1
kobeno1
Albuquerque, New Mexico, USA
This review may contain spoilers
All Things Must Pass
There is one constant in the universe: Everything changes. Nothing stays the same. All “Goodbyes” are temporary. Shakespeare may have said it best: All the world’s a stage and all the men and women are merely players. They each have many entrances and exits, and one man in his time plays many parts.
Hotel Del Luna is an extraordinary series about the high price of holding onto grievances, unfinished business, resentments, guilt, and grudges. They create a heavy burden; a weight that must be released. The pivotal theme of this series is “letting go.” Surrender may be one of the most fearful things you’ll ever do, and yet, it’s also so incredibly simple. The fear of letting go is that we lose that which we most care about. The irony of letting go is the realization that we never lost anything to begin with! It’s always been there and always will be.
Hotel Del Luna is a hotel for the dead; the dead who aren’t quite ready to move on due to the reasons listed above. It becomes a bit of a staging area, and the irony is that the guest determines how long their stay will be based on when they are willing to let go of the past. Such is the power of forgiveness. There is only ever one person you need to forgive: yourself. Let go.
Jang Man Wol is the illustrious owner of the Hotel Del Luna. She’s been the owner for 1300 years. What binds her to the hotel is her own deep-seeded hatred and grudges from the past. Rather than face and deal with those things, she chooses distractions (like most people in life do!). She is a woman of opulence who is always looking for something to buy, whether it be expensive cars, clothes, jewelry, or even just money itself. She’s a bit of a con artist who is able to trade various services with her guests for monetary payments. She’s selfish, greedy, and someone who cares little for anyone’s happiness except for her own self-indulgence.
Enter Goo Chan Sung, a young hotelier who has been recruited by Jang Man Wol to be the new “human” manager. Of course, he’s initially reluctant, but he quickly sees the value in the hotel. And more importantly, he helps Jang Man Wol to treat people with respect as well as give her a glimmer into a life she could have if she were able to simply let go of her anger and hatred. Goo Chan Sung represents all that is decent and ethical in people. He chastises Jang Man Wol for her greed and treating guests little more than bank accounts, and he’s never afraid to do so. He speaks his mind, no matter how much the honesty might upset Jang Man Wol. What starts out as a very rocky business relationship, soon turns into one of both necessity and love.
Of course, nothing is quite as it seems, which is indicative of some of the best K-Dramas. We get to know the staff and how each of them has a past that must be faced and let go. They are all likeable, but one can see that there’s something sad about each of them. And why wouldn’t there be? There are fewer things sadder than a soul who is determined to remain earthbound because they are unable to let go of their attachments and their past.
Jang Man Wol is unique in that she is neither living nor dead. It’s as if she has a foot in both worlds. And with that, she has special abilities that help her deal with some of the nastier spirits and protect Goo Chan Sung as well, since he is human and has no true defenses against the dead.
One of my favorite characters is Ma Go Shin, who is a deity who represents the various aspects of the Divine. Some are somewhat cold and methodical. Others are gay and delightful. Each one shows up when it’s most necessary. While she imparts wisdom, she also understands that even she cannot interfere in the freedom of choice. Each soul must make his/her own choices with the understanding that there are always consequences. Seo Yi Sook did a masterful job with these “multiple” roles!
The visuals and cinematography are astounding in this series with vibrant, crisp colors that seem almost ethereal and other-worldly. Hotel Del Luna looms into the sky like a monstrous Taj Mahal that endeavors to touch the sky. And yet, these visuals do not detract in any way from the story or characters. As with so many well-made K-Dramas, the plot and characters are never sacrificed for spectacle.
There are many hilarious moments as well as many tearful and heart wrenching ones. Koreans are masters of never revealing everything all at once. This enables them to go back and fill in the missing pieces that make the story work. This is often done at the perspective of the character or characters which explains their behavior until they’re given “the whole picture.” In short, nothing is ever as it seems! And this keeps the viewer on their toes!
If I have one minor complaint about the series, it’s the chemistry—or lack of it—from IU and Yeo Jin Goo. There’s warmth and respect there, but it rarely strays into love or romance. You just don’t quite feel it from these two. I understand that IU is trying to depict Jang Man Wol is a cold, selfish woman, but chemistry is absolutely vital to this kind of a story. As many actors have stated: you either have chemistry or you don’t. It’s nearly impossible to manufacture. We see tears and a lot of emotion, but I was waiting to feel that angst; that despair of a love that must be let go. However, as I said, this is a minor issue that, fortunately, never really distracts or takes away from the story. It simply would have served the series better if the two leads had had some kind of chemistry which is why it's imperative that casting directors do their due diligence.
“Missing: The Other Side” is still my favorite “after life” series from Korea. This one’s pretty close. It starts at a slow burn and gradually starts moving. This isn’t a bad thing though as there is ample time to understand and get to know this intriguing, mystical world.
The series’ strength lies in its thematic elements of letting go of the past and releasing those resentments and grudges. I’m not sure many people understand or fully realize how important this is. Life is a process of letting go. If you dare to hold onto anything, it’s a lost cause because it’s ultimately doomed to failure which brings nothing but heartache and resentment. Knowing that all things pass away is a blessing. Why? Because nothing is lost, and you will eventually share “the stage” once more with those who have always been there but are simply playing a different role with a different face. How do you know this? Because they are with you now.
Hotel Del Luna is an extraordinary series about the high price of holding onto grievances, unfinished business, resentments, guilt, and grudges. They create a heavy burden; a weight that must be released. The pivotal theme of this series is “letting go.” Surrender may be one of the most fearful things you’ll ever do, and yet, it’s also so incredibly simple. The fear of letting go is that we lose that which we most care about. The irony of letting go is the realization that we never lost anything to begin with! It’s always been there and always will be.
Hotel Del Luna is a hotel for the dead; the dead who aren’t quite ready to move on due to the reasons listed above. It becomes a bit of a staging area, and the irony is that the guest determines how long their stay will be based on when they are willing to let go of the past. Such is the power of forgiveness. There is only ever one person you need to forgive: yourself. Let go.
Jang Man Wol is the illustrious owner of the Hotel Del Luna. She’s been the owner for 1300 years. What binds her to the hotel is her own deep-seeded hatred and grudges from the past. Rather than face and deal with those things, she chooses distractions (like most people in life do!). She is a woman of opulence who is always looking for something to buy, whether it be expensive cars, clothes, jewelry, or even just money itself. She’s a bit of a con artist who is able to trade various services with her guests for monetary payments. She’s selfish, greedy, and someone who cares little for anyone’s happiness except for her own self-indulgence.
Enter Goo Chan Sung, a young hotelier who has been recruited by Jang Man Wol to be the new “human” manager. Of course, he’s initially reluctant, but he quickly sees the value in the hotel. And more importantly, he helps Jang Man Wol to treat people with respect as well as give her a glimmer into a life she could have if she were able to simply let go of her anger and hatred. Goo Chan Sung represents all that is decent and ethical in people. He chastises Jang Man Wol for her greed and treating guests little more than bank accounts, and he’s never afraid to do so. He speaks his mind, no matter how much the honesty might upset Jang Man Wol. What starts out as a very rocky business relationship, soon turns into one of both necessity and love.
Of course, nothing is quite as it seems, which is indicative of some of the best K-Dramas. We get to know the staff and how each of them has a past that must be faced and let go. They are all likeable, but one can see that there’s something sad about each of them. And why wouldn’t there be? There are fewer things sadder than a soul who is determined to remain earthbound because they are unable to let go of their attachments and their past.
Jang Man Wol is unique in that she is neither living nor dead. It’s as if she has a foot in both worlds. And with that, she has special abilities that help her deal with some of the nastier spirits and protect Goo Chan Sung as well, since he is human and has no true defenses against the dead.
One of my favorite characters is Ma Go Shin, who is a deity who represents the various aspects of the Divine. Some are somewhat cold and methodical. Others are gay and delightful. Each one shows up when it’s most necessary. While she imparts wisdom, she also understands that even she cannot interfere in the freedom of choice. Each soul must make his/her own choices with the understanding that there are always consequences. Seo Yi Sook did a masterful job with these “multiple” roles!
The visuals and cinematography are astounding in this series with vibrant, crisp colors that seem almost ethereal and other-worldly. Hotel Del Luna looms into the sky like a monstrous Taj Mahal that endeavors to touch the sky. And yet, these visuals do not detract in any way from the story or characters. As with so many well-made K-Dramas, the plot and characters are never sacrificed for spectacle.
There are many hilarious moments as well as many tearful and heart wrenching ones. Koreans are masters of never revealing everything all at once. This enables them to go back and fill in the missing pieces that make the story work. This is often done at the perspective of the character or characters which explains their behavior until they’re given “the whole picture.” In short, nothing is ever as it seems! And this keeps the viewer on their toes!
If I have one minor complaint about the series, it’s the chemistry—or lack of it—from IU and Yeo Jin Goo. There’s warmth and respect there, but it rarely strays into love or romance. You just don’t quite feel it from these two. I understand that IU is trying to depict Jang Man Wol is a cold, selfish woman, but chemistry is absolutely vital to this kind of a story. As many actors have stated: you either have chemistry or you don’t. It’s nearly impossible to manufacture. We see tears and a lot of emotion, but I was waiting to feel that angst; that despair of a love that must be let go. However, as I said, this is a minor issue that, fortunately, never really distracts or takes away from the story. It simply would have served the series better if the two leads had had some kind of chemistry which is why it's imperative that casting directors do their due diligence.
“Missing: The Other Side” is still my favorite “after life” series from Korea. This one’s pretty close. It starts at a slow burn and gradually starts moving. This isn’t a bad thing though as there is ample time to understand and get to know this intriguing, mystical world.
The series’ strength lies in its thematic elements of letting go of the past and releasing those resentments and grudges. I’m not sure many people understand or fully realize how important this is. Life is a process of letting go. If you dare to hold onto anything, it’s a lost cause because it’s ultimately doomed to failure which brings nothing but heartache and resentment. Knowing that all things pass away is a blessing. Why? Because nothing is lost, and you will eventually share “the stage” once more with those who have always been there but are simply playing a different role with a different face. How do you know this? Because they are with you now.
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