The plot had so much potential with the reincarnation trope leading the story, but it was never really used. While I enjoyed the beginning episodes quite a lot, at some point I was questioning myself for watching it. It wanted to be deeper, more dramatic and moving, but used all wrong directing choices to achieve it, and in the end, it did not work for me.

CHARACTERS/COUPLES
Truth to be told, I was far more interested in all side/past couples than the main one. I didn’t feel that much chemistry between them. Don’t get me wrong, there were moments when I found them as cute as possible, but I always thought it was more about good directing and not their acting. The romance scenes were simply well written and shot. I still believe Pharm and Dean’s first kiss was filmed in a fantastic way.

I truly loved the fun and entertaining chemistry going on between Team and Win and I wish we could have seen more of them and how they developed feelings for each other. We kind of knew they would end up together… and then they did. Not much of that development was really shown.

Earth and Kao were really good in their roles and I truly did feel the pain and desperation watching their scenes. Wish we could have a prequel telling just their story in greater detail.

Sadly, I felt like Ohm had the same facial expression 90% of the drama, with Fluke showing a bit more diversity: happy grin, shocked grin, massive crying (+ the quite well acted total meltdown in the last episode). While at the beginning I did not mind, at some point I was just bored by their scenes and performance.

Character wise, both Dean and Pharm were nothing special. I mean… Did Dean even have a personality? I did enjoy their relationship though, because, they played off of each other's characteristics well - Pharm being on a shy note and Dean leading the interactions, but as separate characters… they had close to nothing going on.

THAT SAID, I have to applaud the drama for one specific scene. We got some good representation of setting boundaries. When Dean gets a bit too touchy with Pharm, but Pharm quickly puts him back in place, clearly says it was unwanted and it must never happen again. We don’t see scenes like that a lot in BLs.
Also, justice for Manow. Poor girl was literally forgotten at some point of the drama.

DIRECTING
Oh boy. All the long, slow scenes of them doing literally nothing, like… looking at their phone, or cooking but without interacting with each other. The dialogues with way too many pauses. They literally took breaks every 2 or 3 words. There were many scenes that just felt like fillers. Few seconds here, few seconds there… but no content to be found. It made the drama look more aesthetically pleasing, but at the same time, I could not move my finger away from the right arrow on my keyboard, because I was sure there will be more than one occasion I will want to skip the next 5 seconds of them doing nothing.

As I was watching and the story progressed more and more, I could not wait for it to end. It dragged so badly and it was so amazingly slow. Everything was slow. They talked slowly, the shots were slow, the background music was slow, how they moved and walked was slow. I was honestly getting sleepy and tired after watching. The fact that, by an accident, I was able to watch 2 parts of an episode set on 1.5x speed and did not notice says a lot about the directing.

The violin soundtrack started to drive me nuts at some point. It made it seem like every scene was so profound and important and had deeper meaning… most of them did not. The overuse of it made it not an asset, but an annoyance in my eyes (ears?).

WRITING/STORY
I feel like the planning just failed. With the minimum of Team and Win scenes, they should just cut them out completely and make a sequel showing their relationship from the beginning. Focus only on Dean and Pharm and the past story of In and Korn. Show us in more detail how they slowly connected all the dots and accepted their past and current selves.

What’s most important, introduce a conflict AND NOT IN A LAST EPISODE. With the reincarnation trope, there are so many ways to go about it. Giving me Pharm questioning his love for Dean, not being sure if it's real or it's just reminiscence of the relationship In had with Korn, it’s awesome. What’s the point of shoving it in our faces in the last episode? It could have been gradually introduced. The more Pharm knew about the past, the more he would start questioning his feelings for Dean. This way you would have two driving forces for their relationship clashing in an interesting way - them being drawn to each other by the past connection, but also driven away by the fear it’s not real. I guess this isn’t the drama’s fault, since it is based on the novel, but it does not change the fact that there weren’t really any stakes presented. They tried to introduce some struggle by the end, but since the set up was not strong enough, it failed to move me and make me care.

The mental breakdown Pharm had at the end was so ridiculous too. He knew the story, he had flashbacks showing exactly what happened. It’s not like finding the box in the previous episode gave him some new information. He knew it all… And sure, we can argue that the reality of it hit him the moment he saw the photos and the gun, but it still makes no sense pacing wise. Make it happen at least two or three episodes earlier so we can actually feel the pain of then splitting/taking a break. Give me that emotional journey not some cheap emotional thirty second roller coaster with some bullshit “three months later”.

Overall, I guess I was simply not convinced by Fluke and Ohm’s acting so the scenes that might have been sweet, emotional, sad… were, for me, boring. I was not connecting to their feelings so I could not bring myself to care. The moment I started to care, the pace slowed down so painfully, I was getting distracted by the fact nothing was happening. Sad conclusion to the drama I was so excited to watch.

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Top level of entertainment. Can’t say the same about the quality of writing.

I want to start by saying - I did enjoy the show a lot, almost till the end. I watched the episodes as soon as they dropped. That said, I’m not gonna pretend like it’s some writing masterpiece - it’s not. It often hits the “teen’s first fanfic” level. Did I mind? Not really. I went into it for the Dear Daddy Devil and Bai Lu’s acting, and these two aspects were easily 10/10.

What did the drama do great? Tantai Jin’s arc. The questions of predestined path, freedom and choice, the importance of having the supportive community and people that trust and love. How much of where we end is on us, and how much can be explained by how others treat us? At which point we should take responsibility? Is revenge and justice the same? What’s more important - trust or perceived truth? Surprisingly a lot of depth in his story. Sadly, the writers had some issues with keeping Tantai Jin's wits and cunning nature and also progressing the plot - which led to quite a few moments when his brain must have been turned off to make such dumb choices.

Luo Yun Xi in the role? Pure perfection. The emo angst fits him so well, I was in awe. Whatever you ask from him - he will deliver it and more, in the most beautiful and heartbreaking way. I never knew an actor who presents suffering in such a stunning way.

Then we have Li Su Su played by Bai Lu. What a performance. She did great as a more idealistic and naive Su Su, desperate and driven Xi Wu, and the duality of Sang Jiu. Each character/persona was easily distinguishable with the portrayal. The angst and pain Bai Lu can deliver - be it extreme or subtle - was just phenomenal and truly breaking one’s heart. I don’t think the character herself has much to offer though. Any weaker performance than the perfection Bai Lu presented, would make Li Su Su either boring or insufferable. I just feel bad for the girl, because the writers obviously did not give a fuck about this character… She was this great thanks to the actress and the chemistry she had with Luo Yun Xi.

And that chemistry should be illegal. How can such a questionable and build on a toxic fundamentals relationship still seem so amazing, beautiful and perfect? Love, hate, hope, trust, doubt, protection, resentment, fear - what a mix of conflicting emotions and motivations. And that complexity was what made this duo so entertaining and such a blast to watch.

Beside the main characters, I want to give big props to Chen Du Ling who played Ye Bing Chang. How much I hated this character, how much I loved the performance. It’s also impossible not to appreciate Pian Ran - stunning arc as a side plot, amazing conclusion fitting the plot, great performance by Sun Zhen Ni.

Talking about the characters, it’s time to talk about the biggest sin this show and the writer committed - they made everyone so dumb, I did not even care who will win and who will lose, because I did not see a bright future no matter which side gets the victory.

So many things did not make any sense, but you cannot really call them plot holes, because they kind of had an explanation - lack of working brain cells. At first I found it amusing, but at some point it just frustrated me on a whole new level. You don’t know how to write a proper conflict and the origin of it, so you just make your character dumb for a few scenes to set it up.

That also led to repetitive scenes and arcs - just rewriting the same moments we have seen a few episodes ago, with small changes here and there. Refusing to give your characters’ proper character development can only lead to them making the same mistakes over and over and over again. This is one man show, and all the other characters are just a background for his story.

I have to say though, I’m quite impressed with the directing and editing taking into consideration how much of the plot and scenes had to be cut down to fit the 40 episodes format. Yes, there were many moments that the pacing seemed like a car chase, but the overall story was still relatively easy to follow and understand. On the other hand, the make-up artists need to change their careers, because the thing these actors had on their faces should be illegal to present to the public. Loved the costumes, liked the set and magical objects designs. Loved how they Sailor Moon changed their clothes when they reached new powers.

The soundtrack had some good moments, but there were also “oops” bits like them playing a pop royalty free facebook ads like music in the background in the last episode.

Overall, I had a lot of fun, later I had less fun, by the end I had a lot of fun ranting. One could say it’s a full on personal journey I had with this drama, and they would not be wrong.

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This should have been a special episode only…

Let’s be real, they could have just put the last arc in a special episode and it would work way better. Most of the episodes were nonsensical and Minato was just frustrating on a whole next level. Why did he feel even more shy and teen panic after they got together than in season 1?

Season 2 does not really give you many sweet scenes to feed your fluff desires, nor does it develop characters in any meaningful way. Everything important happens in the last 2 and half episodes, so what’s the point of all the rest? I thought I suck at romance, but Minato is a whole new level of failure and if it was not for Shin’s undying patience, this relationship would fail hard. Realistically speaking, I just mostly felt bad for Shin in the first 10 episodes.

The second couple was way too similar in their dynamics to Minato and Shin, I quickly lost interest… Misunderstanding and lack of communication is a clear indicator the writer did not really have any solid idea what to do with them, they existed to fill the screen time.

The acting was great, just as it was in season 1. At least from Kusakawa Takuya and Nishigaki Sho. Quite a few scenes that were surprisingly touching, a number of scenes that worked only because they did their best to deliver, even if the script itself was lacking.

Overall, it’s more or less skip worthy.

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Constant state of pain and agony, washed with the holy waves of never-ending angst…

and yet, somehow… Part two made me feel far less than part one did. By the end of the drama I felt like the writer loved their story and all the characters too much to give some aspects up. Too many things were not set up and developed enough, too many plotlines felt rushed, luckily the closure was solid.

Don’t get me wrong though, I still enjoyed the show a lot, but the progression of the story and the lack of focus just lost me a bit. The politics and war were mostly the context in which the characters operated and explored their beliefs, personalities, morality and relationships in part one. It was great. We had many powerful scenes showing the contract between the royal family and the common people. Not knowing any real details was not an issue, because these royal idiots were never main characters in the first place.

Sadly, this whole royal drama gets more attention in part 2. It takes away precious time from the main characters. Where even was Eun Ae? Why did most of Yeon Jun's character development happen between the scenes? He took a couple of 180 in terms of his morality, but we never got enough reason for it to even happen. And it's not like the screen time they took away from these characters was even enough to truly develop and explore the palace storyline. It felt like I needed to do a lot of work myself to fill the gaps of the plot in my mind based on vague ideas and shallow set ups. It's like they tried to turn a character driven show into a plot driven one half way through...

All that said, the drama is still dear to my heart and even if I enjoyed part two less, I still enjoyed it a lot. We've got more of the exploration of different themes relating to morality, justice, duty, honor. Many scenes connecting to events in part one in a smooth and eye opening manner - adding to already intriguing commentary on social standards and gender roles.

Undoubtedly, the best gem, the true treasure of My Dearest was Gil Chae. Easily my favorite female character in 2023, probably top 3 from all the dramas I have ever seen. The masterfully crafted character development, the realistic flaws, the strength that was inspiring. The depth of emotional performance given by Ahn Eun Jin. There are no words that can truly describe how much I adore this character. The drama shows, you can have a female lead that is feminine, compassionate and good, without making her a stupid pushover. Gil Chae was smart, cunning, witty, and resourceful, but also stubborn. At times shortsighted and blind by her perception and understanding of the situation. Her character was beautifully complex and for her existence I am grateful.

Did I love Jang Hyun while watching? Of course I did. Do I want one in my life? Yes. Did I think he was not as developed as Gil Chae and I wished they explored his character more? Also yes. Since the past story did not really lead to anything significant and it felt more like a cheat and easy fix for some plot developments, I could not stop myself from feeling disappointed. The set up for the mystery of his background was perfect, the conclusion answered all the questions, but the overall picture created by that opening and ending felt a bit lacking. With little to no background for the character in part one, I thought they would explore him more in part two, but this did not really happen. From start to finish he was badass, smart, driven, caring (even if he kept denying it) and madly in love with Gil Chae.

What’s more to love? A strong set of diverse supporting characters that felt so real and humane with their, at times questionable ideas and actions. Ryang Eum with whom I went from friends, to lovers, to enemies to lovers trope, with how my feelings changed towards him. Jong Jong who was a loyal friend and support for Gil Chae, even if on the surface it felt like it was mostly Gil Chae protecting her. Gu Jam who always provided a solid dose of entertainment with his sharp comments and badass actions. Yang Chun, who truly shows that good people can have backwards ideas. Even Prince So Hyun and Crown Princess Kang’s scenes had many meaningful and touching moments.

Still adore the production and the attention to details in terms of how the characters are presented. You know how in many historical shows, as long as the female character is part of the main cast, they will have make up worthy of the royal family, looking like Crown Princesses themselves? Not here. From episode 1 till the end of episode 21 of the whole series, there was a lot of care put into making the looks realistic and fitting the context and hardships the characters went through.

Overall, I loved it, but maybe I loved it a bit too much, so it made me expect more. I wish the whole story was more simple, with less side characters and plot lines. Wished the plot focused on the common people more and kept the palace drama and the war as the context and background the story is happening in, rather than the focus of the plot. From the start, I loved this drama for its characters and countless social commentaries and powerful scenes, and it was never truly about the plot for me. While the conclusion was amazing, giving proper closure to it all, I wished the journey itself was either more detailed, or more simple…

That said, once you sell your soul to this drama, there is no coming back, so while I might have had some complaints, they were delivered through tears of both sadness and happiness, and complete devotion I had to the main characters and their journey.

Review for pt1: https://mydramalist.com/profile/Shini/review/300809

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The world-building that lacks the necessary detail.

I knew what I would get, but I honestly wanted to love it. I adored the first two episodes and thought they were as strong as an introduction can get. And then it led to nowhere.

The idea was there, it just lacked the necessary detail to make it truly engaging for me. Too many questions were left hanging, the folklore was barely touched, the backgrounds of the characters were shallow, the motivations were not set up that well. I don’t even want to talk about the villain on the human side, because that was some next level of clownery.

Loved the “first act” - the introduction to the characters, the initial set up for the story, the questions that were asked that we were supposed to get the answers for as the drama progressed. All that got me curious - I wanted to know more. The variety of the characters was perfection - we had the hardworking and strong female lead who just tried to survive, the scholar that tried to solved the decades long mystery and the sceptic detective who tried to make sense of all the unexplainable. And behind it all an evil force that seems untouchable and always one step ahead.

Sadly, the second act was just too damn long and not written well enough. Some stories were just dropped without proper explanation, how the ghosts work and what can be done with them was not explained either. A 30 second google search can give me more information about all the types of ghosts that were introduced. They just never explored any ideas they introduced.

What's more, I was just too frustrated with the characters. It took them too long to learn from their mistakes and their actions often were simply stupid. Hae Sang was unnecessarily cryptic refusing to explain anything to anyone until it was too late, San Young was all over the place it’s actually hard to even describe her character, and while Hong Sae was fun to watch, for 80% of the show he seemed out of place for the story written - his bits felt more like crime rom-com than supernatural thriller.

For a story like that to work, you need one of the two: rich and interesting folklore or great teamwork. Revenant had none of these. As I already said, the whole world buildup was weak. As for the scooby gang - we had to wait way too long for them to actually start working together, and when they did… the drama ended.

All that said, I adored the casting for the leads. It was refreshing. Oh Jung Se in a serious and stoic role is what we needed. I'm far more used to seeing him in more animated and exaggerated characters, so this was a fun new take.

Hong Kyung going from Oh Beom Seok to Lee Hong Sae is something I thought I would struggle with, but surprisingly, I had no issue putting my hate behind me and enjoying his character in Revenant.

Park Ji Young as a "weak" character was also so weird, but so good! Kim Tae Ri's role was not surprising since her career is short enough to not be type cast yet. She was also smart enough to take roles that are rather different from each other since day one. Loved the duality of her performances even if I was not obsessed with how Gu San Young was written. Kim Tae Ri just simply never dissapoints with her acting.

The production was great. Can we all collectively appreciate the lack of black eyes as the indicator someone is possessed? No cheap snapchat filters for ghosts. Amazing use of light and shadows, good special effects - it never felt like they overused them. Even the supernatural events felt realistic and grounded in the presented picture.

I guess I just have a love-hate relationship with Kim Eun Hee’s writing. I am obsessed with how creative her ideas are, but I’m also pissed at how she cannot truly execute them in a correct way. I feel like she needs someone who will ask her questions about her stories. How does it work? Why did the character act this way? What was the origin of that issue? How does this premise work into the world you built? Answers that will fill the framework of the idea she has.

Overall, was it a fun watch? Sure. Did it have a lot of issues I just cannot see passed? Yes. I knew the directing would be my style based on the people behind it, I knew I would have specific issues with the writing based on the past works of the writer. I knew I would love the acting and I knew I would overall enjoy it, but I would not be amazed. And that’s exactly what I’ve got.

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The whole show was based on the lack of communication.

If they actually started talking to each other even a little bit, the show would be half of the length if not less. One could think this will be a rivals to lovers type of a drama, but it ain’t it. It ain’t anything.

The plot had potential, but they should have established the initial conflict a bit more. They “warmed up” to each other too fast, but to keep the story interesting we got some random miscommunications. If you want to make your show a full on cliche entertainment - fine with me, but lean into it. It was just too basic. It was not realistic in any aspect to appeal as a slice of life, but it was also not bold and fun enough as a mindless entertainment. It’s half baked fluff.

There was also one side plot that simply made me feel uncomfortable and it's worse the more I think about it.

The leads had a mild and mediocre chemistry and while the acting was decent, no one wowed me, but I also did not feel offended by the performances. Yes, the “nsfw” scenes were cringe and funny, but I blame the directing, not the actors themselves. The way they tried to frame it as sensual, but delivered full on awkwardness…

The production was the biggest clownery. I mean, I was more discreet about recording lectures at university than them acting as reporters. They could have done a better job with props and framing to make it a little bit less ridiculous.

Overall, it’s a show I’ll forget I’ve watched in two days, but I don’t regret watching it. It weirdly grows on you as you watch it. Watching it every Friday became my afterwork routine.

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That awkward quality I kind of liked.

I don’t know how to verbalize my feelings about this show. It’s not good - it’s drowning in awkwardness. The set design at times looks awkward, the acting seems awkward, the writing is awkward and so is the directing. Somehow, that awkwardness was strangely charming? I feel like I enjoyed it for all the wrong reasons.

For a short show like that, it tries to tackle a bit too many issues and ideas. Stalking, unreciprocated feelings, coming out. I appreciate the more serious takes - it’s hard to be a female, because there will always be a creep with weird ideas. Gossips about your sexuality can be harmful and scary, especially if you are still figuring things out. All that was there, but just surface level type of a deal. Still, with a lot of, if now most BLs being “everyone if either gay or loves gays”, this show being just slightly less pink colored glasses view was nice, even if barely explored.

The thing I like the most about this show is how dramatic and over the top about the most basic things RoA was. Him being all “you have no right to worry about Ji Woo” when talking to Yu Na. Damn boy, she is his friend, she has the right. Or when he did not even let Ji Woo confess his feelings with his “you might never get another chance of someone you like confessing their feelings to you”... what, is he going to die the next day? Does he have one chance in life to be in a relationship, and if he passes it, that’s a done deal - he stays single till the end of his days? Where was the logic? Why so dramatic? They did not set up ANY reason for him to reject Ji Woo… it just came out of nowhere.

When he dropped the “He had to suffer like that. It’s all because of me” I turned into a question mark. What the heck is this child talking about? What suffering? How were you the cause of said non-existing, completely made up by your imagination suffering? People gossiped for like two days, long term no one cared. Not one person. And then he went “He’s in pain because of me” SURE HE IS, BECAUSE YOU REJECTED HIM! The poor boy has a broken heart. I literally cried from laughing when he started to say Ji Woo’s feelings for him are just an illusion. My dude, you are the one creating issues and problems for yourself that have no place in reality and never happened. That whole scene was just a gold unintentional comedy.

Not to mention how he left school all dramatic, last month before the semester ends, when he literally had just that semester left to graduate. What an emo kid move, I have to appreciate it.

The side romance between the student and the teacher got me wheezing. It’s not like it’s wrong - she is an adult after all, he is her teacher for just one class for one semester. It was just so painfully awkward, because this guy here teaches about relationships, love, romance, family, and yet he can’t handle one female student having a crush on him, looking so awkward. Especially in the last episode, I died a little bit during their scene.

It’s hard to talk about acting. Some scenes were truly natural. The double date scene was so fun and cute. The four actors have an amazing and natural chemistry. Then more dramatic and emotional scenes happened and sadly, the quality dropped. Delivering a realistic crying scene is not easy, I get that, but none of the sad scenes in this made me feel sad.

Production and directing wise, it felt like a project of a student with amazing potential, but not yet polished skills. Some shots were truly nicely done, well planned camera angles and lighting. Some… were shaky - both literally and in quality.

Overall, my brain told me to drop it, yet my body was clicking to watch the next episode at the same time. I just cannot explain it. I had a lot of fun, even though it made little sense. Maybe that’s why I enjoyed it? All the things I ranted about in the review were actually the reasons why I liked the watch.

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No logic, no cohesiveness, no brain… and I have no self respect for watching this.

When watching this movie, every new revelation made me ask one simple question “why?” - everything about the characters, their relationship and plot progression was so unnatural all I could do was laugh about the piling up cliches.

Alpha male with a soft heart and an innocent kid with a warm nature will give you a second hand embarrassment with every little ridiculous interaction and painful dialogues. Who needs decent writing when you can just throw poorly executed cliches at your audience?

And the ending? I don’t think I would manage to write something similar even on crack. What happened? How high were the characters? How high was the writer? It took me 30 minutes to finish the last 10 minutes. I kept pausing because my brain could not take this level of prolonged idiocy.

Acting wise… I think it’s time for me to leave the delulu land and admit Zee is not really a good actor, he is just good at delivering heart eyes. It truly pains me to say, since I basically wrote an essay about how amazing of an actor with great potential he has 4 years ago. On the other hand NuNew did quite well trying to deliver good performance even though the script made it an impossible task.

Overall, I regret watching it alone. I think this is a perfect title to group watch and joke about all the stuff that makes no sense. The movie truly invites you to rant your heart out.

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"I will go outside to see the world. I will fail and I will suffer!...

...I want to see what I can achieve in the end!"

There is so much to love about this drama. There is also surprisingly a lot I did not, and it only hit me when I got closer to the end.

It’s safe to say this is a perfect drama for all found family trope fans. Watching Li Jian Jian, Ling Xiao and He Zi Qiu support each other under the caring watch of Li Hai Chao was beautifully heartwarming. What amazed me the most was the fact these relationships were not idealized. All characters struggled with many internal and external issues that were well developed and presented. Themes like being scared of being abandoned, or being forced to abandon people you love. The constant feeling you need to act perfect, be perfect, never complain to be worth the support you are getting. That uncomfortable feeling when people who were close to you in the past feel distant in the present. All of these affected their interactions with each other and made the bond that much more meaningful and strong.

Li Jian Jian was such a force of positivity. I know some people disliked her as a teenager, but personally I loved her in all 3 stages of her life. She was adorable as a kid, fun and expressive as a teenager and mature, but still exciting to watch as an adult. She was the person that could be called “home” by many characters and the bond that kept them together.

Ling Xiao was the one who kept his scars hidden the most and it was painful to watch. At times it truly felt as if he gave up on himself - whatever happens, as long as people he cares about are safe. The most passive in response to trauma, the one that kept it all inside. Finding his salvation in Li Jian Jian.

He Zi Qiu who smiled, even if he was crying inside. Fighting his battles alone, not wanting anyone to help, not wanting anyone to pity him. Trying his best not to be a burden, wanting to protect people around him. So caring, so good, so well-natured with such a bright and radiant personality. He became an older brother to all the characters.

And you know what’s the best? The main characters were not the only ones with depth. All the supporting characters had well-defined personalities and individual struggles that were separate from their connections to the main cast. Ming Yue who was limited by her low self-esteem and overbearing mother, Tang Can who felt like she was stuck in place when everyone around her lived their best and successful lives. I loved how Zhuang Bei did not disappear after the high school timeline, how he truly became part of the friend group. Or how Qin Mei Ying was not just a plot device and accessory to Chen Ting.

And then we have the best father in all drama history: Li Hai Chao. He could be used as a gold standard on how to well-integrate adopted children into an already existing family. He made sure everyone felt welcomed without neglecting his own daughter. Being patient was his biggest strength that made all the kids trust him. Putting happiness and well-being over, often meaningless achievements. Purest form of support we all dream about.

Sadly, that’s the end of the short list of the good parents this drama presented, and one of the main issues I had with the show.

Yes, I did like Ling He Ping, but it’s also true that he was a rather neglectful father. Working a lot, not being at home knowing how bad the situation is. Later putting his son in the care of a neighbor.

Not going into details, at some point I found the level and the number of dysfunctional families in this show exhausting and unrealistic. All families have their problems, that’s true. The thing is, Go Ahead does not present your typical issues, it’s all on the level of: you need therapy, these are not disagreement, this is an abuse.

Then we have the issue of vilification of mothers. This one abandoned her child, another did the same. This one is overcontrolling to the point of abuse, this one uses her child to get money. There was literally only one mother without any major issues, who did not mentally torture her child, and she was a mom of the side character. It’s not like the dads were perfect, but their faults were never highlighted as much.

At the same time, the drama gives a rather painful and unhealthy message - no matter what, you cannot give up on your mother, you have to try and make the relationship work, no matter the abuse and how much you are suffering, because it is your mother. Abandoning your child is “a mistake”, but not helping your mother when she struggles is the biggest sin one can commit. Some scenes just made me feel uncomfortable. I know there are some cultural differences and China puts a lot of importance on family bonds and family relations, but there is a big difference between doing your best to fix a relationship with your parents and just accepting abuse for years.

I also feel like the drama unintentionally stigmatizes mental health issues. In some aspects they did a good job, showing how serious are the consequences of emotional abuse, trauma, neglect, stress, pressure etc. The fact it’s not just - I feel sad. How it can affect your daily life, how it will only get worse if you won’t seek help and try to change the situation you are in. On the other hand though, they did blame a lot of toxic and awful behavior on psychological issues. The sad truth is - some people are simply dicks, and they will act like one whenever they struggle with something or not. Some people are just egocentric and selfish and them getting help won’t change that.

My “favorite” part about mental health presentation? Two characters talking about how you cannot get better in just a few months when you struggle with serious psychological issues, while also showing how serious issues were solved in a short period of time without getting into any details on how. All I could do was laugh.

Going back to the good - PERFORMANCES! Personally I believe Zhang Xin Chen and Tu Song Yan stole the show. The strong and beautiful father-son bond these two were able to present was one of the best aspects of the drama. They also had the best overall chemistry with all their co-stars. Whatever these two characters were going through always hit harder and made me feel more compared to when I watched the other characters.

While I enjoyed Tan Song Yun and Song Wei Long for their individual roles, somehow I did not click with their scenes together as their characters became adults. I feel like they had more chemistry playing teenagers. When the three siblings were together, when they had their separate scenes with Zhang Xin Chen, the on-screen chemistry was great, but when it was just the two of them… something was missing.

I don’t really have that much to say about the production value. It was great, but great is kind of a standard now in the industry.

On the other hand, there is a lot to compliment about the soundtrack! There is not one bad song, not one mismatched track - every tune is in perfect harmony with their corresponding scenes. Every song enhances the moments I witnessed, amplifying the emotions.

Overall, I binge watched the whole drama in 6 days, I think that is a greatest proof Go Ahead is an amazing show. It makes you like and care for the characters from episode one, and with each minute you get more and more attached to them and their journey.

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Mediocre male characters that still somehow made the fans fight.

For a drama that on the surface, on paper seems to present many interesting issues, fun plotlines, entertaining characters - this was a massive fail. With all that was technically going on in the drama, the fact that “which male character should the female lead end up with” was the hottest topic among the viewers shows how unengaging everything was.

Here’s the thing, I actually enjoyed it at first. Do Hae Yi was refreshingly bubbly and shameless about her love for money. Her enthusiasm and energy seemed realistic and fun. Loved her interactions with all the characters and was curious about a potential character development and possible change of priorities in her life (or at least some adjustments). For the most part her character was painfully stagnant, just to start hiding things and being less straightforward in the later episodes. They tried to fix that in last few episodes, but it was too little too late.

Characters wise, it felt like a huge waste of initial set up. More or less none of the characters got any development. They started and finished on the same note. We got some small changes of personalities in some side characters, but the mains were completely forgotten. The writers suddenly remembered they should do something about the main cast in the last two episodes, so everything felt rushed.

I knew we would get a typical love triangle, but with the addition of the mystery, I thought this would actually be an interesting watch. How wrong I was. The love triangle was painful to watch, since none of the male leads was that good or interesting. One, while interesting as a character and having quite a well built story around him, had an unhealthy obsession over Hae Yi. The other had the personality of a white wall and no depth, which made him simply uninteresting. Can believe we all had arguments about these basic boys in the comment section. It did have a great set of supporting characters though.

I honestly don’t want to even talk about the mystery aspect. It went from tense unknown, to barely existing, to murder thriller levels of ridiculousness. The culprit was a clown and their reveal made most of the audience question the writers’ choices. I never felt less interested in the “bad guy” reveal and the fact we had to wait so long to get any answers about the motive added to the issue.

An aspect I actually truly loved about the show were female friendships and support. There were no unnecessary catfights, no random jealousy - far more support, understanding and encouraging each other. Especially from Hae Yi and Sun Ja, and Choon Yang and Jin Hee. Honestly, I would not mind if they put more focus and gave more screen time for the mothers.

On a completely subjective note, one of my side ships failed and it made me sad. The potential behind that couple was amazing, and it was dropped for the more obvious and less complex one.

I did enjoy Han Ji Hyun’s performance. She was the only memorable part of the show. Making such an exciting, hype and enthusiastic character still feel realistic and not cartoonish couldn’t be an easy job, but she was able to achieve a believable result. Yes, the character was annoying in the second half, but that’s on the writing not the acting.

Another performance that caught my attention was Baek Ji Won as Hwang Jin Hee - Sun Ho’s mom. Her comedic addition had an underlying sadness and desperation to it, and I loved that this complexity was shown even in the limited screen time.

As for Bae In Hyuk - oh boy. I feel bad for him. He is not a bad actor, but anyone who watched Cheer Up would probably assume he is. I honestly believe the issue was the writing of Jungwoo and not the acting itself. Portraying a character that is so poorly written is just extremely hard.

Production value was high, but what’s the point when the story was not?

Overall, the show did not really deliver the cheers, nor the romance, nor the mystery. The friendship between Do Hae Yi and Joo Sun Ja was amazing and one of the limited saving graces of the show.

The show just left me frustrated. It had great potential to be a fun, light teen drama about coming of age, building friendship, learning how to give and receive help. How to believe in yourself, but also believe in people around you. And yet they wasted a good 80% of the time on useless, boring love triangles and mess of a bullshit mystery.

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Romantic comedy fitting XXI century standards.

Not having much inside on how sub-dom relationships work, I cannot comment on the accuracy of the depiction, but I can for sure say the movie does an amazing job in presenting it in a positive light. The word best describing the movie is: consent. Everything that happens is the result of mutual agreement that focuses on the preferences and needs of both sides.

What’s more, while the movie presents Jung Ji Hoo as someone with, to call it broadly, issues, it flips the expectations the audience might have. It shows how the problems he faced were not the reason he sought that type of preference, but rather the judgment, he faced because of his preferences made him doubt himself. From the start, there was nothing wrong with him, but rather the society that puts unreasonable expectations and limits on everyone’s freedom of expression.

The thing that made me appreciate the movie more was the fact it never centered around sex itself. Focusing on other aspects of the relationship, with explanatory narration was a great choice.

Honestly speaking, the movie was just adorable. Watching Ji Woo and Ji Hoon try to figure out themselves, their preferences, but also work it out within their relationship was just an entertaining journey. I feel like there was a level of innocence presented on screen that will surprise many viewers.

The cast did an amazing job. There was only one scene that got me “this is just too scripted and unnatural for me to ignore” because of Lee Suk Hyeong’s delivery and the weird timing of the scene itself.

Production wise, I could not ask for more, though I might have asked for less. For me, some of the special effects were unnecessary. That said, they did not really lower my enjoyment of the movie.

Overall, it does a good job in presenting sub-dom relationship in a new light, that shows the more realistic and broad perception of it, without only focusing on the sexual aspects of it. It serves as a good criticism of the standards society creates, that serve no one and often hurt us. I would truly recommend it to all the 16+ audiences for sure.

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Countless misfortunes with Disney solutions.

Idol: The Coup opens with quite refreshing, more accurate depiction of idols and the Korean music industry as a whole, but ends on an over the top, makjang note. And yet, I truly loved the show. Somehow, it convinced me to ignore all the flaws and only focus on the true entertainment and emotional connection I have made with the characters. And for that, I am thankful.

The drama tells the story of Cotton Candy, who are deemed as "'망돌(망한 아이돌)” (mangdol - failed idol). Both the company and the members themselves gave up on trying to succeed, with Jenna, the driven leader, being the last person who still tries her best to make the team overcome the issues and survive in the industry.

Each member has her own traumas, hardships and obstacles they need to face, and as the drama progresses they learn how to trust each other again, how to work as a team, protect and support each other.

Idol: The Coup truly takes the viewers on a whole journey of “hate to love”. At first, you might despise the majority of the characters, just to end up loving them and rooting for them by the end of the show.

It’s also the first drama with an idol driven plot, where the songs are truly good, and something I could see in a music show. Both, the songs that are suppose to be part of the fictional groups’ discographies, and the songs that were only used as a soundtrack easily found a place on my playlist, with few favorites being: “Home”, “Honest”, “You Can Cry”, “Fly Up”, “Pray” and “Remember Me”.

It would be a crime to write this review and not mention the amazing chemistry between Jenna and Jae Hyuk. This dynamic was extremely entertaining to watch. While at first it might seem that Jae Hyuk holds all the power, each disagreement they had, leaves the viewer thinking he was the one who lost and was more affected by it. It became a battle of wits and determination, over one character just abusing another.

The acting was not outstanding, with some idols struggling to connect to the emotions and truly deliver the lines in a natural manner (I’m looking at you Kim Min Kyu and EXY), but overall, none of the performances were truly cringeworthy, and the few miss-deliveries became a charm of the show too. Maybe I am biased, maybe I just convinced myself to love even the bad aspects of the drama, but at the end of the day, does it matter? It was a fun watch, whenever it had or had not had any issues.

That said,

If you want to watch idol romance, this ain’t that. While the female and male leads have amazing chemistry, and many viewers wished to see some kind of feelings spark between them, it never crosses the line of hints and future possibilities.

If you want to see a realistic portrayal of idols’ life, this ain’t that. While the first 3-4 episodes did a good job showcasing the struggles “failed” idols might face and the industry trend to see the idols as replaceable assets and not human beings, at some point, the amount of tragedies happening to Cotton Candy reached a ridiculous number. The solutions were coming out of nowhere, just as the problems were showing up with little explanations, and at times, as complete contradictions to what already was established in the drama. That said, the issues themselves were not unrealistic, but rather the fact they all happened to this one group in such a short period of time.

If you want a wholesome drama with nice characters you can root for from the beginning till the end, this ain’t that. There were moments when I wanted the group to disband, there were moments when I totally understood why they were failed idols and maybe they should not work as a team. I went from “let them disband”, through “I’m an ot4 stan”, to “I don’t care if it will make no sense, these babies need a happy ending”. The characters are truly flawed, but you might end up loving them despite their shortcomings.

Overall, what a ride it was. Idol: The Coup has countless flaws, and yet it made so many viewers enjoy it and get excited for more episodes. The idea of one hour and thirty minutes long episodes scared me, but when they went down to just one hour, I was truly disappointed. Each episode made me want to see more, and wish for just a few more minutes of the content. I got addicted to this soft idol makjang with fun, but frustrating characters, over the top tragedies and Disney solutions.

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Truth to be told, it's just a sweet romance between a guy who has confidence and self esteem level -100 and a “perfect” dude that, in fact, is just a human and doesn’t know how to approach the baby. But somehow, it’s more than that…

Adachi does not see much value in himself. He compliments and admires other characters' traits he himself also has. He is smart, nice, polite and hardworking, but if you asked him, he would deny it. With his newly discovered magic powers of reading minds (who knew getting bitten by a radioactive spider is outdated, and staying a virgin is a new way of gaining that superhero title), he slowly, but steadily starts to see how others view him as a worker, friend, or love interest. It’s quite interesting to see how, only by internally being faced with others unfiltered thoughts, Adachi gains the courage and confidence.

Kurosawa, damn boi. The wrinkles killed me. You are reading a review written by a ghost. That smile could stop a war. Not gonna lie though, I did find him creepy at first. But when you accept the fact we also say a lot of over the top and weird shit in our minds, to never be spoken out loud, he is kind of relatable. I truly appreciated how, even though he truly liked Adachi, he didn’t want to force anything on him. He was fine with just being his friend and supporting him. He also struggled with some internal issues that are a focus of one episode. Thanks to that, we can see him in a different light, that makes him that more charming.

I wasn’t crazy about the 2nd couple. Wataya Minato looks 16 at best and Tsuge Masato looks older than any other character (though we know he is 30). The comical and over the top behavior just didn’t click right with me. Not to say Asaka Kodai is a bad actor, he aced that over the top act. It’s just not something that I enjoy in shows.

The acting overall was top notch. Akaso Eiji truly portrayed the confused and low self esteem Adachi well, and love was literally radiating from my screen every time Machida Keita showed up. His facial expressions were so on point, I had to rewatch many scenes, just because I was so amazed by his skill.

The show itself is more than just a rom-com. It touches on issues like self love and self esteem, prejudices, standards forced by society that some might not want to follow and the idea of following and giving up on your dreams.

Why not 10? I have to say, the last episode was quite disappointing. I felt like the events that happened in episode 11 were barely addressed, the explanations given were just easy ways out of the complex situation. Not to mention the last scene, that should just not exist in the first place. It just showed the limits of what actors could have done, set either by themselves or their agencies.

Overall, it was an extremely good watch. I went crazy over Kurosawa because he is the best boi on the planet and I would fight anyone on that. No doubt I will rewatch the series (I’m writing it as if I haven’t rewatch all the eps every week already) and enjoy everyone’s performance.

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10 stories for 120 minutes of screen time. Roughly 12 minutes per story. Not enough. I understand that these are suppose to be a short formal, creepy past like tales, but the 15 minutes format should be the minimum. You need time to built at least a hint of a tension.

Tunnel ★☆☆☆☆
The first short story ended, before it even started. It's hard to have any meaningful opinion or thoughts about it with how short it was. Sure, there was one nice semi-gory picture created closer to the end, but overall - too short to create the atmosphere or to deliver the scares.

The Woman in Red ★☆☆☆☆
Revengeful ghost and vague insinuation on why she even mad. What stood out in this short? Bad acting and bad special effects. When the ghost started to do Spiderman impersonation, I lost it.

Tooth Worms ★★★☆☆
I knew this is going to be a ride the moment they opened it with the perspective of being in someone's mouth as they get check up by hot dentist Hoya. I'm not sure how scary it was, but it did make me feel extremely uncomfortable. Acting wise - Hoya delivered!

Necromancy ★★☆☆☆
This story was more of what I was expecting to see when I started Seoul Ghost Stories - typical creepy pasta type of a deal, with decent effects for a short like that. the acting was also fine.

The Wall ★★★☆☆
That was a short, fun and wacky story. A unique love line if anyone asks me.

The Closet ★★★☆☆
This is scary because of the more realistic scenario. I do wish they were a little bit more clear if there was any supernatural involvement, but nevertheless, this still gave me the most creeps. A bit exaggerated, but something that could potentially happen.

Ghost Marriage ★☆☆☆☆
When horror stories deliver shower abs scenes - I cannot force myself to complain. Sadly, that was the best part of the story.

The Girl in the Mirror ★☆☆☆☆
When you are hunted by the horror snapshot filters, even outside of the app. That's the story. Yes, it's as boring as it sounds.

The Mannequin ★★★☆☆
This was a win. They were able to built quite a tension in just few minutes and the design for the mannequin was extremely good. It just looked so weird and uncanny - and the movement. I would pee my pants if I ever come across something like that.

Escape Games ★★★☆☆
I'm impressed with Alexa's acting (funny how her Korean line delivery was more natural than the English one) and the props aka the bodies. Good stuff. Probably best practical and special effects from all the stories. The concept was not exactly unique - Escape Room meets occultists. Still, a fun watch. Better than majority of the stories in this compilation.

The starts next to the title will tell you how good they are compared to each other, rather than overall quality.

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Horny zombies? Did we really need this movie to exist?

When I started the movie, I was ready to keep my finger on the skip button. I read so many people talking about how explicit it is. Even though I am not easily fazed, better safe than sorry. I also got my drink ready… And oh boy I needed that drink double strong to survive this.

This is basically a torture porn here to only deliver shock value content. I don’t know what the movie is supposed to be? It’s not the case of people just losing control over the primal urges, because violence is not one of them. We are literally wired as social creatures by nature. So while the zombies were not brainless, they were still zombies with little to no agency since the virus turned them into violence seeking assholes. So it’s not like an amazingly fresh take on zombies…

The only thing the movie has to offer is gore and, for some twisted people, content fitting their rape fantasis. Some of the gore was gross, some was so ridiculous I actually laughed out loud. One dude lost the amount of blood that no human can possess in their body. There is literally nothing worse than a movie that is both gross AND dumb. I gave up everything when the female lead just sat down in the staircase chilling and also took her shoes off. SHE TOOK HER SHOES OFF DURING ZOMBIE APOCALYPSE.

I give half a point for the acting and half the point for some gore. That’s it. There is no plot, some violence scenes are painfully dumb, all rape scenes are gross. This movie literally serves nothing worth watching.

I want to be clear though, I have no issue with excessive violence in movies, but it has to serve a purpose. Violence for violence is just boring. When the credits rolled I am sure I just looked like a disappointed parent, when your child acts so stupid you have hardly anything to say and just leave the room.

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