Seven stars for the first half and 2 for the latter. The early episodes were funny and lighthearted, and our leads Ning Yi and Tan’er had good synergy. The dialogue matched the atmosphere and whatever issues they faced were dealt with intelligently, however, once the story transitioned to the bandit arc, it lost its vitality and essence. Clearly, the plot is meant to be darker and in many ways the writers attempted to achieve that by introducing more violence and gore but the dialogue and acting never quite matched what should have been deadly situations. Guo Qilin was out of his depth. He lacks the skills needed to fully convey the direness of their situation. It was also at this point that Guo’s acting veered towards Zhang Ruoyun’s mannerisms. The pursed lips, the head tilt and a few more which, if you’ve ever watched Joy of Life or Sword Snow Stride, are easily discernible.

Another factor that dragged down the rating is the set design, both for the first half and the palace scenes. It looked low budget and lacked the aesthetics required to fully immerse the viewer. Everything looked staged, as in it’s obvious this was a film set. Even the vista looked fake as if generated by CGI.

Lastly, it ends on a cliffhanger, and for those of us who are still pinning for Joy of Life season two, you’re better off shelving this until season two is released.