Shallow Acting, Low-Class Cinematography - A Waste of Dilireba
Unbelievably shallow. Is this really a series led by someone like Dilireba?There’s something seriously wrong when a drama makes you want to fast-forward even the leads’ scenes. That’s what’s happening here. I can’t sit through all these going-nowhere conversations between the main couple. If even the leads can’t make the viewers stay, that says a lot about how boring the drama is.
I wrote the review below after watching ep.9. I add this intro after watching ep.13 and still stand by everything I wrote below. It’s boring. The atmosphere feels cheap and phony. The camera angles and cinematography reflect the lack of skills. The ML’s run toward the FL in ep.13 also looks fake.
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🍅 Shallow Dialogues
There are too many vague and unnatural lines. Some are so melodramatic they become ridiculous. For example, no one would allow a prisoner of war to casually have a long ping-pong conversation with someone on the city wall, asking whether there’s enough food inside before execution.
There are also too many long speeches that exist purely to explain things. Instead of showing, the drama constantly tells. Characters, including the leads, deliver extended monologues that feel forced, artificial and pretentious. These monologues are the result of the laziness and/or the lack of skills from the writing team.
And it's even more absurd when the FL suddenly starts narrating her thoughts through voice-over in ep.9. A character who is supposed to be mysterious ends up explaining everything directly to the audience.
At this point, it’s hard not to feel that the writing team lacks capability. They don’t know how to craft sharp, meaningful lines or distinguish characters through behavior. They rely on blunt verbal explanation, which is the least convincing way to tell a story.
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🍅 Shallow Acting
The weakest performance goes to the ML.
After seeing him in several series, I think it’s fair to say his acting lacks depth. There’s no real interpretation behind his performance. It feels like he’s simply following instructions, like “smile here,” without understanding why.
His repeated light smiles throughout the first 9 episodes feel eerie rather than meaningful. There’s no emotional layering behind them. I can’t tell what he’s trying to express and it doesn’t feel like he knows either.
When he starts to show his love toward the FL at the end of ep.9, I can't figure out at all how or when this love actually begins.
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🍅 Shallow Atmosphere and Cinematography
The cinematography lacks sense of artistry. This becomes especially obvious when comparing to other dramas airing around the same time, like Generation to Generation and Pursuit of Jade, which have more beautiful, impressive scenes. I can see how these other two dramas had designed their storyboard scene by scene while I don't think Love Beyond the Grave's production team knows what a storyboard is.
The atmosphere and camera angle combined have made Love Beyond the Grave feels outdated, almost like older TV productions that the main goal is to simply push the story forward without creating moods or visual identity. They don't care to build any emotional engagement for the audience at all.
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🍅 Weak Supporting Cast
The supporting characters don’t help. Many of the extras feel exaggerated or flat. The ML’s female subordinate is particularly annoying, while the male subordinate leaves almost no impression at all. There are almost no memorable side characters.
The only one that feels natural is the child who follows the FL.
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🍅 What a Waste of Dilireba
I’ve always liked Dilireba. She’s capable and established enough to choose high-level projects. I don't know why she ends up surrounded by what feels like an inexperienced team across the board: directing, writing, cinematography, CG and even her co-lead. The result on the screen looks cheap.
There’s also a noticeable mismatch between her and the ML. It’s not just the maturity, but also the difference in acting.
And when she has to act with weaker actors, her own acting starts to feel less convincing as well. Instead of elevating the scene, she gets dragged down.
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This review may contain spoilers
Like watching a car crash in the best possible way to the very end
First disclaimer: this series covers A LOT of sensitive topics. There are very dark themes present and most of the characters are flawed in one way or another. However if you can handles the themes covered in the series, this will keep you on your toes both excited and horrified just thinking what kind of twist is next in the plot line. This is full 10 eps packed with scheming and action, and I think I will be suffering from a void not having to anticipate the next episode weekly.In terms of acting I think Peat and Fort do their best roles to this date. Neither Kelvin or Vier in this series are innocent, the more you watch the series the more you kind of realize that both of them are quite twisted in their own way. This is one of the series where I wouldn't have necessarily minded if the main couple had not ended up together at the end. So much just goes down between them, that a ending of them going separate ways would have been an equally acceptable conclusion compared to the canon ending we get. The GL pairing was cute, the series did give them enough screen time for the pair to be believable (which a lot of BL shows don't do). The combat scene given in the last ep to Nana was awesome!
The only thing that could have been executed better was the amount of flash back scenes in the first few episodes. You really had to pay careful attention, because otherwise it could be very confusing when the scene was in the current moment and when it was a flash back. On the second half of the series this is no longer was an issue, bc the story focuses to the main plot unfolding. Something else that maybe could have gotten more screen time was Kelvin's treatment and recovery. They probably had a budget only to cover 10 ep, so Kelvin getting a proper treatment to his very serious mental health issues is just referred to few times in the final ep. I think covering Kelvin's recovery and how he and Vier work out the craziness they went trough would have added even more depth to the plot and made ending not seem so glossed over.
In conclusion:
- If you like a mature BL with a plot that keeps twisting to the end, this is a gem.
- Always a pleasure seeing your favorite actors doing something very different and excelling while doing it.
- Don't watch this, if you are looking something easy and lighthearted.
- You will probably need a week or two to recover once you have finished the series, the impact is very lasting.
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A Manifesto Against Family Tyranny Wrapped in Luxury
I went into this drama expecting a fun "harem" style rom-com, but the very first scene shattered those expectations. What I found instead wasn't just a romance; it was a stark manifesto against family tyranny and social inequality.The drama immediately establishes an incredible level of matriarchal supremacy. The female lead, Rong Shan Bao, is so powerful that the men around her often appear powerless, even pathetic. It’s rare even for a mini-drama to showcase such raw female dominance — not as an erotic trope, but as a rigid, harsh hierarchy where men are humiliated, beaten, and forced to their knees.
The first episode introduces Lu Jiang Lai as a brilliant detective and a ruthless judge. I was looking forward to an intellectual "clash of titans" between him and the arrogant FL. However, this battle of wits quickly became a one-sided game. While the ML didn't technically lose his intelligence, the plot focuses so heavily on the schemes of the Rong sisters that Lu Jiang Lai often feels intellectually overshadowed.
Throughout the drama, Lu Jiang Lai occupies a subordinate position. While he was an amnesiac servant, this was justified. But even after regaining his title, his dependency on Rong Shan Bao shifts from social to emotional — driven by "limitless love." In some scenes, he feels less like a powerful official and more like a cunning, moody "favorite concubine." By the final arc, his active problem-solving is replaced by passive resistance; instead of taking charge, he goes on a hunger strike and weeps in captivity. While Hou Ming Hao suffers beautifully on screen, the transition from the enterprising official of episode one is never fully explained.
The supporting male characters sometimes appear stronger than the ML. Yet, they still lose to the women when it comes to weaving intrigues. I might be wrong, but the complex plans with many variables devised by the female characters always turned out to be more well-thought-out and led to success, while the men's plans inevitably crumbled when faced with reality. The FL herself resembles a Mary Sue in her ability to execute intricate schemes and predict the consequences of others' actions.
Despite all this, the drama is a real "one-breath" watch. The characters evoke deep emotions, the plot twists are intriguing, and everything looks aesthetic and impactful.
The tea plantations are breathtaking — I often wished for more scenes in nature rather than the manor.
The costumes are well-thought-out, beautiful, and highlight the characters' personalities.
Overall, the drama is visually luxurious, as is the cast.
Gulnezer Bextiyar did an excellent job playing the heiress of a great clan. All her arrogance and lack of emotion are part of the character and are fully justified by the plot. Rong Shan Bao is used to hiding her true feelings and intentions, and she behaved the same way with the ML.
Hou Ming Hao fit every image created by the screenwriters amazingly well — the smart and cunning official, the powerless servant, the powerless lover, the devoted lover, the caring brother and the rebellious son. Lu Jiang Lai went through a compelling arc, and watching every stage of his journey was fascinating.
The supporting characters turned out to be no less vibrant than the main leads. I would especially like to mention a few:
Ma Wen Yuan created such an annoying character that one cannot help but admire the actor's talent. Especially knowing his other works where he played sweet and kind lovers (just remember his sweetheart in Word of Honor).
Another acting talent that amazed me is Liu Qing. He played the Yang twins, and these brothers turned out to be so unlike each other that such differences couldn't be achieved by hairstyle and costume alone.
Hu Jin put so much emotion into the monologue about her character's terrible fate that it gave me chills and brought tears to my eyes.
Zhang Lei is again in the role of the despicable "Father of the Year." If I hadn't seen in other dramas how wonderfully he can play this image, I wouldn't have written anything — the ML's father turned out to be quite forgettable here, even if repulsive. Zhang Lei can make the audience hate his character with a single fleeting glance. Here, I felt that was missing.
It’s a bit strange to return to the plot at the end of the review, but I have a few thoughts.
The drama is divided into two unequal parts — about the FL's family among the tea plantations and the ML's family in the capital. At first glance, they are completely different: matriarchy and traditional patriarchy. But both are "snake pits" with a cruel leader and bitter, cunning, vengeful, and essentially unhappy family members.
All the characters' problems stem from the fanatical behavior of the head of the clan. Both the FL’s grandmother and the ML’s father bet on strength, discarding all other qualities and especially the feelings of their offspring. As a result, the younger family members and their husbands/wives weave intrigues, frame each other, and even kill — just to avoid being humiliated and killed themselves. Perhaps the cult of strength is considered acceptable for a feudal society, but within the family unit, it feels cruel and shatters lives.
Speaking of society, there is no obvious attempt in "Glory" to adjust to 21st-century moral standards. This is a world of brutal class stratification, where striking a servant is an absolute norm that requires no justification. Because of this, it is extremely difficult to empathize with the characters: they live in a system where human dignity depends solely on a title.
Overall, the drama left me with a mixed impression, but specifically because of my not-quite-justified expectations. If I try to evaluate it objectively, it is a very worthy work. With well-thought-out details, luxurious costumes, beautiful cinematography, a gripping plot, and most importantly — interesting characters that evoke a whole spectrum of emotions.
I think this story is not that simple, and during a single watch, it was difficult for me personally to simultaneously follow the plot development, admire the aesthetics, and identify all the meanings that the creators put into their creation. But, to be honest, I don’t know if I will rewatch it.
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A Grand Romance That Couldn’t Capture My Heart
This is the sequel to Estranged Fall in Love, and it's a pretty solid follow-up—but unfortunately, it wasn’t my cup of tea (just like the first installment). Together, the two dramas tell a compelling and epic story of a love that transcends fate and multiple lifetimes. The characters’ struggles and goals are easy to connect with, and the overall concept is genuinely interesting—I could absolutely see myself enjoying it as a novel. But for whatever reason, I just couldn’t get into the on-screen execution, even though I absolutely love Yan Zixian. I make a point to watch all his costume dramas where he plays the lead, but sometimes it just comes down to personal taste. Some shows resonate, others don’t—and for me, this wasn’t one of them.Was this review helpful to you?
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This review may contain spoilers
Sloppy ending and a weird way to reimagine a horrific period in Korean history
...Idk I really wanted to love this the way everyone else did, but I walked away a bit underwhelmed.Let me start with the positives, because there are quite a few. Yoona was genuinely great, I just love watching her on screen and love that she is getting proper roles and is being taken seriously as an actor. She just has that effortless charm that makes everything more enjoyable. And I called a hit fo Lee Chae-min ever since Crash Course in Romance, so I’m very pleased to see him getting more recognition. He was really solid here too. I thought he did a great job shouldering a very solid lead, especially on such short notice due to him esentially replacing the original actor who was supposed to play the role.
I also really loved how they gave the editing a cooking show touch with recipes you could actually recreate. I thought the cooking itself was the main attraction.
The comedy at the beginning was so good. Like actually funny, not just "ig i should laugh" funny. Which is why it’s even more disappointing that they slowly let that element fade as the show went on. By the time the political conflict took center stage, I was already kind of checked out, it just wasn’t that compelling nor well written.
The leads had good chemistry, I’ll give them that. But the romance itself felt… undercooked. Like all the ingredients were there, but no one left it on the stove long enough. And then the ending?? SUCH a cop-out. It really felt like they backed themselves into a corner and just went “eh, good enough” instead of properly explaining things.
(MAJOR SPOILER) The whole situation with him being in Yoona's world fully as himself while everyone else is some version of reincarnated or altered selves?? Yeah… that needed way more thought and explanation. Did he also travel with the page? But the page was destroyed so how did that work? (END SPOILER)
Now another part that I absolutely hated was the casual reference to SA??? Why did the showrunners think to "reimagine" a true hated figure in actual Korean history?? Why are we redeeming and romanticizing someone who was terribly cruel to women? I think they could have just invented a fake character and gave him a similar backstory(and not as laced with SA!!??) for the initial misunderstandings to happen and it would have served the same purpose.
Also, small but persistent annoyance I had was how they kept marketing this as “Western food meets Joseon cuisine,” but let’s be real, it was just French food. French techniques, French presentation, French everything. Which is fine! Just… call it what it is. The “Western” umbrella felt a bit misleading when there was barely any range beyond that.
All that being said… I still had a good time after forcing myself to overlook the actual historical figure. At the end of the day, it’s pretty people on my screen and I can rarely say no to that.
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Learning about accepting warmth in a cold, quiet winter.
This drama feels like standing in the middle of winter where everything is still, muted, and a little lonely, but warmth slowly builds in small places. It allows the leads to move at a gentle pace and never rush their emotions. I liked simply being a witness to it. The winter atmosphere, the bookstore, the book club, the familiar countryside neighbors, and the quiet routines all created a space that felt comforting even when the leads themselves were not. It is framed as a healing drama, and that softness does come through, especially in the way people show up for each other in one way or another.At the center are two emotionally distant people shaped by different kinds of pain and loneliness. The ML is capable of giving warmth to everyone around him through actions, yet he retreats the moment that warmth is returned. He has a loving family, but he keeps them at arm’s length, creating quite a distance. Similarly, the FL returns to the countryside carrying something heavy and unresolved. And this distance extends her, almost seemingly inherited, when we are introduced to her mother and aunt, who seem just as colorless. The drama holds onto these emotional gaps like a mystery. I kept wondering why they were both so withdrawn, and why their lives felt paused. The hints only begin to surface in the second half, when their romantic relationship has already taken root.
The first half feels like a healing romance built on familiarity. The ML who had been yearning for the FL and is his innate nature to care for her, and the FL, who had been the recipient of his warmth, opening up to him. With their unspoken sense of loneliness, it was like a story of two people slowly finding comfort in simply not being alone.
Then, the second half shifts into confronting the past. Their relationship gives them the courage to finally face what they have been carrying for years, though it does not make the pain any lighter. The ML’s backstory explains his detachment and loneliness, but the FL’s past turned out heavier than expected. At some point, however, the narrative leans heavily into the aunt’s story, and it almost feels like the FL gets pulled into something larger than her own arc. I am unsure on how I feel about this focus, but still, it does answer many of the questions surrounding their family dynamics and gives context to the FL's emotional distance that defined the first half.
Some more parts did not fully convince me. The drama occasionally felt like it was trying too hard to be poetic. The slow pacing worked, but combined with the layered mystery, it sometimes became more confusing than meaningful. The emotions were present, but the motivations were not immediately clear, and it took so much time for everything to settle. I also questioned FL's reconciliation with a former friend and how she processed the truth about her family, and it was difficult to understand how the narrative tried to frame her mother’s pity toward the very person who caused their suffering. No DNA needed for the mother and daughter; they pitied the people who harmed them. These decisions did not take away from the overall experience, but they did leave me a little unconvinced.
What kept the story continuously appealing was the community. The side characters, except for a very few, were easy to love. Everyone had their own quirks and presence, allowing them to shine in their own little stories without overshadowing the leads. The neighbors, the townspeople, and especially the book club gave the drama its warmth. They simply existed together, and their presence reminded us that sometimes, we can receive comfort from being quietly surrounded by people who care and understand.
By the end, it felt like watching two people learn warmth in the middle of a long winter, but not everything landed. I wish we understood the leads earlier, and I wish the ending felt a little clearer. If I had to point out a takeaway I got from this drama, it's that, the ML, his uncle, FL, her mom, and her aunt all need to go to therapy lol.
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No words to say best amazing ? you will fall in love with this drama.
First of all from starting you will get engaged in this but here I am talking about zhang linghe and tian xiwei. Tian xiwei you must have watched her in many dramas her cute side , strong but this will let you forget her other drama when I saw her lift zhang linghe and it was real not ai not any prop to lift him just her the efforts she put in fighting skills the prop pig that showed in drama was also heavy and linghe was also amazed that a lady lifted him this thin he said that it's the first time someone lifted him and it's a girl,Her acting amazing
😍 🤩
Zhang linghe his entry song RISING STROM it's like made for him only handsome and head peace like song wukong it was his idea I have nothing more to just no more spoilers just watch you will love this review is for the leads of the drama their efforts both have worked very hard 🌹🐖
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The art of making a damn good show
The Art of Sarah really had no business being this good from start to finish. I mean, I already knew this would be right up my alley because the premise? Obsessed. The cast? Say less. But when something sounds too perfect on paper, I get nervous. Call it trust issues, call it experience with k and cdramas... Either way, they nailed it.I started this as a “let me watch 1–2 episodes before bed” situation… which quickly turned into me staring at the ceiling at 6am wondering where my self control went. I genuinely could not stop. This show is dangerously bingeable.
At its core, it does such a good job exposing the luxury industry for what it really is: marketing, illusion, vibes. And since I’m already a sucker for con/heist type stories, this had me locked in immediately. But then it layers in a full on mystery, kind of a whodunit energy, and suddenly I found myself dissecting each con, each interaction and playing detective myself. The fact that it’s also a mini drama format? Perfect. No filler, just chaos (complimentary).
Let’s talk cast.
Shin Hye-sun, as usual my girl understood the assignment and delived A++ levels. I already expect a lot from her, but she went above and beyond here. Every persona she took on felt distinct, convincing, and just different enough to keep you slightly off balance. And that’s the whole point really, you’re constantly asking along with the detective, "who is this woman, really?" And the show never fully hands you a clean answer, which I loved. We get enough to understand her motivations and a glimpse into who she is NOW, but not enough and honestly, that made it even better.
Lee Jun-hyuk was also so good here. This type of role suits him ridiculously well. I just wish we got a bit more of him as a person, outside of the detective lens. We get glimpses, but I wanted more, especially to understand what was driving his obsession with the case and this need to “win.” Because every time the show leaned into that, it got even more interesting.
The writing was very sharp. You think you’re signing up to watch one con, and suddenly you’re ten layers deep into increasingly elaborate schemes. Every episode feels like its own little rollercoaster that you're on along with Lee Jun-hyuks character as you peel back the layers of "Sarah". And what I really appreciated is how morally grey literally EVERYONE is. At some point, you genuinely stop knowing who to root for, and somehow that makes it even more fun.
The supporting cast also pulled their weight. No weak links, no “skip this subplot” moments, everyone added something to the overall experience, which kept me fully in the show the entire time.
My only complaint would be the technicality of the ending, mainly from a prosecution POV, the pieces didn't fit together AS neatly as the show wants you to think. However, I chose to suspend my real world knowledge and just accept the shows logic. But this part is the reason why the show isn't a 10/10. They could have cooked the ending logic a bit more to wrap the show up even better.
Overall, if you like mystery, deception, morally questionable characters, and a peek behind the super polished curtain of the luxury/fashion world, trust me, just watch this. Just maybe don’t start it at night like I did, unless you’re okay sacrificing sleep.
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Same storytelling with different story but...
Griping storytelling but the story itself give off a feel of being. Fake. Now obviously china hasn’t fought any war with anybody after they got their Modern military technology so they Don't have any story to tell. And then they make up a fantasy based country and write story on it while keeping their diplomatic views on top. Basically this is it! But the Director has done it all to make it look realistic and i love this thing about him. Overall fight sequences felt good but Could've been better. Comparing to Operation red sea (2018) and story this time fake but wouldn’t feel like It's fake if it wasn’t nuclear program 🥲 that's it, everything else is good.Since It's a submarine movie It's CGI must be on topic and it was AWESOME!
Only difference is, i have Watched operation red sea over 100x but thia one is one go and then okay I'm done with it. Foe once It's 8/10 bot if i go for 2nd time it will be 7.9/10
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This review may contain spoilers
Twilight with a BL style
PLOT: Tong (a supposedly hemophiliac orphan) leaves the orphanage with his friend Tonkla to go to university. Tong takes odd jobs (waiter), during which he cuts himself. Mark (the ML, a vampire tasked with secretly protecting Tong until he turns 21) intervenes to prevent Tong's Golden Blood from attracting all the other vampires in the area, especially Nakan. Mark gradually gets closer to Tong, protecting him from all those who want his Golden Blood.+++ Excellent, convincing actors: Joss Way-ar Sangngern, Gawin, Mond, and the villain Um Apasiri Nitibhon.
+++ Effective direction: good pacing, high-quality effects, excellent OSTs.
+++ Coherent storyline
+++ Satisfactory HE
### Nothing truly unexpected, some plot holes, some clichés.
=> Entertaining, well acted and well made, but not memorable either.
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Twighlight à la sauce BL
PLOT: Tong (orphelin soi-disant hémophile) part de l'orphelinat avec son pote Tonkla à l'université. Tong prend des petits boulots (serveur), au cours duquel il se coupe. Mark (le ML, vampire chargé de protéger Tong secrètement jusqu'à ses 21 ans), intervient alors pr que le Golden Blood de Tong n'attire pas ts les autres vampires du coin, notamment Nakan. Mark va se rapprocher peu à peu de Tong, pr le mettre à l'abri de ts ceux qui veulent son Golden Blood.
+++ Excellents acteurs, convaincants : Joss Way-ar Sangngern, Gawin, Mond et la Villain Um Apasiri Nitibhon.
+++ Réalis° efficace : rythme, effets de qualité, excellents OSTs.
+++ Storyline cohérente
+++ HE satisfaisante
### Rien de vraiment inattendu, qq plot holes, qq clichés.
=> Distrayant, bien joué et bien réalisé, mais pas mémorable non plus.
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Thank the heavens it's over.... but
The series was good enough albeit very confusing with the erratic jumping in and out of the time lines. Though some acts felt circulatory rather than progression. The length did nothing to enhance the story as some of the actors needed an early exit. Mainly, Ken. The father, proving to be the biggest moron, as he kept relying on the village idiot. The erratic pointless behaviors of others would see me using the 2X just to get through it. I like the premise of the plot but it lacked conviction. The hair brain plans, and gratuitous performances left the script badly wanting direction and weight. This leads to the elephant in the room.The elephant: Fort and Peat. The sex.
The director knows their strengths. They look good together. They blend well in most of their responses to each other, verbally and physically. What he can't erase is the obvious. Their acting.
Fort has grown a little. Peat has not. What I would like to see is Fort have more presence on screen rather than relying on his gorgeousness. Let’s be real, he is. Sometimes his movements say I'm waiting on the next line to react. There is a bit of a pause in the fluidity. The body was made for suits but the smile can only go so far.
Peat is still in the bedroom in college in LITA. His mannerisms bring nothing new. He plays broken characters as if that’s all he knows without adding layers or nuances. Ep 9 when speaking to the doctor emphasized this. He is childlike in most.
The sex. Too practiced. Too rehearsed. Always too important to their scripts that beg for better telling. Are they bad? No. This should be an evolution not an insertion to keep viewers.
The ending did not have the effect on me as was expected. Between eyes rolls and a heavy dose of laughter at the declaration scene, I didn’t like it much. Vier closing his eyes, waiting on the final moment just sent me over. Though it is here Peat actually showed the right restraint. Vier forgiving in the name of love, unbelievable. He carved his forehead in his insanity. But hey, if Vier can forgive, we have to also. Just make sure he's on some kind of meds.
It's watchable, take with a large grain of salt and lower expectation.
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A potentially riveting show that fell prey to misunderstandings and clichés.
This show is one that I kinda watched out of spite because of how gravely disappointed I was with everything that went down after the initial few episodes.I was hooked by the charming & intelligent general whose strategy in times of unrest were rivaling that of our male protagonist and despite them being on the opposite ends, both vying for the same power they were forced to cooperate-? How cool was that??
They both were giving the vibes of fighting with tooth and nail without ceding an inch and the chemistry between the secondary couple was also really cute BUT....That's where everything started to go downhill and in the end it became a landslide that buried a potentially amazing story to cliches, dog blood and characters doing extremely illogical things out of "love" but the thing was the Li Ni & Ayin from the initial episodes would never let go of their interests even n the face of their feelings, they'd be vigilant towards each other and would be scheming behind each others back!
The thing was they caught feelings wayy too fast and after that came the usual MISUNDERSTANDINGS--Utterly absurd!
The antagonists in this show survived for so long just because of the misunderstandings between the main characters- they were extremely 2D, lacking any depth and their motive was what- LOVE? Like babes are we fr??
I hate when female antagonists are reduced to baseless caricatures lacking any intellect and losing everything for the sake of love and just to push forward the romance line of the main characters aka becomes the spices for drama
the same case was for the second male lead, the absurdity of everything really made me wanna yank my hair out- the political plot was also sidelined for the romance which well was ofc hopeless.
The ending-??? Whyyy???Her jumping out of the coffin was..ugh not fun at all.
Overall,
A Slower burn with more time for the feelings to develop & marinate, less misunderstandings, antagonists with logical motives, more about them surviving the political uprising together would've made this show a much better experience.
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A great movie
It's a great action movie, but it's hard to recap with a few words because there are many things happening, and you can quickly give away a spoiler. In terms of plot and acting, it was brilliant, and it has a stellar cast. You need a bit of history brush-up so you can understand it all, but the movie does a good job explaining it all.Was this review helpful to you?
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Lovestruck in the City is a very fresh and unique k-drama. It was such a refreshing universe to enter and it is the perfect break from one’s regular life. The show was incredibly well-written and I smiled so much when watching it.It was really cool seeing the protagonists going from talking to each other through the interviews to actually seeing each other IRL. The duration of each episode was also perfect and I really felt like I was captured and stuck when I was watching Lovestruck in the City. I really lost track of time and barely checked the time, which is a very great compliment.
Lee Eun O was so flipping cute and just felt so fresh and amazing! Oh Sun Yeong also really grew on me, the more you got to know about her, the more you realized the actual depth her character had.
I also need to mention that the OST was so good (I was very surprised by how many songs we got though) and that the flashbacks were amazing and probably my favorite parts of the show! They were so fresh, especially the beach scenes with Park Jae Won and Lee Eun O!
Could have been better: While Lee Eun O is my favorite character, she did annoy me a lot, especially when avoiding Park Jae Won.
I would have wanted to see more of when Park Jae Won and Lee Eun O got back together, it felt a bit out of place but I’m of course happy that they did.
While the ending was cute, it felt sudden and a bit out of rushed compared to the pace of the rest of the series.
Rin I and Kyeong Joon breaking up came as such a shocker, I got a bit disappointed but I suppose all characters can’t get a happy ending.
Disclaimer: It was difficult to give the correct rating and ranking considering how unique and different from other series Lovestruck in the City was, but I tried my best and this is how it turned out.
Best episode: Episode 9
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