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The Butterfly
When it comes to movies about historical figures I tend to take them with a grain of salt, sometimes a whole bag. I'm neither familiar with Xuan Zang's life nor am I a scholar of Buddhism or this time period so this review is based sheerly on my enjoyment of this film as a work of art. Though I am sure there are discrepancies as with most historical films I have no quarrel with the filmmakers for at least the major characters were dealt with respectfully. I've also neither read the novel nor seen the movie Journey to the West which are based on Xuan's life.
Xuan Zang set out for India, when it was forbidden to leave the country, in order to bring copies of more accurate Buddhist scriptures home. Reason, laws, and the threat of death could not deter him from his holy quest.
The cinematography was extraordinary and a treat for the eyes as Xuan traveled through both cities and desert wilderness, often alone. Varying from lush green to desolate sand and stone, and later snow capped mountains, the scenery was breath-taking. Ancient ruins, temples, and shrines are visited. Often the scenery showed him barely visible, a tiny monk making his way through a vast and sacred world. The music fit with the mood perfectly.
This is a slow, reflective film as Xuan's faith meets up against disappointment and hardship. Living in a time when I can find information with the push of a button, I'm in awe of someone who was willing to risk death, imprisonment, starvation, and thirst to increase his knowledge and faith and then the overwhelming desire to bring it back home again to share. His journey took between 16 and 19 years depending on the source and he covered over 25,000 km (15,534 miles). This film gives a glimpse of what he accomplished, the people he met, the effect he had on others, and the joy the scriptures brought to him. There are a couple of narrative hiccoughs when an inexplicable time and place jump occur, but that's a rarity, and a small quibble. The censor's heavy hand causes a few shadows as well. For the most part this is a film to soothe the eyes, ears, and soul. Every moment and person is treated as holy and a gift. It may be the idealized version of his life but it was a pleasure to sink into it and let the beauty of the colors and notes and love for all life wash over me.
Xuan Zang set out for India, when it was forbidden to leave the country, in order to bring copies of more accurate Buddhist scriptures home. Reason, laws, and the threat of death could not deter him from his holy quest.
The cinematography was extraordinary and a treat for the eyes as Xuan traveled through both cities and desert wilderness, often alone. Varying from lush green to desolate sand and stone, and later snow capped mountains, the scenery was breath-taking. Ancient ruins, temples, and shrines are visited. Often the scenery showed him barely visible, a tiny monk making his way through a vast and sacred world. The music fit with the mood perfectly.
This is a slow, reflective film as Xuan's faith meets up against disappointment and hardship. Living in a time when I can find information with the push of a button, I'm in awe of someone who was willing to risk death, imprisonment, starvation, and thirst to increase his knowledge and faith and then the overwhelming desire to bring it back home again to share. His journey took between 16 and 19 years depending on the source and he covered over 25,000 km (15,534 miles). This film gives a glimpse of what he accomplished, the people he met, the effect he had on others, and the joy the scriptures brought to him. There are a couple of narrative hiccoughs when an inexplicable time and place jump occur, but that's a rarity, and a small quibble. The censor's heavy hand causes a few shadows as well. For the most part this is a film to soothe the eyes, ears, and soul. Every moment and person is treated as holy and a gift. It may be the idealized version of his life but it was a pleasure to sink into it and let the beauty of the colors and notes and love for all life wash over me.
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