Reviews

Have you ever built a sandcastle at the beach? Perhaps you spent hours under the warm sun, carefully sculpting each fine grain with the precision of an architect. Up came the walls, the keep, the towers; your ambitious fingertips caressed open windows, kissed detail into the facade. When your labors ceased, there stood a work of art (now beautiful, a thing to be admired) where once was but formless sand. At that time, did you know your lovely castle was destined to crumble? That soon, the ocean must exert its endless force and by rolling waves down would come the towers, down the keep, down the walls. Gone again would be your castle, returned to wind-battered shore.

Suna no Utsuwa (Vessel of Sand) spins a tale of unavoidable fate, embodying this sort of transient beauty with dark resonance. We follow pianist Waga Eiryo, a secretive man running from his past…and the cruel destiny he believes might also shape his future. Just when it appears he has shed both, a face from his troubled childhood resurfaces to torment him once again. One moment lost to passion and a sharp shove is all it takes—in rush the waves ready to destroy his new life. So begins our tale of murder and mystery, tragedy and deception, of happiness which crumbles like so much sand.

This series will haunt me for a long time to come. Understated as it is, Suna no Utsuwa nonetheless delivers an elegant atmosphere with serious impact. Each of its elements folds together with an artistic flourish that must be marveled at. In all my experience with Asian television, no other example has so impressed me with its visual beauty—what stunning cinematography and evocative scene composition! Time has not diminished one bit of the vibrant aesthetic. All one could further wish for are stirring themes, unique plots, and powerful performances; here one receives all three and more besides.

Our mystery is unveiled via a masterful combination of fragile character interactions and clever police investigation. Do not expect any resemblance to your regular detective drama. As powerfully constructed as the puzzle is, this is not a crime series but a character study. No guessing remains to be done; viewers are meant to witness the desperate battle of a man against fate. Who is Waga Eiryo and why? I loved how the two story aspects were tied together, often serving to create parallels between pianist and detective. One example may be seen in the counterpoint between interrogation sessions and those featuring musical composition/performance sequences. Please also note the tremendous ending undertaken over two episodes. The result left me trembling with so much emotion it was difficult to properly compile this review.

An idol was asked to play Waga Eiryo: SMAP’s Nakai Masahiro. Could anyone have better portrayed this extremely complex figure? Not on your life. Nakai-san’s excellence begins with the eyes; his are large and dark with suspicion, the sort which might remind one of a hunted animal. For the most part Waga sinks beneath an icy facade, a disdainful and haughty mask. But as Suna no Utsuwa continues, this mask chips away piece by piece. We are made confidants of his vulnerability and fear, tenderness and anguish. Undoubtedly the role of a lifetime, Nakai strikes every chord without stumbling. Next is incomparable Ken Watanabe, an utter gift to the small screen. He presents Imanishi with gentle normalcy, a believable brilliance stemming from hard work and consideration rather than trumped up genius. If only we could see such effortless acting in dramas more often! Let us not forget the wonderful Matsuyuki Yasuko either. Her Naruse is the clinch-pin of fate for Waga Eiryo, and few actresses could sell it as well as she did. No matter what the role, Matsuyuki-san’s passionate beauty and exquisite expressions must always be appreciated.

But above all else, music is where Suna no Utsuwa most excels. Just as it offers visual delights, this drama must be nothing if not pure auditory bliss. Not one track has been left awkward or misplaced by the passage of years. Some masterful touch seems laid on the compositions, which are so crucial in elevating scenes and construction of emotional atmosphere. Most memorable must be what is represented as Waga Eiryo’s devastating magnum opus, “Shukumei,” an embodiment of the fate he longs to escape. Also exceptional is the romantic vocal theme in “Yasashii Kisu no Shite (Kiss Me Gently)” provided by Dreams Come True. The first to catch my ear, however, is the choral piece played only at pivotal moments; if you want goose bumps, this one should do the trick.

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Harbin is the historical fictional retelling of the assassination of Japanese Resident-General Itō Hirobumi and the events that led to it. Told from the perspective of An Jung Geun, one of the activists in Korean Independence army, the movie depicts a chain of events that led to the planning of the assassination. The film features themes of war, espionage, and political plotting. That being said, the first half was boring. It struggles with pacing issues, bogged down by way too many characters who fail to leave a lasting impression despite the star-studded cast. It's filled with boring scenes of men discussing, planning, and excessively smoking in a dark room. This slow buildup feels tedious, making it difficult to invest in the story or its players.

The second half becomes more thrilling as the plan to assassinate General Ito comes into fruition. It is packed with more action and suspense. There's a race against time to reach the general, while Japanese soldiers are riding on their coattails. One thing I loved is how they depicted the inner conflict of one of the characters. The film takes a nuanced approach to representing certain historical figures. General Itō Hirobumi is depicted as a complex individual rather than a one-dimensional villain. The movie even managed to mention some of his accomplishments. In contrast, the Japanese Army is depicted as cruel, inhumane, and barbaric.

The climax was intense. There was great use of sound editing and mixing to capture the thrill and suspense of the moment. Overall, this patriotic film is a great one time watch. I don't think I'll be watching again unless I'm a huge fan of war or historical films.

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Not bad. Not great, but not bad.

There are a lot of good things about this - the acting is solid, especially from Hsiao Hung, who throws himself 110% into the role. His character can be a little OTT, but he pulls it off, and he has really good comic timing.

The story and writing are not the strongest aspect of this - it leans way, way too heavily on misunderstanding, which is a particular crutch of Asian drama. Shang Zhou's emotional constipation is well-supported, and it's clear his character was formed by an unloving mother, so I did buy that, but it's carried too far - there is a situation in particular that could have been solved by a "yes" or even a subtle nod of his head, and Shun Yu's misunderstanding of the situation is less explainable and comes off as forced drama.

This works well as a comedy, but the problem is that it veers to heavily into drama, which is tonally dissonant and none of the drama is sufficiently supported.

What might have worked better is to have made the mother a more central villain, and made her the obstacle that had to be overcome, rather than really stupid misunderstandings. That would aslo have made Shun Yu's "boss moment" in the final confrontation with her much more satisfying. It was very well-acted, and it was quite a moment to see him finally become confident in love, but if there had been more of a development arc to that point it would have had a larger payoff.

The interaction between the two as a couple at the end was some of the best I've ever seen in a BL, with both of them acting like men, and not shying away from affection, There's no sex, but the way they hug and touch each other is uninhibited and convincing.

I really hope to see Hsiao Hung again - he's really talented, not to mention beautiful and hot. That skin is like porcelain.

Anyway, there is a lot of frustration in the second half, but the payoff in the finale is quite good, so I can recommend this, although there are some parts you might want to ff through.

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So firstly i apologize for my bad english. :)

I really waited so long for this movie and my expectations were really high. I watched some mature movies so far but this one is really awesome I like how it doesn't revolve all about sex but there is a romance involved and you see how the main roles are upset about their partners and both are heartbroken.

The Main roles Ji Seung and Kim Ah Joong are really great(I don't know if it because i love Ji Seung :P but the acting was really good haha ) and the chemsitry between them is really good and Kim Sung Oh is just way too funny seriously.. :D :D

I don't want to spoil so if you're looking for a movie who bursts you out into laughs and is romantic the same time with some more mature scenes than this movie is just perfect for you.

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Tempering Man-Made Insanity With Calm Acceptance and A Belief of Inner Goodness

- Positives -
❤️ Visually stunning cinematography
❤️ Strong ost evoking deep emotion
❤️ FL that can admit that a past life action doesn't deserve current life punishment

- Negatives -
😮‍💨 Story plotlines are thin and often leave the audience to fill in the gaps themselves
😮‍💨 More than one of the antagonists are underdeveloped, serving as a plot device rather than a character

- Description -
With a visually stunning and emotionally graphic first episode, this show sets the stage for a tale of twisted insanity under the belief it's love. While little time is actually spent in this first life, it leaves an impression of shock upon the viewer and a lingering question of how the rebirth will play out after our female lead has experienced what she has.

If there is a true negative it may be that the opening scenes and a few minor additional flashbacks are the extent of the knowledge gained about the first life. This causes a perpetual question to be raised about whether the female lead had ANY feelings for the male lead in the original life. It is because of this lack of clarity that there becomes a disconnect in the second life towards why she would suddenly soften 'simply' because he is acting 'less' insane in this new life.

As such, when watching two emotions will be at war depending upon how you view the original events:
1) Being swept away by the romance presented on the screen as it is shown developing at surface level
- or -
2) Being annoyed or angry the female lead went 'soft' on the male lead and 'fell' for him.

Because the show is marketed as a romance, she notices differences AND similarities in him as compared to the original life and utilizes her knowledge to her advantage so that she can work towards calming his mind BEFORE it reaches the point of full insanity. Due to this, one of the more frustrating aspects ends up being that in the second act she is relegated to a more passive role. Gone is her ability to go anywhere or do anything proactive so her scenes take place when he returns to speak with her.

Ultimately, the person who will enjoy this most is one who doesn't 'mind' the brutality the male lead used against the female lead. Likewise, being able to turn off 'some' of your brain is required because of the narrative structure demanding a bit of "just go with it". Finally, being okay with a lack of details and being required to fill the dots yourself is extremely helpful.

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Better Sorry Than Safe

First of all, this season is a standalone without the need to watch the first one. The cast is completely different and any past references don't really affect the storyline in any way.

As for the series itself, it actually started on the right foot with an interesting setup. The writing was careful and the characters promising, but after a point the narrative wasn't handled well and felt inconsistent. Storylines were introduced to either not commit to them or get overlooked in favour of cute or hot moments between the established pairings, instead of exploring the inner conflicts of each character that would build the drama and flesh them out both individually and as couples, resulting to incomplete characterization and a lukewarm payoff. The sole exception was Dean, who was the most multilayered and authentic character. The show delved deep into both his good and bad traits, making him feel more human and ultimately the easiest to connect with.

Acting-wise, the series was very good. The cast was consisted of talented actors that delivered their roles as best as they could, but I will give a little more credit to Mix, who managed to shine in so many ways with his performance and delivered some really beautiful and demanding scenes throughout the series.

Musically, I generally liked the song choices, but they were either a hit or miss and that affected the vibe of some scenes in a negative way.

Overall, I recommend this series to those who weren't fans of the stressful aspect of the first season, since this one is much milder in comparison. I'd also recommend it to fans of the first season if they are interested in watching something different. This season follows a different writing logic and has its own style, but it's still enjoyable enough to be worth giving a chance.

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I love stories with Sign Language. I think it is a beautiful form of communication. I tried to find books to learn it, but there are so many  (American, British, Spanish, Mexican) so I am not sure which one to  get. Anyway, I strongly recommend this dorama to people who watched/read "Koe no Katachi" and loved it. The big difference is that this story is not in school, but the adult life of a deaf girl. How she starts to be part of the society (by working), how she meets her future husband, how other people who meet her starts to learn Sign Language. How hard for her is to become a mother, to be married, etc. The story is  simple, yet beautiful. I shed many tears while watching it, and it is not because it is a sad story. No, it is simply because there are certain scenes that were too emotional. Like when her future-mother-in-law comes to Mieko's house to ask her to please not marry her son. Like the speech Mieko's daughter gives at school, both  out loud and with signs. And all the times someone talks to her (thru  signs) for the first time: Hirofumi, his mother, the doctor, etc. It was so poignant every time someone tried their best to talk to her.Kanno Miho is the sweetest girl and best fit for this role. She cries many times throughout the 5 episodes, but they all were understandable. Since she is deaf, she has little confidence in herself, and for every mistake or hardship that brings her deafness to the people she loves, she blames  herself. Thank Godness she marries the most patient and sweetest guy on  Earth. Besides her, I loved, LOVED the mothers: her mother and  her mother-in-law. Strong women who loved Mieko, and some time later,  their granddaughter. My favorite episodes were 1, 2 and 3. I have watched Episode 1 twice (I finished this a couple of days ago, and  rewatched Ep. 1 yesterday). There are only 5 episodes, 1 hour and 30  minutes long. First episode is from 1997, 2nd from 1998, 3rd from 1999,  4th from 2000 and the last one from 2001. Like most people, I prefer to watch recent dorama, but it is for the quality of the video only. In regards to story, oldies are better: they are simpler, they are sweeter.  Romance is much better without cellphones and other technologies. For  example, in this dorama, there are no cellphones, so Mieko and Hirofumi  send each other faxes to talk at night. Isn't that cute? The song "I just called to say I love you" fit the dorama perfectly. Beautiful story, totally recommended!

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an indie mini series done right

Overall: I enjoyed how this was centered on the main leads (no love triangles/cliche female characters/random side plots). 7 episodes about 10 minutes each. Aired on GND Studio YouTube channel https://youtube.com/playlist?list=PL-UjFgW8TJEcVMXRV63uoHXg7rXv7mwll&si=9uCOLI4bRiXQRyBd

Content Warning: non con touching

What I Liked
- centered on the 2 leads
- made me chuckle a few times
- good way to show time passing
- realistic way to show a character was queer
- protagonists apologized
- good kissing (that last kiss was awesome)
- production value

Room For Improvement
- started with a flash forward
- with such short episodes, they should have released at least 2 per week
- a continuity error with hand placement when the one guy was reading the comic
- the not respecting boundaries/acting a little too carefree (it made a little more sense with the revelation in the final episode but the other character didn't know that earlier)
- odd that they camera blocked the cheek kiss
- episode 6 could have been better spent instead of the jealousy stuff
- cliche end of episode 4 plot point (had plenty of time to explain)

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Today is a good day to die.

Xu Tian, the young scion of a wealthy Southeast Asian family, is on his way to Shanghai to meet his fiancee for the first time. Set in 1930, his journey takes him from Guangdong through Jiangxi and Zhejiang; lawless territory controlled by local warlords. This is a road drama where the journey is an analogy for Xu Tian's personal growth and how this perilous trip makes a man of him. He is aided and inspired by five eccentric jianghu characters - a hot-blooded revolutionary, an idealistic warlord in a gilded cage, a romantic gambler, a passive aggressive doctor and a bourgeois wheeler and dealer. As they cut a bloody path to Shanghai, Xu Tian learns that actions have consequences; to live in the moment; that luck can change; that family must be protected and that money can buy access to all sorts of people and things.

This is the fist time I have seen a Chinese drama attempt this kind of bizarre, absurd and violent black comedy where a small event, in this case a purloined wallet spirals out of control and snowballs into a series of violent, unpredictible and bloody encounters. All of Xu Tian's companions along the way have distinctive personalities and temperaments that make them the main character in their own stories. They are wierd, flawed, obssessive characters that are at surface triggered by bizzare and seemingly trivial events that are actually profound and hopelessly romantic upon deeper reflection. When triggered, they become raging bloodthirsty lunatics with a "today is a good day to die" kind of reckless fearlessness and determination. The ethos and irony is captured and diffused by the crisp, darkly comedic dialogue that builds both anticipation and fear as the story careens down a volatile and unpredictible path.

This cast list is like the who's who of top Chinese actors, starting with Liao Fan as Lao Sun. His opening arc is the one that made me experience shock, awe, rage and sorrow at man's reckless, absurd, obstinacy and obsessiveness. This was a tough act to follow and Zhang Luyi fumbles a bit in his portrayal of Yu Yixiu, who is by design a fascinating paradoxically powerful and helpless character. Thus the second arc sags somewhat but gets shored up somewhat by Wu Xiaoliang's short and moving portrayal of the lovestruck gambling addict. The drama gallops on to a thrilling finish when Zhang Yi's obsequious, passive aggresive doctor teams up with Tian Yu's explosive, trigger happy capitalist for the final showdown. I also have much praise for Zhang Jingwei's fanatically dogged Ma Tianfang, Song Hanhuan's mercilessly ambitious Wu Da and Qiu Tian's passionately misguided Jia Ruo Lan.

Unfortunately the cast's impeccable performances all around is weighed down by the leading role, Dong Zijian's Xu Tian. He is an excellent actor but this was a big step down from his other works. Maybe he was simply out classed by the stellar cast but I think more likely, he was just mis-cast in this role. I didn't like his Xu Tian at all and was not moved by and did not empathize with the character. If the journey made him smarter or stronger, it did not come across; he just seemed just as belligerent, more vicious and just as obdurate. I frankly didn't care whether or not he made it to Shanghai and couldn't believe so many risked all to help him along the way. I even cared more for the petty villains and the poor bystanders that were collateral damage than I did for Xu Tian. This drama made me laugh as hard as I cried and I was unbecomingly thrilled by every dark, sick, ironic twist the narrative took. But when I can barely root for the main character over the villain, I must only rate this an 8.5/10.0. That said, it is still a mind-blowing and incredible adventure, especially if you like dark comedy.

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Like a breath of fresh air, beautiful coming of age story....and yes, absolutely worth the hype

This is so pretty, and refreshingly unpretentious, with a storytelling that feels almost lyrical...the tension and anticipation all through, for the 'dam to break' is plain beautiful,....and then when it finally overflows, it's so damn satisfying

BL-needle Score: 8.5. High BL-ness

They got most things right in this one, an arresting story and script (even though nothing new), stunning locales, beautiful cinematography, great editing, and acting.....I also loved the way they use euphemisms and symbols to depict the hurdles of a queer life and the unrelenting gaze of the disapproving society all around....

The elder brother and his constant attempts to drive a wedge and keep his friend and brother at a arm's length, strikes a raw nerve with me....reminding me of all those family and friends who go out of their way to try 'control' and suppress queer lives in the name of 'all for your good'.....even when well-intentioned, it is an absolute abuse of power and privileges

The story is one that most queer individuals will identify with.....about how queer people are afraid to live their authentic lives, how expressing and living even the most obvious and commonplace emotions feel like a huge hurdle...and how almost everybody around seem hell bent on keeping up the 'make-believe' given their own insecurities and an absolute lack of understanding and empathy.......but that kiss and the 'dam-break' at the very end, was like a befitting reply to all of that ....felt so effing good......

To me the recurrent visuals of two lychees, the sudden rains, and shaking of the water-laden trees seemed to symbolise the queer gaze, resisting inertia, shaking up the 'status quo' and refusal to 'do the expected'...

Update: They are releasing short Special Episodes now...treating us to the delight of everyday cute life of Chen Li and Xhiaozhi.....it gives off such a comforting and purr-y vibe..sigh..this is beyond cute... I just raised the score to 9

Definitely recommended.

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Romancing the last Ancient God

This is likely my shortest review with no spoiler. JUST GO WATCH IT, this is really worth it!! It has good humour, great chemistry, al the casts’ acting are top notch, fight scenes and CGI are nicely choreographed, great BGM and beautiful scenery.
I started this because of Lin Geng Xin and Zhao LiYing, after their cliff hanging ending (of this CP in Princess Agent), I am curious about their second time partnership in a XianXia drama. And I am not disappointed, very satisfied except can’t help still feeling mild awkwardness in this CP’s kiss scenes. But their scenes together are really natural.

After I started this drama, especially the first few ep., the great comedic moments and storyline got me so interested that I finished the novel in two days.

This is a very BEAUTIFULLY adapted story from its novel, it stayed true to the characters and storytelling with very minimal changes. The best XianXia for me so far in 2024!
The actors were all well casts including the supporting casts, all are fantastic in their roles. Especially for ZLY and LGX, they ace their roles! The fights scenes, cinematography were exhilarating and some of scenery were so beautiful. Both the humor and romance were well paced. Great BGM during fights and emotional scenes. My only complaints is there are too many flashbacks scenes, a little repetitive. But I am overall so very satisfied and very much enjoyed this drama. Kudos to the team!

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Since the second Infernal Affairs is practically a prequel; this is the official sequel of the first Infernal Affairs. Some would call it stretching but I raher consider it taking the story from different angles.

The first film felt complete but that didn’t stop producers from creating back stories as well as future presumptions and inserting other characters in both Infernal Affairs II and III to make everything sound finalized and perfectionist. Maybe that’s overdoing it but I still wouldn’t consider it wrong.

Infernal Affairs III picks up after the first movie; it shows the life of the remaining character after the last outcome of Infernal Affairs but that doesn’t deny the fact that the first movie’s characters were back in flashbacks to tell a different back story that felt more spiritual than twisted. What makes the matter more complicated that the search for moles inside the police isn’t over yet. This time around, it’s two cops tailing each other in the most twisted suspenseful way.

The screenwriting didn’t lose its touch; it managed to bring great Suspense/Thriller moments even with flashbacks and past moments. Of course, the flashbacks I am talking about aren’t extracted from the two previous movies; they’re specifically made for Infernal Affairs III to give it more depth and a proper back story for the few new characters introduced in this movie. The plot was interesting to follow even if it wasn’t twisty as the first two movies.

As Tony Leung, Andy Lau came back to lead this movie (unlike the second Infernal Affairs), the acting department felt extremely satisfying and with the addition of Lai Leon, it felt like perfection when watching those three around. Of course, Anthony Wong and Eric Tsang are like pepper and salt for the Infernal Affairs trilogy.

The characters’ development was quite appreciated; Ming was really twisted with a pretty convincing turns in here; I was quite surprised by the last twist for his character. The new characters added a great taste to this movie especially Yeung who made me suspect him and sympathize with him at the same time. I think that’s the strength point of both Infernal Affairs II and III; the screenwriters added intriguing characters who don’t allow you to complain about the pacing and characters’ conflict after the outcome of the first Infernal Affairs. What I didn’t appreciate was the somewhat forced addition of Yeung’s character in the past stories when it’s obvious that he wasn’t even mentioned once in the past two movies. Also giving Dr. Lee a bigger role in this movie was unnecessary in my opinion.

Infernal Affairs III is worth the watch if you saw the other two but you can also watch it right after the first movie without looking into the second one since the latter isn’t related to this film’s plot in any way.

Watching the Infernal Affairs trilogy back to back as I did was one of the best things to do when you want to watch all the sequels but watching Infernal Affairs only like many others did isn’t the wrong thing to do but you will be missing two of the better characters’ addition: Hau and Yeung. That’s why I still recommend it as a trilogy.

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As a person who loved the original this version did a good job adapting this drama. This drama probably has the worse second male lead syndrome. As I try to wrap my head over why the FL picked the ML still hurts. In most dramas I could always find a reason to pick the ML over the SML but in this specific drama it's hard, for both this version and the korean version. When comparing the two versions, each one had their own strong points. I think the original will always be more satisfying and chilling. Kim Sohyun really delivered. Plus the korean ost just gives goosebumps. On the other hand, I liked Gun and Krist's interpretation of the characters more. Nam Joohyuk was a rather dull and boring character, I honestly don't remember him doing much in the drama. While Krist is also quite dull I feel like in the Thai version we get a more in-depth look into Natee's character. My absolute favorite is Gun, he did so well playing a troubled kid. Sungjae and Kay's portrayal of the character were quite different. Gun made me love his character even more. It's sad that the first person he opened up to (Mild) didn't pick him. In the perfect world, Mild would pick Gun and Natee and Mean would end up together. Gun was always there for her and they went through so much together. Gun loved Mild for Mild while Natee fell for Mild thinking she was Mean. Idc what anyone says about Natee falling for the real Mild because he loved Mean first and he continued loving Mild while thinking shes's the real Mean, Natee getting a sweet and nice Mean was just a plus for him. Gun on the other hand noticed the difference and loved only Mild. In my opinion Natee should've ended up with Mean because that's who he loved and the one who helped and gave him hope in life. In the Thai version it didn't seem like Mean liked Natee but in the original you can't deny that Eunbyul did have feelings for Yian.

Overall, I still prefer the korean version but I admit the Thai isn't that bad.

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An extremely satisfying watch

This one was pure cuteness with a dash sexiness.
The main couple was on fire, so there are lots of PDA, kisses and love quotes.

The dialogs were super funny and the story doesn't go on the angst route, so the obstacles the couple go through are no the typical ones like miscommunication os a crazy ex.

I really liked the FL, she was super down to earth and a totally go-getter, which is cool to watch. She is no damsel in distress, but the ML still is a knight in shining armor, so it's interesting to see them finding a balance in their relationship.

You kind of get the mature side of a couple, so it's a bit different from the "after they get together it's boring " kinda of drama. You stay because the script is nice and their acting is great.

I enjoyed it very much and it's definitely a fluffy romantic watch!

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