Reviews

This will go down in history

I don't know what I expected, but it wasn't THIS.
It's been a good while since a bl show made me feel so many emotions all at once and I really underestimated this one.
Acting was 11/10 - I always knew Fourth and Gemini had a lot of potential but never got the chance to express it but now? They showed everyone how it's done.
I've always appreciated acting with eyes only and they absolutely nailed it in Ticket to heaven. I was watching with my jaw dropped.
So many feelings and thousands of words told by one look. Masterpiece.
The unusual lighting was something I loved about it as well. The unusual warm
colors really fit the storyline and everything around it. It was beautiful.
I'm very happy about the final episode not just because of the way it ended but because of how properly it was actually made unlike a lot of other shows. An hour and a half was just perfect amount of time to capture everything important and make you understand the message of the whole show. I'm beyond grateful and amazed by the way they chose to say goodbye to this work of art.
Even though I am an atheist, the message was beautiful just like everything about this show. I hope to see more things like this in the future.
Again, FLAWLESS and I highly recommend to absolutely everyone

Leer más

A Seaside Comfort Drama That Earns Its Heart

Hometown Cha-Cha-Cha is the definition of a comfort drama. It's warm without becoming dull, emotional without feeling overwhelming, and manages to tell a beautiful love story while reminding us that healing often comes from the people around us rather than from grand, life-changing moments.

At its heart, this is a story about community. Gongjin isn't just a backdrop; it feels like a living, breathing character. Every resident has their own story to tell, and while none of them are overly complicated, they all add warmth and personality to the village. The writers did an excellent job balancing the supporting cast so that everyone felt memorable without taking attention away from the main narrative. Their friendships, romances, struggles, and daily interactions make the village feel like home, and by the end, it genuinely feels difficult to say goodbye.

Hong Du Sik and Yoon Hye Jin have one of the most natural relationship progressions in a rom-com. Their romance develops through everyday conversations, shared meals, and quiet moments rather than dramatic misunderstandings or unnecessary conflict. Their banter is entertaining, their chemistry is effortless, and watching two very different people slowly become each other's safe place is incredibly satisfying.

Kim Seon Ho completely disappears into the role of Du Sik. You stop seeing the actor and simply see Chief Hong, which is probably the highest compliment an actor can receive. He brings so much warmth, charm, and hidden pain to the character that every emotional scene lands perfectly. Shin Min Ah is equally wonderful as Hye Jin. Her character isn't designed to be instantly lovable, and that's exactly what makes her interesting. She's flawed, judgmental at times, emotionally immature in others, yet she constantly grows. She feels like a real person instead of another perfectly written female lead.

One of my favorite aspects of the drama is how the pacing works. It's technically a slow-burn romance, yet the story itself never feels slow. There is always something happening, whether it's another resident's story, a funny village interaction, or a meaningful character moment. The beautiful seaside scenery, calming soundtrack, and cozy atmosphere make every episode easy to sink into.

The child actors also deserve recognition because they were absolutely fantastic, adding plenty of humor and heart whenever they appeared.

That said, I do have a few complaints.

The biggest disappointment for me was Hye Jin's best friend. For someone who's supposed to be her closest friend, she feels incredibly underwritten and underutilized. She mostly exists to make occasional comments, disappear because she's busy , or gossip about the main couple with the rest of the village. I kept waiting for meaningful conversations or moments that actually showed why these two were best friends, but they never really came. It felt like such a missed opportunity.

I also preferred the first half of the drama. The enemies-to-friends-to-lovers progression was engaging and natural. Once the main couple officially got together, however, they became almost excessively affectionate. At times, it felt less like two mature adults in their thirties and more like teenagers experiencing their first relationship. Some viewers will probably find it adorable, but personally it became a little too sugary for my taste.

Ironically, during the second half, the second male lead quietly stole many scenes whenever he appeared. I appreciated that the drama never turned him into a typical love triangle villain and instead preserved the friendship between the three leads, which was refreshing.

The writing is strong for the most part. There are very few plot holes, the pacing remains consistent, and the emotional payoff feels earned. The drama wisely avoids many of the frustrating misunderstandings that plague romantic comedies. Instead, problems are solved through communication, making the relationship much healthier than most dramas in the genre.

My only real issue with the writing comes near the end, where the series leans a little too heavily into everyone being conveniently connected through multiple past encounters. One coincidence was enough to serve the story, but adding several more made everything feel unnecessarily contrived. It didn't ruin the ending, but it definitely felt like one cliché too many.

Even with those criticisms, Hometown Cha-Cha-Cha remains one of the most comforting slice-of-life romances I've watched. It's funny, emotional, beautifully shot, and filled with characters who feel like neighbors rather than fictional creations. You'll laugh, cry, smile, and probably wish you could spend a few days in Gongjin yourself.

It's not a perfect drama, but it's one that understands exactly what it wants to be. Sometimes that's more than enough.

Leer más

People die, and that's okay...

Well, first off, I’d like to say I loved the idea—just the concept of the story itself.

Stories involving terminal illnesses require careful development and are emotionally charged, yet they don't often appear as a plot element in Chinese, Thai, Japanese, or Korean gay romances.
Viewers can easily tell when something is definitely off with the story's progression—as was the case here. That was actually what drew me in. But then it all went wrong!

I had a bad feeling when the protagonist's illness only started being addressed seriously with just three episodes left. The writers undermined the premise they had built and tried to shoehorn fantastical elements into a story that was supposed to be realistic.

It infuriates me when stories deal with serious illnesses but refuse to accept the sick person's death as a possibility. Look, it may be surprising, but people do die from terminal illnesses, and it’s perfectly fine to portray that naturally in a story.

The only reason I’m not completely trashing this story is that the ending is open-ended, and I honestly want to believe that both of them died. It’s a plausible theory, given the protagonist's depressive behavior; it’s the only logical conclusion for this ending.
But if they wanted to go that route, they should have explored the protagonist's suicidal tendencies more deeply. It would have been more poignant and credible, especially since they didn't want to go for a "triumph over adversity" ending.

That’s my take. I refuse to accept that they were both saved by magic. They died, folks—pay your respects.

Leer más

We needed a trigger warning in 2nd half of show

The drama begin as romcom, and slowly turned into drama in seconds half

This started as a chaotic workplace comedy with an amazing chemistry between Wine and Lal, their enemies to fwb to lovers arc was so fun, Lal falling first while Wine slowly opening up to her, letting down her walls that sje build due her past trauma and finding comfort on lal presence

Then the show suddenly turned into a heavy drama with SA, abuse, and power trips that dragged out for too long and completely caught me off guard, i didnt sign up for that and i didnt not enjoy it, Medsei being the spy and boba thief was the only plot twist I actually enjoyed 😭

I loved seeing clingy Wine, Lal's chaotic incompetent but loyal team, and pakpoom that wzs funniedt bestie yet present when lal needed them
The serie had great OSTs and beautiful filming locations, but the loud background music throughout episode and color grading weren't for me.
overall i e'joyed the show and don't regret watching it.

Leer más

Love Has Fireworks was an absolute joy to watch for almost the first 30–32 episodes.. It was funny and genuinely entertaining.. Tan Jian Ci carried the drama with ease.. He brought an undeniable charm to Li Yi Fei and his portrayal of the character was an absolute treat to watch.. The premise itself isn't anything new.. Two people sharing a house while getting tangled up at work is something we have seen plenty of times before.. Sometimes it felt like a sitcom, just without the laughter noise in the background..

This was a slow burn.. It took the leads quite a while to finally confess their feelings but unlike some other dramas it never became frustrating.. Their constant bickering, the funny situations they kept finding themselves in and their natural chemistry kept things entertaining throughout.. The drama took its time letting the characters really get to know each other.. It explored their personalities and worked through most of the story before their romantic relationship began..

The comedy is easily the show's strongest asset.. The writers deserve a lot of credit because the humor didn't feel forced.. And once again, Tan Jian Ci deserves praise for his comic timing and effortless charm.. The chemistry between the leads carried the story beautifully and the way their relationship slowly developed and their path to actually getting together was developed with care and done well, Satisfactory.. Ironically, that's also where the drama began to fall apart.. Once the main leads become a couple, the story starts to lose its steam.. The writing becomes inconsistent.. And the FL's sudden self realization and second stage of character development after 30 episodes felt forced.. Things start happening that doesn't make any sense.. After getting into the relationship, the FL suddenly begins ignoring the ML.. He goes through all sorts of ridiculous efforts just to get her attention and we are never given a convincing reason why she is acting that way.. She just, does..

That house selling plotline is really the epitome of everything that goes wrong in the last leg of the story.. It isn't just an inconsistency in the writing, it completely betrays the character logic that the show spent over 30 eps building..
Storywise, that house isn't just a house.. It's the physical space where their relationship began, where they slowly got to know each other and where most of their memories were made.. Something she had the power to safeguard.. So for the FL to unilaterally decide to sacrifice something that meaningful for her ex, whatever the reason may be, feels like the biggest betrayal of her own character.. The issue isn't that she wanted to help him, It's that she never talked about it with the ML, even though it's something that affects the life they had built together.. And when he questions her, she is the one who gets angry and throws a tantrum.. The double standard here, Qian Fei gets jealous over silly things like the ML sitting with another woman and also other stupid stuff.. But that shows that she is a character with clear, even though petty but emotional logic.. She is protective of something she fought hard to have.. That is consistent.. But then she makes a major decision affecting their life and gets angry when questioned isn't consistent with that same person.. It feels like forced conflict to push the story along and reach a conclusion even if it means sacrificing everything they took so long to build..

I would honestly say she handled being a single woman navigating heartbreak and unemployment far better than she handled being in a relationship with someone who genuinely loved and adored her..

The drama also had a solid supporting cast.. The Second and third couple also had interesting storylines of their own..
Now, Jing Jing, I don't know if it's just me but she felt like a very naive character.. The drama she created at the FL's ex's workplace despite knowing it would obviously affect the FL's work life was just plain stupid and cringe..
I liked the character Dang Yu quite a lot.. She had a main character vibe that we missed from the FL at times..

Oh and one more thing.. How the hell did her ex just walk into her house when she was sick?? Did the drama simply expect us to ignore that?? That whole scene made absolutely no sense and it was an unnecessary scene in my opinion..

Overall, it's a decent watch.. In fact I think it would have been a much better drama if it had simply ended around ep 32 or 33.. It's not a drama you will regret spending time on.. 80% of the drama is simply too enjoyable to ignore..

Leer más

Japan...another bl winner.

What makes this office-romance BL so incredibly satisfying to watch is how maturely the main leads handle their relationship dynamic. Instead of relying on the classic, frustrating trope where characters refuse to speak to each other for three episodes over a simple miscommunication, they actually clear things up relatively fast.
​Why the Dynamic Works So Well
​Healthy Communication: When doubts creep in or a situation looks suspicious, they actually confront it or talk through it rather than running away.
​The Office Setting: The workplace backdrop adds a fun, professional-yet-tense energy, making their quick resolutions feel even more rewarding because they have to keep seeing each other.
​Low on Unnecessary Drama: It lets the viewers enjoy the actual chemistry, fluff, and romantic progression without pulling their hair out over contrived plot blocks.
​It proves that a story can have great tension and high stakes without forcing the couple into endless, exhausting misunderstandings.

Leer más

what started as a slow paced boring drama turned out to be a hidden gem ....

this drama might seem slow paced or boring at first but stick with it because it turned out to be really great on many aspects from acting to character development everything was superb .

kang jae seong's character development was the best one for me as he came along way from being the son who only cared about being the chairman of the company to a great son and a righteous person who tried to right his wrongs .

kang jae gyeong's greed was beyond fixing as she did all she can to be the chairman even if it meant killing her father or keeping him in a coma but her ending of her story despite her doings was still sad to watch .

bang geul and jun hyeon 's romance in the final episodes was great , glad that they gave us somewhat logical explanation to how he fell in love with her , glad they kept the romance at bay until he and her father returned to their bodies it would have skipped this drama if that happened.

glad jun hyeon has found his way back to football after his leg injury as a coach.

overall a truly great , funny and heartwarming drama , don't judge it by its first episodes stick with it till the end and you'll truly enjoy it.

Leer más

Against the Grain in China

It's been an interesting time watching China emerge like a phoenix to become one of the power houses in BL production. Equally, its been a concern to see how the majority of the stories told have had toxic plots, toxic characters or both. Specifically, stories coming out of China. Why is that okay as a reputation?

This is why I was moved by this series which features broken human beings trying to live day by day. People with traumatic backgrounds, with anxiety and unmentionable amounts of pain.

The story hasnt reached its conclusion by the time this is written, but the series needed a small celebration from its audience for going against the grain for once. None of the leads are trying to outwit and outsmart each other. Instead, they're trying to reach out to each other without knowing how that could trigger a reaction, but because they're driven by love and affection, they keep trying anyway.

Highly recommend this series if you're into soft, gentle love stories talking about overcoming life's difficult challenges ✨️👌💛

Leer más

It proves that simple storytelling can create the deepest impact.

Ticket to Heaven is an emotional series that taught us about faith, hope and love. The performances feel natural, the story flows effortlessly.
Ticket to Heaven is a deeply moving series that beautifully captures the complexity of human emotions through a simple yet powerful story. From the very beginning, it draws you in with its calm and sincere storytelling, gradually unfolding layers of love, pain, longing, and hope. What makes this series truly special is its ability to say so much without relying on dramatic twists—every emotion feels natural, every moment feels real.
The performances are one of its strongest aspects. The actors deliver their roles with such honesty that you can feel every glance, every silence, and every unspoken word. Their chemistry adds depth to the story, making the relationships feel genuine and relatable rather than exaggerated. It’s the kind of acting that doesn’t just show emotions but makes you experience them.
Visually, the series is soft and aesthetically pleasing, perfectly matching its emotional tone. The direction allows scenes to breathe, giving viewers time to connect with the characters and their journeys. Even the quiet moments carry weight, proving that sometimes silence can be more powerful than dialogue.
What stays with you the most is the emotional impact. Ticket to Heaven isn’t just about telling a story—it’s about making you feel every part of it. It reminds you of the beauty and fragility of relationships and how even the smallest moments can hold the deepest meaning.
Overall, Ticket to Heaven is not just a series you watch for entertainment; it’s an experience that touches your heart and lingers in your mind long after it ends. It’s gentle, heartfelt, and truly unforgettable.
Every moment in this series leaves a lasting impact. It’s not just something you watch—it’s something you truly feel. It is one of the best series I have ever seen.

Leer más

Give it a chance!

Loved the characters and the story.

Both FL and ML were interesting and fun to watch. Obviously there romance was a main part of the story but i liked how they also had their own separate things as well. And they both had amazing chemistry.

The story does focus on generational trauma and revenge, so you do get quite a lot of backstory, but i don't think its too much and it is relevant to the plot.

The only thing is that the production for the first 10ish episodes could have been better - they weren't at all but they definitely found their groove as the story went on.

Leer más

Rewatch value 100000000%

A series that will stay in your head and in your heart. A beautifully told story, from the very first episode almost all the way to the end, constantly keeping you in suspense. They could honestly rename it to: Tension in an all-boys school.

What I really like about this series are the natural scenes of tenderness between the characters, without overdoing explicit intimate content. Here, intimacy is built mainly through constant tension and scenes that carry a sexual undertone, but remain unspoken and implied — and that actually makes them even better. But this kind of storytelling and directing requires real skill!

A beautiful plot, of course slightly idealized, but I think we were all hoping for a happy ending — and we’re glad we got it.

I also want to mention two details: the motel scene, Tanrak’s slight clumsiness and shyness — those are scenes full of naturalness, of real young relationships. We really lack that kind of authenticity in series these days.

The main actors definitely deserve praise: Gemini — I’m extremely impressed! Also Fourth, who was sometimes able to convey emotions without any dialogue at all. Later in the series, especially towards the end, his tone of voice and way of speaking became very calm and slow, almost reminiscent of how some priests I know speak :O I don’t know if that was an intentional choice, but if so — chapeau bas!

Although at the beginning Tanrak’s silence fit the mood perfectly, I feel that in the later episodes, especially at the end, his character became too calm and too closed off. After many years of living with Barth, I would have expected a stronger change in his personality. With Barth, it was more visible — from a rebel he became a calm, stable man — while Tanrak remained… well, still calm Tanrak. But maybe I’m just nitpicking here.

One thing I would criticize is the number of episodes. I think there should have been at least one more episode explaining how the boys returned to school after their two-day escape. We only saw the scene where their teacher/guardian greeted Tanrak, but nothing beyond that. When exactly did they leave the school for good? How did it happen? I understand the director wanted to focus more on the present timeline, but in my opinion they could have added two or three scenes showing how it actually led to them permanently leaving the school.

On a positive note, I really liked how their shared life — Tanrak and Barth’s — was shown later on. I’m glad it wasn’t just a “wedding and goodbye” ending, but that we actually got a glimpse of their everyday life together. That was a really nice change for a series like this.

And lastly, I just want to say I’m very happy about Bright’s role, and I hope to see him in more productions in the future :)

Leer más

From Gripping to Deplorable: How Careless, Incompetent Writing Ruined the Final Arc | Stellar Acting

"Remember this, Jiang Taohua. I'm not someone you can just call on and cast aside. This marriage was your choice. Even if it leads to nowhere, you have to see it through with me." - Shen Zai Ye

My main purpose for writing this is to refute and debunk the negative reviews posted for this show here on MDL. I feel like they have gotten completely out of hand, unfairly tarnishing the drama's reputation that it clearly doesn't deserve. It's just concerning how the review section was swarmed with massive backlash when, in reality, three-quarters of the show was well-made, making the story not bad at all. I think it is about time we give this story the love and appreciation it rightfully deserves.

Completing this drama made me question the immense hate it has received here on MDL. Honestly, I don't understand where those reviewers are coming from by dragging the entire story down, because contrary to the critically panned reviews I have read here, I, on the other hand, was deeply captivated and entertained while watching this show. It was not bad at all compared to how people described it—be it the storyline, the plot, or even the execution. I would even argue that this is far better than most historical C-dramas you can find out there that utilize the same plots and over time suffer from overwhelming plot holes left and right.

The story was thrilling and compelling. The main plot was tightly woven, while the sub-plots became a great foundation that carried the story forward. Although I will admit that there are plot holes towards the final 6 episodes, but most of them are considerably minimal and did not entirely ruin the show for me. It did cause annoyance and irritation, sure, but definitely not to the point where I thought of dropping the show. Truth be told, throughout my watch journey, it never crossed my mind to drop this drama.

Even the midpoint part, which I thought would finally make me utterly frustrated—based on other viewers' reviews—because of the worn-out amnesia trope, surprisingly didn't put me off at all. In fact, it was executed with the utmost care, attention, and control, adding just the right amount of drama needed to progress the plot and develop the MLs (Shen Zai Ye) romantic feelings for the FL (Jiang Tao Hua) while keeping the story logically sound. I can go as far as to say that this is among the top 5 best executions of the amnesia trope I have watched in C-dramaland to date.

Let me also commend the deliberate utilization and execution of the espionage and political plot devices. I appreciate that they were not utilized mindlessly for some unnecessary drama, and were instead used in a more rational sense that maintains the harmony and consistency in the narrative. What's more admirable is that both of our main leads are not just intelligent but are equally experienced individuals who are capable of easily adapting to any situation they are thrown into, by anticipating outcomes and maintaining contingency plans. Those traits put me at ease and allowed me to enjoy the story without worrying much that one of them might suddenly make a dumb move that may put them in a dire situation. They both work independently but are always there to help one another whenever one is in need of assistance. Which actually leads to my next point...

Although I was particularly annoyed with Jiang Taohua in several instances for stubbornly rejecting Shen Zaiye's help and offers, I just appreciated how he was always there, instinctively, whenever she needed him. It was delightful to witness how he gradually evolved into a companion who knew how to read and understand her without words, and vice versa. This made their cooperation much more wholesome because both of them were present for each other's tough times, even without being asked.

If there's one factor that baffled and disappointed me, one that deserves fierce criticism, it would be the writers' careless decision, combined with their incompetence in providing us with formidable enemies capable of rivaling our highly intelligent main leads. I understand the reason why Empress Lv was kept as one of the main antagonist. However, I think it was otherwise an utterly foolish decision to take out Meng Huaijin—the most promising enemy we could have reserved for the climax—early in the story, only to replace him with the obsessively smitten Mu Wuyin, who has a severe nanny complex. It was just preposterous how they confidently committed to the decision of eliminating their most capable and promising character but failed miserably to develop their chosen one to his full potential—later on even reducing him to a mere, pathetic, highly deluded, lovesick guy. It was just absurd how Mu Wuyin turned from a seemingly clever man into an insane, melancholic, heartbroken damsel in distress towards the pre-climax. They did him dirty, which eventually backfired as it reflects their miscommitment and haste in choosing their main antagonist.

To be clear, I initially wasn't bothered by Meng Huaijin's early death, as it was reasonable and an inevitable outcome at the time—a crucial move to intensify the conflicts in the story and what I presumed would help the plot move forward to a more groundbreaking climax, especially since I had high expectations that they had something more impressive in store for us. However, it was after the pre-climax when the realization finally sank in how they had wasted Meng Huaijin's potential just to make way for the undeserving Mu Wuyin, who ended up being a pathetic and incompetent character in the end. I was left in a state of disbelief, disgust, and disappointment, to the point where I wished Meng Huaijin had not been killed. It's just unforgivable how they sacrificed what could have been an ultimate battle of wits and intelligence for a plot that's merely driven by lust and romantic obsession. It was even more frustrating that the main antagonists we ended up having are a pair of shallow individuals who are only capable when using underhanded schemes, but are greatly overwhelmed and outwitted once faced with unprecedented adversities.

In conclusion, the antagonists designated for the finale are a pair of pathetically disappointing and underwhelming individuals. The only praiseworthy villain that comes to mind is Meng Zhenzhen. I appreciate how they further developed her character in the story while maintaining her rationality until the end! She always had a redemption path laid out for her to choose from, and it's satisfying how she always chose that option.

The next point I want to talk about is the last six episodes, which encompass the climax and the ending. This is the part where minor absurdities and plot holes started spawning left and right. My review will be much longer if I expound on them one by one, so I will just list down my frustrations below:

• The blatant act of letting the main antagonists escape a couple of times: First, in episode 30 towards the end of the Luocheng Arc, they could have easily apprehended Mu Wuyin while his spirit was broken and he was in a state of total devastation after realizing Empress Lv's betrayal, yet they did not. Second, in episode 33, when they were trying to suppress Empress Lv and Mu Wuyin during their attempt to usurp the throne, they yet again allowed them to escape when they were literally right in front of their eyes.

• The hasty assumption of their deaths: In episode 33, I also cannot fathom how they almost immediately concluded that both Empress Lv and Mu Wuyin had died in the fire, without harboring any doubts that it might be a scheme.

• The cliché negotiation: In episode 36, Shen Zaiye tries to talk rationality into Empress Lv's head as if she would ever listen. Thank God Jiang Taohua was there. It was an utterly ridiculous scene to watch—a very worn-out, cliché element.

• The logical oversight with the Yinghuo Flower: In episode 36, when the Yinghuo Flower was burning, they could have literally used their feet to kick the flowers away, since some of them were visibly not engulfed in flames yet, but they did not.

• The frustrating inaction: In episode 36, after Jiang Taohua is freed from the cage cell, instead of helping Shen Zaiye escape as well, she simply stands in front of it in a daze, looking at her master, Qian Mochen, as he dies. At that point, I just gave up.

It's farcical how the script diminished their foresight and sharp judgment towards the end, reducing them from highly perceptive leads into sloppy and careless individuals who overlook obvious things just to create additional drama.

Lastly, I just want to express my gratitude to the writers for keeping the overly annoying and impulsive Xiang Qingying (Shen Zaiye's sister) at bay. She was initially my greatest character frustration in this show, and I am just glad she did not turn out to be even more irritating towards the end. I was even happy that her skills were finally highlighted during the Luocheng arc.

Story - 9.0, To keep facts straight, I totally enjoyed the first 30 episodes of this drama. My dissatisfaction only kicked in when they finally revealed the utterly deplorable path they had woven for Mu Wuyin, alongside the several narrative hiccups and plot holes I mentioned above.

Acting/Cast - 10, What a solid ensemble. What was shown here were top-notch, emotionally expressive, and controlled acting performances from the actors and actresses. I'm extremely impressed by how they truly embody their characters' emotions as if they were their own. Above all, I have to give it to our main leads—Meng Ziyi's big, round eyes made me deeply fixated and absorbed in her acting, while Liu Xueyi expressed his character masterfully in every aspect.

Music - 10, What I love most about this drama's OST is that it's entirely ballads, and they exquisitely carried and heightened the emotional depth of the story.

Rewatch Value - 8.0, If only they didn't degrade Mu Wuyin into a nasty piece of lovesick shit and did not incorporate all those plot holes that tainted the main leads' formidably established attributes, I could have rated this higher.

Overall - 9.0,  Even with my complaints toward Mu Wuyin and the several plot holes in the story, I can still bravely declare that this is a nice watch overall. The last six episodes caught me off guard and left me completely baffled, but I don't think it was to a point where it entirely destroyed the foundation of the story. It is underwhelming, yes, but definitely not to a destructive level.

IF you find my reviews helpful please let me know.

Leer más