? Spring Fever — The Kind of Drama You Accidentally Binge
Honestly, it’s been a while since I binge-watched anything… but this one? I just couldn’t stop. 😅Spring Fever has a little bit of everything — it makes you laugh, then suddenly gets emotional, and at times even makes you feel like life is being a bit unfair to some characters. And yes, we do get a love triangle — but surprisingly, it’s a healthy one (finally! 🙌). No unnecessary toxicity, just real emotions and choices.
The acting is top-notch across the board, the music fits perfectly, and the overall vibe keeps you hooked without feeling too heavy. It’s one of those dramas that balances humor, action, and emotions really well.
And the biggest takeaway? Don’t judge people by their appearance. This drama proves that there’s always more beneath the surface — and sometimes, we’re completely wrong about what we see at first glance.
If you’re looking for a drama that’s entertaining, emotional, and easy to binge — Spring Fever is definitely worth your time. 🌼
P.S. – You know it’s a good drama when you say “just one more episode” and suddenly it’s 3 AM. 😭
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A subjective review on this popular drama...
After watching 8 episodes, I’ve done my research because usually when watching costume dramas, I should have grasped the happenings and all —the gist of the drama plot but, none. Nada. I’m a bit confused but realized it’s a 40-episode drama that’s why it’s still like on the introductory stages, confusion is still on and will probably clear it on the 20-25th episode and despite all that, I’m still seated 🙂↕️The story is about the FL who lost her parents from presumably bandits but there's a behind story about that as well and accidentally found our ML buried in snow, taking pity like it's her mom's sign, saved him not knowing he was the Marquis of Wu'an that everyone knew about. As I've read the book because I was confused in the drama, it gave me a little bit of understanding and watched it comfortably. The flow of the drama was alright, not too slow for a 40-episode, it still keeps your interest in the longer you're watching it. I was just a bit disappointed towards the end, the FL, considering that she is a General only appeared when saving her friend? Like what was that? She is considered one of the strongest, who fought her way to the top but didn't show any action towards the end? When the coup happened, where was the FL? Additionally, there are little details that they didn't elaborate. Why did they not include the reason why the Uncle of the ML took the blame of the sins that the late emperor did?
I watched dramas for the actors, yes. But I also watch with reason. I always, always try to understand the plot not just admiring the faces of the actors (but it really is a plus tho). The casts and their acting? Amazing. I love how they portrayed their character especially the child actors they're so great! The characters have their own canvases with different kinds of abstract paintings on them, deep and meaningful.
There’s still like things to note (that my sensitive ahh noticed) —the way the sound effects are there and sometimes it's not clearly needed in the scene. I don’t know what to call those but the cuts on certain scenes and moving on to the next? The element of confusion, I understand but the way the scenes are combined aren’t blended (idk if someone will understand me, ik it’s normal to cut scenes one after another ahhh i hope someone understands me on this) and lastly, I don’t have anything or something with the grand princess character but I was like literally confused on why is she here now? I know she was supposed to be the wife of the Marquis but why was the back story of her and the Grandmaster showing at the early episodes? 😭 Lastly, the falcon... the messenger bird needs the exposure with the FL's sister, but they didn't show it :(( There's so much more to note but that's okay, dramas are all like that, it's up to us on how we’ll digest and interpret dramas and this is how I perceived it. That’s all ~
The official soundtracks are okay, but I think expecting that this drama will top the viewer ratings, they should have chosen better fitting in the narrative, the intro, and I think it got better blending in the latter episodes especially that guasha scene and when the ML is like making his grand entrance 😂
Will probably watch some tt edits but not rewatch since there’s so many minor details to focus on 🥹
PS. Ngl I think the actors saved this drama 🥲🥲🥲
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The story is richly layered … balancing family dynamics, political intrigue and personal growth without losing emotional depth. It’s not just a romance, it’s very much a coming of age journey for the female lead. The writing takes its timebut that slow burn pays off with meaningful character development and strong emotional arcs.
The casting is spot on. Leo Wu delivers a restrained yet powerful performance..his intensity, micro-expressions,and controlled vulnerability really elevate the role. And by the way, this is how a general should look like - pretty face but with “killer aura" and "ruthless grit" that’s missing in a particular male lead that I recently watched (separate review) . And alongside him, Zhao Lusi brings charm, emotional rangeand relatability. Together, they create magic!
The chemistry..this is where the show truly shines. Even without relying on excessive physical intimacy, the connection between them absolutely sizzles. It’s the kind of chemistry built through tension, glances, and emotional stakes rather than overt romance and honestly, it makes you want even more of them on screen. A few additional intimate moments wouldn’t have hurt, but what they deliver is already incredibly compelling.
This is also one of those dramas that has strong rewatch value. It’s the kind you go back to during a lull because the characters and their journey stay with you.
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Bikini Girl with Fairway Woods
When 'A Tale of Sorrow and Sadness' was released in 1977, Seijun Suzuki returned to feature filmmaking after nearly a decade of forced absence, following his infamous dismissal from Nikkatsu in the wake of 'Branded to Kill'. Officially, the reason given was the alleged “incomprehensibility” of his work; in reality, it marked the breaking point between an increasingly radical auteur and an industrial system no longer able (or willing) to contain him.At first glance, the film appears to move within a controlled and almost conventional framework — the world of golf, advertising, and media construction — where even the language itself seems borrowed from slogans and performance coaching. “Chance for a birdie,” we are told: a promise of precision, control, and success. Yet, as the film unfolds, that promise gradually reveals its darker implications.
The story of Reiko Sakuraba — a promising golfer turned into a carefully engineered media personality — unfolds as a precise study of manufactured identity. She is not simply an athlete, but a constructed image: shaped, refined, and deployed within a system that regulates not only her public presence, but increasingly her private existence as well.
At first, the narrative seems to follow a familiar trajectory — discovery, promotion, consolidation — but Suzuki gradually undermines this structure by introducing a destabilizing force that does not originate within the system itself, but from its most unsettling byproduct: the audience.
Kayo Semba, the obsessive fan, is not merely an antagonist. She is, in fact, the logical outcome of the very process that created Reiko. If an image is designed to be desired, internalized, and reproduced, then it becomes almost inevitable that someone will attempt to inhabit it — to replace, rather than simply admire, the figure it represents.
From this point onward, the film undergoes a decisive shift. Narrative progression gives way to a more ambiguous, disquieting flow, where the boundaries between public and private, performance and authenticity, begin to collapse. The intrusion into domestic space, the escalation of psychological pressure, and the gradual erosion of Reiko’s autonomy do not lead to a dramatic breakdown in the conventional sense, but to something far more insidious: a slow dissolution.
Reiko does not explode, nor does she openly resist. Instead, she empties out. She becomes a surface upon which external forces act — an image that no longer belongs to her. In this sense, the movie feels strikingly modern, anticipating dynamics that today appear almost commonplace: the commodification of the body, the fabrication of identity, and the invasive nature of public attention.
At the same time, the system that produced all this remains fundamentally intact. Even as events spiral into increasingly disturbing territory, the machinery of promotion, contracts, and media exposure continues to operate, ready to adapt, replace, and move forward. Within this framework, the figure of Miyake — manipulative, pragmatic, yet never overtly monstrous — functions less as a villain than as an integral component of the system itself.
Stylistically, while more restrained than his earlier works, Suzuki’s signature remains unmistakable. His use of space, the fragmented pacing, and the subtle but persistent dissonance between what is shown and what is implied all contribute to an atmosphere of controlled instability. The film seems constantly on the verge of rupture, yet never fully collapses.
The result is a work that resists easy categorization — neither fully commercial nor overtly experimental — but precisely for this reason deeply coherent within Suzuki’s artistic trajectory. This is not a conciliatory return, nor an attempt to realign with industry expectations; rather, it is a lucid and quietly devastating reflection on what that system produces: not only images, but desires, projections, and distortions.
'A Tale of Sorrow and Sadness' it’s not so much the story of a celebrity's downfall as the process by which a person gradually ceases to belong to themselves, becoming a canvas for others' projections.
And after that, the descent is irreversible.
8/10
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It's a masterpiece.
I've watched the first episode and... it's a masterpiece.The audio is absolutely flawless and as someone who works in video editing, that's something I notice immediately. Sound is what keeps us emotionally connected to the visuals, and here it's done perfectly. The music fits every scene so well, and the sound effects are just as precise. In many other GL series, audio is often something that lacks, so this really stands out.
And I haven't even talked about the visuals yet. The series is stunning, truly cinematic. Every shot feels intentional, and the color grading pulls you deeper into the story. It's also so refreshing to see a look that doesn't rely on heavy filters that mask facial details, it makes everything feel more real and emotionally connected.
This is, honestly, the highest quality GL I've seen so far. Every detail feels polished and professional.
The acting is incredible. Each performance feels natural and grounded, nothing overdone. You can feel the care and intention behind every moment. This isn't just content made to fill a screen... it's crafted storytelling.
A huge congratulations to everyone involved, the production team, the actors, everyone behind the scenes. You all deserve recognition for this amazing work.
Can't wait to see more!
@FabelEntertainment you're raising the bar in this industry.
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In the meantime, this drama can be found in YouTube under the caption:“Once His Pawn, Now His Obsession—The Cold Prince Can’t Let His Bride Go! ”(https://www.youtube.com/watch?v=uMaaea5MSD8) or: “Drugged by family, she unexpectedly bore cold prince’s child, married him, tamed him, and was loved!” (https://www.youtube.com/watch?v=l3mCSUsmVds)
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A Miss Despite the Potential
I went into The Glory mainly for the male lead, especially after really enjoying him in Love in the Clouds but this one just didn’t hold up for me. I ended up dropping it midway.I might be in the minority here, but I didn’t quite see the chemistry between the leads and for a story that leans so heavily on that connection, it felt like a noticeable gap. The female lead is undeniably beautiful and has presencebut together, the pairing felt mismatched rather than effortless.
The story started with promisebut it didn’t fully draw me in. At times, the pacing felt unevenand the emotional payoff didn’t land as strongly as I expected.
One thing that consistently pulled me out, though, was the visual treatment..the lighting felt overly pale and washed out which flattened scenes.
Overall, it had the elements to work but the execution just didn’t come together for me.
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Beyond the Hype: JISOO’s Career-Defining Turn in "Boyfriend On Demand"
When a global superstar like JISOO takes the lead in a high-concept Netflix original, the expectations are often impossibly high. However, "Boyfriend On Demand" (월간남친) does more than just meet those expectations—it subverts them entirely. By the time you reach the pivotal fifth episode, it becomes clear that this isn't just another romantic comedy; it is a sophisticated, self-aware masterpiece that marks the arrival of JISOO as a formidable force in the acting world.The brilliance of the series lies in its "subscription service" premise, which feels like a meta-commentary on the parasocial relationships inherent in 2026’s digital culture. As Mi-rae, JISOO portrays a woman navigating a curated world of "perfect" men, yet it is her "imperfect" moments—the drunken stumbles, the awkward silences, and the flashes of genuine loneliness—where she truly shines. JISOO’s performance is a masterclass in subtlety. She has shed the "idol" veneer to reveal a raw, grounded actress who can hold her own against veterans like Seo In-guk and Seo Kang-joon. Their chemistry isn't just "cute"; it’s a high-tension tug-of-war that keeps viewers on the edge of their seats.
What makes this show a global phenomenon, currently dominating the Top 10 in 47 countries, is its universal appeal. It taps into the modern craving for connection while delivering a visual feast. Whether she is playing opposite Lee Soo-hyuk’s cold chaebol or Lee Jae-wook’s "warm-hearted doctor," JISOO remains the magnetic center of every frame. She proves that she doesn't need a "perfect" script to succeed, though the writing here is remarkably sharp and witty.
"Boyfriend On Demand" is the definitive "it-drama" of 2026. It is a triumph of casting, production, and, most importantly, JISOO’s undeniable growth as an artist. For anyone still doubting her range, this series is the ultimate rebuttal. It is heartwarming, thought-provoking, and visually divine. A 10/10 experience that you’ll want to "subscribe" to over and over again.
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Sweet, Silly, and Saved by Machida Keita: A Feel-Good Comedy That Almost Gets Away With the Absurd
A soft, slightly chaotic, but genuinely heartfelt comedy about a grandmother who’d go to ridiculous lengths for her grandson — including stepping into his shoes and becoming an influencer in his place. The premise isn’t exactly aiming for realism, and it shows, but that’s not really the point here.Let’s be honest: if you like Machida Keita, you’ll probably enjoy this. He carries the whole thing. He’s great at conveying warmth and affection, and even when his acting tips into being a bit extra, it somehow works. I expected it to feel cringey — and yes, it does flirt with that line — but it never fully crosses into second-hand embarrassment. There’s something quite natural in the way he handles this slightly absurd body-swap dynamic, especially in how he channels the grandmother’s presence.
That said, I did have a bit of a gripe. The actress playing the reverse side of the swap (a boy’s soul in a woman’s body) didn’t quite land it for me. It felt flat, not very convincing — the body language, the mannerisms, all a bit too neutral. If you’ve seen how this trope is done well (think Mr. Queen), you know how much physicality matters, and here it just wasn’t fully there.
Still, overall, it’s an easy, light watch. Not particularly deep, not something you’d analyse to death, but pleasant enough to unwind with. The romance barely registers — or maybe I just didn’t care enough to notice — but that didn’t really take away from the experience.
If you’re in the mood for something undemanding and you’re here for Machida, it does the job quite nicely.
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Revoir ceux qu'on veut toujours revoir…
C'est agréable de se laisser emporter par un nouveau KBL, notamment en raison d'un début d'année plutôt décevant dans le genre (c'est un point de vue strictement personnel, évidemment). Quel plaisir de retrouver ce casting principal. A Breeze of Love a été un coup de cœur, et Always Meet Again le frôle de peu également.La narration est simple, mais efficace. Pourtant, les sentiments qui tourmentent les personnages ne le sont pas, simples. L'alchimie entre les deux acteurs reste belle à voir (et est meilleure que dans leur précédent projet). Quelques moments plats, mais rien qui ne gâche vraiment l'histoire. Si ce n'est la fin qui arrive brutalement sans trop d'explications.
Les sourires de Shin Jeong You réchauffent les cœurs, tandis que l'amélioration du jeu de Kim Myung Chan est agréable. La réalisation possède une ravissante palette de couleurs et de beaux plans. La musique est sympathique. Peu mémorable pour moi, cependant, appréciable quand elle doit l’être.
En bref, Always Meet Again est une jolie histoire qui mêle l'envie de se retrouver et la chaleur d'un amour simple et ordinaire. Et c’est sûrement ce qui fait tout son charme.
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It's a drama that sweeps you away from the world and makes you live with them✨
I don't usually watch Chinese historical dramas because I don't understand them well. I saw a clip of it and was impressed. I hesitated a lot before watching it, but it was the best decision I could have made. This drama is truly incredible. I'm not exaggerating, but I really loved this series. I waited for each episode with the same excitement, maybe even more than the day before. I loved it so much, from the story to the amazing acting. It's the first time I've truly understood a historical drama like this. This drama is definitely worth watching. It has 40 episodes, but I didn't feel the time pass. I wasn't bored for even a second. I've never written a review for any series before, but this one deserves one. 👏🏻🤍Esta resenha foi útil para você?
Some bad acting
This drama was ok to watch, but not great. Biggest issue for me was that there was some bad acting going on.Zaleng did a good job, his acting was quite good, but unfortunatly the acting of Leon wasn't very good. I also didn't see much chemistry between them.
The other actors varied in good and bad acting.
The story was ok. Unfortunatly the production wasn't great, like cut of music and scenes.
Music and visuals were good.
And the worst part was that there were no subtitles in the last two episodes. I found a version where there were automaticly translated subtitles, but we all know how bad they are.
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Perfect balance of slapstick comedy & staggering emotional depth | Potential Comedy "Wang/王" Hedi.
"If one hit strike can't kill it. Then, Run!" - Xu Qi'anBefore anything else, I want to say how Dylan Wang is the real embodiment of Xu Qi'an and has become the undisputed face of the entire show. He fits his character like a glove, to the point where you can't imagine anyone else playing it once you watch his performance. His execution is one of the best I have seen so far for male leads—like this role was crafted specifically for him. Perfect casting!
This show was a total comedy skit from the very beginning. If I were to describe this drama in a single phrase, it would be "no dull moments." From start to finish, it never—not even once—failed to entertain and show its humorous side. Heck, they were even able to pull off comedic scenes during the most intense and serious situations naturally, without making it look weird or awkward.
A couple of great examples are:
• When Xu Qi’an (ML) crawled under the table to ask Wei Yuan for forgiveness, acting all cutesy and being extra clingy. It was a full-blown aegyo show that was surprisingly irresistible.
• When the Statue of the First Sage (Tianyu Dharma) appeared, and the Xu family decided it was the perfect backdrop for a portrait instead of being worried and fleeing to safety. They're so unserious! It was made even more hilarious when they attempted various poses, such as a star-shaped formation. Haha!
They are just effortlessly hilarious. They’re so extra—I mean, EXTRA! They never fail to insert a comedic skit into any situation, anytime, anywhere.
I honestly wanted to write more in-depth insights about the story, but how can I when all I can think about are the goofy scenes? Haha! They must have had a blast filming this because so many moments felt truly wholesome—unedited and full of the actors' pure reactions. It feels like we’re watching bloopers without knowing it because we assume it's acting, but it's actually their genuine, out-of-character reactions. The slapstick comedy they’ve provided never feels forced or irritating. So, I really appreciate the editing team for preserving those scenes in the final cut.
A great example is in Episode 9, when the Copper Gong Trio (Xu Qi'an, Song Tingfeng and Zhu Guangxiao) just finished their mission and were just talking and having fun. I won’t spoil the scene, so you'll have to watch it yourself to see what I mean. It was such a vibe!
"The strong urge to live will bring out one's potential." - Xu Qi'an to Xu Xinnian
One thing I find particularly noteworthy is the sense of togetherness surrounding Xu Qi'an—whether it’s within his family, the Nightwatchmen Bureau, or among his Heaven and Earth Society members.
The Xu family dynamics felt off to me at first because of how greedy Madam Xu (Li Ru) seemed. However, as time passed, her true, caring nature eventually emerged. She may value wealth and riches, but during the toughest times, she is someone you can count on. She is willing to sacrifice everything for the safety of her family. They're the true definition of the "family that comes together, stays together" mantra.
The Nightwatchman Bureau, being such a massive organization, surely has its own internal issues. However, one thing I love about them is the unexpectedly strong bond they share with Xu Qi’an. One of my favorite scenes was during the climax, when all the Gold Gongs—including the Breeze Hall Gongs—appeared alongside Xu Qi’an’s Heaven and Earth Society members to protect him against the Imperial Guards and the Emperor himself. It was a truly satisfying and proud moment. Above all, my favorite dynamic was the bond between Wei Yuan and Xu Qi’an. I love that Wei Yuan genuinely cares for him like a son.
Additionally, I had a lot of fun watching how equally chaotic both the Nightwatchmen Bureau and the Heaven and Earth Society are. I truly enjoyed watching all the beef going on among the Gold Gongs, as well as the personal vendetta and undeniable chemistry between Li Miaozhen (#2) and Chu Yuanzhen (#4). Both groups are equally crazy, which complements Xu Qi’an’s personality and amplifies the show’s vibe as a whole.
Surprisingly, I didn't feel any disappointment about this show. Rather, there were a couple of things that surprised me while watching it.
First is the female lead's (FL) appearance. This is the first C-drama I’ve seen where a considerably famous actress doesn't show up in the first four episodes. She had a "soft launch" in episode 5, but her actual introduction wasn't until episode 6. Beyond that, her screen time throughout the entire show was surprisingly limited. It likely bothered me because I expected her character to have much more relevance than she ultimately did.
Second is the cliffhanger ending. I didn’t realize that this was only the first half of the story—a prequel. I was completely lost when, with only two episodes left, they were still unfolding an entirely new plot. I really should have read the synopsis more carefully! Nonetheless, I’m so used to these "split-season" tropes in C-dramaland that I accepted it almost immediately.
Lastly, Xu Qi'an seeking justice for Zheng Xinghuai was incredibly satisfying. I wept with profound grief at the brutality and injustice of Mr. Zheng’s death. So it was such a gratifying moment when Xu Qi'an publicly convicted and executed the main perpetrators; it was a relief so massive, it felt as if a boulder pulling me down had finally been removed. It ensured the crime wasn't swept under the rug and that the deceased weren't left with their reputations unfairly sullied.
P.S. Let me treat y'all with my favorite Xu Qi'an line from that execution scene.
"I, Xu Qi'an, killed those two culprits not to vent my anger or to take revenge but to do the right thing, to clear Mr. Zheng's name, and to send the court a message: You're paid as a court official. You live off the people's resources. You can easily oppress the common people, but you can't fool the heavens."
Story - 10, I loved how the story stayed cohesive, flowing naturally through every beat even though it's only the first half. Prequels can be hit or miss, but this one definitely hit the mark. It managed to stay grounded while pushing the comedy to the absolute extreme. A fantastic watch!
Acting/Cast - 10, What an unexpected but perfect comedic duo! Wang Hedi and Tian Xiwei fit their roles so well. I’m obsessed with the chaos they bring—they are both goofy ASF! Even the supporting cast is just as good. The casting for this show is spot on!
Music - 9.5 Its OST is one that grows on you the more you listen to it. I wasn't initially crazy about the soundtrack, especially the ending theme, but the more I watch the show and feel its vibe, the more I start to jam to it. It gives off a happy, funky adventure vibe. I'm not really a big fan of rock and rap, but the upbeat and exciting tunes eventually won me over. It fits the drama's overall theme perfectly. The ballads, on the other hand, are really lovely—I've liked them from the start.
Rewatch Value - 10, This is one of those shows I can watch over and over again, regardless of when or where. It’s the ultimate example of a perfect balance between humor and emotional depth.
Overall - 10, I don't think I could give this show a lower rating—I love it so much! It's one of those shows I just couldn't stop watching. I literally binge-watched the whole thing.
IF you find my review helpful please let me know.
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you haveeee to watch this!!!
Okay, I really really really enjoyed this drama!! all the actors the actresses the storyline ALL OF IT!!I didn’t expect to enjoy it so much I put it on to just see but after the first episode I was completely hooked the storyline. I genuinely didn’t get it until the last moment when it was revealed and I’m usually quite good at guessing I suspected everybody else it wasn’t until the end when it clicked and I said NO WAYYYYYY
I just thought the cast worked really well and I liked that there was a hint of romance between the other main characters and I was so sad because most dramas don’t do a season two and I wanted the characters to develop more and to do more cases together!!
Butttt there are rumours that there will be a season two of Flex Cop and I will be watching it live or as soon as it comes out I just need more of these characters more of these storylines and more of these great adventures because as I said before it was genuinely such a great series and I’m so looking forward to what they do next!!
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AI時代的戀愛體驗遊戲
將不同人設的男角色放入一個遊戲中，體驗不同情境的戀愛，如同無限流+乙女遊戲，你會怎麼做？幾個子題算有趣，有可算是意料之中。比如藉由遊戲療癒情傷、看見初戀的影子，抑或是混淆遊戲和真實的界線。
比較特別一點的是客製化的夢中情人竟會與真實人物長相雷同（除了那顆痣），混淆對真實人物和虛擬人物的情感，需要他們彼此來協助確認。甚至後來讓兩人當面相見歡，成為影響一整集的事件。即使在「真實」的愛情似乎能超克「虛擬」愛情的某種政治正確的價值觀中，仍有虛擬人物帶來的影響與身影持續擾動。
所以，皆是作為體驗，真和假有那麼重要嗎？
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