20
34
7
WandereR
Borneo
Homecoming
Hometown is a psychological thriller that revolves around three main characters; police detective Choi Hyung In, convicted mass murderer Jo Kyung Ho, and his estranged sister Jo Jyung Hun. The premise is based on the preliminary investigation of a murder case which escalates into the search for a missing schoolgirl and subsequently the mystery surrounding the abduction of her classmate. Both events spark an explosive chain of events with wide-reaching implications for their family, friends and the community they belong to.
Originally an OCN production, it was eventually broadcast by sister channel, TVN. Directed by Park Hyun Suk (Stranger 2) based on the screenplay by Cho Hyun Hoon. Initially credited via his pseudonym of Joojin, the screenwriter was removed from the production credits altogether once his real identity had surfaced which resulted in controversy and public backlash due to his past sexual harrasment case. Choi Seong Gwon is engaged as the composer for the drama.
What to watch out for
The story is set in 2000 with a re-telling of events taking place in 1999 and frequent flashbacks to multiple timelines in the 1980s, particularly to a terror attack on a bus terminal in 1987. The storytelling is non-linear for the most part, which utilises parallel and converging plots based on the shared narrative of the three POV characters.
The eponymous hometown refers to the fictional town of Saju which is located in Gyeongsangnam or South Gyeongsang province. Nearly all characters in this drama speak the distinctive Gyeongsang dialect, as opposed to the central dialects (Seoul or Gyeonggi) that most viewers are perhaps used to.
Elements of mystery and horror are present throughout but, rather than outright terror and fright, the drama projects an overall eerie, ominous and psychologically disturbing aura. By the time the halfway point is reached, if not earlier, viewers should be quite aware of the direction of the story.
Expect trigger warnings in the form of drug references, abuse and bullying, as well as some violence resulting in depictions of blood and gore in certain scenes.
What I Liked
I enjoyed the storytelling approach which feels distinctively neo noir in terms of the visual language, compelling dialogue and the variety of complex characters written in the screenplay. We have the hard-boiled detective who does the nitty gritty legwork, the charismatic yet sinister psychopathic mass murderer and the frantic family member of the victim. Add to that an extremely detailed worldbuilding and a whole host of intriguing side characters ranging from the questionably dubious to the downright bizarre that make their truly disquieting presence felt.
The first 8 episodes of the drama felt the most captivating for me. This is largely because of the mystery surrounding the events at play and the infusion of a rather horrific scene that reeled me in right from the start. It is also during this stage that I found myself still able to sufficiently keep track of the happenings which connect the dots to the grand scheme of things.
The cast is, without question, absolutely outstanding. Yoo Jae Myung’s portrayal of Regional Investigation Unit’s Detective Choi Hyung In is utterly convincing. He made me believe that he truly is a seasoned yet somewhat traumatised cop, in a gripping performance that is reflective of his experience in the industry.
Likewise Uhm Tae Goo delivers a compelling depiction of convicted killer Jo Kyung Ho. This is my first time watching him and what a talent he is. The most nuanced of the main leads, his subtle interpretation of the intricately written role and the delicate articulation of his lines through a deceptively calm demeanour and soothing voice literally enthralled me into a false sense of security.
The drama also features the award-winning Han Ye Ri, fresh from making her Hollywood debut with the critically acclaimed Minari for which she garnered 4 nominations. She provides another fine performance through her captivating portrayal of Jo Jung Hyun, a woman struggling to break free from the burden of truth and her tormented past that threatens to overcome her seemingly bleak and hopeless existence.
I truly enjoyed the brilliant original score composed by Choi Seong Gwon. This is not easy listening music for relaxing with a glass of wine but the kind that elevates the sense of foreboding and completely immerses the mind into the dark and ominous atmospherics throughout. The soundtrack also features two OSTs performed in English that actually sounds more contemporary than the retro settings of the drama.
유라 Youra - Remember
문수진 Moon Sujin - Hide and Seek
What I Didn’t Appreciate As Much
As riveting and morbidly entertaining as this drama was, I would have preferred for the “supernatural” aspects to be the main focus and potential for driving the story development. This would have provided a different spin and a breath of fresh air to the genre. However, although the story takes a more familiar course, the sense of unpredictability still remains and even culminates in a rather surprising and unexpected outcome.
Speaking of unpredictability, either the rationale behind certain plot points or much-needed connecting scenes were sacrificed as part of efforts to induce viewers’ intrigue and suspense as well as, in my case, confusion. Perhaps this was also attributed to the shorter duration of the drama, at 12 episodes. A number of key events shown, particularly from episode 9 onwards, were never fully or properly explained. Without giving spoilers, let’s just say that viewers will have to formulate their own hypotheses as the story unfolds because ultimately the ending does not provide clarity for all the questions asked.
Adding to the air of uncertainty is the countless switching of timelines, sometimes captioned for viewers’ benefit but at times they occur unannounced. It certainly doesn’t help when the disparate scenes are acted by different sets of actors that I end up having to pause and rewind simply to ascertain who exactly these characters are.
Conclusion
On the whole, Hometown is a very good drama with high production quality and a top tier cast whose performances are deserving of praise. The slightly over complicated narrative, uneven storytelling, somewhat surrealistic setting and arguably lack of logical clarification particularly during the final quarter may give rise to bewilderment for some viewers, as it did for me. This perhaps hints at the drama's selective appeal, particularly for those who are fans of the genre rather than the casual watcher. Notwithstanding the issues, I still had an enjoyable (and moderately spine-chilling) time watching this absolutely binge-worthy drama.
Originally an OCN production, it was eventually broadcast by sister channel, TVN. Directed by Park Hyun Suk (Stranger 2) based on the screenplay by Cho Hyun Hoon. Initially credited via his pseudonym of Joojin, the screenwriter was removed from the production credits altogether once his real identity had surfaced which resulted in controversy and public backlash due to his past sexual harrasment case. Choi Seong Gwon is engaged as the composer for the drama.
What to watch out for
The story is set in 2000 with a re-telling of events taking place in 1999 and frequent flashbacks to multiple timelines in the 1980s, particularly to a terror attack on a bus terminal in 1987. The storytelling is non-linear for the most part, which utilises parallel and converging plots based on the shared narrative of the three POV characters.
The eponymous hometown refers to the fictional town of Saju which is located in Gyeongsangnam or South Gyeongsang province. Nearly all characters in this drama speak the distinctive Gyeongsang dialect, as opposed to the central dialects (Seoul or Gyeonggi) that most viewers are perhaps used to.
Elements of mystery and horror are present throughout but, rather than outright terror and fright, the drama projects an overall eerie, ominous and psychologically disturbing aura. By the time the halfway point is reached, if not earlier, viewers should be quite aware of the direction of the story.
Expect trigger warnings in the form of drug references, abuse and bullying, as well as some violence resulting in depictions of blood and gore in certain scenes.
What I Liked
I enjoyed the storytelling approach which feels distinctively neo noir in terms of the visual language, compelling dialogue and the variety of complex characters written in the screenplay. We have the hard-boiled detective who does the nitty gritty legwork, the charismatic yet sinister psychopathic mass murderer and the frantic family member of the victim. Add to that an extremely detailed worldbuilding and a whole host of intriguing side characters ranging from the questionably dubious to the downright bizarre that make their truly disquieting presence felt.
The first 8 episodes of the drama felt the most captivating for me. This is largely because of the mystery surrounding the events at play and the infusion of a rather horrific scene that reeled me in right from the start. It is also during this stage that I found myself still able to sufficiently keep track of the happenings which connect the dots to the grand scheme of things.
The cast is, without question, absolutely outstanding. Yoo Jae Myung’s portrayal of Regional Investigation Unit’s Detective Choi Hyung In is utterly convincing. He made me believe that he truly is a seasoned yet somewhat traumatised cop, in a gripping performance that is reflective of his experience in the industry.
Likewise Uhm Tae Goo delivers a compelling depiction of convicted killer Jo Kyung Ho. This is my first time watching him and what a talent he is. The most nuanced of the main leads, his subtle interpretation of the intricately written role and the delicate articulation of his lines through a deceptively calm demeanour and soothing voice literally enthralled me into a false sense of security.
The drama also features the award-winning Han Ye Ri, fresh from making her Hollywood debut with the critically acclaimed Minari for which she garnered 4 nominations. She provides another fine performance through her captivating portrayal of Jo Jung Hyun, a woman struggling to break free from the burden of truth and her tormented past that threatens to overcome her seemingly bleak and hopeless existence.
I truly enjoyed the brilliant original score composed by Choi Seong Gwon. This is not easy listening music for relaxing with a glass of wine but the kind that elevates the sense of foreboding and completely immerses the mind into the dark and ominous atmospherics throughout. The soundtrack also features two OSTs performed in English that actually sounds more contemporary than the retro settings of the drama.
유라 Youra - Remember
문수진 Moon Sujin - Hide and Seek
What I Didn’t Appreciate As Much
As riveting and morbidly entertaining as this drama was, I would have preferred for the “supernatural” aspects to be the main focus and potential for driving the story development. This would have provided a different spin and a breath of fresh air to the genre. However, although the story takes a more familiar course, the sense of unpredictability still remains and even culminates in a rather surprising and unexpected outcome.
Speaking of unpredictability, either the rationale behind certain plot points or much-needed connecting scenes were sacrificed as part of efforts to induce viewers’ intrigue and suspense as well as, in my case, confusion. Perhaps this was also attributed to the shorter duration of the drama, at 12 episodes. A number of key events shown, particularly from episode 9 onwards, were never fully or properly explained. Without giving spoilers, let’s just say that viewers will have to formulate their own hypotheses as the story unfolds because ultimately the ending does not provide clarity for all the questions asked.
Adding to the air of uncertainty is the countless switching of timelines, sometimes captioned for viewers’ benefit but at times they occur unannounced. It certainly doesn’t help when the disparate scenes are acted by different sets of actors that I end up having to pause and rewind simply to ascertain who exactly these characters are.
Conclusion
On the whole, Hometown is a very good drama with high production quality and a top tier cast whose performances are deserving of praise. The slightly over complicated narrative, uneven storytelling, somewhat surrealistic setting and arguably lack of logical clarification particularly during the final quarter may give rise to bewilderment for some viewers, as it did for me. This perhaps hints at the drama's selective appeal, particularly for those who are fans of the genre rather than the casual watcher. Notwithstanding the issues, I still had an enjoyable (and moderately spine-chilling) time watching this absolutely binge-worthy drama.
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