septimarhay
Becoming extinguished
Nirvana Fire - an appropriate title for this philosophical story. The meaning of Nirvana (via Britannica): Literally, it means “blowing out” or “becoming extinguished,” as when a flame is blown out or a fire burns out.
Quick summary: The story is incredibly well crafted; varied and complex characters; the plot was well paced and not too long at 54 episodes; ambience of music, cinematography, and costume was effective; there was a good balance between political intrigue, wuxia, military, romance, fantasy, etc.
The first few episodes can be confusing, so a character chart and episode recaps can help. However, the show is successful introducing characters, developing them, so that viewers get a clear grasp of what's going. When, for example, we meet Lin Chen in the first episode, then he disappears for 40 or so episodes, we are still well connected to him in his return at the end of the show.
Many characters besides Lin Chen were distinct and well-presented. It was a joy to watch their depth, development, and interaction with one another. I'll highlight a few gems. Because every character was so eloquent and precise in speech, Fei Liu's stunted and grunted speech was an effective counter point. Bai Li Qi, the northern fighter, was quite enjoyable (and cute). Consort Jing was impressive - the queen of "my pieces are moving on the board, but you can't see them in the first place". Eunuch Gao Zhan was subtly humorous and the perfect counter point to the Emperor. He had an awkward, yet charming smile. I won't even praise the main cast here because you'll undoubtedly agree how terrific they were.
Besides distinct and well-presented, most characters were complex and nuanced. Grand Princess Li Yang is a model character of complexity. Despite the awful circumstances of being forced into matrimony with Xie Yu, it's obvious they've grown great affection for one another. This character also outlines the moral/philosophical crux about this show. While Grand Princess Li Yang did some terrible things, she was able to reverse her path of moral degradation and contribute to something wholesome later on. Even though the truth of the Chiyan army massacre was covered up, seeking the truth while losing face, is the correct path. Looking at modern leaders who are wholly unapologetic for their mistakes or looking to rewrite history through propaganda and social ignorance, it's a reminder that this moral push and pull in the grand societal play is persistent like a good weed.
One thing this show got be thinking about was rebirth. Not so much in the 'wait til I die and start life again in a new form sense', but rather what change or 'rebirth' can one experience within the current life span. Many of the characters go through processes of change and, are effectively, a new form of themselves. And I wonder how distinct our life embodiment is vs. shared with others and carried forward by others. Lin Shu is reborn into Mei Changsu and then is reborn into Lin Shu again; it is as if he has had 3-lives in one lifespan. People's characters, goals, values, and dreams are also 'reborn' through others. For example, Prince Qi dies, but his life spirit is reborn through Prince Jing and others. We cultivate life spirit, disperse it to others, and don't need to count on death/rebirth to 'progress' again. The idea is not to wait to improve or change one's form in the next life and simply accept what one is now. Cultivate now.
Quick summary: The story is incredibly well crafted; varied and complex characters; the plot was well paced and not too long at 54 episodes; ambience of music, cinematography, and costume was effective; there was a good balance between political intrigue, wuxia, military, romance, fantasy, etc.
The first few episodes can be confusing, so a character chart and episode recaps can help. However, the show is successful introducing characters, developing them, so that viewers get a clear grasp of what's going. When, for example, we meet Lin Chen in the first episode, then he disappears for 40 or so episodes, we are still well connected to him in his return at the end of the show.
Many characters besides Lin Chen were distinct and well-presented. It was a joy to watch their depth, development, and interaction with one another. I'll highlight a few gems. Because every character was so eloquent and precise in speech, Fei Liu's stunted and grunted speech was an effective counter point. Bai Li Qi, the northern fighter, was quite enjoyable (and cute). Consort Jing was impressive - the queen of "my pieces are moving on the board, but you can't see them in the first place". Eunuch Gao Zhan was subtly humorous and the perfect counter point to the Emperor. He had an awkward, yet charming smile. I won't even praise the main cast here because you'll undoubtedly agree how terrific they were.
Besides distinct and well-presented, most characters were complex and nuanced. Grand Princess Li Yang is a model character of complexity. Despite the awful circumstances of being forced into matrimony with Xie Yu, it's obvious they've grown great affection for one another. This character also outlines the moral/philosophical crux about this show. While Grand Princess Li Yang did some terrible things, she was able to reverse her path of moral degradation and contribute to something wholesome later on. Even though the truth of the Chiyan army massacre was covered up, seeking the truth while losing face, is the correct path. Looking at modern leaders who are wholly unapologetic for their mistakes or looking to rewrite history through propaganda and social ignorance, it's a reminder that this moral push and pull in the grand societal play is persistent like a good weed.
One thing this show got be thinking about was rebirth. Not so much in the 'wait til I die and start life again in a new form sense', but rather what change or 'rebirth' can one experience within the current life span. Many of the characters go through processes of change and, are effectively, a new form of themselves. And I wonder how distinct our life embodiment is vs. shared with others and carried forward by others. Lin Shu is reborn into Mei Changsu and then is reborn into Lin Shu again; it is as if he has had 3-lives in one lifespan. People's characters, goals, values, and dreams are also 'reborn' through others. For example, Prince Qi dies, but his life spirit is reborn through Prince Jing and others. We cultivate life spirit, disperse it to others, and don't need to count on death/rebirth to 'progress' again. The idea is not to wait to improve or change one's form in the next life and simply accept what one is now. Cultivate now.
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