Reviews

Sucked me in LITERALLY

literally as soon as I started watching this i was DRAWN IN. the characters were so well thought through and the TENSIONNNNN not to mention how good the ending was omg ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀

Leia Mais

guilty pleasure

im gonna be so honest theyre both annoying asf. one wont budge the other wont give up. it was irritating and tiring but surprisingly fun. irie has been a jerk since ep 1. at first i felt bad for kotoko but after like 7 episodes i kinda felt like she deserved it. she knew he's playing but she still kept liking never gave him one cold shoulder she's so desperate all over his facecard it kinda pissed me off like girl get up.. their messy relationship messy asf both are equally annoying the storyline is just buns but i still enjoyed it. they somehow kept the story going in a fun way

Leia Mais

heavy on the romance, light on the plot

This is the kind of story that is 100% about the love story and everything else is kind of background noise to that. Our main couple has so much chemistry and are both likeable and rootable characters and you watch this show just to see the beautiful people fall in love. Beyond that, however, this story is a bit messy.

Am I enjoying their chemistry? Yes, absolutely. Do I love the amount of screen time given to our main couple? Also yes. One of the things I do love the most about this is the portrayal of the recklessness of youth and passion of young love. That mindset and feeling that we know everything at 18 and love can win all. But the plot logic gets in the way of the emotion. When you really stop and think about all the things actually happening in the story then you realize how under developed it actually is.

Lets begin with the first episode where you already begin to see the convenient story telling put in to play when Zhou Wan goes looking for her mother that abandoned her over a decade before and even changed her name but Zhou Wan knew just where to find her and even had her phone number so she could conveniently find out she is the step mother of our male lead. Okay fine, I'll accept that as a story set up and ignore the logistics of that one. But then this same formula is utilized over and over again with characters overhearing important tid bits of information or random papers just laying out in the open for them to find easily. This type of story telling often feels lazy as the writers spoon feed information.

Next is the lack of proper background. I understand that Lu Xixaio is from a rich family but the show hasn't really made sense in explaining why he is so important to his dad. It does well in explaining the estrangement due to his mother but is his father's only reason for constantly entrapping Xixaio due to the grandfathers favoritism? The company aspect and importance of his role in it is not defined well making the stakes not feel real.

Also the blocking for all the action scenes feels practiced which often pulls me out of the moment. These are fairly new actors and they obviously need to learn but you can see and feel the punches being pulled and the movements being rehearsed. Even the motorcycle race scene lost its thrill due to this.

As the drama goes on and it moves to the latter episodes and the timeline shifts it it mostly held together through misunderstandings and miscommunications which is almost always frustrating to watch. Zhoa Wan's flimsy reasoning, Xixaio's family company being pushed on him because he is the 'heir', a narrative that serves to only push the leads in proximity over and over again. What I would love to see more of is tangible reasoning and real stakes.

Overall this is an enjoyable watch for the romance but could have been so much better with more attention paid to the why's and how's.

Leia Mais

Strange Chronicles of Tang – Rearranging the Score, But Still Missing the Tempo

Strange Tales of Tang Dynasty: To Chang’an Season 4 arrives under unusual circumstances. Rather than continuing chronologically, it inserts itself between the 3rd and 4th case (or 4th and 5th? I can't remember) of Season 3—a structural choice that prioritizes content delivery but not narrative cohesion. Directed by Guo Shimin, Season 4 attempts a clear course correction: it scales back forced romance, returns to investigative pacing, and finally reveals the origins of Lu Lingfeng and Su Wuming. On paper, it’s a return to form. In practice, the effort feels largely futile. Despite good intentions, structural constraints and weak execution prevent it from recapturing the series’ earlier brilliance.

A Midquel in Short Form: Chronological & Structural Limits
The season’s midquel placement immediately creates temporal snapback. Instead of advancing the overarching plot or deepening character arcs, it pauses the timeline to deliver isolated investigations. This wouldn’t be fatal if the pacing allowed the mysteries to breathe, but the ~19-minute episode format actively works against the genre. The shortened runtime doesn’t just change the pacing; it lacks emotion and human values.

Course Correction vs. Execution
Credit where it’s due: Season 4 consciously steps back from Season 3’s excesses. The romance is dialed down, comedy is less intrusive, and the duo finally operates as investigators rather than action figures. Guo Shimin’s direction brings a quieter, more deductive rhythm, acknowledging what the audience actually came for. But intention isn’t enough when the architecture can’t support it.

The season features only two cases, and neither is particularly compelling. Both recycle Season 3’s strategy: opening with a seemingly “strange” incident that ultimately feels manufactured rather than genuinely intriguing. The surface-level weirdness functions as aesthetic dressing, not a meaningful puzzle. Worse, one case attempts to use its narrative to reveal Lu Lingfeng and Su Wuming’s backstories in an emotionally resonant way. The intention was clear, but the execution fell flat. Delivered through exposition-heavy dialogue, the revelations felt like checklist items rather than narrative milestones. Honestly, it was boring. For a series that once thrived on subtle character development, this approach was a significant misstep.

Conclusion: Changing Instruments, But Missing the Tempo
In a well-conducted orchestra, harmony relies on dynamic balance and proper tempo. Season 3 played everything at fortissimo, drowning out the melody. Season 4 swaps out some of the louder instruments—toning down romance, scaling back action, refocusing on deduction—but it still struggles to find a sustainable rhythm. The midquel placement creates stagnation, the cases lack genuine intrigue, the backstory reveals fall flat, and the 19-minute format actively fractures the mystery-building process. It’s a season of partial corrections, acknowledging past missteps without committing to the structural discipline needed to fix them.

Those who value patient storytelling, emotional depth, and methodical clue-building. If you found Season 3’s pacing excessive, Season 4’s compressed runtime may feel equally mismatched—just in the opposite direction. And if you were hoping for genuinely strange cases or compelling backstory reveals, this season offers little satisfaction.

Taste in storytelling varies, and some may view this as a pragmatic course correction. But for viewers who believe a mystery drama should breathe, linger, and reward patience, the format and structural choices here feel restrictive.

I rate this drama 7.5/10 – A marginal improvement over Season 3, technically cleaner and more focused, but ultimately hamstrung by its own format. The foundation is better, but the architecture doesn’t yet support the weight of its ambitions.

Leia Mais

kind of all over the place..

I've been a fan of skynani since hsf, their acting and chemistry is superb. I also have waited for wu to come out ever since the 1st trailer.

I adore the effort and dedication of the people behind this whole show gave. And I had a lot of expectations going into wu, esp after seeing the final trailer. That's why I was so let down when it didn't hit as hard as I hoped.

For all its cinematic ambition, it struggles to earn the emotional weight it so desperately reaches for.

1. Outside of Niranpete, I found it nearly impossible to care about anyone else. The supporting cast is introduced with little more than a cursory nod during recruitment sequences, leaving them feeling more like functional plot devices than fully realized people.

This becomes painfully apparent during the fog sequences, which are clearly meant to carry heavy emotional resonance. But how can we fear for characters we've barely been given time to know? The show asks for our empathy without putting in the groundwork to deserve it.

2. Time and again, the series builds toward confrontations with supposedly fearsome demons, layering on ominous rituals and tense build-up as if preparing us for a seismic clash. Yet each encounter resolves with a baffling ease that undercuts any sense of danger.

The pattern becomes numbing. Heightened stakes are promised, only to be deflated by an underwhelming payoff. What should feel like hard-won victories come across as routine, and the absence of genuine struggle drains the narrative of its pulse.

3. Performance-wise, the cast delivers in isolated moments, but the consistency simply isn't there. There are flashes of emotional truth, but they're too often undercut by flat deliveries or mismatched intensity. It's a shame, because on a technical level, the series is striking. The editing is sharp, the cinematography is rich and atmospheric, (although sometimes the CGI feels too much). But visuals alone can't carry a story when the script continuously falters under its own ambitions.

Structurally, the show falls into a repetitive cycle: problem introduced, problem resolved, new problem surfaces. Rinse and repeat.

Episode 7 stood out as the clear highlight, precisely because it slowed down and allowed us to live inside the characters' emotional realities. And I wished the series had extended that same courtesy to the rest of its ensemble.

And this is just me and my opinion, but I can't stop comparing this to hsf. You'd think a fantasy-action show would have more to offer than a coming-of-age, but hsf proved that simpler doesn't mean shallower. It had more heart, more depth, and made every side character feel like family.

Wu had solid performances, but even they can't save script this hollow. It just shows.. writing matters more than budget.

Thats the end of my Wu the series review 💭 And no, I don't expect the finale to change my mind. [very late side-mention, but the product placement or advertise in this show is HORRENDOUS. JAILLLL.]

Leia Mais

Great

After finishing the whole drama, I can say i love it a lot but feel a little bit disappointed with the final episode. Maybe it's just because I have too high expectations for the final stage. So, that episode gets a minus for me. The acting is good but somehow there are some points I don't really like. Overall, I think every episode has its own attraction, different stories to tell us. Actually, the stories there can happen with any of us today. I heard that several episodes are based on true stories, so it's worth watching. However, this drama may lead to arguments about which is the best way to protect the appropriate educational environment. I look forward to seeing the 2nd season if there is any.

Leia Mais

L'harcèlement ne s'arrête jamais

Un excellent drama qui selon moi montre bien les conséquences longues durée d'un harcèlement : même si elle est froide, et forte il y a pleins de moments où elle vacille, et redeviens la jeune fille brutalisée.
Le casting est excellent : les harceleurs sont détestables jusqu'au bout. Et ils nous montrent aussi que tout cela n'est que subordination entre eux, l'amitié n'est pas réelle chez l'élite ce n'est qu'argent et beauté. On a une belle représentation de l'harcèlement coréen.
Cette vengeance qui s'effectue des années plus tard représente aussi la nécessité des victimes à vouloir mettre un terme à tout ça : ici c'est par la violence, mais certains souhaitent peut-être des excuses, ou un karma, ou de ne plus avoir à les croiser, en tout cas cette vengeance signifie que tant que les victimes n'ont pas ce qu'elles veulent elles seront hantées toute leur vie, hors dans la réalité les harceleurs s'en sortent indemnes.

Leia Mais

Une amitié naît dans le noir

Deux reviews en une, les deux saisons se valent:

Un jeune qui ne a du mal à se lier avec ses pairs, mais qui n'est pas pour autant insensible. C'est un trio qui naît de coups poings qui se forment, et deux âmes solitaires qui se trouvent : Si-Eun et Su-ho. Beom-seok, bien qu'apprécié par les deux autres a du mal à se faire sa place, son passé et ses traumas le pousse à vouloir être le parfait ami toujours serviable.
Cela n'empêche Si-Eun et Su-Ho de l'apprécier à sa juste valeur mais allais dire à un jeune mal dans sa peau que le monde entier ne le déteste pas forcément. Dans Weak Hero Class on (re)découvre la complexité adolescente et la beauté de l'amitié qui sauve, et détruit.
Si-Eun et Su-Ho ont sut fonder un lien plus fort que l'amitié et braver tout les obstacles sur leur routes, un grand merci à Park Ji-Hoon et Choi Hyun-Wook pour leur interprétation, et leur complicité sur le tournage. Hong Kyung incarne aussi un personnage difficile à jouer sans tomber dans le too much ou le pas assez. Ces deux saisons rassemble à elles deux une floppée d'acteurs et actrices talentueux.

En saison deux il ré-apprend l'amitié, mais a-t-il le droit ? Est-il légitime ? On découvre en même temps un nouveau groupe avec eux aussi leur passif amical. Un parallèle à Si-Eun et son trio ? Aimer trop fort amène-t-il forcément àla destruction.

Au final ses deux saisons nous plonge dans les tourments adolescents avec justesse et émotion.
PS: la scène supprimé de la saison un avec Su-Ho et Beom-Seok permet la bonne compréhension de la dynamique qui les lient, dommage qu'elle est était enlevée car sans elle difficile de comprendre Beom-Seok entièrement.

Leia Mais

Une saison deux sur les mêmes rails que le premier

C'est rare qu'une saison deux soit à la même hauteur que la première et pourtant c'est ce qui se passe.
Cette saison m'a cependant plus touchée avec l'histoire de Ru Ri et les "et si..." qui trottent en tête. A-Wi, interprété par le talentueux Choi Hyun-Wook, m'a aussi interpellé : la négligence du système, les conditions insalubres et pas adaptées pour un homme, l'injustice qui amène tout naturellement à ce que A-Wi est devenu : l'ombre de lui-même.
Mais c'est Nina qui m'a touchée. Bae Na-Ra a si bien sut endosser ce rôle, avec une aisance incroyable. L'homophobie, et la transphobie sont monnaie courante dans les milieux à dominance masculine, ici l'armée. Mais elle est souvent survolée, peu traitée à la télé hors c'est le quotidien de pleins d'hommes contraint de se déguiser en un homme qu'il n'aspire pas à être entouré d'homme qui les traitent comme des moins que rien. La quête de liberté de Ni-na m'a émue, son parcours de combattante aussi.
Et le vieil homme du port est un rappel amer que ce système dure depuis bien trop longtemps.

Leia Mais