Reviews

A Pleasant Enough but Non-Esseental Anthology Love Letter to Shenzhen

With all anthology shows -- this collection of short stories go up and down in quality. The bad ones are still okay, but the good ones are keepers. The connecting theme is the people and wonders that make Shenzhen 'a city of miracles'!

So really this series is a pep-rally for the Chinese, repeating the Chinese trope of work hard, work together: we succeed!!

Hmm. A bit simplistic. Not everyone gets to succeed. Life is full of people trying and failing. Life is musical chairs, where not everyone gets a chair. This propaganda tone places rose-tinted glasses over the human condition.

That said, I didn't choose this series as my 'next great C-Drama'. After having just watched the amazing BLOSSOMS SHANGHAI, one of the best C-Dramas I have or will ever see -- I wanted something light and fluffy. To lower the bar kinda very low, so that my next serious C-Drama would be better than THE MIRACLES. My goal was achieved.

Understand a lot of writers and actors and directors -- and crews -- put a TON of work into these short films. It kinda breaks you heart to know that some of them should have been chosen to become solid 90 minutes. After 35 C-Dramas under my best, I recognized a lot of quality actors throughout. So it's not an utter waste of time.

I can only recommend this show as a pleasant diversion. If that's the mood you're in, give it a try.

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I just watched 3rd episode where they confess, the thing is that i was soo against it and in favour at the same time. Thinking tanrak, would be in trouble after confessing the love that he has for this boy, his world would collapse, it will be even worse , he already had a tough life, now it will be worse. and watching him suffer so much , just because he likes someone and watching that person talk to else, made me even more in favour of the confession thing. I wasliterally in tears while watching last 10 min, while the first half, i really loved watching tanrak simile and be himself, as seen in previous episodes, when he is near barth, he has this constant fear of been seen with him, but in this episode, he wasn't. He was being himself. ........ All because he loved a boy!!!!!

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Fast-Paced Plot and for the Ending! ࣪ ִֶָ☾.

⊹ ࣪ ˖ This drama is a spin‑off from the classic Justice Bao and The Seven Heroes and Five Gallants. I really appreciate for the screenwriters and directors that the story stayed true to the characters instead of modernizing them for today’s audience. The two male leads are portrayed exactly as they should be...

Zhan Zhao works as a government official — Fourth rank Imperial Guard (Imperial Cat), his duty is to bring villains to justice through the law, not by killing them (refrains from killing unless it's absolutely necessary). Zhan Zhao was one of the Seven Heroes, a formidable martial artist, well known in Jianghu 江湖 as "Southern Knight (南侠)", he's a very loyal aid to Bao Zheng [Judge Bao] the Prefect of Kaifeng Prefecture in the Song Dynasty era.

Honestly, my favorite thing about this drama is how grounded it feels. Most wuxia shows go crazy with supernatural stuff—unique techniques, magic herbal, miracle doctors, enemies dies easily, and heroes who never die (thanks to inner energy or plot armor). This one has a little of that too, but it actually holds back. Human limits get in the way. If the characters want to do something great, they have to really struggle and push themselves. No guarantee the good guys will win. We never know how it's going to end, we just can't predict what happens next.

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This drama started with story of Zhan Zhao already injured and poisoned while trying to save his friend Liu Hong Yi (police of Xiang Zhou), who held the key to the investigation into Prince Xiangyang’s rebellion. At a low point in his career, which immediately makes you care about him. And underneath with all that patience and maturity, there's a quiet willingness to suffer for what he believes in. Met Huo Ling Long by chance and was saved by her while searching for a cure for his poison. Later, on their journey, the two of them met and was saved by Bai Yu Tang during a critical time.

💭 | Zhan Zhao [Yang Yang] — a man who appears calm, yet whose mind is filled with political strategies, brave and clever. He is also willing to take risks and calmly sacrifice his life for the sake of justice.
He's not a typical "perfect-guy" you see in most other wuxia dramas. His character actually feels true to real life—he gets tired, loses people he loves, gets hurts, feels the urge for revenge, and all those other normal human emotions. But despite all that, he keeps fighting. Whether it's a small or big decision one, he always shows his wisdom, maturity, strength, and kindness. And his personality is basically the complete opposite of Bai Yu Tang's, hahaha. That's exactly why they work so well together.

💭 | Bai Yu Tang [Fang Yi Lun/Alen Fang] — a naughty, reckless, impulsive, a bit childish but a very loyal for friends and hilariously dramatic boy. He's likely a Jiang Hu warrior who enforces justices without being bound by any rules. He's the kind of guy who cares a lot about his pride and self-respect. He has a habit of bottling up her feelings instead of sharing them, even around his closest friends. With that habit, pretty sure he won't just come out and say what's bothering him directly, but he'll drop these subtle digs until you figure out what he's trying to say. Gratefully, Zhan Zhao handles it with his calm and patience, which is pretty matchs with Bai Yu Tang, considering Bai Yu Tang's own personality.

Their relationship is way more than just "opposites bicker." Honestly, the bonding between them is way more interesting than the actual romance subplots in the drama. Bai Yu Tang constantly challenges Zhan Zhao's moral compass, while Zhan Zhao sees Bai Yu Tang as unpredictable and kind of dangerous. It's like a classic "Lawful Good vs. Chaotic Good" setup, but played with a lot of humor and emotional weight. The action itself tells you who they are, for exm. Zhan Zhao's moves are clean and controlled, but Bai Yu Tang's are wild and wide. Their fight scenes are choreographed to reflect their personalities

💭 | Huo Ling Long [Zhang Ruo Nan] — is a honest, young-innocent and naive girl with no experiences on Jiang Hu World. She is cute, open and sometimes soft-hearted but she blindly believes whatever tricks Zhan Zhao plays on her. If Ling Long hadn't met Zhan Zhao at the beginning, with such an innocent nature like her, there would have been get taken advantage of evil people like Prince XiangYang. Her character development is quite good, considering this is her first time entering the Jiang Hu's worlds.

Huo Linglong's personality just clicks with both Zhan Zhao and Bai Yu Tang. She gets Zhan Zhao's choices, but sometime she's also got a rebellious streak that goes great with Bai Yu Tang's impulsive side. She's tough, perceptive, and always curious. Honestly, it's a great choice that they didn't give her a love interest—let her be her own person and find her own way. She finally can see the world like she always wanted and form real connections with people.

💭 | Ming Zhu Er [Xu Wai Luo] and Zhao Zhi Er — this duo troublemaker, chaotic and moodbooster in the team, without them, i think Bai Yu Tang wouldn’t have anyone to take his mischief out on, hahahahaha. Sadly, i hate when they make Ming Zhu Er died, like why?! i really feel sorry for Zhao Zhi Er because he has to lost his best friend 〒.〒

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Strengths :
🌙 | drama with surprising plot and fast pacing plot
🌙 | the actor and actress have a great swords fight
🌙 | having a lots of funny moments especially when Bai Yu Tang [Fang Yi Lun] joins the convos
🌙 | there were many insightful discussions and I think the discussions/insights were quite relevant to real life.
🌙 | this drama is focuses on "upholding justice throughout the kingdom" and not romances. if you liked action with lack of romance, this drama maybe will fit for you ><
🌙 | every episodes full of fighting scenes, they filled with endless martial techniques and mystical elements.
🌙 | some of character have double name, if the name change, the editor will change the real name into alias name too.
🌙 | some villain stories can make me feel pity and sad 〒.〒

Weakness:
🍂 | so many characters and sect which must be memorized because they're related to each other 〒.〒
🍂 | villains in the drama can't be killed because is bound by the law
🍂 | a lot of scenes got cut near the end of the drama. I mean, the plot still makes sense, but it feels pretty choppy and not as smooth as it should be
🍂 | the ending was too rushed, and there were still a lot of important details that needed more explanations. If the Chinese government didn't post that 40-eps-limit rule, I believe the drama could have continued longer and finished up those storylines more clearly.

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I must give my highest praise to Yang Yang and friends for the fire of them dedication. Yang Yang poured himself into hard training, and it shows in every frame. I imagine the bruises, the accidents, the quiet injuries. I even see some reuters video when Yang Yang was get hurt during rehearsals before the cameras ever rolled. Yet on screen, every posture, every shift of his blade is carved with breathtaking precision. A man's body is often stiff, a stranger to grace. But here, Yang Yang bends like a river, moves so flexible, so fluid. His forms are beautiful, nearly flawless yet strong as steel. It is a joy to watch, an absolute feast for the eyes.

This version of Zhan Zhao feels way more real than the usual flawless hero legend. He's not noble just because he works for the government—honestly, that job makes things harder for him. His whole thing is catching villains through the law, not by killing them, which puts him against almost everyone in the martial arts world. So yeah, he's kind of a lonely hero. You can feel that silent strength in every move of him.

This drama doesn't set Jiang Hu justice (when justice is get by your abillity to kill your enemy), but in this drama get justice through the law
Though characters like Huo Ling Long show devotion to Zhan Zhao. But, from the original story, Zhan Zhao's wife is Ding Yue Hua [Zhang Yu Xi].

notes:
🫧 | I really hopes they make the season 2 for this drama with the same main actors and actress
🫧 | this drama is highly RECOMMENDED series to be watched and to be rewatched if you're into wuxia and adventures drama
🫧 | the bromance between Zhan Zhao and Bai Yu Tang, their friendship-rivalry thing carries the emotional core. Sometimes I even read certain dialogues as having subtle romantic undertones, but plenty of others just love the platonic chemistry. Either way, it's what keeps people watching them.
🫧 | lesson learned: TRUST NO ONE! This drama had me constantly guessing who'd betray the heroes next, because the closest people are often the most dangerous.

──── ⋆⋅☆⋅⋆ ────
ᝰ.ᐟ June 11, 2026 ── .✦

Recommendations:
Colossal：
ִ ࣪𖤐 2024 — Mysterious Lotus Casebook
ִ ࣪𖤐 2024 — Guardians of the DaFeng
ִ ࣪𖤐 2025 — The Demon Hunter's and Romance
ִ ࣪𖤐 TBA — Immortalis
ִ ࣪𖤐 TBA — Liao Zai
Universe：
ִ ࣪𖤐 2023 — I Am Nobody Series (3 seasons)
ִ ࣪𖤐 2024 — The Mystic Nine Series

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Truly a splendid match

I want to preface that this type of romance is EXACTLY my favorite so I am incredibly biased and forgive the rushed ending. I just love a mature, secure ML who's head over heels in love with a cunning, scheming FL.

Intense family drama and court politics, Jinzhao and Chen Yanyun are two sides on the same coin, manipulative and always thinking two steps ahead. It's satisfying to see them outwit their enemies and flirt with their crazy schemes. Their chemistry is insane and the slowburn absolutely slow burned. When the ML realized his feelings, he did NOT hesitate. He immediately got to work and chased after her. I just love the type of ML who are not nonchalant and cold, like the second ML Ye Xian. He is THE green flag, always orbiting and involving himself in her plots.

My only complaints are the ending and screen time. I wished this drama had 20 more episodes to really flesh out the rebellion/military conspiracy. It felt like so many scenes were missing, I wanted more. The special episode made up the rushed ending for me. It was heartwarming to see the little moments that made Yanyun fall deeper and deeper in love with Jinzhao.

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A new type of drama for me

This is my first drama of this type and I found it to be full of misunderstandings, a roller coaster of getting together and breaking up, lots of red-flag scenes, intensive emotional and physically passionate moments, and contained many of the same tropes found in dramas between the opposite sex.

The story was fairly melodramatic, spanned ten or more years and contained stressful family dynamics and negative social stereotypes around homosexuality. There were lots of sweet touching moments and an intense emotional connection between the two leads and my required happy ending. Honestly, this type of drama is not one I would normally watch, but I am glad I gave it a chance. Recommended and re-watchable.

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A good watch for those not easily triggered

This wasn't easy to watch. It made me angry a LOT. But I kept tuning in because I wanted to know what happened to Lu Feng!

The story was tortured in a lot of places. There were some acting fails. But I loved the chemistry between the mains when it was humming. Honestly, I disliked pretty much every character other than Lu Feng, including Yi Chen (Xiao Chen?). And the show's treatment of mental illness was shit. It was such a missed opportunity to really shine. Ugh.

Overall I enjoyed myself. It kept me wanting to know what was next. Not perfect but still a solid watch.

And I am unapologetically team LF! Look, I watched the whole thing. I know all the facts. And I stand by my decision.

First, his story was compelling to me. He's struggling but he never strays from his objective. He's absolutely devoted and completely obsessed. Second, he grows over the course of the series. He makes mistakes (that's an understatement, folks) and learns from them. Third, his suffering at the hands of every other character shredded me. Despite his despicable behavior I felt for him.

Also, my shallow side will never get over how beautiful the actor who portrayed LF (Ayden Sng) is. He's approaching He Yan Zhao (Sammy's Children's Day) gorgeous. He's Takeuchi Ryoma, Bible Wichapas, Apo Nattawin level gorgeous. He's Denzel Washington gorgeous. As my list suggests, his type is not my normal bias; I like 'em melinated, chile. But here we are.

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I'm sorry Taecyeon but it's not 10 out of 10

The show promises to be deep and profound, but it's actually shallow and feels unfinished. It hints at many topics without actually developing a plot.
The following are the critical points:

- It could have been fewer episodes;

- It was wrongly advertised as a love story or bromance, but the relationship was shallow and not developed;

- They tried to portray different tropes, leaving them all unfinished;

- Arata's storyline was left unfinished, in spite of being best friends, Ryu easily turns the page, just like quitting hockey, being a nurse or when Yohan left;

- It's supposed to be about Yohan and Ryu, but by the end it's all about Sumiko and Kanau;

- No character development. Ryu never shows any emotion or passion, apathetic;

- They wanted to portray a queer family outside labels, but then Ryu marries Sumiko "just for the sake of the child";

- The ending felt rushed in telling Yohan story and wrapping up their relationship from Yohan point of view. The timing of their relationship is off, after living together for years, it's unrealistic to only confess after years of not seeing each other and never before.

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If you’re New to this Genre it’s worth a shot ?

Although this series is considered a classic today, I didn’t truly appreciate it until I gave it a proper chance. After watching it multiple times, I can confidently say that it remains one of the most memorable BL dramas I’ve seen.

What stands out the most is the chemistry between the leads. Even years after its release, their interactions still feel natural and believable. Considering that the Thai BL industry was still developing at the time, the performances feel surprisingly genuine, which is one of the reasons the series has aged so well.

I also found myself drawn to the side characters, particularly Prem and Wad. Their dynamic added an interesting layer to the story, and I honestly wish the series had spent more time exploring their relationship. While the main romance is enjoyable, this pairing brought a different kind of tension and development that I found equally engaging.

Another major strength of the series is its soundtrack. The music perfectly complements the story and remains one of the most memorable aspects of the show. Even now, I still listen to several of the songs regularly.

While there were a few characters I would have liked to see developed further, I don’t have any significant complaints overall. The pacing feels balanced, the story is easy to follow, and the emotional moments are handled well without feeling overly dramatic.

This may not be a series that appeals to everyone, especially newer viewers who are used to more modern productions. However, I believe it remains an important and worthwhile watch. For anyone looking to explore Thai BL dramas, this is an excellent introduction to the genre and a reminder of why it became such a beloved classic among longtime fans.

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Do You Believe in Fairy Tales?

What begins as a seemingly innocent summer adventure takes a dark turn when three children in a quiet coastal town accidentally capture a murder on camera. Drawn into the orbit of the prime suspect, they soon find themselves tangled in a web of secrets, lies, and moral gray areas. Like a stone cast into still water, a single act sends ripples through multiple families, exposing hidden fractures and setting off a chain of consequences no one can control. The Bad Kids is a gripping slow-burn thriller where appearances deceive, innocence blurs, and every choice carries a price. This is not a story about what happened. It is a story about what people choose to believe happened, in order to survive it.

What elevates The Bad Kids beyond the framework of a conventional crime drama is its refusal to concern itself with the mystery of who committed the crime. The answer arrives almost immediately. Instead, the series turns its gaze toward something far more unsettling: the gradual erosion of morality and the quiet ways in which darkness takes root. It is less interested in murder as an act than in the emotional and psychological conditions that make it possible. Beneath its suspenseful exterior lies a haunting meditation on loneliness, neglect, desire, and the fragile boundaries between victim and perpetrator.

At the heart of this story is Zhu Chao Yang, one of the most fascinating young protagonists television has produced. Initially presented as a bright but isolated child struggling to navigate a fractured family life, he slowly emerges as something far more complex. The further the story progresses, the more it invites uncomfortable questions. How much of what we see is truth? How much is performance? At what point does survival begin to resemble manipulation? The show never provides easy answers, and it is all the more haunting for it. Every scene feels like a subtle negotiation between truth and performance, innocence and calculation. By the end, the question is no longer whether Chao Yang is a victim of circumstance, but how much those circumstances have reshaped him.

Then there is Zhang Dong Sheng, one of the most compelling antagonists I've seen. What makes him memorable is not simply his capacity for violence, but the painful humanity that exists beneath it. He is not introduced as a monster lurking in the shadows. He is a man desperate to hold onto love, dignity, and a place in a world that seems determined to reject him. The series never asks us to forgive his actions, but it repeatedly forces us to understand them. That distinction is what makes him so frightening. Monsters are easy to condemn. People are not. His relationship with Zhu Chao Yang forms the beating heart of the series. Though positioned on opposite sides of the story, the two function as distorted reflections of one another. Both are intelligent, emotionally isolated, desperate for acceptance, and capable of concealing their true selves behind carefully constructed facades. What begins as a battle between innocence and corruption gradually transforms into something far more tragic: a portrait of two souls recognizing themselves in each other.

The title itself becomes one of the drama's most unsettling questions. Who exactly are the bad kids? The children who make terrible decisions? The adults who fail them? The parents whose love comes with conditions attached? The series offers no simple answer. Instead, it dismantles the comforting illusion that goodness and wickedness belong to separate categories. Everyone carries the capacity for both. The difference lies only in circumstance, opportunity, and choice. This idea echoes throughout the entire narrative. Nearly every tragedy in the story can be traced back to a longing to be loved. Parents choose favorites. Children compete for attention. Spouses seek validation. Affection becomes transactional, offered and withheld according to expectations. In a world where love feels conditional, morality itself begins to erode. The series suggests that people rarely become dangerous because they are inherently cruel. More often, they become dangerous because they are desperate.

Visually, The Bad Kids wraps this darkness in sunlight. Coastal landscapes, humid afternoons, crowded apartment blocks, and endless summer skies create an atmosphere filled with nostalgia. Yet beneath the warmth lingers a persistent sense of dread, as though something is quietly decaying beneath the surface. The result is a world that feels both beautiful and deeply unsettling. Childhood, often romanticized as a time of innocence, becomes a stage upon which innocence slowly disappears. The recurring melody of Little White Boat also serves as the perfect embodiment of this contradiction. What begins as a simple melody gradually evolves into something eerie and unforgettable, drifting through the narrative like a ghost. Each appearance feels less like a lullaby and more like a reminder of what has already been lost. Few dramas have used music so effectively to bridge the distance between innocence and tragedy.

The Bad Kids often feels like a fairy tale that has lost its way. Not the sanitized stories we inherit as children, but the older kind, where forests conceal dangers, innocence offers no protection, and every choice carries a consequence. As the narrative unfolds, the line between reality and storytelling becomes increasingly blurred. The series repeatedly gestures toward the comfort of neat conclusions, inviting both its characters and its audience to believe in endings where justice is restored and wounds are healed. Yet beneath that comforting surface runs a darker current, one that quietly questions whether such endings ever truly existed. By the finale, the drama leaves us standing between two versions of the same story: the fairy tale we wish to believe and the reality we fear may be true. The tension between those possibilities becomes one of the show's most enduring and haunting achievements.

What has fueled discussion around The Bad Kids long after its finale is its deliberate ambiguity. The series leaves behind clues, contradictions, and shadows that encourage multiple interpretations. There is a version of the story that feels reassuring, where justice prevails and innocence survives. There is another version that is considerably darker, one that lingers in the corners of certain scenes and between carefully chosen lines of dialogue. The drama never tells us which version to believe. Instead, it asks a far more interesting question: why do we want to believe one over the other?

Long after the murders, twists, and revelations fade from memory, that question remains. The Bad Kids is not ultimately a story about crime. It is a story about perception. About the stories people tell themselves in order to live with guilt, grief, and regret. About the frightening possibility that evil does not arrive all at once, but grows quietly in places where love, trust, and innocence have been allowed to wither. Like the best prestige dramas, it understands that the greatest horror is not discovering who the monster is. It is realizing how easily one can be made.

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FOR LU FENG AND AYDEN'S SAKE!

* I GAVE THIS DRAMA ONE OF MY HIGHEST RATINGS JUST FOR THE CHARACTER LU FENG'S AND THE ACTOR AYDEN'S sake!!! *
THIS DRAMA HAS RAISED MY BP ENOUGH! NO NEED FOR MORE!!!


YESSS ONLY FOR THESE 2 PPL!don't get me wrong all the actors did their job soo well that I HATED EACH AND EVERY CHARACTER ESP THAT FAMILY OF 4!!! I HATED YC AND HOS BROTHER OMG THAT GUY WAS THE NASTIEST CREATURE EVER!!! HATED HIM AND DESPISE HIM TO MY BONES ANS CORE!!! UGHH THINKING AB THAT FAMILY MAKES MY BLOOD BOIL! SAME GOES FOR LF'S DAD BUT RHAT MAN SAID BYE AFTER A FEW EPS OF DRAMA! BUT THAT BROTHER SAID WELL AND HAPPY FOR LIFE... HYPOCRITE A$$ H0L3 .... MY HATE FOR THEM WILL NEVER GO DOWN IDC IDC IDC.... ANYWAYS THE ONLY CHARACTER I CARED FOR IS LU FENG AND SHALL STAY LIKE THIS FOREVER!! IDC ABOUT WHAT OTHERS THINK! BUT LU FENG WAS AND IS MY GUY! MAYBE MAYBE AT FIRST I WASN'T SO ATTACHED TO THIS CHARACTER SOO MUCH BUT AS THE DRAMA PROGRESSED HE BECAME THE CORE CHARACTER FOR ME!!! 😌😌😌 AND THIS DRAMA WILL HAVE A REWATCH ABILITY FROM ME JUST FOR HIS SAKE!! 😭😭😭😭😭and AYDEN MY MAN ATE THIS ROLE!!!THIS WAS PURE ART TO SEE HIM ACT!HOPEFULLY HE GETS THE AWARDS AND THE RECOGNITION HE DESERVES! NOTE- YES!! I LIKE TO WRITE IN ALL CAPS WHEN I NEED TO CONVEY SOMETHING! SO DO NOT NEED TO COMMENT AND TELL ME ABOUT THAT! 🙄🙄🙄

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Best best best

I've only watched three episodes thus far, but I strongly believe this might just be the best BL release of 2026. I'm completely hooked.To me, Ticket to Heaven feels like the return of GeminiFourth since Love in the Moonlight. I say this because the emotional scenes reminded me so much of that series. It was the first BL I ever watched them in, and they left a lasting impression on me. Since then, I've always associated them with stories that know how to balance tenderness with emotional depth.
Once again, Gemini and Fourth prove why they are such a beloved pairing. Their chemistry is effortless and natural, making every interaction feel genuine and heartfelt. Their visuals are stunning, but what truly stands out is the way they deliver the script. Every line feels intentional, and whether the scene is playful, romantic, or heartbreaking, they capture your attention completely.
The emotional moments have been the highlight for me. You can feel the characters' pain, vulnerability, confusion, and affection through their performances. Nothing feels exaggerated or forced. Instead, it feels authentic, which makes it easy to become emotionally invested in their journey.
Three episodes in, and I'm already counting down the days until the next one. That's how captivating this series has been. If it continues at this pace and maintains the quality of its storytelling and performances, Ticket to Heaven could easily go down as one of the standout BL dramas of 2026.
For now, I'm all in. I'm hooked, emotionally invested, and excited to see where this story takes us. If the remaining episodes are anything like the first three, Ticket to Heaven may very well become one of my favourite BL series of all time.

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Okay… it suckered me right in

I am shocked to be sitting on the other side of a J-Drama and writing a positive review, but here we are.

This is a WILD ride. It is part psychological thriller, part romance. The ML is truly a red flag (run, girl, run) but he keeps you hooked every episode. In fact, this whole
show keeps you hooked. Our leads have incredible chemistry, and their scenes can make you swoon or send shivers down your spine. Our ML acted his role impeccably, truly playing the role of a guy who needs a heck of a lot of therapy.

But his development was good, and I’ll give the writers that. Same for our FL. Loved where her character was at the end of the show. Also thankful for that happy ending after that angst.

It was captivating and gritty. Despite any of its flaws, it delivers a production quality more reminiscent of what we see from Korea and China. The cinematography is peek, the writing is better than what we normally see in these, the styling is better, and the OST is amazing.

In a long format show, I couldn’t handle our ML, but I went into these nine episodes knowing what was ahead. I actually could have had a few more episodes to be honest. For some reason, this just worked for me.

If you like gritty, toxic love, it’s worth the watch.

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