Sina, a professional stunt-woman, returns from America to find her identical twin sister, Siriya, a mother of a child from her already married lover Pipop and disabled from her waist below after a mysterious shooting attack. After Pipop's sudden death, her twin sister finds herself the owner of a large part of Pipop's wealth. However, Pipop's will states that in order for all of the members of the household to inherit their share of the wealth, her sister Siriya must marry his younger brother, Athirat at least for a year. If not, Pipop's entire wealth will be turned donated as charity. On a mission to find the person who made her twin sister disabled and keeps attacking her twin sister and with the help of the Sutharak's family lawyer, Kritt, Sina disguises herself as Siriya and moves into the Sutharak's house with her 2-year-old nephew, Kaosauy and her personal manager, Nuan. Under the disguise of her twin, she also decides to marry Athirat who is extremely suspicious of her from the beginning. Then begins a race to catching who the real villain is. Before they catch her instead. (Source: Soju at MyDramaList) Edit Translation
- Bahasa Indonesia
Cast & Credits
The simultaneous narratives were really interesting as Thai Lakorns can be somewhat typical and standardized in terms of storylines and Khun Mae Suam Roy was anything but. Saying that I wouldn’t recommend it as a first Lakorn to watch for Thai drama beginners as it will build unrealistic expectations about them. This Lakorn is like an old Port wine, one has to wait to drink it in order to fully maximize the experience of tasting the wine.
The mysteries about who shot Siriya, who caused her lover’s death, who messed up with the car breaks to cause Sina (pretending to be Siriya) accident, who shot her, and the Cluedo guessing game kept raising an array of questions about the possible suspects and sending viewers on mental wild goose chases nearly until the end. For those that like mystery games, this drama is brilliant. For those that like lovey dovey enemies to lovers kiss and slap stories, they’re not is as large a supply. The relationship between Thi and Sina is intriguing and really captivating from the beginning but it’s a bit like climbing a mountain except that when you think you reached the top and the view can’t get better, you haven’t reached the top yet and the view will get tons better.
Khun Thi, the male lead has always suffered from abandoned child syndrome both physically and emotionally by his mother which have caused him a severe emotional trauma and scarred him deep inside his heart. It was a tough issue for a young child to deal with and one that has strongly impacted on him. He’s very loyal to his father’s family who have raised him but he’s still the son of a mistress and that knowledge has always waved itself invisibly over his head, hidden away in an emotional inferiority complex. His leading lady, Sina (pretending to be her twin sister Siriya to discover who shot her, making her wheelchair bound), on the other hand is rather normal; a hardworking stunt double who kicks ass and protects her sister. Their love story is cliché and the way their emotions and their struggles play are a like an elastic band constantly expanding and shrinking, standard but at the same time so real life and both Pop and Bua have a strong chemistry onscreen. I found Darika’s obsession with Khun Thi too paranoid but that’s Lakorn stereotypical.
The writers have done a brilliant job writing the Nat and Siriya/Sina and both Khem Rujira Chuaykua and Bua Ongumpai have done a great job bringing them to life. Nat is the scorned woman who feels that her infertility caused her husband to fall for Siriya, who bore him a child and as a consequence had made her live in agony for years. Wanting to be a mother and being unable to, wanting her husband’s love but being scorned by him is something that many women can empathise with and can understand too well. As a result of those issues Nat battled depression, low self-esteem and extreme stress. Siriya is the eldest twin and the weakest one. She’s so meek and calm all the time making her look way too insipid and pitiful as she always comes across like a damsel in distress who needs to be rescued by her knight in shining armour. This makes her annoying as a character. Sina on the other hand is completely the opposite and that’s what makes her interesting, her Spice Girls, girl power attitude. The twins are so utterly simple, so devoided of complexity which is interesting as the story doesn’t need them to be multi-layered. The writers did such a great job in keeping viewers guessing, double guessing and questioning things all the time that when the Lakorn ended there the Suttarak family has finally got a sense of understanding about what happened, why it happened and was finally able to move on from that.
I liked that Khun Mae Suam Roy as a Lakorn is very well written and that the story is organic, flowing without a lot of dull or unnecessary moments. The storylines have purpose and are intrinsically connected; in one way or another they add substance to the development of main story arch which in itself is an achievement. The actors played a huge role in that but it’s easy to perform well with a great script that deals with contemporary issues relevant to current society.
I loved the romance, how the love story developed and how the drama production team gave viewers an entire episode dedicated to it. It was amazing, particularly how Thi played with the cards that were dealt to him and how, despite the denials and his own internal battles, he has overcome them and gave himself the chance to be happy with the woman he loves, freely and without reservations; but for me despite loving the romance, Khun mae suam roy was not about it, it was about the fight for justice and for a chance at happiness, underlined by a revenge plot, emphasized by a beautiful soundtrack. Roses have thorns.
For all of the above I am giving this Lakorn 10 points out of 10.