The power of goodwill

After the men of the Hua family are forced into exile and the women and children left to fend for themselves, Hua Zhi, the eldest daughter and our indomitable female lead, takes charge and seeks to bring the family back together against all odds. Her family and her story become entwined with that of Gu Yanxi, nephew to the emperor with his own share of family troubles, albeit of a very different nature being born into the royal bloodline.

There is a lot of story to cover in 40 episodes, and what we are left with in the drama is a bit uneven in pacing and tone. A lot of the first half of the story follows the Hua family's ups and downs in their endeavors to recover from the disaster forced upon them by the paranoid Emperor. Some of the most moving and heartbreaking moments for me occur in the quieter moments within the Hua family household as they learn to brave their hardships and share their triumphs with each other. The latter half features more of the palace/political story. If given enough time, this part of the story may have been able to develop its themes and antagonists better. Instead, things are taken care of far too neatly and swiftly before anything really resonates. Hai Yitian as the complicated Emperor of Daqing makes an impression, but with his arc in the story as a whole and his relationship with Yanxi not fully explored, it is a bit of a shame how it all ends for him.

All in all, this is a heartwarming story worth watching for some great performances from all the cast, including Zhang Jingyi as Hua Zhi and Hu Yitian as Yanxi. I wish they had more to do with their roles as far as range of emotions (we get a little bit towards the end), and I hope to see more of them in period/costume dramas in the future.

Read More

While there are some nice moments of drama, comedy and fights in this xianxia drama, I found it far too long and repetitive to make a profound impact for the audience who is looking for more than its romance story. Its generic plot and characters are somewhat shocking to me given the caliber of actors in the cast. Shen Li and Xingzhi, aside from their romance, do not undergo much development or growth in their characters. Some of the supporting roles and side/guest roles are far more distinctive in their growth such as Furong and Youlan as they become true leaders of the Divine Realm/Clan - or just more interesting such as the former god Qingye and Lady Jin.

Zhao Liying and Lin Gengxin are skilled enough actors to make their story work - I especially enjoyed the first several episodes in the mortal realm. The rest of the cast are great with what they are given to work with, but don't expect any deeper themes to be woven into the story that would stand out compared to some of the better xianxia dramas in the past several years. If you are a fan of the actors and xianxia, this is still worth a check, but it is unfortunately more of the same in my opinion.

Read More

Good vs evil in Heyang

Within this story is a potentially really great one if the drama had dared to push the boundaries of its storytelling a bit more. Set against the "evil" city of Heyang, where bad deeds go unpunished, our righteous male lead Pan Yue seeks to find his long-lost beloved Yang Caiwei and to right the wrongs of the past. Along the way, we meet a multitude of characters including the charismatic if headstrong Zhuo Lanjiang and Caiwei's plucky friend Bai Xiaosheng -- and solve some murder mysteries.

It turns out that with each case solved, we are closer to solving the ultimate mystery -- who is the mastermind behind the deaths of Caiwei's parents and the dark deeds in Heyang? That, unfortunately, is never fully fleshed out. Our villains' motivations are presented only in broad strokes, making the ultimate confrontation a bit of a letdown both thematically and dramatically.

Which is not to say the drama is terrible -- far from it. Some of the stories within the main tale are quite moving such as the case of the Gu family and that of the twins and the academy. They show quite effectively the potential darkness within people and the struggle to overcome it without resorting to too much exposition, which is unfortunately present in other cases and parts of the show. If the drama had explored this theme than just at the surface level - the complexities of humankind and our capacity to do both great good and evil - it would have made for a very compelling drama.

As it is, this drama is worth the watch for the interesting cases (which actually are nicely interwoven with the overarching plot and our characters' arcs), a well-paced romance story, and some great performances from both main and guest/supporting cast alike. Liu Xueyi as Pan Yue and Li Geyang as Zhuo Lanjiang were standouts to me.

Read More

Not enough steam to last until the end

This drama starts off in a powerful way but by the middle of the 16 episodes, there is not enough meat to the story to sustain it until the end. The female lead's "revenge" story has nowhere to go because the audience already knows that the king is not the true villain of the story. Perhaps more importantly, the character lacks any real personality to make her scenes compelling to watch, much less make her romance with the delightfully complex male lead at all convincing.

The king (male lead), on the other hand, has a true story to tell in this drama. His journey from Grand Prince to exile in Qing and back to Joseon and ultimately the throne is thrilling, and Jo Jung-suk plays him with so much pathos and intensity. The show could have ultimately benefited from minimizing the romance and female lead's role and focused on the king with a shorter number of episodes. Alternatively, a more interesting romance or more complex political storyline could have justified the full 16 episodes.

I was hoping for more from this beautifully produced show, hoping for a really satisfying, dramatic sageuk. There are some really great moments throughout, but by the end, I was fast-forwarding more than actually watching. I feel as though an 8 is really generous from me - but some of the performances (including the younger child actors) are really terrific and lift up the show. Something to check out for those who love period/historical dramas, but it is no masterpiece.

Read More

A disappointment

Disappointment is the first word that comes to mind when reflecting on watching this drama. For fans of the original novel, this is not the faithful adaptation you were hoping for. At best, this drama is loosely inspired by the novel. The first half of the drama is watchable when the story is centered on Amai, our fearless female lead, as she seeks revenge for her dead family at the hands of her onetime adopted older brother, Chen Qi. She manages to join the army, and her struggles and triumphs throughout those arcs of the story and the bonds she forges with her sworn brother, Tang Shaoyi, and her army buddies are fun and heartwarming to watch. Her entanglements with the charismatic enemy general Chang Yuqing are also highlights of the show.

It is in the second half of the show that things really do fall apart. The story shifts focus to the male lead, Shang Yizhi (who is really Qi Huan, the son of the former crown prince), and having no solid character arc to lean upon, the story moves from one ridiculous political plot to another until the story goes up in flames at the very end. This is the show's greatest weakness: the writing of Yizhi's character. He begins as a "playboy" silly son of a marquis and becomes emperor almost by accident, but he has no real personality, drive or meat to his character other than the shell we are presented with. One simply does not care about what happens to him because everyone around him is far more interesting and key to moving the story along. He is simply along for the ride.

It is in the final few episodes that I really lost my patience with the ML. He betrays Amai firstly in marrying someone else and then betrays the Zhenbei army in the name of securing peace. At least in the end, Amai freed herself from him and was able to live her own life.

So proceed with caution in watching given the high risk of disappointment by the end, consider skipping most of the second half, or find another drama with better constructed characters and balance of story lines to fill your time. I found the music loud and grating most of the time, so there was not even that to soothe my angry soul by episode 36. It is my consideration of the generally great acting of the cast and the stronger first half that I offer a very general score of 7.5.

Read More

Don't take this one too seriously, and you're in for a fun ride

This is an unexpectedly entertaining costume/period drama with some fantastical elements. While not an original concept (the author entering her own novel), the story has solid characters that develop logically throughout the story and a well-placed plot with villain(s) that keep things moving.

I really enjoyed Song Yiren's performance here. She strikes the right balance of comedy and drama, which is needed is such a story as this. Ding Ze Ren as the ML is a relatively new actor, and he does generally well here, although he does have a way to go in the more angsty scenes.

January 2024 was disappointing to me as far as Chinese dramas (period/costume in particular), but this one was a nice little gem.

Read More

Even gods and immortals have growing pains

Based upon the novel “Hidden God” (which I never read), this is a sequel to Ancient Love Poetry (with different names for the drama, which is a little confusing). There is nothing particularly groundbreaking about this Xianxia drama, but I found it to be a warm, heartfelt and timeless story of the joys and pains of growing up - learning to love, learning to sacrifice and learning to treasure what you have.

To be honest, I was a little apprehensive about starting this drama initially. I’ve watched some Xianxia in the past but not as many in the past couple of years. The beginning episodes of this one reminded me of some of the earlier Harry Potter films - lackluster CGI, very young characters and a seemingly simplistic story. However, the strong performances from the cast drew me in, and by the midway point of the drama, you realize there is much more to this tale. While the story centers on Yuanqi and Fengyin’s love story, there are also many other moving story lines involving friendship and kinship. Interwoven are some themes about breaking down the barriers that divide us, cherishing all life, and not using one’s power or position to bully the weak.

This one could have used more post-production time to smooth out the visual effects and sound mix. More importantly, the script could have used another look over to flesh out the deeper thematic elements. However, I found this an engaging, wholesome watch during my winter holidays. There is something ultimately uplifting in this drama’s storytelling despite the many years of suffering experienced by the characters.

Lastly, this is my first time watching Wang Anyu as Gujin/Yuanqi, and his non-pretentious, boyish charm really fits the character well. He and Zhao Lusi make an endearing on-screen couple that brings you both joy and tears. If only there was more of them at the end - maybe another drama? Until then, this is a great one to binge, re-watch and for me sits well with my all-time favorite Xianxia dramas such as Eternal Love (Peach Blossoms), Ashes of Love, Love and Destiny, Love and Redemption and yes, Ancient Love Poetry.

Read More

Bold, epic with a slight stumble to the end

There is a lot to love about this drama - it is epic in scope and dares to tell a complicated tale not only of love but also of friendship, duty to one's country and respect for your fellow man (or woman). Above all, it features many complex characters that develop throughout, notably several strong female characters including our fearless female lead, Ren Ruyi (played by Liu Shi Shi).

Ren Xin, a former deputy leader of the Scarlet Guards of the State of An, is framed for the death of Empress Zhaojie and forced to reinvent her identity as Ren Ruyi. While on her own quest to avenge the Empress, Ruyi comes across Ning Yuanzhou (Liu Yuning), himself also the former deputy leader of the State of Wu's Liudao Pavilion (a sort of spy organization not dissimilar to An's Scarlet Guards), who is busy trying to leave the world of court politics behind. They find themselves working together and join the diplomatic entourage bearing special envoy Prince Li (who is actually Princess Yang Ying in disguise) to An to rescue the Emperor of Wu.

While the story may sound complicated on paper, it is actually quite easy to follow and watch, a testament to the strength of the show's writing and performances. Particularly in the first half of the drama, with the entourage's long journey as the framework for the show, we get a terrific balance of adventure, exciting fight sequences and character development. Under Ruyi and Yuan Zhou's guidance, Yang Ying (He Lan Dou) transforms from cowardly princess to steely prince in what is to me the most satisfying and interesting arc of the entire show. Along the way, we also get to know NYZ's gang: the pretty playboy Yu Shi Shan (a hilarious Alen Fang), kind and cheerful Yuan Lu (Chen You Wei), stoic and loyal Qian Zhao (Wang Yi Zhe), and lover of all furry things Sun Lang (Li Huan).

At midway, the drama sags a bit when Li Tong Guang (relative newcomer Chang Hua Sen) meets up with the rest of the cast as his character devolves into an injured puppy in what is probably the least desirable arc of the show - his obsession over his former master Ren Xin. I would not have minded a few episodes of this, as I understand what the writer was probably going for. Having suffered a difficult childhood and losing his mother and master during his youth, I can see why he would latch onto his master at their reunion, but 10 episodes of this is overwrought and threatens to undermine his character's development from boy to man and from general to de facto leader of a nation. Fortunately, LTG's scenes with Yang Ying towards the end of the drama somewhat salvage things for me. But it is a bit too little too late.

Then we have the final 6 episodes or so, which zoom by at a more frenzied pace, making one wish perhaps less time spent on obsessive LTG would have translated to a smoother build to the climax and a more satisfying conclusion. And while I enjoy Chu Yue's (and Chen Hao Yu's performance) scenes with Yu Shi Shan, from a writing standpoint the story did not really need her character in there to work. Personally, I would have liked the ending scene to have included YY and LTG instead. Looking at the narrative and characters, these two are the most affected by our main leads, and lacking a conclusion (or at least some kind of denouement) to their story is a disappointment.

Ultimately, however, the many merits of this drama outweigh the downsides, and this is one you do not want to miss for this year if only for the truly great creation of many strong, multifaceted female characters (including villains). If I had watched this before Story of Kunning Palace (to which I gave a 9), I probably would have rated Kunning lower, as this is by far the superior of the two recent costume dramas in terms of story, characters, performances and music.

Read More

Uplifting legal drama with so much heart

I found this little gem while scrolling through Netflix. It's a heartwarming tale of two unlikely partners who find the courage to fight for the "weaker" ones in society and for what they want in life.

Ishida Shoko is a paralegal who works at her father's small law firm. Though a graduate from a prominent university, she has failed to bass the bar exam multiple times. Haneoka Yoshio, on the other hand, passes the bar easily due to his photographic memory despite finishing only high school. The two find themselves immediately at odds with each other when Haneoka is hired to join the firm. Through the course of the 10 episodes, they learn how to support one another and overcome their respective traumas and inner struggles.

There are plenty of darker, serious-toned dramas involving the legal process. This is not one of them. If you need something to lift you up and give you hope again in humanity, this is a nice, short one to enjoy. The cases are easy to follow and are interwoven with the characters' own stories as they progress throughout the drama. Arimura Kasumi and Nakamura Tomoya have excellent onscreen chemistry as our leads - it is almost a shame the drama did not make most of that and push their relationship together further. Shoko's fledgling romantic storyline with our second male lead, Oba Ao, really does not go anywhere. Akaso Eiji does a fine job in his role, but I just did not buy Oba's relationship with Ishida.

In my perfect world, there would be a special or second season to see our legal duo continue their bickering, common folk-helping ways. Alas, I will most likely have to settle for what we have here and rewatch their scenes together whenever I need a pick-me-up. Their quiet moments together are pure gold. Arimura and Nakamura seamlessly move between comedy and drama and ultimately move our hearts.

Read More

After scheming her way to becoming Empress, Jiang Xuening is forced to take her own life after a coup staged by the equally scheming Xie Wei and her former childhood friend Yan Lin upends the state of Qian. She awakens to find herself back in time before she entered the palace and is determined to change her fate and the fate of others around her. Little does she know that the seemingly treacherous Xie Wei has a painful past and is much more than he seems.

While the setup is nothing new, the drama manages what I feel is a rarity these days in Chinese drama land - sustaining my rapt attention for the full 38 episodes. The script wisely stays focused on the story and characters - balancing the political storylines with the slow burn romance that is allowed to develop organically, without anyone acting out of character just to create a sense of forced drama or romance. The supporting characters are given time to develop as well and actually add to the overall story. They support our male and female lead in their journey of finding their true selves and each other.

What prevents me from giving this a 10 is the often heavy-handedness of the direction - blinding lighting, distracting camerawork and odd framing of shots give an overall unpolished look. There is a tendency to make things a bit over the top, but these are small quibbles and a matter of taste ultimately. The cast overall do a solid job - I am most impressed with Wang Xing Yue. Despite his young age, he is able to hold his own in a very stoic role.

This is a great one to binge and re-watch. It's not meant to be an artsy, profound expose on life, death, fate vs self determination, etc. It's just great fun to watch.

Read More

A mixed bag

Filmed several years ago, this drama bears an air of nostalgia of past harem/palace dramas, especially in this first 1/3. Luo Qinglian unexpectedly finds herself forced in a position to become a servant-concubine of the third son of Prince An, and her story of surviving the treacherous life in He Lianxin's household thus begins.

Unfortunately, her story never really soars as those of other strong female leads in other past palace/harem dramas such as Story of Yanxi Palace or The Sword and the Brocade. The drama tries to involve too much story - brothers fighting for the title of Prince, Qinglian's former lover Lv Beiyi's story, and the 11th hour secret oath our ML's father made to the Emperor to rescue him are just some of the other story lines. However, due to so much being edited out, the story is choppy and does not flow together well. It may have been better to end the drama around episode 30 when our ML achieves the title of Prince and focus on building the characters' relationships better.

What I am left with are some very nice moments of dramatic performances from a seasoned cast but an overall disappointing story structure, making it difficult to give this any more than a 7.5. It is perhaps higher than it should be, but I guess I do miss how dramas were shot in the past - a lot less crazy camera work and more focus on lighting and allowing the performances to breathe and speak for themselves. My favorite parts were the quieter scenes when the actors just are speaking/performing to each other.

If palace/harem dramas are your thing, you may want to check this out casually, but there are likely far better ones out there more worth your time.

Read More

A few good men

This is a dark yet poignant tale of the frailty of human nature - the loss of innocence in the effort to survive in a world where justice is hard to come by.

The drama starts off seemingly like any straightforward murder-crime-mystery series. You are drawn into deciphering various clues and studying each character to determine who is the murderer. By the show's end, however, even though it pulls out a "surprise" reveal, the power in that moment is not so much the shock factor of who is who but more so the underlying sadness of seeing two friends end each other's lives. There is no mustache-twirling psychopath villain here. It's a hauntingly realistic tale of greed and deceit that explores the lengths to which someone will go to obtain what they want.

The entire ensemble cast give great performances - my favorites are Ning Li as Song Chen and Yu Yao as the young Lu Zhi. Great atmospheric music and realistic sets/props/costumes make the world of Du County come to life in all its dingy glory.

Read More

This is a great story of female friendship with an inauspicious beginning - between Lin Shuang our female lead and Jiang Xi. Two women from very different backgrounds find common ground and nurture a restorative and empowering relationship that carries the whole drama. The story could have had better flow and dramatic tension if it were shorter; honestly, half the number of episodes probably would have still worked. We know pretty soon on what a deadbeat jerk Wei Ming is, so dragging his dark deeds out was a bit tiresome to me. Acting overall was great. and the workplace scenarios were more realistic - still probably not completely realistic in areas - than many a workplace Chinese drama I have seen in recent years.

If you like modern workplace dramas with strong female characters, this is worth checking out.

Read More

Something is rotten in the state of Liang

Nirvana in Fire 1 is a masterfully paced tale of revenge and a fight for the throne in a quest for truth and justice. Its story is mostly linear and thus builds satisfyingly to its climax near the end with a fittingly bittersweet denouement. NIF 2 is a different kind of story. More complex in its character construction and narrative, the second installment gets off to a slower start and because of its story structure, may encounter some bumps along the way for some viewers.

There are essentially 2 major parts to this story, the first part ending with Xiao Pingzhang's death, and the second culminating in Xiao Yuanqi's revolt. As such, although you may consider Xiao Pingjing to be the main character, he has to share screen time with his brother in the first part of the story. At other points in the story, he is either in a coma or hanging out on Langya Mountain, while the plot is moved along by some of the supporting cast. What is more, he comes off as somewhat of a callow youth in the beginning of the drama, although he is very intelligent and quick on his toes.

Once viewed as a whole, however, NIF 2 becomes an epic tale of the frailty and courage of human nature - a timeless tale reminding us that as much as we aspire to be our better selves, we may just as easily fall prey to our vices. There is always a sense of unease when watching this, whether it is watching the creepily Rasputin-like Puyang Ying achieve his devious goals or the pitiful Yuanqi fall further and further to his inevitable defeat. We see the bonds of brotherhood and family tested as the balance of power between the Imperial court and the military hangs forever in a delicate balance. Pingjing's coming-of-age story is interwoven throughout, and I found myself very much moved as he struggles to deal with the deaths of his brother and father and his identity as the son of the Old Prince of Chang Lin.

The older cast definitely elevate this drama with their performances, but the younger cast do a fine job in their roles. The grounded production and stirring music round out this excellent drama worth watching and re-watching.

Read More

Finding light after a long dark

The world of Dahuang can be a cruel and harsh place, as royal cousins Xiaoyao and Cang Xuan learn bitterly at a young age. Orphaned, lost, and tortured for many years, XY eventually hides herself in the small Qingshui Town working as the town healer of sorts. Also orphaned and forced to live as a hostage in a foreign kingdom, CX spends his early life fending off his murderous uncles. Fate brings him to Qingshui Town disguised as a winemaker. He and XY eventually reunite, but will they be together forever?

In that fateful town, XY meets and saves the gentle Tushan Jing, who she calls Ye Shiqi. He too has his own tale of betrayal and torture at the hands of his half-brother Hou. Nearby is the enigmatic and seemingly harsh Xiang Liu, caught in his own struggle with his past and devotion to his adoptive father. These figures are forever intertwined as they are thrust onto a high-stakes adventure of fighting for a better, kinder future while at all times fighting for their own survival.

I would have liked to see season 2 first before writing this review, but at this point it may be a while before it comes out. As it stands, however, season 1 has a clear story arc focusing on XY and CX's endeavors to win the latter the Xiyan throne, so as a standalone season, it mostly works. There are a lot of other characters and themes that will need S2 to round out their arcs fully, particularly for TSJ, who ends S1 in a bit of a miserable state. I hope to write more about TSJ after S2, as he is one of my favorites. His kindness and genuine love for XY are a bright light in this often dark tale of very complex people trying to make the best of an unkind world.

The cast bring the story to life, and the writing is satisfyingly solid throughout the whole drama. No useless fillers or characters in this tale. Music and production are memorable, with the rare bits here and there of questionable CGI. Bring on season 2!

Read More