2
1Esta resenha pode conter spoilers
Character-driven drama with campy humor and titillating romance
Plot Summary:Zheng Shu Yi (Bai Lu) is a pretty, brilliant and hard-working 25-year-old reporter who hopes to write the front-page article of the Financial Vision magazine for at least the 9th time. And her ticket to scoring the latest cover article is to land an interview with the CEO of a venture capital company, 27-year-old Shi Yan (Dylan Wang), who, as it happens, has taken an interest in her, insisting the magazine send her to interview him.
Before that happens, her boyfriend dumps her for a girl surnamed Qin whose uncle owns impressive cars with impressive plate numbers. Having found out that Shi Yan has a niece with a surname of Qin and that he owns a roll royce with an an imposing plate number, Shu Yi concludes that her ex-boyfriend's new girlfriend is the niece of Shi Yan.
Armed with a desire to use her rejection as fuel to succeed in her career as well as with her dream of upgrading the online version of Financial Vision magazine, Shu Yi pursues Shi Yan to get him to agree to a series of interviews for the online magazine. That is, as she makes herself believe. But might she be harboring some other reason for pursuing the handsome aloof bachelor?
For some mysterious reason of his own that will be revealed later, the cold CEO, who would have likely spurned such advances from any other girl, humored Shu Yi. Frequently thrown in each other's company due to the interviews as well as their jobs, they develop a deeper bond that propels them into a rocky journey of growth necessary to bring about a lasting and happy relationship where honesty and effective communication prevail.
Review:
This drama is character-driven thus requires a good understanding of the characters to be thoroughly appreciated. Skipping scenes would jar one's ability to be drawn into the characters and understanding them. In addition, skipping scenes could make one miss the campy spoofing feel throughout the drama, such as Shu Yi's pursuit of Shi Yan, the blind-leading-the-blind attempts of Shu Yi's cocksure but clueless best friend to give her advice, Shi Yan's seeming ability to hear Shu Yi's thoughts which could be a device to show they are on the same wavelengths, the phone conversations that everyone in the room can hear, the phone interruptions, the over-the-top riding clothes and many more. Those who recognize the campy humor in these situations would laugh. Those who don't would grumble.
Therefore, if you skip scenes or don't pay attention to the story, don't blame the writer or director if you can't find, much less understand, the plot.
This drama does not describe characters by having somebody directly point out that, say, Shu Yi is brilliant or that Shi Yan is a visionary. The drama SHOWS the audience, another reason skipping scenes is a no-no.
Shu Yi is not the conventional sensible-can-do-no-wrong cdrama female lead. She is smart, kind, friendly, playful, a good sweet daughter, hard-working, cannot be bribed and stays cool when a conniving work rival plays dirty tricks against her. But having been pampered by her parents, she is spoiled, self-centered and not above using people to attain her goals. Most of all, the drama shows her tendency to lie, causing her to do things contrary to what she feels and to make excuses to avoid facing up to the consequences of inappropriate actions.
It is intentional that Shu Yi sometimes throws ethics to the wind. Those who think smart people never do stupid things have unrealistic expectations of people. A lot of intelligent people make unwise decisions. Shu Yi's ethical lapses are part and parcel of the story which is unique to one particular reporter who does some things she should not do. So, complaints about degrading her profession are terribly misplaced. It is highly improbable that the drama would make viewers think reporters do this sort of thing all the time. In fact, that's why this story is told - it deals with a unique character.
I understand why Bai Lu bravely took on this role. Shu Yi would have been a challenge to portray because not doing her right could have made her obnoxious. I was amused at her flaws, scrapes and outrageousness, indicating Bai Lu portrayed her well.
Shi Yan is another complex character. The viewers' first impression of him is his stoic demeanor which is likely the amalgamation of his reserved and taciturn nature plus his upbringing and grooming to take over a company that would have made him resolute about appearing proper and older than his age at all times. The business scenes show how intelligent, competent and forward-thinking he is by letting us see how he handles meetings with business associates and how he chooses business partners. For example. he concurs with a startup's philosophy to put quality of technology ahead of production. These scenes also show the challenges he faces from senior executives who undermine his capability to lead the company due to his youth and inexperience. To delineate his sincerity in helping startups, the drama shows us that through thick and thin, he stands by a struggling chip producer he has been helping to establish. He gets personally involved in the chip industry and time and again defends his company's stand to finance the startup.
The business scenes also show how compatible the leads are in terms of interests and values. They are both hard-working. Shi Yan's passion to give back to society by helping startups is matched by Shu Yi's passion to make a contribution to society by creating an online version of her company's magazine that would allow more people access to information about finance. They both agree in doing the right things such as when Shi Yan, with Shu Yi's support, refuses to work with a corrupt battery manufacturer.
As he gets to know Shu Yi better, Shi Yan unlocks other parts of his personality - his thoughtfulness and dependability, his gentle and caring nature, his jealousy and his vulnerability that he only shows in her presence. Reserved by nature, Shi Yan's love is shown through his actions - making sure Shu Yi has eaten or has a ride home, even cooking for her. He is a natural nurturer, the best person who can help a spoilt girl in her journey to maturity.
This drama also shows how lack of communication can exacerbate couple issues. This is another hurdle the leads must face and overcome. Those who are intently watching would actually welcome a rift between the leads to knock some sense into Shu Yi. She has a lot of growing up to do and Shi Yan is prepared to take that journey with her as long as she wants to. All he wants is to love her, if she wants that love. What hurts him, more than the thought that she used him, is the thought that she loves another man. He is heartbroken as he muses, "what you wanted was never me". Though it devastates him, he loves her too much to force her to be with him while she is unsure of her feelings. So he lets her go and gives her space and time to sort her feelings out.
One of the things I admire about this drama is how subtle it showed Shu Yi's growth. She was self-centered before she met Shi Yan. She treated her ex-boyfriend like a driver, choosing to do an interview rather than celebrate his birthday with him. When he broke up with her, it was her pride more than her heart that was hurt. Shi Yan's unselfishness must have rubbed off on her. When she received her bonus, the first thing she thought of was to buy her parents gifts. When Shi Yan blocked her, she did not try to make excuses for what she did as what a spoiled child would have done. She felt guilty and remorseful thus felt resigned to losing him. She remembers Shi Yan's loving care and was ready to talk to him in person. When she saw him with another girl, she most probably took that as punishment for what she did and accepted the heartbreak. When news of Shi Yan's shareholders broke out, she first thought of Shi Yan's feelings instead of the effect the news would have on her online magazine. When she finally broke down, she did not care that her fierce work rival was there to witness her anguish. She did not whine or complain about her heartache but got sick due most probably to intense mental and psychological pain.
But the starkest manifestation of Shu Yi's growth was that, when her relationship with Shi Yan stabilized, she stopped lying.
Finally, to complete this multi-dimensional characterization of Shu Yi and Shi Yan, one needs a good idea of the world they're living in. Their friends, families, work, hobbies and other activities provide that additional dimension to their world.
Esta resenha foi útil para você?
Esta resenha pode conter spoilers
What a ride!
I find that many dramas have male leads that are jerks in the beginning, and Cheoljong is no exception in that he makes some very bad choices. However, the drama contextualizes those choices in a setting of violence and upheaval that would naturally instill a "dog eat dog" mentality in anyone. There are flashback scenes, but while they are sad, I didn't feel that they were there just to make me feel bad for the jerk male lead and to excuse his behavior. It actually wasn't difficult for me to come around to understanding Cheoljong, which is not something I can say about the male leads in many other dramas. I appreciated that the writers didn't make him unattractive in the beginning in the typical chaebol-arrogant way, but rather by making him seem like an idiot. Most importantly, it was also refreshing to see that his change in thinking is not spurred by "the power of love" but by hearing the powerful truths delivered to him by his would-be victim.I love Kim Jung Hyun and Shin Hye Sun so much!
I was amazed by Shin Hye Sun's ability to embody such different personalities within the single body of Kim So Young. She felt so real in every episode, no matter how ridiculous or outlandish her situation was. While all of the actors in this drama were wonderful, I felt that her performance stole the show. The drama makes her character selfish and lovable. I rooted for her to be better, and I loved watching it happen.
Kim Jung Hyun really took me on a journey with Cheoljong. He plays the fool king so perfectly that I really did not expect him to be the romantic male lead. This was unusual and refreshing for me. Perhaps I missed the tell-tale signs, but it really caught me by surprise to see the gradual change in my feelings towards this character as more of the truth is revealed throughout the drama.
The leads have wonderful chemistry with each other, and it is honestly one of the most believable enemies-to-lovers journeys I have witnessed in K dramas.
The story is gripping, but the drama keeps a good balance between humor and drama. I loved watching all of the main characters vacillate between good and bad, right and wrong. They felt human.
Esta resenha foi útil para você?
10/10 Comedic, mature, lovely, fun series to watch
10/10 Comedic, mature, lovely, fun series to watchThe series start was unexpected
Taynew and other cast
nailed their characters. Toto and kanit relationship is from enemies to lover and I can't wait to see their dynamics, it will be fun to watch them fall in love slowly. Beer jokes were too funny
. Mond was funny as hell too,Ryu's character made
me pissed but I know he is good actor if he can do that Juno and tonliew for fresher they also did good job • .! knew Director jojo will never disappoint, and the series storyline is so good. Everyone should watch it if they want something fun and comedic series to watch after exhausting day.
Esta resenha foi útil para você?
1A BL You Can’t Miss
This is everything a BL fan can only dream of: just the right mix of a good plot, super-high-intense chemistry and cinematography that is seriously mind-blowing. From the first episode, you can already feel the magic brewing between Great and Tyme. Their acting is so good, they are one of those pairings that just make you hold your breath in anticipation every time they share a scene.What makes it even more special is seeing Bible take on this role in a unique way. His performance as a character who is flustered and caught off guard by Tyme’s presence is both cute and surprisingly meaningful. Watching him struggle with his emotions is very endearing and makes their interactions even more heartwarming. It’s nice to see this kind of vulnerability, especially in a BL series where those tender moments can feel very real.
The way their story develops requires your full attention because, although it may seem quick on the surface, when you really get into it, you'll see how intricate and deep their relationship is. Each conversation carries a lot of meaning. It's like uncovering layers to find their emotions, and trust me, it's worth the time to fully understand.
Visually...Oh. My. Gosh. Every frame looks like it was crafted with so much care and the cinematography just takes your breath away. The use of color and lighting doesn’t just make things look pretty (though it does), it adds meanings to the story. The way certain hues are used to highlight emotions or underline the tension between characters is just… chef’s kiss. It’s the kind of show where every detail counts and those tiny touches in the visual storytelling make the whole experience richer.
And this cast, wow, they really hit the mark. Every actor adds something special, making their characters feel so real that you almost forget you're watching a TV show. The connection between the main characters is fantastic, and it's not just the romantic parts that work well - it's all the emotions they show. They've created characters that feel complex and easy to relate to, which is what really draws you into their story.
Esta resenha foi útil para você?
Don't judge a series by its rating
"Playboyy" is its own genre. There is "BL" and there is "Playboyy". You can't compare these genres at all.I'm not a fan of NC scenes in series. I don't like it when such scenes appear in a series, just to show that the main characters have moved on to the next stage in the relationship. It doesn't add anything to the plot, it's just there to please the eyes of some fans.
This series is different. The creators themselves have written that this series is about "relationships of "human" through various definition of sex". And that's what this series is about. It doesn't glorify sex. It doesn't show it as something romantic. It doesn't make us believe that it must and should only occur in monogamous relationships. It shows that there is no such thing as "normal" sex. Everyone has different desires. Everyone has different needs. If these desires are fulfilled by mutual consent, give pleasure to all participants, there is nothing wrong with that.
Sex in this series isn't there to attract the attention of fans. It shows the characters' personalities, their traumas and their fears. Here I must add that the characters aren't crystal clear. They all have their flaws, some so serious that we feel bad rooting for them. There is no black and white in the real world. There are only shades of gray. And that's exactly what this series is. It shows all the shades of gray, not allowing viewers to easily judge which character did the right thing and which didn't.
This series had the courage to address difficult topics without wrapping them in a pretty package - drug addiction, prostitution, sex addiction, sexual abuse.
While watching this series, you have to keep thinking about why the characters acted in a certain way. You can't just turn on an episode and relax.
And for all the haters who are always talking about one thing - as someone pointed out earlier, this is a series about sex, so there must be sex scenes. They can't just talk about it for 14 episodes. Watching a series about sex and complaining that there are sex scenes is like walking into a bakery and complaining that there is bread.
I love this series. I'm hoping for a second season. Maybe then more people will discover this hidden gem.
Esta resenha foi útil para você?
Esta resenha pode conter spoilers
A near perfect drama
I can barely put into words how much I love this drama. It got me hooked from the beginning and I immediately fell in love with the characters. There is an amazing blend of comedy and romance as well as character development. I love how our main protagonists went from enemies to friends to lovers, nothing felt too rushed and viewers can't help but root for them all the way through. Their relationship was so healthy and it was so clear that Sheng Sheng and Jiang Yi are made for each other. The hilarious moments are so random and make me think the two leads have one brain cell split between them haha (walnut cracking scene, doing bizarre physical activity to try to switch back). The side characters were also purposeful and well-developed. Jia Shu and Tong Hua's side story was super interesting yet unexpected, while Shen Qing offered the "I feel bad for him but I don't want him with the girl" character lol. The family storylines were well done and I definitely shed more than a few tears. There is almost nothing to complain about tbh. Except, unfortunately, as with any drama, there are flaws that made this a 9.5 rather than a 10.Their breakup was justified. 100% I'll give them that. I bawled my eyes out during the whole of episode 24, which I think just showed how attached I became to their relationship. Seeing Sheng Sheng go through so much hurt within such a short period of time, and Jiang Yi feeling helpless tore me apart. They so badly wanted to be there for each other but couldn't figure out a way that would work for them. Also I really didn't expect this but I was also bawling during the whole Little Galaxy disbanding bit. Even though Little Galaxy was never a huge part of the drama, there was something about saying goodbye and all the fans thanking them for their childhood that hit so close to home.
The last episode gave me so many mixed emotions. First off, ONE WHOLE YEAR LATER. bruh. I was expected six months later max but damn okay writers. Anyway, I just felt like everything was so rushed. Jiang Yi coming back, deciding he doesn't wanna hide himself in public, then announcing that the body switching problem has been solved. I completely understood why Sheng Sheng was feeling to overwhelmed and didn't immediately say yes to Jiang Yi's offer. Something just felt off to me idk. Them getting back together was very very cute though, especially the mountain scene. BUT THEN. We realize it's a novel plot that real-life, non-fictional Sheng Sheng is writing and the beginning break up scene at the start of episode 1 suddenly made sense. While I get that having the body switching idea makes sense in a novel, I would rather have it be for real anyday. I know the novel is based off the actual relationship, but they are different from the Jiang Yi and Sheng Sheng all the viewers fell in love with. There was no need for those last 8 minutes and I kinda wished I just paused at that point.
Anyway, I will be re-watching cute scenes and BTS of this drama and missing all the characters v much.
Please, please watch this!! It deserves all the love in the world.
Esta resenha foi útil para você?
FAILED
A good attempt that failed miserably. If you havent seen this just stay away, otherwise youd be watching "The Sandee Show".The good:
1. Good actors - Enzo and Darwin are good as Ken and Shake, Keijiee was also convincing as Heaven, even John as Romeo. I also love Yayo's subtle strong single mother acting (more on Yayo later);
2. There is a number 2?
The bad:
1. Sandee. BIG PERIOD;
2. The crying Yayo;
3. The deaths and that ghost-seeing character;
4. The second half of the story;
5. That horrible horrible Ken hospital makeup;
6. The title. How the hell did that title connect to this series? What was so extraordinary???
The moment it was implied that one character can see ghosts and then really saw one at the theater, i knew immediately that something was off with this show, and that things will turn sour. I was hoping i was wrong but damn, they had to go there and it immediately went downhill.
Tropes and my snide remarks aside, the truth is this series had so much potential in the beginning. The first few episodes can actually be considered good - the characters, the acting, the script, and specially the non-Covid plot ( Covid-related fictional stories from the Philippines is just so overused now). Remove the girl best friend and i would gladly give this show 9 gold stars out of 10. Why the heck then do i think the show failed?
It is because of the second half- when the two gay lead characters became extras and the two female characters became the leads. The first episode promised a well produced series with its two gay characters at the center of the story, not as villains, and not as a source of comedic and idiotic relief - something we havent seen in a normal Philippine primetime tv show. What they delivered instead was a confusing mess, and an attempt to give the veteran Yayo the heavy lifting in acting. The story shifted from a love story into a preachy information campaign - "End Homophobia Now" or your child or your friend could die.
The show would also like us to believe that the love between Ken and Shake is so EXTRAORDINARY, that heaven and earth will move just to bring them together even in the afterlife- something that wasnt even established enough before their demise . What little time they got in the first half is a beginning of a love story, at best, they're not even officially a couple yet. They could have spent a couple more episodes to make us believe that what they have is real love.
Also, this series became a semi-supernatural show with a cheap attempt to copy that "Sixth Sense" twist that you can see from miles away. Then they gave extended screentime for the wailing mother, and that best friend who is actually a selfish insecure b*tch. If i was the mother and after realizing what i did, i would have beaten that pretend angel into a pulp. That character lacked remorse and would forever be etched in my mind as one of the worst characters ever.
Overall im giving it a 5.5 just because of the good first half. Should you watch it? No you shouldnt. Will i rewatch? Hell no! Oh, did i mention i hate Sandee?
Esta resenha foi útil para você?
Esta resenha pode conter spoilers
A man and his personal story of greed - leading into the repulsive quagmire of a corrupt network
In 2017, "The King" is among the top ten movies in South Korea. The story is a prototypical example for a few extremely powerful men(!) manipulating crime, business & politics within South Korean society. In an idiosyncratic style, the movie conveys an insight into an repulsive quagmire of corrupt networks that run through all social classes. It is about the particular imbalance in the realms of public prosecutors and judiciary, which in the 1990s and 2000s was still massively determined by bribery.The protagonist tells his personal story of greed (it is always people behind a system...) This is about his climbing to the top and the correspondingly deep fall. He accompanies the events from the off while the story unfolds before the eyes of the viewer in trenchant, impressive scenes. At first, you have to get used to this particular style, but the acting, pace, rhythm and camera nimbly catch the audience by the hand and won't let go until the end.
Esta resenha foi útil para você?
With a talented and star-studded ensemble of some of Japan's most famous names, it's no surprise that Rage shines. Ken Watanabe needs no introductions, the male leads: Go Ayano, Matsuyama Kenichi, Tsumabuki Satoshi and Moriyama Mirai who all have already made names for themselves. Aoi Miyazaki, who's been in the industry since she was four. And the up and coming, Hirose Suzu. I also want to mention the relatively unknown Takara Sakumoto who makes his debut here as an actor to watch out for.
I'll tell you why Rage is a very raw film -- it depicts Japanese rigidity. I don't say that to provide a negative interpretation but there is a lot of suppressed emotions in the society. Hence, these suppressed emotions are bottled up, be it sadness, be it anger, be it loneliness—whichever. The need for catharsis is just too high and I think Rage perfectly depicted that need and gave these characters that chance.
As I watch this film, I too, want to scream, I too want to have a tantrum, I too, want to throw things—I want to release bottled-up feelings. Lee knows how to build-up these emotions that echoes the characters' as much as he builds up the narrative. He knows how to give you the "feels" combined with Ryuichi Sakamoto's score that's just filled with too much dramatic tension, you too, would want to explode.
There are two overlaying narratives in the film, all of which were very cleverly linked not only by the murder and that the three men emerge as potential suspects but are also connected through dialogue, through visuals and through sound. The sound is really the one, to me, pushes the plot. The sounds emit the emotions, emit the passion and emit everything. Lee connects visuals from Tokyo, from Chiba and from Okinawa together with the dialogues and the sound. I think it's a very refreshing way to do so and it makes the three narrative feel balanced.
These narratives, on their own are unique but still keeps the underlying theme of trust and connection. Go and Satoshi's narrative touches on their sexuality. It is very refreshing to see an aloof, almost-silent Go that contrasts with Satoshi's fearless and enthusiastic nature. Miyazaki, Watanabe and Kenichi's narrative touches on acceptance and of family. The lonely, almost weird Kenichi forms a connection with Miyazaki, who has just been rescued by Watanabe (her father) from an abusive sex work. Suzu, Mirai and Sakumoto brings us to Okinawa, of a simpler life, of youth and of curiosity but to me is really the one that resonated with me the most.
If you really want to know who the murderer is, I'd say look at the narrative that's filled with the most rage. Look at which narrative makes you feel the angriest, the one that filled you most with rage and you will have your answer. By the second hour of the film, where it's filled with tears and screaming and throwing, you'd know. The reveal isn't what matters, it's their stories that do. Lee knows how to juggle the three narratives that three of the suspects are all likely to be the killer.
The plot does, disintegrates into a cornucopia of crying, weeping, wailing and just a lot of those (all three narratives stitched together too) so it does overwhelm and to itself, an overexcess portrayal of the characters and their narratives. But nevertheless, very very very impressive performances from the cast.
All I have to critique is probably the lack of a backbone for the killer himself. There is an ongoing question of where the rage comes from. Is it simply from surpassed emotions? Is it simply from being laughed at his pitiful state? Or is it from being pitied? We are never given a straight answer so we can only interpret.
The visuals are stunning. The opening shot of a bird's eye view of Tokyo, to the clear waters of Okinawa to the colorful houses of Chiba—it's beautiful. The visuals are great transitions and there is never the lack of varying colors to depict the scene's mood.
Finally, I just want to say that I will never look at Hirose Suzu the same again. I'm only commenting on her the most because her films are the one I've seen the most. I used to say how Suzu knows how to act, she can cry but there is blankness in it (compared to the way Fumi Nikaido tries) but seeing her, in a very very very mature role, I'm taking back what I said—Suzu deserves all the spotlight she's getting. And with such roles, it's no doubt, she can do more.
Also, Takara Sakumoto making his debut here impresses.
Ultimately, the film is about trust and connection. No, it doesn't tell you who to trust and stuff but it does tell you how it feels when someone you trusts betrays you or someone you choose not to trust just decides to leave.
Esta resenha foi útil para você?
Li Hong Yi is Super Hot
This is another one of those isekai time travel stories. It’s tropey and I wasn’t very impressed with the beginning of episode 1 when a girl bumps into a boy and rips his suit at his important occasion. However, as the story progresses, I was absorbed into the story by the narcissist Jiao Yang (Li Hong Yi) character who is a wealthy spoilt brat and scared of responsibilities. Though the character of Jiao Yang is cliché, his look is hilarious and eccentric.To return to her own universe, Lin Miao (Kira Shi) must help Jiao Yang become the CEO of his father’s company. Though trying to avoid responsibilities, Jiao Yang also tries to prove himself, especially to his father who is almost tired of scolding him (Jiao Yang) in front of his staff. In contrast with Jiao Yang’s immaturity, Lin Miao is mature and capable, and very soon Jiao Yang falls in love with her and is inseparable from her.
Jiao Yang’s journey to the CEO seat is arduous, having challenges thrown at him at all times from all directions. Each time he takes up the challenge and faces it head on with Lin Miao by his side. Their moments together are filled with sweetness and silliness, and it is this sweet romance that has made this drama the highlight of my days.
There is not much of a plot here. Whatever insignificant plot there maybe has not been developed well. Plot holes are everywhere and illogical. I stuck on with this drama because of the romance which I really like. Initially Li Hong Yi’s hair style baffles me, but then I grow to like it for its wuxia appeal. Li Hong Yi has the charisma and look of a guy who is always being misunderstood by others and yet he adopts a I-don’t-give-a-damn attitude. Having said that, he’s desperate in proving himself to his father and to Lin Miao. Li Hong Yi’s performance is very convincing here.
Kira Shi has a mature look. As Lin Miao (current self), she’s perfect but as Lin Wei Jun (younger self), she’s overstretched a bit. I can’t say I like her as Lin Wei Jun (really hard to watch when she tries to act cute). The co-existence of Lin Miao and Lin Wei Jun is mind boggling and is not properly reconciled at the end. Therefore, despite being a time travel story, there are 2 people of the same person. This is a glaring intentional plot hole that doesn’t make any logical sense, and is very quickly swept under the carpet. The ending is sloppy. It feels like lazy writing to me. They just want to pack up and go home. What a pity. This could have been a very nice drama.
Overall, this drama is unexpectedly quite a fun watch despite the shoddy ending. I love the dynamics of the female and male leads which are perhaps the only thing that have kept me going.
Esta resenha foi útil para você?
Atsu-hime's evolution is believable and beautiful to watch. The story is authentic and gives you a glimpse of a closed world and how it changed after the Meiji restoration.
I highly recommend this drama to anybody who wants to see a beautiful story that is both historically accurate and understandable for the modern viewer.
The acting was stellar, believable and stirring all kinds of emotions. The music was epic, as much as the story was personal and without much of those epic scenes with wars and surreal martial arts.
I don't think I can rewatch it as a whole, but there are certain scenes that I would happily rewatch!
Esta resenha foi útil para você?
Being a fan of Miike’s filmmaking, it was unavoidable to miss the highlighted foolish characterization, extreme violence and hilarious black humour inserted everywhere. That being said, I never expected Toyoda to do the same. After all, two different directors have entirely dissimilar way of making their pictures. Crows Explode leaned to the realistic side way too much which was a bit wrong in my opinion; don’t get the wrong idea, immersing the characters and fighting scenes in realism didn’t sound like a bad treat but when it’s over-done with this type of film then things are bound to become bothersome.
To make things clear, this film had too many similarities with its famed prequels. The fight to become Suzuran’s top leader was still used as the main thread to drive the plot. However, the fighting sequences to reach that objective were surprisingly demure and repetitive in a worrisome way. Although Toyoda tried to focus on the human emotions between his characters, he didn’t exploit his main leads’ potential to the fullest. Thus, many feelings couldn’t get pass the screen barrier to reach the watcher’s heart.
Crows Explode narrative pattern was composed of several side stories that didn’t serve any meaning at times. At the matter of fact, few of them were just used to fill the running time instead of building characters’ back stories. To some extent, most of them were heavy to watch especially with the obvious lack of fighting scenes; they became utterly irrelevant to the film’s development. Let’s not forget the near-disappearance of black humour – which I clearly don’t blame Toyoda for it. The last fighting sequence wasn’t blowing but it delivered a nice punch after all.
The entirely different cast is worrisome, isn’t it? I know that many people can’t imagine the “Crows” without Oguri Shun and Yamada Takayuki on top of them. I am a big fan of those two actors myself but shockingly, their disappearance didn’t make me feel bad. I did want them to be in here but the new faces weren’t bad at all. Led by raising stars like Higashide and Yagira, the acting department did the trick for the lack of better words. Some actors didn’t convince me much but I can’t put all the blame on them, the way their characters’ were written didn’t allow them to show a wide range of emotions or action.
The cinematography was trying to be the same as the two Crows Zero but it didn’t come out that way, I believe the yellowish atmosphere is the film’s way of distinguishing itself from the others. The musical note was the same so there's nothing to complain about in that department. The directing style and the setting of fighting sequences are debatable but Toyoda made sure to leave his mark which is more than enough to respect a director.
Watch if:
-You like both Crows Zero but make sure to watch this with an open mind.
-You like school fighting.
Do not watch if:
-You’re looking for a “copy-paste” version of Takashi Miike’s prequels.
Crows Explode had its own touch of filmmaking but the serious realistic depiction that Toyoda decided to use didn’t come out entirely right, just like it wasn’t entirely wrong. Due to its entirely different pattern, this sequel should be viewed for its own merits, comparing it to Miike’s Crows will only make it harder to watch and judge.
Esta resenha foi útil para você?
The plot starts off very slow and realistic but has plot twists within the middle of the movie. After that happens, the plot picks up and that's what makes you more interested in what will happen next.
As for the soundtrack/OST, not the most memorable. It just was okay. The acting on another note was beautiful. I love Choi Woo Shik, Kim Dami, and Go Min Si in this movie. I really think the cast was well picked and the actors did an amazing job with the acting and portraying each of their characters.
I would rewatch this movie if I wanted to, and I am really hoping and excited if there is a PART 2 to this movie.
Esta resenha foi útil para você?
Esta resenha pode conter spoilers
Everything stands or falls with the choice of an auspicious place. Insights into Korean geomanticsm
"FengShui" is a historical KMovie that addresses the political takeover by Heungseon Daewongun and his son, King Gojong. Even more, it deals with the Korean version of geomancy - Pungsu-jiri-seol = theory about the relation between wind, water and earth - which has accompanied the country across all dynasties since at least the late 9th century. The traditional theoretical concepts, studies and observations are about which constellations in the landscape bring luck or misfortune to people. In South (and North) Korea there is hardly any building, tomb, temple, or city that was not built from the point of view of Pungsu. To this day, Pungsu is still quite popular.Against this background, one could understand the movie "FengShui" as a nice, sometimes exciting story that comes up with a pointedly, rather apolitical, and for some even esoteric explanation about the ending of the Joseon Dynasty: At last, it was the (wrongly?) chosen location of the tomb that decided the end of the empire...
In any case, the story dramatically illustrates the importance of Pungsu to the people of (Silla, Goryeo, and) Joseon. And by the way, it gives an insight into the political situation during the last decades of Joseon. Without reference to this, however, one may be a bit surprised about the scramble for graveyards and also the struggle for power at the palace would be an interchangeable one among the many stories available on screen... No matter which glasses you choose, the cast in any case guarantees top-class performance.
Eventually, if you are interested in Korean society and history, the KMovie "FengShui" opens up an understanding of the great importance regarding the harmony (or disharmony) of human life with natural events (such as weather and seasons) as well as in relation to geographic features of the landscape (such as mountains and lakes and landscape) - as they are having a direct impact on human health as well as the fortune or misfortune of personal, family or even national fate. Everything stands or falls with the choice of an auspicious place (Myeong-dang) for one's own house, grave, market square, administrative headquarter, temple, fortification, palace, etc.
The teaching goes back to the Buddhist monk Doseon (826-898). He was a Daoist master and Zen Buddhist student who adapted the Chinese principles of feng shui to the Korean landscape and cultural environment. What is special about it is the concept "grow with nature", which in this respect focuses on an analysis of the spiritual and matter-related energies of mountains and landscapes as well as their effects on human life. (Interior furniture etc. plays a minor role in Korean pungsu.)
The KMovie "FengShui" puts a Pungsu master at the center of the story. Due to the more or less favorable choice of location, he can predict and influence how the fortunes of the people affected will develop. In this case, by using this knowledge to choose the most favorable burial site, he becomes a veritable kingmaker.
By the way:
All 42 royal tombs of the Joseon Dynasty over a period of more than 500 years are largely undamaged to this day. This is worldwide unique. All are arranged in the landscape according to the teachings of Pungsu - at most close enough to the capital for the royal family to visit the tomb within one day. (The concrete design of the complex was based on Confucian specifications.)
By the way:
The historical starting point of the story is the fact that Heungseon Daewongun, a central political figure of the last Joseon decades, moved his father's tomb on the advice of a Pungsu master. The new setting somehow promised that 2 kings would come out of his family. That was actually the case. But after that, the Joseon Dynasty came to an end.
------------------------- SIDE NOTE: --- Myeong-dang and Korean Pungsu ---
Pungsu officially goes back to the monk Doseon. But there are also sources that indicate that there was already a spiritual tradition with human-nature harmony on the peninsula, the aim of which was to efficiently balance landscape and topography, natural forces and sanshin (mountain spirits) in order to determine the fate of the purposefully influencing people.
Doseon's works have not survived. But his yin-yang geomancy was handed down in the works of later Confucian scholars. In the 12th century book "Haedong-Pirok" about the secret history of the country Doseon's theories were mentioned and even expanded. 5 centuries later, Yi Jung-hwan (1690-1752) in "Tangni-chi" analyzed the topography and landscape of the entire peninsula according to these geomantic points of view.
Central to this is the concept of Gi (forces of matter) as opposed to Li (forces of Heaven and Spirit). Mountains, and in particular the central mountain range that stretches like a spine across the peninsula, are the source of Gi. The energy flows, so to speak, from the mountains into everything that the landscape produces, into the water and into the air - all that nourishes the humman being. Gi thus becomes concrete and figuratively the source for a strong, happy people.
Another central concept is "Hyeol": a place of perfectly balanced forces of heaven (cheon-gi) and earth (ji-gi) from which people benefit the most. Such Hyeol with high, positive energy potential include, for example, Jiri-san's Cheonghak-dong valley in the south of Samshin-bong peak or the location of Buseok-sa temple on Sobaek-san. "Hyeol" actually means an ´opening´. Like the 9 openings of the human body, there are also openings in the landscape through which energies can enter and escape. If you like, Hyeol could be considered acupuncture points in the mountain landscape. Knowledge and control of Hyeol thus is highly related to power. A more ancient term for Hyeol comes from the shamanistic tradition: 'Myeong-dang', the (spiritually) lightful or auspicious place. The idea behind it: Bedding the ancestors at the auspicious place can bring prosperity, power and good fortune to future generations. Bedding the kings at auspicious places accordingly brings prosperity, power and good fortune to the nation.
...The KMovie is originally named "Myeong-dang"...
---------------------------------------------------------------------
Esta resenha foi útil para você?
Esta resenha foi útil para você?
