His - I Didn't Think I Would Fall In Love
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Coming to the cast. I am not particularly fond of Chae Soo Bin, but this drama definitely changed that. She was perfect both as the robot Ah Ji and the street smart Ji Ah. Yoo Seung Ho was ADORABLE! He was the best thing about the show! I've seen plenty of his works and I think by far, this is my favorite character portrayed by him. This character really suited him so much. The supporting cast was really good. Loved Ji Ah's friend and her brother as well as his family. They were all great. Sun Hye's little love triangle was awesome. lol.
The music was great. Perfect amount of chirp and serious.
I would definitely come back and watch it for the adorable character of Kim Min Kyu as well as certain hilarious scenes. Also, someone needs to invent those things Ji Ah made in the show, but sounds a little difficult from science's POV, lol.
Anyways, if you are in a mood for an easy-watch, this is definitely your show!
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EDITED 4/20/19: Everything in this review still holds true! The second half and ending are fantastic. Give this show a chance!
Story: 10/10
I like the story. It's the typical "there's an injustice, someone dies, a cabal of corrupt higher officials from the police/prosecution/rich people cover it up" storyline that seems super common among Korean crime dramas (and for good reason.. funnily enough this drama is airing as the burning sun scandal is being exposed in Korea). The execution is less serious for the most part (it lives up to its comedy tag), and sometimes bridges into being a little campy, but they always bring it back so that the more emotional scenes never feel forced or out of place. The emotional scenes (character backstories) are engaging and genuine. I'm hard to sell on edgy, tragic character backstories, because they're a) super common and b) often used as an excuse for why [this character] is now a douchebag in the present, but the backstories in this show (especially Father Kim and Detective Dae Young's) are less of that and more of a glimpse of what their characters are suffering with alone.
It's not extremely suspenseful or mysterious, and there's no doubt who the bad guys are from, like, the first few episodes, but it's a solid plot and the writers throw in enough important events to keep it moving along. It's not boring, and it provides plenty of scenarios for the characters to shine.
Acting/Cast: 10/10
This is definitely the star of the show for me. I tend to be a character-focused watcher, with a good plot being an added bonus, but this drama really blows my expectations out of the park for character writing and acting. Usually there's at least one (usually multiple, if I'm being honest) actor/character I think is unrealistic or wooden, and it puts me off, but all the actors are absolutely fantastic.
I've never seen any of the main actors before, but I've been especially appreciating Kim Nam Gil and Kim Sung Kyun's acting. Kim Nam Gil is the obvious star of the show, with perfect execution in the comedy scenes and a heart-wrenching look in his eyes in the more emotional ones. Even Lee Na Hui, whose character is my least favorite out of the three (and, honestly, kind of annoyed the hell out of me for at least the first 15 episodes, but that's just personal taste), acts well enough that I only disliked her character just because her personality wasn't my type, not because her acting was poor or the character was poorly written. She's growing on me. Even the weakest actor IMO (I won't say who) isn't anywhere near the level of annoying over-acting that I dislike in dramas. The cast is a solid A, with even side characters' actors delivering a convincing and engaging performance that adds value to the scenes they're in and makes the characters likable in their own right, instead of being treated like convenient props to further the main characters.
Every interaction feels genuine, and every scene runs fast enough that you're never left thinking, god, this dialogue is dragging and the characters won't stop staring silently/dramatically at each other. (Plus, I'm not an eye-candy watcher, but Kim Nam Gil is almost ridiculously cute in every scene he's in. Watch out for the scenes when he fights and his bangs fall into his eyes. Cute, right?)
The fight scenes are also an absolute delight to watch, even if you're not a fan of gritty action (the show has a martial arts director on set, so the choreo and execution are great.) Filming technique, cinematography, the occasional unique lighting choice, and other visual cues are used well in each scene.
Music: 10/10
OST usually isn't a huge factor in how much I like a drama, but a good one is always a plus. This drama's OST is great: the emotional scenes are paired with delicate orchestral pieces, and the fast-paced and fight scenes aren't afraid to use rock, rap, and raunchy songs with an exciting beat. I downloaded the ending song to my phone.
Rewatch Value: 10/10
...I've been rewatching each episode probably at least twice each after they air, and the whole series when I feel like it, so there's not much else I can say about rewatch value. They're just funny as hell, and I'm a sucker for humor. The scenes don't feel like they get old, and even rewatching a stupid joke for the 4th time is at least 50% as entertaining as the first time. As long as the writers don't drop the ball by a huge amount in the second half (and, honestly, even if they do) this is probably going to be one of my comfort rewatch series and one of my all-time faves.
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Before watching the anime for the first time, I made sure to read everything about Oda Nobunaga one could find online because I'm just a not the type of person who's ready for surprises and would rather get myself spoiled to the very end. The story of Oda Nobunaga is a unique one but it still remained the same as any other story about war and peace I learned from my History textbooks. However, this drama made me re-open my eyes and realise that you can't understand the whole story just by reading a little paragraph from your textbook.
The characters were fully developed in my opinion and all of them had an important role at one point of the story. I like the fact that every character had their time to shine and a chance to get their own little story developed. I also liked the way Kichou was portrayed in the drama because she had a way better personality than the Kichou we could see in the anime, who could only say "My Lord!" in an irritating tone, but that may just be me.
The actors were simply amazing and were one of the main reasons I started watching this drama. Oguri Shun as Oda Nobunaga/Saburo did a magnificent job and I couldn't take my eyes off Mukai Osamu and Takahashi Issei because they totally blew my mind in some scenes.
I loved the ending song song, it fit almost every episode and just gave me that warm feeling as well as the soundtrack, which gave me chills every time it started playing.
The only thing I didn't like is the open ending the drama has. I'd prefer it being either the death of Nobunaga/Saburo (because, nobody's immortal) or his time-travelling back to modern age. And if the producers planned to make a sequel to this drama, it would make no sense because there wouldn't be much time for important happenings in Nobunaga's life, considering this drama ended with Mitsuhide and Nobunaga being at Honno-ji.
I won't say this drama is highly rewatchable, but I do plan to rewatch it someday myself.
I'd recommend this drama to everyone, regardless of what type of drama you prefer.
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"Wayla Kammathep” which also can be called “ The Love Proposal” is a incredibly thrilling, romantic, sexy and angsty drama from 2022 starring Fern Nopjira as the hardworking and golden-hearted heroine Treenuch Thaweewong “Nuch” and then we have Tre Porapat portraying the very clever, passionate and badass hero Time Metheephatthana. I love lakhorns that are written and developed in a right way without adding any unnecessary scenes. This lakhorn is right up the alley with dramatic lakhorns like "Hua Jai Sila", "Bad Romeo" and "Fah Mee Tawan" where it comes to intensity of the plot and the characters. "The Love Proposal" has the recurring concept of Time in every episode where we can see Time Glassess in many scenes where Time is running out for the characters. Nuch & Time are our beloved main-leads and their love-story starts at a moment where time was not nice to either of them. While Time needed more time to establish a romantic relationship with Nuch (because of his failure in the past) Nuch could not afford to give him that time.
So she breaks up with him and accepts her parents proposal in her marrying a wealthy man who needs a heir. She never imagined that man would be Time`s older brother, Touch Metheephatthana portrayed by Toy Pathompong who is a much more gentle and calm person in comparison to Time`s stubborn fire. Time is heartbroken over the news and silently suffers while he watches his brother marry the love of his life. We also have family intrigue in the form of a jealous cousin who will do everything to steal the role of the CEO from Touch.
So many things happens and it is so well blended together. The actress portraying Nuch is a fine looking woman, love her acting and how versatile she actually is. I could see how torn she was and conflicted and the way she truly comes to care for her husband. Touch in my opinion was a very tragic character somehow. Having this duty in producing a heir and being unable to because of his sexuality. He tries to stay strong throughout the story and i give him credit for that. Time is one of the best main heroes ever in Lakhornland! He is very impulsive, hot-headed and oh soooo smokily charming but is the guy who get all the dirty jobs done already from the start when he jumps into the fire to save that kid.
He is so badass and has this warrior vibe to him. He protects his family with all his soul- and he is as passionate when it comes to love. Being unable to walk away from Nuch even when she married his brother and still also unable to stay away from her. He kept throwing his misery and fury at her, feeding his love-sick heart. I just LOVE his chemistry with Nuch and how he would not let anyone insult her! Time and Nuch reaches a point where they are unable to live without each other. The passion, the longing and the selfless lover they got for each other, ahhh it made my heart weak! This lakhorn is AMAZING! And i recommend it to anyone who wants a romantic,sometimes crazy..but well done trainwreck!
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Curiosity Kills The Cat
“Curiosity kills the cat” refers to Zhang Ping (Song Weilong), the Ramen Detective who, time and time again, places himself in great danger in determining to find the truth. Together with the elegant gentleman Lan Jue (Jing Boran), who initially seems like a “fu hei” (black belly) because he crosses the line which Zhang Ping tenaciously upholds, their fate intertwines and they solve cases after cases which provides them with more clues and leads them to unravel a greater conspiracy. The whole drama is intense and fast-paced, sinister with danger lurking in every corner, spurred on by the background music.Acting:
The drama is adapted from the novel "The Case of Zhang Gong" 《张公案》written by Da Feng Gua Guo, on the encounters of the naïve, honest and upstanding Zhang Ping, and the diplomatic and graceful Lan Jue. I love both portrayals. Jing Boran has a natural air of elegance and grace. His Lan Jue is brilliant and convincing. At times of his torment and uncertainty, viewers feel for him and his sorrow. Song Weilong has a boyish demeanor and fits the character of the naïve Zhang Ping. His acting here is very believable and lovable. The other cast members are equally good, especially Wang Duo''s Gu Qingzhang who is mysterious and evil-ish, Guo Cheng's Chen Chou who is a true friend, and Hong Yao's Wang Yan character which unfortunately is only one dimensional.
Plot:
The plot is layered with plot within plot and plot twists. Here we have a power-hungry Empress Dowager, a seemingly useless Emperor, a perverted royal blood who would do anything to get his revenge, an upstanding official who is forced to compromise his integrity due to the rot of the system, and a scholar who is obsessed in solving unsolvable cases. What seem like unrelated cases all lead to a big conspiracy. The attention to detail is laudable, with spectacular crime scenes leaving clues for the discerning eyes. The lavish use of hallucination, hypnotism, illusion and deception further enhances suspense and mysteries. There is also a hint of BL for Lan Jue and Gu Qingzhang which further fools the viewers with Zhang Ping’s reaction. It’s only revealed at the end that Lan Jue is a widower with a son. I’m grateful that there is no infuriating Mary Sue characters.
Music:
The opening music, “Red Bloody Fog”, is interesting, mono acoustic drum beats add on the mystery and suspense. I am actually very impressed by all the OSTs and the background music. Some tunes are upbeat with hope, most are sinister and dark, depicting imminent danger, evil and death. The OST “The World is Blessed” gives viewers an image of the common scenes on the street of the ancient time in the ancient city. The vocals accompanied by piano depict the simple life of the commoners, upbeat, and filled of hope for better tomorrows. I even love the tune sung by Zhang Ping’s shifu, “The Cow Wakes up to Eat the Grass”; I find myself humming to the tune repeatedly. There is an extended use of drums to give the feel of something ominous coming. The drop of each beat signifies a find of a jig-saw piece for the puzzle. The music can be mesmerizing, like the tune “Demon of the Heart”, sending listeners into a trance. In darkness and despair, there is hope because there is a person like Zhang Ping who insists on finding the truth as depicted with his tune on “The Ramen Detective's Noodles”.
My Verdict
A great watch for almost everyone. Don’t miss this wonderful drama.
Bravo!
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Although ´makjang´ was taking it almost over the edge of the bearable, I had to stick with it
A classic among KDramas. The dramaturgical moves may sometimes be predictable - the evil stepmother and such... However, there is this passionate play of truly dedicated actors . ...and a groovy interpretation of Ave Maria, that burns mercilessly into your heart and ear. Although makjang (Mean! Bitchy! Malicicious!) was taking it almost over the edge of the bearable, I had to stick with it. Some scenes still have an impact on me years later.Human abysses are presented in abundance. In addition, dealing with different facets of true love. An unforgettable piece of KDrama, for those who can never get enough drama. Here you can emotionally let off steam on the backs of the protagonists. For everyone else it might be a bit too much in some places.
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"Il Mare" gently sprays its quiet magic as if through an atomizer.
"Il Mare" is the ´international´ title of this KMovie. However, the original title (rather being translated as "Across Time") does not refer to the place - a picturesque house by the sea - but to what actually happens there: a time-transcending correspondence. Strictly speaking, the letters are sent back and forth in a mailbox over the distance of 2 years. What an unprecendeted plot for a love story to be told in a truly unique way! This story became famous in America and Europe in the 2006 US film adaptation starring Keanu Reeves and Sandra Bullock.Actually you shouldn't compare the two movies side by side, but most people do, so...
The South Korean original was made in 2000 and starred Lee Jung-jae, who was in high demand in South Korea at the time, and Jun Ji-hyun, who was just beginning her career. (Actually you can sense the difference in her acting back then and in her more recent productions. In the meantime she definitely has matured from a ´mere´ beauty into a spirited actress.) While the original shares the same plot as does the US remake later on, the South Korean version places more emphasis on the mood of the protagonists, stressed by using imagery, color and atmosphere. Accordingly, the South Korean original is characterized by less color saturation and less light than the US remake, as both protagonists - Eun-ju and Sung-hyun - are rather disappointed in life, taciturn, withdrawn. The loneliness and emptiness in the protagonists´ lifes is one aspect. The remote house by the sea something completely different. It might perfectly fit into the protagonists´ mood, but in addition it actually has quite some magic to offer: Besides framing and emphasizing the beauty of nature there is the dog as a harbinger of relationship and the mailbox as a bridge between hearts. Thus the overall sensitively told story slowly but surely fills with joy, smiles, laughter and increasingly radiating light.
The KMovie "Il Mare" gently sprays its quiet magic as if through an atomizer.
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The first time I ever saw Lee Jong Suk was in Secret Garden and I remember thinking, 'this man has the looks to make it big'. Ofcourse, at that time I wasn't aware that he had already made it pretty damn big. Seeing him in Pinocchio, there's no denying that he has a talent for acting, combine that with his heavenly looks and you get an almost perfect package.
Even though the name of the drama is based on the female lead, it's obvious that Dal Po is the star of the show. The plot revolves around him and despite the fact that the side characters bring their own charisma, they are ultimately in his orbit.
Park-Shin Hye came to be a pleasant surprise. I'm not going to lie, I disliked her in almost every show she appeared in previously and due to my bad experience with her acting, I had developed a sort of negative bias for her. However, it's always amazing when an actor or a show surprises you and surpasses your expectations. PSH somehow managed to make In Ha a sweet and likable character who the viewers constantly rooted for. The fact that she has to hiccup repeatedly came out as adorable instead of annoying and I couldn't believe myself when I started to feel affection for her.
A lot of people were even happy that she finally improved her kissing techniques. That, I think is pushing it a little bit because if you look at it closely, her movements are as non-existent as ever, but due to some skillful camera work, Lee Jong Suk's kissing prowess is incredibly highlighted which makes it somehow appear as if she's a proficient partner too. But oh well- technicalities.
However, for me the biggest flaw of the show was that the protagonists were not on equal footing. Dal Po clearly over-powers In Ha in the relationship and he comes out as far less commited and invested in the love story. Which is why the romance factor didn't do much for me. They do the right things, say the right words, their union makes complete sense and yet, there is no emotional connection whatsoever.
In Ha makes so many sacrifices for Dal Po, her affection is completely genuine and she let's him take the spotlight from her time and time again whereas Dal Po seems almost detached when it comes to her.
Ultimately, this unequality between the leads was something that started to rub me the wrong way. There were moments where I wanted In Ha to shine individually and to be given more credit for everything she does. Essentially, she's such a huge part of the show and if we ponder about it; she's the backbone behind Dal Po's success and yet, she's never valued enough. The moment she does something substantial is followed by Dal-Po countering it with something more and it always manages to downplay her importance. This is the reason why they are both outstanding and lovable personas in their own right but their co-existence is rather stiff and unnatural.
So, in my opinion the best way to watch Pinocchio is to think of romance as just a subplot and focus on the main story. I had so much love for almost every single character in the show and they are so thoroughly well-developed that I could write a lengthy character sketch on all of them. The drama is filled with small, utterly poignant moments that move you. The script is excellently written and the story flows with a smooth efficiency. The antagonists are three-dimensional and I never truly disliked any of them. Pinocchio thrives on the emotional interactions between its characters and it shows exactly how powerful familial love is.
Over-all this drama, with its brilliant acting, consistent story-line and satisfying ending, manages to bring forth a current of continous entertainment from beginning to end.
Indeed, a good watch.
Enjoy!
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It's adorable, Lee Seok and Min Soo are the sweetest thing on this planet since chocolate, and even though Hyo-jin and her partner didn't get the same amount of screen time, they were still a joy to see.
Some people have said it, but there was some overacting especially with G-Voice (because I doubt that some, if any, of those actors are actually gay...), but somehow I didn't seem to mind. They were a bunch of friends who felt comfortable with each other, not just because of their shared sexuality, and the bond between them is strong. I really envied their friendship, which made the climax that much harder to watch.
"Two Weddings and a Funeral." You know going in that someone is going to die, and I won't say who, but I did not expect to cry that hard. The character's loss is astounding, and the events leading up to it really hit home; the struggles Min Soo faces as a closet homosexual in a homophobic environment are mind-opening, and the struggles he faces are true, in Korea and in many parts of America as well. The film carries a powerful message, and manages to balance the scale with a healthy dose of fun, fluff, and hot kisses. <3
I definitely recommend this movie to a viewer who enjoys LGBT-themed movies, and to someone who... screw it, everyone should watch this movie!
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Lots of Actions, Frustrating Relationships
Recently, there have been multiple historical dramas set during the reign of Emperor Tang Taizong (626 – 649): “The Long Ballad” is set when Li Shimin (Emperor Tang Taizong) came to power whereas “Weaving a Tale of Love” is set at the end of Li Shimin’s reign and the beginning reign of his son, Li Zhi (Emperor Tang Gaozong). This drama is set in between those two periods with events that lead to the abdication of the first crown prince and the coronation of Li Zhi as the crown prince.Fu Rou (Li Yi Tong) is the daughter of a wealthy businessman. She is intelligent, well-bred and strategic with a mind that can instantly come up with win-win solutions. When Sheng Chu Mu (Xu Kai) meets her, he falls head over toes in love with her. Sheng Chu Mu’s father is a general serving the Emperor, and Sheng Chu Mu is pampered and spoilt by his mother and older sister who is married to Prince Han, making him a good-for-nothing flamboyant playboy. To get Fu Rou’s love, he vows to better himself, both academically and martially (military). What takes normally years to accomplish, Sheng Chu Mu turbocharges his accomplishments in weeks, if not days, for Sheng Chu Mu is not a normal person - he’s a genius. How he accomplishes his academic and martial prowess is similar to Gump in “Forest Gump”; it is really hilarious, cute and cartoonish. By the middle of the drama, he loses his youthful tomfoorlery and the drama turns rather serious and dark with outrageous actions and events.
Both Fu Rou and Sheng Chu Mu love their families and siblings, especially the latter. He has adorable relationships with his parents and his siblings. Their dynamics are really funny and enjoyable to watch. As Sheng Chu Mu, Xu Kai brings out his adorable charisma. He is egoistic and at the same time, self-deprecates. He is playful, shameless and babyish, but when the situation is dire, he instantly becomes the fearsome and formidable general; he’s the hero who saves the day. Though unrealistic, his scenes are hilarious and I really enjoy watching them.
Li Yi Tong is a natural beauty. Her Fu Rou character is stoic and calm, and she always sticks to the book. I can’t say I like the Fu Rou character very much because I find her too inflexible though this is necessary to maintain law and order in the palace, and to safeguard herself and those she cares. At times, I find it stressful watching Fu Rou for her saintly endurance of mistreatment. Multiple times Sheng Chu Mu and Fu Rou break up and then make up, only to break up again. It is really frustrating for the viewers.
Overall acting by the whole cast is fabulous. Each actor has totally immersed himself/herself into his/her character and it shows in their acting. Every minute emotion and expression is captured. Most characters are black and white except perhaps one or two who are greyish and the actors have brought all the personalities out on the screen.
Everyone seems to be in love. Apart from our main couple, we have Han Wang or Prince of Han (Liu En Shang) and his wife (Sheng Chu Mu’s sister), Princess Xin Nan and Sheng Chu Ling (Kris Fan), the Crown Prince and his wife, the Emperor and the Empress, and so on (you get what I mean). And quite a few lose their virginity before marriage. My favorite female character is perhaps Lu Ying Ying (He Rui Xian). She comes from a powerful and corrupt family with murderous father and brother, and yet she is kind, strong and truthful. Her only fault is for being born to a power-crazy father who has no mercy for others. Multiple times she is thrown into disarray yet she takes it in stride with dignity. Her ending, including the endings for some very well loved characters, is sad and undeserving. Most other characters end either with rewards for their good deeds or retribution for their misdeeds. Having said that, despite all the misdeeds by our antagonists, their punishments are not shown explicitly to satisfy the viewers, and are just skimmed over with.
My Verdict
This is a historical fantasy with a superman who saves the kingdom and the world. A lot of the actions by the leads are over exaggerated. It is intriguing and funny, and the pace is fast. Apart from the Emperor and his princes, most of the characters are fictional and the events are not based on historical records. The writing for the endings of many supporting cast is quite lazy, with many being dropped off like flies – they are dead, and some don’t even have endings, leaving viewers wondering what has happened to these characters. The editing of some episodes are also choppy and incoherent.
Despite these short-comings, this drama is still very entertaining, and I have really enjoyed the Sheng Chu Mu character as he reminds me of "Forrest Gump" which is one of my favorite movies. As long as viewers do not take this drama seriously, it is rather a fun watch.
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I only wish it never had to end
Despite there only being four episodes, the pacing was always perfect. Each episode makes sure a lot is accomplished without giving the feeling of progress being rushed. We're given enough time to understand Err at the start while also being given room to understand him more as he lets down his walls around Mawin. At the same time, we get to learn about Mawin at a reasonable pace throughout the show. We are given hints from early on that there is more to him than what Err sees, without exposing it all at once so that we as viewers can get to know him alongside Err.While the stakes seem high for the characters, there's no shortage of comedy. We're obviously not given as much time to learn about all of the supporting characters as we get with the leads, but they don't lack depth for the most part. We get to see them being kids and having fun. We see they have their own flaws, motivations, and goals. They aren't just there to be forgotten.
As for the lead actors, I think these roles really suited them. Sea's acting in previous work was on the weaker side; however, playing a socially awkward character in this series worked in his favour. It didn't feel like watching a charismatic actor pretending to be shy. It felt like watching a socially awkward teenager opening up, which is what you want. You don't want to watch a show and just see the actor. The best acting is when it's as though we are watching the lives of real people. And of course, his acting has improved as well. Keen also did a great job. He can believably portray both the fun-loving side of Err and the studious, anxious Err without making either one seem forced. Both leads clearly put effort into their portrayals and it carries the show.
There isn't a single scene that feels wasted or without purpose, and there aren't any visual plot holes aside from typical changes in position between takes. You can go back to rewatch episodes to look in the background or at smaller details, and they line up with later parts of the story. There's a good balance in the use of music, where it's not constantly crammed in and we are left to listen to the ambiance during certain scenes. Conflict in the show is reasonable and not drawn out for the viewers at least. I think with just one more episode, it would be the perfect show for me.
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Desaparecimento: O Garoto Que Retornou
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I've been anticipating this film since it was first announced because the storyline was so intriguing to me, especially as someone who loves the fantasy genre. Through the premise alone, I already had so many questions, the main one being, 'How did Sungmin become an adult over the course of the last few days?' First, this film is worth watching for the plot alone. The writer is extremely creative and he weaves in the 'fantasy elements' in an eloquent way. As a viewer, it felt realistic, as if it was something that could actually happen, despite the idea of it being so far-fetched. Another thing that is worth mentioning is that he examines the situation from different perspectives - how the average person would view their story (mentions of stockholm syndrome and other psychological analysis) versus how Soorin viewed Sungmin's story. It was extremely thought-provoking. There were comedic scenes, but also heart-wrenching scenes that made me tear up. It was well-paced and kept my attention throughout. I docked half a point for the story because I felt like a scene near the ending wasn't explained very well (it's either a loophole or something I need clarification on). But other than that, I had no qualms with the story.
Moving on to the acting/cast, I will emphasize this over and over again, they could not have chosen better actors for their roles. Kang Dongwon is absolutely impeccable as Sungmin. It's almost as if you are watching the thirteen year old boy Sungmin stuck in a man's body; as evidenced by the way he delivers his lines, the look of naïveté in his eyes, the tears of hurt, and feelings of guilt - in my opinion, no one could have played Sungmin better than him. Shin Eunsoo was the real surprise (as I'm a fan of KDW, so I already knew he would deliver). It's hard to believe this is her first role and she has little to any previous acting experience. She's so talented and her ability to emote is stellar. She has this wonderful ability to express a variety of emotions, and her friendship with Sungmin (the dynamic she had with both young/adult Sungmin) is what made this film so 'real' and beautiful to me (*mini spoiler: their code language was so special). Also, her chemistry with Kang Dongwon is so natural and inherently believable. The rest of the cast fit their roles well, especially Lee Hyoje as young Sungmin and his friends, they were adorable and hilarious at times, but you could also feel how conflicted they were to be in that situation.
The soundtrack fit the atmosphere of the film very well, but there wasn't a particular score that really captured my attention. However, the music did help with the buildup of intensity in certain scenes.
I will definitely rewatch this film, especially since I haven't seen anything else like it. But I also found it quite sad, so I think I'll pick it up again after some time.
Overall, objectively I'd rate it a 9.5/10. In terms of my subjective enjoyment of the film, I'd rate it a 10/10. Just a few additional comments I'd like to include, the cinematography is gorgeous and it really contributes to the mystical and melancholic vibe of the film. There are so many scenes that were filmed beautifully, such as close up shots of their eyes, Soorin's hair, the ocean - it was very artistic and aesthetically pleasing. I also thought the CGI was done well, especially the floating items, the scenes filmed in water, water droplets in the cave. It really felt as if time had stopped. Anyhow, this film is definitely worth the watch. It's hard for me to come up with the right words to describe it, but I guarantee that it's a gem. It left me wondering, if time has stopped for everyone else except for me, what would I do? And how would it affect the way I developed as a person?
Vanishing Time: A Boy Who Returned is a well-delivered, thought-provoking film with its own unique eccentric touch. Director and writer Uhm Taehwa astutely adds a touch of realism to this fantasy film.
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This drama really has me hooked from start to finish (I’m actually starting this review with still a week left, since I already know I have to write something , that’s how good it is)
Rain definitely carried this drama so well. I felt all of his emotions as Lee Jae Sang every time! Also seeing his desire to change, yet still be true to himself, it was great. Lee Jae Sang has become one of my favorite protagonist Kdrama characters.
This drama also has my most hated villains too! Not to spoil it, but I loved/hated them because of just how good and convincing they were it’s crazy!!! It actually makes me want to search out any other villain roles they might have been in and watch just for that lol!
I really felt every character was done really well. From Ra Shi On in both worlds showing her hard and soft side.
Lee Bo Na played by Lee Soo Ah is just amazing at only 5 years old! I’m so impressed, she was great, she just made me smile so much, cracking me up and loving her so much! Looking at her MDL profile she’s got some great supporting roles this year, wishing her all the best.
As for the story, it’s not exactly what I was expecting. It starts out really building up the first world, which is his own world and who he is as a person and his relationships. Then through a situation he’s in this alternate world. There is no jumping back and forth between worlds. He’s in the alternate world for a while, learning that he made different choices in this world which altered his path. When he truly begins to accept this new world, he is then back to his reality, where the rest of the story takes place. We see how his experience and time spent in the alternate world affects how he chooses to live going forward.
I’m actually glad it didn’t jump back and forth. I think it made all the emotions and realizations Lee Jae Sang had even more powerful because you understand that regardless of the alternate reality, he has only one life and this is it! What are you going to do with it? This life you are given.
Okay that’s the end of my pre-ending review. I’ll now write how I’m feeling after watching the last episodes...
So I just finished the last episode and I’m smiling. It truly felt complete and even tied up a major loose end. I’m usually a binge watcher, mainly because I easily drop dramas while waiting a whole week for the new episodes to be released. Not with this one. These last 2 months have been so enjoyable with this drama. Well done! I’ll definitely rewatch.
P.S. major shout outs to the subbers that had same day English subtitles, when an episode was released! Real MVPs!!
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The Changing Times
Fascinating, riveting, inspiring, and poignant. In my humble opinion, Our Times truly is a remarkably compelling and vividly presented drama that is very much deserving of attention and praise. It isn’t without flaws but it is still a worthwhile viewing experience as far as C-dramas are concerned. With a douban score of 8.3 at the time of writing, the rating certainly reflects the growing acclaim for this drama.Production Details
Brought to us by the production team of the popular drama Hikaru no Go, notably Liu Chang and Zhuo Yue Pao Mo who serve as main director and screenwriter respectively. Both of them specialise in slice-of-life, coming-of-age and friendship dramas including their collaboration on Somewhere Only We Know. In addition, Liu Chang helmed Dear Missy while Zhuo Yue Pao Mo had written the script for the highly rated My Huckleberry Friends, among others. This drama is co-director Ma Yiming’s directorial debut while five other screenwriters are involved namely Xu Yitian, Nan Difu, Hu Liping, Wang Shumin and Chen Xiao.
The screenplay is adapted from the novel Our Times (我们的时代) which was recently published in 2019. Written by Wang Qiang (王强), reportedly a leading figure for business novels in China, Our Times is a trilogy that focuses on chasing dreams, and the ups and downs of the new generation of entrepreneurs who ride the IT Internet wave from 1990 to 2018.
The Narrative
Our Times is set in China of the early 1990s against the backdrop of burgeoning economic growth and rapid IT development. The story spans the better part of the decade across multiple locations including Beijing, Shanghai, Guangzhou, Foshan and Hong Kong (along with Illinois in the US). It focuses on the points of view of four main characters - university classmates and tech researchers Xiao Chuang and Pei Qin Hua, as well as their respective love interests Xie Hang and Tan Yuan. Combining slice-of-life with romance, bromance and light melodrama mainly within the workplace setting, the drama explores relationship dynamics between families, friends, lovers and co-workers as well as themes of office politics, industrial relations, the virtues of self-sacrifice, redemption and the courage to evolve in the pursuit of aspirations and happiness amidst the vicissitudes of life.
The storytelling is progressively paced and satisfyingly engaging with hardly a dull moment or substantial fillers. I particularly enjoy the seamless fusion of certain lighthearted instances along with subtle hints of levity as well as introspective and bittersweet scenes interspersed throughout with predominantly heartwarming undertones.
For a premise of this nature, there is no lack of angst and dramatics which is to be expected where the majority of these arcs are rather promptly and neatly resolved. My main issues with this drama stem from the script or adaptation of the source novel for certain sequences of events and the consistency of the characterization for specific characters. Without giving too much away, I’m not a fan of the noble idiocy trope and the associated extreme self-sacrificial acts of altruism in lieu of open and sincere communication to resolve issues… BUT, it’s quite a relief that the resulting grievances turn out to be somewhat short lived and do not detract from what has largely been an engrossing viewing experience.
It’s worth mentioning that elements of patriotism and nationalistic vibes in the plot are quite noticeable as far as locally-produced PCs versus international imports are concerned, but I think the historical representation is quite balanced to accurately reflect the growing trends of computing technology as well as the political sentiments in the era.
A couple of interesting facets to the plot - it’s not purely about computer designs and programming because a substantial proportion of the entrepreneurial efforts is focused on the marketing and sales aspects. Furthermore, the technology referred therein isn’t just about mainframes and personal computers but also emerging entertainment gadgets such as the LD and VCD technology. The transition of “old tech” to the technology that we are acquainted with, especially for viewers familiar with the era, is depicted with the perfect dose of realism.
The Production Quality and Technical Aspects
This is a well-made production in terms of the overall values, quality, and technical execution. The direction is generally commendable, despite discernible “contrived moments of acting” at certain points. The editing, scene transitions and sequencing of the narrative progression appear cohesive and relatively seamless. In terms of the cinematography, I appreciate the decent camerawork as well as the warm palettes and degree of colour grading applied which provides a cinematic feel to the production. Also on the subject of visual language, I quite like the inclusion of 90s stock footage in certain filler frames or B-reels throughout, which provides viewers with a sense of the atmospherics.
The art direction is superb through the use of authentic set designs and props that enhance the realism of the depiction. From the very first moment of this drama, I was hit by the wave of nostalgia arising from the overwhelming 90s pop culture references. From Sally Yeh and George Lam Cantonese songs to posters of a very young Chow Yun Fat, Andy Lau and countless others plastered all over the walls. The influence of Hong Kong in those days is made abundantly clear in this production. Other references to the time period include the huge mobile phones (aka “tai ko tai”), VHS player and video entertainment outlets, the cassette tape player and, of course, the computers themselves - the classic 486 PCs complete with the large monitors or Visual Display Units. The costuming aspect is quite realistic in general. For the character of Xiao Chuang, however, his dressing comes across as somewhat peculiar for a person with his background but it does reflect his flamboyant demeanour and swagger.
Cast and Characters
As the story unfolds and we learn more about each of the main characters, I find myself utterly immersed and invested in their characterization and growth through the multitudes of varying circumstances and events that they experience. In particular the two male leads, Xiao Chuang and Pei Qing Hua. Despite being infuriating at times to a certain extent, towards the conclusion of the story the maturity and wisdom that they eventually attain provide a palpable sense of redemption and achievement. Tan Yuan is interestingly written yet extremely believable and is my favourite female character in the drama. Xie Hang, on the other hand, feels a little inconsistent in places through her actions and behaviour. Nonetheless, each of the four characters possesses its own distinctive qualities and characteristics that combine well to fit the overall development of the story.
My second time seeing Wu Lei this year after The Long Ballad, he has certainly come a long way since Nirvana in Fire. I wouldn’t exactly call this his breakout role but it does feel that way. Such an exceptional portrayal of Xiao Chuang where his versatility in range truly ran me through the gamut of emotions. I honestly think his performance is the strongest among the cast largely because of his significant and dramatic character arc. As for Neo Hou, he showcases a hugely different side to his portrayal in Psych-Hunter and Lost Tomb 2 where he plays a complete boy scout here - pure, idealistic and noble to a fault - and he absolutely slays this role. Earnestly believable and endearing as Pei Qing Hua, he embodies the role effortlessly indeed. Wu Lei and Neo Hou together make this one of the best bromance partnerships in C-dramas.
My first time seeing both Julia Xiang and Mao Xiao Hui, where their performances are indeed worthy of praise. Julia’s portrayal of Tan Yuan is realistic and relatable where I can’t help but to root for her throughout. Her bubbly personality is the complete opposite of Neo Hou’s down-to-earth Pei Qing Hua but somehow this opposites attract type of relationship culminates in a convincing and organic chemistry that builds up naturally over the course of the story. Xiao Hui’s Xie Hang is the most understated yet nuanced of the female leads. There are so many layers to her character that she delicately brings to life in a slow-burn manner. As one of the two OTPs, Wu Lei and Xiao Hui share some of the most moving moments in the drama amidst the trials and tribulations that they both face.
As for the supporting cast, the veterans comprising Wang Xin Jun, Gai Hai Peng and Wen Zheng Rong deserve mention for playing Tan Qi Zhang, Lin Yi Min and Luo Li Hua respectively. Leewei, as Lydia (Xie Hang’s mentor at Interflow), delivers a powerful interpretation of an intriguing character despite her limited screen time. Wang Meng Li’s investigative journalist Shu Zhi Hong is another interesting characterization that probably deserves a side story or spin-off of her own.
Music
Fei Peng serves as music producer while Japanese composer Akiyama Sayuri composed two ending themes for the production, which are my favourites out of the total of five OSTs including the remake of Sally Yeh’s original, Walk Back to the Wind. Full listing as follows:
呼啸的风 Howling Wind by 侯明昊 Hou Ming Hao (Ending theme)
毫不保留 Without Reservations by 余佳运 Yu Jiayun (Ending theme)
潇洒走一回 Walk Back to the Wind by 孟佳 Meng Jia
一盏灯 A Light by 王栎鑫 Wang Lixin
燃烧的时代 The Burning Era by 袁野 Yuan Ye
谁能明白我 Who Can Understand Me by 林子祥 George Lam
Final Thoughts
Our Times presents an unforgettable journey of discovery by its captivating characters that is filled with beautiful romance and compelling camaraderie, while granting viewers a profound insight into the giddying heights of technological transformation and socio-economic transition in modern China back in the 1990s.
In case you’re wondering about the ending, there will definitely be a second season. The final episode ends on a cliffhanger so stay tuned for the sequel to wrap things up and, hopefully, give our four main characters a fitting closure. All things considered, it has been an incredibly absorbing and insightful viewing experience indeed and I absolutely recommend giving this drama a watch.
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