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Harem Drama Lite.
Is this you? Have you just read a certain fanfic for a certain fandom that is a Harem AU and now the story hasn’t updated for weeks and you are just craving that good concubine no. 3 feels? Are you really tempted to watch one of those big harem dramas like Yanxi palace but you see the 70+ episode count and you feel like it’ll be less painful to take your organs out of your body with your bare hands than sit through that many episodes? Are you just itching to watch a bunch of stir-crazy people fight over who gets to sleep with an average/mediocre/ok-maybe-he’s-cool dude? THEN BOY DO I HAVE A SHOW FOR YOU!
With a humble 45 (GOOD GOD! FORTY-FIVE?!?!?!?) episode count, the sword and the brocade gives you all that good “my love, I may have many in my harem, but there’s only you in the harem of my heart” feels while not actually making you want to crawl up a wall from all the palace intrigue melodrama. This is a show about two sourly yet genuinely good people slowly falling in love while every single character around them gets b*tch slapped by Karma! It’s fun…until it’s not.
I can’t in good conscience recommend this show though, mainly because I had such a negative experience making it through the last fifteen episodes of this show. It starts really well, it’s very gripping and there are so many delicious feelings throughout but the pace slows around episode 25 and just about becomes unbearable after episode 36. So maybe watch this only if you are very desperate for a Harem drama that isn’t as cut-throat or extreme as those palace ones.
You should watch this if you like:
1. Harem dramas
2. Murder mysteries
3. Happy endings
4. Meddlesome mother-in-laws (the real villain, everyone!)
5. Arranged marriage
6. Enemies to lovers but not very intense
7. Cinderella stories
8. Ming dynasty misogyny
9. Pro-monogamy harem plot…
10. Sewing (?)
Summary: The main character is the daughter of an unfavored concubine. Now it has come the time for the official mother to marry off her unfavorable concubine-born daughters in the most politically advantageous way. But best-laid plans of mice and men, everything goes the exact opposite way as she wanted, so now her least favorite daughter is married off to a beautiful, jade-like marquis of a man, instead of an abusive, drunkard womanizer and that’s karma for you! There’s a murder mystery, a skippable political plot, lots and lots of concubine drama, and the MOST unlikable, meddlesome, STUPID mother-in-law in the whole world, there too.
The story: I will give them a little credit. They were trying to say something, about women’s lives in the olden times, the terrible conditions of concubinage, the unfairness of the social hierarchy and they do manage to do that for the most part but it’s just so weak and it seems like they gave up on nuance very early on as they fall into the pitfalls of cliches and cinematic stereotypes of catfights that have proven to bring in excited viewers in the past. That’s my way of saying, they tried to be woke but realized it’ll make more money if they just go for the good old melodrama. I think Yanxi palace tried to do a similar thing but they achieved it with a lot more grace and elegance and the point was more solid there (even though that had its melodrama shenanigans too). There's also this bait-and-switch plot that is used too many times to show the change of tides in the plot that was cool the first time but got annoying when they did it over and over again.
The story also has something to say about getting lost in traditions and rules that can lead to denying people their agency to make choices for their own life. The show starts with this truly jaded man who has been forced into marriage and taking concubines and just putting up with all of this, even though he really couldn’t care less. He’s completely disillusioned about women and sees them as opportunistic people who will use sexuality and beauty to gain money and power. This is the best detail of the show because you can see how the female lead changes his perceptions throughout the show and finally makes it possible for him to figure out what he wants and what his problems were all along and how to ask for things that he wants.
But this also means that the female lead barely had a character arc! She was a pretty smart and level-headed person from the start and she is validated all the way to the end of the show. Her only change in the story is to fall in love but other than that she is a fully formed woman with a great understanding of herself and her principles from the very beginning.
The acting: Despite all the problems I had with the plot, I actually liked the two main actors. I prefer the more subdued and calm acting that Seven Tan did here and I also liked Wallace Chung’s acting. Not sure about the couple's chemistry, though. One was more into the romance than the other, I thought. I’ve also decided to add a new criterion to how I judge the acting, by judging the ensemble’s acting as a whole and basically judge how well everyone’s acting worked together. I have to say, here the acting was very homogenous. Everyone was on the same level. Shout out to He Hong Shan’s acting, she gave this very bratty voice to her character and it was brilliant. It made you want to slap her so bad! I also feel bad for Daddi Tong. I didn’t like his character but he did a good job and I hope he’ll get male leads in the future so he can be less pitiful.
The music: This is probably the best part of this show. The background music is just okay but the soundtrack is very romantic and it really worked well for the romance. As a whole the production was fine. Nothing special to say about it.
Rewatch value: None. Unless you’re THAT desperate for a harem drama that isn’t in the palace actually.
The negative: There’s a lot of weak writing in this show. For instance, there’s an attempt made to connect the political stuff with the harem stuff and the murder mystery all together, and yeah they’re connected but I don’t think anyone who was watching cared even a little for that political stuff, and for good reason. It was boring and very simple and it just took up a lot of space that had nothing happening in it. The other problem was the pacing. The show has a lot of little arcs and these did not mesh well together. Instead of having one big arc and small arcs intertwined together, each tiny arc is resolved separately. This means that we end up with the same story over and over again. Getting rid of a bad concubine? Three separate arcs that are solved one at a time, fighting over the second male lead being a potential homewrecker but with different intensities? Five different arcs! It just makes the show feel like a broken record because they keep arguing over the same things over and over again. After episode 25, everything just turns into a Groundhog Day. Everyone just goes around each other repeating the same issues again and again and each time only one thing is resolved until FINALLY, it’s all over. Really this show should have been 30 episodes. It was too long.
There was a lot of nothing in the show too: getting on and off carriages, purring tea, just moving from one place to another. You’d expect them to omit these in editing.
There’s also a bit of a negative bias in the story. Those women were all victims. The mother-in-law was a monster and she created this poisonous environment that only nurtured poisonous snakes. But the story somehow puts the main character on a moral high ground over these other victims. Even though there was no reason for her to be holier than the others. It’s not even her fault, it’s just that the show gets so twisted around itself that it ends up reaffirming the traditional values of women that the show was criticizing at first.
Overall: This show came into my life just as I needed it. I did binge some twenty-something episodes of it like my life depended on it. It’s a skippable watch unless you know mandarin and can just let it play in the background then maybe it'll be better. Just be ready to get annoyed.
With a humble 45 (GOOD GOD! FORTY-FIVE?!?!?!?) episode count, the sword and the brocade gives you all that good “my love, I may have many in my harem, but there’s only you in the harem of my heart” feels while not actually making you want to crawl up a wall from all the palace intrigue melodrama. This is a show about two sourly yet genuinely good people slowly falling in love while every single character around them gets b*tch slapped by Karma! It’s fun…until it’s not.
I can’t in good conscience recommend this show though, mainly because I had such a negative experience making it through the last fifteen episodes of this show. It starts really well, it’s very gripping and there are so many delicious feelings throughout but the pace slows around episode 25 and just about becomes unbearable after episode 36. So maybe watch this only if you are very desperate for a Harem drama that isn’t as cut-throat or extreme as those palace ones.
You should watch this if you like:
1. Harem dramas
2. Murder mysteries
3. Happy endings
4. Meddlesome mother-in-laws (the real villain, everyone!)
5. Arranged marriage
6. Enemies to lovers but not very intense
7. Cinderella stories
8. Ming dynasty misogyny
9. Pro-monogamy harem plot…
10. Sewing (?)
Summary: The main character is the daughter of an unfavored concubine. Now it has come the time for the official mother to marry off her unfavorable concubine-born daughters in the most politically advantageous way. But best-laid plans of mice and men, everything goes the exact opposite way as she wanted, so now her least favorite daughter is married off to a beautiful, jade-like marquis of a man, instead of an abusive, drunkard womanizer and that’s karma for you! There’s a murder mystery, a skippable political plot, lots and lots of concubine drama, and the MOST unlikable, meddlesome, STUPID mother-in-law in the whole world, there too.
The story: I will give them a little credit. They were trying to say something, about women’s lives in the olden times, the terrible conditions of concubinage, the unfairness of the social hierarchy and they do manage to do that for the most part but it’s just so weak and it seems like they gave up on nuance very early on as they fall into the pitfalls of cliches and cinematic stereotypes of catfights that have proven to bring in excited viewers in the past. That’s my way of saying, they tried to be woke but realized it’ll make more money if they just go for the good old melodrama. I think Yanxi palace tried to do a similar thing but they achieved it with a lot more grace and elegance and the point was more solid there (even though that had its melodrama shenanigans too). There's also this bait-and-switch plot that is used too many times to show the change of tides in the plot that was cool the first time but got annoying when they did it over and over again.
The story also has something to say about getting lost in traditions and rules that can lead to denying people their agency to make choices for their own life. The show starts with this truly jaded man who has been forced into marriage and taking concubines and just putting up with all of this, even though he really couldn’t care less. He’s completely disillusioned about women and sees them as opportunistic people who will use sexuality and beauty to gain money and power. This is the best detail of the show because you can see how the female lead changes his perceptions throughout the show and finally makes it possible for him to figure out what he wants and what his problems were all along and how to ask for things that he wants.
But this also means that the female lead barely had a character arc! She was a pretty smart and level-headed person from the start and she is validated all the way to the end of the show. Her only change in the story is to fall in love but other than that she is a fully formed woman with a great understanding of herself and her principles from the very beginning.
The acting: Despite all the problems I had with the plot, I actually liked the two main actors. I prefer the more subdued and calm acting that Seven Tan did here and I also liked Wallace Chung’s acting. Not sure about the couple's chemistry, though. One was more into the romance than the other, I thought. I’ve also decided to add a new criterion to how I judge the acting, by judging the ensemble’s acting as a whole and basically judge how well everyone’s acting worked together. I have to say, here the acting was very homogenous. Everyone was on the same level. Shout out to He Hong Shan’s acting, she gave this very bratty voice to her character and it was brilliant. It made you want to slap her so bad! I also feel bad for Daddi Tong. I didn’t like his character but he did a good job and I hope he’ll get male leads in the future so he can be less pitiful.
The music: This is probably the best part of this show. The background music is just okay but the soundtrack is very romantic and it really worked well for the romance. As a whole the production was fine. Nothing special to say about it.
Rewatch value: None. Unless you’re THAT desperate for a harem drama that isn’t in the palace actually.
The negative: There’s a lot of weak writing in this show. For instance, there’s an attempt made to connect the political stuff with the harem stuff and the murder mystery all together, and yeah they’re connected but I don’t think anyone who was watching cared even a little for that political stuff, and for good reason. It was boring and very simple and it just took up a lot of space that had nothing happening in it. The other problem was the pacing. The show has a lot of little arcs and these did not mesh well together. Instead of having one big arc and small arcs intertwined together, each tiny arc is resolved separately. This means that we end up with the same story over and over again. Getting rid of a bad concubine? Three separate arcs that are solved one at a time, fighting over the second male lead being a potential homewrecker but with different intensities? Five different arcs! It just makes the show feel like a broken record because they keep arguing over the same things over and over again. After episode 25, everything just turns into a Groundhog Day. Everyone just goes around each other repeating the same issues again and again and each time only one thing is resolved until FINALLY, it’s all over. Really this show should have been 30 episodes. It was too long.
There was a lot of nothing in the show too: getting on and off carriages, purring tea, just moving from one place to another. You’d expect them to omit these in editing.
There’s also a bit of a negative bias in the story. Those women were all victims. The mother-in-law was a monster and she created this poisonous environment that only nurtured poisonous snakes. But the story somehow puts the main character on a moral high ground over these other victims. Even though there was no reason for her to be holier than the others. It’s not even her fault, it’s just that the show gets so twisted around itself that it ends up reaffirming the traditional values of women that the show was criticizing at first.
Overall: This show came into my life just as I needed it. I did binge some twenty-something episodes of it like my life depended on it. It’s a skippable watch unless you know mandarin and can just let it play in the background then maybe it'll be better. Just be ready to get annoyed.
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