jealous and right after starts to look at Xiao le under a different light.
They kiss accidentally and basically get together.
It was a mess and I didn't enjoy it at all.
If she was so adamant in rejecting him first just show me how she comes to terms with seeing him as more than a friend. Let the jealousy build up a bit.
The moment they get caught kissing by their respective parents was weird.
The whole drama we are shown that Xiao le parents are absent from his life , but suddenly they are everywhere and play the role of "comic relief" with yi Lang parents? Totally out of character.
Aside the main couple, the drama focuses also on the love story between the sad ning Ning and Xiao le's best friend.
this love story makes no sense from the very beginning.
Ning Ning was mean for no reason.
Her life revolved around cell even before she dated that guy. She never had time even in highschool but she uses this as an excuse to be a bitch towards her boyfriend.
He did absolutely nothing wrong. Always by her side, secretly helping her , never being a burden and always showing a positive attitude.
She on the other hand kept everything inside, never talked to him about nothing, never found time for him. He was the one always making plans for their couple and she saw it as a nuisance.
To add insult to injury she is the one breaking up with him asking "what is your plan? You need a plan". Girl, he was the only one being pro active in this relationship. He deserved way better.
The third female friend is on and off on our radars. Poor girl she is a third wheel in this drama.
This drama is not bad but it is not super interesting either.
My favourite part was the male lead character and the overall friendship of the main couple.
Everything else is just there for the sake of it.
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A Lovely Watch
To be honest I put off watching this for quite a while. I mean, I had tried watching the first episode after seeing multiple recommendations but I misunderstood it and so dropped it. Only after starting this review did I realise I had tried watching it before. This second time I fell completely in love with it. It is a beautiful story. Once they're adults the way they spend time together and the way to stay together through some struggles is beautiful. This story was well done. They did a fantastic job with it. I am deeply saddened that I've (almost) finished it. I love it so much that I don't want it to end, so I've decided to put it on hold until I'm less prone to crying over this. It is so beautiful!!!STORY
I'm used to watching more action-packed dramas. I usually only watch costume dramas and had somehow convinced myself that contemporary dramas were not for me. This changed my view point. This story is for those who love a contemporary romance. The characters love each other and the sets, families, friends all feel real.
ACTING
10/10
This is one of the best - if not the best - cases of acting I have ever seen. I watch a lot of dramas so I know the standard and this goes beyond. The Male Lead's actor Chen Zhe Yuan and the Female Lead's actor Zhao Lu Si did a fantastic job. They conveyed the emotion perfectly for every scene. They had brilliant chemistry on screen, too. The brother (Victor Ma) also did an amazing job. I wish he was in more dramas.
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I wasn't sure I liked it at first but I've returned to rewatch many times
This isn't scintillating or cutesy or hot or overly dramatic. But I guess I liked that because I keep rewatching it. The story softly undulates around these two characters who seem to just crash into each other. I really appreciate that it doesn't lean into the coming out trope. It's just quietly telling the tale of two grown men falling in love and navigating obstacles. There are a few cringe acting moments but overall they did well. I enjoyed it.Was this review helpful to you?
Beautiful Funny Drama! Watch It!
⭐⭐⭐⭐⭐ A Belated Joy Worth Every MinuteYou Are My Fateful Love is the kind of drama that reminds you why you fell in love with the genre in the first place. This sweet, charming romance follows Ruan Yu and Xu Huaisong — two people who secretly carried a crush on each other through high school, only to reunite a decade later under the most unexpected circumstances. The result is pure magic.
What immediately stands out is the production quality. The cinematography is absolutely stunning — feels intentional and beautiful. The costumes are equally impressive, adding an elegance that perfectly complements the tone of the story.
The casting is spot-on. Miles Wei and Zheng Hehuizi have effortless chemistry, and the supporting cast holds their own with memorable performances that keep the story fresh. The writing strikes a wonderful balance — funny and light-hearted in the right moments, yet genuinely moving when it counts. The humor lands naturally without ever feeling forced.
What keeps the story engaging is its stream of unexpected twists and layered characters. Just when you think you know where things are headed, the drama finds another clever way to surprise you, all while maintaining a pace that never drags. This is not a show that overstays its welcome.
Whether you’re a long-time C-drama fan or just dipping your toes in, You Are My Fateful Love is a delightful, feel-good watch that delivers on every front. A beautiful story, beautifully told.
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Lakorn rated as "feminist" but mostly just a lakorn!!
PLOT: Lin, the FL, is mistreated by her husband (chosen by her father, a macho and authoritarian patriarch). With the help of her brother Kasom, and the ML, Muen, who guides her towards an accounting job in his company, she escaped this hell. After her divorce, Muen courts her (with great difficulty because FL is reluctant after her failure). Furthermore, Muen's ex makes a comeback. Kasom falls in love with Kaew, the ML's cousin. But the patriarch doesn't accept it, finds "his" ideal daughter-in-law, and does everything to marry her off to Kasom. Kasom dies in an accident, and the patriarch became paraplegic.+++ The actors are convincing (except for the FL, who is pretty but always has a poker face).
+++ The story is fairly coherent.
+++ I really like the second romance (more than the main one because the FL annoys me).
### THE FLAWS OF LAKORNS: way too much melodrama!
- The abusive and contemptuous patriarch towards women
- The stubborn ex-husband & the obsessive ML ex
- The "ideal" fiancée willing to sell herself
### The FL who is in love, but doesn't want to get married, and maybe she does, and then ultimately doesn't
ლ(ಠ益ಠლ ლ(ಠ益ಠლ ) When it's supposed to be in favor of Women's Rights, you have to write consistent and intelligent heroines, not fickle ones ლ(ಠ益ಠლ
=> Interesting lakorn because of its actors, but so melodramatic!!
**********************************************************
Lakorn noté comme "féministe" mais surtt lakorn !!
PLOT : Lin, la FL, est maltraitée par son mari (choisi par son père, patriarche macho & autoritaire). Avec l'aide de son frère Kasom, et du ML, Muen, qui l'oriente vers 1 emploi de comptable ds sa Cie, elle échappe à cet enfer. Après son divorce, Muen la courtise (avec bcp de difficultés car FL réticente après son échec). De +, l'ex de Muen fait son come-back. Kasom tombe amoureux de Kaew, cousine du ML. Mais le patriarche ne l'accepte pas, trouve "sa" belle-fille idéale et fait tt pr la caser avec Kasom. Celui-ci meurt ds 1 accident et le patriarche est paraplégique.
+++ Les acteurs sont convaincants (sauf la FL jolie, mais tjs poker-face)
+++ La story est à peu près cohérente.
+++ J'aime bcp la romance 2 (plus que la romance principale car la FL m'énerve).
### LES DEFAUTS DES LAKORNS: bcp bcp (trop) de mélo !
- le patriarche abusif et méprisant envers les femmes
- L'ex-mari obstiné & l'ex du ML obsessionnelle
- la fiancée "idéale" prête à se vendre
### La FL qui est amoureuse, mais ne veut pas se marier, et peut-être que si, et puis finalement non ლ(ಠ益ಠლ ლ(ಠ益ಠლ
Qd c'est censé être en faveur du Droit des Femmes, il faut écrire des héroïnes cohérentes et intelligentes, pas des girouettes ლ(ಠ益ಠლ
=> Lakorn intéressant par ses acteurs, mais tellement mélo !!
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This review may contain spoilers
Well-depicted effects of artificial BF (on users/society)
Love seo in guk! Interesting concept. FL acted really well too! The series triggers relevant discussions on the technological, mental, ethical, societal effects of such a dating simulation. These are interesting & chaotic times to be alive in!--spoiler--
Didn't agree with story progression towards the end - of FL consulting artificial boyfriend on how to patch up with the real boyfriend, but I get it - they captured the essence well of the AI willing to help the user/make them happy by whatever means necessary.
They captured other facets well too - of impact of such a service on human life - like, FL's best friend gaming the system, the comic author getting immersed in it, etc.
There is of course unrealism too in the ML being persistent with the FL till she's ready to date - this is the bubble of dramas, rare in the real world.
--spoiler--
A short series that captured the essence of having an artificial BF well.
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A Heavy Aftertaste
The drama leaves a heavy, heart-wrenching impression—it is literally permeated with pain, which makes you genuinely worry about each of the main characters. The story of friendship and love is portrayed very touchingly, but with a bitter aftertaste, and many questions remain after watching it. Despite not having the most original premise, the execution is strong: the acting is powerful, and Tseng Jing Hua makes his character feel real and easy to understand.The adult characters make a particular impression, their actions are infuriating. The mother who abandoned her son and ran off into the fog with the jerk who beat them and racked up debts. The dejected old woman who tormented her own granddaughter her whole life. I won’t even mention the classmates—they deserved what they got in the end.
The main character could have taken a calmer path, but pain, resentment, and the loss of a loved one push him toward a different decision. Ultimately, this makes the story even more tragic and ambiguous, but that’s exactly why it’s worth watching.
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Interesting Story, Terrible Main Leads’ Acting
An interesting, refreshing fantasy story, I watched it mainly for the plot. The main leads deliver terrible performances and feel completely miscast, in my opinion. Supporting cast, however, is solid enough that I’ve been generous with the acting score. Visually, the drama is quite strong, with very beautiful costumes in the spirit world and pleasing aesthetics.I haven’t read the novel, but I believe this drama had potential and could have benefited from better direction, storytelling, and different main leads. The story remains fairly surface-level throughout, but it works well enough as light entertainment. It is one of those shows that, once finished, doesn’t really leave you with anything… except the fact that you finished it. Not great, not terrible, just sitting in that very specific category of “I watched it, therefore it exists.”
Still, one does hope more fantasy dramas continue to be made. They are flawed, certainly, but still more entertaining than many recent dramas that try to chase depth and end up with none. At least fantasy knows it is a fairy tale, and behaves accordingly.
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NOSTALGIC & PERFECT??
Recently i watched this drama again on its 2nd year anniversary and its just sooooo good💜This gave me nostalgic vibes, not every drama is enjoyable watching it a second time but it was like i was watching it for the first time🥹
Romance,comedy,visuals,OSTs,time travelling etc everything is just so on point. Nowadays not many kdramas are like that😢
Love Kim hyeyoon and Byeon woosoek acting their couple is perfect in every ways i can’t wait for their future projects.
I will watch Perfect Crown soon just so excited💃
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A nice watch
I finally ended up watching it because of the confession scene which I though happened way later but it turned out to be the very first ep. A pleasant surprise might I add. But I was also worried because if a couple gets together this early on and it's 28 eps, for cdramas (iykyk), that means lotssss of unnecessary misunderstandings and drama. But this wasn't it. And it's also not a romance-focused drama, as you'll already see from the synopsis. Sorry for the long review ahead.First of all, it's a very realistic watch. As a psych graduate, the way they portray and explain emotions and human behavior is, while jargon heavy at some point, I understand the use because this is supposed to be somewhat a psychological type drama and it's nice to see. Some people might not agree with some things and the way main leads were acting at times but in my opinion, very realistic instead of just following the cliché predictable path of some idk blind heroic act trope or misunderstanding trope or whatever. All the characters have their own reasons for the way they act, good or bad or ambiguous (at least as someone who watched it from the pov of psych). And no, I don't think the FL was annoying in anyway. She was acting the way all humans would react, as you and I would react to situations she was in. There was a little bit of good cop/ bad cop and moral high ground stuff as it would in all police dramas, but it's necessary so I won't say much on it.
Secondly, the acting. I don't think anyone's acting was bad in this per se. They all did a good job. But I really have to applaud the portrayal of emotionally tortured Jiang Hansheng (ML) and Qi Yan. JHS's non reactive demeanor that become cold and stoic to shock and traumatic in literal seconds was well done. And then Qi Yan, don't get me even started. In all the scenes he appeared, he managed to disgust me and intrigued me by the way he portrayed his traumatized and twisted self so well. Jiang Cheng also did very well in the ways he showed the mind struggle of being inbetween 2 polar worlds. FL did okay, not much to say because her character isn't supposed to be as complex as the other main leads and is rather straightforward. She acted well in portraying moments of dilemma.
In conclusion, I didn't focus on any of the cons because I was preoccupied with the pros, And like another comment said, if you're looking for romance heavy, push and pull situations, this is not for you. But if you give this a chance, like me without having preconceived notions, you might find yourself surprisingly enjoying it. Overall, I liked it so much I finished this in 2 days. And this kinda pulled me out of the cdrama slump I was in with all these copy paste romance dramas these days.
Also Jing Boran was effing HOT. K thx bye.
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criminally underrated
I remember being hooked from the very first watch, it's rare to find a mystery, suspense drama this tightly woven that keeps you on edge the whole time. The chemistry between the fl and second ml is especially strong, and Shim Hee Sub’s performance really pulls you in, despite its mystery-suspense tone. Will keep it brief, as it's best experienced going in completely blind. A criminally underrated, must-watch that leaves a lingering aftertaste long after you finish.Was this review helpful to you?
This review may contain spoilers
The characters are all miserable and depressed
Let me start by saying I really enjoyed this show for the majority of the episodes. The story was simple, but enjoyable. The first half or so felt like watching a real story more than watching characters in a show, which I really liked. It gave me the same feel as When Life Gives You Tangerines in that way (a very high compliment). Then the show got to the finale and lost so many points for me. I hate when a finale erases everything that the show did and that's exactly what this finale was. There was no point to the rest of the show nor the progress the characters made because the finale throws that all away.The first few episodes of them in highschool and the year or so following were the best of the show. We saw them fall in love, and see how hard it is to keep a long distance relationship going while trying to get through your first year in adulthood. That was all beautifully done, even their breakup. The next episode jumping ahead 10 years and seeing what they've been up to, loved it. Then they run into each other again...it starts out okay and then really went downhill from there. They get back together for a month and breakup for the same reason they did before, Tae So is making all the effort to be together while Eun A is making none. They breakup again and I'm thrilled. Tae So has A Sol in her life and I think they'd be really good for each other, which they were. I was hoping it would develop into more, but not mad it didn't either. Where the show greatly disapointed me and made me angry to be honest, is the finale. Most of the finale is spent with Tae So and Eun A meeting up, saying goodbye, and repeat. They keep saying that it's going to be their last goodbye over and over, but it isn't. Finally Eun A decides to go to Hawaii and they say goodbye...again. We flashforward a year and she sends him a message, he smiles, and they start to narrate the same thing talking about destiny, and the credits roll.
...the credits roll.
Reasons I hate the finale with a passion:
1. It was wasted by a million goodbyes that meant nothing
2. When we think they're just going to get back together, she leaves AGAIN
3. It's been a year, maybe he can move on. NOPE. She's got him wrapped around her finger AGAIN.
4. The entire narration talking about destiny. They are not destined. They are just two people who can't move on because they don't let themselves nor eachother move on. They're just going to keep repeating the cycle over and over again.
Other issues I had with this show:
1.We got to hear what A Sol was thankful for with Tae So, but didn't get to hear what he said to her...why? Because we wasted all the screentime on pointless goodbyes.
2. Eun A was super selfish and thoughtless. She never cared about what Tae So wanted or what was best for their relationship. She only cared about herself
3. Eun A seemed like a completely different character in highshcool than the rest of the show. In highschool she was fun, caring, whymsical. After that she was boring, depressing, and selfish.
4. Eun A's beef with her stepmom seemed stupid. We didn't really get enough on why she blamed her for her dad's death, so it just seemed petty.
5. The "dating" between Eun A and Seong Chan was so pointless and practically nonexistant. Also why did he have a thing for her when she was 17? Weird.
6. A Sol's ending seemed like they didn't care about her ending so they just faded to black on her last scene and we never saw her again
7. Tae So was so boring for a main character. Super caring, yes. Not much else though
Things I liked:
1. Tae So and Eun A's chemistry as well as Tae So and A Sol's chemistry. The actors did a great job with that
2. Great cast. I liked a lot of the actors
3. Tae So's family. I loved seeing the relatiopnship between all of them. Loved his brother a lot too. I thought the brother and his coworker were going to get together but they didn't do anything with that.
4. A Sol. She was the best character and I really enjoyed her scenes.
5. I liked the cinematics of some of the shots
6. I liked how simple the story was. Everything nowadays is always so flashy and in your face, so this was a nice change of pace.
7. The realistic feel of this show, like I mentioned before.
Overall, I enjoyed quite a bit about this show, but there was also a lot I didn't. The finale is where my biggest issues lie and unfortuantely a lot of that outways the good.
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Delivers on every front
It's been a while since I've watched such a satisfying storyline! I had minimal expectations going in; it was on my radar because of FL (loved Love Scout), and I became intrigued after seeing who the ML was. I didn't expect to enjoy the story so much, and it was so delightful to like every new character we were introduced to. The story is straightforward--no frustrating love triangles, and no unnecessary drama. While the ML frustrated me at times, and the pace lagged towards the end, overall it delivers on what it promises. It's sweet, not overly sentimental, and a good binge.I like that ML picked his project. After The Glory and Squid Game, I think this one was a fresh breath of air. And as for Han Jimin...queen of romcom, am I right????
Edit: after reading some of the other reviews, I feel compelled to add that this drama is exactly what it says on the tin: a practical guide to love. I think most people missed the point of the blind dates and of FL meeting two (or more) guys and were looking for some societal-expectations-defying romance. This is not it. In fact, I'd go so far as to say that this drama romanticises the reality of trying to find your person/family when you're older; that's the point of it. It shows the pragmatism of "choosing" love for a single woman in her mid/late 30s (in Asia) . While it doesn't go into depth to deal with those elements, they are acknowledged, and I think they are a big part in understanding why the story plays out the way it does. I agree that the FL is egregiously immature at times, however--it's hard to take her seriously as the age she's playing. But I think overall it's a sweet story, and shouldn't be so easily dismissed.
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Babies' First Steps Towards Adulting?
This series is the fourth installment of the Baby Assassins franchise. The set up remains the same throughout the franchise: Chisako (Takaishi Akari) and Mahiro (Izawa Saori) are two young but highly competent assassins who just want a steady flow of work, but they would like to be otherwise left alone by the Assassins Guild that employs them. And the Assassins Guild, like any good, "benevolent" employer in the modern era, would like to develop their employees to have a wider skillset to leverage all the synergies in the assassination business. The entire franchise is a darkly comedic gun-fu martials arts series that obliquely critiques capitalistic corporate culture.This jdrama continues directly from the three prior movies, but other than some shared characters (particularly among the service personnel who clean up after the assassinations) there's not a whole lot of continuity that anyone would need to know in order to enjoy this series. And so (at this point in 2026) if you've got an HBO Max subscription, and are curious whether you can watch this series without watching the prior movies, I'd say dive right in. You can always go back to the movies if you enjoy the characters, the action and the tone of the series.
This series is roughly divided into two halves. In the first half, the pair get reluctantly pulled into a "project" where one of the Guild's legendary assassins wants to come out of retirement to settle an old score. What's really going on in this part is a not so subtle critique of corporate training retreats. The pair's senpai for this section is Takashi (Kusakawa Takuya) who overacts pretty egregiously throughout, but his doing so seems to be as directed. The leads Takaishi and Izawa play things comparatively understated throughout the franchise in contrast to many of the more aggressive foils both within the Guild and without. That fact is is probably fairly essential to maintaining the comedic tone of the series between the action sequences.
The second half of the series has the pair split apart and assigned to two other departments. Mahiro is sent off to learn from and assist one of the Guild's liquidators who are assigned to kill assassins in the organization who have broken the rules. And Chisato is sent to work in Sales where issues of corporate politics and power harassment come to the fore. But the pair continue to live together, and ultimately work together to become partners again.
The acting of the leads remains superb and reaches a new peak in this series. Mahiro, outside of her extreme skills in hand to hand combat, is always mired in her debilitating social anxiety, and Chisato is outgoing, verging on manic at times. But the two actor's chemistry together is excellent to the point that it is natural to wonder if this series is, in fact, a GL. It's left ambiguous throughout the franchise, but I will reveal that there is a truly swoon-worthy moment in the final episode. Takaishi is the better actor as Chisato, and her career has recently gotten a well-deserved additional boost as she was the lead in this past winter's NHK asadora, The Ghost Writer's Wife. Much more surprising is Izawa's performance as Mahiro. Izawa was almost entirely a stunt performer prior to this series, but here she is not only anchoring the action sequences, but at one point she impressively cries directly to camera. She really should get more work, in my opinion.
If you enjoyed the prior movies, then this series is pretty much a must watch. There's probably a bit less time spent on the action sequences compared to the movies, and a bit more time on Chisato and Mahiro's slice-of-life interactions. In fact, one of the best episodes of the series has no diegetic action sequences at all (just a couple of brief flashbacks of memories). Nevertheless, there are good propulsive action sequences throughout the series with the same level of fight choreography that were seen in the movies. Thematically, there's also a bit more depth than the movies as the women take a few more steps towards adulthood, and the pair's relationship which has always been solid gets to bloom just a little.
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