Only we can decide how we want to live and love

“The first time I truly felt happy is when I knew I have the ability to love my family. Even when I am disabled, it didn’t stop me from providing for them.” Zhuang Jie

~~~~

Zhuang Jie was like any other lady. In fact, she was more charming and chic than your girl next door. Except she had a disability - she lost a leg and her father from a bad accident during her teens.

This trip back to Nanjing was to recuperate from her surgery. She never planned to stay for long. Until she met Chen Maidong, her crush from high school.

Chen Maidong was like any other guy. In fact, he … really was like any other guy. With a granny that worried for his singlehood and aloofness about marriage. With a job at funeral line he held a little more dearly because of his past.

He never planned for his life to be different. Until he met Zhuang Jie.

Will Love in Spring could be a typical romantic contemporary story. What made it stood out and great was firstly, perfect casting choice.

Zhou Yu Tong and Li Xian chemistry as the main leads are on fire! How I love watching romance between adults. Their pull and push. Their fights and getting back together. Their kiss scenes. Purfect!

The supporting characters were great too. Each of them have their personalities which made them memorable and relatable. They aren’t only tools who push the plot forward. Their interactions with the leads and each other give more color and warmth to WLiS and the Nanping town.

First mention is Granny Chen’s and Granny Lin’s friendship - how lovely, being decades of friends. I love the depiction of their friendship which shows from this quote -
“以前是小手拉小手, 一转眼就是老手拉老手.
Last time, we held each other’s small hands, in a blink of an eye, we now hold each other’s old hands.”

The younger representation of equally great friendships were ZJ’s mum / Aunty Wu’s, and of course, ZJ and Wang Xi Xia.

The next mention is the sibling‘s relationship between ZJ, Zhuang Yan and He Niao Niao is another love. This is the kind of siblings we all wish to have. It’s a testament to how successful ZJ’s mum was in bringing them up. I love love their family scenes. Even when ZJ’s mum were scolding and had a more traditional mindset, this is a heartwarming family.

Similarly, Granny Chen and CMD family dynamics is lovely to watch too.

Special mention of Cui Ge and Jisan Goose. They added a lot of humour to WLiS.

With an ensemble like this , everyone one of them made facing all the heavy topics like separations, deaths, long distance relationships, disability, conflicting wants and adulting easier. How lovely and heartwarming.

Next, let’s dive deeper about the main leads love story.

Real and adult are 2 words come to mind.

I seen a lot of comments critiquing ZJ for shamelessly flirting CMD when she didn’t plan to stay long. I judged too - but then again, it’s the kind of judgment that holds a little envy. I envy her boldness of to speak her mind and enjoy the moment. I admire her quick wittedness and willingness to apologise first.

How charming, how attractive and how believable that CMD sunk.

It’s not a bed of roses after they confirmed their feelings for each other. Even when they made blunders and fight, I was satisfied with their resolution.

Some could name ZJ’s and CMD’s relationship toxic. I feel this is how real relationships are like. We stumble. We say things we don’t mean. So long we learn to apologise and we don’t repeat, I think it’s fine.

…well I guess the problem is sometimes we don’t. Thank goodness our leads do in WLiS.

Lastly, funeral makeup artist is no longer an unusual onscreen occupation. With this onscreen job, death is brought up every other episode. If not done well, the empathy for characters who passed away in the story and messages about appreciating life could feel empty and overtly cheesy.

For WLiS, I felt the balance was appropriate. They successfully made me care for the characters, hence, receptive with the subsequent messages that come with each death case that CMD had to handle.

This particular chat he had with someone contemplating suicide touched my heart somewhere. And I hope it reaches you too.

~~~~

“Everyone has times when they are tired of life. The reasons may vary, but the pain will feel the same.

Some family members want to use special coffins, unique urns or expensive headstones to prove the deceased was special.

However, these are all illusions.

Once we die, everyone is the same.
We can only prove how special we are by living well.” Chen Maidong

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小城故事多 - Small town has many stories

Where is home?

Is it the bustling city where there’re many opportunities?
Or is it the small hometown where we are born and raise?

For folks that has their origins from smaller towns, this may not be an easy question to answer. For Mu Di in Small Town Stories, she was very sure of her answer until she was not, after having to return home to heal from an injury.

Small Town Stories is one of those family centric stories that ask us to remember pausing and pay attention to life’s little things. It asks us to enjoy life and care for ourselves. It subtly shares that passion and ambition can come in many forms.

What I enjoyed most about Small Town Stories was Bai Lang and Mu Di’s dynamics. Mu Di was a headstrong lady who felt stuck between her ambition and family subtle pressure to give it up. Bai Lang was a “rascal” she unexpectedly and unwillingly got entangled in, yet, seemed to be the “medicine” she needed to heal from her injury. This is an opposite attracts couple that’s rather charming to watch. I especially like Gao Zhi Ting’s portrayal as the street smart, savvy small medium enterprise business owner who was good at taking care of his people.

I also enjoyed the music performances in Small Town Stories. With utmost respect, I am not a fan of loud sounds and folk musics - thus, finding myself being captivated with Mu Di’s Suo Na was definitely a pleasant surprise. I appreciate folk music a little more through Small Town Stories.

What fell through for me was the slight draggy pacing and cliche plot lines. I wasn’t able to fell completely drawn in with the people in Small Town Stories besides Bai Lang.

That said, it’s still an enjoyable show if you are in a drama drought or want something simple. After all, there are many stories. And Small Town Stories is one of the many.

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Back to Initial D-ream

What’s your dream?
Let me ask in a different way - what’ll be your dream if you can go back in time?

Zhang Chi, a professional car racer who unexpectedly found himself back to 5 years ago after a serious car accident, never hesitated one bit - he raced to right his past track record. There’s 1 slight problem in this dream, instead of going back to his past self, his consciousness got into Lin Zhen Dong, a “fu er dai” who will become his fiercest competitor on car racing in time to come.

Time travel transmigration stories are nothing new. I, for one, am a fan of this genre and have watched many series. What makes Pegasus stand out among this common story setup?

First thing first, great casting choice - Hu Xian Xu who plays 2 roles as future Zhang Chi and young Lin Zhen Dong is perfect. He is that kind of actor that can captivate the audience to care for the characters he plays and story. This alone contributes to a lot of enjoyment of Pegasus as we immerse ourselves into the world of professional car racing through the pairing of a veteran car racer and potential budding rising star.
‘Future’ Zhang Chi’s main motivation was to change his fate, after given this “2nd chance” in this alternate timeline, while young Lin Zhen Dong found himself unable to deny his growing interest towards a sport he wanted to stay away from since childhood. All these nuanced feelings and character development of 2 different characters were portrayed well by Hu Xian Xu onscreen.

Second, any charming sports series has great rivalry relationships to root for. Hu Xian Xu generally pairs well with other actors and actresses he works together with. In Pegasus, Hu Xian Xu and Wang Yanlin work well together onscreen as young Lin Zhen Dong / future Zhang Chi and young Zhang Chi. There are lots of facets to this pairing due to the setup of the story, making it fun for both actors and audience to watch.
One thing I like about Zhang Chi’s character - he’s action-oriented, adaptable, and quick witted. There’re always some form of “fish out of water” moments in time travel and transmigration story. Refreshingly, I enjoyed watching how ‘future’ Zhang Chi navigated this situation - no dwelling, no over explanation on his incredible “foresight”, no care of people’s perception of him and his odd behaviours. I guess that’s why he is a successful professional car racer.

Third, I love the plot of this time travel transmigration story particularly - ‘future’ Zhang Chi was not able to right all his regrets even with his foresight. Some unfortunate events still happened, in a different way. Sure, it’s a dream (literally), but no, you still can’t have everything your way. This made for a realistic, closer touch to life. Psychologically, it also made Pegasus more interesting as audience got thrown a curveball - yes, we all like some doses of surprise, even the most dogmatic of us.

The last icing of the cake is the lovely team spirit and camaraderie among the characters. Pegasus has lovely cast overall. Fei Chi Car Team is the main beacon, the racer-trio cross team between Zhen Dong, Ai Fei and Ao Duo was a pleasant touch. Professional race track is a niche sport after all. Pegasus manages to balance the reality on securing sponsorships and characters’ determination to stay on track with their passion.

With 28 episodes, Pegasus has a fast and tight pace. This leaves for a lot to be desired. Then again, when it comes to racing and working towards your dreams, try not to blink.

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The little things brushed up onscreen, and a little more

“Your next life form will be an anteater.
.
.
.
Alternatively, if you would like to rebirth into your desired life form, you can restart your life again to collect enough good karma.”

~~~~~

The choice is obvious here - of course many would pick to restart and try again. Unless you are okay eating ants. But since Kondo Asami doesn’t want to, she pick to restart her life again.

Rebirth stories aren’t anything new. In fact, it has likely developed into a popular genre on its own these recent years.

What’s unique about Brush Up Life is the simple plot on collecting enough good deeds to qualify being human in your next life and the focus on the relatable, little things in life. As we follow through Asami-chan’s 2nd, 3rd and so forth chances at life, we see her going through the relatable daily grinds most of us has been through. Such as puberty, friendship, studying, dating, fitting in, and of course,
.
.
.
helping out a little more so Asami-chan can cultivate good enough karma to be human again.

It’s not the adrenaline pumping stuff like stopping a terrorist or saving the life of her lover.

Rather, there is something heartwarming about Brush Up Life’s relatable conversations and internal monologues on the day to day stuffs we experience in life - rebirth or no rebirth. Situations like giving a lot of caveats before complaining about unwanted freebies. Or texting emojis with blank expressions. I especially enjoyed Asami-chan’s chats with the Rebirth Officer at the station. Her reactions and the subtle personality shifts are apt.

Things that likely make you go “Yes, that’s right, I do that too”…maybe. The little things in life.

Another thing that is done interestingly and equally relatable is the account of Asami-chan’s day to day struggles in her various professions. Each life, her chosen profession is different. Each time, while there’s something a little different that she stumbled on, they remain situations and moments that we will relate to.
In her 1st life, she was a government worker who struggled with layers of cumbersome approval process and choosing the right greetings to customers.
In her 2nd life, she was a pharmacist who went through thorough checks to ensure right medicine were prescribed and constantly reminding her loved ones to drink medicine with water because it affects the absorption rate.
In her 3rd life, she was a TV producer who worked hard to arrange the right order for artists on closing credits and dealing with childhood friend’s request to be casted on dramas for friendship appearance.
In her 4th life, she was a researcher who patiently researched on scientific breakthrough and diligently resetting the focus of shared microscope in the lab.
.
.
.
until the little more Brush Up stuff happened. The adrenaline pumping stuff to spice things up.

In her 4th life, Asami-chan found out that she’s not the only person who went through multiple rounds of rebirths. Mari-chan, her childhood friend who always got top grade back in school also went through rebirth. What’s more, it’s her 5th cycle.

Turns out Mari-chan was the one that got the typical main character rebirth script. Since her 2nd life, she has been trying to save a plane crash that took 2 of Asami-chan best friends. 2 whom were also her childhood friends.

There’s no brainer what Asami-chan would choose when she was given a 5th chance. Even if this time she finally accumulated enough karma to be born human (not as Kondo Asami). Even if this is her final chance at rebirth (meaning there’s no more trying again).

To round it up, Brush Up Life successfully drums in the message that it’s the little things in life that matters. No matter which profession we are, there’ll be many little struggles we deal with. No matter how long we live, the thing that make us feel a little less lonely is the connections we made and maintained in life. Because they are the ones who made the little things not so little and worth living.

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A worldly affairs’ story called longing

一念关山
…A Journey to Love,
…A longing to Guan Shan,
…A longing to one’s hometown.

It records the story of an assassin who learned what she truly wanted to live for other than killing, revenge and missions (oh, and child bearing), after joining Wu State’s Delegation group’s mission to save their King.
It’s the story of Ren Xin becoming Ren Ruyi.
It’s also the story of Wu State’s Delegation’s voyage.

In the first couple of episodes, AJTL didn’t waste time to introduce the story’s context and how our main cast came together. We have Princess Yang
Ying as the royal envoy and Mulan of Wu State; Ning Yuan Zhou’s respected leadership and strategic thinking skills; Yu Shi San’s charm and comic relief moments; Yuan Lu’s intricate and fascinating inventions; Sun Lang’s near-impregnable and often-overlooked defense; Qian Zhao’s jack of all trades’ capability; and Ren Ruyi’s knowledge of An State political affairs.

Oh, what dream team.
Oh, how I love the pacing (early parts), the cinematography, the dynamics, and their sense of humour in these early days.

Shoutout to the screenwriters for the sincerity in giving us non-NPC supporting characters.
Shoutout to the cast for bringing their characters alive on screen, especially He Lan Dou, the actress who portrayed Princess YY.
Shoutout to the directors who captured them well.
Shoutout to the OSTs - Richie, Nicholas, Liu Yuning, Zhang Jie! I love the BGMs too.

If these aren’t enough to hook you in, wait till episode 8 when the first battle and crisis happened. Each and everyone had their moment to shine as they faced a highly disadvantaged battle. Even Minister Du who is the supporting cast and Princess Yang Ying who was a crybaby had logical and satisfying contribution to their hard earned victory.

While the story quality remained on a passable high bar thereafter, I somehow steadily lost part of my momentum and interest halfway way through - starting from around the time when NYZ and RY got together, and Li Tong Guang, Ren Xin’s delulu’s disciple, came into the picture.

First on NYZ and RY’s coupleship
For the record, they are one of the healthiest couple I admire, love, and wish to have. NYZ and RY had similar background, and thus intuitively understood each other. They had complementary strengths that made 1 plus 1 more than 2. There were lots of instances where RY helped NYZ do things he wanted to but couldn’t in his position. They had matured conversations when met with challenges.

Maybe it’s the CP vibe and on screen chemistry. Unfortunately something feels lacking for me and I can’t put a finger to it. Liu Yu Ning and Liu Shi Shi portrayal was fine. I just feel neutral most of the time watching their couple’s moments.

Surprisingly, I shipped Princess YY and YL more. And they only had 2 HTHT scenes.

Second on LTG’s arc
…and where my rambling start (sorry not sorry)
Here is another obsessive character’s arc that’s almost done right. Almost is the keyword here. I can accept that he needs time to undo a decade-long obsession. Truth is, I thought LTG is one of the better obsessive characters that had made me felt for him and truly looked forward to his eventual growth. After all, he got the multiple tough love moments from our dear RY and NYZ. I even rooted for LTG & YY pairing, slightly, after accepting YL’s death.

Him forcing Ruyi to marry him after all that canceled all the expectation I had for him. I am sorry I thought you were a diamond in the rough, LTG.

I suppose what AJTL represents to me personally is the journey of Delegation Group and Ruyi’s becoming. How Ruyi came to learn care and trust with them. How the group overcame the obstacles. How Princess YY grows under NYZ’s and RY’s tutelage - now this is a diamond in the rough. Their lovely dynamics and day to day interactions amidst this stressful, impossible mission.

So even though the other storylines were solid and interesting too - LTG’s rise up in An, Emperor Wu’s redemption, the cunning Emperor Wu, the underlying tone of feminism as well as the overlay symbolism of loyalty, war and peace - I found myself not connecting much to them. There’s simply too much to cover and it’s probably 1 storyline too many. It shows in the choppy pacing of the last 6-8 episodes. So something had to give. In my case, it’s my momentum.

I felt that AJTL should’ve ended after they’ve rescued Emperor Wu and the resolution of it. They could’ve made QZ successfully killed this emperor to make a message. They could’ve made getting the antitode for NYZ as the climax instead, if they decided to kill off the emperor without the Beipan’s interference. Or they could’ve just show us a happy ending with them having their Xiao Chuan and save the fight with Beipan for Season 2.

In other words, battling Beipan as the last arc here and now felt inappropriate. For each of them to die because of a battle with some random undying never ending barbaric felt upsetting even though I recognised the well written symbolism of their death as highlighted by another reviewer, songfalcon.

Even if I were accept Beipan as the final arc, I still felt it didn’t need 3-4 episodes to wrap this up. To see Prime Minister Zhang, Prince Danyang and Empress Wu handshaked in the name of peace. To see LTG needing someone to clean up his mess yet again. To see them keep battling this group that seem to spawn and not getting NYZ, RY and YSS in the final showdown. It felt unnecessary and draggy.

The official ending is up to interpretation and debate. I am on the camp that they all, including RY and NYZ died. It fits with the story of their journey. It fits with the feel of longing that Chu Yue had for Wu’s Delegation - and hence her “dreaming” of their reunion in the afterlife in the last scene.
…Or maybe CY died too since it was rightfully pointed that it’s odd for her to be the one who had “this reunion” and not YY.

Anyways, my rambling is probably 1 para too many. Since it’s an Open Ending, I suppose everyone can choose 1 that fits with the journey of our lovely Ruyi and Wu State Delegation you connect with the most.

Overall, AJTL is a great ride. It has been awhile since I come across a jianghu wuxia story that I enjoyed.

红尘有你 The world has you,
红尘也有我 The world also has me,
红尘还有梧国使团 Last but not the least, the world has Wu State Delegation.

~~~~~
P.S. This review’s headline is adapted lyrics from Jay Chou’s Song, Inn of Mortal World (Hong Chen Ke Zhan) - 红尘的故事叫牵挂

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More than skin deep

Composite art, image modification (age progression), facial (post mortem) reconstruction - the 3 main disciplines of forensic art. These are the 3 main elements that’s used in identification, assessment and resolutions of the cases in Under the Skin through the gifted Artist Shen Yi and his reliable partner Detective Du Cheng.

And they are used masterfully in UTS.

Truth to be told, Under the Skin was a difficult series for me to sit through. Not because the story is crappy. On the contrary, it is often because of the disturbingly humane reasons of the perpetrators when revealed why they did what they do. UTS highlights the social issues that’s plaguing our current society - gender equality, view of beauty in society, bullying and feelings of outcasts, human trafficking, identity fraud, abuse, rape, organised criminal, and of course murders. All heavy topics. All too real. All grey. All more than skin deep. The cases may have concluded, however, the underlying social issues that spark the cases…not so.

Besides the heavy utilisation on forensic art in solving the cases, one of the things that stood out about UTS was Shen Yi’s character, as the gifted artist. Usually, gifted characters are stereotyped to be eccentric because they are gifted with a special ability that normal people can’t understand, pun intended. Like Sherlock Holmes. I appreciate that UTS made Shen Yi a gentle, calm, smart introvert who relates well with others. And often, he shows an empathy to the perpetrators in ways that others can’t. Through Shen Yi’s eyes, he helps bring out the humanity side of the cases.

One fun fact that was brought out by this show is the amazing ability that certain gifted people have. I thought UTS exaggerated the ability of Shen Yi in facial reconstruction with the little information he had to go by. (Age progression technique is popularised by app in recent years, so more “believable”.) And through others’ reviews and comments, I got educated on a real world person who has this ability - a retired Chinese police forensic artist Lin Yu Hui who can sketch image of a person based on few clues. He helped solved a high profile murder case in US back in 2017 and now establishes his own studio to draw portraits of missing people, usually children, and martyrs. Inspiring and admirable.

Another fun fact is the various arts and stories behind them where Shen Yi used to teach the university students. More than art, they symbolise the messages that Shen Yi / UTS wants to relay to the students / audiences. Such as the female artist who drew Judith and Holofernes and gifting the portrait of Marie Curie to one of the perpetrators.

All in all, the forensic art aspect of UTS is like garlic and onion in Chinese dishes. On its own, garlic and onion can be rather blend and not something we will have as the main dish. With other dishes though, they bring out the flavours and make for appetising meal.

Not sure why I use food analogy to describe a crime fiction story. Long analogy short, UTS is a story that peels into the complexity of social issues through forensic art.

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Nirvana in Life and Dongli Hospital

生 birth, 老 old age, 病 illness, 死 death.
It’s the passage of life we cannot avoid.
It’s the passage that’s explored in The Heart through our Medical Team at Dongli Hospital and the patients we come across... The passage where everyone battle with illness and death so we can continue living.

Medical dramas aren’t anything foreign. In fact, it’s precisely the familiarity of the profession and the amount of shows featuring them that makes this genre a tough nut to crack. On one hand, this genre deals directly with emergencies and deaths - perfect ingredients to string our emotions. On the other, it can be overtly cheesy at best, and a turnoff at worst if they overdo with the dramatic stories.

That’s what stood out about The Heart - it draws this balance perfectly, almost.

While we go through this show through our 3 main leads - Doctor Zhou, our physician, Doctor Lin, our surgeon and Doctor Fang, our ICU and post care doctor - the patients’ stories in The Heart makes them more alive than ever. None of the patients were fillers, even if they only take up 1 episode or less. None of the patients’ arcs were predictable, even if they appear to be the familiar troupes we come across in other stories or our day to day lives. This says a lot about the heart and sincerity that goes towards the cast and story plot.

The depth of patients’ stories made me afraid to watch this show in public transport as I go back and forth to work. This is because they draw tears at every juncture. Tears that I don’t feel cheated of.

Besides the patients’ stories, they also explored the politics of the doctors in The Heart delicately, pragmatically, and realistically. One can argue that politics shouldn’t be present in the face of life and death. But Doctor is another profession that requires management, systems, budget, and communication structure to continue its operations, even if they are in the line of saving patients.

Instead of taking time away from the patients or medical team, the political affairs of Dongli Hospital add color and life to The Heart. Even if we do not enjoy or agree with the political moments or the decisions that the characters take, I feel that those plots cement the fact that these doctors are people too.

~~~~
“Everyday you have to worry about this, consider about that, aren’t you tired?” Dr. Lin asked.

“Tired. Very tired.” Dr. Zhou remarked.
~~~~

At The Heart center, the dynamics of our 3 main leads are the core of the stories. Doctor Lin is the medical genius that learns to work in a team. Doctor Zhou is the workaholic that learns to rely on his team. Doctor Fang is the cherry one that reassures everyone. From these 3 lines, it’d sound like Doctor Fang has a shorter end of the stick with her character arc compared to the former two. And this is somewhat true.

That said, these trio won’t be complete without her. In a story that has so many things going on, Doctor Fang is a steady and warm presence that plays a more important role than people would give her credit for.

I love how they become comrades together with the medical team in Dongli Hospital. It made me wish that I too, will be in the hands of such a team.

~~~~

“每个病人都像一本书 Every patient is like a book。
医生能做的是尽量弥补他们的破碎 What doctors can do is try their best to mend their broken things -
不管是心脏 be it the heart，
还是心灵 or the soul.”

quote Dr. Fang.
~~~~

Besides the story, the OSTs of main theme are apt. Especially the ending song, 活着 Living. Deep and impactful lyrics.

Here is the official MV: https://youtu.be/5bOhd4oT6yg

Lyrics extract

生life, 死 death, 离别 separation，
若不由人选择 if it’s not up to people’s choice,
那就向前走 then let’s move forward.
~~~~~

To sum it up, there’s only ever 1 medical drama you have the quota for, give it to The Heart. It’ll pull your heart’s strings like no other.

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Story that doesn’t translate right on screen

I hate to be that person who whines about how dramas fail to live up to its original comics or books. But I really can’t let this review slide because See You in My 19th Life was, is my favorite Webtoon series of all times.

SYiM19L has such an interesting premise. We have Ban Jieum as the female lead who found herself in her trickiest predicament yet - being her own love rival. To be more exact, her 18th reincarnated self was the girl whom Mun Seoha, her love interest, cannot forget. Being someone who can remember all her past 19 lives, would she be able to use her century old wisdom to win Seoha’s heart again?

When I first excitedly tune to the series, I kept telling myself to enjoy my beloved Jieum’s and Seoha’s romance on screen with an open mind. After all, I get that comic storytelling and drama storytelling aren’t exactly alike.

2 episodes in though, I couldn’t help but found myself picking up the webtoon again and put on the comparison lens. After crawling through 5 episodes, my verdict is in, the drama wasn’t appealing enough - even if I were to see it as a separate story.

All in all, the drama version made certain simple plots that already worked well more complex than necessary. I also didn’t enjoy the chemistry between drama version of Jieum and Seoha.

>>>Spoilers alert from here on<<<

1 Changes which weaken the core of what I love about the couple

In the webtoon, Jieum as her 18th reincarnation met Seoha first in the library. Though they didn’t like each other at first, they eventually got to enjoying each other’s company reading books and chitchatting. It was here where Jieum mentioned how she felt more like a 12 year old being around Seoha - and it was an important moment for her considering she had already lived for a century.

Instead of this simplistic meeting in the library and them enjoying each other’s company overtime, their first meetup is changed to the pool, which some element of fate.

Maybe it was trying to add more context to convince us how their love story could transcend 2 lifetimes. Maybe it was trying to add more shared moments that they could use to create that typical dreamy romance vibe that on screen. The pool scene was indeed pretty, but this pretty moment somehow drowned Seoha and Jieum. Added the cliche-y touch, cut away the couple’s unique vibe I love from webtoon. It’s something I appreciate less these days with romance dramas.

Another example of change that didn’t work well for me - was Jieum’s confession to Seoha.

In the webtoon, the confession was simple and pure. Jieum realised she liked Seoha and thought the moment was right to confess. There was an internal monologue shown to us on how Seoha’s actions that day impacted Jieum. It became clear to her that her affection towards Seoha remains romantic in this lifetime as well and thought it was important to confess. So she did. Simple, decisive and clear - like how someone who had lived for 19th life would rightfully do.

In the drama, they made Jieum ran in the rain from her place to Seoha’s (okay she ran to the taxi, then to Seoha’s, in the rain), then babbled to Seoha that she wanted to confess on his birthday because it would made him had a good memory to go by (instead of linking it to Joo Won’s death anniversary). And then, the moment got to predictably get interrupted by a “fake” love rival for a needed tension. I got tired typing this scenario out.

This change diluted the confession.

There were many more scenes like these that dial up the cliche-y moments. But let me move on to my next point.

2. Drama Seoha vs Webtoon Seoha
In the short 5 episodes I watched, I eventually warmed up to Shin Hye Sun’s portrayal of Jieum even when I didn’t like it either, but I sadly can’t say the same for Bo Hyun Ahn’s Seoha.

One of the most fun things about SYiM19L webtoon version was Seoha’s and Jieum’s banters - in particular, Seoha’s reaction to Jieum’s confessions and general remarks. The drama Seoha is too reserved, which dull a lot of the humorous moments I had enjoyed back then when reading the webtoon. The webtoon Seoha wasn’t friendly either, but he had way more reactions to Jieum’s teasing.

Hye Sun’s and Hyun Ahn’s on screen chemistry was also only so so to me. Not enough for me to like them separately from the webtoon version.

3. Jieum’s mystery and the finale
For remaining part episodes, I ended up googled others’ reviews to catch up on the story plot at high level.

If I had disliked the aforementioned changes, I am definitely upset with this one - they made Jieum forget the people in this lifetime too if she wants to break her curse. Whose genius idea is this to add this unnecessary cliche plot? Some critiques already pointed out the loophole on this.

In the webtoon, she simply won’t remember them anymore when she reincarnated in her next life. And this made so much more sense. After all, Jieum’s love story with Seoha happened because she remembered her past 18 reincarnated self. If she needs to forget them in this lifetime, what’s their love story without it anymore?

>>>Spoilers ends<<<

This concludes my review on See You in My 19th Life. It failed to capture the key spirits that made the webtoon version popular and enjoyable. The quirky and sassy female lead, the equally lovable male lead, their humourous and heartwarming love journey as well as the occasional nuggets of wisdoms from someone who has lived for centuries on life - I wasn’t able to see them on screen. While I give the production team a benefit of doubt, it’s hard for me to rate this higher than it is.

There were plus points though. The cinematography is great. The actor and actress are great too, even if I don’t felt convinced by their on screen chemistry. Also if you haven’t read the original webtoon like I did, maybe you will be able to enjoy See You in My 19th Life much better than me, without the bias and all.

I will “see y’all” in my next review.

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When you get the chance to do over

The chance to right your mistakes is one of the top wishful thinkings that never loses its charm.

By right, the premise for Story of Kunning Palace (SoKP) already makes for a great start … By left though, SoKP falls through in the genre of reborn stories with poor camera angles and lighting, story execution and okay-ish actor / actress caliber.

Director Chu is infamous in the industry for his weird camera angles and inappropriate lighting position - so I will not delve deep into this. As a general viewer, I don’t have the professional knowledge to critique this constructively. The only thing I would say is it indeed cut down my viewing experience by a fair bit.

Onto the story. Jiang Xuening was the evil, alluring empress that was given the chance to redo life when she found she was back to her 18-year old self.

First things first, like any idol drama, I think evil can and should be contested. She was morally flexible and selfish in her first life, but to emphasise she was evil and thus, felt this deep regret to redeem her past actions to Yan Lin and Zhang Zhe was a bit lost on me. I felt that this may be due to the lost of translation from the original novel to drama adaptation.

This leads to the second, related point. The director and editors presented the story such that flashbacks of 1st life would play out right before the big event happened in 2nd life, and then we would watch how Xuening did differently after. On one hand, it made the story less draggy. On the other, it made me feel less engaged with Xuening’s motivation because I didn’t get enough context on why she felt a certain way with some characters in the scene. Like why she is so afraid of Xie Wei. Or why is she so grateful towards Fangyin. I mean they did mention why with the brief flashbacks, but the impact wasn’t deep enough for me to truly grasp the full picture of Xuening’s feelings. Not to mention, some of the flashbacks felt disjointed too.

Xie Wei should be an intriguing male lead - with his obvious backstory that closely mirror of Mei Chang Su story from Nirvana in Fire. Alas, while one may be able to copy the surface level stuff, the spirit or essence of classics is not as easily replicated. Maybe it’s the screenwriter. Maybe it’s the actor. To be fair, I think Zhang Ling He did good enough for his age. His Xie Wei just doesn’t have that charisma or charm for me, for now. Quite a lot of things were diluted to me in SoKP - I couldn’t feel that Xie Wei is was that smart to be able to fool the emperor, ministers, and rebels. There were more questions about how he survived his ordeal as a kid then and the resources he was able to amass at his disposal as an adult now to be able to do what he wanted. Similar to Xuening character, I felt this is also another lost in translation case. I shall stand corrected if I ever find the time to read the novel.

The funny thing was I got more intrigued by the side characters stories more than our main leads. One was Xue Hui’s arc, Xuening’s sister who was wise and truly just wanted to live her life peacefully but was misunderstood by Xuening for her indifference, in the 1st life. As Xuening chose differently this time, she came to better understand the person beneath the protective shell Xue Hui’s has built. Pity that Xue Hui didn’t even appear much on screen. Another one was Yan Lin’s, and I was rather satisfy with his arc. Fangyin’s arc was enjoyable too.

Overall, SoKP is a good enough reborn story that’s not for the nitpicky. It has a good enough storyline that sadly wasn’t translated as robustly on screen.

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Meeting your match

Wonderland of Love (WoL) is a surprising enjoyable ride, following the love story of Li Ni and Cui Lin.

For the review, I will mainly use Cui Lin’s nickname, Ah Ying, when referring to her since this is what Li Ni likes to call her by.

Li Ni’s and Ah Ying’s meet cute began with a fight for food supply and reclaiming of the cities to save the “king” that was being held hostage at capital.

What was intriguing from the get go was the battle of wits between the two of them, who held different armies. Smart and capable as they were, we couldn’t tell who had the upper hand nor who to root for as they competed for the same resources and gain the upper hand.

Li Ni and Ah Ying quickly turned allies when they unwittingly figured they worked more effectively together. The interactions remained fun to follow as they maintained the playful friendly flirtatious rivalry between them. … until the dynamics started to change by episode 16-ish when it seemed like Li Ni became the stronger one, be it from moral code, family power, or affection shown to other.

For the record, I still like Ah Ying a lot. She is one of the cunning, decisive, and likeable female leads that’s hard to come by in an idol drama. The slightly disappointed part to me was the troupe-y plot devices used to create the necessary tension between female and male leads to move the story along.

There were instances I felt that she overused Li Ni’s affection for her and / or she got turned into a weaker party. Was her hidden weapons only used for Li Ni? Where’s the independent cunning female lead we were introduced to at the start? It wasn’t that Ah Ying had the obligations to return Li Ni’s affection the exact same way he was doting her biasedly (on some level) or troupes like obsessive SML cannot be used in stories. It would’ve been nice to see a little more layers in Ah Ying and her development that’s present on Li Ni’s side through their love journey …or maybe I fast forwarded too much to see that side of Ah Ying.

On the other hand though, I recognised that a lot of conflicts they had were realistic and consistent with their characters setup. Li Ni may be loyal, upright and capable - but he is also impulsive and idealistic. Cui Lin is indeed cunning, pragmatic and overbearing - but she is also caring to her loved ones, willing to make the necessary sacrifices for the bigger goal and is resourceful. I guess this made them perfect for each other.

The real pity is the one dimensional supporting characters and slightly draggy plots. With weaker supporting cast, WoL’s story plot were less engaging and felt cliche-ish at some parts. They could’ve totally cut the story to 24 - 26 episodes and it likely would’ve made no difference to the enjoyment of Li Ni’s and Ah Ying’s love story.

Acting wise, I like both Xu Kai’s and Jing Tian’s portrayal of the characters and their chemistry. Believable enough for me to invest in Shi Qi Lang’s and Ah Ying’s romance in WoL. Lovely enough for me to swoon for those romantic moments and ignore the cliche-ness way of showing them on screen.

All in all, WoL is the typical idol drama that has a strong start, which somewhat feel draggy troupey halfpoint, and finishes off with an okay-ish, predictable climax. It’s still an enjoyable drama when one has the right expectations for it.

With both capable leads who are complement to each other in terms of wits and great chemistry, WoL is overall a fun and enjoyable flirtatious idol romance story.

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An origin story of superheroes’ parents

When I first tuned in to Moving, I thought it is another cliche Disney+ superhero series - the likes of Marvel with an Asian flavour. Here comes the but…Moving is a superheroes series that was done right. More aptly speaking, imagine this as an origin story of x-men if they were parents.

I am not one who fancy flashbacks. Moving uses it well though - each scene draws me further in, made me want to understand about Mi Hyun and her protectiveness more, to hope Doo Shik is safe, as well as to cheer for Joo Won and Jae Man for every punch, even if they are already superheroes themselves.

While we were first introduced to the story via Bong Seok’s perspective, I feel that this is really a Joo Won, Mi Hyun and Doo Shik story - on their battles, on their love stories and on their journey as parents who just want their children safe. We may start the story from the children’s present timeline. But we appreciate the actions and decisions the parents’ choose at present through understanding their past experiences.

This is what made Moving feels unique - despite all the unique abilities these people already possess, they are just like us. Civilians who struggles to break free from shackles of unfair expectations placed on them, and parents who want a better life for their kids.

What’s even greater is the cast’s chemistry and acting. It made for quite a satisfying viewing experience to have great actors and actresses bring out the characters’ energy and complexity on screen. No one is a weak link in this ensemble cast.

The fight scenes are a little too gruesome for my taste. Especially since some of characters have regenerative ability, the script does not hesitate to use all sorts of creative ways for the character to “die” and regenerate. It surreal I suppose, supported with great cinematography and visual effects befitting of the characters’ abilities.

Ultimately, I would say that Moving is a simple story about a group of parents wanting their children to live a life free from being controlled and manipulated by the wrong parties.

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Finding life’s meaning through a sport

I am not interested in Go. But I love a good sport centric or solid character development story.

And Hikaru no Go nails it - essence of what makes for a great sport / competition centric story.

True to good Japanese sports animes’ spirit, Hikaru no Go has well fitted cast which brings out the characters on screen, solid storyline which makes us care for the characters’ growth and journey, and lovely relationship dynamics - be it mentor-mentee, rivals or friends.

1. Acting and cast
First things first, what drew me in first was young Shi Guang played by Lucas Lu. What made me stayed after was older Shi Guang played by Hu Xian Xu. Shi Guang is one of the typical leads of “hidden talent who started late” troupe in sports story. They both nail this character well and manage to maintain the consistency even when it’s played by 2 different people. They piqued my interest and made me care for Shi Guang’s journey and development with Go. From not knowing what it is, to tolerating it because of Chu Ying, to learning about it and then to taking it seriously.

Both of them also had great chemistry with Chu Ying, played by Zhang Cao. This is important because it’s the story’s backbone and spirit. Chu Ying was a spirit who can only interact with Shi Guang throughout and the one who introduced the latter to Go. If this mentor-mentee dynamic didn’t work out, it means Shi Guang’s connection to Go won’t be as believable. Kudos to all 3 actors and their dynamics.

Other actors and actresses were also well casted, which adds to the enjoyment of this live adaptation.

2. Storyline and character development
Next, the pacing of storyline was done well.

I hadn’t read the manga before, so it probably helped considering I didn’t have any biased lens watching this.

The show first started with young Shi Guang playing Go reluctantly because of Chu Ying. Thereafter, he picked up Go again during high school because of an incident with his school mates. I enjoyed how the show took time to tease this part out and to establish this context for Shi Guang. I may not know or interested in Go. But I cared for Shi Guang, which then extends to the thing that Shi Guang came to love - Go.

Thus, I got invested in his improvement after he found his own motivation and interest in Go - not because of Chu Ying, not because of extra pocket money, not because of his ego, not because of his friends.

Every improvement and a small win by Shi Guang gave me a smile.

3. Relationship dynamic
Great sports stories are made up by characters who have a devotion and dedication to said sports as our main lead dived deeper into it. In Hikaru no Go, we see characters’ relationship with each other and with Go.

How lovely, to understand the characters motivation and to follow their discovery / learning of themselves through the game of Go and with each other. I still know nothing of Go after watching this (because I kinda zoned out whenever they got too much into the technicalities of it), but it never hindered my understanding of the characters’ motivation or traits or quirks.

I particularly loved Chu Ying’s battle with Yu Xiao Yang - on their 领悟 (learnings) from their inevitable face off. It stands to show how learning is boundless and everyone has their own unique journey / lesson on mastering an art.

While Yu Liang was supposedly the rival of Shi Guang, I somehow can’t seem to connect much to their dynamics. Not that the storyline or the actors’ chemistry were bad. Just other things - be it moments, characters or friendships- seem to drew me in more.

Ultimately, my favorite dynamic remains Chu Ying and Shi Guang.

Nevertheless, I rated Hikaru no Go at 8.5 because the story and cast didn’t managed to draw me in completely to the Go world. Don’t get me wrong, I don’t think one requires to know Go to enjoy this story - just like I did. While it’s barely hit the mark for me, it might for you.

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Making our youth counts with the right guidance

Ray of Light is like your typical coming of age, school drama - with a crucial additional pillar, Hao Nan Lao Shi. Indeed, great teachers do make students care more for their studies.

What is enjoyable about Ray of Light is being able to see this story from Hao Nan Lao Shi perspectives, on how he believes his students’ potential, on how he advises them as a friend / peer, on how he spend the time with them to get through their current largest hurdle.

On the students end, I particularly like one of the students arc, Jia Kun, who wants to go Shanghai because his first love is there. Through Hao Nan Lao Shi’s words, he comes to realise that the most reliable support to protect their love is through getting a stable job which education can provide. That’s the kind of adult’s perspective, influence and guidance a lot of teenagers need in crucial juncture of their lives - and it‘s nice to see this play out well on screen.

Ren Zhen’s and Gao Yuan’s relationship dynamic is also cute. They share a side with each other that they don’t show to others, they listen to each other’s worries and support each other, they study together and know to prioritise the practical things first - it’s the kind of high school romance I ship. The romantic buff in me is interested to see more of their development as working adults.

Hao Nan Lao Shi’s backstory is a little dramatic, but I guess it grounds the character, knowing his what, his when and his why. Special mention to his mum visiting his workplace - cool mum.

Despite the aforementioned highlights, I only rated Ray of Light at 7.0 because I wasn’t pulled in by all of Qingyun Class 14. What makes high school time highly reminiscent is because of the shared camaraderie of going through the same intensive public exam that seemingly make / break everyone’s future and a celebratory graduation trip that symbolically marks the start of adulthood. While there were these in Ray of Light, I don’t feel that camaraderie bond between Class 14, which is a key ingredient for school dramas. They can’t seem to evoke that mixed feeling of anxiousness and anticipation which I once felt about graduating high school / university.

(Oops, looks like you guys could probably guess my age range now. :P)

Maybe it’s the pacing of the stories, maybe it’s the execution, maybe it’s the cast, or maybe I have past that stage in life. Regardless, Ray of Light is still worth to check out, especially if you are into coming of age stories. If it’s not for Class 14, for Hao Nan Lao Shi, who’s that ray in this story.

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Slowing down admist all the hustle and bustle [of dramaland]

Meet Yourself is likely the type of show where you’d either love it to the moon or feel meh about.

To some, 40 episodes of a healing drama is too long; to a few others, the show probably inspire them to take intentional steps, as required, so they’d be able to appreciate the things that matter to them, before it’s too late.

For me, I quite like Meet Yourself for its lovely characters, awesome cinematography, mature romance, and nuggets of wise conversations…but it has to catch me at the right mood. Even this review has been a long time coming, which ironically fits into the show’s iconic slow pacing.

First things first, on the story premise, we follow Xu Hong Dou journey of healing in Yunmiao Village after feeling burnt out from the grief she felt of her best friend’s death. As she settled in and eventually got “coaxed” to take up an advisory position to assist the local cafe, she started to get more involved in the affairs of people at Yunmiao Village. And then, slowly but surely, Xu Hong Dou felt pockets of fresh air from this place and people, which gave her the energy to connect with herself and begin again.

While there may seem that the stories were unfolding in its own timing and there are many moments in the show that seems more like local tourism MV promotion, I’d say that’s how life kinda is. After all, we don’t necessarily stop to hear or remember the stories of people we deal with in our day to day life. Only when the interactions increase and we start to care about these stories of people who were once strangers to us would we then feel the impact in our hearts. It’s not a process that we can and should rush. And this is the timing that Meet Yourself follows - through Xu Hong Dou’s lens and timing.

Each character’s arcs and stories make Yunmiao Village a warm place. And the greatest anchor is Xie Zi Yao, a promising young lad who had the capability, heart and determination to work on his vision - a vision that Xu Hong Dou seems to understand and support. Neither of them were looking for romance. Yet, they found life is better with each other in it.

In the world of hustle bustle, in real life or drama land, Meet Yourself firmly cement itself as the place that everyone wants to rest and relax in, but unsure if they want it for that long. Still, I’d recommend everyone to give it a shot - perhaps at some point of your life, Meet Yourself may be what you need to reconnect with what you want to work towards to and what matters to you.

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A story of redemption - of yourself and your family’s

Life has no redo - what if it does?

Hua Qian got what she wished for as she found herself back to 2 years ago. And she wasted no time to right her and her family’s wrongs, one at a time.

The early parts of the story was intriguing, figuring out the dynamics between the characters and their respective reactions to Hua Qian’s changes. Hua Qian, in her 2nd life became ever the wiser and determined to stay on the right path, as it meant staying alive. And her greatest struggle comes was from changing her closest family, making the story and characters feel rather grounded - after all, change is hard when they hadn’t experienced what Hua Qian had already “experienced prior”. I liked that it was not a walk in the park for her just because she had additional knowledge about the events. And once she changed her earlier behaviours, they logically lead to different chains of events that would no longer give Hua Qian the same advantage.

Another thing I enjoyed about Scent of Time was how Hua Qian rely on her wits most of the time to get through her valuable 2nd chance. Sure, she earned her admirers and respect. But she was no damsel in distress and played an active role in her redemption arc. This made up for the rushed ending and [somewhat] plot twist on how she got her 2nd chance…just a little bit.

Another aspect that could be improved was the supporting cast’s characters development. There were many moments in the show I felt their involvement were just pushing the plots along. Though…since it’s Hua Qian’s story of redemption, I guess this is acceptable.

Overall, I would say Scent of Time had cohesive story line and an independent female lead who stayed focus on her goals. Can give it a chance if redemption and 2nd chance stories are your thing. For those who are into romance or comedy, I’d suggest to check out other stories.

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