Behind Your Touch
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Funny, entertaining and cool characters but writing went downhill with the crime
Up to the latest episodes this would have been a 9 for me, I was loving it, it was funny and light and had an interesting plot and characters. There were a couple of things of why it wouldn't have made it a 10 for me but overall I was impressed and very pleased with how funny it was and how it was developing, that is until they started unravelling the crime storyline.The mystery and crime in this show was interesting at the beginning and they did an ok job playing with the audience making you doubt if who you thought was the killer was correct. Personally as the episodes went I had it more and more clear so I was not surprised by the reveal and, although it was expected, not going to lie I was a bit disappointed at the same time because how his character was tackled.
The problem for me in the last few episodes is that they created multiple plotholes in the story and basically the writing went downhill, as well as how they decided to tackle the obstacles at hand. For most part of the show the premise has been that if a person had eyes closed FL couldn't see anything, but only in the last episodes it's revealed that actually she can hear in those blackout points, then it makes you wonder how she didn't hear anything the previous time she touched the killer, it made no sense. Sunglasses were an ok touch, but depending on where he was wearing them in the night you could have still seen flashes of lights in the distance or anything that would have made anyone suspicious and would have given away what they were using a lot earlier on. And this brings me then to, when they're chasing him in the last episode and knowing he was going to take the boat the next day, apply the same formula? Look for him in the night, desguise yourself and wear sunglasses?
The last episode is also made worse by:
- If she could hear there was absolutely no point in taking the killer out of the police station.
- She didn't even try to find Ok Hee with the information she had, it was not that difficult and she had a starting point, sweep the area with the police force and I'm sure they would have found her.
- Ok Hee Squad and Yong Myeong arrive to the area and keeps saying there is nothing around, but you could even see in the background there were some buildings so maybe stop asking and look around?
- Completely unbelievable the killer was able to take Ok Hee all the way there with his eyes closed. They spent half a show saying how it was impossible and there must have been a way, then he does it with his eyes closed like no problem for the final?
- ML and FL somehow manage to beat that group of people (super unrealistic to be able to beat all guys coming at you at once, but luckly they were doing like in videogames and only coming in one to three at a time...) and then after somehow they wait for a very long scene doing nothing other than touching their painful bodies in the background. No one tries to scape, not even the boss and ML/FL don't call the police...
- Earlier in the series I did think that this group of thugs would appear again at some point earlier in the story but they only brought them back for that? It was weak.
- The scene at the end with the prison was unnecesary and really added nothing, it felt dragged.
- What happened to the killer? Apparently he can even open doors and get other information to do anything he wants, how is he going to be contained in prison? Doubt the prison would believe he has powers and they need to do special arrangements for him. It's never tackled or explained, as are not the consequences of the actions of FL and ML in the last episode when essentially they go against the policemen in charge of the case, same when all of Ok Hee squad appears with the motorbikes and stop the policemen from moving.
- At times they were interacting with the killer in a manner that it felt they didn't even hold grudges against him.
A lot of plotholes were also caused by characters just playing dumb for the sake of the script, especially FL and SML. And I'm still wondering what happened to the cow, she had the most powers so maybe she's floating in space at this point... haha
This brings me to the characters. Generally I liked everyone except for FL, she was annoying many times, the classic dumb damsel in distress that puts everyone in danger and then blames others. At some points I was frustrated not going to lie.
Contrary to what I think is the general opinion I was not a fan of SML, his personality was pretty much made to keep you guessing and to be honest it's no wonder everyone thought it could be him, he was not clear and didn't give explanations, he was kept mysterious in that sense just for the sake of it. Who runs behind someone with a knife in hand and without even shouting or saying something? Who in their right mind knows who is the killer and still lives with him and doesn't go straight to the police? Why trying to tell her instead? The killer said he was smart, I think maybe he was intelligent but not smart., except for the message in arabic, that was smart but what are also the chances that FL would have touched the killer's butt then and not two months later? The plot said it would happen I guess, it was such a gamble.
The killer is ok for the most part, but I didn't personally like that the justification for his actions is pretty much that he's a psychopath doing things for fun. It's not the first kdrama I've watch that uses the same justification and I find it lazy, it's like creating the ultimate villain that is that way because yes. There is no real explanation to any of the murders and it did make me feel a bit dumb because throughout the series I kept trying to make connections between them and I think there were options to make the connection among them in one way or another. Instead it's just because they were there and maybe a couple because they rubbed him the wrong way a bit. I was wondering why he was obsessed with using that specific knife too, but there is no explanation. It's ok-ish I guess but not satisfactory to me.
I loved the comedy here, so many moments of laugh and fun, the references to 25/21 had me rolling. I also liked ML despite his flaws and I thought Ok Hee was so much fun with her squad and Kim Yong Myeong calling her eonni in that hilarious way. I did miss him in later episodes, he just disappeared once they put the comedy a lot more to the side.
I'm debating really if they should have chosen a different path for this series, in the sense that they could have kept the mystery and even crime (maybe not a serial killing but smaller cases?) and kept the comedy and lightheartedness all throughout the series. Even at the end when they bring it back for closure it felt a bit weird after all the crime and drama, I was not feeling it so much as the earlier episodes.
Overall I would recommend the series, it's entertaining and funny for the majority of the episodes. If you're looking for a romcom or romance focused series this is not it. It's not that there isn't romance, it's just not the main or secondary plot points of this show. FL likes SML but it's kept light, ML likes FL but it's kept light (although I have to say I enjoyed very much the way he would look her at times and the hints here and there, it was cute). Secondary characters like other secondary characters and their relationships are mostly in a comedy way, what it's fun romance that I enjoyed.
Not sure I would rewatch it, I would rewatch maybe until around episode 12 for the comedy, but I wouldn't rewatch after that.
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1 plot, 100 subplots
the keyword here was 18 "again", they just kept repeating things and branching out their subplots more and more. I don't blame them becasue they had to make a 2 hour movie into a 16 hour drama but they should've atleast only did 8eps. or at some point they should've made the ml forget his family and try to live his dream as it was intended, but after his wish suddenly he was chasing his kids and hanging out around his wife/getting jealous every two seconds.the good;
the family bonds
the friendships
the friendships in the family
the acting was nice
the directing was beautiful (ie the cinematography)
the comedy was sometimes good
the bad;
the existence of the 2nd lead
the 2nd leads backstory and his over confident and selfish personality (his flirting got on my nerve)
Deok Jin and Hae In's over complicated dragged out romance (we can't be together for blah blah reason)
and basically every plot unrelated to the fact that the ml was young again
the 1st ten or twenty mins and the last 5mins were the only thing plot related, suddenly they'd go out to eat
ep14-16 and the endless breakup was just horrible that made me reduce my ratings from 8.5 to 7
the ost was nice but that Hello Hello song was overused that it got on my nerve
there's a saying, "if you don't have a plot add a stalker" and guess what, they did
the work drama around the mom was "realistic" but they even got to ruin that, for 1- everyone randomly hated her, and 2- suddenly everyone forgot (I'm mostly talking about the boss)
and I never rewatch stuff
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A FRESH, ENGAGING CDRAMA❤️
FINAL REVIEW❤️A Heartwarming Journey of Growth and Self-Discovery
Filter, starring Tan Jianci and Li Landi, is a refreshing and heartfelt drama that beautifully blends humor, warmth, and life lessons. From start to finish, it offers a comforting and engaging experience, making it a perfect show to watch with family.
What Makes Filter Special?
✅ A Feel-Good Story with Depth
While Filter is lighthearted and comedic, it never feels shallow. Instead, it weaves important messages about self-acceptance, personal growth, and understanding others. Each episode leaves you with something to reflect on, making it more than just an entertaining watch.
✅ Genuine Chemistry and Strong Performances
Tan Jianci and Li Landi bring their characters to life with natural and endearing performances. Their chemistry feels effortless, making every interaction engaging. The entire cast contributes to the drama’s lively and heartwarming atmosphere.
✅ Perfect Blend of Comedy and Emotion
The humor in Filter never feels forced or cringy. It strikes the right balance—lighthearted yet meaningful. The comedic moments flow naturally, while the emotional depth ensures the drama stays impactful.
✅ Valuable Lessons About Self-Acceptance
One of the most beautiful aspects of Filter is its message about embracing one’s true self. The drama highlights how societal expectations and personal insecurities can shape our perceptions, but ultimately, true beauty lies in self-acceptance. It encourages viewers to see their own worth beyond superficial filters, making it a truly empowering watch.
✅ A Drama That Stays With You
Beyond entertainment, Filter leaves a lasting impression by teaching valuable lessons about perspective, relationships, and the importance of being authentic. It reminds viewers to appreciate both the big and small moments in life, making it a drama that resonates deeply.
Final Thoughts
Filter is a gem of a drama that leaves you feeling happy, warm, and inspired. It’s not just about romance or comedy—it’s about life itself, and most importantly, about accepting and loving who you are. If you’re looking for a drama that will uplift your mood while offering meaningful insights, Filter is a must-watch.
EARLIER REVIEW❤️
After finishing four episodes of Filter today, I’m completely obsessed—I need more ASAP! This drama is an absolute gem, and I can’t stop laughing. It’s so refreshing and different from the usual C-dramas, making it even more addictive. Every scene is pure entertainment, and I’m living for it! Tan Jianci and Li Landi are comedic gold—their chemistry, expressions, and energy are just perfect. I’m loving every second of it🤣🤣🤣❤️❤️❤️❤️
From the very first episodes, Filter proves to be more than just an entertaining drama—it carries a deep and meaningful message about self-worth, confidence, and respect for women. Beneath its humor lies a refreshing take on societal norms, breaking free from the traditional portrayals of female leads that often reinforce unrealistic beauty standards. In a world where media often pressures women to strive for impossible beauty standards, Filter is a breath of fresh air. It provides a comforting and uplifting experience for viewers, reminding them that beauty is not about fitting into a mold but about embracing one’s true self. Every confident girl is the most beautiful, and Filter makes sure to highlight this message in a way that feels both natural and empowering.
For anyone looking for a drama that is not only fun to watch but also carries a meaningful and positive message, Filter is a must-see. It’s incredibly satisfying, proving that entertainment can be both enjoyable and socially impactful.❤️❤️❤️❤️❤️
Filter is a breath of fresh air in the world of C-dramas, blending humor, mystery, and heartwarming moments seamlessly. The drama captivates viewers with its unique storyline, stellar cast, and perfect comedic timing, making it a must-watch for fans of engaging, well-crafted entertainment.
Tan Jianci and Li Landi – A Perfect Duo
Tan Jianci once again proves why he is one of the most talented actors in the industry. His performance is effortless, balancing comedy, wit, and emotional depth with ease. His expressive eyes and impeccable comedic timing make every scene enjoyable, showing once again that talent should be the true measure of an actor’s worth.
Li Landi is equally impressive, bringing charm, intelligence, and strong emotional depth to her role. She portrays her character with authenticity, making her instantly likable. Her chemistry with Tan Jianci is natural and delightful, making their interactions one of the highlights of the show. She holds her own in every scene, proving she is a force to be reckoned with.
A Well-Cast Ensemble with Perfect Chemistry
Beyond the leads, the entire cast brings the script to life with strong performances and undeniable chemistry. The interactions feel natural and never forced, making the humor land effectively. Unlike some comedies that rely on over-the-top acting, Filter strikes the perfect balance, ensuring that the humor feels organic and genuinely funny.
A Unique and Engaging Plot
What sets Filter apart from other dramas is its fresh and unpredictable storyline. It keeps viewers intrigued while maintaining a lighthearted tone, making it an enjoyable watch for all ages.
A Must-Watch for C-Drama Fans
If you’re looking for a drama that will make you laugh, keep you entertained, and appreciate truly talented actors, Filter is the perfect choice. Tan Jianci and Li Landi deliver outstanding performances, making the drama even more engaging. This is one of those rare shows that can be enjoyed with family, making it even more special.
Final Verdict: 1000/10
A refreshing, fun, and well-executed drama that showcases Tan Jianci and Li Landi’s brilliance. If you haven’t watched Filter yet, you’re missing out!
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Too Much Hype, Not Enough Sustenance
Before I begin, I will be spoiling a lot of key plot points in this review. Please read this after watching the drama.Plot summary: Two men, Pran (Nanon) and Pat (Ohm), grew up next to one another. Even though they're the same age, like Romeo and Juliet, their families hate one another due to past bad blood between Pat's father and Pran's mother. The two had been secret friends since childhood, but once Pran's mom found out that her son was friend's with Pat, she moved Pran to another school. Years later, the two are reunited in university studying at rival majors: Engineering and Architecture. Once the two meet, they discover that not only are they in the same school, they also live across the hall from one another. The more time they spend together, Pat realizes that he's always loved Pran. Pran has always had a secret crush on Pat. The two decide to get together, but being from rival households and rival majors at school, they have to navigate carefully or else they will have to break up.
The overall plot of the story is quite easy to follow, as it's a tale that's been told a million times. So there's not much originality when it comes to the plot, except that instead of a man or a woman, they're two men. My biggest critiques about GMMTV plots is that they're predictable. Episodes 1-4 usually spend time on exposition. 5-7 the two characters start falling in love. By episode 8, they are usually together, and in episode 9 we start running into the 3rd and final conflict in their relationship which takes the remainder of the drama. Episode 11 usually wraps up the drama, and episode 12 closes everyone's story arch with (usually) happy endings for everyone. I've watched so many GMMTV stories that the predictability can be a bit annoying, especially with a well known plot like a Romeo and Juliet romance.
I will now discuss my X number of grievances with this drama in no particular order.
1. The side characters did not get enough time for what I think was needed for them to actually have a role. A pet peeve of mine with side characters is that if they aren't doing significant work in the drama to have them, why show them at all? I felt like Pa and Ink's addition to the story was quite welcomed. I loved having a lesbian couple, but since the story was not about them, we barely saw their relationship bloom and even focus on them after they got together. It was just like, they're together, but we don't have time to expand on how the two developed. Mo, Louis, Safe, and Chang had no reason to be in the story as they barely had lines and could easily be removed without changing anything in the story. Korn, got more lines in the later episodes, but he was basically unneeded except to start fights. Wai is probably the only side character that mattered as he becomes a villain of some sorts in the middle.
2. Half of the story felt like fanservice. Ohm not having his shirt on for most of the drama, or taking it off every chance he could get was well great eye candy, but was it needed for the story? I felt like they knew it would attract fans by him having it off. Like a lot of the extra things that the characters did with one another to me felt like it was to have us enjoy them having sweet moments together, but not because the characters themselves would have acted like that with one another.
3. I say this about every GMMTV show. Stop having actors sell products. It takes away from the drama. Figure out a way to sell your sponsors without literally praising how good the product is in the show. Like, every show has sponsors but at this point is to have it in the background enough times that people implicitly see it and recognize your brand. It's not for your actors to sell it in the show. It disrupts the flow of the show.
4. Pran has already known and accepted his feelings for Pat. He already knew he liked him. However, Pran up until episode 4, thought he was completely straight. I would have like more than the simple one-liner where he says something like "Love is love, and I can fall in love with anyone regardless of gender." I felt like this just a revision of the horrible, I'm not gay, but I just love you trope. Instead of just saying the character is outright gay, it's that they're in love with the person or pansexual, which is fine. However, to me, it reads as, we're still keeping the female fans by giving them a bone and making them fall in love with Pat's character because he could still be in a straight relationship.
5. I read in some other review that this drama was made for the LGBTQ+ community and I couldn't disagree with this comment more. I felt like it was quite targeting to women and not the LGBTQ+ movement at all. As a gay a man, I would've loved to see more actual support for the community than fan service to make the girls fall in love. Being openly gay, or in an openly gay relationship is quite scary even if you're in Thailand. I love to see the inner struggle that gay characters go through to be themselves.
6. The plot was a bit childish at parts. Like why are grown adults fighting like high school kids. I asked my Thai friends how realistic this was and they all said not at all. It's like, why are grown adults fighting on campus? Because of some stupid rivalry. Give me a break. Unfortunately, this plot takes the first 4 episodes which makes it so boring. Even the parents. Like, I was pissed at the dad, but this whole plot point was introduced and never really resolved.
7. The pacing was poor. We spent so much time, like 4 episodes, setting the fact that they all hate one another except Pran and Pat who secretly know each other. That needed one episode. The building of the two group's tension was unneeded since most of these characters have no importance in the plot, let alone lines. The ending felt rushed from episodes 9-12. It was like, we needed to tie up loose ends, so let's even jump ahead 4 years. Show that things are kinda changing but not really... Or, that tag at the end where they're 5 years into their relationship and playing a drinking game about what they don't know about each other, albeit cute, was just fan service.
What I did Like:
1. Despite having a lot of things I overall disliked, I did find the drama enjoyable. I do recommend people to watch it because Ohm and Nanon are both excellent actors. The two had great chemistry. Especially episodes 5-8. These episodes were really well-written and well-acted. The emotions were very raw and I related to it quite well.
2. Some of the plot was interesting, especially during the whole Wai saga. He became a super villain and I was all for it.
3. The cinematography was gorgeous. I loved a lot of the emotional night scenes.
4. I loved Pa and Ink's relationship. They both had chemistry. I wish they would have their own series. I think they're both great actresses.
Final Thoughts:
I liked it. I don't think it's better than some of the other BLs. But I think it's worth the watch, especially for the episodes where their acting really shined.
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Understanding Love
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You are the sum of all your experiences, learn from it and be a better person.
The ultimate question: Did they live happily ever after, as a couple? Or, did they live happily ever after, as friends?Answer: it can go either way, 50-50.
Here's why.
As I mentioned in the previous weeks, this show is a story about love, relationships, break-ups, forgiveness, and moving on. This is not a fantasy romance where we would feel we are in heaven, and dream of Mr. Right and Ms. Perfect. No, none of that.
My first romantic relationship lasted for three (3) years. She was my first, and I was her first. We broke up, we talked, we closed things properly. But, guess what? We both failed to moved on.
In our case, she got married a few years later. It took us 11 more years to have a real closure. We failed to move on because we were not honest with ourselves, and we did not learn to forgive ourselves.
Before we can truly move on, we need to forgive the other party. But, we can not forgive other people if we do not forgive our own self first. To be able to forgive our own self, we need to face the reality and embrace it.
Yes, it is a process. It can take years, or it can take as short as a minute. It does not matter if you understand the process, there are people who can truly move on fast without being aware of the process.
Personally, I have proven that process to myself, when in late 2020, my 15-year relationship ended. When I learned to face reality, when I learned to embrace it. It was only then I was able to forgive myself.
It felt good. The heavy burden in my mind, and on my shoulders, were lifted. I was able to finally breathe. Then, I was able to forgive and thank her, even though I was only talking to the air.
It took me three (3) months, and I also had to put a deadline for myself. What do I mean? I told myself, “after this date, all is over, period”. After that date passed, I moved on. I started to smile.
Once we have truly moved on, that is only the time that healing begins. There is no healing if you can not smile. There is no healing if you can stomach hearing your ex's (or enemy's) name. You are not healing at all if you are still reacting emotionally when you see that other person's shadows, or hear them breath.
All these things are what “The Interest of Love” was telling us.
We all know that love and relationships are complicated, but do we truly understand it?
The 1FL was mostly pessimistic in the entire show. Rightly so, because there are people who are pessimistic. They do exist, and if you have not met at least one pessimistic person, you have not truly lived. The 1FL represents people who are pessimistic.
While the 1ML is a type of person who have a positive outlook in life, who was later crashed because of love. He was that type of person you have probably met once who never had time about love and relationships. But, when their heart was stolen by someone, they had no idea how to act and handle things.
Our pessimist 1FL eventually grew and started to have a positive outlook in life. All because of the 1ML.
At the same time, our 1ML, who had no idea about love and relationships, learned to listen and understand other people. All because of the 1FL.
Are you seeing how these two characters are helping each other grow? That is love and relationship. In episode 16, they even asked, “Were we really in love?” Because their relationship as two individuals was closer than they care to admit.
Let's take a detour.
There is also an important contrast between the 1ML and the 2ML. The 2ML acted badly when he heard the news that the 1FL slept with another man (note: there was no concrete proof if she did or not). The last word he told the 1FL was, “b**ch”.
However, what struck me was the 2ML also grew. Instead of sulking, or trying to find the 1FL and, maybe, force her back into a relationship after apologising, he decided to just call it.
Like what I mentioned earlier, the 2ML faced his reality and embraced it. He was not able to ask for forgiveness in person, but he knew he was forgiven because he learned to forgive himself.
He turned his bad experiences as a source of strength. He focused on his studies, and eventually achieved his dream to become a police officer.
Meanwhile, the 1ML was not giving up. He tried to find the 1FL, and he did, only to lose her again. And for the next four years, he tried to survive, hoping to see her one more time. (We are assuming he chose the branch himself.)
Another detour. The 2FL! Let's not forget her.
What type of character was she? She is that person who will do anything to get what they want. Not necessarily rich and wealthy people, mind you, there are ordinary people who get what they want just because. The 2FL represents those type of persons.
However, when it comes to love and relationships, it's either shallow or one-sided. First, she accepted the fact that the 1ML has eyes for the 1FL, but when he needed a shoulder to cry on, she freely offered herself. This is what we call “rebound relationship”.
For the 2FL, as long as she gets what she wanted, it is fine for her to be the rebound. The bad effect of this is that, the other person (the 1ML in this case) will never be fully into that relationship. They are either still thinking of the other person (the 1FL in this case), or they are only using the rebound relationship to heal (and once they healed, they will more likely leave).
The 1ML, who was growing because of the 1FL, realised this and broke up with her. Three years later, the 2FL returned to Korea, healed. In episode 16, she mentioned that she is fine talking about the 1ML because she (truly) moved on.
They even showed a scene how the 2FL saw the 1ML during the wedding, and it did not bother her. Was it because she found a new boyfriend? No, it wasn't about faithfulness and loyalty to her new boyfriend. In the first place, if she has not truly moved on, she would not be able to have a new boyfriend, that is not her character. Not to mention, she would not show up in the wedding knowing that they may cross paths.
The 2FL grew and learned what it means to love and have a relationship. Not just a romantic relationship, but also a relationship with her father.
Which brings us back to the 1FL and her relationship with her father. Like the 2FL, the 1FL also have a strained relationship with her father, although different, they are both not close to them.
See the contrast and 'relationships'?
And now, we are in episode 16. We have gone full circle when the 1ML and the 1FL started to talk about their “what-ifs”. This is a different kind of “what-ifs”.
Usually, “what-ifs” are regrets. However, in the case of the 1ML and 1FL, it was an intellectual discourse. Would things between them have ended up differently… if…?
There were no regrets when they looked back at their memories. Why? How? Simple. They learned to face and embrace their reality, and have forgiven themselves, and each other.
They moved on from the pain they caused each other. And they used those experiences to grow for the next four years of their lives.
Thus, when they met again, they were simply two ___healed___ individuals reminiscing their time together.
Think of it this way, tabula rasa. Clean slate.
They can choose to become a couple. Or, they can decide to remain as “special” friends.
I personally know married couples who broke up and later met again 4+ years later. They rekindled their love and relationship.
I, myself, went through the latter. Remember the first relationship I shared earlier, which took 11 years before we finally were able to moved on? Whenever our paths cross, after the true closure, there are no more lingering emotions and feelings between us. We can talk about the past normally, as in, just the past.
Some would probably say, “well, she's married and have children”. Sure, that's valid. However, even if she is still single, that part of our lives is long gone. We have reached the point wherein we will never cross our unwritten and undiscussed boundaries. We are just nothing but “special” friends.
I can see it in her eyes, and I am sure she can see it in my eyes, too. The past is the past. It's over between us, permanently. There is nothing to rekindle. We can reminisce, but that's it, nothing to rekindle. Our love for each other changed to something akin to brother and sister.
This is why the ending of “The Interest of Love” was like that.
Here are two individuals, whose lives were entwined when they were younger and innocent. Four years later, having learned from their experiences, and have forgiven themselves in the process, their paths crossed again.
They are representing two types of “couples”.
The first is: those couples who rekindled their love and gotten married later.
The second is: those couples, like me and my first, who will never have a romantic relationship ever again, but remain good friends.
It is up to the audience to decide which path the 1ML and the 2FL will choose. They can remain as friends, having grown and learned from each other. Or, they can rekindle their love and see where it goes this time around.
After all, they did ask and realised, “were we in love then?”
These are what the 1ML, 1FL, 2FL, and the 2ML, all learned in their lives:
You are the sum of your experiences. Learn from it and become a better person. Never harbour hatred and bitterness, rather, listen and understand each other.
All of our relationships are important. Be it romantic, as friends, or with our families. In these personal relationships, let love encompassed it all.
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However, on the other hand, I like the acting especially Woobin's. The part when he reunites with his mother just simply touched me - the only scene I cried throughout the whole show.
In conclusion, I won't find this drama that worth to watch unless you are a fan of any of the main casts.
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INVESTIGATION of Invincible Chemistry - Burning Romance
A MUST-WATCH. The enemies-to-lovers slow romance is perfectly executed while not rushing over with the plot. I have watched quite a hand full of LGBTQIA+ series but I find this to be one of the most outstanding and capturing ones, for me personally. Something between the chemistry of First and Khaotung and the cinematography of this series. I´m IN LOVE.If you’re an NSFW scenes hunter, you’ll regret missing this MASTERPIECE. This is one of the first times I've been a bit disapproving of some ratings, at least to the extent of giving this series less than 7 stars. YES, we don´t know much about what is going on but it is a mystery and investigation series, plotholes are basically the fundament of "The Eclipse" to be suspenseful and thus meet higher standards than just a "simple" high school enemies to lovers romance trope.
Story >> 8.5 >> 8.0 >> 8.5
When it comes to high school, more precisely all-boys-high school, LGBTQIA+ Awareness, and Against The System dramas this is a MUST watch! While this plot focuses a lot on the romance of two very different young men, the story also contains and shares some important messages and morals, as well as the mention of George Orwell´s 1984.
Acting/ Cast >> 9.0 >> 9.5
If this isn´t a 9.5, then I don´t know what is considered flawless acting. I´m obsessed with the dynamic between First and Khaotung, it may not change the story much, but it does change the presentation extremely and if it was only based on them, I had given this section a 10-star ranking. Every eye contact between the two of them has such an intensity that it can hardly be compared to any other couple in that industry, in my opinion. I was shocked too when I found myself cheering for their cooperation the most because it was such an unexpected match for me. Khaotung has my mouth literally gaping with his performance because I was only used to him playing cheerful, playful, and goofy characters, and watching him portray Ayan with such dedication, makes me incredibly happy and satisfied. Also, Neo brightens my day whenever and wherever he appears on the screen.
Music (/Production) >> 8.5
You really have to pay a huge compliment to the production and tell them that the effort was worth it and that they should please spoil their employees. Especially the screenwriters and the director. I think that even the intro alone is so much better than most other intros I have seen from GMMTV/GMM25.
Rewatch Value >> 9.0 >> 9.5
This might be one of my best ratings when it comes to the Rewatch Value but this series has become one of my ALL-TIME FAVORITES! I can only recommend it to everyone, except for those who’re only hunting for ND/NSFW scenes, who are missing out on plot quality.
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Catching up with life.
I don’t think we need another review for the 2nd season of “Yumi’s Cells”, so this one will be me casually talking about the parallels, the changes and the newness of the show which will also include few complaints, ofc. And it will contain spoilers for obvious reasons, so to know about the quality of the show, please refer the reviews for the season 1 bcs it’s almost the same in this season.DON'T READ AHEAD IF YOU'RE NOT DONE YET.
# SO, It begins with the B&W face of the person that we loved in the s1 with all our heart. The pain in those eyes though, very heartfelt.
# We have to go through a ‘moving on’ era and process the breakup, with whom? Obv, with Yumi and her cells. The various tactics she pulls to get rid of her feelings and just forget, the time she takes to get over everything and let go, all of them were sad.
# I am glad they remembered the fried egg umbrella.
# Book as a sign of love and book as source of comfort, truly liked that.
# The rainbow music player device is still there. Gays are winning AAAAAA.
# Ruby remains annoying but the writer-nim put some sense to her character in this season and that made her very likable. She’s cute anyways.
# Was hunger cell always that calculative? I mean I knew it was clever but the way Yumi ordered stuffs in that restaurant along with that free stuff was clearly jaw-dropping.
# They continue to present some of the conversations between the cells as chats as the character thinks about stuffs during confusion.
# The fan and anti-fan war between cells for Babi was so cute man, I enjoyed till it lasted.
# I honestly was not sure about Babi at first and the reason was obv Woong, but by the end of ep4, I realized that he was a charming man.
# The recycling garbage dump of Yumi was a creative thing for sure.
# Yumi slowly falling for Babi with the confusions she held and with the fears she possessed was a rough yet sweet journey.
# A lot of things felt like déjà vu, bcs we were again falling in love, may be in a different manner, but feelings were regardless the same.
# There were contrasting paralles between the two relationships that we saw in the 2 seasons and I loved how they were represented by the makers, even so unintentionally?
# Yumi having reasonable suspicions in every matter following her fallout with Woong felt very real.
# Babi’s cells welcoming Yumi’s ‘SARANGH SEPHO’ was one of the sweetest things, I cried.
# Embracing newness and changes that come along is what life demands from us, was the moral of Yumi’s responses in her new relationship.
# Changing profession so as to honor your passion is a fulfilling feeling. Yumi qutting her work and becoming a writer was a witness to it.
# Aurora as the new lights and the turning points in the life, a reasonable method of relating.
# The blackout in Yumi’s village when she gets drunk was so funny.
# Rationale cell’s voice is worth falling for.
# The naughty cell had a blast this season, my gosh.
# The 40kg lingering feelings behind the trunk of the pride’s car put by conscience was also another relatable idea worth of appreciation.
# Woong appearing at the end of ep 4 and that thing continuing in the next episode was painful and heavy. The 5th episode that started with misery, I found myself relieved by the end of that episode because of the way Yumi dealt it. Woong was at least given a perfect closure, I was glad.
# I am so happy they didn’t introduce new OSTs and used the ones from the s1, indicating a perfect continual flow, However, it was also a lil sad for it reminded me of Woong too.
# Introduction of many other body parts as cells, like tongue cells, hair cells, foot cells.
# P. O. as Control Z (read Control JEE) was the cutest. I honestly didn’t know about his role and seeing him was so joyful. Then he was made to stay longer, and I was so happy.
# Surprising was Control Z and Ruby falling in love and dating, and I guess it was for all of you too, haha.
# Babi and Yumi’s relationship was smooth and sweet for a long time, very likable. The way it was shown definitely played a big role in making the audience want for more when, in fact, Babi isn’t as significant in the webtoon. Nevertheless, we all fell for Babi.
# What happened to their relationship was not expected but was I surprised? Not really! Was I mad? May be but not that. Bcs I knew Babi wasn’t the man for Yumi in the webtoon and how Woong and Yumi ended up, I learnt a lot from it. It also taught me endurance.
# Long Distance Relationships are not easy and for most of us, it’s a myth. It was bound to be shaken one day and by any means, which happened to be a third party disturbance in this case, which was again natural. Not justifying it at all but getting swayed towards your colleague when you’re away from your partner is real so it’s upon the person to have control over their emotions, at which Babi failed.
# We have all the rights to be extremely angry bcs after all, Yumi is our primary concern and her feelings matter more to us than anything else.
# Yumi’s response to this was also natural and one of the two options she had left to do and she chose what her then emotions and impulses demanded. She could have stayed and given Babi another chance but with furiousness she simpy chose to walk away.
# Again, again, again, it was only natural how upon meeting Babi after a long break and being confronted, she melted like butter despite her efforts to resisit. It was because they were away for a while and seeing each other again made them realize that they were not over each other. So the time asked them to get back together and they did.
# I will never understand people who lowered the ratings or started shitting on the show bcs the show didn’t have a lovey-dovey relationship entirely as shown in the first half rather it turned rough and realistic. It’s only natural to be mad on the characters but this is stupid.
# The process of Yumi becoming a writer was an ecstatic journey. We saw her spending carefully, thinking through a lot, being calculative at everything and manage her love life at the same time. But the way she bloomed into an artist and flew with colourful wings by the end of the show, I was so happy for her and for the fact that she got what she wanted and rightfully deserved.
# The editor in chief’s character was super funny and so was the scenes written for his cells but those ugly ass weird cells made me so angry, I mean why would you make his cells like cylindrical human beings? TT
# Woong coming back to screen, and that time with a fair possibility to get back together with Yumi, had made me so so so happy but why in the world the writer had to bring him back with the intention of hurting harder??? I was very mad, ngl.
# I was never happy with the 2nd innings of Yumi and Babi, not bcs they made choices to do so, but Woong’s comeback had me excited. And as expected, they were clerly not completely happy with whatever was happening though thankfully it never turned toxic.
# Well, but the ending of the 12th episode somehow felt rushed and abrupt, I mean the way they decided to get married out of impulse did bother me, bcs I was assuming they’d break up for the 2nd time then.
# Okay then, I was expecting a blast to result from that scene in next episode or at least in the finale, which didn’t happen, rather things were wrapped up smoothly and ig I am not mad about it.
# The metamorphosis card thingy was relatable wow.
# The cold virus and it's fight with the throat cells were so aptly presented, also with the ginger molecules, haha. The way the immune cells were acting up then was very biological.
# Ahn Dae Young and Yi Da??? let me cry bcs they were also cute.
# The fat cells were so cute, I'll kms.
# I liked how things were processed between Woong and Yumi’s in the finale, which obv made me expect things but atp, I think everything happens for a reason (honestly I cried about it not happening).
# About the ending, I am satisfied and happy about the way it ended. It was the best possible closure to me. Yeah, It was confusing a bit and we can say we are gonna have another season where Yumi finally meets her soulmate but I will wait.
# The guy whom we saw in the party, i am sure people are going crazy to know but first of all, I want them to announce the renewal, then I want to know whom they are gonna cast and that will probably happen few months before the season airs.
# As much as I wanna know who the actor will be, I think it will be a huge huge huge surprise if they introduce him right in the 1st episode of the s3.
Not gonna list out the complaints but lemme rant a bit. The plot development was not shoddy or anything there are definitely some plot elements that felt off. I can completely dismiss my criticisms if I think of it as a realistic option, but I am still unconvinced on personal levels. Few of the screenplay felt a little off and slow which should not have happened for a 14 episode show with multiple short and long time leaps.
Adding to it, I would have love some elaborate explanations about few things involving their relationships which didn’t happen here, and which was very much prelevant in the s1. The faster flow could be to blame but I guess they also wasted time on focusing on some additional characters, so why not this?
Will there be a season 3? Well, I am both uncertain and optimistic about the possibilities just like I was at the end of s1. So, it might or might not happen, which we’ll know within few days if we are lucky, but as much I know about the webtoon, there is definitely more to the story and personally I would love another season. But I will also be okay if they don’t plan to make one. Considering the original work and the buzz, its more likey to be renewed though. Anyways, I want one, so please.
As I am come to write the ending note, I urge everyone to realize that the relationship in the season 1 was a realistic one where the one in the season 2 is a idealistic one so the appreciations and complaints will differ in a varying degree, basing upon personal references but rationally speaking, I am still standing on a neutral stance. I liked both of them for different reasons albeit the fact that I liked the season1 better, regardless, I think there is no firm requirement for comparing the two for they’re the same continual drama.
Final Remarks… Overally, “Yumi’s Cells 2” was again able to make us feel different and had crucial influences on our hearts and minds. The show retained its originality by once again proving that the story is about the cells and not human beings. It had some rough points technically and the makers could have worked on it, but it is still good and I am sure that, if you’ve been reading through, you loved it too, haha. Will eagerly wait for the season 3.
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GAY GAY GAY
Skynani never fails to amaze me. I know this isn’t a BL but I swear to god it’s more romantic and deep than the majority of BLs atm, for me at least. Like, leaving the obvious plot aside, I MEAN SOULMATEEEESSS !! But their acting and chemistry is just on another level. Sky looks at Nani like it’s the only thing he sees and vice versa. I just love them so fucking much 🥹If you love supernatural things, this series is straight-up made for you. But even if you don’t usually go for fantasy, the way it wraps all that crazy world-building around the most devastatingly beautiful partnership between Pete (Nani) and Niran (Sky) will have you hooked from episode one.
The plot itself is addictive as hell. Every episode escalates and the action is actually well-choreographed and exciting (those fight scenes hit different when you’re emotionally invested in the two leads protecting each other). The mystery keeps twisting. But none of it would work without the emotional core, and that core is 100% SkyNani.
Also the eye contact in this series should be studied in acting schools. The protective touches. The way they are risking everything for one another without ever needing to say the obvious out loud. Like I don't even need a love confession. I KNOW THEY ARE MARRIED!!! They are one soul, and they even gave us an actual OST called “We Are One” sung by Sky and Nani themselves in the later episodes. GMMTV knew exactly what they were doing and I’m grateful.
LIKE SOUL BINDING SCENE?? HELLOOO???
What makes this hit harder than most BLs for me is how deep the emotional intimacy goes without needing labels or typical romance tropes. Their bond is built on mutual reliance, sacrifice, seeing each other at their absolute worst and choosing to stay anyway. Pete’s growth from this angry, unlucky guy who thinks he’s cursed to someone who learns to wield his power and fight for others is really beautiful.
And the found family vibes with Team Wu is pretty immaculate. The side characters add so much flavor and stakes without ever stealing focus from the main duo. I LOVE THE TRANS REPRESENTATION.
Anyway, end point is:
Skynani stans, we won. Again. After High School Frenemy already proved they have insane chemistry, Wu took it to a whole new dimension. I was already obsessed with them, now I am straight up in love. 🫶😭💖
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Crash Landing on You
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Story: 5/10* Most brownie points goes to the 2nd lead's story development.
* Minus 2 for Se Ri's foiled escape plan on multiple repeats plus a lot of cheesy unnecessary (although I acknowledge that cheesiness is subjective. lol)
* Minus 3 for the senseless tragedy towards the 2nd leads. They sacrificed the 2nd leads story just to inject a sob story which isn't even necessary. We know it's unnecessary because the main story will still stand even in the absence of GSJ's death.
Cast: 10/10
* I'm feeling generous because everyone did deliver and no obvious flaws. Most brownie points goes to Ye Jin, Jung Hyun and Ji Hye.
Music: 7/10
* I like classical music so it is a plus.. But the scoring, in general, does not really evoke a remarkable emotion--like when you hear the background music, for example, in your mind you see a flashback and you suddenly remember the emotion it evoked.
Rewatch Value: 1 (Just seeing clips of Seo Dan and Seung Jun hurts so nope, not gonna watch it again).
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Snow White Must Die
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Edge of Your Seat Suspense.. Thriller That Keeps You Hooked..
Undeniably the best thriller drama of 2024..The drama boasts top notch production quality and excellent cinematography.. Though the beginning can be frustrating.. As the ML is gaslighted into a confession and his family suffers manipulation and helplessness.. It effectively sets the stage for a gripping and intense thriller..
It gets even more frustrating.. How they mistreat the ML's mother and how they try to protect the person who tried to Kill her.. How helpless the ML is.. Yeah it gets on your nerves..
The story progresses too slow at the beginning.. But that makes the eventual twists even more impactful and makes it even more interesting.. A proper thriller that slowly unravels and pulls you deeper into its web of suspense with each twist and turn... That's how it is.. I am glad I waited to binge watch it.. Because there’s no way I could have handled waiting a week between episodes.. Watching the ML spend more time in the ER than his house after getting out of prison was a bit much..
Besides the ML and SML and Ha Seol.. The rest of the characters were truly awful.. Most weren’t just bad they were outright evil.. Manipulating and feasting on others pain.. Even the detective who forced the ML’s confession was being gaslighted by the chief.. It’s a story packed with evil people.. I mean nobody felt a hint of remorse of regret for what they did..
Initially, I felt bad for Choi Na Gyeom. She stood by the ML for 10 years, visiting him in prison when even his mother didn’t. That devotion was admirable. That was quite something.. But how he kept pushing her away.. Ignoring her.. That felt bad.. But well.. She turned out to be a psychopath.. A total psychopath.. But Go Bo Gyeol nailed her role..
Around episode six the story starts coming together... Everything starts to make sense and just when you think you’ve figured it out.. Another twist drops and then another.. It keeps you hooked till the very end.
There were a few flaws though.. Like the unrealistically clear footage from a foldable keypad mobile phone.. Seriously.. how was it not grainy??
Anyhow.. Black Out delivered a satisfying conclusion.. Though I would have loved to see the ML’s friends suffer more for their actions.. They lost what they valued most and ended up in jail but they deserved even worse.. They deserved more pain.. More and more and more pain..
For the first time in a long time.. I was fully immersed in a Korean drama.. It was one hell of a rollercoaster ride..
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"What's It Like to Date a Walking Red Flag"
That's what this title should be called...I watched the animated version, (The Girl Downstairs) and now having watched the live version, my opinion hasn't changed. I was very surprised when I heard that they were making a live version of this because IMO, it really wasn't worth it. While the storyline vastly differed from each other (webtoon vs live action), the main characters were the same. This is probably one of the shallowest k-drama I've ever watched. Usually, you might see some immature ones like you find with some high school genres but this one certainly had no real, true depth.
The FL was a huge, walking, waving RED FLAG right from the beginning. She had no charming traits to her at all. A smoker, a drinker and basically a hothead. She obviously had some serious mental issues and was very unlikeable. The only reason you can think of why the ML falls for her is because of the physical attraction and all the moves she was pulling on him. After finding out the reason why the SFL, Jin-ju, left him in the first place, you sympathize with her and honestly, I was baffled as to why he never chose her. Jin-ju was way better than Doona. You only get glimpses of Doona's life and whatever the ML read about her online but she never once really opens up about herself at all. She just expects the ML to put up with her closed off attitude and he embarrassingly does.
Halfway through this, I was getting sick of watching the ML just get used and abused by the FL. He was constantly apologizing to her and putting up with her tantrums, mood swings and silent treatment for no good reason. He put up with so much of her BS that you lose respect for him early on. By the time EP7 came around, the minute she got into the Manager's car, I basically threw my hands up and gave up on both of them. The ML remains a pushover the entire time. It never stopped right from beginning to end and there was absolutely NO character growth from the FL at all. Four years go by and yet she remained self-centered, obsessive, whiny, and demanding til the very end. She never seeks any professional help. She could've used some serious therapy. In all honesty, it would've been good to see her talking to a therapist or doing some kind of work on herself like meditation. At least then it would've shown some self-reflection or inner work and it would've shown the audience that there's professional help and some options available to those who need it. That even "idols" could use some help.
In regards to the side characters, they contributed almost nothing to the story. The writer just couldn't write anyone having a real, heartfelt conversation. Like why did the FL's mother even bother making an appearance and nevermind the ML's family or best friend? All the side characters were just fillers. All the non-verbal communication was just irritating and frustrating to watch. I didn't even care about all the intimate scenes because I didn't care much for the ML and FL and especially the side characters. At least the side characters showed some changes and personal growth and I didn't even care for them.
It was really strategic and lucky that Netflix dropped all episodes at once as I think it would've been a lot different and worst if we had to wait for 1 or 2 episodes weekly. Overall, a hard pass on this one.
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River Where the Moon Rises
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Bloodshed And History ; Where To Begin With One Of The Most Controversial Dramas Of 2021...
Before getting on to analysing the main storyline and characters of the series as individuals , it is probably most prominent to address two main controversies which ultimately affected character and production in the drama. First, dropping initial actor Ji Soo with his allegations in favour of Na In Woo in episode 7 ( subverting On Dal’s personality ) and then having to reshoot scenes eventually with Na In Woo and releasing the earlier episodes after the initial finale . Whilst a lot of diehard advocates of the show will probably sugarcoat this by stating that “ it didn’t stop the storyline from being good” or “ Kim So Hyun made up for this”, it is important to note that even in early episodes, the series did often feel hampered by several incoherent screenwriting choices.A notable example of poor scriptwriting occurs by the usage of contemporary vernacular in the show’s main setting of the Goguryeo era (37BC – 668AD). Although admittedly it would be equally ridiculous for the show to even attempt speaking in an outdated and incomprehensible tongue for the whole course of the series, it felt laughable when a palace guard or a member of the royal court suddenly sprouted demotic Korean phrases that would not be out of place in an Internet cafe in Seoul today. Of course, it is understandable that the drama does want to resonate with modern audiences, and as a fictionalised story, tweaking history can present an interesting depiction of the director and screenwriter’s thoughts. However, instead of actually bothering to take the time to present authenticity through discourse exchanges, some of the spoken lines of the series felt awkwardly mismatched with its time and setting. ( Though admittedly this did improve in later episodes.)
As a consequence, this often took away from the more intriguing portrayal of the historical costumes , and the storyline ‘s main focus on a warring nation torn by clans. The premise is fairly intriguing by its initial setup of the amnesiac heroine Princess Pyeonggang ( Kim So-hyun) defying her fate , falling in love with “the fool” On Dal ( Ji Soo/ Na In Woo) and of course taking its origins from a modern spin on the traditional folktale based on the 2010 novel Princess Pyeonggang (written by Choi Sa-gyu).
Nevertheless, Kim So-Hyun is able to brilliantly capture Pyeonggang ( or “ Ga Jin”) through her individual performance , however, something which should initially be addressed as an example of questionable miscasting, was the choice also to use So-Hyun to play her character’s mother, Queen Yeon during flashbacks in early episodes. ( Leading to a lot of confusion for first-time viewers of the show.)
In addition to this whilst it is hard to fault Kim So Hyun’s performance, her character felt oddly-written. When we are first introduced to Ga Jin she is a ‘’blank slate’’ due to not possessing defining memories of her past. However, the main issue towards Pyeonggang is due to her character development as the story progresses. We were told that Pyeonggang grew up as a top assassin Yeom Ga-jin, which implied that she should not only be skilled in martial arts, but also would be able to be quick-thinking in dire situations. Yet often during key events in the series, Ga Jin/ Pyeonggang was often reckless and foolish. Near the ending, admittedly Pyeonggang did resort back to her resilient and tough role as the heroine, however, the development in between deeply questioned how such a fierce, decisive and brave warrior from the flash-forward during the opening montage matched up with the character who seemed to unfold over the course of the series in front of viewers’ eyes.
This moves us onto the biggest elephant in the room, On Dal. Being played by two different actors, there is the most evident problem of how to assess this character from the two difference performances upon the archetype of the ‘ kind-hearted and foolish male lead’.
Ji Soo seemed to capture the ‘ fool’ as benign and goofy, adding a notably fractious and eccentric undertone to On Dal as a character. However, Na In Woo took a less childish approach to On Dal’s constant grins and confused tone , through dumbstruck expressions for the latter part of the series before taking on a more serious tone towards the character (as he is becomes a more revered individual due to the circumstances ). Regardless, On Dal acts as a major asset within Pyeonggang’s journey of self discovery and their fairly sweet romance tale by bringing out her personality and as a tie to her complicated past. However, the problem still remains not merely by the different performances of On Dal for viewers , but trying to flesh-out On-Dal as a sentient character.
In fact, this was an evident problem between how the show dedicated time to sketching out the drama’s personae , but it’s hard to really “ grasp” or feel intricate emotional attachment towards most of them. The early episodes of the drama enjoyed using the stock side characters of the village as comic relief, before in the second half and the time-skip bringing in a multitude of either newly introduced or previously mentioned antagonists and characters . (Whilst many of these characters and villains were incredibly interesting , they often struggled to have decent screen time in order to develop out of their one-dimensional shell.)
Perhaps the one character in the show who was surprisingly quite intriguing in the beginning of the series was General Go Geon ( Lee Ji Hoon). As it may seem evident through tropes, Go Geon naturally becomes the ‘ second love interest’ through his ‘ complicated’ feelings with Ga-Jin. However, whilst Go Geon did surprisingly possess the potential role as an an intriguingly motivated anti-hero in the series, his role ( without any spoilers) was sadly blanked out due to poor character development.
The ending was predictable to say the least and arguably anticlimactic by straying away from the actual conclusion of the renowned tale. Of course, this is a fictionalised drama and having an artistic license is not inherently wrong. However, the ending may cause a little bit of head scratching for viewers by ( the change of actors for On Dal aside) the entire flashforward , weather and certain events being subverted entirely. In addition to this, the ending felt more like a ” quick-fix”, than being built upon strong foundations by the slow-paced storyline (in parts ) diminishing often the more intriguing elements of the drama.
So, is ” A Moon Where The River Rises” being unfairly criticised, or is it genuinely a good watch? Controversies aside, whilst the aesthetic cinematography, a high-budget production value ( especially remaining apparent with its CGI and beautiful outfits) and Kim So Hyun ’s brilliant performance remained compelling enticements towards watching the drama, ” River Where The Moon Rises" suffered ultimately from whimsical screenwriting. Intriguing characters and villains often felt half-baked, the overused tropes in the first-half of the series often made the second-half struggle to catch-up with the more intriguing elements of the storyline ( resulting in slow-pacing also ) and the ending felt rushed to say the least. Ultimately, ” River Where The Moon Rises” isn’t a dire or terrible drama and certainly does have some redeemable qualities , however, there are better sageuks ( historical dramas) out there with stronger plots, more three-dimensional characters and well-written endings also.
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Youngest Son of a Conglomerate
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An Insult to The Author.
I have created an account for the purpose of writing a review for this series, I haven't a clue, how this sorry excuse of an adaptation has a rating above 8. It is my sincere request to each and every one of you to go and read the Web Novel or for an even better experience, the Webtoon adaptation of the Webnovel, the author of the series and the characters he has written deserve better and I will explain why.1. The Plot : The problem with the plot is that, in the novel, the MC dies and goes back in time as the son on the Chairman's estranged but his own son he has with his wife. In the drama, since it would be difficult to view the character as someone else, it is made so that this particular grandson had the same face which is Song Joong-ki. The ending is even more disastrous, it is a thorough insult to the author of the Webnovel.
2. Characters: Lee Sung-min as Jin Yang-cheol was perfect, his acting skills had me in awe, but the entire characters, regardless of the casting were no where near as deep as the original work. Jin Yang-cheol is a complete sociopath, he is an indomitable wall, the wall that has defended Soonyang and the general that spear headed it's growth, he is not a vulnerable person and his ability to think rationally and stay calm is what makes him a truly scary character, the essence of Jin Yang-cheol who I would argue is more important to the series than the MC was lost, he was a broken old man in the series. Jin Yang-cheol is feared by his children because they know he would rather take Soonyang to his grave than give it to his children, he wants them to steal it from him, yes 'steal' is the right word and that is how much of a sociopath he is.
The MC is actually a lot smarter, he does not get out maneuvered, he is always steps ahead of his enemies, to make the series feel like a thriller, unnecessary twists and turns were added. The characters in the original work have a deeper story and better development, they don't want Soonyang just because they think "I should be the rightful heir", it gets a lot more complex than that. The original work also has romance, they removed a good portion of it.
I do not claim to be an expert on K-Dramas, but this series, is a complete bastardization of the original work, the author and his hard work has been insulted in my opinion, I could write a lot more, but the more I write the angrier I get. I have nothing but absolute pity and contempt for those who gave this pathetic adaptation anything above a 2 star rating. I implore my fellow audience to look beyond the cast while deciding to rate a series.
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Scripted horror.
Unhealthy relationship, lack of communication. If there was a quote on the poster: "An example of what not to do", then it would be a masterpiece, but I doubt that the message was exactly that.The first half of the quote on the poster states that it should be a romantic comedy, and the other half hints at a tragic ending. The story should make you laugh and connect to the characters, so that you can be moved at the end, despite the fact that you already knew the ending. This is not the case here.
About the title. Sometimes the titles of films or TV series do not carry a load, but sometimes they encapsulate the essence of the whole plot. "Mr Plankton" or simply "Plankton" clearly had to have a meaning. But what was it? It is difficult to understand what idea the drama is trying to convey. The title of the series suggests that even the smallest organisms matter, but how does the series try to make this point, which we only see in one scene where Hae Jo says this to his younger sister in a dream? Where is this overarching theme that was supposed to follow the adventure and comedy that are no less problematic here?
There is no special chemistry between the main characters, and it's not even clear whether you want them to be together or not, it's just not clear what connects them to be together in any case.
It's not funny or interesting, and sometimes even annoying. It's hard to feel any sympathy. Certain decisions of the characters are unnecessary. For example, when Hae Jo leaves Jae Mi in front of her mother's house and leaves. What's the point? He's sobbing in the car because he dumped her, and she's sobbing because her mother didn't recognise her, even though she started crying not even because of that, but because Hae Jo had abandoned her alone, and then started screaming at the woman in hysterics. Where is the compassion here?
Why did He leave her there? And why did she scream hysterically to that woman that she was just scared and ran away because she didn't want the attention of her family and it's clear that she didn't know how they would react, because it was all out of the blue. Hae Jo could have told her that he had found her mother, prepared himself, come with her with a gift, talked to her quietly or made an appointment, and then she would have introduced Jae Mi to her family. But here, there is no justification for this merry-go-round.
Then we see Jae Mi telling her newfound friends that she has found the mother who left her in the orphanage as a newborn baby. And here is a comedy that is not comedy, they are like: "Let me call the right places," each of them giving their options, "and we'll teach her a lesson, what kind of mother does that?" Was that supposed to make me laugh? There are different reasons why she could have left it, she didn't throw it in the trash. Why didn't she come back for it? The scriptwriter should have thought about that, not just left it as a subplot ending.
"Plankton" missed the mark in all areas. It is incomprehensible, emotionless, although many people write that they both laughed and cried. Honestly, it didn't give me any emotions. There is not a single spark between the characters, and for some reason it leaves us somewhat annoyed with its characters and their motivations. The main characters don't know how to communicate, they leave each other and then cry, then come back again, because it's just a forced necessity to create a drama that doesn't work like that.
For some reason, I was also annoyed that they added the song "California dreamin'," which played at the end of the episodes. I associate it with the 1994 film "Chungking Express". For me, this song is recognisable because of this film, and it makes sense even for the plot. But here, it's not clear why it's there.
The only psychological plus in this story was the character of Eo Heung, he is the only psychologically mature person, but in the ending, you can see that his mental wound has not yet completely healed, because it takes time. It would have been better if they had shown that he didn't start his travel blog alone, but with a new girlfriend.
I don't see any point in you watching it. I've warned you. 90% of people's reviews of this project as a masterpiece on various film resources are incomprehensible to me.
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