Reviews

Fun watch, looks excellent, may have Girl-bossed a little too close to the sun?

I have watched a lot of historical romantic dramas that I dropped, skipped through or just found generally unsatisfying. So even though I don’t think this is a masterpiece, the fact that I was mostly satisfied throughout, enjoyed myself, and think I will probably rewatch it speaks to its overall quality. Despite the areas where I think the writing (and at times, acting) is lacking, I think that this is overall a worthwhile watch.

I think that the single greatest strength of the drama is the warmth and beauty of the world that they have created through sets, cinematography, costuming and styling. It is aesthetically so pleasing to look at and has a richness that I think is sorely lacking in many Chinese dramas with cardboard sets and flat lighting. The leads look absolutely beautiful, and I found myself just absorbed in the splendour of the drama (even if the budget wasn’t huge, it feels like it is).

Saying that the best thing about the drama is the aesthetics doesn’t explain my high rating. I think that the main leads have good chemistry and an endearing dynamic, with genuine moments of emotion. Although there are times when the acting and character-writing is lacking, I think that they make up for it with earnestness. I also am a sucker for the general premise (commoner girl who is tough and kind, skilled warrior guy who no one thought would ever fall in love, fake marriage, etc.) which I think the show pulls off very successfully.

For me, when it comes to historical romances, if the setting feels good and the leads are enjoyable to watch with decent writing, I’m going to have a pretty good time. Hence my rating. However, I do think there are a few areas where the drama is weaker and which keeps me from crowning this as a masterpiece as some other reviewers have done:

(1) I think that as the show progresses the pacing and plotting gets more and more rushed and shallow. I felt like the female lead’s rise to being a general and defeating major bad guys in combat was not earned. Granted, I never felt like this show was trying to be a realistic and gritty historical drama, but I felt like this cheapened her arc and made me less invested in her as a character. The seeds of this issue were planted early, when she is very proficient in martial arts to a degree that I didn’t feel was warranted (yes, I know she was trained by her dad who was very skilled, but it never showed her practicing or training or really talking about those skills, which made them feel tacked on and random).

(2) Character motivations became less and less clear as the show went on, and characters felt more like they were just being moved around for plot purposes, rather than being driven by actual character development

(3) I found the gray-haired villain pretty repetitive and annoying. It was a slog to get through his plot, which was a shame because that is a lot of the drama. Because of that, It made the drama’s second half feel like it was dragging.

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Cringy but cute

I like indulging in stories where different personalities and backgrounds converge. I also really enjoy shows that involve intelligent and just magistrates who helps commoners solve problems. While the series had both of the above, there are also shortfalls that stained its potential.

Foremost, I almost dropped this series after a few episodes. While the female lead's personality was meant to be over-the-top for emphasis and humor, her violent streak was a big turn off. They could have portrayed her character with the same sass and ruggedness without resorting to such direct abusiveness towards men. Her character also proves how a "spoiled brat" isn't correlated with wealth but with how she was raised. The combination created an uncomfortable and distasteful cringe. However, the rest of the cast did build up enough intrigue for me to continue to give it a try. Thankfully, while she didn't end up becoming as evolved as she could have, there was character growth and she did have plenty of charismatic moments.

The characteristics of the ML and FL didn't feel consistent. The strength of the ML was supposed to be intellect and the strength of the FL was supposed to be brawn. Instead, there were times where the ML was intellectual capable but then completely ignorant and they tried to get the FL to help fill in for him. The characters would have done better if they really focused more on how to blend their individual strengths instead of them just taking turns on who was smarter. For the FL to suddenly be capable of strategizing, making medicine, doing business, and being knowledge of herbs when she grew up as a butcher... is farfetched without any backstory. If she was this capable, then why did they almost lose their store and why wasn't she able to grow her own family business for all those years?

The overall plot itself wasn't actually bad and I quite enjoyed the magnification of certain aspects that other shows don't usually touch on, such as having the little prince join a school of commoners and teaching him a life lesson. There are also plenty of chuckles along the way and some heartwarming comradery. But it also felt as if there were two very different people taking turns at directing the series, so the plot flow was a mixed bag and felt a bit forced. Similarly, the actors were also a mixed bag of those who really emoted and those who were monotone but they all still had decent chemistry with one another.

It is a good casual watch if you need a break from overly somber series. I was hoping for more episodic cases of the magistrate resolving issues but it was mostly around one or two major cases that all end up tying into each other. It also does conclude with a well-rounded ending and won't cause you to overly binge.

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A Slow-Burn Romance Entwined with Death, Fate, and Mystery!

After watching the first thirteen episodes of Love Beyond the Grave, I’m already completely hooked and honestly, it’s sitting at a strong 9.5/10 for me right now.

What immediately stands out is the atmosphere. The drama balances an eerie, almost haunting tone with deeply emotional storytelling. It doesn’t rely on cheap thrills, instead it slowly builds a sense of mystery that keeps pulling you in. Every episode reveals just enough to keep you guessing without ever feeling dragged out.

The chemistry between the leads is another major highlight. Their connection feels intense yet fragile, especially given the supernatural elements surrounding their relationship. There’s a lingering sense of longing in almost every interaction, which makes even the quieter scenes feel meaningful. You can really feel the emotional weight behind their choices.

The pacing so far has been surprisingly solid. Nothing feels rushed, but it also doesn’t waste time. Each episode adds layers to the story whether it’s uncovering bits of the past, hinting at hidden motives, or deepening the emotional stakes. By episode thirteen, I feel invested not just in the romance, but in the mystery as well.

Visually, the drama is stunning. The cinematography enhances the haunting vibe perfectly, using lighting and color to reflect the emotional tone of each scene. The soundtrack deserves a mention too it complements the story beautifully and makes key moments hit even harder.

If I had to point out why it’s not a full 10 (yet), it’s only because there are still some unanswered questions and character motivations that I hope will be explored more deeply as the story progresses. But honestly, that’s also part of what makes it so compelling.

Overall, Love Beyond the Grave is shaping up to be a beautifully crafted mix of romance, mystery, and the supernatural. If the next episodes maintain this level of storytelling, it could easily become one of my favorites.

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"It's a mawashi, not a jock strap"

Sumo Do, Sumo Don’t was a funny, lighthearted story of young college men finding something they were missing through a failing sumo club. “The players are pink giants,” with lots of skin showing and a determination to win and maintain age old traditions, well, at least some of them. And none of these boys were giants.

Yamamoto Shuhei is called into Professor Anayama’s office. Due to his absences, Shuhei is going to fail and not graduate unless he joins the sumo club, just until the first tournament to keep the club open. Shuhei and the club leader, Aoki, search for new recruits. They manage to field a team with a guy wanting to impress a girl, another who can’t pay his rent and needs a place to live, and finally someone who just desperately desires friends. Unimpressed with the ancient art of sumo, Anayama’s losers may not be able to do enough to keep the club open.

Sumo Do, Sumo Don’t was the Bad News Bears of sumo. No one was really invested in sumo, but the more they competed the harder they worked at training. I did feel like Masayuki left out crucial moments that led to the boys’ decisions to dedicate themselves to the discipline of the sport and the respect for the ancient traditions. Most of their hardcore training was off-screen.

The film was funny, but not usually in a slapstick manner, more born out of the conditions the wrestlers found themselves in. I actually laughed out loud numerous times, a rarity for me with films. There were also deliciously heartwarming moments.

Sumo Do, Sumo Don’t was an entertaining, at times even rousing, sports film. Given that it was made for less than $1 million (USD), writer/director Suo Masayuki got a lot of bang for his buck. It was impossible for me to not root for this group of likeable underachievers. Each member of the team discovered something in himself through the rigors of sumo and the gift of friendship. Definitely worth a try if you enjoy sports or unexpected friendship films.

28 March 2026
Trigger warnings: I’ve seen other sumo fare and maybe the mawashi were ill fitting, but there was a lot of unkempt pubic hair exposed. Also, diarrhea gags.

Surprising note: I’m not sure how prevalent it was in the 1990s but this school had an American style football team complete with cheerleaders.

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A True Masterpiece

This drama is an absolute masterpiece.

First of all, let’s talk about ZLH and TXW’s visuals—oh my lord. The cinematography is on another level. The camera captures every side of them flawlessly: their softness, their loveliness, their fierceness, and even their most intimidating moments. It’s pure professionalism. I genuinely don’t think there’s a single unflattering shot of either of them in the entire drama.

And their chemistry? Completely off the charts. They are on fire. Every scene they share feels alive, intense, and natural. The way they embody their characters is almost surreal—you can tell they are 100% immersed. It doesn’t feel like acting; it feels real.

Now, I’ve seen people say that while the romance is perfectly executed, the political plot can be confusing—and I 100% agree. At the beginning, it’s honestly overwhelming. Keeping track of names, factions, relationships… and then add the multiple names per character (given name, surname, courtesy name)—I was constantly pausing like, “Wait, who is this again?” 😅

I actually had to rewatch the whole drama to fully grasp all the details I missed, especially the political intrigue. But here’s the thing: that rewatch made me appreciate the drama even more. Everything started to click, and the complexity turned into one of its strengths.

Which brings me to its rewatch value—this drama has it in abundance. After a second watch, I can confidently say it’s not just hype. The storytelling, the production, the performances—everything is genuinely outstanding. And surprisingly, it still gave me the same sense of awe as the first time.

Honestly, I wouldn’t even mind a third rewatch.

This is one of those dramas that’s hard to move on from—and even harder to top. After watching something this good, it’s difficult to enjoy anything that doesn’t reach the same level.

Let's add how catchy and perfect the music choices are lol

Highly, highly recommended.

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Mostly outstanding

The Starry Love – Review

I almost didn’t finish this drama.

At one point (mid-episode 34), I was so frustrated with it that I was ready to drop it entirely. And yet, just a few episodes later, I couldn’t press play fast enough. That push-and-pull experience ultimately defines how I feel about The Starry Love: a drama with a clever premise, genuinely strong emotional highs, and some frustrating execution choices that keep it just outside of top-tier status.

What worked

The premise is one of the show’s strongest assets. The “wrong marriage” setup between the twin sisters and their respective realms is familiar, but the execution gives it enough personality to feel fresh. The contrast between the Heavenly Realm and the Void Realm is not just aesthetic—it reflects deeper themes of duty vs. emotion, restraint vs. expression, and control vs. freedom.

Once the story settles into its emotional core, it becomes very compelling. The back half of the drama, in particular, is where it shines. The stakes become personal, the relationships solidify, and the narrative stops experimenting and fully commits to its emotional throughline. Episodes in the mid-to-late 30s are especially strong and pulled me back in completely.

The main couple is a highlight. Their dynamic balances playfulness with intimacy, and their relationship feels lived-in rather than performative. Chen Xingxu is especially effective here—he brings a sense of natural, comfortable intimacy that makes the relationship believable. You can feel that these two characters grow into each other rather than simply being placed together by the script.

The OST is exceptional. The main theme used during emotional scenes is genuinely haunting and lingers long after the episode ends. It elevates key moments and anchors the emotional experience in a way that few dramas manage to do.

Visually, the drama is also stunning. The sets, costumes, and overall aesthetic are consistently beautiful and contribute to the immersive quality of the world.

What didn’t work

The biggest issue is inconsistency in execution—particularly in the middle arc.

The shard storyline is a clever concept, but the first shard’s portrayal is a significant misstep. Reducing a character to a near-monosyllabic, “caveman-like” version of anger feels both unnecessary and out of alignment with the character’s established intelligence and emotional complexity. It breaks immersion—not in a way that serves the plot, but in a way that feels embarrassing from a writing and direction standpoint.

This moment was the lowest point of the drama for me, and it’s the main reason it doesn’t rank higher. Once that kind of immersion break happens, it’s difficult to fully recover, even when the story improves later.

There are also pacing issues. The drama occasionally stretches scenes or delays emotional progression in ways that feel tied to episode count rather than narrative necessity. Some key emotional beats—particularly early confessions—feel rushed compared to the slower buildup that precedes them.

The ending

I understand why some viewers found the ending unsatisfying, but I personally appreciated the choice. Instead of explicitly showing a full reunion, the drama implies it through the restoration of balance and the blooming of the twin flower. It trusts the audience to understand what that means.

In many ways, this approach is more impactful than a conventional “happy reunion” scene.

The supporting characters are also wrapped up nicely, with multiple secondary relationships receiving satisfying conclusions.

Final thoughts

The Starry Love is a drama that reaches real emotional heights, but not without stumbling along the way.

It has:
• a strong central premise
• a compelling main couple with genuine chemistry
• standout emotional moments
• a haunting OST
• beautiful production design

But it also suffers from:
• uneven pacing
• tonal inconsistency
• and at least one major character execution flaw that breaks immersion

In the end, I’m glad I finished it. It’s a rewarding watch if you’re willing to push through its weaker sections, but it doesn’t quite achieve the consistency needed to rank among the very best.

Rating-wise, it lands just outside my top tier—but firmly within a broader top 10.

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WARM AND HEALING, MORE THAN JUST A ROMANCE DRAMA

I TRY NOT TO GIVE SPOILER, BUT IDK HOW TO AVOID IT. OKEY, LET ME TELL YOU,
I watch this drama because i love both leads as an actors, and i love Hyeop eyes, he can express his feeling through his eyes, such a great actor, FR.. this story started when both ML, FL meet each other because of their company project in ART and design. Hyeop acting as main animator for this project, while sung kyung is a designer. they meet each other for the first time, but Chan already know Haran since few years ago. why he knows her? well u gotta watch the drama to know the reason.

Haran is tr#pped in her pasts, because some traumatised incidents happened in her lifes, losing many people she loves made her lose her cheerful personality. while Chan is a gentle, cheerful (who try to be happy) who also get hurts a lot before.. both of them hurt and suffered so much in their lifes, and they need comfort to gain strengh to continues their lifes.. its sad, but also enjoyful as we can see how happy they are to have each other.

there also some mysteries going on, as Chan doesnt remember his pasts, lost his memories and his way to remember his past is heartbreaking for me. i really feel for Chan so much, he got hurt since he's a kid with his parents issues, and now.............. involve in explosion, lose his memoriess... Chan deserve everything in this world, Haran as well.. so many things happened. and i recomment you to watch it... all characters are great, including our cute dog, genius.. all couples are amazing too, especially our MAIN LEADS, CHAN AND HARAN.. THIS DRAMA HEALS, GIVE US WARMTH, AND MAKE ME APPRECIATE THOSE PEOPLE AROUND US.... RECOMMEND TO WATCH

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Only watch if you want to get bored

The story had everything to be good, but it's so bland. Becky doesn't have the spice to be Nanno. She tried, and that's obvious, but based on the Nano we had before, she'd be a 0 out of 10. We so far didn’t even get to see Nanno’s iconic laugh, even on the trailer we can hear it but not a single episode has it. Edit: we did get to hear that but still, not as creepy as the original.
The social commentary in each episode is good, but the way it's told is so lame, without grabbing attention, leaving the viewer bored. Obviously the subjects are something people should take it serious but in a 40 min episode we only get the point midway, some people don’t even understand what is the moral lesson.
So yeah overall just watch if you really don’t have anything else to watch

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Fairly standard Thai PBS youth lakorn with very common tropes. Its use of melodrama is uneven, at times heavy-handed, but then key elements are all but forgotten until they return. There's also some filler, camera shots of faces which don't need to go on quite as long as they do, and a lot of the sport. Three veins of symbolism run through it - time, the sun and recycling - along with a theme of controlling mind and emotion. Plus some very standard youth lakorn themes.

Peak's character faces allegations of being a thug, which is strange casting for such an earnest actor. I wonder if that was intentional so as not to damage a young actor's reputation. All of the actors and actresses did well but my favourite was Miusic who sparkled in her role with her vibrant smile and energy.

I did consider dropping it in the first half but it came through in the end so I'm glad I continued. For youth lakorns, I recommend The Rhythm of Life (Peak in a support role there) over this. I preferred the livelier Clean & Jerk (from the same director/screenwriter) but wouldn't be surprised if others disagreed. Clean & Jerk is notable for centring the story around physically strong women. It also had imo more interesting male characters. In this one though, aside from Sun, I found the male characters a bit cliched and much preferred the women. Just maybe something to pay attention to if you're mostly here for one young man in particular.

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Main Couple’s toxic relationship

I finally finished Eternal Love, and I understand why it’s so beloved—but I also struggled with how its central romance is framed.

There’s no question the production itself is strong. The world-building, music, and emotional scope create a sweeping, immersive story. It’s easy to see why so many viewers connect with it, especially given its themes of fate, sacrifice, and love that endures across lifetimes.

Where it didn’t work for me was in how the relationship between Bai Qian and Ye Hua is portrayed.

A significant portion of their story relies on Ye Hua making unilateral decisions “for her own good.” These decisions cause real physical and emotional harm. The issue isn’t simply that he makes mistakes—flawed characters can be compelling—but that the narrative consistently reframes those actions as noble sacrifice rather than fully confronting their impact.

By the end, instead of a clear reckoning or mutual processing of what happened, the story resolves in a way that places emotional responsibility back onto Bai Qian. The dynamic shifts toward forgiveness without sufficient accountability, which, for me, undermined the emotional payoff the story had been building toward.

What makes this especially challenging is that the show presents this relationship as an ideal—an enduring, epic love. But when key moments involve one person overriding the other’s agency and the consequences are not meaningfully addressed, it raises questions about what kind of love the story is ultimately endorsing.

I can appreciate the scale, the performances, and the emotional ambition of Eternal Love. But as a romance, it didn’t feel “healing” or aspirational to me. It felt like a story where harm was absorbed and reframed rather than fully acknowledged and repaired.

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A study in relational toxicity - not healthy love

I just finished Sniper Butterfly, and I’ve been trying to understand why it’s often described as a “healing romance.” I don’t think that label fits the relationship the show actually portrays.

At its core, the dynamic between Cen Jin and Li Wu is not built on mutual decision-making. Early in their story, she occupies a guardian role in his life. Once he becomes an adult, that dynamic should shift into one of equal partnership. Instead, the pattern continues: she makes decisions for him, withholds information, and justifies those choices as being “in his best interest.”

The most significant example is the 2018 timeline. She lies about her own plans and engineers a breakup in order to force him to take a path she believes is right. The issue isn’t that she wants something better for him—it’s that she removes his ability to choose for himself. That’s not sacrifice; it’s control.

What’s more concerning is how the story resolves this. There is no meaningful accountability. She acknowledges that he was hurt, but never takes responsibility in a way that recognizes the impact of her actions. Instead, the narrative reframes her behavior as ultimately correct. By the end, Li Wu is the one validating her choices, even stating that she “always did what was best” for him.

That framing carries into their later relationship as well. Even after they reunite, she continues to define the terms of their future. When he expresses that marriage is deeply important to him, she dismisses that value rather than engaging with it. The outcome is consistent: her perspective prevails, and he adapts.

For me, the problem isn’t that the characters are flawed. Flawed characters can make for compelling stories. The issue is that the show presents a one-sided dynamic—where one person decides and the other yields—as something romantic and even aspirational.

A “healing” relationship, in my view, would involve acknowledgment of harm, respect for each person’s agency, and growth toward a more balanced partnership. I didn’t see that here. Instead, I saw a relationship where one person’s will consistently overrides the other’s, without real consequence.

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I Came to Judge, I Stayed for the Chaos

At first, after Episode 1, I was like… oh no, not another flop please
But then I forced myself to watch Episode 2 and suddenly I was like… wait a damn minute, let me not judge too fast 👀
Maybe Mim’s beauty helped me stay, I’m not even gonna lie but after that, the series actually started getting more interesting and enjoyable.

One thing I have to give them credit for: the comedy and the reactions are SO fun to watch some scenes really had me entertained, and that’s honestly what made me keep going. The vibe started getting better and the story became easier to enjoy.

Now let me be honest for a second — Din’s creepy smile needed to be toned down by at least 70% because girl sometimes she’s just there smiling like she already won the love war or she's visualzing her next murder scenes in her head.
And with Apple… I know she has the potential, so I was expecting a bit more. But honestly, I also feel like maybe the direction didn’t fully help her show what she’s capable of. Because I’ve seen more from her before.

Also, I need GL productions to understand something very important:
… not every series needs to throw in extra love scenes just because they can 👀
If the actors still look shy or not fully natural doing them, then sometimes it’s better to keep it short, sweet, and effective instead of making it longer than necessary. A little intimacy can still hit hard without overdoing it.

And please Din should’ve borrowed some fighting lessons from Lom because if you’re gonna protect your queen, then baby, you need to come prepared. To be honest she wasn't, having a gun and 3 cousins doesn't make you a protector, and girl I had to look away when Wasu push her away like it was a piece of plastic 🤦‍♀️

Overall, I’m actually glad I kept watching because the series really grew on me. It’s not perfect, but it became way more fun and lovable than I expected. And I have to say it loud that they are my favorite quartet

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This is an Art Piece not just a series

UPDATE
EPISODE 8:
The conclusion of the series, resolved all lose ends. The acting, the cinematography, the music, and all the artistic choices remained excellent up until the very end. 100/10 Faye, Atom, Fabel Entertainment, Moongdoo Production, and all the actors, did an incredible job with this series. Every episode felt like a short film. Truly spectacular.

EPISODE 7:
This episode managed to conclude most of the loose ends, We learn what was the reason of Arisa's mom disappearing for 20 years, leaving a broken child behind. Arisa is completely destroyed by everything, her reality has been distorted. Every character besides Lalin has skeletons in their closet. The acting this episode was incredible. Faye's ability to convey pain through her face is marvelous. award worthy series.

EPISODE 6:
This episode, started in a slower pace with Arisa and Lalin savouring their moments together in love. But the happiness only lasted until the auntie gifted Arisa her shares, and Arisa was able to kick Weiling out of her own company. Lalin didn't take the attack on her mama well. Weiling seems unaware of the harm she has caused. Lalin being smart and angry gets in contact with our one and only beautiful investigative reporter, and finds out that Arisa's mom was not only alive and well, but also her mama's affair. She confronts Arisa, who doesn't do anything but cry as she's completely defeated, and drops the bomb that her mom is alive. Arisa dumbfounded and lost, seems to not believe it, as she went on a press con to accuse Weiling for the death of her parents. At that moment her mom shows up to say that the accusations were wrong. The surprise of the day of course being the addition of miss Apasiri to the cast. once again absolute cinema.

EPISODE 5:
This episode touched in some really sensitive topics like domestic violence, and did so in a very delicate way that was realistic to what victims are going through. We also got an idea of how Weiling does business, with having her secretary getting rid of the protestors' leader. It is the first time we have concrete evidence that Weiling is capable of such evil acts. The way it is portrayed is so subtle and indirect that makes viewer wonder was really Weiling ordering that or was the secretary acting on his own? But since every scene, every dialogue, ever glance or body language, has meaning, and everything is calculated, the scene sequence alone points towards Wit running over the protestor with his car. His wife couple of scene prior mentioned how he is even more violent with her when he is stressed from work, and the sequence ends with him returning home and getting violent. As for Arisa's past it looks like Arisa revealed it to Wit, because it was messy enough but not too messy that would destroy her relationship with Lalin. Arisa had to show that she trusts Lalin, she first showed her her childhood photoalbum, then she took her to her parent's grave, and now she revealed a messy aspect of her life when she was still a minor that would have the effect she wanted to have on Lalin.

On top of all we got one of the best love scene in the history of GL, choreographed and designed by Faye herself.

EPISODE 4:
The plot took another unexpected turn, and now Arisa is the one seemingly in disadvantage, however she continues to extend her tentacles to everything and everyone that can help her achieve her goals. Lalin is falling harder in love everyday, and Arisa is feeling her walls cracking with each sweet move Lalin does. The more we think we have figured it out, the more twisted the plot becomes, leaving us breathless and anticipating for more.
once again the cinematography is marvelous, and this time Atom sang the ending theme song, with her sweet voice.

EPISODE 3:
The story progressed, and we learned more about the main antagonist Weiling. We also got to know a piece of Arisa's story as well. The intrigue, and the way Arisa is moving along her plan, and when she seems to be in disadvantage, it turns out she's two steps ahead. Everything plot wise roll smoothly, what is meant to be revealed and solidified it does at the proper time, without dragging.
the cinematography and production value continues to be top notch.
once again absolute cinema, if I could rate higher I would have.

EPISODE 2:
The fast pace is so delicious, no time to breath, and keeps you on your toes. (or your knees if that's what you prefer 😏)
Arisa is a menace, and scoring points against her nemesis in two fronts, business and personal.
There is no filler, no unnecessary dialogue, things are shown not said.
The cinematic feel continues, and now includes an aesthetically spot on intro that gives dual personalities and secrets on secrets vibes.
The relationship of the main couple is very organic, not unnecessary drama for drama's sake, very realistic approach.
We also learned a bit more about some of the characters but Weiling remains the biggest mystery so far.
Truly spectacular work, worth watching whether you are into GLs or not.

EPISODE 1:
The Characters:
The characters are layered, and at the end of the first episode they are all covered in mystery still. Why they act like this? Why they said that? What is the purpose? What is their back story? All questions that keeps us on our toes.

The Story:
The story is easy to follow, engaging and to the point. Character A has a goal and that is clear, nothing too complex, however due to the characters being layered as stated above, it creates a lot of intrigue, of what is going to happen next. Also every scene has a purpose, nothing is random or a filler.

The Pace:
It's fast, and direct, not beating around the bush. We get a feeling of who each character is and their goals, enough to forward the story but also left with anticipation for the next episode.

The Acting:
I think the casting speaks for it self
Legendary Thai actors with accolades
Talented low key people
of course our one and only Faye
and the surprise of the day, Fabel's own Atom, she did so so good for her first time acting. She's a gem.

Sound and Music:
every sound that dressed this episode was spot on, and drove the story, and set the mood for each and every scene.

Cinematography:
the quality and beauty of the cinematography and photography of this series is out of this world, could easily rival expensive world renowned productions. Just pure aesthetic beauty and class. Moongdoo production did so great.

Overall conclusion for the first episode:
it came out pretty good, have rewatched multiple times already, and loving it more each time.
everyone did an incredible jobs, and I can't wait for the next episode
Bravo to everyone involved, this is a masterpiece

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