Reviews

First of all, I know I'll say things that most people aren't going to agree with, and that's fine! Everyone has their own opinions.

The first thing that's impressive about the series is that it's well made. And made with deep care. There are some beautiful scenes, and it's one of the most delicate series in terms of working with more than just words. A lot of BL series focus heavily on dialogue, making sure every point is made super clear… because, let's be honest, the average BL spectator isn't educated in audiovisual, which is fine, but they don't appreciate it as much when things aren't spelled out for them, when it's not screamed and handed to you. When it's not about NCs and boys making out.

TTH isn't like that… for me, it's about what's not said, it's about feelings, and there are some scenes with amazing photography and framing.

I think the visual language is the highlight of the series. Actually, thinking about it more, it doesn't have that much dialogue? Which is something I liked and, at the same time, didn't like. There are parts I would have liked differently, but overall, it's not something I can just call good or bad… it depends. I think it's definitely interesting, though, and very well constructed.

The directing is on point, that's not the problem for me here. The problem for me is more in the screenwriting. I didn't like the way things were organized… not exactly the development, because my problem with the development in the series isn't the narrative itself, it's more about the development of the characters. Well, not the development itself, LOL, but the lack of development.

I hate that we get to the last episode and Tanrak is still the same boy with the same questions… like, 30 years after meeting Barth and being together, he's still stuck suffering in his guilt? And Barth too?

I also don't like how the episodes were structured. In the last episode, a bunch of things happen. And from episode one to five, we have development in a proper structure, then we get to this last episode and it's just a bunch of scenes, time skips, and things happening, with a lot being left unsaid. I understand it's a stylistic choice, but… idk, it doesn't make sense to me. I didn't like it.

But the acting… Fourth, why are you the best of your generation? Gemini is also good and does wonderful work, but Fourth is extraordinary. It's insane. This boy is SO talented and he gets so immersed in his characters, he's so so so talented.

Overall, it's a good series, but I think toward the end they got a little lost in it.

An additional observation, and this one is very, very personal: I understand that this was a very personal work for Aof (the director), since he is Catholic and gay and still attends church. Of course, that's understandable… the whole point of view he's coming from. It's a specific and personal view. I just can't say I liked it, because I understand his point of having faith and hope, and it's beautiful and bright, I understand that he wants to lean more toward the cheerful, brighter side of things. It's just… utopic.

As a queer person who grew up in a Catholic church, in a Catholic family, it feels almost utopic to me… completely unrealistic in some parts. Some of it leans more toward propaganda, and I have strong, bad feelings about that. It was a beautiful, well-made series despite the issues I've already mentioned, it isn't a bad work as a whole piece, but this "detail" bothers me a lot. I can't ignore it.

But this is a very personal critique, because I also understand that it's a personal work he's doing based on his views and his beliefs, and he made that clear the whole time. I can just say I don't like this detail (it isn't a minor detail, but I do understand that it's a very personal point of view).

So… yeah.

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Eu achei o casal, interpretado pelo Wen Zhi Cheng e a Dong Yuan Ning, fofos, ainda mais com a premissa de casamento pós-gravidez e adoro quando o ML sente os desconfortos da FL durante a gravidez, porém... A história é repleta de bullying contra a FL, o ML sempre tendo que a proteger e salvar, apesar dela ser honesta e rebater em alguns momentos, então o foco não é muito neles e na gravidez em si...
Gostei da evolução do ator Wen Zhi, acho que tem potencial.
Há outras adaptações agora onde o ML também consegue se conectar com a gravidez da FL que eu prefiro mais, mas ainda não estão listadas no MDL.

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Full of Betrayals

I waited until this drama finished airing before starting it, and I'd say it was definitely worth the wait. It was fun, entertaining, and kept me engaged from beginning to end.

I'm the type of viewer who relies heavily on the first episode. If Episode 1 doesn't hook me, it's usually hard for me to continue the rest of the series. Thankfully, this drama gave me exactly what I was looking for right from the start.

First of all, I have to commend the Yulivia team and Director Lee for their excellent teamwork. I really enjoyed their dynamics, and they worked so well together that it became one of my favorite aspects of the show.

I also felt sorry for the twins. I honestly thought the drama wouldn't give Jae Gyeong a redemption arc, but after watching the finale, I think she genuinely regretted everything she had done. As for Jae Seong, I found it difficult to trust him for most of the series, but I'm glad he eventually made the right choices for himself.

This drama was filled with betrayals, bribery, and constant twists, I don't think I've watched another series with this many people double-crossing each other.

The only thing that didn't really work for me was Na Eun Se as the main villain. She didn't leave much of an impact, and honestly, the final five minutes of the finale surprised me more than the reveal of who killed the chairman. That twist felt more memorable than the actual murder mystery, but that's just my opinion.

I also couldn't help but laugh at the way Kang Bang Geul liked Hwang Jun Hyeon. Despite knowing HJH is the chairman and is KBG's father, their chemistry was surprisingly hard to ignore. I had to keep reminding myself that they weren't meant to be a couple because some of their scenes unintentionally made me think otherwise.

Overall, I really enjoyed this drama. It had plenty of funny moments that balanced out the suspense, although I have to admit that all the business terms and corporate politics were sometimes difficult to follow. Still, they didn't stop me from enjoying the story.

In the end, this was a very entertaining watch with a strong opening, a lovable team, and enough twists to keep me guessing until the end. It may not be perfect, but it's one of those dramas that's easy to binge once you get into it. If you enjoy mystery, crime, and corporate power struggles mixed with humor, I'd definitely recommend giving this one a try.

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Sensitive and fun. A whole mix of emotions!

It's a very interesting story, and differently from most GMMTV series, it's about an already established couple and also, a couple of adults.

This series is not exactly about their development as a couple (though they do have some development), but more as individuals. How they can grow together, heal their traumas (and ofc, this does affect the growth of their relationship).

It's very well made OMG THE COSTUMES 🤏🏻 it's sooo cute, their clothes were like adorable. Every set was so cutely decorated.

And everyone delivered SUCH good acting. Seriously, ofc it has to be Santa doing Sun/Solar bcs who else has this boyish-ness like him? I wouldn't buy it if it were anyone else. This character was MADE for him. Perth is such a good actor too.

It's a beautiful storyline, but it does have some… holes? In the narrative. Some things are left without proper development. It's still enjoyable but I can't ignore it.

But definitely very well made and the struggles with mental health were addressed properly and with care. I do wish that they would have had more of the psychiatrist and therapists, though.

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Speed & Love meets neo-Noir in the 90s

First 4 episodes have been like a fever dream. Finally, Song Wei Long gets a good chance to show his acting prowess and Zhang Jing Yi fits right into this angsty fast moving plot. Solid acting . Dark 90s hood atmosphere appreciated. If the intensity keeps up, this could be an unforgettable romance.
Also, this drama is completely SAL coded, 90s raw version, some scenes are ditto



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Novel - Reading the novel was not a good experience, their relationship is shown to be dysfunctional, toxic and violent, not just dark and sad. Agression, codependent survival and PTSD like behavior is a big motif throughout. These kids developed unhealthy coping mechanisms continuing cycles of rejection and resentment to detached surviving and disconnection, they never witnessed loving relationships, and lacked adult guidance. The male protagonist is filled with hate resentment while the female lead is in Survival mode, developing a Stockholm like complex being the younger more vulnerable one. Their situation is horrifying. Moreover, author has a strong desire to focus on their sibling type of relationship, instead of moving away from it. I am glad the drama has steered away from these core problems in the novel, and chosen not to fetishize their situation like the author did.

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such a fun and unique dating show!!

firstly i really like the set up of the dating show. Normally all other dating shows are the same 1 island with 8 people on it that 'fall in love' and while that is fun it gets boring. I like the new fun concepts like blind date in bed. While the isolated cabin videos can be compared to normal dating shows I do still think they are different and engaging enough for you to watch without getting bored. Not to mention the supppeerrr funny hosts, i can't get enough of their jokes they are actually so real and make the best jokes. I'm so excited to see the next eps (i'm writing this while wiating for the new ep) >.<

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THIS WAS SO GOOD! MAJESTIC SERIES!

I love this series it was very good and GeminiFourth always so good. The story, plot, characters, ost especially sooo good, etc. 💯/10

I predicted that Kongdech would be the one to became priest of not Tanrak 😭😔 it turned out to ne true 😢💔

I could have liked a sad ending where Tanrak chose to be a priest and forgets about Barth but they always like good ending that bitter sad ending ones...

Special mention I really loved the ost so catchy specially the intro or opening song sooo goood the choir versio chills and the duo of Tanrak and Barth singing omgosh heaven sent like HEAVENLY 😇

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This was beautiful

I didn't plan to write a review for this serie bcz i felt i wouldn't find best words the express my thoughts and feelings, so this might be messy
I loved the show, every minute of it, the storytelling, cinematography, symbolism, the songs,, dialogues acting, everything was perfect, this is gemini fourth best acting performance, bcz i felt its tanrak and barth bought to live,

We watched the journey of both, the struggle between, love, life, and religion

Barth who was angry at god bcz of what he went through from his family, he couldn't let that anger go till he met his mom, one of best scene in serie btw, asking her of she loved him as she love god and she said the words he needed the most

Tanrak, who imo never wanted to be a priest even before barth coming into picture, to me he was seeking love, the family he lost, he found that in god, father and his friend, he lived his life on one goal and its to die and go to paradise, he didn't have any other dream or purpose in life, barth was the love he tried to fight, his battle against himself, his guilt and fear, we lived that with him throughout the serie, the scene when father hugged him after years to let go was heartbreaking, bcz it took him years and he never forgave himself but he never regretted his decision.

I want to praise acting once again, and everything about this show

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Started well, took some weird turns then became very mediocre

My Rating: 7.5/10

Review

I went into I Wanna Hear Your Song excited for the unique orchestra setting and the underdog story of a timpanist fighting for her place in a professional ensemble. The early episodes hooked me hard with that premise — the passion, the training bits, the classical music woven throughout, and the intriguing mystery layered on top. Kim Se-jeong brings a lot of heart to the role, and the OST and orchestral performances are definite highlights.

However, the show quickly shifts priorities. What starts as a compelling musical journey with thriller elements becomes a mystery-heavy drama where the orchestra setting fades into more of a backdrop. The romance and investigation take center stage, but they come with some frustrating character choices and pacing issues that many viewers seem to notice. I’ve watched over 450 dramas, so I can roll with tropes — but it doesn’t quite deliver on the emotional payoff I was hoping for from the musical arc. Solid performances and an interesting concept, but execution is uneven.

I would not recommend this one with so many better options. I got bored with it. There were a lot of things that were just annoying and frustrating in terms of things characters did. So, I would not watch it again.

Spoilers

The biggest letdown for me was how the underdog musician story got sidelined. We open with her determination to become a permanent part of the orchestra, some fun and quirky training moments, and real stakes around her belonging there. Then it almost immediately pivots hard into the murder mystery, and we barely see her musical growth or integration afterward. She ends up mostly on the sidelines, which means the later orchestra performances lack the satisfying emotional punch they could have had. I wanted her journey to stay central; instead, it feels like the writers used the orchestra world mainly as atmosphere. 

On the mystery side, it’s a decent whodunnit, but it has some logic gaps that became annoying. The stabbing incident felt obviously chaotic/self-defense/accidental from early on, so the prolonged guilt and suspicion around it dragged. The female lead’s excessive guilt complex (even over the death of a clearly nefarious character she only indirectly influenced) gets repetitive and frustrating. She also has important flashbacks revealing key details (including what looked like a kidnapping situation), but she only shares tiny fragments with others and doesn’t seem to piece things together proactively on her own. It makes her feel less smart and capable than the story needs her to be in a thriller.

Both leads also repeatedly throw personal safety out the window. Confronting suspects head-on, handing over weapons while accusing people of murder, and continuing risky behavior after already getting hurt — it’s classic “plot needs tension” decision-making that took me out of the story multiple times. We find out how the stabbing happened and that the conductor handed her the knife after attempting to rescue them. But, seriously, who runs down a slippery road in the rain with a knife pointed in front of you? Didn't we learn as children not to run with knives. I mean, I get it, she has some unknown person after her but pull the knife out when you can actually use it. Better yet give it to the guy who seems to be doing a lot better job of staying calm in chaos.

The male lead’s investigation style especially felt like throwing accusations at the wall hoping something sticks, which made the sleuthing less compelling. He was quite the thug. He just got of jail on suspicion of murder and is already holding conductor guy over a stairwell to get information.

Are they all stupid? They know CCTV is basically everywhere but they have confrontations even beat people up on camera and then try to lie to the police that they don't even know them. Like come on. I don't live in a country with cameras everywhere but I know better than to lie about things like that. They even offer to cover things up and lie for others to get what they want. So you are covering a crime and directly lying. That ought to end well for you.

The romance was another tricky element. It’s hard to fully buy his growing feelings while he still (at least partially) believed she viciously stabbed his brother. Even with the explanations given, the trust flip and emotional connection didn’t land as strongly as it needed to for me. She fell for him a bit too quickly after her ex cheated on her. It felt like she moved on from that lightening speed. And she liked this guy that was mostly stand offish and aloof with her. Did not seem to bother her a whole lot he, after knowing her a bit more, still thought she might just stab someone.

Overall, I get what the show was going for — trauma, guilt, hidden truths, and romance amid chaos — and it has some strong individual scenes thanks to the cast and music. But the imbalance between the promised musical underdog arc and the mystery, combined with character frustrations, kept it from being a standout. Many other viewers have noted the same issues with the sidelined orchestra elements, the reckless confrontations, the guilt trope, and the uneven mystery pacing.

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All the benefits with none of the downsides!

This was a colorful, snappy, office rom-com with enough steam to fog up your chic, librarian glasses!

I knew the leads had chemistry, but even I could not have predicted just how palpable the tension would be, nor how sultry the FLs could get. The looks they gave each other were downright devious and screamed: "Come hither, lover."

Lal and Wine were also intriguing on their own, both being capable, powerhouse career women, bearing the weight of their respective teams on their shoulders while struggling to value themselves.

While Wine was both intimidating and demanding, at the end of the day, she was just trying to do her job as best she could, and even got a little self-conscious about her reputation in the office. She wanted to express herself more and open up, but was afraid of changing/making herself a target again.

And Lal, while confident and quick-thinking, too easily put her health and happiness last on her list of priorities.

It was great to see them both grow and learn from/lean on each other.

And beyond that, the office politics and projects weren't just there for show. They contributed to and even pushed the plot forward.

I would also be remiss not to mention how they dared to go further, utilizing their office setting to highlight the real, underdiscussed struggles of women in the working world. How women have to perfectly conform to their boxes, dress just nice enough but not too nice, wear enough makeup to not look "tired" but not too much, and act polite enough but not too friendly, for the chance of maybe making it and maybe, just maybe, avoiding unwanted attention from their male colleagues. It's a delicate balancing act that shouldn't have to be attempted. And, related to this topic, it was so refreshing to see so many women supporting other women and making choices that were best for themselves rather than "going along to get along."

Really, a very relevant and thoughtful drama.

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