The characters play well off each other as their chemistry is greate and the actors are all well suited for their parts. And honestly, the guys are very cute :P
One notable thing about this drama is it gives you room to imagine in details yourself. For example, they don't necessarily give the full backstory of the characters. Instead they hint at many parts and let you create your own story for them in your mind.
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"Remember, your fate hangs on the tip of your blade." ~Zhou Fei
Legend of Fei is not only a Wuxia drama, but it has several cute love stories, an intriguing mystery, and a lesson that all of us should learn from. This drama is based on a popular Chinese novel with the same name by Priest, which I have not read before. (Translated version is only available as machine translation) Two large downsides to this drama were the the terrible editing skills, and unrealistic backdrop that was very obvious from time to time, but the lovable characters and fascinating storyline eventually overshadowed these disappointments. It is quite understandable that many would be unwilling to "wait" more than 20 episodes or so to finally get into the drama, and this is a barrier that everyone should be aware of before attempting the drama. With strong martial arts skills and intelligent thinking, Zhou Fei teaches us that we can achieve our dreams, but achievements are only the result of endless and persistent hard work. With many setting high expectations for a drama with their favorite actors or actresses, this rather low rating isn't very surprising, but I really enjoyed it.Honestly, I don't even know if this contains spoilers. If it does, please message me about it.
Story-8.0
With the usual pugilistic world (Jianghu), there are admirable heroes who help others, but there are also people greedy for wealth and power. Zhou Fei is born into Forty-Eight Fortress, a sect founded by her grandfather (Li Zheng) known for its good deeds and efforts toward eliminating evil. Growing up, Zhou Fei had always been taught by her parents to only do good, to work hard. Her mother seems overly strict to her, but loves her more than anything in the inside. Zhou Fei longs to please her mother, and to achieve this goal, she plans on becoming a famous heroine. After a series of events, Zhou Fei meets Xie Yun, who appears carefree, and quite annoying. Zhou Fei leaves Fourty-Eight Fortress for the first time, and along with Xie Yun, her two cousins (Li Sheng and Li Yan) and some newly made friends, they start to uncover the reasons for the deaths of her grandfather and many other martial artists. The moves for the martial arts were choreographed fairly well, and it was clear that each actor and actress had put in a lot of effort to perfect their moves. I also really liked the costumes; Although they were simple, they fit perfectly for every character, and the light-weight clothing worked reasonably well to portray everyone's personalities. Each story behind the famous heroes are very motivating, and we learn lessons along with A'Fei. The story starts rather slowly and quite boring (and a few episodes could have been cut), but to make fire, wood is needed, and I promise, as the story progresses, it becomes more and more intriguing. There is no clear plot until episode 20-something, which disappointed many viewers. The story revolves around the idea that evil may seem to win, but oh no, it doesn't. Only with a kind heart can you rule the world.
A very important aspect of this drama is the mystery incorporated into it. An item said to be able to assist one into ruling the world was coveted by countless people, and this didn't exclude the evilest of the evil. In the later episodes of LoF, the main plot is revealed, and things do not cease to captivate.
Acting/Cast-8.5
Legend of Fei has some of the most lovable characters in the history of Wuxia characters, as well as some of the evilest. There were some with some annoying attributes, such as the Third Prince, who I still don't know why he was included in the story. We have quite a few comedic duos that give us quite a show, and each and every character has their own story, no matter if their journey throughout their life was tragic, hopeful, or just mediocre. Here are my descriptions of a few of the most influential protagonists and antagonists:
ZHOU FEI and XIE YUN- A strong-willed young girl, Zhou Fei had wild ambitions, but luckily, her ambitions were to do good for the world. (and impress her mother) She and Xie Yun start on a rather bad note, but friendship quickly links them. She discovers that the world outside of her home is not all that cheerful and fun, but rather dark and scary. A hatred towards the Demons starts to grow inside her after she learns of their countless evil deeds, and she manages to kill many of their leaders through the guidance of many martial art heroes and heroines she meets on her journey. The persistence in Zhao Liying's eyes are present throughout this drama, and her acting never fails to disappoint. (I am not a die-hard ZLY fan) Our female lead matures from a girl ambitious to be the best to a young woman who is admired by the many people she had helped. (may contain spoilers:)With a complicated past, Xie Yun is not your typical male lead. He and Zhou Fei first meet when Xie Yun "steals her father". Underneath his cheerful personality hides an unforgiving identity, which Zhou Fei and everyone else learns later in the drama. This identity isn't very surprising, but is crucial to the story. He is very agile, and always manages to escape the Demons without even exerting too much energy. As talkative as he is, he is also very intelligent, although he doesn't always show this aspect of his personality. In front of Zhou Fei, he is funny but also caring. Although Wang Yibo could be considered a rookie actor, he managed to pull off the complex personality of Xie Yun, which is quite impressive.
Wang Yibo and Zhao Liying do not have that fire chemistry, but their pairing was more than acceptable. It may be disturbing to some that ZLY is 10 years old than WYB, but their interactions in the drama made me forget about this irrelevant detail. Xie Yun and Zhou Fei are our troublemakers, they are really two peas in a pod. They only want the best for each other, and will go to the ends of the earth to save each other.
LI SHENG and WU CHUCHU- Another cute couple, Li Sheng and Chuchu are very adorable as well. Li Sheng never manages to beat Zhou Fei in martial arts, and was rather jealous of her. Later, though, he discovers that he doesn't always need to be #1, because as long as he can use his strong skills to help, he is satisfied. Even though he doesn't have the strongest martial arts skills, his leadership and intelligent are two of his main strengths. I found him particularly annoying in the beginning (because he was rude to A'Fei), but his smart and caring personality eventually stole me heart. His love interest, Wu Chuchu, was born with a silver spoon, but her parents are both killed mercilessly and she spends a large portion of her time with Zhou Fei and Li Sheng on the run. Some of her early actions were very frustrating, because she was doing some really dumb things, but her determination to avenge her parents led her to even start to learn some basic martial arts skills.
LI YAN, YANG JIN and YING HECONG- Oh boy, our three troublemakers. They are quite the trio! These three never fail to make me laugh, especially Yang Jin. His motion of rubbing his head is his most famous movement, and makes him appear dumb and useless, but he has some strong martial arts skills. The actor who portrayed him did a great job in showing his funny but strong personality. His love interest, Li Yan, could be said to be even dumber than Chuchu. I love her as well, but some of the things she did were very unexplainable, and led to all sorts of trouble. She wasn't a very crucial character here, but she did manage to add some comedic elements to the show. Last but not least, Ying Hecong, aka The Poisoner. I didn't really understand his presence until I realized that he was very knowledgeable in poison, and he eventually was a very helpful friend to A'Fei and everyone else, and like the others, after undergoing a tragedy or two, he musters up the courage to stand up for what is right. I loved this trio, they are hilarious.
HEROES/HEROINES- Without the wise and famous heroes and heroines, Zhou Fei couldn't have achieved what she did. Each and every martial artist gave her priceless life lessons, as well as had some of the most beautiful stories. Although most did not have much screen time, they each played a crucial role in fighting the Demons, and passed on their skills to Zhou Fei. Li Zheng and Duan Jiuniang had an unforgivable love story, while Ji Yuncheng was an honest man who couldn't forgive himself for a certain event. Madame Ni Chang was a great woman, and saved Zhou Fei and the others quite a few times. Unlike the Demons, these wise men and women were even willing to give up their life to keep the world at peace, and they probably could have a drama just about themselves!
DEMONS- Demons are demons, evil and merciless. They do not even know what the treasure is, but spent years trying to uncover it. Without these terrible characters, the drama could not have progressed, and the actors/actresses did quite phenomenally as the evil roles they portrayed. I wish that some of them got a closure where they learned the valuable life lesson, but even if none did, their satisfactory ending was enough. Each of the demon leaders had their own detestable personality, and not all of them wanted the treasure.
Music-8.0
The music in this drama wasn't very memorable, but it was far from bad. The OST could have been more delightful with a few more songs, and it was kind of a surprise that Zhao Liying didn't sing any of them. Wang Yibo did, and the tune and lyrics fit quite nicely. As for the background/instrumental music, they were very common in fighting scenes and calming scenes, and were also a snug fit. With the mysterious but upbeat music, the audience could predict that Zhou Fei would win the battle, or that some despicable Demon was about to be defeated. In Forty-Eight Fortress or with our Yunfei couple, the soft music showed us the beauty of peace.
Rewatch Value- 8.0
If I had to rewatch this drama, I would most likely skip the first 10-20 episodes, and go straight to when I started to actually make strong connections with the characters. I did enjoy the second half of the story, and did not skip a single part of it.
Overall-8.5
The start of the drama was a little disappointing and underwhelming but the ending was not, as well as the story as it progressed. Some interactions between the characters were hilarious, while others were tense and dark. We are given three cute couples as we followed the main characters' journey to eliminate evil and help the poor civilians. No matter what happened, Zhou Fei did not give up, and her persistence was the key to defeating the Demons. She and Xie Yun have a very valuable relationship, growing from an unfriendly encounter to unbreakable love. And without the amazing acting of every actor, this drama wouldn't have been able to portray the most important life lesson, which I'll leave for you to discover.
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A viper's nest.
After growing up in the countryside, Zhuang Hanyan returns to the capital to claim her rightful place as the legitimate daughter of the Zhuang family. Her reception is mixed—some family members seek reconciliation, while others fiercely resist her presence. It soon becomes clear that the Zhuang household is a viper’s nest, but Hanyan is no naïve country girl. There’s more to her return than meets the eye, something her late sister’s husband, Fu Yunxi, quickly discerns. Their relationship evolves from adversarial to conspiratorial as they uncover each other’s secrets and forge an uneasy alliance.The Glory/ 雁回时 is another in a recent wave of revenge dramas that starts with a suspenseful, addictive hook but fizzles in the second half. The reveal of Ruan Xiwen’s tragic backstory and her complex, scheming dynamic with her daughter Hanyan forms the emotional core of the drama. Unfortunately, after this peak, the narrative devolves into dog-blood melodrama, riddled with clichés, plot holes, and unconvincing motivations. Wen Zhenrong delivers a vehement, emotionally charged performance as the bitter and wounded Ruan Xiwen, anchoring the first half—but once her arc concludes, the tension noticeably deflates.
Though I typically adore ruthless, morally grey characters like Hanyan and Yunxi, their pairing falls flat. Their silent staring contests and psychological battles feel insipid, especially compared to over-the-top performances by older actors like Yu Entai's exaggerated facial contortions and whispered threats. That said, Chen Duling shines as Hanyan, balancing hidden depths with fiery resolve. Xin Yunlai, however, is stoic to the point of woodenness, though his awkward, crooked half-smiles carry a strange charm.
The biggest flaw lies in the overabundance of toxic characters with nonsensical motives. Why does Hanyan—clearly talented and resourceful—fight so hard for acceptance in such a dysfunctional family? The schemes lack payoff, the villains are cartoonishly petty, and the central "hidden treasure" subplot feels pointless (why hoard wealth with no heirs to inherit it?). The second half is a mess of twists without cohesion, and the ending—hinting at Greek tragedy but lacking the courage to commit—leaves a wishy-washy, unsatisfying aftertaste.
Yet, despite its flaws, I found myself oddly engrossed. Like a drink that starts intoxicating, turns bland, then ends bitter, The Glory is a flawed but strangely compelling ride. 7.5/10—great potential, squandered execution.
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Cheeky, cheerful and heartfelt, drops of suspense included
“Knight Flower” is set in Joseon days, yet it is no epic, historical KDrama in a classical sense. It has endearing comedy to offer, the touch of a romance and even a touch of crime thriller, while the setting back then in Joseon is accounted for predominant neo-Cunfucian social ethics in those days. In particular, back then being widowed was bad news for women, whatsoever. (See side note). This circumstance is providing the hook for a cheeky and fresh-minded KDrama plot.In "Knight Flower", the widow simply cannot get herself to merely spending the rest of her long life in honorable, virtuous seclusion, mostly invisible to the rest of the world, trying not to be too much of a burden to her in-laws, and otherwise mourning the deceased husband (whom she never actually met) in the afterlife.
No, this widow does her own thing. She is not interested in being reduced to the virtue of mourning. During daytime, her everyday life is that of a honorable widow and decent daughter-in-law. Yet, at night she is dressed in black, wearing pants and a mask, climbing over walls, jumping over roofs and helping the poor – as "Midam", a kind of Robin Hood of Joseon. Such is her double life. All goes well, until one day...
While the plot is drawing its dynamic appeal from the actually rather sad background of a dubious tradition of treating widows (not only practiced in old Joseon, and not only back then…), the good news is: "Knight Flower", as a production broadcast in 2024, is built on intelligent emancipation, too. What is called for is not compliant bowing, but rather self-confident, creative solutions in dealing with life. Obviously South Koreans are craving for such a role model these days. The show was quite a success. People there apparently enjoyed it. So did I.
"Knight Flower" is cheeky, cheerful, and heartfelt, drops of suspense included, thus with alluring wit offering an enjoyably entertaining genre-mix.
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SIDE NOTE: --- Yeolnyeo or Yeolbu, the virtuous woman of Joseon ---
A loyal subject can only serve ONE king and a virtuous woman can only serve ONE husband. This perhaps briefly summarizes the core of the moral teachings of the period between the 14th century and the beginning of the 20th century. Practically speaking, this implied a widowed woman could face death penalty, if she ever wanted to marry again.
Women had to be obedient to their parents and in-laws. They had to honor their husband. And after his death the eldest son had the say... The greatest asset of a woman, besides bearing children, was her virtue. And that was eventually all that was left, if her husband might have died before herself. There was even granted an official award for valuing outstandingly honorable virtuous widows with the reputation of being a Yeolnyeo or Yeolbu. Thus they had to be particularly determined with living as a commendable model wife even after their husband´s death – according to all the rules regarding morals and daily routines as set out in detail in the book about good conduct for virtuous women…
However, the pressure on widows to be respected as Yeolnyeo became excessive over time. At some point it was even common for widows to consequently take their own lives, too, thus expressing their praiseworthy being loyal to the husband until the bitter end. In this way, they could posthumously provide their family (or that of their deceased husband) an honorable glory of virtue in which all family members could bask. Eventually, suicide was even expected of a widow – especially if she became a widow at a young age...
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So English yet so Korean...
U know that one thing that is different about kdramas that you cannot find in other dramas all around the world. That vibe, feel that is hard to define but it is there. Yes, that is what I find the most in this movie. This movie is so Korean yet so English, one can only understand this after watching it. This masterpiece is unforgettable and has a very realistic ending. The eye contact between the leads is my favorite part of this movie.And of course, this is the best movie of the year...
So don't contemplate whether to watch it or not and just watch it.
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MUST WATCH DRAMA
I have watched and i have loved so many cdramas, but this one particularly has a special place in my heart.Every single episode its so unique,and the drama portrays the meaning of the family and friendship in such a good way. There were many episodes that i couldn't hold my tears as I could identify with the characters feelings. This one is definitely on the good acting skills. The cast may be young in age but their acting skills were on point. FL and ML had such a good chemistry that you could feel from the very first moment the strong friendship between them, the same goes for the other characters too. Also, it was very intersting to watch the parents of each child and how they were managing their families differently.I could keep writing about this drama forever, but i will stop and suggest you to watch it right away so you can understand how I feel haha .
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BEAUTIFUL MASTERPIECE THAT I WILL ALWAYS REMEMBER
This has become my second favorite xianxia ever!! I laughed l, I cried, i was pissed off, I love so many characters here. So many range of emotions in me during these 40 episodes. I wish it would be longer.I really congratulate all the casting members, writer, director, production and each member that made possible this BEAUTIFUL MASTERPIECE!!! Tian Yao and Yanhui now are my favorite couple! I’m going to miss them so much!! 😭😭😭
Yanhui and Tian Yao met because she mistook him from someone else and from that moment their beautiful journey started. She didn’t have a place to stay because she was expelled from her sect. He took her to live with him and his (fake) grandma. Tian Yao was unable to love anyone because he was betrayed 20 years ago by the woman that he fell in love. Time goes on and Yanhui started to like him because of a supposed love potion but then she realized that she has fallen in love because who he was and for the many things that they’ve lived until that moment. Because of the betrayal, he had decided to close his heart completely and to not love anyone anymore. His anger and desire of revenge for what the biatch SY did to him were his biggest impediment to fall in love but after so many beautiful things and Yanhui’s tender heart and all the great things that she did for him, his heart started to open and fell deeply in love with her as well.
They would do anything and everything from each other which made them my favorite couple ever! Their chemistry is something out of this world!
I’m so thankful for this drama in so many ways and that Liu Feng’s family had it to remember their son.
PS: I’m still waiting for them to consummate their marriage and a proper kiss from them. I would love to see them together in a modern drama ❤️💜❤️💜❤️
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2Sincerity and Hilarity
I just . . . <3 ❤❤❤Such wholesome and supportive MLs! Ida and Aoki were everything good in this world.
The first episode did an amazing job setting up not just the characters and comedic style of the drama (which I adored) but also showing who Ida and Aoki are as people.
Ida is the kind of guy who thinks about things very seriously and carefully and despite not being exposed to/experiencing what many others already have is open to something unfamiliar to him. He also cares deeply about the feelings of others and always takes them into consideration, though he appears quite stoic and awkward at times. Lol.
Aoki is the kind of guy who doesn't let jealousy guide him in acting in ways that would benefit him personally while hurting others. He is willing to make sacrifices for the people he cares about even if it is to his detriment. And, he is very outwardly emotional and expressive, but also quite shy at times. Lol.
That was an impressive thing to accomplish in just the first episode alone.
This is the kind of drama that will not only make you cry from laughing so hard at Ida's dry humor, Aoki's meme-worthy and iconic reactions/facial expressions, Hashimoto's violent/impulsive nature, and Aida's blissful ignorance, but also from how much consideration and kindness oozes from the MLs.
Ida's sincerity was seriously too much for my poor heart to take! And Aoki made my cheeks ache from how many times I couldn't contain my giggles and abrupt bursts of laughter! Needless to say, I along with many of you now have to figure out a way to share custody of the absolute mood that is Aoki Sota.
Something a bit underrated and beautiful I didn't fully notice about this drama until it had a few episodes left was Aoki and Ida saying statements Directly expressing their emotions about things related to their relationship, and also the other paying attention and taking them seriously. Such as, "That made me upset," "That made me happy," etc. Saying This thing you did made me feel This. Basically, "I" statements.
I can't think of very many dramas that do this/have done this.
I've actually read that couples counselors will advise their clients to communicate in this way to directly address their feelings and not be accusatory when/if they're upset with their partner. Yet another reason for me to adore Kieta Hatsukoi and the precious couple in it.
This drama was not only a great showcasing of healthy and communicative relationships, it was also highly addictive. I rewatched each episode (until it was completed) about a dozen times before the next one aired.
Regarding representation, I could not be more happy! Aoki was a wonderful and respectful representation of Bisexuality. It was also delightfully easy to show. He was in love with Hashimoto and then he fell in love with Ida. Simple. He didn't declare that he "doesn't like boys and just likes him" (I hate that trope so much) nor was there any line indicating he never truly loved Hashimoto and was just "confused." He didn't deny his past love and also accepted his present love. I could cry!
I think this was as perfect Bi representation as you could get without actually saying the word Bisexual.
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Fighting for Stupidity
When I read the synopsis I was excited with the premise of a strong female character who excels in war strategies and becomes a female general. The FL is intelligent, devious at times and cross dresses as a man, there's a lot of male brotherhood camaraderie she develops with other male characters which is nice because sometimes its not all just about romantic love. While she is talented, the parts where she goes from commoner to elite fighting soldier with top notch archery and horsemanship skills was unrealistic.The love story really falls flat in my opinion. The ML is good looking but he's a bumbling idiot supposed playboy. His character is really flat and not bright. Its hard to believe he can last as a general for even a minute. I can't really feel drawn to his character. The love story between them doesn't have any emotional pull, its a bit robotic and forced in the acting. Maybe its me but it might be more interesting to see two robots fall in love than the FL and ML.
The SML and the FL seems to have more chemistry as they are on opposing sides and the SML is smart and bold. I watched it because I wanted to see how their story unfolds even though its pretty clear the FL will not end up with the SML. They should have really developed their story more because it was more compelling and a bit more complex than the FL's love story arc with the ML.
Overall it could have been executed better, the last dozen or so episodes was a bit of fast forwarding. I completed it because I was curious how it works out between the FL and SML and how she breaks through to become a general.
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I'm a little surprised that I watched this entire show, because I was thoroughly disappointed by it early on. Too much of this drama just didn't make sense. First off - let's start with the title. While Yoon Se Na was an honest and well behaved girl, she was not lovely or playful, as many translations of the title says. I don't quite see why all the men wanted to spend time with her, because she really sucked the life out of each encounter she had with other humans. For this I mostly blame the script, and some wooden delivery of it. The show did not make me believe that Se Na actually wanted to be a songwriter, she just seemed coaxed into it by Hyun Wook. It also did not help that almost every secondary plot point was either underplayed or completely disappeared. My Rating: 6.0
In Short: This love story between a boring young girl and a completely unprofessional CEO was truly dull at times and slightly enjoyable at others. The only plot point I enjoyed was lonely idol Shi Woo, though they could have done way more with that as well. SIGH
Pros: The setting is one that I usually enjoy, though it did not feel organic in this show. However, the lighting and filming is really enjoyable, and the dog is cute. The music was also quite good.
Cons: It really bugs me when most of the characters on the show are senior management for some company, and absolutely none of them know how to do their job. Everyone at ANA was unprofessional, and let their personal feelings decide at every turn. Also, the main lead kept his secrets (and lies) for about 8 episodes too long. And the last episode of the show was one of the worst episodes I have ever seen. Somehow, our leading lady was suddenly a complete a-hole for no specific reason.
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Why Mask Girl was great and why some couldn't understand the meaning behind it!
Some are free to dislike or even hate this Kdrama, but it is important to recognize that not every female lead in a Kdrama has to fit the mold of a "strong good girl." We need more complex, enigmatic, and twisted female characters. Personally, I look forward to the day when I can witness a compelling kdrama centered around a female serial killer. Because why not?Among the many memorable scenes in this K-drama that I loved, two that stood out to me were when Mi Mo murdered Oh Nam and when she and Chun Ae joined forces, gripping the rope from opposite sides, killing Chun Ae's abusive boyfriend. These scenes beautifully conveyed the feeling of saying, (I'm done!) even if they weren't executed most kindly.
This kdrama delved into the lives of women from different eras and age groups who harbored dreams and aspirations but were compelled to conceal their true selves, wear a mask, and conform to societal expectations and the whims of men. Some succumbed to defeat and strayed down the wrong path, while others, like teenager Mi Mo, representing the new generation, came to understand the essence of their experiences. This realization was poignantly depicted in the scene where Mi Mo watches a videotape of her mother's performance when she was an innocent child at the end of the show. And even she said that since then, the nightmares that haunted her about her mother have stopped.
To some, it may appear as if there are too many stories interwoven within this story. However, upon closer look, each character embodies a distinct facet of the female experience:
- Kyung Ja represents the older generation of women who were unable to even realize their dreams, thereby dedicating their entire lives to their children and utilizing them as instruments to accomplish their own aspirations and desires that they couldn't do themselves. Hence the obsessiveness in her mind & her crazy way of holding on to God's beliefs as the women in her generation were told.
You can see some of this in Mo Mi's mother as well, as she hates how her daughter wasn't good enough for her expectations.
- Mo Mi embodies the generation of women who were told to be beautiful and finding a tall, handsome, and charismatic man was the ultimate dream and the sole path to love, even if said the man turned out to be the ultimate idiot.
And if she happened to feel good about herself or her body in some way, some creep will see her as a thing to claim!
Nonetheless, women like Mi Mo fail to comprehend that loving oneself is the key to happiness and earning the affection of others. Thus, in her pursuit of conforming to society's superficial beauty standards, believing that it would enable her to start fresh, be beautiful, and be loved, she inadvertently destroyed herself. Consequently, she was labeled a monster despite her "new attractive appearance".
- And finally, Mi Mo symbolizes the younger generation, a girl who is angry at people "the society views on her", dreading the possibility of ending up like her mom, "the previous generation of women," and has a hatred towards her grandma's way of thinking, "the older generation of women.
But in the end, she gradually grasps the reality that the world is not simply divided into black and white, decides to accept herself as she is, forgives her grandmother (Mo Mi's Mother), and contemplates how her mother's fate might have been different had the world been more understanding.
Overall, the show was crazy and dark indeed, but so are the lives of these 3 women.
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3
1Love in Dahuang is cruel, lonely and makes your soul bleed - A deeply emotional analysis.
Season 2 of Lost You Forever drops you straight into the tragic, painful, full of yearning madness that is the brutal world of Dahuang. It brings with it the same excellent cinematography, gorgeous sets, beautiful dialogues and haunting music score that was the signature in its first season.However, this season is more raw, more bleak and more unkind to your heart as it follows the journey of our broken characters and their futile love. Ultimately, it is a story of what could have been, what never will be and what remains.
✔️What could have been - Xiang Liu - The glorious dragon of all our hearts
At times, watching this season, it felt like this was Xiang Liu’s world and we were all just living in it. The nine headed dragon has to be one of the most complex, deeply layered and nuanced characters on Chinese television. With his life shaped in torture, the shackles of a lifelong oath dragging down his very being and undying loyalty to a doomed army hanging over him like a cloud, Xiang Liu is the most devastating unsung anti-hero I have ever seen.
Even though he started his journey with borderline villainy, he is soon revealed to be sacrificial, noble and selfless in a way that is both self-punishing and painful. His love for Xiao Yao is real, thoughtful, tender and pure even as he tries to bury it under constant denial. He builds her up in a way no other man has ever done. With tough love, unexpected tenderness, hidden affection and needed ruthlessness, he makes her the kind of woman who she has always wanted to be.
Someone who can rely on herself, who belongs and who is strong and unafraid. Ultimately, he is the one who understands her on a soul deep level - he is her teacher, her best friend, her soulmate and also the man she can never have. Always there to pick her up when she needs it most, always there to save her when nobody else can.
To the very end, his goal remains to do what is best for her even if it plunges him into infamy or rips his own heart out. He wears the mask of her worst tormentor when in reality, he is the guardian angel who makes it possible for her to have everything she has ever wanted. His love, unlike others, comes with no conditions. The only condition he has is her happiness.
Tan Jian Ci’s acting was phenomenal here. He was capable of displaying so much emotion in a matter of minutes. His fearless, vicious, demanding, deeply sacrificial, stubbornly duty bound, frustratingly complex, unflinching, vulnerable, SEXY ASS SIN portrayal of a dragon with a golden heart, that is so broken that he knows nothing else, completely wrecks your heart.
At the same time, his duality shines through in the form of Fangfeng Bei - a carefree, playful, witty, flirtatious casanova that is even more painful to watch because it dangles the possibility of how different things could have been in another life for both us and Xiao Yao.
The “what if” here is so strong. What if Xiang Liu was just Fangfeng Bei - a man who could love without restraint, live without burden and could accompany Xiao Yao for the world to see? What if he gave them a chance? What if? What if? What if? It’s enough to drive you insane.
It’s like Xiang Liu had an unspoken connection with my eyes. Every time he came on screen, my eyes cried tears of blood. I felt like a live wire of hurt as I saw him kill all the longing in his heart, stomp on the love he thought himself unworthy of and march towards an end that was as devastating, unstoppable and glorious as the man with all these jagged edges himself.
It’s almost sadistic the way the author of this drama lets us know the depth of his love, the tenderness of his heart and the ultimate compassion behind his sacrifice. It’s an unbearable doomed secret that hangs between us and Xiang Liu. The one we want to scream at the world and the one he wants to bury. And bury, he does.
A serpent with the sweetest sting, a dragon with a fire that burns only himself, a man with a heart that is boundless - Xiang Liu will forever live in my heart as one of the most memorable and formidable characters I have come across in ages.
✔️What will never be - Cang Xuan - The wolf who tore the sheep's clothing
From the very start, Cang Xuan has shown to be a man capable of absolute mercilessness if he is pushed towards it. A strategist who can do away with all personal feelings for the end goal. He has forever been a cornered wolf, clawing and manipulating his way to power so he can protect the one he loves. He has worn the cloak of civility, he has made compromises for the throne, he has hidden his anger under the guise of a smile - all so he could be the man who calls the shots.
Now, he has it all and yet, his head hangs low under the weight of the crown he fought to put there. His love for Xiao Yao has been the oldest and coldest friend he knows - his underlying motivation for everything. What he feels for her has simmered and bubbled under his skin since they were children. After all, she’s the only person in his life who he trusts without question. The only woman who has been with him through thick and thin.
However, Cang Xuan has been suppressed for far too long, been forced to muzzle his fangs for too long and this season, slowly his veneer of politeness has started to chip. His desperation and his need for her has started to congeal into an obsession that is as self-destructive as it is selfish.
Slowly, you see him unravel as his need to keep her next to him, his festered bitterness and his damaged soul that has been deprived of love for way too fucking long threatens to propel him off a cliff where there is no coming back from.
Cang Xuan is a deeply unfortunate, tragic hero and Zhang Wanyi’s delicate portrayal made this flawed, broken and wholly human character always easy to empathize with. On one hand he can be beyond ruthless and decisive for the things he wants and on the other hand he oozes this childlike fear and insecurity when he faces Xiao Yao. He is king to all but at her feet alone and it’s eating away at him that she cannot see it.
He cannot get the love he is starved for, so he feeds himself with more and more power - it keeps him full yet malnourished. Until, he is nothing but a famished wolf, yearning for a love that is always at the tips of his fingertips and yet millions of miles away.
While, I definitely feel like the drama declawed him in the last few episodes, and stuffed his wolf back into the sheep’s clothing, there is also some reprieve in seeing this character come into his own and make peace with his ambitions while ultimately choosing a path that keeps his conscience clean and his hands bloodless.
✔️What remains - Tushan Jing - Weak spineless noodle who is the only option available
One of my biggest gripes with this drama was the way they executed Tushan Jing’s character. He is spineless and cowardly to the point of being intolerable. Always weeping and coughing on the side, always waiting for other people to clean his messes, always the least interesting person in the room - the only thing Jing has going for him is the ten or so episodes of the first season where he endeared himself to viewers as the pure and untainted Shi Qi.
Since then, all his actions are just explained in dialogues. The show wants you to like him just because the script says so. He is good just because the script says so. Deng Wei is the weakest link of the cast and fails to manage to bring forth even a hint of a second layer to his character.
It’s almost like the drama makers hate him because he’s given the least impactful screen time and even when he isn’t he wastes his moments with the same redundant facial expressions we have seen from episode 1. He is never Xiao Yao’s equal and is more of an adopted pet than a partner. All he does is get sick, cries and causes Xiao Yao to mother him.
He is a very useless character overall - bland, uncomplicated and a man who would always be on a lower level than his woman. Which is also why, it’s the most understandable why Xiao Yao would be attracted to him given the rough life she has had and why he is the only real option available to her. So, while I understood his appeal to Xiao Yao, it still didn’t mean I had to like him as a character and I couldn’t help but yawn every time his scenes came on screen because of how much of a snoozefest they were.
✔️Xiao Yao - The Queen of Broken Hearts
Xiao Yao - one of my favorite female leads ever - really took some hits this season. She was at times frustratingly indecisive, forever hung up on a man when that’s never been her character, stupidly self-blaming and had some moments that were downright naive. That said, Yang Zi’s excellent portrayal made her impossible to dislike for me. Her acting is one of the best I have seen by any C-drama heroine in my entire life.
Xiao Yao is a woman who wears her past and troubled childhood like a cloak. It’s always there, lingering at the back of her mind. She is a product of her upbringing and abandonment is a word that rules her deepest phobias. That is why, even when you dislike the decisions she makes, they fall in line with her character. You understand why she does what she does and you can’t begrudge her that.
Her underlying strength never vanishes even at her lowest; she is clever and scheming when she has to be, and she never loses sight of her passion that lies in healing people. While I do believe her life revolved around the men more than I would like, Xiao Yao is still one of my favorite characters.
There's something so nurturing in her that speaks to the broken men she comes across, something so wounded that reaches out to others with similar wounds, that there is never a question as to why she is the one all these men are pining after. That said, as compassionate as she is, Xiao Yao’s wrath is a cold, cold dish and when served, it freezes the other person to near death.
Yang Zi’s phenomenal acting made me feel her loneliness, her pain, her anger and her hopelessness. She has always only ever wanted to have someone that would put her first and it’s impossible to forsake her for it.
Even if it pains me to say it, her ultimate decision is the most realistic and practical one among the very meager options. Cang Xuan’s love is shared by the throne he sits on and tainted by all the women he must marry for the sake of power.
Xiang Liu, who is without a doubt the one she would be with if she could, is imprisoned by a debt that will never be paid. A debt that has become his identity - it’s all he knows, all he has ever known and parting with it, means parting with himself.
So Jing - simple, unimpressive, easy to handle Jing - is the safest option for her heart. She doesn’t need saving because she can save herself. She doesn’t need fame because her lineage gives her enough of that. She doesn’t even need the epic, unforgettable love anymore because all the torture that she has faced over the years has beaten it out of her.
What she needs is just a partner, fully devoted and simply there, right next to her with no other responsibilities other than staying with her. In Jing, she sees the innocence that she herself has lost and preserving it, means preserving a part of herself.
By healing him, she heals herself and so she fights for him with such devotion because despite all the pain, he has brought her happiness that is simple- a simplicity she has forever craved for and I won’t hold that against her.
Because, despite the men you root for, this is ultimately Xiao Yao’s story about the love she lost, the love she never had and the love she gained. It’s a journey of how she met these men who changed the very trajectory of her life - who broke her some, who healed her some - and who left different kinds of impressions on her heart.
❌ Some Flaws this drama had:
I am not going to say this drama was perfect because I did find some flaws in it. For one, the plot did go in circles at times and the action/war scenes were poorly executed. There is a lot of telling rather than showing as well. Other times, there were unintentionally funny scenes that didn’t go with the tone of the drama. (Even if they were few and far between.)
However, the biggest flaw was the last few episodes. Rushed, messy and deviating from the original novel. It baffles me why the drama chose to make some of the choices it did in order to reduce the brutality and tragedy of the original novel. I think it made the story more audience friendly but it really felt like defanging a lion and turning it into a house cat.
The fates of these characters in the novel were there for a reason. They made sense because their personalities and actions led up to those conclusions. So, meddling with that, especially in the case of Cang Xuan, just made a lot of things feel underwhelming for me.
And yet, they decided to keep one of the most cruel fates in this story, just like it was in the novel, even when audiences prayed for some reprieve there. So, I am not sure what the point of those changes really was because I am sure the amount of scenes they modified, they ended up pissing off fans of each of the men.
✅ Final Thoughts:
So yes, while I had problems with this drama, it was still very much a story that pulled at all of my heartstrings. I felt so much empathy and so much grief for these flawed characters and I feel that overall, the writers did an excellent job weaving a narrative that was so compelling and so utterly agonizing.
There are some excellent supporting characters in this drama in the form of the bratty but endearing princess Nian, the wise Xiyan emperor and the lovable Haoling king. They all have moments that steal the show and allow you to look at the main protagonist’s actions with a different perspective.
Lost you forever is an extremely character driven slow burn story which is why I think this is best seen 2 episodes a day. You have to sip and feast on it like a mug of cozy hot cocoa instead of downing it like a tequila shot in one go because if you do that, you’ll be left coughing, sputtering and bored.
Ultimately, this is a story about love but love is not the end goal. These are complicated characters who all have their own motivations to do what they do. And, while they crave for a home, for companionship and for a future - they don’t necessarily base their choices around it. As a result, there are more or less no antagonists in this drama - just these complex people with their own internal struggles, fighting their own demons.
I had already read many excerpts from the novel, so I knew how most things were going to go and yet, when I saw it all come to life on screen, my feelings still got manipulated like I was a puppet on strings. I cried, I laughed, I stressed and I despaired. For that alone, I feel like for me, it was a drama worth watching and I cannot give it a lower score.
So, this is without a doubt one of my favorites and 100% Jeana recommended.
***
To Xiao Yao,
You don’t have to be alone anymore. May you have somewhere to go and have someone to rely on. Wishing you a lifetime of peace and happiness.
Xiang Liu
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Bleak Night can be uncomfortable at times because it addresses issues like bullying, friendship (in a high school setting), the power (both good and bad) of words, and all the angst and insecurities that come along with being a teenager.
The story is told through a series of flashbacks, which takes some getting used to. The camera work is interesting, as a lot of the shots seem to be hand-held and the color palette of the film is quite gray and drab.
I was completely mesmerized by Lee Je Hoon in this film. Every time he came on screen, my eyes were glued to him. He was definitely the highlight of this film in terms of acting, even if his character isn't necessarily the most likable. Overall, the acting of the cast in this drama is on the better end of the spectrum. All the characters are well portrayed.
My only two gripes with the film: One, there is no explanation of the main character's relationship with his parents and there is a lack of a clear cut ending that satisfied me.
Still, a highly recommended film that shows the darker side of teenage friendships and one of the best South Korean films of the year 2010.
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Well, first of all, you have to consider the time when it was released and the intention.
Because of my many reasons this movie will remain as my favorite one. Let me explain why:
1.The topics
Even though this movie's main target group might be young people, it also deals with very "mature"/serious topics.
The first time I watched this movie ( as a teenager) I didn't realize that this movie was kind of revolutionary or daring comparing to other Korean movies.
On the one hand, serious topics like AIDS and prejudices were shown. And on the other hand, it is also about a teenager's problems and everyday/love life.
For me, it was interesting to see how those "serious" and "ordinary topics" ( I can't think of a more appropriate word) were connected.
Apart from that, this movie was some kind of a roller-coaster ride: It was funny, sometimes sad and then it was funny again.
2. The characters
Apart from the great mix of the topics, the main characters were really...well, it is hard to describe each of them with one word.
The male lead did a great job as an actor considering the fact that it was one of his earliest work. Moreover, his character wasn't presented in a superficial way. As a viewer you could see and feel all his feelings and the changes he went through during the movie:
For instance the shyness when it comes to showing affection or even accepting it.
Actually, the movie helps one to understand his personality that seems to be a bit weird in the beginning: Sometimes he is nice to the female lead and sometimes he isn't nice. In many ways he is a immature young male and but in some ways he is more mature than his friends.
Even though the relationship between the main leads was one the weirdest one I've seen, I could feel/see the romance. You might wonder, why it was weird: The whole relationship between them was rather forced than planned at the beginning. But you could tell that it changed after some time.
For me it was kind of amusing to watch those two arguing,making up and once again arguing. It somehow reminded me of the young boys in the kindergarten who prefer to annoy the girls they like instead being nice to them.
The female lead: She acted pretty well. Even though she played the role of a rather immature student, she was able to show various emotions. I think, I will never forget certain scenes she played with all her heart like jumping up and down with weird clothes on in front of the school jard. Just the thought of it makes me laugh.
3. The plot
Movies aren't dramas with 16 eps or more. So, I guess, as a viewer I will always have the feeling that everything was a bit too rushed and ended too quickly.
Nevertheless, I liked the way everything progressed. It wasn't dragging or something like that.
Even now, I am able to divide the movie in different chapters.
To sum it up:
This movie is great! It might be a bit weird at first but you will like it the more you watch! Apart from that, a movie's intention should count as well. And this movies proves that you can make use of serious topics in a way that you don't even realize that you are learning something new.
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