The premise sounded interesting, about someone who possessed the ability to read other people’s inner thoughts. Don’t we all like to be mind readers sometimes, but the reality of that ever happening would be scary for both parties. With this ability, not only would the listener be overwhelmed with unsolicited thoughts (especially if they’re negative), but they wouldn’t have to make an effort to understand the other person better. For the non-listener, their confidentiality would be violated. I believe that some people should be granted privacy, especially if they have no intention of disclosing their true intentions without filtering them first.

In this drama, Motomiya fortunately used this power mainly to communicate with her voiceless, quadriplegic father. She also used this ability to help her business, and she did not use them against others. Also, because of this talent, she gained a better awareness of other people’s sufferings as she tried to assuage their fears. But her reliance on this ability was tested when she encountered Yoon Tae Oh, who thought in another language that she couldn’t understand.

Motomiya tried to interpret Tae Oh’s internal musings, but she shouldn’t have worried though, because Tae Oh was forthright about his feelings. Whatever that was in Tae Oh’s mind, he voiced them and was sincere about it. Yuri doubted this, because in her experience, what one says aloud doesn’t always reflect their innermost thoughts. She developed some trust issues because she couldn’t believe that some people can be actually that pure-hearted and kind.

I loved Tae Oh’s character specifically because of this innocence about him, that he’s open and that he wears his heart on his sleeve. I also loved the interaction between Motomiya and her father, how their bond was so close despite the tragic accident that befell him. Motomiya could not get over her part in her father’s disability, but she kept forgetting that he would have done anything to protect her, and would not blame her for it.

I wasn’t keen on the other characters though. Even the story-line of the second couple was ho-hum for me. The plot, though simple, was not fully explored, as I would have liked it to be. I would have been interested in the fantastical nature of how she came to possess that ability to hear people’s thoughts. Though the drama made some reference, albeit briefly, it wasn’t enough for me. The saving grace of this drama was truly Chae Jong Hyeop’s portrayal of this mild-mannered, happy-go-lucky man who refused to let his chance at love be consigned to fate.

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This drama started out slow, but after a few episodes, the story picked up and became more interesting as it went. I like the juxtaposition of characters and I’ve seen both leads in other works and they’ve already proven their acting prowess there, especially when I have viewed four of Zhang Ling He’s works before I watched this one. So I knew what I was expecting. Who surprised me though is Ryan Cheng. I didn’t realize he was also the main in “A Familiar Stranger,” but maybe it’s because his character there wasn’t as flushed out as Gong Shang Jue’s.

The characters in this drama are multi-dimensional, that they are not necessarily “all good” or “all evil.” Despite what has been portrayed, most of them have the freedom of choice, whether to follow along the path that was created for them, or carve out one for themselves. This is why I admire Yun Wei Shan’s character and Yu Shu Xin’s portrayal of a skilled assassin. She cleverly integrated herself into the Gong family and made her own judgment, not solely relying on what had been fed to her, while also following the edicts of her organization.

Gong Zi Yu, for his part, turned from a playboy to a love-struck fool, from a supposedly incompetent “spare” to become the new Sword Wielder. Throughout his journey through the trials, Gong Zi Yu has proven himself to be more than a sitting duck everyone assumes him to be. His ingeniousness, coupled with his compassion for the people, made him a formidable leader.

I find myself second-guessing the true nature of the characters, which is rare for me as I have usually found them predictable in other shows. Even I find the pairing of Gong Zi Shang (Zi Yu’s sister) and Jin Fan (Zi Yu’s guard) hilarious. Perhaps the only person I truly detested here is Shangguan Qian. I really have no tolerance for her type of character, through no fault of the actress.

As for other aspects, the production, cinematography and the costumes were breathtaking. Likewise, the plot here is also intricate and engaging. Everything here in this drama is smoke and mirrors, and it is up to these characters to decipher the truth from all of it.

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Story: A collection of erotic shorts about men fantasizing about other men in uniforms.

Acting: No better than amateur porn stars.

Music: Maybe the sound of beeping horns can even lull you to sleep.

Rewatch Value: Not bored enough to do so again.

Overall Impression: This feature is actually just glorified porn trying to pass as avant-garde film. The stream of consciousness monologuing may impart some life truths that may seem profound, but they are overly gratuitous. I will not totally give this a zero though, but maybe an F for F-fort.

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I nearly dropped this drama after watching one episode. In the beginning, the antics, though funny, seemed forced. The main characters were not only stubborn, but clueless about each other’s plight, often making assumptions they were out to get each other. I almost gave up if it were not for Jung Woo and Oh Yeon Seo’s performance. Their pairing may not be your typical drama couple, but they brought out their A game in this show.

Jung Woo stars as Hwi Oh, a cop who could not control his temper. Despite his good intentions, Hwi Oh believes his outbursts are justified, considering what happened to his colleague. Meanwhile, Yeon Seo stars as Min Kyung, a woman who’s constantly paranoid and keeps looking over her shoulder. She thinks that everyone she encounters will hurt her, therefore she hardly ventures out unless absolutely necessary. She assumes Hwi Oh to be a relentless stalker, as he appears everywhere she is, not realizing he’s her neighbor. After realizing her mistake, Min Kyung lowers her guard after finding out that Hwi Oh was a police detective, currently unemployed because of his suspension from the force.

As time goes by, the two slowly form an unlikely bond. We see both Hwi Oh and Min Kyung grow fond of each other and become accepting of the other’s quirks..We see them relying on each other during difficulties, and how they care for each other despite struggling with their own issues. Hwi Oh’s pursuit of justice sometimes lands him in precarious positions, as he did not have authority to conduct investigations because of his suspension.

On the other hand, Min Kyung had to deal with her POS ex and his manipulative mother. The deliberate sabotage of Min Kyung’s already fragile reputation, led Min Kyung to be shunned by the condo community. And here we see how endearing Hwi Oh is, by standing on her side despite the lack of proof to the contrary. However, even this wasn’t enough for Min Kyung who questions every motive of Hwi Oh going close to her. The previous trauma that she endured, made Min Kyung unable to trust anybody, even herself. Not wanting to seek help or seem weak, Min Kyung tries to tackle everything by herself, even if it’s to her own detriment. Meanwhile, Hwi Oh tries his best to be there for Min Kyung, becoming her protector and guardian.

But the story is more than the developing relationship between these two main leads. We have to appreciate the secondary characters, acted out by an amazing cast. They exist in the drama not merely to support the plot to its fruition, but they each have a role in asserting how society can stigmatize people with mental illness. The show also highlights the importance of not jumping to conclusions, especially when you don’t know the entire story. There are always two sides to a coin, and it may be worth your while to fully understand what’s going on before making hasty judgments.

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It started out interesting until it wasn’t. Let’s start with the simple part and discuss the second couple, where Murao persistently followed Tanaka Yoichi despite his rejection, not because she was unattractive, but because she was a teenager. Despite being warned about the consequences of being involved with an adult and a faculty member at her school, she did not seem deterred. I really have no patience for people who are only concerned about their own feelings, despite bringing other people into trouble and not thinking about the consequences of their actions. That being said, I mostly overlooked the parts with those two.

Now on to the leads. The premise of their meet-cute was interesting, seeking refuge in a desolate corner from the rain (of course!) Then their friendship blossomed because of their quirkiness and commonality. And it all changed when Tanaka transferred to another school. Upon his return, Tanaka-now-Mabuchi becomes less carefree, and more aloof, even towards Futaba whom he liked back then.

We later learned that Kou had a hard time dealing with his mother’s passing, hence his dreary and detached attitude, which was perfectly understandable. But that doesn’t mean he can take out all his frustrations and dump them on his friends. I can understand how grief can change people’s personalities, and the first time he abruptly left Futaba without saying a word, was undesirable but reasonable. However, for a guy to keep doing this time and time again to a girl whom he supposedly likes, would not fly with me.

I used to root for Kou and Futaba to be together, but Yoshioka deserves better. Kou keeps ditching her and giving all these excuses, then becomes angry when someone else becomes interested in her. He’s just treating her like a toy, losing interest in playing with her until another child enjoys it. He even admitted to his friend, that even if he likes Futaba, he has no intention of dating her. Then he brushes off the accidental kiss as if it’s no big deal and gets upset when she ignores him as he did to her?????

Towards the end of the first series, I was no longer invested in their story and wished for Futaba to be with Kiuchi instead. At least Kiuchi is consistent, and transparent with his feelings. If Kou cannot prioritize Futaba, then she’s not that important to him. He could have sent a simple text, saying he will be late or that even if he can go to the festival, he needs to be somewhere else later. Anything really to give Futaba at least the time of the day as she had provided him. But no, he ghosts her and is more concerned about his classmate just because they shared the same pain of losing someone close to them.

If Futaba insists to be with Kou, what next? On the day of their wedding, something comes up again that he’s unable to attend? But hey, if that’s the kind of guy she prefers, then she better be prepared for the consequences and don’t come crying. I’m so pissed to even watch the second season. It’s not worth it to keep my blood boiling.

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Story: Two boys go from friends to being more than friends, but less than lovers. Their shenanigans escalated from silly things like spinning bottles on their foreheads, to more brazen acts like throwing Molotov cocktails in public streets. And at some point, probably experimented with each other during one of these reckless escapades. But to what extent, we don't really know.

Acting: The actors are not too shabby.

Music: Unmemorable.

Rewatch Value: If only to figure out whether some parts are a dream or the reality.

Overall: We see two friends bonding with each other for different reasons. Jie Yu uses his friendship with Yan Shiu as an escape from the real problems his family had been facing, with his mother working hard, and still had to help at the shop his father was supposed to oversee. His father doesn't seem to take responsibility; he wakes up late and he runs off to "business trips" that no one knows where he really went. Tired of picking up his father's slack, Jie Yu goes and spends more time with Yan Shiu. But the time spent made Jie Yu confused about what he really feels, especially when sex gets in the mix.

All the scenes of both boys being together are interspersed with scenes of Jie Yu riding solo on the streets. The camera work was choppy as the frames go back and forth the present and the past. If the film's intent was to confuse the viewers, it certainly did its job.

So many questions were left unanswered. Was Jie Yu running away because he had developed feelings for Yan Shiu , or was he just escaping the increasing intimacy of their friendship? Was Jie Yu denying his sexuality or was he afraid that Yan Shiu was only fooling around and wasn't as invested in their friendship as he was? Nevertheless, we will never know whether the lovemaking between them really happened or just a figment of Jie Yu's imagination.

I'm leaning towards the belief that they did sleep with each other, since Jie Yu said he wanted to go back to being friends. But whether he meant it or not, was another question.

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Story: A boy gets "saved" by a life-guard who mistakenly thought that the swimmer was in dire danger. However, Wu doesn't protest and lets himself be assisted by the lifeguard to shore. Wu fantasizes about this encounter, especially when their bodies were touching. He tries to dispel these carnal thoughts by meditating, but this doesn't seem to work when he finds out that the lifeguard also happens to be a patient at his father's clinic.

Wu incorrectly assumes that the lifeguard's frequent visit is due to mutual attraction, and therefore is present whenever the lifeguard was there. Whereas Wu wasn't motivated before to study acupuncture, with the lifeguard's presence at the clinic, he becomes fascinated with the different types of therapy that his father uses on his patients.

Acting: The actor who plays Wu is expressionless, despite his supposed infatuation with another male. The other actors were even less memorable.

Music: Ho-hum.

Rewatch Value: Once is enough.

Overall Impression: Not abysmal enough to get a 1, but still a snooze-fest. The film was trying to be profound until it got convoluted in its attempt at symbolism.

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Story: The premise is simple. A young gay couple comes at a cross-roads upon graduation. They have opposing ambitions: one wants to be a pastor, and the other wants to be a soccer player, but neither wants to give up their dreams for their relationship to work.

Actors: Not too shabby portrayal of two boys who are supposedly in love, but conflicted.

Music: The religious hymns brought back memories when I studied at a Christian school. I was surprised that I even remembered some of the lyrics. Not sure if that's a good or a bad thing.

Rewatch value: Only to figure out what really happened at the end.

Overall impression: After watching this short, I found that the more important part of the boy's relationship is that neither of them communicated to each other what they were planning to do with their future. They had to find out from their mutual friend about it. And then after they confronted each other about the possibility of one going into a seminary and the other going abroad to play soccer, they had to rethink what is more important to them.

At one point, when they tried to dissuade their partner from going through their plans, it seemed like they were bitter that their partner wouldn't compromise and support their own respective dreams. Kai's excuse was that his father wouldn't have approved his lifestyle choice since he came from a very traditional, religious background. Jay, on the other hand, thought that the opportunity to study abroad is hard to come by, and therefore, he had more potential to go further.

Actually, what surprises me about this film are the secondary characters, in the form of that mutual friend who served as a catalyst between Kai and Jay. She's the mediator in their relationship, like a voice of reason. Kai's father also wasn't as restrictive as he was presumed to be. Although he might not know the exact nature of Kai's relationship with Jay, the dad instinctively knew that there's something troubling his son, and Kai's decision to apply for the seminary might be misguided.

With this new revelation, you would have thought that the boys would have made different choices, but it goes to show that the thing you thought you might want, might not be the thing that you need. Would you give up on your dreams to have a chance at love, or would you abandon your partner to pursue your chosen career? This is dilemma that this short film is trying to address, and some people may choose differently than others.

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I actually enjoyed this show more than I expected. I was reluctant to watch this at first, because of how Miao Yi looks so much like Ariel Lin, who I forever have pigeon-holed in her “It Started With a Kiss” character of a dull-witted female chasing genius male, which this drama is almost akin of. Although Xiao Tu is similar to Xiang Qin from ISWAK on that front, she does not throw herself needlessly at Ling Chao, and has her own adorable charm. And though he appears aloof at most times, Ling Chao is unlike Zhi Shu and has a soft heart for his childhood friend.

The drama is mostly light-hearted, but it has its emotional moments, like when Ling Chao is dealing with his absentee father or when Juan Juan was coping with her relationship woes. But the gang of misfits provided comic relief, and Miao Yi certainly proved herself to be a natural. While there are some cringe moments, it is easy to overlook them. I love how this drama does not take itself seriously, and it is such a fun watch.

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Started out as creepy, and ended up as not so creepy, and through no fault of the story really, but I blame the production company on this.

First, why didn’t they cast an appropriately-aged actor to portray ML’s teenage self, when they did so for the FL and 2nd ML? All those screaming “Pedo” would have no grounds to stand on, if this was done, and frankly, not as disturbing to watch a 12 yr old smiling infatuatedly at a 35 yr old at the start of the drama.

Second, why they didn’t dub Yang Mi’s voice so it doesn’t come across as whiny and annoying throughout the show?

Third, why do production companies insist on casting actresses who cannot even clearly pass as a guy unless you are totally daft and oblivious? There are probably more androgynous-looking actors out there that they could have chosen.

I continued watching anyway, as I love a forbidden romance between Master and Disciple, but man, was it ever frustrating! By the nth time Jian Ming pushed Hai Shi away, I was actually rooting for her to end up with someone else and I would have been happy. You would have thought that Jian Ming was a green flag due to all his self-sacrificing intentions, trying to put Hai Shi out of harm’s way, but he is not doing her any favors as she keeps coming back. Why would she be hopelessly clinging onto somebody who doesn’t prioritize your happiness, but would always choose the country over you?

And don’t get me started on the emperor! Tilan clearly has a case of Stockholm syndrome! Actually Di Xu’s bromance with Fang Zhu looks more sus with all those half-naked, pact-making rituals and fussing over their bestie’s pale-looking lips.

The third coupling may seem the least toxic of all the pairings here, even though Zhou Ying was prone to peeping over the courtyard where Zhe Liu was working. Stalking seems to be the least of all evil here, so the show gave it a pass.

The drama also throws in half-baked villains with some half-baked back stories, expecting you the swallow the Kool-aid that they only did what they did. To watch this show to completion, you need to suspend your disbelief, and throw away logic, or better yet, hang on to that remote control. You need that FFWD button.

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With a title like “Silent,” I had a feeling that this would be an emotionally heavy drama. The drama begins with the story of a woman who is currently engaged to her boyfriend, but she still sometimes wonders about whatever happened to her high school sweetheart. Tsumugi’s fiance, Minato, also spent time looking for that same answer, because back in high school, the three of them were friends. Their trio dissolved when Sou cut all ties with people who knew him before he lost his hearing.

After the three united later, not by choice on Sou’s part, things begin to change. Despite Tsumugi’s insistence that it is Minato she loves, he ends their relationship anyway because he knew he couldn’t hold a candle to Sou’s place in Tsumugi’s heart. On the other hand, Sou pushes Tsumugi away, and shoots down any semblance of rekindling their old feelings for each other.

Throughout the entire show, I felt that Minato’s self-sacrifice was unnecessary. He did not give himself any credit for being good enough for Tsumugi. And the same goes for Sou, who arbitrarily assumes that no one, not even his girlfriend, would be supportive of him if he divulged his condition. His faith and trust in Tsumugi was so little that he did not think that Tsumugi would be there for him when he eventually becomes deaf.

Although I understand the part where Sou considers himself as a burden to others, and his self-exclusion was just a coping mechanism that he adopted. Meguro Ren as Sakura Sou portrays this man who has hearing loss with great care and sensitivity. He is certainly the star of this show.

The rest of the cast also carried their own weight and delivered performances that are nuanced and natural. From Kawaguchi Haruna as Aoba Tsumugi to Kaho as Momono Nana, everyone did their utmost best in representing their characters.

The drama touches on the struggles of people with hearing impairment, how some may deal with the condition (whether from birth or later in life), and how the people surrounding them may deal with the issue differently. From the overprotective mother to the supportive sister, each of them shapes how Sou views the world as being unable to hear.

The drama also dispels some assumptions that people with hearing loss can have on those who do not have to deal with the same condition and vice versa. This poignant drama will make you feel empathy for those who live in a world filled with silence.

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How to rate a drama where the first part had me at the edge of my seat, while the second part almost lulled me to sleep? Hence my dilemma with Alchemy of Souls. I wasn’t sure where part two went wrong, or was it because part one was so amazing, it was hard to replicate the same excitement when I watched it?

The bad of Part 2:

- Though the leads are physically attractive, Jang Uk and Bu Yeon didn’t have the same spark as Jang Uk and Mu Deok.

- The pacing in this one dragged endlessly despite its short length. They spent more time wallowing than fighting.

- All this soul-shifting back and forth, like jumping from one body to the next, that defies the laws of fictional logic? How can the drama just explain away why in this instance, it’s okay to shift, but in that instance it’s not? I can’t keep up anymore with whose body belongs to which soul and whose soul is now inside which body.

- As for the secondary characters, it looked like everyone was just there for the sake of being there and going through the motions. You know which character that caught my interest? The god-damn turtle!

- And all the reminiscing. What’s the point? Am I supposed to believe that Jang Uk grew fond of Bu Yeon, because she’s Bu Yeon, or because she exhibits Naksu’s mannerisms and thoughts?

Part 2 Verdict: A shadow of Part 1. (8 out of 10)

Combined score: 9 out of 10.

Overall impression: Should have stopped at Part 1.

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How to rate a drama where the first part had me at the edge of my seat, while the second part almost lulled me to sleep? Hence my dilemma with Alchemy of Souls. I wasn’t sure where part two went wrong, or was it because part one was so amazing, it was hard to replicate the same excitement when I watched it?

The good of Part 1:

- The chemistry between Lee Jae Wook and Jung So Min is chef’s kiss. The banter between Master and Disciple, or Master and servant in some cases, showcased expert choreography and finesse in the performance.

- The cinematography, especially during the fighting scenes, was executed with remarkable precision.

- The plot, although sometimes over-complicated, was intricate and kept me on my toes.

- The supporting characters were not one-dimensional and had depth in the roles.

- The show explained the supernatural elements later, despite them being sometimes difficult to keep up with.

- The humor is quite refreshing and quirky

- The swoon-worthy music supported the emotional journey of the characters

Part 1 Verdict: Off to an amazing start!

Combined score: 9 out of 10.

Overall impression: Should have stopped at Part 1.

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