Reviews

Esse drama não faz o menor sentido, sério! Que merda foi essa?
O ML é um covarde que finge fazer as coisas para proteger a FL. Meu querido, a culpa foi sua, você sabia desde o início porque ela não queria se relacionar com você, invés de você explicar a situação para a chefe dela, você foi em encontro as cegas e sua parceira ainda fez o inferno na vida dela, assim como o babaca do colega de trabalho dela.
Não satisfeito, sob ameaça, você larga a FL, sabendo que a 2FL já tinha a feito perder o segundo emprego e foge kkkkkkk
Anh me poupe.
E quando ela está em um novo emprego, um ano depois, você volta, como cliente novamente? kkkkkkk independente do trabalho dela, o ML é um burro e um roteiro estúpido.

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I Had a Crush... Until the Drama Took Over

I like dramas that are sweet but still feel grounded in realism, which is why I felt drawn to this drama. One of the things that immediately interested me about Crush was that the main character is blind, because it opens up a completely different way of experiencing the world. I also liked the career choices in the drama. A braille teacher, a composer, and someone wanting to work at a radio station all felt refreshing and meaningful, especially nowadays when most people spend their time online or watching series.

It even made me realize how important radio actually is in this context. Before watching this drama, I sometimes thought that radio might eventually disappear, but afterward I realized how sad that would be. The series reminded me that voices, sound, and imagination can create connection in ways visual media sometimes cannot.

I also enjoyed the sweetness at the beginning and the way the characters felt imperfect and awkward while trying to navigate their first relationship. Their interactions felt warm, sincere, and playful, which really gave this series its soul.

I especially liked the way the story explored perception and how different people experience the world differently. Because the male lead is almost completely blind, even ordinary moments felt sensual and mindful. Watching the characters discover the world together created some of the drama’s strongest and most emotional scenes. It was beautiful to see how they slowly warmed up to one another and began integrating each other’s perspectives into their own.

However, even though the trailer hinted at some dramatic moments, I still felt somewhat misled because I did not expect such a huge middle-arc conflict to completely change the tone of the story.
The middle section especially felt overloaded with family drama and misunderstandings. Many conflicts were introduced, but not all of them were resolved in a satisfying or emotionally sincere way. Some side characters and friendships also felt underused, and I kept wondering what purpose certain friends had in the overall story besides occasionally moving the plot forward.

I also felt the character growth became less authentic over time. Certain personality traits that were initially sweet and playful gradually started to feel impertinent or frustrating instead. The characters also seemed to lose some of the warmth that originally made them so likable.

One thing that especially disappointed me was how the drama handled the topic of blindness later on. Earlier in the story, it beautifully showed that although people perceive the world differently, there can still be beauty in those experiences. However, later parts of the drama made it feel as though being blind automatically meant being incomplete or “broken” until it could be medically fixed. I wholeheartedly support people gaining sight through operations if they want to, but I disliked the implication that blindness itself was something inherently defective. This felt contradictory to the more nuanced and compassionate message the beginning seemed to present.

Another missed opportunity for me was the couple’s shared daily life. I would have loved to see more scenes of them learning how to truly live together — creating routines, understanding each other’s needs, balancing messy and careful spaces, and finding practical ways to support one another. That kind of grounded relationship development would have been much more meaningful to me than the excessive dramatic conflicts that took over the story.

I also wish the characters had experienced more genuine healing by the end of the story, especially the male lead. At times, it felt as though emotional wounds were simply pushed aside rather than truly understood and worked through.

Despite my criticisms, I still think Crush had a beautiful emotional unique moments. Even after the drama lost most of its direction later on.

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Why Is This So Good Though?

Honestly I didn’t have very high hopes. I usually feel like time travel to modern day stories can seem a bit dull and not as fun as time travel dramas set in the past, but this one completely proved me wrong.

The chemistry between both leads is amazing and I love how chaotic and all over the place their dynamic is while still feeling natural. The story flows really well with no dragging at all.

And the male lead the way he yearns and is completely crazily in love is just wow. It’s honestly top tier acting. Whoever cast him as the male lead deserves a raise!

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10/10 Well balanced Drama

As a big fan of Gong Yoo, I was eagerly waiting for his next drama, and The Trunk did not disappoint. Both Gong Yoo and Seo Hyun-jin delivered incredible performances, and I truly felt they brought their characters to life.
One thing I really appreciated was the romance in the drama.
Unlike many mini-series these days, which often rush romantic storylines due to their limited episodes, The Trunk took its time. The slow progression of the relationship felt so genuine. Watching the main characters grow closer, depend on each other was absolutely beautiful. It made their connection feel authentic and realistic, which is rare in shorter dramas.
I also want to highlight how well-balanced the drama was. In my opinion the storytelling avoided being overly dramatic, which is something I see often in other shows. In many Korean dramas, certain plot points are exaggerated for mystery or drama, only to fall flat by the end. But The Trunk avoided that pitfall. Every twist and turn made sense, and nothing felt out of place.
Fun fact (Spoil alert) One thing I found really charming was in the final episode included Jeong Won living with cats and Noh In-ji with a dog. Because Gong Yoo, who lives with cats, and, Seo Hyun-jin who has a dog, brought this personal touch into the drama. It's such a small detail, but it made the story feel even more genuine and warm.

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10/10 Just Amazing! xEnjoyed every moment of it.

Been almost.illiterate at the.social levels of Korean society! really Like this show.
The locations, scenes purity, lighting, photography in general and most of all the.clothing used in this series was just at leat to me out of the normal series I see each day.
I enjoyed every moment of it and was looking for the next scene to see another piece or fashion at the actresses, even at the male characters!. And I'm not a person who gives particular importance to fashion at all, but really this show made that issue a huge point.
The plot although kind of known from the begining keeps on changing and keeps you hooked.
The way they talk with different language and express themselves without saying the words in an explicit way is also great!
I really recommend this show.

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10/10 Basically a piece of pure art

This is what I call a amazing dorama.
Sky Castle is a dorama when you thing is going really high, they climb higher and make you be more than surprised. I remember when I watched it was at least one plot twist by episode.
I really recommend you to give a try. Sky Castle is a type of drama that every single character you need to keep an eye open because they could turn your hope into angry. This was a nonstop watching dorama, once you start you get addicted to the point you only think about what will happen and with who.
All of the families and his stories are really interesting. Each of one have your own feeling but make us rethink about how we should treat our family.
The OST was also amazing. I'm not the type of person that keep listening to the soundtrack once I finished the dorama but "We all lie" keeps in my mind everytime I remember of Sky Castle. The best OST I ever heard.

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A anatomia do fracasso

Estamos todos tentando aqui faz jus ao seu título original alternativo, todo mundo está lutando contra sua própria inutilidade e entrega um dos retratos mais honestos, crus e melancólicos da vida adulta já vistos na TV. Usando os bastidores da indústria cinematográfica como plano de fundo, o drama foge do glamour e foca no que acontece quando o sucesso demora a chegar, quando as bilheterias fracassam ou quando a criatividade simplesmente seca.

A genialidade do roteiro de Park Hae Young está em dar voz a sentimentos que a sociedade costuma varrer para debaixo do tapete: a inveja dos amigos bem-sucedidos, o medo latente do fracasso e o vazio existencial de quem se sente estagnado. A jornada de Hwang Dong Man (Koo Kyo Hwan), o único do seu grupo que ainda não estreou como diretor, dói porque é real. O contraste entre a agressividade defensiva da produtora Byeon Eun A (Go Youn Jung) e o esgotamento interno do ex-poeta Hwang Jin Man (Park Hae Joon) constrói um mosaico perfeito sobre as diferentes formas que a frustração assume quando não sabemos mais quem somos fora do trabalho.

Com a direção sensível de Cha Young Hoon, a série avança em um ritmo mais calmo, focado em diálogos profundos, silêncios incômodos e atuações brilhantes com destaque para Oh Jung Se, que entrega a dose exata de vulnerabilidade e pressão psicológica. Não é um drama para assistir com pressa; é uma obra de cura que incomoda, abraça e, acima de tudo, nos faz refletir que tentar sobreviver e manter a sanidade já é uma vitória gigante em um mundo obcecado por aparências e conquistas.

Um soco no estômago disfarçado de melodrama sobre a vida comum. Se você gostou de Meu Diário para a Liberdade, vai se conectar profundamente com a crueza e a poesia melancólica desse elenco espetacular. Indispensável para quem precisa de um acolhimento nos dias de desânimo.

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10/10 KDrama at its best to date!

10/10 KDrama at its best to date!
Having watched so many TV dramas for decades, this is a real gem. Don't listen to the haters. Amazing production (notice the details of everything, even the home appliances exude luxury), the story (though its a remake of BBC's Dr Foster, but which remake is better than the original? This), and most importantly, the Mind Blowing acting especially from Kim Hae Ee. It's not your average Kdrama. It's an emotional roller-coaster, keeping you at the edge of your seats through all episodes, it's the best. Hell of a ride that you will never regret!

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I am very proud of the performances of Santa, Perth, Sammy, and Kay in this series. Their acting was truly outstanding, and each of them succeeded in portraying their character and conveying their emotions exactly as the story required.

As for the story itself, it was both sensitive and heartwarming. Perhaps only people who have not yet found peace with their inner child will fully understand what I mean, but this story genuinely touched my heart. I wish comfort, healing, and self-acceptance to everyone who is dealing with trauma or struggles related to their inner child.

Santa's performance made me become deeply attached to the character of young Sun, and he made me cry many times throughout the series. I could also genuinely feel the pressure that Bobmik's character experienced while taking care of Solar.

However, despite all that, I felt that the series was a little rushed at times. Some of the most important events happened rather quickly, and I wish certain moments had been given more time to develop so that their emotional impact could have been explored more deeply.

The series is filled with emotions, whether it's sadness, sympathy, love, or the warmth of family bonds. I highly recommend watching it. ❤️

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Had Promise, But Needed More

I remember when only friends came out, so many people were talking about wanting the lesbian version of the show. Then, to have one of the directors of only friends direct girl rules, I was super excited! I feel like the women of GMM do not get the same level of hype as the men, so believe me when I say I was PUMPED to see some messy lesbian drama. Unfortunately, some of it fell flat and I found some of the characters flat out unlikeable.

Prim (Namtan) runs Lady Bird, a film company, alongside her friend Min (View). When stylist Gorya (Love), who happens to be an old friend of Prim, tries to make a move on her, Prim's ex-girlfriend Bambi (Film) comes back into the picture. While Gorya and Bambi are fighting for Prim's attention, model Shasha (Milk) can't figure out why Gorya doesn't like her - and is determined to change that. And as Min finally breaks things off with her toxic boyfriend, her junior Praew (Mim) is ready to help her get over him.

While I enjoyed a show about adult women (not in school for once) and their messy relationships, I found Bambi to be wholly unlikeable. Everything about her character left me annoyed and frustrated. For a lot of the show, I found myself wanting Prim and Gorya to be together. This is nothing against the actors or their pairings, I just could NOT like the relationship between Prim and Bambi. Way too much back and forth on the same conflicts, and not enough character development for me to care. On the other hand, I found myself LOVING ViewMim in this show. I thought their characters were so fun and realistic, and their conflicts had the weight that I wish the rest of them did. I also really enjoyed Milk and Love together in this show, but it took a little longer for me to enjoy them. Overall, the show was a good time and worth watching, and I loved seeing so many women on screen! I just wish they had done a better job on the character building and creating unique conflicts that weren't repetitive.

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Sanitized and nonsensical plot

One should always take these 8+ star GL reviews with a grain of salt because most of the GLs themselves have a low production value and are practically unwatchable even at 1.5-2x speed. I was looking forward to this one mainly because of Engfa/Charlotte, after loving their dynamic in Petrichor. But, I have to say, after having watched Petrichor and enjoying the grittiness, the chemistry, and the more mature plot than most GLs and BLs go into, The Water was jarring in the way it sanitized the romance and sexiness and in how nonsensical and uninspiring the plot was.

If I didn't know better, I would've thought this was another GMM show – lighting overblown, a majority of the characters acting in the exact same way without having any of their own agency, the leads flat cut-outs acting as if possessed by the script rather than people with dimension and nuance, highly sensationalized antagonists, a lot of hoopla over some lackluster flirting and immature hints at sex, and a plot that I would not be able to describe to someone who hasn't seen the show. Also, I will be awaiting the day when GLs have better body representation and stray outside of the 2 femmes archetype, because, no matter how they dress Engfa, she passes as a femme with a sprinkle of butch energy.

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Either it's Kill Me,Heal Me or Secret Love..you will meet Ji Sung and Hwang Jung Eum's brilliance

UPDATE:
Completed: June 1 2026
Rating : 9.0

Cleared this so fast like a plate of Topokki..
The emotional range Ji Sung gave us in Kill Me, Hwang Jung Eum completely matches it in Secret Love. These two had such insane chemistry in all their emotions , either they are having a screaming match or making us feel like we are interrupting something we shouldn't. Honestly I they could have gotten married in real life, nobody would have questioned it. Imagine doing two projects together in a span of two years..and showing up..(**yes I know they are/were both married to different people)

They don't make these anymore..

I repeat..

They don't

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Somthing is missing

I really wanted to enjoy this drama, but it ended up feeling disappointing. Even though it only had 25 episodes, it felt much longer because the pacing dragged a lot. I skipped through many scenes because the story wasn’t engaging enough to keep my attention.
The actors did a decent job, and the chemistry between the leads was there—but the romance itself felt strangely empty. They had moments where you could feel potential, but the drama never really gave that emotional or touching payoff. Something always felt missing, especially in scenes that were supposed to feel romantic or meaningful.
I actually liked the second couple more, but even their story felt underdeveloped. They had potential too, and I wish they had been given more romantic scenes and a stronger ending. Instead, it felt like their storyline was wrapped up too quickly with a simple “let’s start over,” and that was it.
The last episode especially felt off. The surprise proposal sounded like it would be emotional and memorable, but the execution felt rushed and didn’t leave much impact. After all the dragging in earlier episodes, the ending suddenly moved too fast.
Overall, it wasn’t terrible—the acting was okay and there were some good moments—but the pacing, lack of emotional depth, and weak romantic payoff made it feel like a waste of time for me. I finished it hoping for a satisfying ending, but it never fully delivered

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Love Beyond Words

Mumu begins on a deeply emotional note, immediately establishing the harsh reality of how easily society can take advantage of those who are hearing impaired. The film centers around Xiao Ma and his daughter Mumu, whose lives are thrown into turmoil when Mumu’s mother, Xiao Jing, suddenly returns with the intention of suing for custody in order to take their daughter away.

Faced with the possibility of losing Mumu, Xiao Ma becomes desperate to prove that he is capable of providing a stable life for his daughter. The film does an excellent job portraying how pressure, fear, and love can push someone into making morally questionable decisions. While the agreement made between Xiao Ma and Xiao Jing is understandable from an emotional standpoint, it does not excuse how poorly the situation was handled. Xiao Jing’s feelings of loneliness and emotional isolation are valid, especially after spending years feeling disconnected and unsupported, but her actions fail to consider the emotional impact her sudden return would have on both Xiao Ma and Mumu.

After finally securing a job, Xiao Ma becomes involved in an incident that forces him into increasingly dangerous and degrading work in order to afford legal fees. His desperation blinds him to the consequences of his actions, and the film powerfully highlights how vulnerable hearing-impaired individuals can become in environments where others are willing to manipulate and exploit them. One of the film’s strongest aspects is how it portrays communication barriers. The interpreters may relay conversations, but those who can hear often fully grasp the hidden severity and manipulation behind certain situations, while Xiao Ma is left vulnerable and uncertain.

The movie beautifully captures silent moments of fear, hesitation, and emotional conflict through expressions alone. Even when Xiao Ma senses something is wrong, desperation outweighs caution because his only focus is keeping his daughter. Tragically, it is only after a devastating accident that he fully realizes the damage caused by his choices. By then, it is too late. Mumu, understanding everything her father sacrificed and the dangerous path he had gone down, ultimately chooses to live with her mother, not because she loves her father less, but because she wants to protect him from destroying himself further.

What makes the film especially emotional is that neither parent is portrayed as truly malicious. Instead, both Xiao Ma and Xiao Jing are emotionally blind in different ways. Xiao Ma becomes so consumed with keeping his daughter by his side that he ignores the consequences of his decisions, while Xiao Jing focuses solely on reclaiming Mumu without fully understanding the pain of separating a father and daughter who have grown together for years. Their actions come from love, but also from selfish desperation and emotional tunnel vision.

Fortunately, both characters eventually receive the wake-up call they desperately need. Xiao Ma finally acknowledges the mistakes he made, while Xiao Jing realizes that simply taking Mumu away does not automatically create a better life for her. The emotional growth of both parents gives the film its strongest and most heartfelt moments.

Since the story is largely told from Mumu’s point of view, the film does contain certain misalignments and moments where some details do not fully add up. However, this approach ultimately makes sense within the context of the narrative. Much of what is shown feels like fragmented childhood memories recalled from Mumu’s perspective at a young age, where emotions and significant moments are remembered more clearly than exact details or logical consistency. This storytelling choice adds a layer of realism to the film, making it feel less like a perfectly structured retelling and more like an emotional recollection of painful events from a child’s memory.

Ultimately, Mumu is a beautifully emotional story about love, sacrifice, and communication beyond spoken words. The film emphasizes that deep parental love and emotional understanding do not require sound to be profoundly felt. It also serves as a reminder for those who can hear to appreciate something so easily taken for granted.

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