Reviews

Love, But Never Together

This drama has potential; however the two leads were never meant to be together. Her characters either died or married other guys, while he could only suffer in silence. He loved her in every time, but he could never be with her. He cultivated from being a little white fox demon to take in human form only to give up his cultivation to bring her back to life. She had many hard times in her different lives. She always has different fathers, but never any mothers. Some of her fathers were kind, but others were cruel to her. The best chance for these characters to be together was the last chance. He would have to go through more violent and more frequent tribulations to be with her. She finally had a chance to see those violent tribulations and the tool they took in him. He helped him ascend to godhood. He found out that being a god was not what it was cracked not what he thought it would be. He decided that he wanted to be human.

Leia Mais

Ok drama

This drama is lengthy and does have some logical flaws but it's worth watching. A bit of romance and martial arts but could have added some more martial arts and reduce the sub plots. Acting is good and the main theme is good as well but the side plots are very unrealistic and does not fit well with the overall theme. Show diverts away for too long from the romance and the family theme. Why wait so long for the male actor to reveal his true identity.
One strange fact: it's the middle of winter but all of the windows in the home is open?
Note: it will get very confusing trying to sort out who is the prince and the brother and which princess started the fire. It takes almost all of the show before it becomes clear about what actually happened to the female lead parents - when why and how.

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This could have been a movie

Too long for me to actually get invested, too short for me to stop watching. I feel like this could've been like a 2h45 minute movie and had way more of an impact.

Might just be me, but I got lost somewhere in episode 3 and now I'm not quite sure what the end goal is other than revenge (which if that's it then I guess I didn't get lost??) but I don't understand anyone else's motives except for Gi-Jun, and even that seems like a bit of a stretch considering he doesn't even know who actually made the order regarding his brother.

I'm not done, but at ep 6 I really feel like its dragging a bit. I will finish it and possibly update my review if it wraps up well.
*Edit, finished it, statement still stands. Satisfied with the ending though.

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I did not like the story. Romantic scenes are too cliché. I did not find the guy handsome either, but he has an undeniable charisma and swag. He knows how to carry himself and definitely knows how to act. The more you watch him act, the more he starts to look attractive. I like the female lead's acting here more compared to her other dramas. Wow, she was wild here! 🤣🤣🤣🤣 The chemistry between the leads is on fire! 🤣🤣❤️‍🔥🤣🤣 It's just that there were too many sexy scenes that made me uncomfortable watching, but they made it believable. I hope these two can work together again, with a much less spicy script. 🙏🏻🤍🙏🏻🤍

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Unpopular opinion. I TRIED, I Really tried!

Oh Drama! I was so excited when this came out since Yi Ran looked too fine in all those teasers and edits. Unfortunately, it was not my cup of tea.

I finally realized how fangirling can be. I never imagined I'd find a drama I had to finish because of the ML. BaoBao looks amazing in here as well, and their chemistry was too good! It wasn't enough to save this, though. I was already 17 episodes in, and I'm still honestly confused about what the world was going on. It was honestly frustrating, but whoa, I kept going! This show tried soooo hard to portray Mu Qing Yan as the ultimate anti-hero, only to actually sacrifice himself ALL THE TIME for our FL. This reminds me of the drama, Love and Redemption. Then I was again waiting for that GRAND FINALE where our ML would unleash his greatest power and finally achieve that revenge he has been plotting all this time, but pooof! another sacrifice, then killed him off in the end. My jaw was literally on the floor during that final episode. Then I was like, " That's it???? Then BAM! they sent him back, resurrected with whatever explanation they gave on why his poison actually disappeared. I honestly had to rewatch that scene coz I was sooo frustrated the first time.

Don't get me wrong, the cast did amazing! Some CGI scenes were a bit bleh, but most of them are actually a feast for the eyes! I think it was more of a pacing and story issue. There were too many flashbacks that I didn't even know who was who or what character was doing what. Trust me, I was THAT confused! LOL. I'm still excited for YiRan and BaoBao's future projects, though. This one, I guess, is just not really for me.

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History rhymes but does not have to repeat itself.

Generation to Generation (or A Decade of Lanterns on Stormy Jiānghú Nights/江湖夜雨十年灯) is a classic mystery wuxia. The jiāng hú intrigue plot itself is not particularly unique or special—it explores tried-and-true themes around the hypocrisy of righteous sects, multi-generational conflicts, and the true meaning of chivalry. Where it shines is in its character stories. The main characters are refreshingly complex and manage to remain realistic while rejecting tired stereotypes. Cai Zhao and Chang Ning are like a breath of fresh air across tired jiāng hú archetypes—a grounded couple that dares to stand up to societal norms and redefine jiāng hú with their own brand of morality and chivalry.

Cai Zhao is a free spirit who just wants to live well and be happy. Her lack of ambition is a deliberate, determined life philosophy. For she adored her paternal aunt, her Gūgū (姑姑), the heroine Cai Pingshu, who killed Nie Chengheng, thus saving jiāng hú from the demon sect. Heartbroken, Cai Zhao fails to see the point of such sacrifice and vows to mind her own business and live a full and decidedly unheroic life instead. But as the young lady of Luoying Valley, she must train at the prestigious Qingque sect under sect master Qi Yunke. On their way to Qingque, her family stumbles upon a massacre in progress at Chang Fort. They arrive just in the nick of time to save the grievously injured Chang Ning, the young master of Chang Fort.

At Qingque, the orphaned Chang Ning is received with suspicion and finds himself bullied and ostracized. His plight outrages Cai Zhao's innate sense of justice and wins her empathy, even though she senses he lies and may have hidden motives. Chang Ning is one of the most morally ambivalent protagonists I have come across. While his cause is just, he is so ruthless and duplicitous—shamelessly manipulating Cai Zhao to further his ends—that he almost deserves to be called an antagonist. They are well matched in both wits and cunning, because Cai Zhao is onto him but intrigued and drawn to him nonetheless. She senses he was deeply traumatized and may have a legitimate grudge, so she goes along with his schemes, testing and evaluating him along the way.

Both characters are complex and well written, and their classic push-and-pull, love-hate relationship evolves in a riveting and believable way—from mistrust, misunderstandings, and heart-wrenching betrayals to trust, to a deep and abiding bond underpinned by shared values. Through their many adventures and ups and downs, they change each other for the better and manage to overcome the deep burden of generational feuds and inherited grudges. Along the way, they uncover the false propaganda behind jiāng hú's legendary heroes and the hypocrisy of the righteous sects.

A core message of this drama is that history rhymes but does not have to repeat itself. The next generation has free will and can choose to resolve inherited grudges and rivalries differently rather than repeat the mistakes of their forefathers. As Cai Zhao and Chang Ning dig into Cai Pingshu's life story and her entanglements with Chang Ning's family, they discover that the past is a mystery that unlocks the future as a gift. While the storytelling approach—revealing the past concurrently with the present and contrasting how each generation resolves dilemmas—is good, the execution is not. The editing is choppy and doesn't manage the transitions between timelines well.

Nonetheless, I empathized with Cai Pingshu, a tragic heroine (女侠) in every sense of the word, and her ill-fated entanglements with the Li sect and the righteous sects. Even though we know their fates from the start, I was as riveted by the cautionary stories of the previous generation—Cai Pingshu, the Mu brothers, Lei Xiuming, Qiu Renjie, Yin Sulian, and Qi Yunke.

Audiences familiar with classic wuxias will have no trouble following the jiāng hú plot themes, but to newbies, the sheer number of characters and sects can seem overwhelming. This is made worse by the narrative alternating between the present generation and their predecessors. While all the secrets are ultimately revealed, the biggest letdown in the plot is the predictable villain, whose motive is quite shallow relative to the untold grief they caused.

For all its narrative rough edges, compelling acting by the lead cast elevates the character portrayals and made me root for them, flaws and all. Zhou Yiran in particular delivers a fascinatingly layered and irresistibly empathetic portrayal of a very dark protagonist. Bao Shang'en's Cai Zhao is the light that both exposes and redeems the darkest, most cruel aspects of his character. But it is Wen Pang's Cai Pingshu, Cai Zhao's beloved gūgū, who steals the show as the true hero of this story. Qiu Renjie's story made me look at the hoity-toity Lady Yin of Qingque Sect in a different way. I was also moved by Song Yuzhi who manages to stays true to himself through all his difficulties and disappointments.

Despite the messy storytelling, Cai Zhao and Chang Ning shine brightly with their own brand of chivalry. They won me over with conflicts that feel real and personal growth that is hard-won. This drama will reward fans of the genre who are willing to invest in getting to know its many characters. I am happy to rate it 8.0/10.0.

Leia Mais

drame historique

Ce film retrace la triste période de fin 1937 début 1938, lorsque l'armée japonaise entre dans Nankin, capitale de l'époque, qui tombe en 3 jours.
Pour connaitre un peu le sujet, je pense que le film est édulcoré, le massacre a été bien pire que ce que l'on voit dans le film, il suffit pour s'en convaincre de voir les photos d'époques et/ou lire les témoignages. Cependant, le film est très dur, certaines scènes sont très violentes.

On suit un soldat japonais, qui obéit aux ordres mais à contre coeur, il est un peu fleur bleue, et a du mal à supporter ce qu'il voit.
La situation dans Nankin, notamment la zone de sécurité est illustrée par des acteurs qui jouent des personnes qui ont vraiment existé, et qui ont sauvé de nombreuses vies, souvent au péril de leur vie.

Les acteurs sont tous très bons et crédibles.

Le réalisateur a voulu faire de son film une oeuvre d'art, c'est dommage (et raté) faire du noir et blanc et des très longues scènes figées endorment plus qu'autre chose...
Cela reste un très bon film, si vous avez le DVD avec le documentaire, n'hésitez pas à le regarder également.

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2nd time around

I just finished rewatching The Imperial Coroner to get ready for the newly released second season—and honestly, it reminded me why I enjoyed it so much the first time.

The storyline is well written, and you can tell that, at the time of filming, the production team was still refining things like hair and makeup. It’s noticeable in places, but in a way that shows growth rather than distraction.

Set during the Tang Dynasty—which, I’ll admit, is one of my favorite eras (along with the Qing and Song)—the drama follows Chu Chu, a young woman who travels to the capital to take the coroner’s exam. She grew up hearing stories about a “handsome justice official” from the shaman in her hometown, which clearly shaped her dreams and determination.

What really makes Chu Chu stand out is her sharp mind and unique investigative ability—she can mentally reconstruct crime scenes as if she were either the victim or the murderer. That alone makes her character fascinating to watch. Her skills quickly catch the attention of the prince, especially when it’s discovered that she carries a pendant believed to belong to his father.

As the female lead (FL) and male lead (ML) work together to solve case after case, their partnership naturally grows stronger. The prince slowly falls in love with her—though, like many good slow-burn romances, he doesn’t fully realize it at first. Each case connects to a larger mystery, eventually revealing that his own tutor has been the mastermind behind everything.

The climax is especially satisfying—they use their wedding as a trap to lure him out and finally bring everything to an end. In the aftermath, Chu Chu is granted the title of Royal Coroner, and the emperor officially gives her and the prince the authority to continue solving cases together.

For me, this drama had a great balance—I laughed at times, felt emotional at others, and stayed engaged from beginning to end. The writers kept the plot moving in a way that never felt boring, and the director handled the pacing really well.

Overall, it’s a strong series, and I’m genuinely excited to start the second season. I just hope it lives up to how good the first one was.

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