Reviews

This was actually quite good? But the CGI not so much

First of all I'm sorry to all the novel readers who were very disappointed with this movie. But as a movie watcher only, this was actually quite good guys? I like the story flow and how they teamed up. How the main character "isekai'd to the novel. I felt like I was reading a fantasy webtoon hehe. It was quite engaging and fun for me. It was my kind of movie. THOUGH I must say the CGI was bad. Their acting around the CGI was also bad, some parts felt like their acting and the CG were not connected. I'd say it was badly directed. Overall it was quite a good watch and I'm quite excited about the second movie, if there's one.

Read More

second half was better

Overall: the second half was better with less forced comedy. This is based on a book of the same title which I haven't read and am reviewing the series based on its own merits. 12 episodes about 1 hour long each. Aired on iQIYI https://www.iq.com/play/love-upon-a-time-episode-1-21xrp4m8-0blk?lang=en_us

Content Warnings: murders, attempted murder, punch, blood, manipulation, harassment, manhandling, discrimination, homophobia, transphobia, bullying, beaten up/fight, held against will

Watch Suggestions (to focus more on the romance and take out most content warnings)
- episode 3 watch beginning-10:30, 28-36
- episode 4 watch 14-27:30, 40-54
- episode 5 watch 8-23, 24-25
- episode 6 watch 12-20:30, 24-26:45, 31:30-36, 49-1hr2m35s, 1hr 6-1hr 7m
- episode 7 watch beginning-16:30
- episode 8 watch 1hr 3min-end
- episode 9 watch beginning-5, 8-13:25, 20:40-34:35
- episode 10 watch 37:05-53
- episode 11 watch 41-52:05
- episode 12 watch 9:05-end (skip 1hr 16-1hr 18m 30s)

What I Liked
- the premise/setting
- sweet moments
- the side couple
- I chuckled a couple times*
- supportive servants
- plan in episode 11
- solid ending

Room For Improvement
- the trans woman/non binary character as comedy stereotype
- *comedy sound effects did not make things funny and not all of the humor worked for me

Read More

Excited about the casts, but that's the only good thing here

wow, what a let down. I was excited about the casts especially because it was Choi Woo Shik and I quite liked Jung So Min too. Choi Woo Shik's recent dramas was outstanding, Especially Our Beloved Summer and Melo Movie. Though Jung So Min's not so much. But I thought they would work it out somehow. Welp. Nope.
Besides the bad plot and bad story, I don't feel the chemistry. That was sad. I hoped I can still enjoy the romance side of the story somehow but it wasn't enjoyable at all. This drama was quite boring and annoying. Stayed for Choi Woo Shik but left dissapointed with the overall story. This drama wasn't it.

Read More

Heartwarming adventure with people you love

This was so good that I ended up reading the novel and the manhua, first time I've ever done this. The ending was kinda undercooked in the drama but the journey this took me on 😭. I gave it 10/10 solely based on how much i loved their adventures and banter and acting. The leads go on adventures town to town pokemon style while drawing closer to solving the overarching bigger mysteries. Ding Yuxi's acting was actually so good even in a scene with no lines i was completely taken about by how good his facial acting was it was like i could see a thought bubble next to his head in so many scenes i could practically read his face. The chemistry between Esther yu and ding yuxi was truly amazing. This is the first drama where i gobbled up all the extra content like photoshoots, fanarts, fanfics, ost covers, interviews and behind the scenes.

I love this so much I will keep rewatching this till the end of time

Read More

It was great.. until the first half.

This is why I was always sceptical about a booming/very anticipated drama (by all people generally, because of the casts). The acting was superb, no doubt. Ji Chang Wook once again proved he was a very good actor. The other actors like Do Kyungsoo and Lee Kwang soo also did great acting. I really enjoyed the first half of the drama, it was such an emotional roller coaster. I can feel the anger and desperation of the main character. It was all good.. until the second half hits.
(stop here if you want no spoilers)

I was wondering where the story will go when he failed to escape and got ganged up by so many prisoners - which was a very bloody fight btw, that I feel that it almost made no sense he survived that. I thought after all that hit he will be appointed to the hospital for so much injuries - so that it will make a way he could try for another escape. Welp, but guess what? Everyone was okay and probably just treated in the infirmary and the next day the story got into a big unexpected flip, which is bombastically confusing. I really hate that Squid Game-like plot coming in this drama - and even further the car racing. Like where the hell will this story go?? The writer is too ambitious to make the story extravagant IMO. I think it would be a lot better if they just focus on the prison break and the revenge plot. The logic is really not in the room at this moment and ahead. Everybody is quite immortal, really, especially the main character of course. Always got into bloody fights but always okay, it was too ridiculous for me. And most importantly how he was so very skilled at everything only after 5 years in prison. He was the best fighter of all fighter in this drama haha.

I've watched some of Ji Chang Wook's drama and always felt like this. Whether the story got weird/boring halfway, or the main character is always amazingly immune to death and amazingly skillful in everything. This time I finished watching because I wondered how it will end. Well of course the ending was quite forced and once again quite nonsensical. Really hope JCW's next action drama will have a better plot.

Read More

Started strong, fell off 2/3 of the way through and found itself again at the end

This drama hooked me from episode 1. The chemistry between the leads and the story were so well done. It definitely felt like the production team spent a lot of time developing all the relationships, especially the leads, in the first 25ish episodes. It was obvious the female lead wore the pants in the relationship in the first half of the drama since ML married into her family so I was very much okay with that. But there really needed to have been more scenes showcasing the male lead's strength when his true identity was revealed in the second half of the drama. I do feel like we were robbed of fight scenes from ML.

The drama started to fall off for me around episode 26 because it started focusing more on the politics and developing the story between the Wei and Li counselors. It really came down to pacing here. They should have woven the politics into the beginning scenes more instead of giving us 6-10 episodes of almost all politics. It was hard to stomach since we were already conditioned to see the FL and ML onscreen 95% of the time for the first 26 episodes. It just felt like they were trying to redirect our attention to learning something new more than halfway through the drama and it felt so disjointed.

Maybe one of the reasons why it was extra annoying to have so much FL and ML time but then all of a sudden have that drop off into politics is because despite this shift, the second leads' story was always so well developed. It just felt like they got it all. the scenes, the emotion, the build-up, the angst and of course the SK and DK was absolutely excellent in their acting and portrayal of their roles. It really left me feeling well, if the second leads can get that, why cant the first leads also get that?

The drama picked up for me again around episode 36 because well, surprise surprise, more primary lead time onscreen. Thats really what I needed. Thats not to say the drama was as good as its beginning episodes because it wasnt. The issue was the storytelling at the beginning was acted out, it was shown to the audience. But in the latter episodes in order to clear up all the politics/backstory/misunderstandings, characters had to actually spell it out while reminiscing. Listening to a monologue and trying to understand all the intricacies is very different and less entertaining than seeing it acted out.

Something that made this story really shine was allll the side characters. The ruffians turned brothers were so endearing. Mr and Mrs Zhao caring for FL and her sister really grounded the drama from the start and gave it warmth. Even ML's trusted guard was fantastic. Not to mention the comedy that all these characters gave to the story. Every single one of them was such a joy to watch. Usually when I see an express package come out, fans are quick to speed through the drama because they want to know what happens. But I think for the first time, I'm seeing fans say, I'm going to wait because I dont want it to end. I believe its this sense of safety and nostalgia from the beginning episodes that really left a mark for the audience.

Definitely one of my fave dramas of all time because I'll never forget the obsession of waiting to watch the next episode at the beginning. It simply started out so strong. Perhaps one way around episodes 27-35 being disappointing for me, would have been to wait and binge this drama. It was unfortunate that during that time, only one episode was coming out a day. So we were waiting a whole 24h for a subpar 40-50 min, which really added to the resentment. But had I been able to watch some less desirable episodes quickly and then make my way to the better episodes ahead, I probably wouldn't have felt the sting as much.

Thankful for for this drama and I feel fortunate to have been able to watch this.

Read More

Braincells Not Required

If you’re looking for a drama that requires zero brainpower and 1.5x playback speed, look no further. This is the ultimate "leave your logic at the door" experience, where the tropes are troping so hard they deserve their own billing. It’s silly, it’s dramatic, and honestly? I’m not even mad at it.

The Highlights:
-The SML Syndrome: My brain genuinely short-circuited for a second because the SML is giving major Deng Wei energy from certain angles. He’s almost too pure for this world, which we all know is a dangerous game to play in a C-drama for a SML (hint hint - bro didn't make it).
-The Cast: Of course, having Yu Xuan Chen on screen is a guaranteed win. No complaints there!
-The FL Archetype: Our leading lady is the classic "super smart and capable" character who somehow still finds herself in need of a rescue every other scene. It’s a standard formula, but she’s new to me and easy to watch.
-The Dynamic: While the romantic chemistry isn't exactly "overflowing," the leads are genuinely playful and cute. The three-way dynamic between the ML, FL, and the SML is actually where the most fun is had.

The Verdict:
Things definitely go off the rails around Episode 13, and the sister’s descent into "unpleasant territory" was a choice (despite her tragic backstory). But hey, it’s a fun, breezy watch with a happy ending for our leads. If you want something light to pass the time while you multitask, this is your sign to hit play.

Read More

Must watch

Since their debut, BTS have shown us time and time again that they are here—for themselves, for their country, and most importantly, for their fans, ARMY. After a few years of hiatus, their comeback feels massive, especially with the release of their new album *ARIRANG*.

The album draws from the roots of Korean music, inspired by one of the earliest Korean songs ever recorded on American soil, which adds a deep cultural weight to this era. It’s not just music—it’s history, identity, and pride woven together.

Watching the documentary made everything even more emotional. We all know that creating an album isn’t easy, but seeing the process firsthand really hit differently. We got to witness the seriousness, the pressure, the pain, and the difficult, sometimes uncertain decisions they had to make. It showed how much communication matters—how they had to constantly check in with each other to ensure no one’s voice was overlooked.

There were moments where some members loved an idea while others didn’t, but what stood out most was how they worked through those differences together. That unity, that willingness to listen and grow as a team, was honestly beautiful to watch. And it wasn’t all heavy—there were moments filled with love, laughter, and their playful energy that reminded me why I missed them so much. Seeing them smile and joke around made everything feel warm again.

I truly admire their dedication—their hard work, their passion, and their commitment to doing what they love every single day. As a fan, whether we see everything or not, there’s just so much to appreciate about them as artists and as people.

However, one thing I didn’t like was how some of their creative decisions seemed to be overlooked by HYBE Corporation. There were moments where the members clearly expressed a preference, yet it felt like those opinions were brushed aside or softened with corporate language. I understand that culture and hierarchy play a role, but at the end of the day, they are the ones performing the songs. They know what feels right and what truly represents them.

From my perspective, it came across as a form of subtle pressure or influence, especially when all seven members leaned toward a different version of a song. That was disappointing to see. I believe their voices should be valued more in those decisions, because their authenticity is what makes BTS so powerful in the first place.

Overall, this comeback isn’t just about music—it’s about growth, emotion, and staying true to who they are, even through challenges. And that’s why I will always support them

Read More

Long may I stay by your side, where jade steps bloom with springtide

(This review is coming from someone who hasn't read the original novel)

I very rarely look at the name of the director when I'm watching a drama. I'm usually more interested in the actors, or the overall plot. But if I ever see Zeng Qing Jie as the director, I don't need to care about the actors or the plot at all. I'd simply watch the drama with zero hesitation.

Zeng Qing Jie is a magician with his directing. He has a knack for creating high production shots even on a tight budget. He relies on the resources he already has to make his dramas look good. The use of natural lighting is very prominent through out the entire drama and he uses it as a tool for the actual storytelling as well. Zeng really just knows how to make everything look pretty. And as shallow as this might sound, I really do like looking at pretty people. But it's not just the actors that look good, every shot and scenery is just so pretty that you're left in awe. There have been so many instances where I've had to rewatch certain scenes because I was too busy appreciating the beauty of the shot rather than paying attention to what the characters were saying. And there are so many more scenes that I keep coming back to because of how beautiful it was shot.

You can tell that as a director he has properly studied his actors. He knows what works well for them and uses that to his advantage. I dare to say that this is probably the best that these actors have ever looked in the drama and they have no one but Zeng to thank. Someone pointed out that when Linghe has to show extreme expressions on his face such as anger or disgust, it often clashes with his natural features and becomes more of a distraction. As the director, Zeng has understood this and found a way to work in Linghe's favor instead. It doesn't mean that Yan Zheng as a character is completely emotionless, they just found a more effective way for Linghe to display the same emotion without reducing his natural charm.

It doesn't matter if you have the most expensive and high quality paint, if you're not a good artist, your painting will never good. And I think the same applies here. I know I sound like a fanclub for Zeng Qing Jie, but I truly believe that you need a great director to deliver a great drama.

I really admire the amount of detail that has been put into Pursuit of Jade. I'm the type of person who enjoys analyzing things as I'm watching a drama. I can never stay quiet and I'm always pointing out small little things as I watch. So I absolutely love the fact that there are so many small details, references, parallels and easter eggs sprinkled across the entire drama.

Even something as small as the display of the episode numbers was put care into. Most drama just display the episode number in a generic font across a black background. And there's nothing wrong with that, since it neither adds or draws anything away from the drama itself. But I do have the appreciate the fact that they put time into designing it and making it look pretty. It just makes everything look so much more cohesive and I'm an absolute sucker for that.

I also absolutely loved that Changyu was just regular commoner. When it comes to period dramas, we're so used to both of the leads being noble and rich. So it was definitely refreshing to see our female lead living a normal, somewhat mundane life. Also just have to mention the winter setting throughout the first chunk of the drama. It just looks so ethereal and cozy, and the snow definitely looked realistic for once (we've been traumatized way too much with the fake snow).

I loved Changyu from the very beginning, she showed that you can still be feminine despite being strong and perceived as 'masculine'. She has never felt the need to fit into one box and shows that you can be both. Tian Xiwei herself is also naturally strong, but she also has that happy, girly charm which perfectly matches Changyu's personality.

I also really can't stop myself from mentioning the kid that plays Yu Bao'er. I usually don't care much about the acting of children in dramas, because they are just kids and you can't be expecting perfect acting from them at all times. But oh my god the kid who plays Yu Bao'er was absolute phenomenal.

Pursuit of Jade also makes you realize the true charm of a 40 episode drama. When you have so many episodes to build the plot, you can take your time to introduce and explore the characters. The first 15 something episodes are solely dedicated to Changyu, Yang Zheng and the main side characters. And since you've had the time to learn about them, you feel more attached to them as the drama goes on. You feel happy when they are happy, and you feel sad when they are sad.

Pursuit of Jade as a drama is an entire experience, I genuinely haven't this excited or engaged over a drama in ages. And I truly think that there are very few dramas that have release this year that could ever reach the level of this drama.

To everyone who actually read this entire review, thank you for taking the time to read all of my thoughts. And hopefully I've managed to convince you to give this drama a try.

Read More

AN UNLIKELY ALLIANCE

The narrative opens with Fan Changyu, a bold and physically formidable butcher from a small town, who discovers a half-frozen, mysterious man collapsed in the snow. This individual, Xie Zheng, is a high-ranking noble and strategic genius who has been stripped of his status and is fleeing a 17-year-old conspiracy that destroyed his family. To conceal his identity and regain his strength, Xie Zheng enters into a marriage of convenience with Changyu. He assumes the role of her subservient husband, assisting in the management of her household and business, while she offers him protection from imperial assassins.

Fan Changyu is a refreshing subversion of the 'strong FL' trope. She is a literal pig butcher, physically powerful, loud, and pragmatic. Her strength isn't just a plot point; it's her identity. She wields a butcher's knife with terrifying competence, yet her vulnerability shines through in her 'fake marriage' with the male lead. On the other hand, Xie Zheng/ Yan Zheng, starting as a wounded, mysterious fugitive saved in the snow, plays the 'subservient husband' role while secretly plotting a 17-year- old revenge mission. This drama allows him to 'aura farm', maintaining a quiet, lethal dignity even when he is supposedly beneath the FL's social station. Another character that left a mark on this drama is Sui Yuanhai/ Qi Min, who is a standout as the obsessive, toxic prince. His performance provides a chilling foil to the healthy, supportive growth of the main leads. Yu Qianqian is a businesswoman who brings a layer of 'modern' ambition to the period setting. However, her storyline with the villainous Qi Min is often more compelling than her individual arc.

The drama’s visual style, under Director Zeng Qingjie, is its greatest strength. Instead of the flat filters common in recent dramas, it employs deep shadows and warm candlelight to create an authentic, inviting atmosphere in the Zhao family home and butcher shop. Bird's-eye and 360-degree dolly shots during the wedding and marketplace scenes lend the small town of Lin'an a cinematic scale. The snow appears heavy and cold, and the sets are convincingly worn, with scuffed floors and layered textures that suggest a world beyond the camera.

However, while the first 25 episodes are neatly 'movie-quality', the final stretch struggles to tie up its massive web of politics. The complexity of the '17-year-old massacre' is resolved with dialogue-heavy exposition ( the Prime Minister Wei's monologue) rather than organic storytelling. Despite being a 'progressive' drama, it falls into the trap of making every significant male character fall for the FL. (The introduction of the Li Family and the various princes. By episode 20, the focus shifts from Changyu's independence to a repetitive cycle of different men trying to 'protect' or 'claim' her, which slightly undermines her character's initial agency.) Lastly, the transition from a 'domestic slow-burn' to a 'war epic' is jarring. The transition scenes show Changyu heading to the battlefield. The gritty realism of the butcher shop is replaced by some noticeably cleaner, 'spotless' armor and faster-paced editing that loses the grounded feeling of the earlier episodes.

In conclusion, Pursuit of Jade is a visual odyssey that succeeds because of the chemistry between Tian Xiwei and Zhang Linghe. It is at its best when it focuses on the 'slow-burn domesticity' of the fake marriage and at its weakest when it tries to be a complex political thriller.

Read More

Pointless and So Many Questions

I started this hoping for a good mini drama. What I got was a meaningless plot. I started to get so frustrated with the FL and the ML.
Why is the FL in those tacky "posh" clothes in Modern Day? Who is she? Why is she concerned about someone in the past? Why? We don't get an answer. If it had a greater theme/idea I would have been okay with it but nope, nothing.
What are they investigating? They're investigating something but it seems to be endless and pointless. What clued the ML into that house? Dunno.
Why does the FL ACT LIKE THAT?! She's like "I'm going to investigate!" but she wanders around endlessly and just gets in trouble.
Okay, the ML has a crush on FL I'm guessing???? Okay. But like there's no romance. There's just cliché physical closeness scenes. There's no reason for them to like each other.
I felt tired watching this. It's a shame I wanted to like it but I just couldn't.
NOTHING happens.

Read More

Lonely silence here / And I'm not the one / Make your house a home

A work poised between two eras, Spring in a Small Town (1948) by Fei Mu stands as one of the most lucid portrayals of a world coming to an end — and of the lingering inability to imagine what might replace it.

From its very first moments, the film unfolds with the precision of a theatrical composition: a small group of characters, almost archetypal in nature, arranged within a confined space that seems to suspend time itself. The ailing, withdrawn husband; the wife trapped in a life drained of desire; the younger sister, still open to the possibility of a future; the silent, devoted servant; and the returning doctor from the past — each figure enters the scene already charged with tension, as if part of a fragile balance destined to fracture.

Yet beneath this seemingly classical structure lies a striking modernity. The emotions that shape these characters — desire, frustration, fear of change — do not belong solely to their time, but resonate deeply with our own. Within this suspended microcosm, dominated by a decaying house that emerges as a living narrative organism, Fei Mu crafts a film in which space does not merely contain the action, but reflects and confines it, becoming the silent custodian of a world slowly fading away.

At the heart of the movie lies a love triangle that deliberately avoids conventional melodrama, embracing instead the quieter, more painful path of inaction. The return of the doctor — tied to the woman by a long-suppressed emotional bond — introduces the possibility of change, yet that possibility remains suspended, never fully pursued. Desire is present, unmistakable, but it never finds the strength to become action.

Within this fragile equilibrium stands the husband, unaware of the previous liaison between the two, whose illness — ambiguous, never entirely defined but more than self-harm — takes on a meaning far beyond the personal. His passive presence becomes the silent axis around which all unfulfilled choices revolve. He is not an antagonist, but a condition: the embodiment of a world unable to react, unable to transform itself.

The triangle remains unresolved, and it is precisely in this lack of resolution that its tragic force resides. This is not a film about desire, but about the impossibility of acting upon it.

The title itself suggests a promise the film continuously evokes without ever fulfilling. Spring — traditionally a symbol of renewal — takes on an ambiguous, almost ironic meaning here: nature signals change, yet the characters remain incapable of embodying it. Time passes, seasons shift, but nothing truly transforms, as made clear in the ‘moral’ resolution of the finale.

In this tension between natural movement and human immobility, the film’s allegorical dimension emerges. Without ever explicitly invoking historical context, Fei Mu constructs a microcosm that reflects a broader condition: a society suspended between the end of one order and the inability to define the next. The decaying house, restrained bodies, and unfulfilled desires become visible traces of a transformation that has yet to take shape, dictated by a future that remains unclear.

Like many movies born in times of political tension or cultural constraint, the narrative operates on a lateral plane, where the personal becomes a vehicle for the political, and intimacy turns into allegory. The film does not depict History — it allows it to seep through gestures, silences, and spaces.

There is no hesitation in saying it: Spring in a Small Town is an absolute masterpiece, a true swan song from a director who was forced to emigrate to Hong Kong shortly afterwards; Not only one of the highest achievements of Chinese cinema, but a work that transcends time, style, and historical context without losing any of its emotional urgency.

In an era often dominated by excess, Fei Mu demonstrates how the greatest intensity can emerge through restraint, transforming silence, space, and minimal gestures into living cinematic matter.
Decades later, what remains most striking is not only its formal perfection, compared to a structure that could not be more minimalist, but its enduring relevance — because the hesitations, suppressed desires, and quiet fears that inhabit its characters are still our own.

That we can rediscover a film like this today is part of its quiet miracle (although the DVD release for the Italian market doesn’t do it full justice): a work once at risk of fading into obscurity now returns, intact, to remind us that great cinema never truly belongs to the past.

10/10

Read More

Wonderful show

I was watching this along with another show that felt like a chore to drag myself through....but this!!!! It was amazing.
I was concerned as some reviews are quite negative and I was worried it too would drag like the other thing. But it didn't.

I'm not a huge fan of historical kdrama unless it has a magical/supernatural element (Alchemy of the Souls is one of my favourite shows ever) and this fit that preference. I chose it for the the supernatural element and to see Kim Jihoon play a goodie (i'd just finished a show where he was a very bad baddie). And I was excited to see Bo Na in it as I'd just watched her in the Starships Company Games thing and really liked her and of course I knew Yook SungJae from Goblin (and BtoB).

It was a nice surprise to see Kim YoungKwang as Gang Cheol so when he disappeared and SungJae became that character I expected to be disappointed, but I wasn't; the subtle change in his character was a testiment to SungJae's acting.

The bad guys were awful the good guys were great. The king was such a great and noble king (a first for me as they are usually not great in things), his wife, his son, YunGap's mother, the Monk and his flightly old charge, the guards and the head unech were all wonderful. Even those who were slghtly morally ambiguous came good in the end.

The fight scenes were good, the effects were satisfying. It was emotional (I cried a lot) and funny (the eunuch had me laughing out loud) and all the relationships were lovely. Yeo Ri and Gang Cheol had far better chemistry than when he was Yun Gap. Yun Gap's mother and the love she had for both versions of her 'son' and Yeo Ri was delightful. Gang Cheol and the king's friendship, the king and YeoRi's trust in each other, Gang Cheol and the head eunuch's banter....all were so well written and acted. And I found it a very satifying ending....everyone got what they deserved and you can't ask for more than that.

If I ever make it through all the things on my to watch list, i would definitely watch this again.

Read More

watch pursuit of jade. A MUST WATCH CDRAMA! (˵˃ ᗜ ˂˵)

PURE PEAKNESS. MASTERPIECE. PEAK. AMAZING. HOLYYYY MASTERPIECE. IDK WHAT ELSE TO SAY EXCEPT FOR ALL GOOD THINGS ABOUT THIS DRAMA. 😛😛😛😛 its so so so good i wouldve give it a 11/10 but the limit is 10/10 so.
THE VISUALS, CHEMISTRYYYYY, PLOT, ACTING, CINEMATOGRAPHY, VISUAL CHEMISTRY, STORYLINE, OSTS, DIALOGUES, FIGHT SCENES EVERYTHING IS PERFECT FOR ME.
deadass so glad they casted tian xiwei and zhang linghe. two of my very favs with a good script too??? yeah this is my top drama🙏🙏 NO ONE can play fan changyu better than TXW. SHES SOO SOO CUTE. same with ZLH. this is their best roles so far for me and their look/styling is EVERHTHINGGGG. 👅👅🤤
they need a second drama please☺️
side characters are fine shyts too even Wei Yan the uncle. (when i first saw qi min i might of tweaked...)
gongsun yin and princess royal is so cute and sweet man i wished they had more screentime. I WISH THERE WAS MORE EPISODESSSSSS.
im also in love with the ost 一念 🙂‍↕️🙂‍↕️ the coin scene heh.... wow. also ep 17 the return of wu an hou HOLY AURA him with that accessory with his facecard GOSHHHSJAKSJSHJAJA ZHANG LINGHE SO U WANT ME TO DIE🫠🫠
i love fan changyu's fight scenes sm. all of it. how i love strong female leads. marquis and the marchioness🥹✌️
theres a lot of scenes with aura and chills.

im not gonna spoil anything but just know that I LOVE this drama🤫🤫 (if u havent watch it, WATCH!!!!)

and yeah🌚

晴天大老爷！晴天大老爷！🙇‍♀️
“我杀猪养你啊” 🐷

Read More