There were aspects of this drama I really liked. The cast were great and Moon Ga-young portrayed the bullied-for-her-looks Joo-kyung, excellently. She was sweet and somehow quite innocent, whilst at the same time pretty resilient to the horrible crap she had to put up with. She also found it within herself to support others, even though she never got the same most of the time. I didn't like the way in which her character cried though ~ often not about stuff you would and then about stuff you wouldn't.
Cha Eun-woo's character was nice to watch, as he opened up and grew with each episode.
Hwang In-youp's role was more consistent through the episodes and one that I liked the most. He wasn't fluffy or difficult and a lot more open and outspoken.
What I didn't like was what I felt to be a very superficial portrayal of how girls, especially, are judged on their appearance. Yes, it happens to guys too, but not as much.
I just felt that the whole issue was somewhat undermined. The bullies, as usual, seem to get away with it. It shouldn't be up to kids to sort out, but stopped in its tracks by teachers and the establishment. That's just never seen.
The bullying in this was horrible and her own family were no better. I really disliked the mother.
One character in a latter episode, suggested a dermatologist and I actually cheered! The character's biggest problem was actually her skin/complexion, which could have been treated, not her actual looks.
The angle of being outed for wearing makeup was also somewhat contrived, especially when the main ones harassing her, wore plenty themselves! No one thought to point that out though.
One thing it did show were more-unattractive-than-her peers, judging the looks of another. It has often occurred to me that it's not uncommon for the people that judge the looks of others, to be really quite ugly themselves... I wonder what they see when they look in the mirror?!
I also dislike violence against kids by adults and, again, this was shown with no real consequences for the perpetrator. That kind of suggests there's no way out in that situation and it therefore has to be accepted.
There were also several parts of the plot in the storyline that were simply glossed over, to me, rather than being concluded sufficiently.
I also don't find toilet humour that funny, especially when overdone and featuring in more than one scene. People throwing up on others and seemingly thinking that's acceptable, also puts me off; as does treating someone else's home and belongings as their own. Just not amusing to me at all.
Whilst the cast were great, the story just wasn't for me.

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Not the average Legal drama

What a strong leading female character. Wow. Here's a woman who is smart, sassy, self made, knows what she wants and lives by her own rules. Arrogant to snobs, but underneath the money-grabbing facade beats a good heart.
Her nemesis is in turn rich, corporate, from a good family, suave, unscrupulous, competitive, arrogant and blindly loyal.
When these two meet, sparks will fly and a few servings of humble pie will be consumed.
For a legal based drama this is so good. Full of high powered wheeling and dealing, with some very unsavoury characters totally lacking in morals.
It's clever, witty, grown up and only once was there a clichéd scene (I really thought I'd be spared someone dropping to their knees this time, but sadly no).
If you don't like the odd [realistic] swear word, an older strong female lead who puts most men that need to be, in their place and has no problem sleeping with a guy if she wants to; then you'll hate this.
If, like me, all the above appeal, you'll probably enjoy it as much as I did!
Joo Ji-hoon and Kim Hye-soo were perfectly cast and worked so well together.

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Thrilling

A film that builds and gains momentum with every scene.
I found the plot a little different, with some surprises. Through 'Dorothy', the relationships and personalities of the crew aboard The Victory develop and grow.
It's witty, action packed, emotional and very entertaining.
I loved the diverse nationalities of the cast and different languages, which sounded very natural; often a rarity in Korean productions ~ not one to watch dubbed. Song Joong-ki, Kim Tae-ri, Jin Seon-kyu and the wonderful little Park Ye-rin are excellent, as are the supporting actors bringing wonderful characters to life.
Excellent sfx, filming and direction give this a proper big budget feel.
Great viewing and worth watching more than once!

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So disappointingly irritating.

Nice idea, but just way too childishly executed for me.
The LF's character is far too irritating and the direction (or acting) is frustrating. She never gets to the point and there's far too much of her just talking, lamenting and noisily complaining ~ all unconvincingly.
The mother shouts and gets so physical, a lot, which also got on my nerves.
Scenes don't flow smoothly and I just couldn't get engaged with the story or characters at all, dropping at ep3.
The cat itself is gorgeous, but the voice they chose, just didn't suit it at all. A smooth, crooning, dignified style of voice would have worked better, rather than one more suited to an old streetwise moggy!
The LM is an actor I like and have seen in other, good dramas, where he has acted well, but he couldn't save this, unfortunately.
Just not for me.

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Superb fantasy, thrills and feels!

I absolutely love this drama, from a fabulous cast, where not one was a weak link (including all the great supporting/small parts cast), to great writing and direction.
Jung So-min is wonderful as the strong soul (Nakdu) in a weak body (Mu Deok), with a great dialect to boot. Lee Jae-wook partners her perfectly and keeps his character just the right side of entitled, a little resentful and rebellious; without being irritating at all.
Go Yun-jung was also gripping as the actual Naksu and a character I really liked as her story unfolded. Mistreated, lied to and manipulated to become a deadly assassin.
Arin, as Jin Cho-yeon, was suitably spoilt and brattish, but her character matured a fair bit as the drama played out. I was very pleased with one aspect of her character's life, as I liked the character concerned.
I loved Hwang Min Hyun as Seo Yul, too ~ I was really torn about his character... if/when you watch, you might see why.
Some of my favourite interactions were actually between Naksu (as Mu Deok) and the Prince, Go Won (Shin Seung-Ho). She knew exactly how to handle him, but it was most enjoyable when she pushed her luck! He definitely has a (large) soft spot for her.
The pace of this drama is exactly how I like it; there are action scenes, light hearted banter and amusing moments, sadness and intrigue. Whilst main characters talk, ponder and reflect, it never felt slow or drawn out to me. In more complex plots, knowing where a character's actions are coming from and what motivates them, all add to understanding the story.
There are flashbacks, but well timed and enhancing the plot, rather than confusing it, which can sometimes happen.
The music fits well too, without overpowering scenes or being mismatched. I absolutely love Car, The Garden's song, 'Scars Leave Beautiful Trace'.
I love fantasy, romance and action, with humour to balance. Whilst the romance side is relatively low key, it is there and, for me, the level fits perfectly within the story.
A lot of people have complained and written unpleasant things about Jung So-min not being the lead in S2.... I find this both annoying and weird.
I am a very big fan of JSM ~ but she has not been replaced, or written out, so why the backlash?
Her actual character was never Naksu, but Mu Deok, whose body Naksu inhabited for S1.
If Jang Uk fell in love with Naksu for her personality and drive, then he does not love the body, but the soul.
If the actresses switching again is necessary for the story to continue and to be plausible, then so be it.
The actresses returning to their original characters, was always going to be a possibility.
I admit I shall miss JSM in the LFM role, but, I am excited for the story's conclusion and hope it is a huge success for the entire cast and crew.

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Messy

March 2024
Time travel and solar event drama that, once started, I realised I'd actually watched before, but forgot about. So watched again and realised why, sadly.

It has a few exciting moments, but most of the roles, including the leads, are pretty bland really.

The acting is fine and I liked Jim Ah-joong a lot and her police detective character, Jung Sae-byuk, a straight forward, no nonsense, sensible woman, superior to all her male colleagues, yet not arrogant, although she could act that way if necessary.

Keo Sang-joon gave a good performance too; in fact there was no poor acting, just disappointing characters, as mentioned.

The plot is quite clever, but gets very confusing the more episodes into the story we get. All kinds of stuff happens and cracks in the plot start to show, when some characters remember things, whilst others don't. Logically, any changes made to the past should impact the future, not just in ways that are obvious, but in relation to countless butterfly effects.

However, there seemed to be no rules or consequences. The parameters kept changing and it just got too messy for me.

It wasn't a bad watch overall, but there were lots of unanswered questions and no real conclusion. It felt like a S2 is a fairly good possibility. I'd watch if that happened, but it's not something I'm bothered about really. It wasn't quite gripping enough for me and became too convoluted.

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Too much story for too few episodes

Feb 2024
The story pretty much takes us straight into the mood of this gritty and dark drama, which is heavy, unsettling and pretty dreary.
There are no particularly nice characters at all.
Detective Choi Seong Jun is probably the only one I found ok, but his reaction to something in his past and lack of doing anything about it, knocked him down in my eyes, too.
There is zero humour in this, at all.
The creepy events that the death of the owner of land with a family burial site on it, sets in motion, are really mysterious.
There are gripping scenes and the feelings of threat rarely let up. It's not as violent as some recent dramas, by far, yet it still manages to shock at times.
The final reveal of the cause of the events following Yoon Seo-ha's inheritance, are a real twist.
I found her central character very hard to like. Some of her actions should have had consequences and her personality was so fake, just like her patience, which was actually supressed anger hidden behind a sycophantic lifeless smile. She stands up to her slimy husband, but not to someone she works for, who basically uses her.
Supposedly intelligent, yet her utter cluelessness and trust in people most of us would see as totally dodgy, was eye rolling.
I also got irritated by the character's stunted and emotionless response to things, which just wasn't believable.
Then there's the police unit tasked with solving the strange goings on, which like in EVERY other K-drama, it seems, cannot be totally effective.
There's a lazy does nothing but approve stuff Chief and an inept Police Captain, who has tunnel vision and history with Seong-jun. This creates additional tension to an already fraught relationship between the two and does nothing for the investigation either. I found it really frustrating.
Another plot line involving Seong-jun was unnecessary in its depth and only a vehicle for the main story. It just wasted time.
A lot (too much really), was crammed into 6 episodes, all less than 1 hour long. The story was told and concluded, but consequently lacked substance.
Overall it was an OK watch and pretty clever, but I was far from blown away.

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Harrowing at times

Feb 2024
Another I watched in one sitting, because I was so into it. If I'd had to wait for eps, I would have been driven bat poop.
Set during the latter part of Japanese rule in Korea, when the country was whole (so mid 40s), you can expect the disrespect and appalling treatment of Koreans by many of the Japanese, and the resistance to it, that goes hand-in-hand with dramas set in that period.
Whilst a fantasy/action, it turns out that this is nevertheless also an incredibly provoking watch. I saw many obvious similarities between that treatment, and the exploitation and attitudes to Koreans as sub-human by the Japanese, and that of the Germans towards the Jews. There is no way of not seeing it, if you have any knowledge of WW2 at all.
Whilst the attempted systematic destruction of the Jews by Hitler's dictatorship is well catalogued and known about all over the world and by all ages; the mistreatment and horrors of what the Japanese rulers inflicted on Korea for over 35 years, is not. I honestly felt like this drama was also a vehicle to make people see it. They suffered just as horribly, if not worst.
Whilst it didn't overshadow the drama completely, it was never far from my mind.
Besides some harrowing scenes and images, however, there is also plenty of wit, action and low key (but lovely) romance.
The creature is something else and made me think a little of Alien at times. I would actually have liked to have seen a little more of it and it's conception/history.
PSJ's character is successful and tougher than he appears on the surface; intelligent, very business savvy and portrays a selfish, couldn't care less image. The pawn shop/business he owns is a veritable Aladdin's cave. His inner circle, who all assist in the business, are great characters and compliment him well. A favourite actress, Kim Hae-sook is amongst them.
Another, a trusted close friend (Wi Ha-joon, looking gorgeous as ever), he has a warm, but competitive relationship with.
I also really felt for the character of troubled, quiet and (I think), PTSD-suffering artist, Sachimoto (Woo Ji-hyun).
Tested loyalties, intimidation, manipulation, interrogation, emotion.... all the 'tions' are here! ;~)
The casting, characters, pace and script, are all spot on; only on a couple of occasions did I think "for God's sake get a move on!", when some just seemed utterly oblivious to the urgency of situations.
The acting is outstanding as far as I'm concerned. Some of the scenes must have been incredibly hard to do, for all involved.
A very satisfying watch and I have little doubt S2 will be as riveting, as long as they pick up the carrots left dangling to tempt us, from this run. Cannot wait and adding to my list of favourites.

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Positive, feel good, fun!

Feb 2024
I absolutely loved every episode of this clever, joyful, positive and mysterious K-drama.

Each character brought something to the story. Most were high school students, with supporting adult characters, many of whom could learn a thing or 2 from the youngsters!

As the time-travelling mystery centres around a group of high school students that form a band, eventually called Watermelon Sugar, expect a fair amount of music, as the group and individuals rehearse, play and write.

I loved the cast, who were believable in their roles, had excellent chemistry and sucked me right in.

The present day characters within the central family are warm, challenged, close, but not without their issues.

Characters from the past are very varied; ranging from mysterious, to goofy, aloof, mean and frankly evil.

There are references to child abuse, bullying, threat and suicide, but those scenes sit within a story that is overwhelmingly positive, often funny and also emotional. I laughed, wanted to punch people's lights out and cried, throughout the 16 episodes, which flew by.

This drama can just be enjoyed for what it is, a feel good, happy and positive watch; but within it there are also several messages that can be found if wanted and related to, as well.

Very few plot holes and any I noticed were easily forgiven within an overall well thought out and refreshingly positive watch.

I also loved that the issue of deafness and mutism is so maturely addressed. It didn't seek to make a pity party out of the drama, with the emphasis far more on the family attempting to fit in, support themselves, and be accepted as equals.

Of course, there were characters who attempted to take advantage, bullied and treated them as though they were stupid, but there were also positive friendships too.

There is a scene near the end where a female mature character has travelled back to S.K. from abroad and remarks that things are improving [in how those with deafness are responded to/treated]. I found that very telling.

The romances (yes, plural) are very sweet. A main feature, but at the same time not in a way that overshadows the rest of the story, even though they are an integral part of it.

One of the best characters has to be Grandma, fabulously played by Go Doo-shim. Her personality, attitude and relationship with her grandson, were a joy! Loved the name of their guesthouse too.

Choi Hyun-wook as Yi Chan, was probably my favourite character overall. He just grew on me and I totally loved him.

If I had to name something I thought could have made it even better, it would be more of the latter part of his young story with Cheong-ah. Also a little more of their lives in the present day, after their return from the past (especially that of Se-kyung).

Choi Won-young made a great Dad and I loved Chun Ho-jin (a favourite mature actor), as a music shop owner. The kids who played younger versions of central characters, were great too, especially Jung Hyun Joon (as Ha Eun Gyeol).

There are flaws, but for me, none that I couldn't forgive. I really loved that actions had consequences and that parent/child relationships were widely covered.

Would very happily watch this again and I LOVED the soundtrack (link attached for msin tracks).

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A very tough watch

November 2023
The series kicks off with Ahn Joon-ho (Jung Hae-in), back in his unit following the close of S1.

From the start, the scenes of mistreatment, bullying and outright sadism, are anger inducing and often hard to watch.
The deserters being pursued in this, series 2, are not the central theme, which instead eventually fixes on a specific event and the efforts of AJH to expose the truth. He does this partly out of a sense of shame and guilt for things that happened in his past.
I found the injustices harder to stomach this time around and the fact several characters never get punished, left me feeling disgusted.

I really hope men about to embark on their national service don't watch either series... it would frighten them to death and rightly so.
Whilst many might go through their service and not experience or witness any such awful treatment, the fact is some will, and the thought it might be them? Well, I'm amazed more don't attempt to vanish before ever joining up.

The fact the series is based on actual experiences and reports (albeit with some poetic license for a drama), makes it all the more disgraceful.

For a country all about manners, respecting age and tradition etc, etc, it's so hypocritical that in real life stuff like this is covered up; physical and mental bullying is commonplace and ignored; people vehemently prejudge others and are cruel; the privacy and basic human rights of pop artists and actors are totally ignored and violated; mental and physical health issues are ignored and even made fun of. It's just horrible.

There is wrong everywhere, I know that, but rarely does it seem to get as ignored and even enabled by its own government, officials, police, laws and citizens, as here.
This series, more than any other, really exposes a very unsavoury side of life that is a tough watch, especially for not being pure fiction.

Excellent acting, yet again, (I was in bits over Jang Seong-min/Nina, brilliantly played by Bae Na Ra) and a fitting OST. Whilst it might upset many, it really is worth watching and there are some humorous scenes to dilute, a tiny bit, the much harder parts.

There may be imperfections, but it's nevertheless superb and, I feel, quite brave.

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Oppression, violence, humour & entertainment

There are some holes in the story and if the mutants had been explored more, even if needing a few extra episodes, I think the plot would have benefitted. Nothing is mentioned about life outside Seoul, so my imagination assumes all survivors of the comet strike that almost wiped out the entire population, headed there.
Overall though, I found this drama a great watch. Being relatively short and all eps available immediately on Netflix, it made for an excellent binge and felt like watching a film.
I loved the entire cast and I cannot now think of one actor/character that let the story or production down.
The feel of a Seoul turned into a dull, dusty, sand covered desert with a highly toxic atmosphere, was pretty realistically conveyed. It felt grimy, oppressive and lifeless.
A class system exists that real life is beginning to mirror in many respects.
Living is segregated, where those with the money or background to live and work within Cheonmyeong's dome, have light and oxygen. The lower working class, regular soldiers and the deliverymen/women who transport goods and oxygen to those living outside, have purpose built, uniformed, secure, identical windowless housing blocks.
The lowest class are referred to as refugees. They eek out a living and have to fend for themselves pretty much.
Everyone going outside has to wear special oxygen masks and cover up against the dusty atmosphere.
The disparity is stark and with no prospect of things improving, life outside is dangerous, with gangs who pirate the deliverymen's juggernauts.
We meet various characters within the plot revolving around a battle that is brewing against the ruling Cheonmyeong company, whose heir is a Hitler like character that views refugees like vermin.
Several plot twists and surprises add to the compelling story.
At only 6 eps, you won't find much background or delving into the stories of the main characters (let alone supporting ones), but snippets are included and some flashbacks, that give enough info for the plot and characters to make sense.
I loved it. Kim Woobin was perfect for the role of 5-8. With just enough humour to stop it tipping into a depressing watch, there is also plenty of action.
The ending was appropriate to rounding things up and gave a glimmer of hope.
Definitely worth watching and an easy one to watch again when the mood takes... which I will.

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Enjoyable

Such a good cast who were a pleasure to watch.
There were both witty and some very moving scenes, although I didn't often feel the tension that I think I should have.
It felt quite drawn out at times and became melodramatic, with some scenes being repeated (when used to reflect or for background on the story as it progressed), too often.
The plot was lacklustre and lacking somehow, although I can't quite put my finger on why.
I found myself losing concentration and interest during the overly long and repeated operating procedures and other scenes that didn't feel necessary to the plot. For a top hospital, too many of the surgeons and senior staff seemed incompetent and lacking in confidence.
I am not a fan of Uee, but this was one of her better characters, for sure.
Overall, this was not a bad watch, but neither was it memorable, or a drama I'd return to.

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Very witty and sometimes touching

An very enjoyable watch, that combines an attractive cast, witty dialogue, totally mad moments, OTT aspects and characters, some touching moments and lashings of cheese!
It's a perfect watch for anyone wanting a light romance that has been seriously put together, but with tongue planted firmly in cheek.
The ML's upright character amidst all the shenanigans, slowly thawing, was fun to see.
The only aspect that spoilt it somewhat for me, was the total lack of any disguise used by the FL's character when standing in for her best friend.
OK, the assumed likelihood of her ever running into the blind date again played a part, but one would have expected her to have at least donned a wig in the same colour and style as her friend! She was, after all, impersonating her and for all they knew, he had some idea of what she looked like.
The outcome of a major element to the plot, later on, was also disappointingly concluded, like it was an after thought.
Small niggles though, in an overall very entertaining ride.

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Short and sweet

It always amazes me how a pretty good story, nicely acted, can make sense and be fitted into only 8 ,14-min episodes.
I loved the characters of Shi-on and Hong-seok, nicely portrayed as: kind of wide-eyed and bubbly with a charming child-like innocence by Chu Young-woo for the former; and more sedate and deep by the very attractive Won Hyung-hoon for the latter.
Their interactions and chemistry were good, but the couple of more intense kiss scenes did not feel like they were entirely comfortable, so came off a little stiff.
A very nice and entertaining watch that also managed to grab at and pull my heart strings as well with tge more emotional side of the story. Definitely worth watching.
Maybe one day S.Korea will brave its 'only conservative when it's not K-pop' section of the viewing public and give us a full length BL drama. They're more than up to it.

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Frustrating

Lee Je-hoon and Shin Min-ah work really well together in this fight against fate, time travelling drama.
The plot is pretty good, as dramas involving flitting around time are often messy, but this was quite well thought out.
The characters were ok, but I found constant references to Bap Soon irritating and Song Ma-rin was so needy at times. On the one hand she could be tough and quite arrogant toward So-joon in the early episodes and on the other behaved like a teenager. She also let Gun-sook order her around whilst at other times standing up to her. The character's behaviour was inconsistent.
Aspects of the story were a little too drawn out and given those characters 'in the know', the struggles to change the fate of the main two were not always as sensible as they could have been.
Not a bad watch, although for me, Lee Je-hoon made this drama work.

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