• Last Online: Oct 28, 2019
  • Gender: Female
  • Location:
  • Total Edits: 20
  • Roles:
  • Join Date: August 31, 2011
4 people found this review helpful
Jan 5, 2015
Completed 1
Overall 7.5
Story 7.0
Acting/Cast 8.0
Music 8.5
Rewatch Value 8.0
I'm sure many people would feel confused once the credits roll down the screen. I definitely was.

Usually with movies, there are clear events escalating to a climax and falling down into a natural end. It hits you, "Oh. The movie's over."

Either it delivered or it did not. With 'Shindo', I was jolted from the movie by the black screen because I was waiting for something more because the story did not feel complete. This, though, doesn't mean it was an awful movie or something I did not enjoy. I simply found 'Shindo' an oddball.

At the beginning, we're introduced to a middle-schooler who dislikes playing the piano but is attracted to the sound of it playing one day as she's walking down her neighborhood. It turns out the one playing the bad tune (according to her) is Wao Kikuna, who's practicing for his music school audition. A very strange friendship(?) begins from that day when she gives him some tips to improve his playing.

Now you'd think there's plot right there, right? The audition would be the perfect climax, albeit cliche. But it's still off the mark because the audition is never the central story. Uta comes over at random times and spends time in Wao's room while he plays or does nothing. There's a bond between the two, something that's not quite friendship but not yet love, age gap notwithstanding. Uta is the classical prodigy while Wao's the traditional hard-worker who lacks that touch of talent but is willing to make up for it with effort. Uta seemed to inspire Wao and add that something more to his piano playing, and Uta enjoyed his "sucky" playing.

There were also characters that seemed like potential love interests for the two but the story never went there. There's Uta's father's story, which was never explained properly. Uta seemed to have something going on with her ear, but we never get to know if it's merely psychological or physical.

With these missing elements, you end up with a story that never truly goes somewhere and many unspoken and nameless things that leave interpretation up for grabs.

Having said all of this, I do not regret watching this movie. I'm less frustrated than confused. All the same, I liked the calm and quiet atmosphere it had and enjoyed the undefined relationship between Uta and Wao. Though it's frustrating, maybe things are better left unsaid.

Read More

Was this review helpful to you?
Gu Family Book
19 people found this review helpful
Jun 27, 2013
24 of 24 episodes seen
Completed 0
Overall 2.0
Story 1.0
Acting/Cast 9.0
Music 5.0
Rewatch Value 1.0
This had all the potential to become a great drama: a well-known cast with great acting, the camera work is flawless, the action scenes make me want to jump in my seat from excitement, and the premise of the drama was incredibly promising. I find mixing the supernatural with what would have been an ordinary sageuk to be awesome, and in this drama in particalur, the supernatural takes center stage.

So how could this drama possibly fail when you have an actor like Lee Seung Gi and a gumiho character? When we have in our hands a wishy washy writing such as this.

You'd think that –at least, from the title- getting the Gu Family book would be the most important objective of our hero, but this plotline is tossed and picked up several times whenever the matter of becoming a human is convenient. And still, Kang Chi does nothing to get the book because he's too busy with other things that the writer throws at him. The same happens with the other plotlines; the writer would introduce a certain plot that would then take a backseat to another subplot before finally being continued once we've already forgotten about it.

"Oh, that issue is not resolved yet? I thought it was over two episodes back."

The writing is not sturdy or pulled together; it's confusing and annoying how events simply crop up and how they go down without a proper conclusion, how the rules of this world (which are, in this drama, equivalent to fine print on a contract) are not clear from the beginning and just pop up whenever it's convenient or complementary to the plot to mention, how blatant and forced (and illogical at times) the events that would lead us to major events are. The writing completely lacks the subtility needed for such a plot to be exciting.

One thing I need to concede is that the female leads were amazing; Yeo Wool and Chung Jo are both strong characters that never failed to surprise me—they are so unlike the rest of typical k-drama female leads and I wish to see more of those, but preferably not from the same writer.

The last episode was so messed up I wanted to cry for all the time that I spent watching this show—I felt like the writer was like, "Let it all go to hell! Woohoo!". The only reason I watched all 24 episodes was because of Seung Gi and Suzy, but even if I love those two to bits, I should've quit when it was apparent that the screenwriter hasn't the slightest clue about what she's doing.

(Only when I was writing this review did I find out that the screenwriter is the same person who wrote King of Baking and Man of Honor, both of which I was not able to finish because I couldn't stand the plot and characters.

Now that is pretty interesting.)

Read More

Was this review helpful to you?
Tamra, The Island
3 people found this review helpful
Aug 26, 2012
16 of 16 episodes seen
Completed 0
Overall 9.0
Story 10
Acting/Cast 9.0
Music 9.0
Rewatch Value 8.0
You know when you like something a lot you sort of turn a blind eye to its faults? It was like this with me when watching Tamra.

Sure, the first episode was lousy compared to the rest of the episodes, Pierre's acting was terrible the first couple of episodes, and William's character was foolish to the point where it became annoying at times but these are just details when you think about 'Tamra, The Island' as a whole. It was that awesome for me.

I think the major reason why this drama didn't garner as much attention as it deserves is because of its not widely known cast. I don't know about you, but I've never heard of these names before. I hate it when they cut dramas short but this one was originally a 21 episode drama but due to low ratings, it was shortened to 16 episodes. Both versions work fine. I watched a bit of the longer version.

This is not just your typical historical love story mixed in with politics; it's more than that. It's about the bonds between a family, and the loyalty you have towards your own country. I loved the little exchanges between Beo Jin and her parents and sister, between her and the villagers. I couldn't even hate Kkeut Boon, who is sometimes ridiculous and too assuming because I was too fond of her amusing antics. I really liked the people of Beo Jin's village because, although they'd bicker and fight, they were together when it mattered.

Pierre Deporte, or Hwang Chan Bin, seemed to improve as the drama progressed in acting. It's clearly obvious he's a rookie and I think being up against Seo Woo and Im Joo Hwan who were amazing actors here (both of them have a talent so I hope to see them in more dramas) made it even more challenging for him but he was trying. His Korean was great and I think that was why he got the role.

His character, William, never ceased to annoy me though. All William knew how to say was 'Beo Jin'. Beo Jin this, Beo Jin that, Beo Jin, Beo Jin. That's one name I will never forget (although I tend to easily forget Korean names) because it's already engraved in my brain.

Oh, and Park Gyu was too adorable here. I loved those 'Ahem' kind of noises he made when he was either embarassed or annoyed. Cuteness galore.

Anyway, just watch the drama already. It's awesome enough that I'm sure you'll forgive it's shortcomings.

Read More

Was this review helpful to you?
Man on High Heels
1 people found this review helpful
Jan 2, 2015
Completed 0
Overall 8.5
Story 7.5
Acting/Cast 9.0
Music 6.5
Rewatch Value 5.0
This review may contain spoilers
This movie struck me emotionally so it's a little difficult to look at it as a whole and weigh its cons and pros. It's one of those movies that touch your heart and resonate with you that you just tell your brain to shut up when it brings up things you didn't like about it.

It's like the plot was a mere ornament for the heart of this movie: the story of a woman trapped in a man's body. No matter how you change the setting and characters, the story is the same, and that universality is the best thing about 'Man on High Heels'.

Cha Seung-won, Cha Seung-won. Oh, man. This was not my first time seeing him pull a great performance, but I find myself struggling for words to describe what he did with a hit-or-miss role like playing Ji-wook. Perhaps another actor would not have managed the subtlety and nuance of a 'manly' man with an inner woman, or given the character the perfect shade of a vulnerable and feminine aura. No matter what you think about transgender people, you would just be pulled in to sympathize and feel for Ji-wook's deep-set longing. By the movie's end, I fully bought Cha Seung-won's character and believed the conflict of what he is vs. what he wants to be.

The directing and camera work was spot-on and handled with finesse, and it makes sense since the director wrote the script and channeled his vision. I loved the parts unspoken in a scene, when the camera would show us instead. I can't really recall the music but I think it was mostly instrumental and most scenes were big on natural sounds.

Lastly, I'm going to avoid talking about the ending because it would definitely include spoilers but I just want to say that it made sense since the whole movie was leading up to this. Not that I'm happy, but I'm at peace with it.

Warning: Right. Just be aware that there are lots of violent scenes that veered a little on gore at times. I cringed so much but I'm just averse to seeing blood and stabbings on screen.

Read More

Was this review helpful to you?