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Aihara Kotoko finally becomes Irie Kotoko. Her life will be full of changes as she wants to become nurse and help her husband Naoki, but also she will face struggles of marriage life. Add Synopsis In Portuguese
Cast & Credits
- Yahagi HonokaIrie KotokoMain Role
- Furukawa YukiIrie NaokiMain Role
- Yamada YukiIkezawa KinnosukeSupport Role
- Horii ArataKamogari Keita [Kotoko's classmate]Support Role
- Nishimura TomomiIrie Noriko [Naoki's mother]Support Role
- Aizawa YugaIrie Yuuki (Young) [Naoki's younger brother] (Ep.1-12)Support Role
For those who’ve said goodbye to Kotoko and Irie several times, we know it doesn’t get easy. Maybe because they truly are the perfect couple. Every flaw Kotoko has is a strength Irie has and every flaw Irie has is a strength Kotoko has, but they graciously accept it and consider each other the half they need to be complete.
Theirs is a relationship of encouragement. The INK story is about never giving up. Never give up on your dreams, whether it be what you want to do, who you want to do it with, or who you want to be. The seemingly impossible is possible. (Sometimes it just takes an earthquake, meteorite, or fire to get fate going.)
I actually think I might’ve liked season two of Mischievous Kiss more than season one. It’s a pleasant mixture of comedy and fluff. From Kotoko’s iconic yells and zone out moments to Irie watching over Kotoko fondly as if she’s the sun itself, what could anyone possible dislike about this show?
Now newly wedded, our favorite couple try their best to finish internships and become legitimate medical professionals. However, being married to the love your life doesn’t mean the rest of your life is magically uncomplicated. There are plenty of insecurities and doubts that sprout up between our leads, but it's not as dramatic as other dramas. If you're looking for realistic but quickly solved troubles this is it. It's interesting enough that it's not boring, but it's light enough that you don't get too stressed.
We see how much better these two are when they have each other. Our Kotoko becomes a (semi-)capable nurse when just a couple years ago she was in the lowest grade class. And our Irie shows emotions never seen before. Who could imagine the practically permanent “stone face” Irie Naoki laughing? You’d have to see it to believe it.
Furukawa Yuki and Miki Honoka play their roles as if they were made for them. Yuki flawlessly transitions between attitudes of indifference, annoyance, and warmth like no other actor I’ve watched and I couldn’t get over how amazing Honoka played Kotoko in this season. She grew a lot as an actress. I’d watch scenes and it’d feel like I was watching an actual anime because she gives so much life to Kotoko that it’s unreal.
The soundtrack is pretty decent. As of now, I still prefer season one's ost but maybe that's because it already makes me a little nostalgic. You can tell care went into the soundtrack unlike some dramas that just throw any instrumental mess into the background and recycle the main themes every ten minutes. INK’s music has always enhanced the characters' actions and the overall moods.
So the million dollar question. Is this show re-watchable? As a certified Itazura Na Kiss stan that's watched almost four of the five show adaptions completely, I'd say yeah. It's kinda totally re-watchable.
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This IMO, is a true dramatization of Itazura na Kiss the manga. Irie-kun is not sweet and loving like They Kiss Again, and the story is very true to the original story. So true that I loved it very much. Honoka Miki's expressions and loudness is also very close to the manga. Some people may not like her outrageous and overboard expressions, but I loved her 100%. Irie-kun was cold, but you could still see his love for his wife. I admit, I didn't like his character, but I didn't mind because I never like any Irie-kun characters. I always think Kotoko deserves a better man, one who treats her better and adores her. But actually, Irie-kun always is aware of Kotoko and her wants and needs. Always.
What helped me understand Irie's character better was this video entitled "Why we Japanese can seem robotic" by a Japanese guy whose married to a foreigner in Japan. The link... https://www.youtube.com/watch?v=m7diGxLECF4
It explains so much about the average Japanese and helped me understand Irie's character better. I still think he should have been more considerate of Kotoko early in their marriage, but I forgive him. Kotoko makes you keep your attention on her and not her husband's behaviour. In fact, I like the love she has for him. She's too dependent yes, but he relishes that dependence and actually drives it sometimes because which guy doesn't like his wife needing him? He loved her love for him. And also, yes, she shapes her life for him, but you have to realise, he shaped his for her too. The guy does whatever she tells him to, even the big, life changing decisions. He does it all quietly. Yes, he pulls a face sometimes, but that's just for posterity because he thinks he has to be cool. The guy is happy to follow her directions. Kotoko is so full of life and love that yo can't help but love them together. She is the main one in that marriage lol, the one that is loved, though she shows her love for him more - her character is more flamboyant.
I adored the rest of the cast - Kinosuke, mom, dad, other dad, the little brother, Christine, her best friends and their boyfriends ... every character had something to love and I was interested in all of them. Every single time. The best parts was where Irie-kun's mom always stuck up for Kotoko - even against Irie lol. Best mom-in-law award goes to her. I want a mom-in-law like her. And honourable mention goes to Kinnosuke for his vibrant, emotional, love. The acting is on point as always. This lead pairing never disappoints. Miki Honoka is fabulously talented for such a young girl. Hope to see her in more lead roles. Honestly, sometimes the music is inappropriate for the scene, but the beginning and ending themes I really liked. Found myself bobbing my head and singing along. Rewatch value of *sigh* over and over and over again.
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