Reviews

Sweetness with genuine feelings.

Saying it was adorable would be understatement. It’s a perfect BL for everyone who is tired of overdramatized plotlines, stiff chemistry, bad acting and problematic leads. Our Dating Sim is the purest form of romantic comedy put in a refreshing frame of a dating game.

One of the strongest good points about this show was the well paced and smart storytelling. Just enough opening ambiguity about the main leads relationship in the past and the present was enough to set up a solid opening stage for the rest of this story to unfold. And from that point, it was a full fluff fest with just a tiny bit of angst so we don’t get diabetes. The angst you can enjoy, because you know it's just a tiny momentary feeling that will end well.

I am pretty sure we all fell in love with Gi Tae. It’s amazing to see a character who is confident, but not overbearing. He truly radiates positive energy and presents a perfect level of playful teasing.

Honestly speaking, while I enjoyed Lee Wan’s character, I found it hard to describe him. A little bit passive, truly hardworking with spontaneous outburst of courage with flight reaction that follows. Compared to Gi Tae, who was more stationary in terms of development, Lee Wan presents a subtle journey to self-discovery and bravery to stick with the things he find important, instead of running away from them.

Lee Seung Gyu and Lee Jong Hyuk had an amazing and natural chemistry that put a smile on my face during every episode. Acting wise, they both delivered believable performances. While many people praised Lee Seung Gyu (for solid reasons, I rewatched quite a few scenes simply because I enjoyed his performance so much), I also want to compliment Lee Jong Hyuk for his take on Lee Wan’s character, especially with scenes presenting concern, worry or confusion.

For such a short drama, the production value was perfect. I loved the dating game framing and the game stages scenes at the end of each episode presenting additional small doses of sweetness between the main characters.

Overall, while it feels like 8.5 for me, my brain actually wants to give it 9. Often such simple and short stories feel empty, dull, cringe, but Our Dating Sim could not be described by any of these adjectives. While it might be a classic story with well known tropes, the execution makes it an entertaining watch that many will enjoy.

Leia Mais

On aliens and alienation

I am sorry about the punny title but it was either this or "Out of this world" and I feel like this one causes less physical pain.

A lot can be said about Glitch but conventional sure isn’t the word that comes to mind. Watching this drama as soon as it came out while following the reactions online has been a wild ride indeed. This isn’t supposed to be about other people’s opinions, this is my review, my thoughts, but I was perplexed by how badly this K-drama bombed. Reading the initial impressions, it sometimes felt, like I was watching a different show entirely. Upon further consideration I am adding a very mild spoiler warning to my review here, I won't go into any detail about how this story progresses, but will talk about a few elements of this show that were not mentioned in the synopsis or tags. So here you go: VERY MILD SPOILERS AHEAD!

I think the one thing the majority of watchers can at least somewhat agree is on, is that the performances are the aspect where Glitch shines the most, though this was to be expected considering the stellar cast this show provides. Our two lead actresses are of course especially to be praised here. Their dynamic and chemistry might be what this drama thrives on and Nana and Jeon Yeo-been add charm and believability to their roles. But even less prominent roles, like Boras squad of conspiracy theorists or overwhelmed policeman Kim Byung-jo, had their moments. Even Hong Ji-hyo’s abducted boyfriend who had little to no presence, felt like a somewhat fleshed-out character all thanks to his actor’s performance.

But my personal favorite aspect of this drama might be Glitch’s distinctive look and style. It’s quite challenging to present yourself as a sleek-looking drama, while also featuring a ginormous blue alien in your first episode. I will not be too soft here, when it came to extraterrestrial beings, the CGI left something to be desired, but the drama was kind enough to not rely on their presence all too often. When we’re not subjected to computer-generated monstrosities, Glitch remains a surprisingly artistic show, especially at the times where it does get more experimental. Lighting and colors played one of the biggest parts here, switching between soft warm tones when we’re shown flashbacks of Bora’s and Jihyo’s past and the cold blue-and-green tones we’re used to from our sci-fi-flicks. I especially have to commend the usage of green-tinted lighting, whenever a situation was supposed to be uncomfortable or unnatural, it really generated the feeling the script needed. But shot composition, cut, and camera also stood out here. The hand-held camera shined in fast-paced action scenes and in general Glitch very rarely felt or looked static. If there is one thing I have to critique when it comes to the overall look and feel of this show it’s the (rare) moments of slow-motion that always felt entirely out of place to me and like a misguided attempt to stretch shots that might have been too short. But this might just be my personal preference.

This might be where agreements about Glitch end. The plot and script are where opinions tend to differ drastically.
Pacing is something this drama has been harshly critiqued for. While it is true, that Glitch’s start felt somewhat slow, it does pick up speed after four episodes. But I would actually go so far as claim that the show‘s arguably monotone beginning was needed, to create the atmosphere the drama relied on. That’s because we follow the story through Ji-hyo whose life also feels like it has come to halt. At thirty she works a monotone job she doesn’t seem to care about, still lives with her parents, and isn’t willing to take the next step in her long-term relationship. All she’s trying to be is normal, boring even, while she desperately attempts to ignore all the things that make her different, attempts to even ignore the side of her that wants to be different. Things accelerate drastically for her after she reconnects with Bora, so it’s natural that the same goes for the overall essence of the show. This might not be everyone’s cup of tea and it does take some commitment to give the show a chance and see where the plot takes you, but personally, I enjoyed that Glitch took its time.
That the viewer experiences this story through Ji-hyo’s eyes also means that we’re bound to be confused as the plot escalates. Glitch keeps its audience on its toes and toys with plausible deniability. What is hallucination, what are aliens, what is the cult? The viewer doesn't know anything more than the protagonist does. We feel lost because Ji-hyo does too.
This does not excuse the few plotholes Glitch sadly contains. I fully understand frustrations with the ending, a few too many knots were left untied for my taste. So I am not arguing that the plot’s structure is flawless, God no, but I do feel like the pacing of this show isn’t nearly as off as many claim. Some stories just take time and I’d rather be along for the ride than for a script to feel rushed.

“But this isn’t what I signed up for! I wanted sci-fi and aliens! This is too weird!”
Not trying to come across as condescending or pretentious but I am once again begging people to read between the lines when they consume media. Glitch isn’t the conventional alien tale it seems to be at first glance because it isn’t trying to be. And it also doesn’t have to be that in order to be good. Because what is hidden under layers of UFOs and religious symbolism is the story of Ji-hyo’s emancipation. It is a tale of a young woman trying to escape the norm and her passive role in society. It’s about feeling like you literally don’t belong on this planet, like you yourself might be alien because you do not fit the mold people are trying to force you in. And it’s about the role that religion plays especially for people that feel alienated, a tale that showcases how simple it is to persuade them to believe once you have earned their trust. How you can influence individuals to believe in a religion based on self-interest, force them to see UFOs, and make them question everything they thought they knew.
I thoroughly enjoyed this show, it’s rare to come across stories that are entirely female-centric without even the hint of romance (unless you count our two female leads who honestly had enough chemistry to go steady). I got a lot of joy from the portrayal of female friendship. Bora and Ji-hyo’s dynamic worked excellent. But I also just genuinely had fun with this plot and was fully invested in it. Yes it was strange, that’s what made it good. I can certainly say that this wasn’t anything I had seen before.

I shouldn't care what others think but I really really wish people would give Glitch a fair chance. “Too weird” should not be a valid critique, especially when a story is obviously more interested in being interpreted than literal. It’s frustrating because Asian cinema already very often relies on the suspension of our disbelief. How out there or downright Ludacris a plotline is, doesn’t seem to be relevant in romance dramas but as soon as a story requires some form of critical thinking, people shut the door on it. Others obviously are allowed to take away from this show whatever they want, I am not trying to imply that everyone who rated this low is a simpleton who just didn’t get it but I do think that there is a lot more to this story than what meets the eye. I am not trying to argue that Glitch was anything close to perfection, just a lot better than people gave it credit for.

Leia Mais

Sizzling Chemistry, Great Comedy---Acting & Plot Sold Separately.

For the first time ever, I'm giving a high score to a show where there was virtually no acting nor real plot. Starting with the pros as usual.

Pros: The absolutely sizzling chemistry between the leads for starters. From the the day they meet which is episode one, even if they don't like each other in the slightest, they're drawn to each other. Doesn't hurt that ML does come off as a cross between Elvis and Christian Grey (he cooks, cleans, can speak the language of cacti, can both play and teach golf, is a motorcycle rider/racer, knows various computer programs, is a magician, a gamer, can livestream, sings and plays the piano, plays chess, as well as can fly a helicopter and land in any emergency). The comedy is awesome; it makes you laugh hysterically sometimes at the ridiculous situations both leads find themselves in or put themselves in. The ML started as a bit of a selfish character, in reality he had a great heart all around and was very likable. The FL though stubborn and had nothing in her life save for work, was a sweet and caring woman. ML does chase FL first and that's where the primary comedy comes from, though there's a lot of it before he comes to that realization.

All of the secondary characters and couples have their own stories and they all come in when needed and resolved accordingly. I'm very glad that ML's best friend didn't just disappear because he was in a coma the entire series as often seen with useless characters. He was given etches of improvements and then him being shown awake at a very important time in the series. The OSTs were very on point and appropriate where they were added. Very glad the singular antagonist was dealt with accordingly and that it didn't drag on for eternity considering this was a series with only 24 episodes.

Cons: No plot; this show hinged on the lives of office workers and a romance between a younger man and older woman. There was also a love triangle or quad happening. The acting was subpar at best. ML is an idol with very little acting experience; if he wants to continue in the industry, I hope he gets himself an acting coach and learns how to show emotions not just say the lines. The stone-faced look didn't help the softer scenes or anywhere really; even the two times he really cried just didn't hit the mark, like he was trying too hard. Also not sure what was going on with the fashion on this show; the ML in particular had some avant-garde Project Runway thing going on that more often than not, didn't make any sense for neither him nor his character. Also way too much product placement; KellyOne water was literally everywhere.

LYR or cling wrap chick as I called her had to be the worst thing in this entire series. Though she did slightly evolve towards the end; I still do not understand this need to stick these whiny, annoying, stalkerish second or third female leads into these series, modern or otherwise. Even if she's supposed to be 23, she legit acts like she's a pre-teen. Once she finally got it through her head that GJX was not interested (and it took a few times), she proceeded to latch onto another man like gorilla glue also following him overseas. It's mind boggling that these kinds of characters are used over and over again. Real women do not act like that! There was a necessity to ffw her a few times.

Would I recommend it? I was looking for a rom-com where it was easy on the brain and you could just enjoy. This fit the bill to a T. So if that's what you're looking for as well, this is your show! Grab some popcorn, get ready to laugh a lot, and enjoy the cuter then hell moments especially starting with episode 17. ;)

Leia Mais

The Quintessential Japanese Drama of 2019

First, I want to let you know that in Japanese Drama, THEMES is always more significant than the plot. It's doesn't matter who Nagi would end up with or how the drama would end. What important is how the show will convey its message. This drama is not your typical two-boys-one-girl type of story or other overrated romance crap. You could choose your ship if that entertains you, but just to let you know, this drama was not meant to make your heart flutter, it was meant to speak to your soul.

This drama is about the so-called "Hard Reset", not the one you do with your phone but the one you apply with your own life. The important decision you do to make a significant change and start anew. Completely changing your environment is essential, which is what the main protagonist did in this drama, a long vacation. It made her discover more about herself and broaden her perspective of the world, or to make it more precise; it made her have her dream.

Another theme is reading the atmosphere/mood or reading between the lines and I'm sure most of us are familiar with that feeling. When you enter a room full of strangers, most people will remain silent for a while. Judge people's faces, their expressions, their manner of talking etc. "reading the atmosphere" is everywhere, from school, workplace, family and even your relationship. Whether consciously or unconsciously, people do this all the time, this ability is ingrained firmly into us as a species. We as human, always look for a place we can call our own, and we need strong social bonds for that. We always try to "fit in" or wear all the right mask whenever it feels right.

"Stop Trying to Fit In, Aim to Belong Instead"

This drama will teach you fitting in will never get you home because fitting in is trying to adapt to a world that is not your own. Just like Nagi, you have to have your dream and not just live for other people. You have to forget the cool people; you have to find your people. Nagi found these people who help her reboot her life, the film buff grandma, scammer turned best friend Sakamoto, The most level headed mother and daughter (total opposite of Nagi and her mom), the bar owner mama and the most insensitive playboy neighbour. These characters don't only serve up as an exposition for the main character, but their story also conveys the theme of this drama, and the writer did a brilliant job on weaving them in a beautiful pattern.

The Pacing, Setting and Music add so much to the slice of life feels of this drama. Nagi's long vacation is a very well-paced drama; no time is wasted but doesn't felt rushed as well. It is entertaining enough to keep you engaged as you watch it. It also has mundane elements that if you notice would give a smile to your face like shirts worn by Nagi, it seems trivial, but those are valuable shirts you would find in thrift stores. Little details like this make me appreciate the drama more. The location would look very familiar to you after you watched the drama like it seems you also live there along with the characters. The cinematography is terrific in showing the green landscape, clear blue sky and by capturing the calmness and serenity of the laidback way of living. The OST is chill and relax, which complements the slice of life nature of this plot, but it can also get emotional when requires. I also never get tired of hearing the theme song "Reboot" sung by Miwa. It captured the whole theme of this drama.

The acting is ten out of ten, Haru Kuroki never disappoints. She is one of the best actresses in Japan right now and is indeed a national treasure in dramaland. Nagi's portrayal of inner growth is well portrayed, you might get pissed by her actions and decisions, but you always find yourself rooting for her. Haru Kuroki is very skilled as an actress, but it's her sincerity that makes Nagi such a lovable character. The title, Nagi's Long Vacation suggest this is only about Nagi, but this drama can easily be about Shinji as well, the only difference is Nagi only suppress her feelings where Shinji also hurts people around him. Shinji is a character you will despise at the beginning, but you would understand a bit about the character in the end. The writers gave him one of the best character development I've seen in recent years, and the way Takahashi Issei handled it is brilliant, probably his best performance ever. The way he controlled his emotions is masterful like at one moment his character angered you then you will laugh at his comic relief antics then you will feel him as he cries like a baby, what a man child lol.

Nagi's Long Vacation is the quintessential Japanese drama. They are the best when it comes to thought-provoking slice of life genre. You may find the characters caricatures until they slap you with realization quotes that will speak to you on a personal level.

Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/

Leia Mais

I don't know how this drama didn't get as much hype as I expected

I haven't seen many people talking about this drama and this pissed me off a little bit because of how good it is. I just finished it and I can say this was one of the best dramas I've watched ever. I thought it would only be a comedy drama without much depth, but it was so much more than that, it was so interesting, heartbreaking and funny all at the same time.
The cast of this drama is simply amazing, Shin Hyesun was the perfect choice to portrait our beloved Mr. Queen, she did an amazing job and never failed at making me laugh, and at making me love the character each time more and more.
I don't know how to say more this without getting super excited and spoiling the story, so I'll leave my review at that, and I will leave my recommendation to those who came here to decided if they'll either watch it or not.

Leia Mais

12? Doesnt even deserve a 5. One of the worst of the year

Sad and crappy doesnt even sum up how i feel about this drama. ANd they have the gulls to tease us of a second season?

Putting Ma Dong Seok Park Hyung Sik and Seo in Guk in one drama got me so excited although right at the beginning i had reservations why Seo in Guk wasnt used enough in the trailers to sell the drama. Netizens say give the series a chance, and why not? The show promises an epic battle between angels and demons - and who isnt intrigued to see Park Hyung Sik in a differnet role. Sadly the show didnt deliver at all and was such a disappointment and my fears were realized as SIG is actually just a second fiddle and PHS wasnt actually the villain.

I dont even know how much the actors got paid for them to accept working in this trash. Didnt they (or dont they pay people to) read the script before signing up? They should be firing their agents and managers.

BAD WIGS. BAD COSTUMES. BAD MAKEUP. BAD ACTING. BAD PRODUCTION DESIGN. BAD SPECIAL EFFECTS. BAD SCRIPT. BAD STORYTELLING. BAD FIGHT CHOREOGRAPHY. if someone confesses that this show is made entirely by bad AI, i would totally believe it.

There was literally NO ONE among the characters to love and get attached to.

And to the cinematographers and editors and special effects people out there please take note that this kind of weird ugly colorgrading and filters and smoke cloudy effects are not fooling anyone and its not hiding how poor the visual effects are. they just make it worse.

Is there anything good? Nothing.

This is the lowest grade Ive ever given a Korean drama. It is that bad. Stay away like your life depends on it.

Leia Mais

Have you always been waiting for a drama that actually teaches you something valuable? and makes you think of your own life? and boosts your energy? and has a positive effect on you? Well, this is it.

Story
A perfect combination of reality and life presented in the best manner it could be presented in. The writer managed to keep the story true and realistic with real life issues (based on experience it's all real) and yet kept it fresh and fun to watch. This drama carried out a strong message "it's better late than never" "the present is really a present (gift)". Try to live your life without regrets, live your life first for YOU before anyone else, appreciate the time you have now and live it to the max. This is the 1st drama that made me think of my own life and gave me hope and refreshed my memory with my past life and made me think of my present and future. This drama has boosted my energy and gave me positive insight even with all the issues that were discussed in the drama there is always bright side to everything. For once no villains no insane characters.

Acting
The whole cast were so true and natural to their characters but Choi Ji Woo and Lee Sang Yoon are the show's strongest point!! They had an amazing on screen chemistry they seemed so true so real and so adorable. They managed to present such normal average characters and bring them out into life in a very delightful manner (and people say it's the character that makes the actor) that's not true at all even with such plain characters those two have managed to show us how wonderful of actors they are.

Rewatch?
Definitely YES I would rewatch it over and over again because I need something as positive as this to boost my energy and remind me that it really is never too late.

Overall
Are you a drama lover? This drama fits everyone's taste because it's a slice of life and yet it has everything that we as drama fans love and would wanna watch. If I could I would personally go and thank everyone who helped making it.

Leia Mais

And every single breath we drew was Hallelujah

You know what's the most difficult thing to deal with in the world? It's your soul. Yes, the struggle with your ownself is the most arduous task one must go through at least once in their lifetime. LOST, the Kdrama is the portrayal of the very same aspect that uses immense storytelling method to narrate stories of lost lives, striving to find themselves and see themselves becoming something in some way.

Note: I am sure this drama just like it's title, LOST, has made the audience lost for words to describe or write about properly. Even after I'm done writing, I will look forward to reviews which will have more and better described perspective than me. I love analytical readings after all, haha.

Trust me, the drama is not what it's synopsis says. You might assume that it's a love story between 2 lost beings but more than its simply written plot, it's all about the viewers' mood and frame of mind. What "Lost" demands from its audience are patience and an open mind to embrace anything that is thrown at them. The amount of angst it contains, is good enough for to take a toll on your mind too, so be careful. The drama might look slow but that's the method of storytelling throughout, so if you don't like it, may be it's not your cup of tea. The unique element of this is the immense use of inner monologue narration of the 2 main characters, in the form of writing notes to their respective fathers.

LOST is the story of ordinary individuals who have dreamt to achieve extraordinary things in life and done their very best. But, at the crucial points of their lives, they find themselves lost in an unfamiliar direction and their longing hopes are nowhere to be seen. They're not sure what's happening with them, nor do they have any plans ahead; they're simply breathing their lives until death embraces them. So the basic plot is about a man & a woman seeking immediate meaning to their individual lives while they encounter each other often due to situations and become friends. They help each other comfort and grow as persons and in their subconscious they end up falling for each other at the end which somehow makes everything complicated.

Lee Bu Jung (Jeon Do Yeon) is an ex-team leader at a publishing forum as well as a ghost writer who had once dreamt of publishing a book with her own name on it, as the author. At the age of 40, she, an unemployed is simply making money even when her mental health is completely ruined because of her personal and professional lives. Lee Gang Jae (Ryu Jun Yul), is a prominent & famous face in the line of stand-in service world with his own individual business. At the age of 27 and a almost withering youth, he often finds himself living in a fake world full of fantasy where he's left behind when his clients go back to reality once the task is over.

The story also invoves people around both of these lead characters,their relationship issues, carrer problems and individual struggle to sustain in this harsh and cruel society. I would refeain from describing them to avoid mentioning any spoiler because there's no solid plot as mentioned earlier; It's greatly a slice of life story and everything that happens with the characters, count as minor or major details of the script that should be rather witnessed than simply read, in order to understand.

LOST is truly a depiction of mystery of life and it's operation. The world has undergone a devastating change over years and with our changing lives, we all have become lone men army, lost in our perceptions of life and continuously constructing barriers to assure self sustainability. On our journey to achieve big, we somehow lose the meaning of our existence and end up questioning the worth of living. This leads to the deterioration of our mental health subsequently resulting in depression, loneliness, anxiety as well as panic attacks and sometimes to jealousy, insecurities, possessiveness and ultimately to something as toxic as sadism. LOST is about all these elements of life that either make us miserable or help us learn and grow. LOST is about losing everything you own just to find it little by little, each day. Don't you think that this, in some way, is a pleasurable experience? But I wish the drama were that simple TT.

"아버지, 나는 아무것도 되지 않았습니다." Trans: "Dad, I didn't become anything." is the utmost distress signal or a cry for help by Bu Jung to his 70yo father who is at declining health and the onset of expiration. The feeling of emptiness has taken a toll on her, even when she's surrounded with people, making her a sadist woman who seeks joy when her enemy trembles with insecurities. She has become suicidal because of the unwavering life motos and lack of motives, however, she doesn't have the courage to end everything either. She just wants to run away from everything, knowing that her life has turned into nothingness after the severe downfall she had to go through a year ago.

"사랑하는 아버지, 내 삶의 본질을 잃어버린 것 같합니다" Trans: "Dear loving father, I think I have lost the essence of my life" is the grievance of Gang Jae to his late father whom he lost to a long-term illness when he was in highschool. He could never find any profession suitable for him nor had he any passion he loved, and to earn living he relied on being a companion to others and quickly rose up to be a familiar face in the Stand-in service business. Even with few close people around him, he always felt he's living in a world of illusions where he is left behind alone as soon as his assigned task is over.

One might think the drama is about the romantic development between the ML & FL leading to a relationship but there's strictly the least amount of romance portrayed in the drama. It's neither a chemistry development or a bond strengthening, rather the buildup of peaceful and comforting "soulmate" who help you heal your deepest wounds and nurtures you into a better being. Most part of the story progresses a lot on individual level of the leads showing their lives separately. On that note, the development between them is also a depiction of mutual liking of people stuck in complicated situations, which makes it difficult for their unison. Even for Jung soo and Gyeong Eun's development, it felt so pure. Even though the situation involving 4 of them got complicated by it, they were held back because they felt so disconnected and lost. So how could it not be moving when they were finally able to connect both physically and emotionally with someone? One thing that was common between them was both had that one person, they considered their confidante; for Bu Jung it was his old father and for Gang Jae it was Sun Joo (Just/Taegi).

However, when both of them come into a single frame, the wind changes into something else; something that could be felt well but very intricate to describe with words; something so pure that it can't be named as a particular relationship; that's how I felt all along the drama. On that note, the vibe of the drama is very heavy though heartfelt shades & emotions it depicts are all greatly realistic and awfully relatable, more or less for every single one of us. Bu Jung's relationship with her father was the most beautiful one after the lead's storyline.

The drama showcases various psychological (not psychiatric) mental health issues which are very common among human beings, making it even more congeneric, so it strikes deeper than anything else; make sure you watch it with a major TW and take it easy & slow, in case you're sensitive.

The story is filled with ironies. It is hugely character-driven having characters with flaws, their method of interplay, their real arcs as individuals and how they perceive each other. The writer has very beautifully drawn every character of her story, and those characters have served their roles unerringly, making them lively & relatable. The flaws of the characters are what make them real in any story and this drama implies that no one is good or evil, or even entirely innocent, and no deed is moral & immoral; as long as it's dependent on perceptions, it varies to a great extent. The dialogues are so well written here, both for conversations and for the monologue notes, one might get lost in emotions and tremble with melancholy. They are very thought-provoking, sometimes inspirational & uplifting and some other times emotionally challenging for your mind. Simply, the emotionally moving and very human experiences that the drama visualizes will make you witness, understand and empathize/sympathize the hidden shades of human life and make it easier for you to embrace every forthcoming possibility. What I also loved is the way of reminiscing own's past and relating it with your present; no matter that brings you joy or sadness. The story is accompanied with light comedy here and there in a scattered manner, nevertheless, it's mostly a heavy setup.

I am not a believer, a hardcore atheist but from the pov of quality music, I have known and loved the song "Hallelujah" by Jeff Buckley (originally by Leonard Choen) but the drama using the old track as a prop to narrate the story, has again changed my perspective of the song as well as life. It's been used a multiple times in the drama which suitably blended into the scenarios portraying different emotions like sorrow, grievance, downfall, isolation, etc.

I wonder the reason the writer Kim Ji Hye was in hiatus for 7 years. Is it because she was busy creating this piece of gem that will stand out for it's way of unique storytelling techniques and awe the world with very-human approaches it has made in order to portray the essence of life? Haha, I'm certain that's not the case but the drama is on some other dimensional level to make you assume so. She herself told it's an ordinary tale, which in actual is true, but what makes it extraordinary is the seemingly ordinary characters on their journey to achieve the longing significance, that they have been seeking for time immemorial. This ain't a predictable trope, rather every single thing that happens, welcomes every possible result which is difficult to guess or make certain of, truly.

The directors have done a job as good as the scriptwriting, I must say. The screenplay techniques used to connect the characters & their stories are very intriguing. The frames jumping from one character to the other at the time of inner monologue narrations of the 2 leads, shows how common the story we have, are yet how different it is for each of us. The way they have tried interpreting simple dialogues with the use of aesthetically pleasing cinematography work and by the use of dark and shady colour palettes, deserves applauses.

In regards of OST too, the composer has been able to do a fabulous job. I mean for a drama with such unique emotions and moods, it'd have been a difficult task to create and produce suitable tracks to fit into the scenarios but how beautiful the songs are! In fact the background tracks and their appropriate editing with subtle classic instrumental gives off the shady vibes and might make it seem slow but trust me, it enhances the quality of storytelling in a different perspective. The loan English song "Hallelujah" is the base of the drama. Other than that, the song that tells the essence of one's tale is "My Story sung by Ha Dong Qn which has the touch of melancholic beauty. "From Me" is the track meant for uplifting the fallen spirits decorated by the beautiful vocal of Sonidia. The high notes of Kim Yuna in "Under the blossom shadow" are highly pleasing and touching. "My Home" by Hajin is a very comforting track.

The other important aspects of life involving both the leads and other supporting characters, portrayed in the drama are: Worrying parents, understanding child, parent-children bonding, fighting long term illness, taking care of bedridden patients, dicorce & separation, untimely demise of life-partner, widowhood, dating relationships, breakups, late age single life, one sided liking, deep friendships, workplace problems, career failure, celebrity life, rich family issues, dirty secrets of entertainment industry, domestic abuse, extra-marital affairs, married life hardships, consequences of ill relationships, miscarriage, stress disorders, loyalty, admiration, respect, caring for family, live-in relationships, second marriages, dreams & hopes, indecisiveness, confusion, swaying of heart, change in feelings, exhaustion from relationships, etc.

I would like to write a little about 2 things that I particularly want to bring to the notice of readers who might not have thought much about:

a) The way the writer has painted the arcs of Gang Jae in regards of his stand-in service profession, is very real. It's just matter of choice and open-mind nature, to realize that this exists in real. In a world where we choose to rely on strangers during odds rather than our close ones, stand-in substitute is in fact what people with money go for in case they're deprived of love & affection, or simply are lonely. Only a few percent of them require the service in events or parties to fill the venue in and show-off. Some others also use substitutes in dates too. Despite the fact that all these are fake, we can't deny it's become a trend in the changing world as more and more of us are growing fond of solitude and lonely lives.

b) Just like the mother-in-laws for most of the shows, Bu-jung's MIL was surely insecure of her daughter-in-law and complaints a lot but the portrayal of her as a person is what intrigued me. She could be nagging and screaming and telling on her a lot but at the end of all, she understands everything. She secretly cherishes her DIL and worries about her at times as well as his son's married life. She's very caring and even concerns about Bu-jung's old father and his health. The sides of a MIL shown in here is truly that ecstatic which are a rare example in the real life.

Not sure how should express my feelings about the ending. Some might think it's absurd and some might be mad because how it ended but trust me you wouldn't see a more realistic approach than this. I mean things ended just as we wanted it to but the time provided to it is very short, which again is very justified if we consider the pace events of the drama. Some things were sorted, some were not, however that's how real it felt, because a story might end, but life continues. I am just lost for words to tell anything or may be I am not knowledgeable enough to state anything about it, pardon.

Some side storylines, the supporting characters and their lives were not clarified well, in fact the 2 lead characters had the same case, which can be interpreted as an open ending, leading to possibilities, but isn't that how slice of life dramas are supposed to be? I think it's safe to assume and imagine here rather expecting for another season, so that it doesn't hurt us later, haha.

To sum up everything, LOST is the story of lost lives, seeking help and prosperity and the ride is surely full of unbearable angst. The relationship between Bu Jung and Gang Jae are beyond the definitions of chemistry or bonding, more of long-lost mates striving to find each other. It's a super slow-burn development yet immensely intense and the seemingly slow paced story that actually is an appropriate one, given the utilized storytelling method. The unspoken intimacy that elicit emotions are truly ecstatic. Also, such seasoned & familiar actors that made the characters justified, I wanna praise all of them. The subtle development of bonding that accumulates a lot and bursts oepn into blooming love at the end is indeed a journey of warmth and pleasure. This is a drama that said a lot without exactly saying anything. The best reason to watch this should be the immense opportunity of character study so grab it as soon as you can.

I'm someone who is over-sensitive and becomes overwhelmed over every little thing, but this drama is actually that intense that my heart felt heavy till the end and I couldn't really bring myself to cry till the ending episodes, when tbe basic plot finally attaining it's peak. I was just watching along with the flow and my heart was trying hard to understand and feel whatever was happening. I cried very lil in the last 2 episodes over naturally moving scenes but after finishing, it suddenly hit me hard that ahh it's over. I immediately strated crying out of despair which went on for a while, in fact I completed writing this thing as my eyes were still teary. (Adding these 2 lines now only)

This drama, again, is not for everyone to watch, and the writer has intentionally tried to test the viewer's patience here; but for someone who is open to trying out everything and watching stuffs with suitable perspective, this drama is a must watch. The genre is a common but for me, the method of storytelling is very very new, certainly a first, and I entirely felt in love with it, I should admit. My sole interest for starting this drama was Ryu Jun Yeol choosing this, and ofc, I have loved Jeon Do Yun and Park Byung Eun, but now that I've finished it, I have no words to describe how it has gone way beyond all my feelings, leaving me with no satisfying word to praise it. LOST is indeed one of a kind unique drama which must get it's worth-deserving attention and recognition, please because it's very underrated. I'm definitely coming back to this again.

Leia Mais

I'M GLAD I FOUND THIS GEM

I started watching this without any expectations, just out of curiosity and interest after seeing the trailer but this drama has truly captivated me and made me addicted to watching every episode.

This drama has a GREAT STORYLINE, BEAUTIFUL CINEMATOGRAPHY, the calmness and elegant storytelling, soft color grading, aesthetically pleasing camera angles, good choice of music, and even the strength of each character is very satisfying. What stands out the most is the smart female character who doesn't just wait to be protected by the male lead but can also protect him in return, a truly well-written character.

The male lead is absolutely captivating. The expressions he shows make you both want to protect him and be protected by him at the same time. And the couple in this drama is so adorable, their chemistry is sizzling! His jealousy and His wide smile when he's proud of Dou Zhou is damn cute, He not only respects her choice but even expands her capacity to choose, He is the greenest green frorest. They’ve already given me butterflies, their relationship before and after fujin furen era. And I can't wait to see what actions they'll take to solve the problems in the future.

The story gets crazier and crazier, with a plot that keeps getting better and not a single scene wasted. The way the director showcases each character's development is excellent. DZ's coolness when she's angry is truly mesmerizing; her brilliance in handling problems never disappointed.

Surprisingly, this drama was directed by someone who usually works on mini-dramas, and this is his first full-length series. Hopefully, none of the characters will experience a downgrade. Please continue to develop their characters even further, making them grow stronger and more compelling as the story progresses and hope the drama will continue to maintain this excellent editing quality too.

Leia Mais

The Best Japanese BL EVER

The funny thing to me is.... I started off liking Kieta Hatsukoi more... and I just thought My Beautiful Man first episode was JUST OK... but in the end I liked My Beautiful slightly more than I did Kieta.. both shows are beautiful but the story build up in My Beautiful Man was just perfection.

The acting performance from the two leads were so stellar and gripping. The show builds episode by episode and it leaves u on the edge of your seat... This is definitely the best Japanese BL I've ever seen and definitely top 10 among all time BL's for me. I highly recommend this to anyone who loves boy love content.

Leia Mais

One of those heartbreaking movies...

I know there are a lot of people out there who loves to watch a movie that makes them smile a little bit and cry a whole lot more. Then "2037" is the film for you.

Let's talk about Hong Ye Ji's acting playing Yoon young, knowing now that this is her first work in acting has actually left me speecheless. The amount of feelings that she succeeded to convey to me was tremoundous.
The pain, the sadness, the unfairness and the desperateness were all very well acted out by her.

She dropped out of school without her mother knowing to pay off the medication and her father's debt, but she still wanted to take the governemant exam eventually. They were happy or let's stay stable until IT happened. You know what happened : the unexpected things that life throws at you. I'll leave them for you to discover.

I'm not sure how to feel about the fact that a 19 years old girl went through all of this and also knowing that there are girls out there who were hurt the same way. I'm hurting for them and want them to know that they are a strong loved person if they've ever come to read this.

About her mother Kyeong Sook whenever she appeared i was crying buckets because Kim Ji Young's acting was on another level. She is a deaf person with asthma, she learned how to speak for her daughter, she was hurting for her daughter but as Soon Je, a co-inmate in a death row sentence within the Cell No. 12, said: For their kids, mothers are much stronger than you think. She was so sorry that she couldn't protect her daughter and give her the life that she wanted for her. As i saw her holding that pizza and wandering barefooted, my heart was wrecked, she really wanted to believe that her daughter is fine, that she is going to be fine.

All the co-inmates in Cell No. 12 had their own stories unfolded and then comforted by Yoon Young at the end, they offered protection and nurtered her each in their own way.

This is the end for those who haven't watched it yet, i would highly advise you to go watch it and get some tissues and band-aids for your heart ready!

MAJOR SPOILERS AHEAD, DON'T READ, GO WATCH THEN COME BACK. (It's sort of a conclusion to me personally)

Yoon Young's wish was that it's all going to be a dream, it was granted at he end after much suffering both physically and much more mentally. She gave up her daughter named by her inmates "Boni" for adoption, she wished her to grow well and beautiful, she didn't abandon her but she did this to protect her as she said it about Sa Rang's parents, so i can conclude for the sake of my heart that she accepted her and loved her at the end. Most importantly, she did end up again happy with her mother and having an interview to become a government employee.

I was trying to avoid watching a heartwrenching movie like this for so long now because it affects me so much and i know it will stay with me for so long but yeah it is what it is.

Leia Mais

Where to begin?
This is possibly the weirdest and most surprising dorama I've ever come across. Nothing is what is expected, or what it seems.
It's just as hard to define its genre, because while it could be listed as a science fiction drama, the fantasy part is just a device to make a very human, touching and very present message come across: are we really capable of cherishing our lives? Do we truly appreciate all the little and big things thrown onto our path or do we give them for granted?


Were I to base the overall rating only on how much I liked it, I would give it a 10. But it's undeniable that it doesn't deserve it on the cinematographic level: the shooting quality is average at best, it reminded me of those catastrophe movies from the 70ies, like Poseidon, or Empire of the Ants, often naive, with some ludicrous special effects. And it certainly does not shine for its photography.
The music goes from ordinary to completely random.

But characterization, dialogues and acting make up in heaps for whatever flaw. If you have read The Lord of The Flies by William Golding, this drama may remind you of it. Mix it with the most classical concept of Carpe Diem - seize the day - and you have Long Love Letter.
Kubozuka Yousuke is adorable here, at times childishly clumsy, at others emotionally intense. But it's Takako Tokiwa who really steals the screen, her character being the epitome of strength of will, sweetness and courage.
In fact, this drama is acutely feminine, like mother Earth herself.
The kids play their part very well, one ends up liking a quite stony Yamashita Tomohisa too.

I adored the ending. It makes this into one of those dramas one is emotionally compelled to talk about with someone, share opinions and questions. Like it or not, it doesn't leave you untouched.

So, by now you have 2 choices: decide that both the drama and the reviewer are deranged and leave it be, or watch it.

Leia Mais

An inverse function... Consider the journey the reward. Truly captivating.

Two core components of KDrama characterize the recipe of "Secret": Firstly, the rich and powerful can obviously get away with anything. Secondly, a secret not only changes those who know about it, but eventually comes to light. Yet the brilliant mixture of this pastry makes the difference: the fatal initial constellation of the relationship dynamics is so cleverly shifted, twisted and tricky in several emotional loopings that the emotional world is completely turned upside down - an inverse function...

For quite some time I avoided this KDrama, because (from the description) I thought I already knew how the story was going to go. ...Quite familiar, already seen many times... However, at some point I just wanted to have a glimpse (probably because of Ji Sung). What a surprise: it was truly captivating...

Moments of foreboding and predictability, yes, there are. But believe me, that doesn't stop you from wanting to see HOW things in their complicated entanglement can still turn out for the best. On the contrary, you CAN´T WAIT to experience that! The destination may be known, however, consider the journey the reward.

Leia Mais

Political thriller, eloquently dealing with SK´s struggle for true democracy. Inspired. Profound.

Election campaign is a fight. But what rules should be applied? Do you inevitably have to hand in your ideals and ethics at the entrance as price for political success?

Critical processing of South Korea's recent past - the democracy movement - is still in its infancy, because the dictatorship just finished a few decades ago and its proven structures within conservative circles are still resonating today. Increasingly, however, this topic is also taking up its media space. The political thriller "Kingmaker" sets a bold milestone by taking on a dazzling, comparatively upright, almost exemplary political personality, who for a long time seemed to have no chance in his sincere, ambitious fight for real democracy: Kim Dae-jung. He was the first opposition candidate to be elected President of the Republic. He is also the only South Korean to ever receive a Nobel Prize for his work on democracy and human rights. Some call him the Nelson Mandela of Asia...

In particular "Kingmaker" tells (in the plot prepared with some poetic freedom) about the early years of his political struggle and the arduous path that ultimately led him to the Blue House. The focus is less on his biography and more on what he still stands for in the eyes of most South Koreans today: real democracy. Or rather, against what he wanted to compete: the conservative, elitist, political cronies who stand in the way of progress and justice, if it is not in their own interest.

In the service of the electoral success, Kim (like so many politicians on this planet) was probably tried more than once to sanctify the 'good' purpose in the sights of many a morally questionable means. This difficult balancing act between an upright political attitude and one's own venality in a pact with a promising "devil" is illuminated and processed here in an impressive way. The temptation of a promising shortcut to success usually comes with a price that has to be paid sooner or later. (The internal struggle of 'for' versus 'against' shapes the decision-makers in South Korea with their well-established, conservative, shadowy networks to this day. This is actually writing daily history. And the TV and movie productions are full of it, too.)

The status quo - submission to the apparently influential 'more powerful' - is contrasted with a historically real personality. In order to convey the emotional dilemma in a dramaturgically clear way, Kim's campaign strategist of the first hours, Eom Chang-rok, was stylized as the main character and staged fictionally. In fact, little is known about him other than that he is said to have been brilliant and downright genius.

The story is about Eom Chang-rok's intelligent crisis interventions, solution approaches and election campaign strategies, some of which are in stark contrast to Kim's idealistic democratic values, that are always geared towards serving the people. The audience is confronted more than once with the question of whether the end might justify the means. Isn't the power of the people just a well-meant illusion after all? Wouldn't it be more efficient for the state leadership if a few (more or less) smart people decided for the many others in a short decision-making process? "Kingmaker" touches the foundations of political morality and ideology.

However, the KMovie also touches on very human weaknesses: the need for approval and the temptation to be seduced. These weaknesses are truly human and have to be dealt with by everybody - somehow, someday.

"Kingmaker" is a moving political thriller set in recent South Korean contemporary history about the stumbling blocks and challenges of true democracy. A democracy, that requires responsible, mature and accountable citizens. A democracy, that will always be challenged by the forces and networks operating in the shadows, whose goal is to incapacitate the citizens and instead rule for their own personal benefits.

An unpleasant subject, indeed. Yet the KMovie is eloquently dealing with this crucial issue for any democratic society.
A brilliant approach to this topic as well as to a younger chapter of South Korea´s history.
Inspired storytelling.
A profound production.

Leia Mais