Reviews

ENEMIES TO FAKE DATING TO LOVERS!!!

I LOVED THIS DRAMA SO SO SO SO MUCH!!!!

It literally felt like I was reading a contemporary romance book, down to the tropes and everything. The enemies to fake dating to lovers is gonna hit every single time!!! Everything about this drama was chef's kiss. It was the perfect mixture of comedy and romance... you can't help but fall in love with the characters. I also couldn't take them seriously because they were so outrageously hilarious. The banter / discourse between the opposing viewpoints of men and women was refreshing. I found myself thinking wow that's really how men view women and vice versa.

Mi Ran has my entire heart!!! We love a badass heroine who puts men in their place. I adored how Kang Ho balanced her out perfectly. It's like both of them finally met their match and sparks just flew – LITERALLY. The chemistry between them was off the chartsssssss.

I also loved the second lead couple, they were cute... when they got together I'm sure we all screamed FINALLY. His pretty woman moment was so adorable fr!!!

I would recommend this to friends because it was so light hearted and easy to watch / binge in one day. If you are in a drama slump this drama is for you. You literally feel the episodes fly by so quickly one minute your at episode 1 and the next you're at episode 10. Now that I'm finished I am thinking of watching it again.

I gave it an 8.5 out of 10 simply because I felt like I needed more, the episodes were super fast paced which was good at first especially if you have a short attention span like me, but...I felt like they wrapped up the drama so quickly between episodes 9 and 10 especially. The third act conflict just jumped out of nowhere fr after the leads were having such a great time in love and being together which was kind of sad and unnecessary imo.

Either way it's a drama I needed to just sit back, relax and have a nice laugh. I literally couldn't stop smiling because it was so freaking cute!!!

Warning: If you're single this drama is gonna make you feel even more so like I cannot emphasize it enough. The way the couple is with each other is just aajhskjs!!!

If you haven't binge watched this yet you need to hop on the train and do so immediately!!

LOVE TO HATE YOU IS THE ROM-COM DRAMA YOU NEED IN YOUR LIFE <3

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I was tricked in to watching this drama after reading reviews on this site, so I thought I may be of some help and save people some time before they take on this monstrosity.

What I liked
This drama started off strong, hitting all major points of what would be a good drama. Strong female lead, a steady plot, great villains and sweet pacing. The female lead carried the show in the beginning and I was rooting for her to thaw out our main lead and get the chemistry going. ( I really want to throw in a spoiler here...hm let's just say if you like night time romance...forget about it).

After about 33 percent of my time spent watching this show what I liked turned in to

What I disliked
Let's start with repetitive scenes that kept going in a cycle. Once something was resolved, it propped back up again just to start the same story over. The pacing suddenly started to drag and characters actions no longer made sense.
What is interesting is our male lead acting really was awful during the first half of this show, but after the show started going bad his acting suddenly got better...
Do you enjoy watching flashbacks back to back to back??? Well this is the show for you, at least 20 percent of this show is comprised of them.

I am not one to drop a show just because it is a train wreck already, I must see it to the end...so after watching the ending I must say...

Yup the show ended just like this review ended three freaking dots!

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‘ Business Proposal’; The Revamped Rom-Com Formula With A Few Tricks Up Its Sleeve…

It is likely that most K-drama viewers can agree that the late 2000s to early 2010s was an era in the world of K-dramas predominated by melodrama and angst . Indeed for better or for worse, ‘ Business Proposal’ attempted to capture that in its rom-com formula.

‘ Business Proposal’ focuses upon Shin Ha-ri (Kim Se-Jeong- ‘ School 2017’, ‘ I Wanna Hear Your Song’ and ‘ Uncanny Counter’), a relatively new researcher at one of South-Korea’s top conglomerate enterprises, GO Food. Ha-Ri has always had an unrequited crush on Lee Min-Woo( Song Won-seok- ‘ Swan’, ‘ Switch’ and ‘ Never Twice’), a close friend since their university days. However after having her heart broken once again by Min-Woo, Ha-Ri soon begins to reevaluate her feelings.

Meanwhile Ha-Ri’s best friend and chaebol heiress Jin Young Seo ( Seol In Ah- ‘ Sunny Again Tomorrow’, ‘ Beautiful Love, Wonderful Life’ and ‘ Mr Queen’) discovers that she will soon be forced to go on a romantic date with a rich CEO’s son, much to her displeasure.Asking Ha-Ri to take her place, Ha-Ri agrees to do so in order to pay off a family debt.

When Ha-Ri shows up as Jin Young Seo, she soon discovers that her “date” is with the president of her company, Kang Tae Mu ( Ahn Hyo Seop- ‘ My Father Is Strange’, ‘ Thirty But Seventeen’ and ‘ Dr Romantic 2’).

Kang Tae-Mu is a straight-laced and career-orientated individual, even being labelled by his grandfather and founder of GO Food, Kang Da Goo( Lee Deok Hwa- ‘ Age Of Warriors’, ‘ Suspicious Partner’ and ‘ Hit The Top’), as a “workaholic”. ( Especially after the incident surrounding his inauguration ceremony.)

The “first date” is calamitous for Ha-Ri but unbeknownst to her, Tae-Mu has felt differently. Confiding in his chief of staff , Cha Sung-hoon (Kim Min-Gue-‘ Romance Special Law’, ‘ Perfume’ and ‘ Snowdrop’) that he will marry “ Jin Young Seo” ( aka Ha-Ri) in order to keep his grandfather off his back, Ha-Ri’s ordinary life is soon filled with an assortment of complicated and sticky misunderstandings.

‘ A Business Proposal’ is based on the lighthearted rom-com webtoon,  ‘The Office Blind Date’ ( ‘사내 맞선’) by Hae-Hwa. Adapted to the small screen by screenwriters Han Sul Hee ( ‘ Ugly Miss Ae’, ‘ A Love Story’) and Han Bo Hee ( ‘ High Kicked!: The Revenge Of The Short Legged’ and ‘ Standby’), “ will likely appease and dissatisfy viewers of equal measure.

Of course, it is important to specify that ‘ A Business Proposal’ is supposed to encapsulate a certain “easygoing nostalgia” from rom-coms. For the most part ‘ A Business Proposal’ did possess a lighthearted, easygoing and fluffy edge; occasionally tipping into angst-ridden melodrama in order to “spice up” certain events of the narrative and keep viewers intrigued . ( This was particularly apparent with the “clandestine ” events surrounding the main leads’ relationship as well as lingering questions throughout the narrative surrounding the traumatic past of main male lead Kang Tae Mu.)

It is important to point out that the main leads in the series played by Kim Se Jeong and Ahn Hyo Seop were fairly delightful. Indeed despite some strained initial interactions onscreen, Se Jeong and Hyo Seop possessed a surprisingly easygoing chemistry as the series progressed between their onscreen personas.

However their onscreen roles Shin Ha-Ri and Kang Tae-Mu were admittedly not without their writing flaws. As a female lead and the main heroine of the series , Ha-Ri was established to be the “ hardworking” archetype. On the other hand, it is hard to ignore that while Ha-Ri does continue to maintain her hardworking ethos alongside her complicated feelings for Tae-Mu, she could sometimes be passive with her reactions and actions in the events of the series. ( This became apparent at times by Ha-Ri being “ beckoned by the calling of plot dilemmas” rather than character growth.)

For example one of the most noticeable problems of the drama arose from Ha-Ri’s personal drive and motives. Although it is arguable that Ha-Ri may have done so as a consequence from direct and indirect influences by her parents ( although the same cannot be said particularly for her brother per say) , it was hard to truly define or highlight exact causes given by Ha-Ri for entering this profession as a food researcher with sincerity. (Although this may seem like a nuanced and minor background point, it could’ve easily allowed Ha-Ri’s character to possess more definitive edges.) Instead Ha-Ri was often subjugated to the role as the “ thinker”; a brilliant idealist with a multitude of possible projects and new ideas for the company . However even as viewers, we rarely saw some of these ideas being taken further by Ha-Ri chasing her own dreams , or at least attempts by the female lead to become more ambitious with her imagination. ( Of course this may seem like a nitpicked detail but it seemed odd that the narrative would often highlighted Ha-Ri’s dexterous talents as a food researcher and her possible ideas but rarely pushed forward for it to the synchronic with the female lead’s character growth and development.)

Of course, this naturally brings up the discussion surrounding Tae-Mu and Ha-Ri’s relationship throughout the drama. Although as mentioned previously the onscreen chemistry between Kim Se Jeong and Ahn Hyo Seop is surprisingly dynamic, there is admittedly a lot to discuss surrounding their onscreen personas’ relationship.

Perhaps the most evident point of discussion and initial debate around Ha-Ri and Tae-Mu’s relationship can be sourced from one of the trope-induced setups of the series; “the contractural relationship”.

Admittedly Ha-Ri and Tae-Mu have both consented to the relationship and for different reasons. ( Ha-Ri’s motives being sourced for money to help pay off a debt while Tae-Mu’s causes can be found in order to appease his grandfather.) On the other hand it is hard to ignore that the initial treatment by Tae-Mu towards Ha-Ri as merely being a “ cause to an end” for his troubles ( and vice versa to an extent with Ha-Ri) as well as even offering money to Ha-Ri as an incentive to keep his grandfather off his back, could feel as though it was problematic by the narrative rarely pointing this out as a serious issue of discussion.


Of course it would be wrong to suggest that Tae-Mu and Ha-Ri doesn’t grow beyond the roles of the contractor and the contractee. As the series progresses and impassioned feelings grow for one another, the narrative relished within opportunities to highlight the obvious feelings of the “ lovelorn” main leads for one another. In later episodes of the narrative , this would often trigger an onset of misunderstandings and attempts by the main leads to “ cover up” their situations from work colleagues and family alike. Although the series did gradually present their potential onscreen relationship with more overt honesty ( especially with regards to Tae-Mu telling Ha-Ri about his traumatic past), this did often gloss over earlier issues of the series as a consequence. ( This was mainly due to the fact that Tae-Mu and Ha-Ri’s initial problems even for the effect of “ tension” such as Tae-Mu’s attempts to convince Ha-Ri with money, Ha-Ri’s reaction and fake guises as well as later treatment by Tae-Mu, were rarely brought up openly by the characters in order to acknowledge their mistakes and accept all of their faults as a point of further character growth .)

Under the creative leadership of screenwriters Han Sul Hee and Han Bo Hee, ‘ A Business Proposal’ offered viewers with a pacy narrative filled with the events surrounding the main storyline as well as several subplots in order to pad out the drama’s screen time .

Of course, thus isn’t a particularly unusual tactic used by screenwriters. However while this did offer opportunities for viewers to be intrigued and captivated by the events of the narrative, it could often enforce the classic dilemma of juggling a lot of different storylines. This could often lead to some of the minor counterplots of the series feeling rushed or somewhat anticlimactic by the ending of the series.

Perhaps one of the major subplots to discuss within ‘ A Business Proposal’ surrounds the potential onscreen relationship between second male leads, Jin Young Seo ( Ha-Ri’s best friend) and Cha Sung-Hoon ( Tae-Mu’s chief of staff). Young Seo and Sung-Hoon were characters who possessed less definitive storylines than the main leads.

Of course this isn’t particularly unusual per say in a drama but it seemed as though the series often moved away from initial inferences given by Young-Seo and Sung-Hoon’s character arcs to be explored in more depth. ( This can be particularly applied to Young Seo’s family situation and naivety rarely being brought up as a point of character growth, as well as Sung-Hoon’s own familial situation.) Of course Young Seo and Sung Hoon were supposed to play the roles of the “ assets” to the narrative and screen time . ( Although admittedly Young Seo was shown to make an executive decision with regards to her own dreams by the ending of the series, it was rarely given a concise buildup.)

Although Young Seo and Sung Hoon’s onscreen relationship was surprisingly sweet and offered lighthearted respite at times from the angst taking place in the main storyline, it could often feel rushed as a consequence of inconsistent screen time given to the secondary couple. In addition to Young Seo and Seung Hoon’s potential relationship being used as a major subplot, there were also minor focuses to draw out the narrative upon Ha-Ri’s workplace colleagues ( especially in order to highlight the potential onscreen chemistry and jovial animosity between her superior manager Yeo Eui Ju [Kim Hyun Sook] and team member Kevin [Im Ki Hong]), Tae-Mu’s grandfather and his fixation upon soaps and makjangs, Ha-Ri’s parents, Ha-Ri’s old crush Lee Min Woo and his initial jealousy towards Tae-Mu as well as Young Seo’s “ love rival” offered as comic relief, flamboyant and the eccentric Marine Group Director Jo Yoo Jung( Seo Hye Won).

Nevertheless it’s wrong to entirely digress ‘ A Business Proposal’ without acknowledging some of its impressive feats, specifically the directing leadership of Park Seon Ho ( ‘ Birth Of A Beauty’, ‘ Suspicious Partner’ and ‘ My Strange Hero’). Throughout episodes, ‘ A Business Proposal’ displayed some impressively mesmeric and creative touches; differing from minimalist palettes to vivid and slick editing cuts. Although these imaginative touches dwindled in later episodes and instead highlighted minimalist approaches to filming and palettes, it certainly offered an onset of aesthetic shots throughout the first-half of the series. ( One of the most memorable scenes coming from the narrative bringing to life the cover story for Ha-Ri and Tae-Mu’s “ initial encounter”; Ha-Ri imagining a monochrome and drizzly day in New York, before her entire being-quite literally- is brightened up by the sudden appearance of Tae-Mu and a canary yellow umbrella onscreen.)

For those intrigued about the accompanied soundtrack, ‘ A Business Proposal’’s OST is mainly comprised of an array of saccharine, upbeat and lovelorn ballads; some of which were admittedly generic and quick to disappear from memory. However, fast-paced tempo song ‘ You Are Mine’ by VICTON (빅톤), sweet vocal track ‘Love, Maybe’ (‘사랑인가 봐’) by SECRET NUMBER and ballad-style composition ‘ Melting’ by BAMBAM were particularly noteworthy tracks.

‘ A Business Proposal’ offered its audience with a nostalgic sweet and lighthearted topping of angst, cliches and romantic relationships throughout the duration of the series. Although ‘ A Business Proposal’ boasted an unoriginal plot premise with several writing flaws and tropes, the narrative did surprisingly offer several unexpected takes upon the setup, with decent onscreen chemistry between the main leads as well as imaginative takes upon filming and editing. Overall while ‘ A Business Proposal’ may not appease everyone with its niche dilemmas and plot premise, the series will offer a sugary and sickly sweet ride for anyone looking for an updated and lighthearted take upon old-school rom-coms. Overall, a decent binge-watch.

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Jack & Joker: U Married A Standee

It's not even about how everyone sat in their fancy wedding outfits and watched Jack marry an ugly cardboard cutout standee with Joke's face on it, deep kissed said cardboard, or Hoy driving them to their honeymoon. No, my confusion was about my feelings. Like, was I supposed to cry or laugh at that scene? Yes, I felt sad when Jack kept insisting Joke was alive, but when Hoy walked that ugly cardboard standee down the aisle, I was laughing like a hyena, still, I couldn't help but go, 'Dafug is this? Throw the whole special away. As a matter of fact, burn it with fire. Yeet it into the sun, I don't want it.'

First off, these writers made us sad for nothing. We all saw the spoilers, so I was prepared, still, I dreaded that I was about to sit through 2 hours of back and forth just to get my heart broken. Even so, I did, cuz you know, we survived The Best Story, this would be another sad ending YinWar drama we forget and pretend it never existed. But then those few seconds happened and I'm like... then what was the point? Why you made me emotional for no reason? It was 5am on a Saturday people! The disrespect!

Unpopular opinion: I'd have been sad and angry if Joke died died for real, but I'd have accepted it. The concept of this whole drama is how harsh and unfair life can be, so it would have been on brand. Now, I don't know if I should rejoice that Joke is alive or not, cuz he looked so terrified when he woke up, so really, did we even win? And at what cost?

Listen, and I'm being serious here, so like, are we all going to collectively forget about Jack marrying that ugly cardboard cutout with Joke's face plastered on it or?? And did they just sat there and watch his man make out with a standee? Please, please, I need them to release a video of the real scene and not Jack's delulu version we got. You know, for science, and also I need more 'WTF am I watching?' that turns into laughter videos.

Frankly, I'm torn about that scene. On one head, I keep thinking, so everyone sat in their fancy dresses and watched Jack make-out with an ugly cardboard standee? Then Hoy drove them to their honeymoon all emotional like: 'I'm glad I was the one who drove them.' Brother What? HAHAHAHAHAHAH but then, the other part of me, the human one who saw Jack loose his mind to the point of insanity felt so bad. Cuz, that boy who'd been through so much and fought and came out on top was now hiding from reality, living in a make believe world just to get through the pain of losing someone who meant the world to him.

I am confusion. I'm caught between laughing like crazy or crying on top of my lungs. Yes, that scene where they were eating and sharing it with an invisible Joke made me emotional, when Joke's parents broke down I felt sad, but then I remembered how Jack hauled that cardboard standee into their married chambers and rolled with laughter. Why? Just why? Who wrote this?

PLOT:
Is it just me or that whole plot felt convoluted and unnecessary? I don't know, it came off forced to me, like they were scraping the bottom of the barrel just to find something to turn into a problem so they can destroy our hearts with Joke's death. I mean, bringing that annoying forgettable character out of jail just so he can lick his teeth, shut about whatever dafug he was talking about and kill our fav, was that necessary? All that for the fucker to die off screen without me even enjoying him getting blown to bits. Meh.

And why the hell these people never have a fully smart, worked out plan and contingencies for these things? Like they walk in there with a half baked plan, some gadgets Tattoo made, (he said he isn’t making any money so how useful and reliable are they even?) and expect everything to be sunshine and cookies. People, you're smarter than this! Be smarter than this!

This I liked:
- Tattoo and Aran playing gay chicken. I wonder who would win.
- All that teerak Jack & Joke kept calling each other. New, but adorable.
- How their friend group is still going strong, although it seems everyone is poor and they're basically surviving off air.
- Toi Ting's funny and honesty sass.
- Grandmama in that dragon suit to ask for Joke's hand for Jake. Hahaha, I love that woman.
- The sign for a second season.

What they could have kept:
- That unnecessary plot, I'm all for it if it's leading to a second season, otherwise what was the point?
- That one dimensional villain, can they please let him go already? He's so uninteresting that standee had more character.
- How these characters after everything they've been through always walks into danger with no concrete plan, thoughts of backup or even calling police for help. Like?? Are you all new here or something?
- Killing Joke and then doing a cop-out. Like if you gonna break our hearts just do it, don't make us cry and then give us hope that comes with a terrified looking Joke. If they kill him off again...
- I'm not sure I love or hate that wedding scene. It took me out of the seriousness of the story and now I can't stop laughing.

Anyway, all signs are pointing to a second season, so I am sat for it. I can't wait to meet the characters again and see if they finally get their happy endings.

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another not my cup of tea

honestly i can't really remember which series are not my cup of tea but definitely this is one of them. it's not that i don't like it but i just can't really understand the whole story line. what's the point of go young's love life story, i simply don't really understand. it feels like i just follow along his life story without any exact outcome/summary. that's it. again, it's not that i don't like it, i enjoy every go young's love story, but i just feel like it can be elaborated more for the summary or main point of this series. my brain can't interpret that.

honestly it confused me at first because i don't know which one is the main lead beside nam yoo-su. it broke my heart when the second male, the photographer, died. then it confused me again and again because every man seem not to be the main lead, not until that nursing student. but yeah maybe the main point is that go young's love is now gone because of what he did. idk.

maybe will not rewatch it because it's on viki and i don't really have any subscription of platforms. so.. yeah. not my cup tea but still a good one.

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The reality is that Missing 9 was amazing for me, well the first 9 episodes. It's crazy episode 10 was such a huge turning point that it killed the drama from there on. I could see in episode 8 and 9 that things were mellowing out to be predictable, but I could have never guessed that the story would become a mockery of the first 9 episodes. The reality is I built this drama up in my mind—expectations—and the first 9 episodes were so great for me that I had the utmost confidence that it could win out and pull off a fabulous drama.

I have now discovered that when a romantic drama that seems typical becomes stagnant and a trope it sucks. However, when a drama that is unique and has so much promise does it's like a knife to the gut. I became so ticked off with the last 7 episodes that there is no redemption for this drama. Maybe it's my fault for reading so much into the drama and expecting awesomeness. Everything I thought meant something was stupid. Such as the color scheme of beige switching to vibrant colors, it's never fully addressed though there is a turning point in the drama. I actually wonder if the writer had somewhere to go, but someone on the side was like no make this an average and underwhelming murder mystery.

That's right. It all boiled down to a murder mystery that happened years before this plane crash. Which is perfectly fine. Except that the drama treated it's viewers like we were dumb and couldn't figure it out right away. So the last 5 episodes are all “What really happened?” and I had guessed it around episode 5 if not sooner. Sighs. So let me tell you it was boring.

Not to mention that the killer apparently “accidentally” did it, but it was someone else who pushed him over the edge. Somehow meaning that the 4 murders he committed on the island where, okay? No really. He gets a happy ending painting with his friends. DESPITE THE FACT THAT HE MALICIOUSLY KILLED PEOPLE. Murdering his own friend and continued to try to kill people until the end.

The true awesomeness of Missing 9 is in the first 9 episodes. (Holy drama! Did this drama curse itself?) Was the dual storytelling of the timeline of the plane crash, the past of the idols, and the present in which the one survivor is trying to piece her memory together. Somehow Missing 9 found this perfect balance of psychological thriller and horror, with humor. I loved it. Characters who were clearly annoying stereotypes became well developed on the island. I truly believe that if the writing hadn't given up on itself that the idea of solving the old murder from before would have been enough to deliver this drama. Yet the last 7 episodes tossed all of the character development and commonsense out the window. Then continued to shoot it up as it sped by in the getaway car to abandon the storyline that the writer clearly didn't know how to wrap up.

Normally I do a rating scale of my average rating per episode which is actually 5/10 for Missing 9. The first 9 episodes are at 8/10 rating, and the last 7 episodes 2/10 (to be honest right on the verge of 1/10). So I look at the 5/10 average episode rating and compare to the numbers I put in for MDL's rating scale (which is 3/10) and figure it out from there. (Yes, I put a lot of though into how I rate.) To be quite honest I am so tempted to go back and lower all my episode ratings on the first 9 because I now realize that the show's story goes no where. Yet, I can't because those first 9 were awesome for me and despite the story losing itself it deserves it. (Though I'm still bitter.)

When the writing was good the actors were amazing. YES, even the idols did a magical job. They balanced fear and humor well in the first 9 episodes. It's not their fault their characters became tacky in the last half, they acted what was created. The music was all right, though I can't really remember it right now.

In the end this was another drama that I had high hopes for and faith that the writer wouldn't give up on the story in the latter episodes because it didn't know how to end. Part of the problem is I had too much faith and believed in it. That the first half of the show was truly amazing. Yet, the last 7 episodes were so utterly painful that it killed Missing 9. I will never rewatch this drama again, and I will think back on it with absolute and utter dejection. In a move I normally don't make I am rating this completely on feeling. If I went by my normal system I'd pick between 3/10 to 5/10. (Which is why I wrote that huge paragraph on my rating system above so you could get an idea.) However, the last part of this drama ruined everything. It made characters that started out annoying and grew into pretty awesome characters, annoying again. I couldn't stand characters that I loved from the beginning. Not to mention that the female lead was so awesome and then just turned into a damsel at the end. *Sighs* Everything hinged on a clearly obvious plot line. In then end this drama transformed into a painful drama memory that I wish I could forget.

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Wasted Potential At Its Finest.

I don't even know from where to begin. The writers tried to bite off more than they could chew and it's laughable.

As a casual watcher, if you want to watch seemingly captivating characters with plenty of potential get half baked storylines and an immaculate wardrobe and decor, this one is for you.

First and foremost, believe me when I tell you that the writing and pacing for the main characters is very akin to trekking on a jeep. The *main characters*, who have more than enough screentime. Not the supporting roles. And this is one of those rare times I felt that the side characters were much more well written and had succinct storylines with the very limited amount of screentime. Scratch that-- by the end of the drama, their scenes were the only ones I didn't fast-forward.
Now that the biggest issue I have with this one is out of the way, let's get down to business.

• When Charan, an art Professor with a double identity as a guard who protects the ruling King's family, the Assavadevathins, is sent for a secret mission to retrieve their hidden heir, Khanin, back to Emmaly, he does not know that whom he is about to bring back is going to set forth a series of events that might just change his life forever. Meanwhile Khanin, who is still bitter after being harshly uprooted from everything and everyone he knew, decides to agree to enter a Royal competition to secure the throne for the Assavadevathins in exchange for information about his supposedly dead adopted father.

☆ The Good:

• I think the actors did a wonderful job portraying what was given to them. Even challenging characters.
Shout out to JJ in particular, because for a character that was air dropped, he managed to evoke emotions with his performance, particularly during his final appearance. And NuNew during the first 3 episodes, where he really had to express and face difficult circumstances.
Ava's actress was no joke too. She was very expressive, particularly in EP9.

Then there is Jimmy and Ohm for Ramil and Paytai. They tried their very best till the end, considering the 'half baked' situation, and most of the conjectures about their past and personalities were made solely based on their minute performances; something which is no easy feat as characters like Ramil tend to get easily dumbed down as evil. Both the characters of Ramil and Paytai are emotionally taxing and they managed to steal the thunder and overshadow what was supposed to be the main story.
Also, I adored Chakri. Particularly during his solo shenanigans.

• Everyone had convincing chemistries, which might be one of the reasons this drama managed to stay afloat. Particular note on Khanin and his adopted father's scenes -- they were natural and reminded me why I stuck on till the end.

• The costumes, sets, even the music at times all blended in well.
(I do think the that frilly outfits worn by Khanin were overboard as it looked like his clothes either matched his hair or the decor of the palace half the time. It's a good thing that NuNew could pull off the princely air, otherwise I would have never been able to take Khanin seriously. Ava's, Calvin, Paytai and Ramil's outfits were beautiful, though, without being flashy. )

• I even forgive the writers for the absolutely cartoonish representation of a fictional nation, but with an actual Royal family still alive and kicking, they'd be playing with fire if something even close to reality gets portrayed on screen.
(I took it as one of those fictional Young Adult novels with similar settings. )

☆ The Cold Pricklies:

What I genuinely cannot wrap my mind around is the fact that the scriptwriter is the same one behind "I Feel You Linger In The Air".

• The villains. Writers should learn to write good ones, or choose to not include anyone if they can't pull it off well. This was the last straw for me.
There is another 'villain', but you know that something is terribly wrong when viewers support him.

How in the world am I supposed to root for a character when his entire family were depicted as shady, ignorant and selfish? I frankly did not want the Assavadevathins to win ---- major issues were swept under the rug in favour of poorly written redemption arcs that not only downplayed the seriousness of a situation, but also portrayed the other characters in an unsatisfactory light.
I hated Prince Tharin till the end. They writers made him act like a rabbit when he should've been the one in the frontline. I find it impossible to believe that he was selectively blind to all the ongoings until Khanin arrived.

• There was a certain way the scriptwriter chose to introduce the various royal families and the places where they stay--- Khanin would somehow simply go off to visit that place under some excuse whenever it happened . Which was futile as it did nothing to his character.
It took 8 or 9 episodes before there was some movement relevant to the story because Khanin seemed to have forgotten all about his adopted father.

• As for the main character.... Khanin might be one of the most under-utilized ones I've seen. He had the most screentime, yet his plotline was stuck in a monotonous cycle for half of the show. Yes, him clinging to the one person he could trust was natural. But, they overfrosted their cake.
Which is sad because NuNew is a multi-talented and fantastic performer. *knock on wood*
Very sure that he could've pulled a much more challenging role than this spongecake of a story. The other kids got that part, though. (Ramil, Paytai, Ava, Jay.)

They spent episodes on him doing nothing substantial, choosing to stuff all his development within the first and last part of the drama. By then, all the time we needed to connect with him had become cold.
Which might be why so many people are pissed off.

He seemed to be the most relaxed at times even, considering that he should be the one throwing pots and pans instead of meekly accepting his role as a dress-up- doll. What happened to the Khanin from the first 3 or 4 episodes? Where was his desire to know more about his adopted father and all the shady shenanigans that were going on?
Even he gets forgotten during the final episodes.

• Charan -- How they managed to mess up one of the main characters, out of all, I do not know.
I liked his character much more when he wasn't being viewed through Khanin's eyes. Once he became involved with him, all his enigma was erased and he was reduced to a mere love interest.
And after EP13, I'm convinced that his family was brainwashed/he has some form of Stockholm Syndrome --- the Charan from the early episodes wouldn't simply let things go the way he did. (This is indirectly related to my first Cold Prickly.)
Initially, we could see him bend himself to the rules and even get tired of being tossed back and forth like a bargaining chip. Something he himself says. He almost feels relieved that Khanin simply didn't see him as a disposable person.
It's evident that he knows a lot and has even seen a lot. He could get information and dig through things for Khanin; yet all that gets swept under the rug in favour of his 'love story'. Which I didn't root for as much I thought I would. It just didn't feel natural.

He had the most secrets to keep and his association with a shady character was interesting. Yet, it didn't get fleshed out. All of that was stuffed behind dialogues and you expect me to buy that?
Zee Pruk can act, but I'm starting to doubt that he is getting typecasted in such roles.

• Khanin and Charan's romance needed natural progress - it was new or never established prior to the story, which doubles the writer's and director's task for making it appear convincing to the viewer. Instead, I felt suffocated by the amount of sugar they were attempting to insert into what could've been an excellent portrayal of power dynamics -- the story is supposed to be between a royal guard and a Prince.
What I got was insta-love, which I dislike. Charan seemed to be okay with being tossed about as long as Khanin was involved and Khanin's character lost all purpose for several episodes to fit in their romance.
Never thought I would say this, but watch Cutie Pie if you need a convincing relationship portrayed by the same actors.

Charan and Khanin's relationship literally had no challenges or hardships to get through. It's okay if they didn't have any, but it shouldn't come off as insipid. I liked their rapport much more when they were out of their uniforms.

• This is also one of the reasons why I find the other Royal kids' storyline much more rivetting... and enraging. Both Ava and Ramil had something challenging to get through, regardless of how their characters are written. (Ava being sweet and Ramil being arrogant to everyone outside of his home.)

Then there is Khanin, whom we see, spents most of his time touring or attempting to romance Charan. What was the point of all that? Other than shedding more light on the supporting characters, it brought no development for Khanin. Who learns and seems to promptly forget about his connection to the Snake family; goes for drinks and fun at the Phoenix family and enjoys some pearls before meeting someone at the end of EP8, where the story begins to give him the leverage he needed to get through the competition. But, even then, he doesn't seek the answers for himself.

• Ramil might not have the same amount of screentime as Khanin, but every scene of his kept me intrigued.
There was 'something' to know. His upbringing was clearly convoluted, considering that he was the sole heir for many years and his father's draconian methods to keep him in line put him under a constant state of pressure.
[There is a speech from his side in EP11 which perfectly describes his actions, so I understand where he is coming from and why he is the way he is.]
It's also evident that Paytai, a selected 'companion' was the only other real 'friend' he had. That too, one who was approved by his father.

• Jimmy described his character and couple as the bitter palate cleanser which is exactly what it was.
I wondered why he seemed to say that his character was a balance for the 'sweet' parts, since it looked like he had more potential than to just become a background character. Turns out that he was 100% right.
Don't expect any progress in Ramil × Paytai storyline, which I deem is one of the absolute worst, since they had a very interesting one to build up on and the writer decided to throw it away hastily. I'm calling it half baked because EP14 just nails in the fact that I, as a viewer, don't know anything about their relationship or how it works out.
Where was all the seemimgly established relationship dynamics among the three?

We are introduced to Paytai as a 'companion', who is supposed to get hit in Ramil's stead; then we have Paytai's dream in EP4, which explains his reaction ... yet, I don't know where their relationship stands.
Did Prince Rachata know about it? Did Ramil even know that Paytai cherished him? Because the first few episodes gave no hints about it.
I don't see any steady writing that could bring a neat denouement to these two. Their past remains a mystery. But, atleast Paytai seems elated by the way things went down for them.

• Same with Ava, who is much less restrained, yet has to live with the fact that the misogynistic rules of Emmaly will forever paint her in an unsatisfactory light for her father, however hard she tried. She was the token female character for women empowerment; she clearly displayed defiance and endured endless training... for what?
Her friendship with Ramil is very interesting since Ramil seems to loosen up around her and she gets his nature to an extent. Where was all that?

• Calvin existed just so he could go back and tell his family that Emmaly sucks. Jay is like the only character who seems to know what he wants right from the get go, and where did all that go?
Net is a really good actor, but he needed a stable backstory for it to shine through. His expressions matched mine half the time he was on screen -- wanting to disappear from the spotlight/pure confusion.

• What happened to everyone's mothers? Particularly Ava and Ramil's, since it's not told what had happened to them.
There are women, who played pivotal roles in shaping the events that occurred to the characters'. There are like three of them, even in the main poster and it's even hinted that something major that had taken place in the past was linked to one of the main characters. Yet, everything got stuffed into an episode. Which was purposeless as they had tons of time for an actual build-up instead of a deus ex machina.

• The good thing that this drama brought? It helped me discover excellent actors.
I am now genuinely curious about Love Upon A Time. Also, somehow Ohm's unhinged tweets (which might be his method of actively engaging with fans, considering that he seems to know fandom behaviour well) made their way to my twitter timeline -- it made me explore the fandom of Thai BL pairings (which seems to be companies' attempts to save time and money for conducting additional screentests and workshops/acting classes; a quite logical option), their fandoms in extension; and control of fanservice in general.

It also makes me stress that a few casual viewers like me, who don't follow pairings or fandoms would prefer a good story to elicit the right emotions. Chemistry alone can't save a drama, and The Next Prince, for all it's opulence, relied solely on the actors' strengths to power through.

☆ Final Thoughts:
It's not a terrible drama if you have it on double the speed, and choose which part to watch as you won't miss much even if you skip. But, if you prefer strong scripts and storylines, I suggest you run away from this one.

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Nonsense As Usual

So did Min Jun smile in this drama? Mfker walked around like he was allergic to happiness, like he loved being miserable and having a sad background story about his first love. Dude was out there acting like woe is him and heart break was made specifically for him. Give it a rest, Susan. Cuz what even was his problem towards the end? Jin Hwan a better person than me though, I'd have gotten on that plane. Go be incompatible in the corner with your foolishness.

And was I supposed to be happy for that airport scene? Literally this is what happened word-for-word. No, really, come see nonsense.

Min Joon: "You know, too. You and I are really incompatible. We will fight and get tired again. And we'd be worn out each time. You think everything would be possible now. But what if, I keep bringing up the past and ask why you acted that way angrily? Similar things keep happening. No one would be okay with that. And what if you keep doing that to me? I know myself well. I won't be able to stand it. You know how it'd end. And I know, too. Choi Jin Hwan. First love needs to be left as a memory. Stop. Please let me be free now. Please, just get out of my sight."

Jin Hwan: *confessing his love, begging, trying to reason, pleading.* Nothing works, he gets dumped, heart broken, he packed his suitcase, quit his job and decided to leave the country.

*Min Joon hears about it and runs to him at the airport. Cue a montage of their moments together and a sad song.*

Min Joon: "Choi Jin Hwan, what's with you? You changed your number and tried to disappear? You bastard. You and I are really incompatible. That is why I'll fight as many times as it takes. Even if you get tired, and beg me to let you go, I won't let go of you, okay? I know everything and I'm mad at you. I know things would get boring and obvious, but I like you so much that I'm going mad. I like you. So, don't go. As long as I am with you, everything is fine. I still like you."

Me: Thunder fire you and your ancestors' goat.

Cuz was that supposed to be romantic? I was making a face the whole time, rolling my eyes and just... why child, what even? Nonsense dey for some peoples backyard. Make someone's son come disturb my peace with this kind behaviour, na slap he go chop. Fool.

Listen, I liked the overall drama. Misunderstanding like this can happen, so I was enjoying the plot when the misunderstanding happened in ep1, I was like, oooh drama, sign me up. I was happy when they both found out that they've simply misunderstood each other. Enjoyed the in-between of getting to know how they got together, how they both loved but were shy, scared and didn't communicate enough so their first loved ended miserably for them both. Nice plot and drama, give me two more.

So yeah, after everything was cleared up between them, I was ready for these two to handle things as the adults they were, instead Min Joon acted like a broken spoon and decided to go with the annoying, childish, approach. Wth is your problem Susan? Like, why you causing unnecessary drama, Bob? So you got dumped one time, so what? Dude let his 2am thoughts won over his rational thoughts, and decided to frustrate us with his nonsense. Child if you don't go sit somewhere.

And, is the theme for this year's k-bl dramas misunderstandings? I wonder if the writers had a meeting and decided to frustrate us, while they laughed over soju. Cuz, again, why?

Anyway, a decent drama, give it a watch, it had its charm, but overall, the ending could have been done better, instead of whatever that was.

Once again, I say, k-bls needs to step up this year, like, why are you on the floor? It's only May.

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"Power Hungry Man Can't Take No For An Answer" <---Should be the REAL title

Lord almighty, where do I begin? I literally just wanted an easy rom-com with no complications. This was not it. I have since heard that most dramas with names longer then hell aren't good; whether that's true or not, I don't know but it's my second time running into a drama with a long title that got this score from me. The plot essentially fell apart after episode 16. More than halfway through the story and all of a sudden heavy palace politics and a nightmarish stalker SML became the prime focus of this at first comedic and mildly inspiring story. When the SML's screen time eclipses that of the leads, I'd say it's a problem.

The screenwriter threw everything but the kitchen sink into this show; crime solving, setting ppl up, palace politics, the stalker SML, romance, jealousy, you name it. It should have been called "Power Hungry Man Can't Take No For An Answer" because that's what the majority of the series was focused on. He turned up literally everywhere at every moment and you were sick of him. However, giving the actor playing him his due, he was a very convincing creep. Literally the worst stalker in all of the costume cdramas I've seen. Characters like his make my skin crawl. Even his demise in the last episode was a serious copout given how much he lorded over the majority of the show.

Had I known it would turn out this way, I wouldn't have started it. The only thing keeping me from dropping it was that I actually liked the protagonists and when I realized they knew how to deal with the creep, I skipped a lot of his parts, plus got into a holding pattern twice by stopping watching the show just so more episodes could release and ppl could spoil when seeing him on screen would be less. When you stop watching a show twice, that's not a good sign.

I'm very picky with the dramas I watch. Usually I only watch dramas that have ppl I follow in them but since it's been very quiet on that front recently, I decided to try something new and though talking and laughing in the comments with other viewers was entertaining, this was a very poorly executed show. If it was going to make the creep the main focal person, then start that at the beginning. Make him the ML or something. Same goes for all the crime solving palace politics stuff. It's like the screenwriter remembered that this story was about a female student being the first to be admitted into an all male college twice after episode 16 and it was haphazardly thrown into small mentions here and there. You completely forgot that that was the main goal of the show; to be a more inclusive school.

Absolutely not a recommendation from me. Don't waste your time.

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The ending ruined what could've been a masterpiece...

It's such a shame because every single episode of this drama was amazing and I loved it so much but the ending was so rushed, badly written and left so many plot holes and unanswered questions. I'm not upset because it was a bittersweet ending, Youth of May has a sad ending but that's one of my favourite dramas of all time. I'm sad because their break up at the end was so out of character. I get that the writers wanted it to be realistic but the whole drama they're portrayed to have this amazing connection but in the last episode they give up on it all and loose touch, we're not even told if they still remain friends. Its disappointing because the burning questions we have throughout the whole drama are never answered... T_T I don't think I could ever rewatch this drama which is such a shame! But aside from that awful ending the soundtrack in this drama, the friendship and the amazing fencing sences are top notch. My advice is to only watch to episode 15.

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Good idea, boring execution

To be honest, I was bored. So the question I’m asking myself is, why?

Well, this is a thriller, but there were precious little thrills for most of it. I did think that the idea behind the plot was good—triggering self-destruct mechanisms, light the fuse and then step back. It offers great opportunities for building tension but I don’t think that the overall production capitalised on the potential.

The pace was a constant plod. It needed some speed variations, some light and shade, some better twists and turns and a great deal more tension. This is really a problem across the board from the writer, through the director to the editing suite. The only thing that had any zing was the cinematography, which was beautifully realised.

The characters, including the protagonist, were universally unlikeable. Song Hye Kyo had a stone-face throughout and I was not impressed by her performance. The main problem for me was that the characters were not presented in any depth and for the most part had one mode of operation. For a plot built on the premise of self-destruction, the characters have to be much more carefully realised. Also, with so many antagonists, their inter-relationships did not have enough time to develop to the point where I was engaged. Maybe if Lee Sa Ra and even Son Myeong Oh were omitted that would have made room for more character breadth and detailed interactions.

As it was, I was totally unmoved by any of them and fairly disinterested in what happened to them. The most interesting character for me was Ha Do Young, played by Jung Sung Il, who brought more subtlety to the realisation of his part than any of the others. So when you’ve got nothing much going on in the plot and you don’t feel any interest or attachment to any of the characters, what is there to keep your attention?

One thing that always hacks me off is when the psychology is wrong and it is here. Dong Eun can be triggered into horrendous flashbacks which completely cripple her, but shows no hesitation in confronting and challenging her torturers face to face in isolated places without a tremor or a drop sweat breaking out. This type of dichotomy is simply not credible. Her character relies on words for her safety, but it is emotions that provoke damage and they are much quicker off the mark. So her interactions with the emotion driven antagonists are undermined. It is even more unbelievable because no explanation is offered regarding any of the psychological processes that turned her from fearful victim to controlled aggressor.

What my rating means: 6+ Some aspects of it were OK but it had serious flaws. It will pass the time but you can find something better.

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I laughed, I cried, I swooned...I loved it!

For me, this is a work of cinematic art! ✨ I loved everything about it, and honestly it's hard to come up with highlights, because it seemed like everything was a highlight!

What immediately comes to mind that left an impression were (i) the performance of the main couple, played by CXX & LYX, and (ii) the way the story flowed & came to life so beautifully. CXX portrayed XZY so perfectly, with depth & nuance. I loved the range of his expressions, from distant & aloof to warm & caring. He is a stellar actor! Very dashing & handsome in this role, determined & clear but vulnerable too. I have become such a fan! Then, there's LYX who brought her acting skills to another level as HX. I already thought she was great after seeing her in MJTY, but here she played kind of an opposite character, very bubbly, positive, and kind, and like XZY, is very determined but can be vulnerable too. How they fell in love was so real and entirely believable, which is interesting seeing how it started in the VR world. I was amazed how they went from playful teasing to mutual affection & concern to fiery passion & back again. Their chemistry was so good that it felt like they were together IRL! I so enjoyed seeing their friendship & love blossom, them overcoming all odds, & of course being together at the end. My favourite modern Cdrama couple 💞.

Actually, there were so many moments while watching LBL when it felt more like an award-winning film rather than a 28-episode drama. Aside from the amazing acting (not just by our MC but really the entire cast was great!), the way this drama was filmed was too beautiful. From the opening credits with the very cute cartoons layered on top of the MC's more memorable scenes plus the theme song, to the closing credits with the architecture sketches & closing song, and every frame of each moment shown to us in between, everything was beautifully and thoughtfully done. The BGM & OST perfectly complimented the scenes, the framing & angles, the cinematography, the nature scenes, examples of modern & traditional architecture in Shanghai - it was a feast for the senses. The director & his team really put a lot of thought & heart into each still / frame of each episode, giving a certain feeling as I watched, a warm and cozy ambiance. There is a continuity in this feeling throughout the drama despite going from different settings (virtual to real world) and moods (playful, hilarious & romantic moments, flashbacks, stress & angst). So I really loved this connection and flow in the story. Maybe that's why I felt like it was more of a cinematic experience.

They say the devil is in the details and here the details elevated LBL. A beautiful sense of aesthetic permeated every scene, from their outfits (especially loved HX's Republican era outfits in Rongcheng!), interiors, exteriors, cars, buildings, streets, balloons - really everything was selected with purpose. I even liked the beautiful simplicity of the picture frame HX got for XZY with its clean lines. I also loved how they showed how much the MC cared for each other with the little details during certain moments (where if you blink you`ll miss), like how XZY charged HX cell while she was sleeping.

Definitely can go on and on...I mean the plot, character development, script/dialogue, everything was great! No real plotholes, no overdone tropes, no prolonged tangents. I appreciated how they focused on the MC throughout, with the side characters & revenge back story serving more as vehicles to develop the relationship & character of the MC. I also liked the parts in the script where they left a lot unsaid, leaving it up to us viewers to figure things out.

Thank you to the cast, crew & direction for gifting this absolute gem of a show! 👏👏👏 I am definitely coming back to this, I'm sure many times.

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A Psycho, Crypt Keeper & Narcissistic Sociopath walk into Bar; Result? Bloodbath, Revenge, & an HE.

Watched this for XZ and the tomb raiding element. Never really expecting anything but I was blown away but every part of this drama so much so that the way it ended, I didn't see coming at all. And XZ's acting was solidified for me here. Basically a psychopath, the crypt keeper and a narcissistic sociopath walk into a bar the result is a bloodbath, followed by intelligent revenge and a happy ending.

Pros: This director managed to pull off everything very well; the storyline that never dragged but always kept you on your toes trying to figure out what the real conspiracy even was and who to trust and not to. Every character and their backstories were fleshed out. ML or ZH after witnessing the slaughter of his entire family was saved by some mysterious person in a mask and brought to 3 masters to raise and learn the art of deception, war, and craftsmanship (which is what the ML's) father did. For 10 years ZH after going through facial reconstruction surgery learned under these masters how to get his revenge on who he thought was only one person but in reality were 3 and it was only towards the end did he and we learn that the masked person was also the mastermind.

I told people in the comment section that in the beginning the only people that were trustworthy were ML, maybe the FL and a few cats and dogs. Literally everyone else was suspicious. The ML worked for a whole year to plan his revenge meticulously on the first person who he knew was responsible for the massacre. He worked under this monster and molded himself in a way that he could take him down later. I usually never put antagonists this high up but the Marquis was a brutal man and an absolute suspicious psychopath and the actor that played him was absolutely top notch. I was actually at first kind of upset that he was the first one that was taken down given that the crypt keeper was just a hot mess, but then when the mastermind was unveiled, it became clear that he was the worst of all.

I can't say enough how the ML and every character portrayed their roles with such precision. You always have someone that you're like OK this person is unnecessary, this character is unnecessary. In this series, every single character was necessary for however long they belonged there. I am glad that the FL and her friend, his childhood friend and martial artist, and though taking orders from the mastermind, Shifu never harmed ML. So we knew who we could ultimately trust. And even a morally grey character like ZX got his deserved redemption arc at the end and for once I believed it needed to happen. As ZH himself pointed out, it was he who ruined an innocent teenager for his own revenge but said teenager, though getting lost on his path, ended up as the general his father never became; a righteous one with proper guidance.

The court was filled with corruption and ZH helped wheedle it out a little at a time while still working to being the rats to justice. The amount of planning that went into the first arc at Lord Ping head's home was just masterful. The Crypt Keeper was evil and did what he was supposed to until he was no longer needed though I feel he should've just been killed off earlier than what happened to him. What is absolutely amazing is that the three of them looking for this artifact that brought power without really realizing the detriment that that power possessed and why it was hidden in the first place; had met when they were kids at school to stand up to bullying and here 40-50 years later they were ready to turn on each other and eat their own young just to get their hands on this artifact.

In this one, I can't pick out the characters that I liked because honestly good or bad, I liked them all because they acted so so well. There wasn't a single one that dropped the ball. And even though the actors did a superb job, I have to commend the director and the screenwriter for writing a story that was so immersive that two episodes a day felt like an entire series. And we had to sit and guess who was bad, who was good, who could turn on whatever and very often we were surprised who really were the middle villains or the mini villains. Very few dramas had you understanding the complexities of antagonists and why they had to be put down not just simply "because he was evil."

This was an S+ drama and it showed in everything; costumes, sets, OSTs and especially those amazing battles. I have to say that this drama really cemented XZ as a full-blown actor for me, his ability to switch on emotions from fake sadness to downright evil or real sadness and being happy was something that had to do with taking the time to immerse oneself into the character. There was very small amount of comedy which usually revolved around ZH's lack of fighting skills and how the FL and her ninja powers had to come and rescue him a lot and he just used whatever the heck he could find under hand to throw it at bad people.

I really liked how the ML always was a step or a few ahead of the villains, and if he got caught somewhere, he would always play it by ear and be able to wiggle out of any situation with some contingency plan. Once he entered the court, which was very quick; he gained as many enemies as he did friends, but he took out the smaller villains with his smarts and used the big ones against each other. It wouldn't be fair to talk about everything because people need to watch this. Now onto the cons and there weren't many, but still some small ones which I wish they had covered.

Cons: I know the series had very subtle romance because of all the other genres and things going on, but I felt even there, that the ML and the FL got together a little too quickly. They went from just talking to friendship to asking each other for favors, and then him locking her away for both her safety, and because he was weary of her and then afterwards it was like everything was forgotten, and they were together. It should have been done in a much smoother fashion. The other thing I had an issue with was when Lord Pinghead went for the gates of the palace, ZH just jumped out of nowhere with a little crossbow coming into the sight of this Goliath? Exactly what was he thinking he was going to do with that itsy-bitsy weapon? If it wasn't for ZX, he probably wouldn't have survived that assault. It just shows that there are some times where he was a little too naïve. He could barely fight on the street let alone with a bunch of armies, and this brutal man who wanted to decapitate him. It was very wishy-washy and unbelievable for a smart man like him. I understood it had to be father against son ultimately but having the ML there with his little weapon just seemed off.

Felt the last few episodes were a little rushed, and the whole Dongxia arc at the end was also very rushed. I understand that they had to deal with the tomb raiding, truth of the ghost soldiers and figure out what to do next with that artifact, but everything in there was just kind of thrown in and even though ZX got his redemption arc and our leads were free to live their lives and everyone else did who was part of team good including the new appointed emperor, too much stuffed into the end. I think if they took three episodes and maybe just smoothed them out into six, it probably would have been more cohesive. No more cons.

Would I recommend it? 100% This is a story of many conspiracies not just the original one, revenge, intelligence beyond most people's expectations, a little bit of tomb raiding, and a very good plot with a very good storyline. I will, however say if you're looking for romance, this is not the show for you. It is a show for mystery, thriller, crime solving, and revenge taking. And it's still somehow ended up with a happy ending. Go figure! And again, I have to give a lot of praise for the director, screenwriter, and the rest of the production crew who made this possible. The actors could only do a fantastic job if the people behind the scenes were guiding them properly and that is exactly what happened here.

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A complete basketcase, this drama tried to use formulaic writing and tried and tested cliches to manipulate the viewers into liking it but failed spectacularly.

To be honest, in the beginning I didn't understand all the criticism. Sure, it was a superficial romance drama with more beauty than brains but so were many others and everybody liked them just fine.
The cast was doing a good job, there was funny banter, a potential mystery, bromance and I for one, even managed to feel chemistry between the leads. I liked it and wanted to know more.

That feeling lasted for all of about 5 episodes and then the show went to shit in the most extraordinary fashion.

First of all, you know how greedy the drama makers are for money to the point that the product placement in this show is blatant, ridiculously irrelevant and just shoved in your face time and time again. After a point, it feels like you're not watching ads in a drama, you're just watching one big ad with bits and pieces of the drama in between.

Then comes the lacklustre romance. Albeit slow and full of filler at first, you still hoped it would build to something beautiful but suddenly they rushed it to the point that before ever even letting you feel that they have feelings for each other, the couple already exchanges love confessions, plants a kiss or two on each other and acts like they have been in love for a century. And you're just awkwardly standing at the sidelines being like um guys, y'all just met a week ago...

I almost felt like I missed some episodes where they fell in love but apparently it wasn't me it was the writer who did that.

The character development is so bad and the roles are extremely poorly written that I am pretty sure the cast couldn't have saved them even if they tried their best.

Kim Go Eun is a charismatic actress and I like her a lot. And her character here is a badass, loud mouthed cop who needs no saving which is why it made me root for her at first. However, you can't help but see the way she changes from being extremely rude to the ML in one episode and then says I love you in the next. And ofcourse, conveniently it happens right after she sees all of his riches. I am not thinking gold digger, you are.

She also conveniently turns into a weepy damsel in distress whenever they need to hype the hero at her expense. Strong but weak enough for the hero to save her again and again.

Her doppelganger, which is a great opportunity for any actor to show versatility, is literally the same as her original character with bad hair and a bad attitude. No acting change there and they just popped a ridiculous wig on her head to convince us to believe she is a different person.

Now comes Lee Min Ho. As beautiful he is, this man with sparkling gorgeous mischevious eyes has been conning us into believing he is a good actor since many years. It's not that hard to figure out that he recycles his expressions in every drama but lets not go there. He plays his role convincingly enough to give you flutters in the stomach.

He is the perfect dashing super hero who can do no wrong here with excellent fighting skills, Jedi level intelligence and is basically Einstein with a pretty face and a horse.

That's fine we like our romance heroes to be all that but it's not fine when you also try to convince me that this flower boy can suddenly transform into this brilliant and ruthless king/ mafia boss nobody can mess with. I can't buy that because he simply lacks the intensity to be one and honestly we are shown nothing in his background or story to prove otherwise.

So everytime he tried to be a serious king, to me he just felt like a toddler wearing his daddy's oversized shoes and shaking his fist trying to assert authority. Did I find him cute? For sure. Did I take him seriously? Hell no.

Some people said that it's a very hard to understand show and that those who don't like it, actually just don't understand it. Let me pop that bubble right here. It's a very simplistic plot with confused and lazy writing trying to mask itself as complicated. This is a tactic used by the writer because naturally if you make people feel like they don't get what's going on, they're gonna think the show is smarter than them and end up being impressed.

Let me tell you, I understood everything that was going on and it ain't that deep. It's a very commercial show with one goal alone: making money. That's why without putting any thought or effort into plot and execution, they casted hype worthy actors, ripped off another OST, and produced a dumbed down version of Goblin. Unfortunately for them, no amount of Lee Min Ho's boyish smiles can fry our braincells enough for us to lose the ability to tell a good script from bad.

Yes, the cinematography and direction is beautiful but there's only so many pretty color pallets, shots and sceneries you can enjoy till you start to question the bad writing.

Despite all the flaws if you still want to check out this show and just want one reason to push you towards it, then that reason is Woo Do Hwan. Who tried to save the show with his excellent acting and scene stealer self by bringing forward two characters who despite looking the same are entirely different people.

He brought forth the bromance and laugh out loud moments that act as the show's only saving grace. Yeong/Eun Seup are the best characters in the drama and you can't help but fall in love.

But the writer, ever so stubborn on digging her own grave steals that little happiness from us by reducing his screentime as much as possible. Take that as you will.

The skinship in this show is actually pretty decent with some excellent kisses. However, the romance is so poorly paced (trying to be intense just by the FL's cringeworthy crying scenes that pop out of nowhere without any reason) that you never get the feels you otherwise would. Again, I blame the writing because the two main leads have excellent chemistry in real life behind the scenes that just doesn't translate on-screen.

The villain, like every other character is poorly developed, one dimensional and his scenes (the very few there are) are horribly yawn inducing. The second FL (Prime Minister) and the second ML (Shin Jae) were both flat characters left with unexplored potential and by the second half, for the life of me I couldn't begin to make myself care about their stories.

Yes, there are a few scenes that are designed to make people react and make your adrenalin rush but even those scenes are extremely cheesy and come in to being with the help of the most unrealistic and ridiculous plot devices, that you can't help but laugh at.

Ending words: Quite definitely, a lost cause, you should watch it only if you want to take it as a bad parody and laugh at it, instead of with it.

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