20
34
7
WandereR
Borneo
Fifty Shades of Pink
Fifty Shades of Grey, this isn’t. There are parallels to be drawn involving primarily the contractual relationship trope and the BDSM theme, if it isn’t already apparent. That is where the similarities end, however. Despite the R-18 rating, I would consider Love and Leashes to be much less intense and provocative but rather more fun and heartwarming. After all, this film is meant to coincide with this year’s V-Day which takes place in just a couple of days. Hence the more upbeat and romantic vibe, this is definitely a case of love being slowly unleashed.
Jung Ji Hoo is your average salaryman working in a 9 to 5 job. Unbeknownst to his co-workers, however, he has another side to him - one that involves a fetish for BDSM. One day, due to a mix-up by the delivery service, a female colleague finds out his secret. What transpires subsequently involves a whole lot of awkwardness and embarrassment as well as the resulting suggestive intimate moments, before eventually leading to something more profound.
Directed by Park Hyun Jin, who also co-wrote the screenplay adaptation with Lee Da Hye, the source material is the Naver webtoon entitled The Moral Sense conceived by Gyeoul aka Winter, which was serialised from 2015 to 2018. The original score was composed by Kim Hong Jip and Lee Jin Hee, with Lee Sun Kyu playing the guitar. Principal photography took place from April to July 2021.
What I Generally Liked
Running at just under 2 hours, I thought the film was rather entertaining and eventful. The concept is refreshing, by Korean or even Asian standards, for a mainstream production distributed globally by Netflix. You don’t often come across BDSM-themed romance as the main feature of the story and in this case, the subject matter was handled in a very tasteful and mature manner.
For me, the main takeaway from the film has more to do with the relationship dynamics in terms of the emotional connection between two individuals rather than purely the explicit nature of the BDSM acts themselves to be manifested as a comedic effect or cheap thrills. I particularly appreciated the nuances drawn from the eventual growth of both leads and the organic evolution of their relationship. Additionally, the film explores elements of office politics and gender discrimination that are very much borne of a deep-rooted patriarchal culture.
Given the involvement from Netflix, the film unsurprisingly delivers reasonably high production values. I’ve enjoyed the overall quality of the visuals presented and the set designs, while the accompanying music score nicely complements the ambience of the scenes.
My first time seeing both Seo Hyun and Lee Jun Young in lead roles and they gave a pretty decent account of themselves in their portrayals of Jung Ji Woo and Jung Ji Hoo respectively. I haven’t read the webtoon but I do think they managed to personify their characterizations the way they were intended to be convincing and relatable to viewers, to a certain extent.
The ML is just adorable, almost like a puppy who loves playing with whips, handcuffs and candle wax. The FL, on the other hand, is like a deer caught in headlights. At first, anyway, as she gradually gets a hang of the whole situation. In fact, her transformation from the down-to-earth girl next door to a dominatrix behind closed doors is quite remarkable.
For the most part, the film comes across as quite lighthearted but things do get a tad serious in the final third, where we get to observe a bit more substance in the portrayals of both leads as they finally deal with the repercussions of their actions. I honestly feel that Seo Hyun generally did more of the heavy lifting in this film.
Final Thoughts
As a feature length film that is meant to be mostly a romance comedy, I think the scope of the storytelling is quite extensive. Perhaps certain aspects could have been fleshed out more, such as the respective backstories of the leads and interactions with the people around them but I honestly think those aren’t particularly major issues. For all intents and purposes, and without giving too much away, I was rather pleased with the final outcome and closure to their story. Suffice to say, all’s well that ends well.
Jung Ji Hoo is your average salaryman working in a 9 to 5 job. Unbeknownst to his co-workers, however, he has another side to him - one that involves a fetish for BDSM. One day, due to a mix-up by the delivery service, a female colleague finds out his secret. What transpires subsequently involves a whole lot of awkwardness and embarrassment as well as the resulting suggestive intimate moments, before eventually leading to something more profound.
Directed by Park Hyun Jin, who also co-wrote the screenplay adaptation with Lee Da Hye, the source material is the Naver webtoon entitled The Moral Sense conceived by Gyeoul aka Winter, which was serialised from 2015 to 2018. The original score was composed by Kim Hong Jip and Lee Jin Hee, with Lee Sun Kyu playing the guitar. Principal photography took place from April to July 2021.
What I Generally Liked
Running at just under 2 hours, I thought the film was rather entertaining and eventful. The concept is refreshing, by Korean or even Asian standards, for a mainstream production distributed globally by Netflix. You don’t often come across BDSM-themed romance as the main feature of the story and in this case, the subject matter was handled in a very tasteful and mature manner.
For me, the main takeaway from the film has more to do with the relationship dynamics in terms of the emotional connection between two individuals rather than purely the explicit nature of the BDSM acts themselves to be manifested as a comedic effect or cheap thrills. I particularly appreciated the nuances drawn from the eventual growth of both leads and the organic evolution of their relationship. Additionally, the film explores elements of office politics and gender discrimination that are very much borne of a deep-rooted patriarchal culture.
Given the involvement from Netflix, the film unsurprisingly delivers reasonably high production values. I’ve enjoyed the overall quality of the visuals presented and the set designs, while the accompanying music score nicely complements the ambience of the scenes.
My first time seeing both Seo Hyun and Lee Jun Young in lead roles and they gave a pretty decent account of themselves in their portrayals of Jung Ji Woo and Jung Ji Hoo respectively. I haven’t read the webtoon but I do think they managed to personify their characterizations the way they were intended to be convincing and relatable to viewers, to a certain extent.
The ML is just adorable, almost like a puppy who loves playing with whips, handcuffs and candle wax. The FL, on the other hand, is like a deer caught in headlights. At first, anyway, as she gradually gets a hang of the whole situation. In fact, her transformation from the down-to-earth girl next door to a dominatrix behind closed doors is quite remarkable.
For the most part, the film comes across as quite lighthearted but things do get a tad serious in the final third, where we get to observe a bit more substance in the portrayals of both leads as they finally deal with the repercussions of their actions. I honestly feel that Seo Hyun generally did more of the heavy lifting in this film.
Final Thoughts
As a feature length film that is meant to be mostly a romance comedy, I think the scope of the storytelling is quite extensive. Perhaps certain aspects could have been fleshed out more, such as the respective backstories of the leads and interactions with the people around them but I honestly think those aren’t particularly major issues. For all intents and purposes, and without giving too much away, I was rather pleased with the final outcome and closure to their story. Suffice to say, all’s well that ends well.
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