Deep Night (2024)

a pleasant surprise

Overall: I enjoyed the duality of one of the leads, the aerial silks and more. 8 episodes about 45 minutes each. Aired on iQIYI.

Content Warnings: manhandling, blackmail/coercion, past death, non con kissing, non con video recording/sharing

What I Liked
- clear premise
- sweet moments
- intimate scenes, mutual affection
- something I really wanted actually happened in the final episode, wish we could have seen a bit more of the relationship developments (maybe a special episode will happen???)
- Wela was smart and already knew something, he had agency
- aerial silks/pole
- the idea that people can act very different in different circumstances
- that Khem didn't want to do stuff when Wela was drunk (but drunk people will frequently say they are not drunk so I would have preferred they altered the scene slightly)
- GL representation
- a realistic point of tension with the main relationship
- mesh shirts
- apologizing and pretty good communication
- supportive parents
- (neutral) comedy sound effects (didn't seem to have as many or maybe I tuned them out)
- (neutral) there were a lot of characters introduced but the name tags many of them wore were helpful before I figured everyone out

Room For Improvement
- not a fan of, 'I won't tell your secret if I get to kiss you' type of stuff, luckily Wela held his own
- the shrieking in the first episode
- continuity error towards the end of ep 1, they were wearing different outfits when eating, perhaps they changed but it wasn't mentioned or shown
- nonsense stuff/convenient writing: 2 characters happened to have each others' phone numbers, drinking 1 shot wouldn't make a person so drunk that they wouldn't wake up and if it did they should go to the hospital, showing someone super drunk then not drunk and then not remembering things well the next morning (which a person would need to have been extremely drunk to have happen), the mom being worried about telling her son something
- the subtitles had several errors but I didn't take off points for it

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Refreshing and interesting

There is something so unbelievably refreshing about this series and I am loving it.

okay, to get it out of the way I have fallen in love with the two MCs Shogun and First. I cannot tell you why, but they just remind me of adorable little penguins that I want to keep in my pocket at all times. plus their chemistry is better than half of the shows I’ve seen lately. And I’m genuinely liking them on social media as well. They seem pretty genuine, and I adore that they’re also supporting other actors that don’t work for the same company as them. So they get points for being an overall outstanding supportive team player. But, no for real for some reason, they remind me of adorable little penguins that I can’t get enough of.

As for the series, so much has gone into this to make it a success. From the standpoint of the aerial performances alone, it’s pretty mind blowing, and you honestly, have to give them props for that. it’s also falls more into the fast paced timing which is nice since it’s cutting down on the unneeded filler scenes.

10/10 for the adorable little penguins

now that it’s over I still feel the same. this was a great refresher BL

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Not perfect, but memorable

I'll be upfront and admit I did not go into this with an open mind, AT ALL. I went into Deep Night fully expecting to find something cheap and surface-level that would make me cringe and regret hitting play. I'd probably end up rating it a 6-6.5/10 and say it was a tasteless, eye-candy watch.

Well, you know what? Shame on me!

This drama had glaring flaws, for certain. The main ones were the villain FL, who screamed like a banshee for no reason and was just plain annoying/idiotic, loud and out-of-place sound effects, and the central roadblock problem for everyone playing out in too similar a way each time.

But it also had highlights as bright as spotlights. And I'm not just talking about the amazing acrobatics, stunning performances, and intense chemistry between the MLs, oh no.

Quietly, a theme of breaking down prejudices and shifting perspectives unfolded, particularly on the part of Khem. He went on a long, difficult, growth-filled journey. From judging hosts, never wanting to be associated with the Deep Night club, and allowing his jealousy and lack of understanding of his boyfriend's career to overtake him to admiring the hosts and noticing their efforts, taking pride in Deep Night and working to make it succeed, and accepting and respecting his boyfriend's work to the point of feeling fully secure in his relationship and cheering him on without any reservations.

My own perspective shifted along with him as I found myself feeling emotional near the end, wishing the best for everyone and wanting the club to do well, not wanting to let these characters that had wormed their way into my heart go.

I wish I could explain in better detail just why I found this so worthwhile. All I can say is that I think you should give Deep Night a chance; it might just surprise you.

Note: .5 out of my score is extra just because, I really wound up loving it, dammit!

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BL and debate on a complex and novel social issue in the genre: male prostitution

It is estimated that almost 3 million Thais are in prostitution out of a population of 65 million inhabitants where, although prostitution is illegal, culturally, contexts of tolerance have been established, reaching the point of creating favorable scenarios to encourage economic growth. based on trips and sexual tourist events.
Bangkok's nightlife scene is majestic, with its lounges, such as The Pimp, Sherbet, Pegasus, St. Moritz or Le Pent, which copy the model of Japanese host bars in high-net-worth environments. Large, elegant nightclubs, with shows and luxury in abundance. You enter a place like this and at the door you already see that the matter is going to be expensive. They are places frequented by the upper and wealthy Thai class.
Inside, it's all tables where you watch the local guys drink high-priced liquor, accompanied by customers, both men and women, extremely smiling and pleasant. The hosts say whatever nonsense. The customers laugh. One drops the glass of drunkenness. His partner wipes his shirt and caresses his cheek.
Designed to receive groups of friends, and when I say friends I mean all male, the waiters of the also known as gentlemen's clubs greet the visitor with two cards. The one for drinks and the one for the hosts. But it's not a brothel. Hosts are not on the menu for sexual reasons. If you pay the high price, what they will do is sit with you at the table, serve you drinks and make you laugh all night. If you pay good drinks, you might touch some meat, kiss, munch, and you can even bite the neck and leave a mark as a souvenir. But no taking something home, at least at the price listed on the menu. It is paid by the company.
There is certainly some similarity with Japanese host clubs. But while in Japan you sit down with your rented girl or boy to tell her your sorrows and what stresses you about work, in Thailand it's for dancing and getting drunk. The hosts entertain the client by making them play rock, paper, scissors while laughing, or a video game on their mobile phone. Whoever loses, drinks. And the client always pays.
Of course, all this has a price. The guys in the lounge are carefully selected and have to be fun as well as remarkably attractive. Don't expect to drink a cheap beer either. The normal thing is to buy reserve whiskey.
How much can a joke mean in a lounge? Quietly about 5,000 bahts, 125 euros, if you don't lose control with what the hosts ask for. And that's knowing that, unless a miracle happens, they will go home like almost everyone else in a normal nightclub. Alone.
I think of all this when I watch 'Deep Night' ('Khuen Ni Mi Khae Rao'), the Thai series that bears the indisputable seal of "Cheewin" Thanamin Wongskulphat, the actor, director and owner of Copy A Bangkok, the production company and agency of casting, who is credited as the first producer of the Y series in Thailand, and who also made successful works such as 'YYY' (2020), 'Why R U?: The Series' (2020), the three seasons of 'Make It Right: The Series', all from Line TV, and 'Love Sick', his first drama, from 2015.
I think of all this when I watch 'Deep Night' ('Khuen Ni Mi Khae Rao'), the Thai series directed by "Cheewin" Thanamin Wongskulphat.
The series tells the exciting and stormy story of Khemthis, played by Shogun Paramee, the latest letter of introduction of GMM 25 in full ascendancy in his first leading role, who plays the beloved son of Madame Freya (Tanya Thanyaret), the owner of Deep Night Club, the most important host bar in the country, and Wela Ratthakorn, characterized by First Piyangkun, an already established figure within the genre with dramas such as 'War of Y' and 'Y Destiny', always in leading roles, this time representing no not only the number one artist on the trapeze, but also the host preferred by clients.
The series will attract the attention of many for different reasons, including the incredible chemistry in front of the camera of the two main characters.
A new aspect for BL fans is the social and cultural landscape of Bangkok nights and, especially, the elegant nightclub that represents the setting, a kind of acrobatic cabaret that serves as a backdrop to address a topic. new within the world of BL: male prostitution and escort services, since Wela and the other club hosts are auctioned and offer sexual and companionship services to clients who pay for their attention, without reaching penetration.
'Deep Night' shows us a form of male prostitution typical of Thai nightclubs. Since prostitution is illegal, these establishments seek to hide this social phenomenon when the prostitute, here called the host, is not paid directly or in cash, but rather through the payment of sexual services to the establishment and through the purchase of alcoholic beverages with those in which the client manages to spend the night being accompanied by the young sex worker.
The series shows how Thai rentboys are auctioned off in nightclubs. The hosts of the Deep Night Club are sex workers, although they only participate as mere companions or escorts. Who says that a person in the conditions shown in the series who receives money for their services, for not having penetrative sex, does not practice what is known as the oldest profession in the world?
Wela cannot do anything to prevent the provision of sexual services that the client demands. You can't do anything to avoid a drunk who insults you, someone who bites your neck, mauls you, touches you in an impudent manner, kisses you, and puts their hands under your clothes.
You can only ease your luck a little by frequently asking the client's permission with the excuse that you need to go to the bathroom. The host needs to ask permission from the person who paid, and justify leaving his table, even for a few minutes, hoping that the night goes by quickly and he is finally free.
The client acts like the client of any prostitute in any brothel anywhere in the world. He is the owner of the situation gained by punching bills or gulping drinks, which in this case is the same thing. The legal limits are set by the club. The sex worker cannot be a minor or be an undocumented alien or other violation of the laws.
Being exposed, Wela is forced to recognize that he has had to carry out this work in order to obtain the money that would allow him to pay off the debt left by his father. Then, new approaches arise: The main annoyance, anger and wound of a person in his place is due to reasons that the series hides, denies or ignores: the suffering of the prostitute for having to get ahead with his life, pay debts, be able to carry a plate of food on the table, being able to dress and put on shoes for his son, being able to pay for his elderly mother's surgery or his little brother's studies through this job.
Wela never questions the reality that life has brought him to. Wela never has a thought about what she is doing with her life, whether she has chosen the right path. He knows it's not the right way. For some reason, he has been hiding everything related to his work from his mother and everyone else for years, because he is aware that it contains both illegalities and shameful, defamatory, degrading, immoral content.
Instead of questioning himself about his behavior, of making the viewer understand why he has been forced to prostitute himself, which would be consistent with a person in his place, what he does is praise his sponsors, applaud the good things he has done. the club has been towards him or how kind the owner of the club has been in giving him the job.
The series does not offer us lessons, which would be extracted from focusing on specific issues like these. The main character does not give hope to people in his place. Wela does not redeem herself, she does not find redemption. He does not seek redemption.
I don't like that the series has approached this whole phenomenon of prostitution so lightly, in a festive tone, in which we will never get to know the human suffering behind the fact that a person decides to enter the world of prostitution .
And I understand that the creators have decided to face the issue in this way so lightly, so superficially, and not with crudeness, with realism, as the problem deserves to be exposed, because otherwise the series would be moving away from the BL genre to become an LGBT+ drama with greater depth, realism and complexity than this other genre would propose.
I also regret that the majority of fans of the genre prefer to ignore the obvious, and instead of joining the debate and reflection proposed by the creators and producers, they dedicate themselves to commenting on whether Japan would look good in a sequined suit or if Dai should touch up her hair. beard frequently.
With his resignation as host No. 1, Wela will no longer be bitten on the neck by a client, nor will he be groped, groped, kissed or touched in his private parts by someone who paid to do precisely this with him.
When the time comes, Freya has to admit mistakes in allowing prostitution in the club and apologize to the hosts "for the chaos that was previously in our club until today's special event occurred."
Whether or not it was their interest, the creators have given their opinion regarding the debate that is being waged today within Thai society about whether or not to legalize prostitution.
To all of these, I was hoping that Japan and Seiji would save the series from my disappointment. If Seiji always considered Ken only as a friend, if he had thousands of occasions to have a romantic or sexual relationship with him and he was never interested because for him Ken was nothing more than a friend, why does Seiji's sudden interest in Ken? ? When did Seiji realize that he loved both of them at the same time, when he always showed interest in Pan and never in Ken, despite the latter's constant hints first and statements later?

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I'm speechless

Not really sure what to say really.
I was half paying attention at one point.
I guess he quit being a host at the club because of his mother.
Then there's the whole Japan/Seiji/Ken thing.
I don't get why they didn't just go in that direction from the get go.
In my opinion they had Japan acting like didn't know anything about anything. He is naive and this shows it.
The fact that he just invited Ken into his budding relationship with Seiji and lets face it he only did that just because Ken was looking like a lost dog. I could see that happening if Japan like both Seiji and Ken ......Ken like both Seiji and Japan and Seiji liked both of them but that's not the case. All I've seen was Ken lusting after Seiji and I didn't get that feeling from Seiji towards Ken at all except best friends. Seeing that Japan is as naive as the day is long I don't see that kind of thing working out in the long run. Once he really knows about life I think he'll be outta there or they will be back to square one where he and Ken going at it. Also the fact that Ken is going along with this just to have Seiji even if he has to share him is really pathetic. Then there was no story for the other two and I really didn't care about Freya in the end because I just didn't like her.

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This is a mixed bag...

First the bad things: The problems of prostitutuion is only superficial mentioned, the acrobatics are only shown prominently in the first and last episode, even when some actors had to do a lot of work to make it believable. The ending is strange as well, especially with the love-triangle... while I don't see it problematic when three people love each other, it was not really explored through the story, it was there in the final episode and I didn't really expect it.

The good things about this series is that the production quality overall was high, and there was a lot of fan-service, which was overdone in my opinion. The chemistry between the leads was also good and they did a good job.

So overall not a bad show, but not a very good one either due to the lack of a more indepth story about hosts in general and not exploring the love-triangle from the beginning. At least you will have lot's of eye-candy.

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Sizzling Chemistry, Different premise,healthy relationship, supportive parents

Highlights of the series to make you watch it:

--- Top notch chemistry between the Main leads(kissing almost in every episode) ❣️ healthy communicative relationship keeping the essence of the honeymoon period in their relationship.
--- Captivating, attractive and most beautiful smile of the guy Khemtid layed by Shogun, will send daggers through your heart.
--- Quality aerial and acrobatics performances( I figured out that they really trained hard, without using any harness or body double) ... Deserves appreciation 🙏
--- Beautiful outfits of the cast. Special mention of P'Dai's museum display worthy outfits.. and hairstyles😍
--- Good relationship with respect between the employees of the club creating a better workplace environment.
--- Cute GL couple.
--- Madam Freya being the most attractive and bold women of the century. I have become a fangirl of her.
--- TROUPLE representation (although needed more depth and time for their story to develope)
--- Characters are actually cute 🥰. Not like the ones who try to act cute.
--- The ost is great..

Overall: Eventhough the story is based on the same Club premise, still is different.
An entertaining and worthy watch

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A very pleasant surprise

When I started watching this, I had no idea what this was about. I am also not familiar with any of the actors. I was pleasantly surprised by how good this was. All of the actors did a great job and are all super cute. I loved the whole concept about a night club with “hosts” and the performances were great. Love love love the main couple and Wela’s duality. But the only reason I deducted a half point from my rating was because of how they handled the love triangle. No one in love would share. It was just a bunch of boys fooling around. But that’s okay. Hope they have a lot more projects.

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So, about that throuple...

I'm not going to dive into the show as a whole, plenty of people have already done that. Instead, I want to talk about the throuple in particular, in case anyone is debating to watch the show because of it.

First of all, I want to say that I applaud the show for actually including something that isn't your standard monogamous relationship. Throuples are a real thing, and they are in desperate need of representation. This show is a first step in a long journey, and I'm very glad of it. I've seen my fair share of Thai BLs at this point, and I've never seen this done before, so props to Deep Night for trying (No, I'm not counting Unforgotten Night because that was basically just a threesome without any build up or follow up, so let's not talk about that trash fire of a show).

That being said, I don't think the throuple in this show was done very well. There were interesting ideas, but the execution just wasn't it. Granted, they were the side characters of an 8 episode show, so it's not like there really was much room to explore this relationship to begin with. I think that was the first mistake. If they were going to tackle this right, the show needed to be longer with more room for development of this romance.

Let's dive into the different dynamics of these three guys, shall we?

So, first you have Seiji, who is basically the focal point. He's been best friends with Ken since they were kids and Ken has a major crush on Seiji. I think Seiji is also supposed to have feelings for Ken, but I honestly couldn't tell until he agreed to the whole throuple idea - but I think that's just because the actor was doing a poor job at depicting any semblance of chemistry. Which was part of the downfall, but anyway... So, Seiji and Ken are best friends and everything's great until Japan shows up. Seiji and Japan have a strong case of insta-love - meaning that they like each other for no discernible reason at all right from the get-go. However, Seiji plays hard to get (Assumably because he has feelings for Ken too, but I only know that now in hindsight. While watching the show, I was confused why he didn't just go for Japan, but again, bad acting paired with unclear writing). With Japan coming into the picture, Ken suddenly decides that it's now or never, and the two of them begin to compete for Seiji's love. Which ultimately results in Seiji kissing Japan, thusly making his choice, and them beginning to date. Ken is heartbroken and walking around all sad and dejected. Japan is feeling guilty over the whole thing and Seiji feels bad about it all too. Again, I assumed Seiji was feeling bad because he hurt his best friend, not because he actually likes Ken, but I digress. Japan talks about feeling guilty, leading to his friend joking about how they could always have a threesome. Japan then fantasies about said threesome which came completely out of the blue. And funnily enough, in his imagination, both other guys are basically focused entirely on him, rather than Japan and Ken focusing on Seiji, who's the one they both have feelings for. This left me confused once again, because I assume this was the writers' attempt at showing that Japan kinda has the hots for Ken or likes him or something, but it was done so poorly that it just left me feeling very wtf-ish. Anyway, after his little fantasy, Japan proposes to Seiji and Ken that Seiji could date them both. Which he definitely should've discussed with Seiji first, before mentioning anything to Ken but oh well... Japan says that Seiji having two boyfriends means double the care and double the happiness (It would also mean double the issues, but I won't ruin their fun). Ken agrees to this, and Seiji - with all the enthusiasm and emotion of a depressed piece of toast - does too. Alas, the throuple is formed. They have a group hug, and a few cute montage scenes. The end. No kissing, not actual threesome, nada. Just a lot of unanswered questions and frustrations.

Basically, during that scene of Japan proposing the throuple idea, we were led to believe that it's going to be both him and Ken dating Seiji. There is no talking about Japan and Ken also being romantically involved. Which was the biggest point of confusion for me, because of his threesome fantasy and because in one of the final scenes, Japan and Seiji both offer Ken some food - a nudge to a past scene where it was Ken and Japan fighting over whose food Seiji picks, a very unsubtle allegory for having him choose one of the two. So, maybe over time Japan and Ken developed a romantic bond too? Or maybe they didn't. I guess we'll never know. We'll never know at what point Seiji started to like Ken either. They had some moments, but it always seemed like Ken was the only one interested out of the two. Again, a mix of bad acting and bad writing I assume...

None of this is great, but it's not the worst thing I've ever seen. The biggest problem is how frustrating it all is, because this could've been SO good. They had all the ingredients, but somehow managed to bake it into something that is confusing at best and nonsensical at worst. Now, allow me to tell you how I think the entire thing should've gone.

Have Seiji and Ken be childhood friends. That was all well and good. So was Ken being secretly in love with Seiji. None of that needs to change (other than swapping the actor of Seiji because that guy had no chemistry with either of his romantic partners and no emotional range). Then, Japan comes into the picture. But instead of him being completely new to Seiji's life, have them know each other from the start. Maybe they've been friends for a while, but Japan went to study abroad and now he's back and they reunite. That way, it won't feel as insta-lovey, because they already have a bond. So, Japan comes back into Seiji's life after a while. They both have changed, grown, and matured. They catch up, notice how the other has changed, and they begin to fall for those new sides of each other. Ken realises that Seiji is spending more time with Japan and starts worrying. Things get tense when Seiji brings Japan home for dinner and the three of them have a meal. Seiji goes to the bathroom and Japan and Ken basically tell each other they're in love with him. Thus, the competition for Seiji's heart begins. Seiji is kinda enjoying this, because he obviously likes Japan and seeing him fight for him is something he finds cute But also, seeing Ken be this serious about winning him over is kinda stirring something within Seiji. Something that wasn't there before.
While competing for Seiji's love, Ken and Japan somehow get forced to spend more time together. Maybe when they go on their little getaway trip with their friends, they fight over who gets to share a room with Seiji. Eventually, their friends get fed up and put them in a room together while Seiji rooms with someone else. During that time, Ken and Japan get to know each other better, and would you believe, they somehow start realising the other isn't so bad. In fact, they start finding each other kind of cute and suddenly... What is that?... Oh, they start falling for each other too! Of course, they don't know that about the other person, so it's angsty and a lot of silent pining. Ken realises that now, he wants both Japan and Seiji to be happy, so he backs out willingly and gives them his blessing to be together. So, they kiss and are now dating.
But something feels off. They get all weird as soon as Ken is around which leads the two to have a talk. Seiji admits that despite being head over heels for Japan, he also has feelings for Ken. In what is the plot twist of the century for Seiji, Japan admits to also having feelings for Ken. Suddenly, things start clicking in Seiji's head and we get a slide show of moments between Japan and Ken that Seiji hadn't really noticed before, and he blurts out "I think he likes you too!" And thus, they decide why all the heavy hearts if there's a simple solution to the issue. They sit down Ken and Seiji is basically like "I like you. Japan likes you. I know you like me. And I know you well enough to know you like Japan too. So... What are we doing? We should all just be together." They have their little group hug and then they make things awkward when they want to kiss but aren't sure who should go first and all that jazz. It's cute and embarrassing and eventually, they get the hang of it. Throw in that threesome scene if you must. Have a cute montage of them bonding and being all happy together. Then add a special episode where they figure out their different dynamics and boundaries and all. And so, they live happily ever after. (It would be even greater if they explored the difficulties a throuple brings as well, but I don't trust these writers to handle that well, so I think it's best not to go there at all...)

If they would've done it this way, I would've easily rated this an 8 or a 9. However, with the clunky writing and the poor acting/chemistry, this storyline is only a 6. And even that is kind of generous, but I gotta praise the attempt at least. I think out of everyone, the guys playing Japan and Ken had better chemistry than either of them did with Seiji's actor, which wasn't really helping the narrative... Maybe if Seiji had better chemistry with Ken, things would've been a little less confusing, but I guess casting attractive people over actors with actual skills is a growing issue...

Despite its flaws, would I still suggest you watch this? Absolutely. Not because it's great, but because if people are rooting for this throuple, there's a greater likelihood of us seeing more throuple storylines in the future. Hopefully ones with better writing and chemistry. And one day, we'll get an actually great one. I'll be here, waiting.

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The most kissing scenes in any series

An enjoyable watch giving a good mix of story, humour and drama though I did find the acting of the 2 main characters was a little awkward at times, possibly due to lack of experience.
It was unreal just how many kiss scenes there, were just a shame they were often more lip sucking, plus the odd raunchy NC scene.
There were some irritations though - I know Thai series tend to have quite a lot of music but this series took it to the extreme filling in any possible moment with random music. Also I personally find it weird the pauses in dialogue where no one speaks and they just look at each other - totally unatural.

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A fun ride but very shallow

Like any other work by this director more focused on an adult and hot narrative, Deep Night is a series that succeeds in bringing beautiful and charismatic actors, an interesting plot and excellent kiss scenes. But it also has the same defects: a poor script, a development full of plot holes and simplistic resolutions. Oh, and let's not forget the excess of kissing scenes inserted to resolve any conflict in the plot.

I like the story and the potential it has, but it's all thrown in here. The character who suffers most from this is Khem. He is introduced as a rich, arrogant man who hates his mother's club (for reasons that the series does not explore in depth), but all of this is put aside after seeing a performance by Wella. There is no development of his arrogant personality for him acting in a kind way, there is no development of his relationship with his mother and the club. Things happen from one scene to another without the slightest narrative logic.

But what bothers me is how nothing has any impact on the plot. Khem discovering that Wella is a host. Pan finding out about Khem and Wella working at the club. Wella finding out about Khem's mother. His mother finding out they broke the no-dating rule. The hosts discovering Khem and Wella's secret relationship. NONE, absolutely none of this has any impact on the story.

And this becomes very evident at the end when the whole problem with the police is magically resolved with an event where they do the same thing they always do in the club performances. The series tries to open up a conversation about hosts and prostitution, but none of the characters or the plot really manage to address this in the slightest.

It's as if the series is ashamed or afraid to associate itself with the term prostitution.

Another point that I find unbearable is this problem with the police. It's repetitive, there's no sense of danger, the person behind it doesn't matter in the plot and it's a bit stupid to think that the police will keep going to the club every time they receive the same complaint and find nothing.

The same happens when Khem records videos for the internet with the hosts, but later the plot has Wella having problems with his mother and college because of his work. It doesn't make sense for him to hide this and show his face doing tiktok videos for the club (not to mention the countless scenes of costumers recording his face)

Finally, the infamous trisal between Japan, Seiji and Ken. In theory I think it's incredible, but the execution was terrible. It's not like the 3 of them have feelings for one another, they just stay together because Seiji is unable to choose one.

And it's a huge waste, it's a plot that could have been used to build something so interesting. But again, like every other narrative here, everything is resolved in the easiest and most convenient way possible.

It's an easy series to watch, the characters are great, but the development is very precarious. There was a lack of courage in creating a more dynamic plot, better constructed and with a bolder script.

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