Reviews

Nice show

Nice show.

With YJ, the bizzarre thing is that I had more questions about her behavior and doubts about the sincerity and timing of her apology that apparently HS had, given that he called her out on very little of it, and even then dropped the matter afterwards. On one hand, the claim that she is sorry and loves him, on the other hand, the timing of the apology (now that she has broken up with DK and wants to get back to HS after not a word for two years... had things gone different with DK would HS never heard from her again? No apology or anything of the sort?

Seems a little suspicious in terms of the timing that she would suddenly discover she feels enough regret that she wants to apologize, right after she and DK broke up and she wants to get back with HS. But the irritating thing is that we are not given critical information such as whether she did leave DK because she was in love with HS. But then again, this is a different question from her feeling the need to apologize to HS... I would have feeling guilt eat away at me in an intolerable manner if I had deceived my partner of almost ten years that I know loves me completely, it wouldn't have come two years later (it's even unclear whether she knew he was aware of the more than year long deception when she asked him to take her back, and if she knew he was not it would be frankly an appalling information to withhold, but again, maybe she didn't hide it from him, we are simply not told).

I mean, not a word in two years, and suddenly she is both apologizing and asking to get back together? What is going on? Is she feeling sorry because she wants HS back, and wouldn't have felt the need to apologize otherwise? She apparently didn't provide such an apology, nor any other word, while she was in NY with her lover for the past two years. It does all seem rather self serving and all too convenient, and in HS's case I would have more than a little trust issue and question for her. Not that the show provides much information for one to form a complete picture (we hear about a certain underwear model when she talks to DK and he asks about the musician, but it's not clear if it was DK's rebound after they broke up, we don't know why they broke up, specifically who broke up with who, though DK apparently has feelings for her and she does not for him, but apparently loves HS and want to get back to him instead, while HS's cousin basically puts it in a way that makes it seem like she has broken up with DK explicitly to get back with HS... but then again, apologizing for lying to HS for more than a year is something that should have been done years ago, and should have been independent from the question of whether she loved him or not, yet it's not even clear whether she knew HS knew, or whether she even come clean about the more than year long deception, though we know that he had discovered it was going on in the more than one year where she was seeing DK behind his back, so HS had discovered it beforehand in any case, at a time where she was still convinced she was successfully fooling him when she lied to his face every day... though I must say, the way she brushes that aside when he agonizingly brings it up does undercut her half uttered apology from the first episodes... again, as a viewer I was second guessing her more than HS did, and had far more question about the whole situation).

One horrific thing about the situation is that HS basically didn't hear a word from her for two years, and yet had to routinely hear about her romantic life with the guy she had been seeing behind his back for more than one year, before running off with said guy to NY, from the press. She is a celebrity, it's unavoidable.

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Captivating

Wow, what can I say? It's finally over. This show was very interesting to watch without too many over-the-top theatrics. I liked how everything tied in together in the end.

Things I wish would have happened/my only complaints (minor spoilers):

1. Development of YJJ and CSE's relationship. We got a lot of flashbacks but I still feel like more could have been done for the audience to grasp what led YJJ to want CSE back after he got divorced. Additionally, it would have been nice to have had more than 1 episode focused on them. They start getting closer and she becomes vulnerable and then bam, something happens towards the end of the episode that leads her to distrust him. Though the distrust is brief it is still unsatisfying.

2. The husband's obsession. It's not fully explained why he is so insistent on staying married to CSE. We can make assumptions based on what is seen so far but I somehow wish that was explained further. It did need a lot of episodes but just even a flashback maybe or something that shows what exactly it is he's clinging to. Is it her prestige and the benefits of being her husband alone, or does she have some hidden wealth or is it a combination of that and some lingering feelings? I feel like we the audience are left speculating.

Aside from that, I think everything was well done. I won't say anything else because it will lead to major spoilers but if you are debating watching this, I think you should give it a go. It's great with a great, strong, and complex female lead.

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Just watch if you enjoy telenovelas

Usually, I don't comment, but I've noticed a lot of complaints, so I felt compelled to share my thoughts. For those who enjoy telenovelas, soap operas, or traditional Korean family dramas, this series is definitely worth watching. The actors are charming and add a lot to the show. However, the main issue lies with the scriptwriting. After the midpoint of the series, it seems like the writers lost direction. It appeared as if they were trying to fill a quota of episodes, leading to the story being unnecessarily dragged out. This excessive stretching detracted from the overall quality of the series. If the series had been condensed to just 10 to 12 episodes, it would likely have been much better received.

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Nice conflicts

Nice conflicts.

In terms of the sincerity of YJ's half uttered apology, one thing that I would very much like to know is whether it was meant for leaving him, or for lying to his face for more than a year and seeing DK behind his back. Was the the one that confessed it, or did he discover it on his own? I must say that if she asked him to take her back without telling him it would be pretty damning, in terms of deprieving him of the ability to make an informed decision.

Another aspect, of course, is why is she back now. She didn't call for two years, and now she is back and only now utters the apology. If she and DK had not broken up, would she have gone to HS and apologized? So her feeling sorry and apologizing depends on the success of her relationship with DK? Or did she decide that she was in love with HS and broke up with DK because of that (or did DK cheat with the underwear model?)? And if she was not in love with HS, does that mean that she shouldn't come clean to him about the betrayal, or not apologize? Not that we know what happened. And does she regret the cheating? Or following DK to NY? She still says she run off with him because she was in love with him. Does she regret it now? Both or just the lying for more than one year part? And would she regret it had things worked out between her and DK?

All this makes it pretty difficult to gauge what she is feeling sorry for, exactly, and the fact that she is apologizing now that they have broken up, but didn't bother to say a word to HS for two whole years does make it pretty difficult to understand the sincerity and value of the half uttered apology. Her subsequent behaviour, even with respect to DK, does further call into question her feelings on the matter, because would someone that genuinely feels guilt about what they did to HS really diminish and mock his insecurities, or use DK to make HS jealous and threaten to leave him for DK again, or brush aside the pain of HS knowing about her seeing DK behind his back for more than a year, or throw in his face the fact that she left him because she loved DK and followed her heart, and he couldn't stop her even by begging, just like he couldn't stop her now, or make lights of her betrayal and HS's feelings towards DK with that horrible joke scene at the end, where he was forced to play along in half disbelief, which reminded me of the "jokes" they made around his attraction to FL?

In short, what is she sorry for, and would she be making this apology if she was still with DK? She didn't talk to HS in two years while they were together, after all. Not feeling sorry and/or not feeling the need to apologize until things were going well? Or to say a word to him for two years? Only discovering she felt sorry and wanted to apologize now that she wants a to rekindle the relationship with HS, and not even leading with that, not touching upon the topic after the half uttered apology when he had already let his in the house? A sincere apology would have related to her lack of honesty (and she would have come clean about it certainly before asking HS to take her back, not that I am asserting she did not as we are not told), and would have been independent from whether things with DK went well or she wanted to be with HS again, and it should have probably happened two years ago, not now that she and DK have broken up and she wants to get back with HS. I mean, no to appear too skeptical of her sincerity, because we know very little about the circumstances (and I wish the should would have elaborated) and we don't even know why she broke up with DK (maybe because she felt she wanted HS instead? And contrary to what she did to HS, she didn't want to deceive DK for some reason, so he extended him a courtesy she didn't extend to HS for more than a year?), but her not saying a word to HS and then coming back with a half uttered apology two years later when she wants him back does seem more than a little self serving.

Frankly, I felt the same way I felt with the wife in My Mister... where basically the apology happened only when things with her lover didn't pan out and she learned that DH had discovered her betrayal. Had none of those things happened, there would have been no regret/apology. Same thing for This Week My Wife Is having an Affair's case, honestly, where it felt perfunctory and too little too late. They felt similarly self serving.

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a cute drama with common sense

awwww i loved this show. all the characters were loveable and not annoying. the girl worked really hard. even her mom worked hard. conflicts weren't blown out of proportion and i actually enjoyed allot of the business moments. This show it really underrated. Short and sweet. the second couple were pretty cute too.

Basically all the characters acted really rationally and kind during rejections, new information, even in bad situations. She's described as a rich girl in the synopsis but she doesn't act entitled, overspend money or do anything to deny her new situation. she gets right into living her new life and tries her best. the main guy is also new to his job and although a bit reluctant at first, pretty quickly takes on his responsibility.

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The reveals are worth it even for someone who had read a significant spoiler prior

I've watched a few of the same themed Korean dramas. At no point do I feel Lee Seung Gi is acting a part. Where I often commend actors at the exact moment that I am moved by their interpretation, Lee Seung Gi's acting is immersive that I forget it's a drama. The feeling of it being very natural is primarily the reason I want to give the show the highest rating.

I've watched a few detective-themed Korean shows as well and I must say Mouse has the best utilized team. There is always a character of a cool chief, the slightly clueless but useful sidekick, the rat, the dependable detective, the rival, the ex partners, the detective that crosses between good and evil, with compelling reason. The cast are memorable and even though they fulfill the said character roles, their acting doesn't lean on cliché exaggeration.

Onto the more faulty parts -

The storytelling comes to an abrupt disconnect in the middle. From a cohesive narrative episode by episode it's as though an unrelated arc is suddenly introduced. That wouldn't have been a problem if presented more smoothly.

I am also not a fan of the scientific fiction but I give merit to the idea. I'll leave the morality discussion to those who are interested.

From the reviews across platforms, I've noticed the mother isn't criticized enough. She is more concerned about assuming the sin for the son rather than feeling sorry for the circumstance she maneuvers that allows him, them, to turn out the way they have. The pd lady is another character with useless lines. Aside from her program being too convenient for the plot, she poses herself as a significant character with moments of taunting the "father of all psychopaths" in the show but actually doesn't do sht -- and I'm glad it is other two characters who actually are given essential parts in the end in relation to the main character.

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A fresh and thrilling tale against demons.

To start with, the music (both modern and traditional, just like the drama itself), the costumes, the special effects and the fights, the landscapes and settings (the snowy territories especially, what a pleasure), the demons, I loved it. It was very similar to an anime but as a drama.

Speaking of the special effects, I was expecting anything but this, especially in view of the criticisms of this aspect? It looks even better than in the trailer. It's quality and I've clearly seen worse, forced criticism as usual... The fights were also superbly filmed and choreographed. Obviously, this isn't a drama with huge production value either, but I was fascinated most of the time. Xu Kai is way too cool and his mastery of the spear is impeccable, I can't even imagine how much he had to train.

The story isn't original, yet it's pure pleasure (and I've never seen that in a drama, so it's even cooler), it's always dynamic and I've never been bored. It's typically the kind of story I used to enjoy when I was younger, and frankly, it's refreshing. Some people thought it was cringe-worthy while it's just epic, too bad for them lol.

The drama delicately alternates between sweet moments, drama, action... The story developped very well and was very captivating to my taste. As you can imagine, the theme of evil demons versus good humans and the hero becoming all-powerful is far from complex. Nevertheless, I'm glad the drama brought a modicum of nuance. In addition, I loved the diversity of the characters.

Side notes:
- Overall it is not a drama high in emotions with amazing relationships and character development. It is pretty simple in every aspect. Indeed, it is far from an intelligent drama for a mature audience. Still a great and fun drama because it did what it was supposed to do perfectly.

To the people who claim the romance is bad: Tension is not the only form of chemistry, romance doesn't have to be intense. Sometimes romance is a sweet and subtle thing that can be built upon. I even found it beautiful.

If everything about Snow Eagle Lord gets you hooked from the first episodes just like me, and not only Xu Kai, you will have a lot of fun and be able to enjoy the ride. Besides, we never really see him less as some people states here, maybe for a few little parts but it wasn't for no reason. He is, however, the character we see the most, and certainly the most important. Yes, there are a lot of characters. Unfortunately those people are forcing themselves to watch it for him and are not into the drama.

Thanks for reading !

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Recommended for a quick dose of feel-good vibes.

"Suiyobi 22-ji dake no Kare" is like a warm, comforting hug in the form of a Japanese drama. In this delightful six-episode series, each only lasting five minutes, we're invited into the world of Natsumi and Haruto, two characters who manage to create a heartwarming tale despite the brevity.

Picture this: a college girl named Natsumi, hesitant about love, accidentally finds herself becoming the source of comfort for Haruto, a guy with insomnia. He has a quirky habit of celebrating random days like "orange day" or "dog day," making each episode a charming adventure into his eccentric world.

The actors may not deliver award-winning performances, but their chemistry is undeniable, infusing the narrative with genuine sweetness. The storytelling is both repetitive and fresh, a clever dance that keeps you engaged. Natsumi's internal monologues are relatable and add a touch of humor to the mix.

What elevates the drama is its cinematography. The warm autumn tones and slow, smooth shots create an inviting atmosphere, like flipping through a cozy photo album. It's a visual treat that complements the fuzzy, homey, and wholesome feel of the story.

"Suiyobi 22-ji dake no Kare" is that short, feel-good series you can finish in one sitting. If you're in the mood for a quick burst of romance and quirkiness, this is a delightful pick.

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Great concept - Binged it - Rewatch? Yes.,..but,

Spoilers - but, maybe it will help you follow and figure it out.

Binged this because there was enough detail to make this an interesting and compelling series. But, with the choices made by the writers/director - it created issues that will have you reaching for the fast forward button - often.

With any time travel story - you will have issues. People still argue the existence of the pocket watch in Somewhere In Time (a movie you see on the shelf at the DVD store in this series). Where did the watch come from - originally - if the person from the past gets it from the person from the future but, the person from the future got it from the person from the past - in the present? See what I mean?

We see the DVD store owner becomes integral to the story. He initiates the contact and allows it to unfold - each time (three times). He is always there for guidance - a wonderful mentor/guide. He even makes a decision when the characters finally get it right.

Here's the issue...because we have been fed so much information, when the story moves through the second phase - we already know the outcome - there are almost entire episodes that are a waste of your time. Does it really matter that we get to see their relationship develop when we know the outcome? And, while I understand a time traveler choosing a moment - why wait until a week before the event to make an appearance? Love and sacrifice are already established and understood.

I would have preferred to see where Ongsa went before Suansoon rejoins the present than to see the relationship develop - in detail - the second time (a given that could have been handled with references and a few flashbacks). Create a story where we want to follow what everyone is doing. Not waiting while they have their five minute stares at each other while the soundtrack plays.

Spend less time in phase two and expand phase three/the end. I loved how every character realized that they went through this before but, couldn't quite put their finger on it. Let's see more of that.

I really liked this series for going so deeply into a thought/story that others have not gone before. Would love to see this done by the Koreans with their larger budgets and stronger writers.

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Those idiots that gave this drama rating 10 read this

This is the worst drama I've watched, the storyline is totally ridiculous illogical flow. Is the screenwriter sleeping in his job? The flaws in the storyline are seen on every episodes with inconsistent character and storytelling development.
When you're involved in death situations, would you be indecisive? The world is at turmoil, but these clans are indecisive even though they're being attack. They're wiped out by enemy they knew coming, but the screenwriter choose to keep a blind eye on the story development, which led the illogical reasoning on the clans demise. Is it logic? Those idiots that gave this drama rating 10, did you even watch this? Or perhaps you're supporting this drama because of your favorite actors and actresses.
My main complaints on this drama are the director and screenwriter didn't do their job well. How could you not seeing the illogical flow of storyline on the screen? It would have been a good drama if the director and screenwriter developed the story with attention and passion.

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LOVE THE STORY, and also the chemistry of nana dan jang dong yoon

I will start this review from the story, this drama has unique plot twist about the past of two main chatacters and the murder, The chemistry from nana and jang dong yoon is in onother level I laugh a lot cry a lot,
Nana as Oh Baek-Ryeon who works at an animal clinic is a pretty woman and also strong woman bacause she is not dating anyone, and she badly wants to meet a man of fate.
The cinematic is so cool making this drama more and more unbelivable I think this drama would be the best drama of jang dong yoon that i ever seen,
This drama should have more and more viewers

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The drama is a pleasant surprise despite its lower rating

I've often taken the risk with dramas boasting ratings lower than 7.5 and found myself pleasantly surprised. I've started relying more on my personal preferences – if the synopsis, tags, and actors appeal to me, why not give it a shot? If it doesn't work for me, I have no problem dropping it.

Fortunately, "Watashi no Tadashi Oniichan" didn't disappoint, and the plot held my interest.

As I delved into the intriguing world of Watashi no Tadashi Oniichan," I found myself on a rollercoaster of emotions, captivated by a story that skillfully blended suspense, romance, and the unexpected. From the very beginning, the drama presented an unconventional premise, drawing me in with a synopsis that hinted at a mysterious connection between the lead characters, Rize and Kairi.

At the heart of the narrative is Rize, a university student navigating the complexities of life while working part-time at a cafe. Her world takes a curious turn when she encounters Kairi, a young man whose kindness resemblance to her long-lost older brother sparks a series of events that weave an intricate web of suspense and passion.

One cannot help but appreciate the performances of the lead actors, whose chemistry on screen is nothing short of electric. Rize 's character, portrayed with depth and emotion, becomes the anchor in this unpredictable tale. Kairi, the insomniac with a haunting past, is brought to life.

What sets this drama apart is its ability to maintain suspense throughout the narrative. As Rize and Kairi's relationship blossoms, the drama cleverly navigates the thin line between love and danger. The cleverly crafted plot twists, often catching me off guard, heightened the suspense and kept me eagerly anticipating each episode.

The drama successfully embraces the unusual, seamlessly incorporating dark elements into a passionate love story. Rize 's discovery of Kairi's diary, coupled with a confession that hints at a chilling truth, adds layers of complexity to the narrative. The emotional rollercoaster that follows, as Rize confronts her conflicting feelings and the unsettling reality, serves as the driving force behind the story.

While some might argue that the plot lacks depth or that events unfold a bit too quickly, the drama compensates with its focus on the characters and their chemistry. The unconventional love story between Rize and Kairi is a testament to the actors' performances, allowing viewers to overlook the occasional vagueness in the plot.

"Watashi no Tadashi Oniichan" invites viewers into a world where love is born from the shadows of the past, where characters grapple with their own demons, and where the lines between right and wrong blur. In the end, the drama's willingness to embrace the weirdness often associated with Japanese storytelling becomes a defining feature, leaving a lasting impression on those who dare to venture into its suspenseful embrace.

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The Best Plot Twist!

Introduction:
Kingdom Season One is a gripping thriller set in the Joseon era, offering a unique twist on the zombie apocalypse theme within a historical context. The show's period setting adds a distinctive flavor to the familiar genre.

Plot and Suspense:
The suspense throughout the series is truly commendable. The plot keeps viewers on the edge of their seats with its unpredictability. Initially, the assumption that zombies only attack at night is cleverly subverted, revealing a shocking twist related to temperature.

Character Dynamics:
The main characters, whether protagonists or antagonists, are portrayed with excellence. It's hard to dislike even the antagonists, thanks to their intelligence and the well-crafted strategies of the main characters. The character dynamics contribute significantly to the show's overall appeal.

Acting Quality:
The acting in Kingdom Season One is top-notch, with no shortcomings. The cast delivers stellar performances, bringing depth and authenticity to their respective roles. The characters truly come to life on screen.

Series Opening:
The opening of the series sets the stage effectively, creating an engaging atmosphere from the start. It captivates the audience's attention and establishes the tone for the thrilling narrative that follows.

Conclusion:
In conclusion, Kingdom Season One is a must-watch for fans of both period dramas and zombie thrillers. With its unique setting, unpredictable plot, outstanding character portrayals, and impressive acting, the series stands out as a compelling and memorable addition to the genre.

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Be Gay, Do Crime, Change The World

Yeah so I think this show permanently broke something in my brain and I have absolutely no regrets. Its reputation as a masterpiece is well-deserved; from the cinematography, to the music, to the acting... it's all absolutely fantastic.
Gun is obviously brilliant as both Black and White, but I would like to give a special shout-out to literally everyone else on the cast - they all deliver absolutely devastating performances that genuinely left me breathless on occasion.
The story is a perfect blend of action thriller, political commentary, and queer romance which feels suspenseful, believable, and thoughtful all the way through without ever becoming repetitive or preachy.
It addresses power struggles, systematic exploitation, oppression, and the politics and logistics of revolution unflinchingly and highlights the practical and moral complexities of these issues.
Even non-violent retaliation against an oppressor can have far-reaching and often harmful consequences for the people being oppressed.
Solidarity and community are one of the most powerful tools for enacting change.
Art and satire as acts of rebellion can be both entirely inconsequential and immeasurably impactful.
Revolution often cannot happen peacefully, change demands chaos and force.
In other words, Nuchy went straight for the jugular with this show, and to devastating effect.

My personal favourite thing about the show, and I think perhaps one of the main reasons it has resonated so strongly with so many people, are the strong themes as of art as a vehicle for change and revolution woven through the story.
Eugene's dancing, Namo's murals, the protesters' songs, Unar's street art, Yok's Proletariat Expressionism showcase (which was an absolute punch to the gut for me personally and made me want to jump up and race to the nearest art museum) ... the ways in which the series showcases art as rebellion are myriad.
But the most impactful of them all is clearly Unar and Yok's storyline. Not only is it beautifully told and deeply emotional, it also lends a lot of depth to the show's uncompromising ACAB stance by showcasing the fallacy of trying to change a corrupt system from the inside out and how oppressive power structures can do almost as much harm to those they benefit as to those they exploit. A sort of nuanced "the patriarchy hurts men too"-type look into police brutality, which I personally appreciate greatly, even if I do wish they had explored this subplot and topic more in-depth.

In short this show is, unironically, a revolutionary work of queer cinema which, while it is not entirely without flaws, is more than worth your time. I highly encourage anyone who hasn't seen it to go and watch it right now.

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