Reviews

(TW: incest, grooming, gaslighting)
It goes so deep in what it exposes. And it does it so well. The manipulator manages to be both charming and insidious. He seems so sincere. His emotions are genuine. We find ourselves wanting to believe in him. Even though we understand right away what's going on, the series makes absolutely no secret of it, and yet… we doubt for a moment.

The real issue is this : anyone can be manipulated. We think we're too smart for that, or that it only happens to other people, but the reality is that we already accept a lot of unacceptable things by convincing ourselves they're no big deal. We're easily gaslighted, and also quick to judge the victims...

The fact that this guy, Dr Luo, is a psychiatrist seems spot on to me. The thought and behaviour police. The worst scum I've come up against from childhood to adulthood ; they turn what we tell them against us and pathologise us, not to help us but to serve the capital and the State.
This man meddles in the life of this single mother without being invited. And what's brilliantly written here is how he's not the central character ; after all, the story is primarily about a system. He's just there, this snake slithering in on the coattails of his well-educated status, playing out his little drama in the lives of Yan Ling and her son.

Besides, those pickup artist courses are painful to sit through. And embarrassing. The way they reduce women to a single stereotype, a target to identified. Their dehumanizing logic is spine-chilling. "Broke her self-esteem"… The same tactics as managers,really. I don't want to live in that kind of world.

Yan Ling's mother, what a horrible person… Never a kind word for her daughter. Verbal and physical abuse. She idolizes her deceased husband and fully participates in upholding the patriarchal system that allows pedocriminality, incest and grooming. (All of which are interconnected) The series clearly shows how victims are ignored and how they have nothing to gain by speaking out, everything to lose.
Should we blame marginalized people who choose to step on others to keep their (precarious) place in this system ? I'm tempted to say yes, but there's no right answer. So it's good that the series shows both female and male examples : everyone participates in this system. The mother's redemption… why not ? It comes from the person most directly involved, so let's say it works. In any case, the series is smart enough not to limit itself to portraying men as bad and women as good by nature, because that kind of oversimplification would erase a great deal of power dynamics and reality. It takes an entire family to silence a victim of incest.

The way Yan Ling is manipulated just when she's at her lowest and most miserable is just sickening. It makes you furious to watch it happen, feeling powerless to do anything. And the parallel with the other women Luo Liang has destroyed before adds even more rage, if that were even possible. The "hot-and-cold" treatment, the love bombing, all these horrors work. As horrible as it is : it works. As long as we don't change the foundations of this society, it will continue. The predator isolates you, creates a comfortable cocoon that becomes a suffocating cage, then a source of comfort, then hell all over again ; you can't get out of there without losing absolutely everything, including a part of yourself. Confronting the perpetrator will inevitably lead to a tragedy. He says "If you want to leave, you can, at any time" knowing full well that it’s not possible. Power over others is all that interests this kind of person.

I don't like the term "narcissistic pervert". (which isn't used in the series) Firstly, because it comes from psychoanalysis, so it's off to a bad start. (Paul Racamier created the term in 1986. "Pervers narcissique" in french) Secondly, because it individualises the problem. These are traits inherent to the hetero-patriarchy that allow men to behave in this way, rather than an individual problem or a wholly personal choice. Though it is that too, a personnal choice... But that does not allow us to grasp the tangible reality of emotional and practical manipulation thanks to the whole system that supports it !

With someone like that, who says one thing and then another depending on what suits them and always has an answer for everything, there's no point trying to make them admit their lies. You need to cut all contact with them immediately ! They'll destroy you. And you won't be able to change them.

"Watching the women who love and trust you crumble in front of you, thinking you're clever and smart. You're wrong. You being able to hurt us doesn't mean you're smart. It's because you have no bottom line. You have no heart. [...] You're just a clown who bullies the weak and fears the strong."

Anyway. It's nice not to see the cops too often. But the way they uncover clues and their personalities make them likeable. (acab nonetheless) The investigation winds its way through its dark twists and turns, with a few surprises in store as it unfolds. In the end, it's not the right people who drive the story forward, and that's precisely what lends it a sense of realism. With the production quality on a usual C-drama level, it's all the more impactful because it's so well made and performed. The occasionally non-linear narrative helps us better understand the logic at play, rather than leaving us lost as is so often the case.
The series morbid atmosphere fits its theme perfectly. That scene with the bathtub frozen in blood…

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I saw the original version back in the ’90s while following Tony Leung Chiu-wai’s filmography and it was my first encounter with Wong Kar-wai. I didn’t know who he was at the time nor the fact that this was an insane cast, and although I forgot much of the movie, the lingering feeling it left me with after it ended has stayed with me to this day.

This past month I’ve had the opportunity to revisit WKW’s work, and I came across this 2008 Redux version (edited to correct year), in which the director rearranged certain elements. While watching it, I realized that all the scenes had remained fresh in some dark chamber of my mind, because as they appeared on screen, the memories came flooding back — yet I still couldn’t predict the following scenes. Quite an experience!

Now, with more knowledge of Chinese and Eastern culture in general, I realize this is WKW’s version of how Eastern Heretic, Western Venom, and Northern Beggar came to be, and I have even less doubt than before that Xu Bing is a great admirer of Wong Kar-wai. Having seen the trailer for his upcoming Remnants of Gold, I can clearly see the homage to Ashes of Time.

Another director who, I can tell, has liked Wong Kar-Wai filmography is Yu Xiaochen, the director of Back to the Origin, who must also admire Christopher Doyle’s cinematography, as he worked as a cinematographer himself before making his directorial debut.

And it also turned out that I did know Jacky Cheung from his glorious days — I just didn’t realize it lol.

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Wong Kar-wai’s first series - a must watch unique drama

As one professional review described it in the trailer, Blossoms Shanghai is the spiritual sequel to Wong Kar-wai's films, in the format of a TV series. And it's quite an accurate description, because you'll find the filmmaker's distinctive signature throughout the whole drama, adapted to the series format and with a rhythm and tone that are somewhat more uplifting than in his films.

If you like, enjoy or love Wong Kar-wai's portfolio, there's no doubt you'll like Blossoms Shanghai. The uniqueness of it all: the cinematography, movie-like quality, acting, incredible soundtrack, meticulous production, camera work, and storytelling, all worth the experience. On the contrary, if you like linear, very talkative and straightforward narratives, this might not be for you.

While in his movies the emotions linger with you long after they finish, the series format simply lets you dive into them throughout its 30 episodes, but ultimately lets you go at the end. Because if there's a difference between WKW's first series and his movies, it is not only the slightly faster pace but also the more positive overall tone and ending. The first 5 to 7 episodes set the premise, but then the drama finds its rhythm and keeps it up until the end; it all makes sense and wraps up nicely.

The technical aspects are, of course, magnificent and very personal in flavour, with the director's recurrent elements also present here: silences, looks and gestures that speak more than words, mirror frames, the role of lighting and soundtrack, slow-mo for certain takes, voice-over narration, you name it.

Acting is top notch and you wouldn´t expect less from this cast: Hu Ge, Xin Zhi Lei, Ma Li, Dong Yong, Wu Yue, Huang Jue and many more. Even my initial cavils with the monotone high-pitched voice of Tiffany Tang faded away and she grew on me eventually, although she never made it into my list of favourites.

Also, the fragmented storytelling that's one of Wong Kar-wai's signatures is here too. The story starts in the middle of the narrative told from the protagonist's perspective, and you'll only have the full picture by the end of the drama.

In that regard, the whole series is wrapped in a warm light that carries you to a world that no longer exists, as in a dream or a remembrance of things past that feels real, yet tamed by someone's lens. This is a love letter to Shanghai, to the blossoming side of the city and that era in the 90s, and the Shanghainese dialect adds to that atmosphere and to the overall flavour of the drama. There's no point in looking for the less positive side of that period here; WKW has no intention whatsoever of talking about it.

This is the story of the swag, savvy and handsome Ah Bao, who decided to surf the wave of China's financial and economic awakening in the late 80s and early 90s, and his journey from a fabric worker to a millionaire in the stock market and textile-retail industry in Shanghai during those years. Along the way, he crossed paths with business competitors and established several meaningful relationships, especially with three women – two of them involved in the restaurant industry – who were also striving to find not only love but their place in this new world.

This is told around WKW's common topics: unrequited love and longing, memory, nostalgia, the passage of time, loneliness, missed connections, the fleeting nature of happiness and human relationships. The difference this time is the addition of business aspects, and it's worth noting that Blossoms Shanghai leans heavily into them too.

All the characters in the drama, even the minor ones, are fleshed out. You have "antagonists", but there are no purely good or bad people; they're mostly multifaceted people with dreams, ambitions and struggles whose interests often merge or collide. You learn to cherish all of them, and every one has their moment of "glory".

Among them, I just want to give a special shout out to the female "laoban" restaurant gang and their leader Lu Mei Lin, and the three waitress-managers; while among the "main" ones my favourites were Mr. Jiang, Ling Zi and the precious Mr. Fan, besides, of course, Ah Bao.

And let me finish this review highlighting my favourite part among many favourite parts of Blossoms Shanghai: episode 14.

This feels like a Wong Kar-wai short film within the 30-episode series, something that only a creative mind like this director's could imagine and execute in such an exquisite way that you wish to rewatch it on loop for quite some time. It’s also a pivotal point in the story that gives meaning to the rest, but that you could also watch independently and still fall in love with it. Jackie Cheung and his "Broken Heart" – or "Stolen Heart" – adds to the magic.

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NOTE: The drama is now available worldwide on MUBI (plus Criterion on USA and Canada)

The drama is also available in Mandarin. I prefer the original Shanghainese version.

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Did they get new writers for the second half?

I was quite worried going into this drama because everyone only ever has bad things to say about it. Episodes one through the first half of episode five were pretty decent. Just your very standard romance kdrama. I was really enjoying it and didn't get why it was getting so hated on...then came when Jo Jo and Sun Ho got into the accident. From here on the show just got insane. They were starting plotlines that went nowhere, romances that went nowhere, Jo Jo and Sun Ho became a bit unlikable, and the editing of going back and forth between after the accident and the present was so badly edited. The only thing that stayed good was Hye Yeongs character. Everything else went to shit. People were suddenly dying because of the app, Dokgu commits, the aunt and cousin somehow got worse...I could keep going but I won't. The way the finale ended didn't give finale ending either, more just like an episode ending (ok that's my last complaint). The actors all did a great job I will say. The only reason I watched it is because I love Song Kang and am watching everything he's been in, but just wow. I just don't know what went wrong in the writing room after that accident, but it wasn't good.

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Overhyped and boring

I'm not going to lie I didn't enjoy this as much as others seemed to. I've heard it getting hyped up since it was airing and I honestly don't get the hype. Is it bad? No, but I wouldn't say it's great either. The plot was fine but so drawn out and the episodes were just way too long. It could've been so much shorter. The plot of Khem being haunted and cursed to die on his 21st birthday had so much potential, but I think because the show was so long and pretty boring, I just didn't care by the end.

The characters were the best part of the show for sure. I liked our main cast of characters a lot and think the actors all did a great job.
I liked Peem a lot and liked the layers to him.
Khem was such a cutie patootie and I liked watching him a lot.
Jet was my favorite. I liked how funny he was but also caring and serious when needed to be.
Chan was adorable. I liked seeing him get more confident throughout the show.
The two kids were so fun and cutie.
Pour one out for Rampheung. Girl went through so much. When we got her backstory, I couldn't even blame her for what she was doing anymore and I'm glad she found peace at the end.

I think visually the show was beautiful with the sets and the visual effects. The camera work did bug me sometimes but overall, that wasn't a big issue. The show was fine, I just think it was WAY overhyped.

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Not bad for my first GL

This was the first ever GL I watched and I enjoyed it quite a bit. I think the girls all had great chemistry together and I really liked all the pairings. The spice was pretty decent in my opinion, like I said I haven't seen one before, so I don't have anything to compare it to. My main issue with the show is some plotlines were drawn out too much or were just really repetitive. Prim and Bambi's will they-won't they and Gorya's back and forth relationship with Shasha got old after a bit. Other than that, I liked it. The girls are so gorgeous too!! Loved seeing Emi and Bonnie's cameo as well!!

Characters:
Prim: I really liked her for most part. She did annoy me at times, but I loved how determined and hardworking she was.
Bambi: I think she was the most complex and interesting character. We saw a lot of growth from her over the series, and I feel like we saw the most emotionally from her.
Shasha: I think she was also one of the most interesting. She's been through a lot to get to where she is and I liked seeing her finally be able to process and deal with it to get what she truly wants.
Gorya: I liked her, but I do think she annoyed me more than she didn't. She just always seemed mad or annoyed about something, and it usually wasn't anything worth getting worked up over. I love how she helped Sha though.
Min: I loved her a lot until the last couple episodes. She was so unreasonable when it came to Prim wanting time off for Bambi. It was so frustrating to watch. Until that moment she was one of my favorites.
Praew: She was my least favorite. I liked how strong she was and how she would fight for what's right. That being said, she pressured Min so much!! Whether that was to date her, to be public with her, to come out; all of it! She was never really understanding that it's harder for some people to come out than others, especially when she thought she was straight before.

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EU TÔ ENIGMA COM ESSE BL

Por anos eu ouvi falar do Omegaverse, contudo nunca li nada que houvesse o universo ABO no meio, contudo, esse BL parece ser bastante fiel a muitos aspectos do universo ABO, pelo menos após assistir esse BL eu sinto que agora conheço um pouco como as coisas funcionam. De fato eu fui surpreendido tanto pela história quanto pelos atores que entregaram ótimos personagens, os efeitos dos feromônios que os personagens liberam é bem feito, mas o que me incomodou aqui foi o pouco tempo de tela e a falta de conclusão para o casal secundário Gao Tu e Shen Wenlang no último episódio, mas eu sei que a proposta sempre foi o casal principal. É algo totalmente surpreendente e novo (pelo menos para mim) na indústria, não assisti outros a não ser Pit Babe que tenta trazer esse universo pois de fato agora eu tenho um parâmetro muito bom para o universo ABO com esse BL.

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Teenage miscommunication with not enough begging for forgiveness.

I was very bored for the majority of this series. Anytime there was a flashback? Bored. There were dozens of them as well, placed literally everywhere in the story. Side couple time? Bored to yawning, which is sad because I liked Ki. My attention drifted so much during their scenes that it was a full-time job staying focused. Anytime Ji and Achi were in Ji's apartment? You guessed it, bored. Honestly, bored and annoyed.

The acting didn't help. Poppy was the best actor in the series. The girl who played Song did a good job as well. Junior was okay, but to be honest, his excessive smiling creeped me out, and I just wanted him to stop. None of the couples really had chemistry, and it left even the non-intimate scenes feeling stiff and awkward. Fluke did get better as the story progressed, and he even made me cry in episode 7.

I cried not because of Money (okay, maybe a little) or Achi leaving, but because I could tell how Ji felt truly small, powerless, and abandoned in that moment, and he wanted to hold onto the only thing he had left of Achi and was scared that his mom wouldn't let him.

If Achi hadn't lied and fled the country and left things unresolved, they could have been together MUCH sooner. I do understand it, though, because they are teenagers and they don't fully understand their feelings, let alone know how to express them. Communication is the most important and difficult thing in a relationship.

As much as I wasn't enjoying the majority of the show, Achi and Ji getting together felt very abrupt, and they had no problems with anything after. It was literally like 4-5 episodes of Ji pushing Achi away because he doesn't want to be hurt again, a couple of episodes of Ji giving in and letting Achi get closer, and then last episode BOOM together and happily ever after. I get that they both never stopped loving each other, and they don't want to waste any more time, but you'd think that they would talk a little bit. I don't consider the flashbacks to be them talking. Show us the flashback; we needed it, but show them talking things out. It would have also been nice to see if their being in a relationship had a positive or negative effect on their lives because of Achi's job.

In my opinion, Ji gave in way too easily. Make him beg a little bit! Achi's smile would have already had me creeped out, but this man showing up in the random places I am, and then at my home? Combined with the sudden kiss that he did not have permission for, it would have had me telling him off and avoiding him, and if he wouldn't leave me alone? Restraining order. But Ji is still in love with him and gave in to everything Achi wanted. Achi should have been working for forgiveness every step of the way, but it felt like he had to put almost no work at all into it because Ji loved him more than he loved himself.

The plot had a lot of potential, but not enough time was spent forming, breaking, and then fixing the main relationship. They did an okay job at breaking it, but it still felt very surface-level. It's hard to put my thoughts on it into words. Like I felt the pain Ji was going through, but I felt nothing from Achi. If they are limited to just 8 episodes, they should have just cut out the second couple altogether, given us a full episode ( & maybe a half) of just flashbacks, then spent the rest of the time with Achi begging for forgiveness, them working things out, and then given them a happily ever after. As it stands, their finally getting together was unsatisfying. I found myself actively not wanting them to get together because it didn't feel like Achi put in enough effort after the pain he caused. I don't care if it was 10 years ago, and Ji is still in love with him. It clearly left scars on Ji.

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Razoável

Eu tinha começado Dear. M assim que lançou (muito por influência da época em que eu acompanhava o NCT), mas larguei porque não tive muita paciência com o estilo do dorama, confesso. Fiquei um período bem longo sem assistir doramas no geral e agora que voltei a ter esse hobby decidi dar continuidade também aos que eu nunca terminei e Dear. M, como esperado, estava entre eles. O que tenho a dizer sobre ele agora é que é bem básico e previsível, com nada de muito surpreendente ou diferente do comum. É aquele dorama genérico para passar o tempo mesmo, o que não o torna exatamente ruim. Só é bem fraco. Os casais secundários me cativaram muito mais do que o principal e senti que erraram um pouco na dose na representação da antagonista. A atuação, no geral, também não é de tirar o chapéu. Tirando esses pontos, é assistível (embora eu não sei se reassistiria em algum outro momento).
Por fim, shout out to my boy Jaeyhun! Nos provou que é sim possível ter mais de uma expressão!

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10/10 Soft Paws, Sharp Feels

10/10 Soft Paws, Sharp Feels
Cat for Cash is one of those rare dramas that quietly pulls you in and then absolutely devastates you-in the gentlest, most unexpected way.
At first glance, it plays like a quirky, feel-good BL rom-com:
Lynx, an interpreter who resents his late mother and hates cats, is forced to take over her debt-ridden cat café. To clear the debt, he ends up working with Tiger-a kind-hearted (and very handsome) debt collector who loves cats and can somehow understand their meows. It's an odd, almost whimsical premise, but the series handles it with surprising sincerity and emotional depth.
What starts as an enemies-to-lovers setup gradually unfolds into a deeply personal story about grief, abandonment, and reconciliation.
The emotional turning point comes early with the death of Lynx's mother, Je Meow. Her passing doesn't just set the plot in motion-it defines it. Lynx's grief is messy, layered with resentment and unresolved pain. He isn't just mourning her death; he's mourning a relationship that never felt whole.
As the series progresses, the café becomes more than just a setting-it becomes a space of healing. The cats, each with distinct personalities, act as emotional bridges between Lynx and the memories he's been trying to avoid.
One of the most devastating arcs involves Grandma Juju, Lynx's first adopted cat. In a heartbreaking moment, Lynx finally gains the ability to understand cats-just in time to hear Juju thank him and say goodbye before passing away.
That scene is quietly brutal. No over-the-top dramatics-just raw, restrained emotion that hits deeply.
Equally powerful is Lynx's reconciliation with his mother.
Through memories, conversations, and the lives she left behind, he begins to understand her love in a way he never could before. It's not a clean resolution-but it's honest, and that's what makes it land.
At the heart of the series is the relationship between Lynx and Tiger.
Unlike many BLs that rely on external conflict or drawn-out misunderstandings, their connection develops organically-through silence, shared routines, and small acts of care. It's a slow burn that prioritises emotional intimacy over physical expression.
Tiger stands out as a refreshing male lead. Despite being a debt collector, he's gentle, emotionally intuitive, and deeply compassionate-especially when it comes to Lynx and the cats. There's also a subtle but powerful layer to his character: his love for cats despite being allergic to them. It becomes a metaphor for loving something fully, even when you can't hold it close.
Lynx, on the other hand, carries the emotional weight of the story. His journey-from guarded, resentful, and emotionally distant to someone capable of accepting love-is the strongest arc in the series.
That said, the romance may feel understated for some viewers. The series leans heavily into emotional connection, with minimal physical affection. It's a deliberate choice-artistic and refreshing-but it does leave the relationship sitting in a slightly ambiguous space at times.
The series is anchored by the chemistry and restraint of its leads: First Kanaphan as Tiger delivers a soft, grounded performance filled with warmth and quiet sincerity.
Khaoutung Thanawat as Lynx offers a more subdued, internalised portrayal-proving his range with a performance that relies on silence as much as dialogue. Satang Kittiphop as Leo adds tension and emotional contrast. Fresh Arisara as Je Meow leaves a lasting impression-her presence is comforting, even in absence. Even the names of the characters are feline and I love it.
Directed by Kornphom Niyomsilp, the series takes a more intimate, character-driven approach. It avoids flashy storytelling in favour of quiet, reflective moments.
The screenplay by Pongsate Lucksameepong and Nichapat Buranadilok is one of its strongest elements. The pacing is deliberately slow, allowing characters to breathe and relationships to develop naturally. Instead of forcing drama, it builds emotional investment through routine, silence, and subtle gestures.
Visually, the series leans into warm tones, soft lighting, and intimate framing. The cat café feels like a sanctuary-filled with memory, affection, and unresolved pain. The cinematography often feels like watching memories unfold rather than scenes.
The soundtrack deserves special mention. It's subtle but incredibly effective-knowing exactly when to hold back and when to amplify emotion. Even the opening credits, featuring the cats in playful montages, set the tone beautitully.
At its core, Cat for Cash explores: Grief and unresolved family trauma, forgiveness and reconciliation, found family and love in its quietest, most patient form. It also uses cats as a central metaphor-representing independence, distance, and silent affection. The relationship between Lynx and Tiger mirrors this beautifully: one distant and guarded, the other open and quietly persistent.
In a genre often driven by high drama and big twists, Cat for Cash chooses a softer path. It's smaller in scale, slower in pace, and far more intimate in execution.
It won't be for everyone-especially if you're expecting a more conventional BL with clear romantic milestones. But if you're open to something quieter, more reflective, and deeply emotional, this series delivers.
It doesn't scream for attention. It doesn't force its impact.
It simply stays with you.
I laughed, I cried... and then I cried again. And for a story this gentle to leave that kind of mark-that's something special.

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10/10 A dark korean BL

A Korean seroche with actors all over thirty (31, 33, 34) and all of them, as is often the case in East Asia, looked ten years younger. I was curious about the project. The first parts were gloomy and at the same time seductive, rough.
I had already seen actor Jeong Ri U, who plays Jeonghan, somewhere and at first I didn't know whether to hate or love him, because from a despot and a rude man he gradually turned out to be an unhappy loving lamb. In any case, he charmed me over the course not only with how he portrayed the character, but also with his aura, appearance, tall figure, long fingers. In the dark beginning, in his apartment that looked like a poorly lit pharmacy, he sexually abused his half-cousin llya, whom the creators hit on the head with a frying pan so that he would have the affine up to his eyes and look like E.T. at first. But everything gradually changed, especially with the incredible turn in the characters' behavior. I fell in love with both of them. There were also small flaws in the processing and details, but that was not important. What was important was how addictive the whole story made me with the Korean acting's austere coldness and unmistakable deep-sounding language ... just great.
I also really liked Suhyo- the cafe manager with his beautiful Korean face, this time without affine. Great satisfaction.

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Colors, Filters,Slow motions and......Action ?

The 2AM Cinderella... where do I even start?

What I liked:

1. The brothers' relationship, a rare blessing in chaebol world 10/10, no notes.
2. The brother and his "wife" and their cold-to-warm relationship. Surprisingly healthy communication? In a drama? What a concept.
3. The ML. Honestly, I could probably write an entire review about him alone. I've often wondered who would take over once Jung Hae-in retires from the romance and yearning industry. I may have found the answer. He has that mid 20s tall, handsome, effortlessly charismatic energy we call" Aura farming" without trying that C-dramaland seems to be mass-producing. The last time I saw it was with Lee Chae Min and Lee Jae Won in "Hierarchy" and we need more of that., emphasis on "we"
4. It was short. An average drama that respects my time deserves recognition.

What I disliked:

1. The coloring, the filters, the slow motion. I thought Shine On Me had already used up the world's supply, but apparently there was more in storage.
2. The coworkers. Quite possibly the most irritating collection of colleagues ever assembled in an office.
3. The whole business side of things. Even by the end, I wasn't entirely sure why they were so rich. Hotels? Art? Vibes? Your guess is as good as mine.
4. The usual frustrating FL. At this point, I have questions. Are Korean writers deliberately trying to test our patience, rage-bait us or are they writing what they wish Korean women were like? Difficult, self-absorbed, insecure, low-self esteem, unnecessarily stubborn, and wrapped in layers of fake humility. The list goes on, but I don't have the energy to write a thousand-page thesis today.
5. The ending was all over the place. One minute they had figured everything out, the next they hadn't. The obligatory wedding scene was held together by excessive lighting and, of course, another generous serving of slow motion.

Final Rating: 7.8/10

Most of those points belong to the ML and his brother.

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09/10 Boss' Love

09/10 Boss' Love
This is a Thai remake of Japan's "Ossan's Love" from 2018. I haven't watched the original, yet. So I can't make any comparison between this one and the original. I'm just gonna review it as a separate series instead. This rom-com
BL series felt like a sit-com which is forced to be in a different format. I think it would fare better as a sit-com.
Cause the plot seemed more suitable for a sit-com. They're using Earth-Mix as the couple of this series, a famous couple among BL fans. They've played in many BL series together as a couple. Their chemistry is undeniable. I guess after all these years working together, it would be weird if they don't have a great chemistry. The plot is ridiculously hilarious, pure comedy. I think that that's the strongest point of this series. It doesn't have any steamy NC scenes, but has a good ending.

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