My opinion on sato takeru change from a so so actor to good capable actor and this was his best performance I must say and he deserves the best actor role on this. IF he continue do performance like this then he might join the ranks of those top class japanese actors. Haru kuroki is one of the best young japanese dramatic actress today and perhaps she is the best. Her acting here is like silent-but-deadly and she never overact and thats the best thing i notice on her.
The story is very engaging definitely one of the most inspiring drama's I saw and i love how they dramatize tokuzo akiyama who is a real person, his antics, his movements...I love it. I also like the way they manage those time skips it didnt feel rushed. The acting here was phenomenal even the foreign actors did well specially that french girl and I wanted to know what happen to her after. This wont become that much inspiring if not of this drama's music....they inserts right music at the right moment. I notice this in every episodes they will build up you emotion, just as you thought that was it but there still a final kicker at the end then BAM.
I didnt cry while watching this but i do feel like I wanna work more harder after. Watch it you wont regret it.
Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/
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how good is it? well...it’s a long story...一两句说不清楚
my review is split into two parts: (i) the first part is a spoiler free review for those who are looking for a general recommendation, (ii) the second is a more comprehensive breakdown with spoilers that contains production details and tidbits gleamed from interviews with the actors, director, scriptwriter, casting director, etc. that might be interesting to those who have watched and enjoyed this drama.Part 1 - Recommendation
based on script and directing alone, this is the best chinese webdrama i’ve seen this first half of 2021 and, while not perfect in execution, it is subjectively my favorite ancient setting suspense drama since nirvana in fire. i didn’t skip a single scene and even rewatched episodes twice or three times to make sure i got every detail (for someone who wanted to be a detective as a kid, this exercised my brain in the most enjoyable way).
after being used to webdramas with unnecessary storylines, useless characters, uninteresting secondary pairings to fill time (the amount i haven’t fastforwarded are in the low tens), this was a well-appreciated surprise. anything unnecessary is excised, the plot does not drag, no one is dumb for no reason just to extend plot. chekhov’s gun (the dramatic principle every detail within a story must contribute to the overall narrative) absolutely applies - even a slightly longer than normal focus on a particular person, action, or prop indicates it will likely be referenced later (see footnote 1 for details/spoilers). it’s fascinating to see how every single case contributes, like a set of keys on a ring, to the larger culminating plot. from an audience’s perspective, the mystery/detective part of the story is really enjoyable - you can literally follow along with the clues (question everything because it will all be answered!) and try to solve the larger mysteries along with the cast. importantly, the script doesn’t try to be too smart in tricking its audience - if you’re looking for more of an easy watch, everything will end up well-explained; if you’re looking to involve yourself in the mystery and pay attention to subtle clues, you’ll be rewarded with answers (see footnote 1).
i also like that it’s a “warm” drama with heart - while the story begins from betrayal and advances with high stakes, it is not so involved in its seriousness that the audience is buried in continual stress. lighter moments are sprinkled throughout providing humor (actually funny in a dry kind of way - like that darn omnipotent spoon) and emotional touch points - complementing and enriching its core story (see end of episode 21, which absolutely floored me in how beautiful it was presented). i’m reminded of nirvana in fire, where in midst of bleakness and intrigue, heroes remain heartbreakingly good, and where the story is focused but also balanced and colorful. if you’re looking for a great detective story, if you’re looking for a historically driven plot, if you’re looking for comedy, if you’re looking for an ensemble cast with great chemistry, you will find it all here.
on that final point, i love that characterization of the main cast and various side role, as well as their relationships, are all so well-developed - the villain cohorts are multi-dimensional and fun to watch (instead of just the usual cartoonishly evil), the female lead and female second are so, so supportive of each other (instead of competitive/jealousy), the various brotherhoods are sweet, even the parent-children relationships are touching and humane (instead of oppressive/overbearing). on romance, it’s a mix of slow burn (with small cute moments sprinkled throughout) and straightforwardness (with misunderstandings cleared up in hours) that is refreshing to see in chinese dramaland and feels very realistic. there’s also a subtle epic dimension to the main couple’s romance some alert viewers may come to realize (see footnote 2 for spoiler).
as for “failings”, this is a small budget drama (more on this in part 2), which is apparent in production, acting, and the ending episodes. the emperor basically never leaves his own room, he never attends court, he has no empress or concubines or female servants. the casting director mentioned casting was especially constrained by cost because they wanted to focus their budget on production - and so the main pair of actors are very green (this drama was basically a graduation gift [from beijing film academy] for both of them) although tolerable for their roles; they along with the rest of the cast were paid below market. many of the supporting casts were essentially cameos due to their relationships with the director and the production team, and extras were all staff. tencent also only allowed 36 episodes (in the beginning they were only given 24!) so the last 6 episodes were noticeably rushed - logic breaks down, we lose some of that emotional underlay that carried the first parts, and pacing went into overdrive. given how intelligent the show had been up to that point, it makes sense an outer force caused the deterioration in standard. i can almost hear the production team’s discussion - instead of lowering quality across board, they decided to make sure as many episodes were as good as they can get. but these are all “failings” by a higher standard than i normally would accord the typical chinese webdrama, and they did not greatly affected my viewing experience.
as for comparative dramas, madam holmes, miss truth, under the power, i’ve fallen for you, and honey don’t run away are similar in genre but they have rather weak detective plotlines that are more vehicles for romance - it’s almost the opposite here. young blood and the plough department of song dynasty are closer in being balanced and having great cast chemistry. i also have ancient detective and nirvana in fire in mind in being well-rounded suspense dramas featuring honest, good storytelling.
footnote 1: a few examples: (1) i was puzzled why the dancer didn’t kill herself right after she was caught (unlike other assassins) considering she had the poison on her from the beginning. we later learn yan ming’s death was intended to draw attention to duke chang’s existence so then it made sense she lived long enough to make sure they find the scroll; (2) mr. xue was suspicious from the start - we see him constantly feeding and taking care of fishes (the chinese word for fish being similar to jinyu’s name) as if he was playing/controlling jinyu; the antique owner also used “fish” as code for jinyu so one can deduce he and mr. xue were cohorts; various references to his separation from the emperor by a screen point to his state of being so close yet far away from capturing the throne; (3) the story doesn’t even waste a dog - it is used to show jinyu’s intelligence in the beginning and then much later to find chu he.
footnote 2: as the son of a general and daughter of the general’s right hand man, jinyu and chu chu would have grown up together from childhood (青梅竹马) if not for the eunuchs’ meddling. that they still ended up with each other in the end, despite and because of that past, gives a beautiful, fated quality to their relationship.
Part 2 - Background and Details
*more spoilers ahead
this webdrama became more atypical the more i dug into its history and production background. i had fun researching, and thought i would share.
as most know, this webdrama is based on a webnovel. i read a bit of it and basically there’s no correlation besides some similar names and roles. it almost feels like a juvenile, romance-focused fanfiction version of the drama. the web novelist (qingxian yatou/清闲丫头) and another young female scriptwriter (qian xiaobai/钱小白), as newcomers to scriptwriting, took three years to slowly grind the bones of the webnovel into script.
during this time, the director’s (lou jian (楼健)) contribution was invaluable. he was xiaobai’s teacher and guided their process. the scriptwriters said it was almost like homework with the completed drama their graduation project - lou jian taught them how to ground the story in history (the webnovel doesn’t reference any specific eras but the drama is set in late tang dynasty) which steered the plot direction, to revise the script in endless iterations, to round out existing and create new characters (like using qin luan’s obsession with hair to show his inner ambitions; xiao heng, a driving force behind the emotional impact of the drama, wasn’t even in the webnovel).
lou jian also became their director due to his earlier tutelage. as a well-respected older director whose other works all have been formal dramas (mostly spy/war oriented) for tv stations (as opposed to lighter idol-esque webdramas most international audiences are familiar with), this was also a new experience. he mentioned chances to direct webdramas aren’t usually given to older directors (he was born in 1967) because younger ones are seen as more in touch with the youthful demographics webdramas are targeted at.
but i think this symbiotic relationship between younger female scriptwriters and an older, more traditional director end up being key to the drama’s success. lou jian helped shape it out of an otherwise dime-a-dozen romance-driven webdrama it would have been, and gave it foundation in traditional storytelling and directing techniques - for example, he insisted on candle lighting for night scenes, better suited to the drama’s historical nature and suspenseful atmosphere than harsh artificial lighting which are usual webdramas’ bread and butter.
at the same time, he respected his scriptwriters and other younger workers’ thoughts. the two writers added modern details about women’s struggle in the world, values, and viewpoints (“girls saving girls is the most natural thing in the world”/“女子保护女子是天经地义的呀“). during a romantic scene in which jinyu delicately lifted chu chu’s chin with fingertips, lou jin debated whether to go with a more aggressive approach and was course-corrected by the female staff on the set. he kept a scene where jinli hugged jinyu out of concern (one of the best cp’s in the drama) because of the excitement it caused a young female staff.
so many others contributed. the editor’s decision to not cut the background music at the end of episode 21 was pure genius. certain parallel edits (between jinyu’s tea-making and chu chu’s examination; between mr. xie/mr. jing’s chess match and jinyu/jinli’s chess match) and the use of different title sequences to break up the story arcs were also great. the actors filmed everything without stunt doubles. they performed the actual fight scenes, the fire scene, the outdoor water scenes in the middle of winter.
as mentioned, this drama was poor and affected by tencent’s meddling which led to some quality failings in production and storytelling towards the ending arc. originally, the drama was supposed to be even shorter, at 24 episodes, which would have been more comfortable for their budget. but their production company did not want lose important details to the cases and characters, so it became a painful process of counting coins and cutting scenes to meet the 36 episode requirement. originally jinli was supposed to have a love line; editing at the end suggests many scenes were taken out. their production team mentioned how much they envied the scale of other dramas that were filming alongside them at the studio (“a 3,000 yuan wig and a 200 yuan wig are not the same”). the director had to fight for every additional change, and spent his lunch hours figuring out how optimize costs with the production team.
that they can tell a story this great (albeit not perfect) with all the limitations seems almost superhuman. i also appreciate what they did focus their budget on. the female lead doesn’t have pretty clothing and makeup, which wouldn’t be true-to-life for her status (but seems de rigeur in other webdramas). but production did decide to relocate shooting (very expensive) from the studio (hengdian) to hubei, china for the qianzhou arc, to make the scenes more realistic.
their efforts were well rewarded. despite its tiny budget, unknown stars, and no pre-show publicity, the drama managed to stay at the top of the datawin list of popular shows during its run. the two leads entered vlinkage’s top 20 list for media coverage (in midst of intensely popular traffic stars). reporting that the leads couldn’t promote the drama because they were revising their graduation theses trended to the top of weibo. its viewership, based on tencent’s numbers only, started at near 1 million views per day and climbed to 35 million (totaling almost half a billion) on the day its running ended for vip/fast-track viewers. su xiaotong even went back into costume to film a new ad insert for the show. review-wise, it started at an 8.1 and climbed to an 8.4 on douban as of its final airing for vip/fast-track viewers, which is equivalent to a crown in chinese webdrama land.
even with all its successes, i had a constant question while watching the imperial coroner - would it have been as great with a larger budget? or could it have achieved even more success with a larger budget? imagine if it kept its quality and had 4 or 6 more episodes to fill in the ending arc - the potential for an unquestionably perfect drama was within reach; production tried its hardest amidst unimaginable constraints. but maybe if tencent had put its eye on it from the start, they might have been forced to use traffic stars with their diva demands, to fill the script with nonsense and extend the plot unnecessarily, to hire a director that’s younger and more “in touch”, to be less than the very genuine story it is today.
i have a tiny hope platforms can learn the right things from this drama’s success (alongside other recent small budget/well-scripted shows that have blew up and beat out extravagant shows driven by traffic stars). at its core, dramas are about storytelling and the audience shows it responds to those who show sincerity in telling a great story.
- rrenaace
——
sources:
https://mp.weixin.qq.com/s?__biz=MzU0NTA3ODkyNw==&mid=2247495456&idx=1&sn=fd33c0477b3aa1d4aae58ad792da07d1&chksm=fb70c4c0cc074dd669cb5f1bb85b4f2d754ed482e5dd022bd8f71e9787acd157dd80ef31821e&dt_dapp=1#rd
https://mp.weixin.qq.com/s/nh7FP7OwICoaIpfpgM5PWQ
https://mp.weixin.qq.com/s?__biz=MzAwNDk2NDc5OQ==&mid=2247506241&idx=1&sn=bb4ac0ba209664b88fbe64b2ae1dee88&chksm=9b217191ac56f8874ab0c3952ef3a903cd80b46c958516b275143fca39f7fa8a1760448e0cc5&dt_dapp=1#rd
https://share.api.weibo.cn/share/223656447.html?weibo_id=4637132620828147
https://mp.weixin.qq.com/s/eFFjb_m1ktNAZYY9nb93OA
https://mp.weixin.qq.com/s?__biz=MzU1NDgwMTY3MA==&mid=2247513218&idx=1&sn=7136df7812f0ff74f7b425c378408083&chksm=fbdcfbebccab72fd337c6004e74b9d2d49ed5d14af00258097fc3daa41539a5f6fa6c63a70db&dt_dapp=1#rd
https://k.sina.cn/article_5737990122_15602c7ea01900sopz.html?from=ent&subch=oent&sinawapsharesource=newsapp&wm=3200_0024
https://www.douban.com/group/topic/227310396/?dt_dapp=1
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A moment might be short but it's strong enough to illuminate a lifetime
Lie to Love is a contemporary rom-com which starts with many elements of revenge, amnesia, a cool FL and mysterious ML and soon takes you on a romantic voyage.What I liked (Pros) —
➢ It has the right amount of mystery and everyone plays it cool, like they know each other's secrets but everyone is good at pretending
➢ The whole tree, camping and rock climbing concept was something I really liked… that could be made into a whole different drama and it would be so fun to watch that… I was enjoying the couple's flashbacks more than their current romance…
➢ The main leads, Li Ze Ziang and Su Xie Yi's chemistry stands out differently…
➢ The OSTs, even Luo Yunxi sang one song but Cheng Xiao also has good vocals, no idea why they didn't give her any song… or maybe those songs didn't suit her style…
➢ Oscar, Ohh! Such a nice friend and he is such a sweet character and "Chestnut" is the cutest part of this drama… he deserved some more screen time
➢ Acting was well done by the main important characters ~ Luo Yunxi, Cheng Xiao, Gao Han, Tian Yi Yong, Zhao Zheng and Wang Zi Yun…
What I didn't liked (Cons) —
⚘ FL's character was so confusing for me… they raised my bar too high with the first episode, she was flipping her clothes on air like that, it looked damn cool… but what to do with the great start as later Xie Yi loses her charm… like you went there with a big task… with this and that plans… but you end up depending on the male lead totally… thankfully her role got a little better towards the end again…
⚘ I feel sad for those people (including me) who came in this drama for "pretended amnesia" plot… cause that stayed for very less episodes only…
⚘ I feel like this base story (which is given as sypnosis here in MDL) had so much potential but what they actually showed in the drama had spoiled it… if they gave little less importance to Romance, this would have been more better…
⚘ there comes a span of boring episodes in between, around 15-24 where I was skipping most of the things…
Music/OSTs
❆ ♪Circle Of love♪ — Tien Chong (loved this song! )
❆ ♪Because of you♪ — Luo Yunxi (the song is filled with over sweetness. With this song in Yunxi's voice, I was getting "Love is Sweet" drama vibes… )
❆ ♪Memory of last life♪ — Curley Gao ( her high notes seem so natural, she sings every song in such a mysterious way )
❆ ♪Your moon♪ — Ariel Ann
❆ ♪How are you♪ — Wang Sulong
❆ ♪there is light in the tree hole♪ — Li Runqi
❆ ♪Venus♪ — By2 ( another pretty song with pretty lyrics and pretty voices… one of the singers was giving me "Frozen" vibes )
❆ ♪My sun♪ — Si Nan
… this drama really had many songs… and these songs really saved many points from me… "Circle of love" and "Venus" are my favorites out of these…
I enjoyed watching this at some points while I got bored at some… won't be rewatching this… So, overall, a mysterious drama that will reveal things to you on the surface but hang on, there's more to the story… it's mixed, sometimes very good and sometimes just a watchable drama…
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When the Only Way Forward Is....Acting
Double is a tour-de-force of acting and writing for the small screen. Chiba Yudai and Nagayama Kento disappear into the roles of two struggling stage actors, a mentor and a mentee. The ten-episode script by Yoshida Erika, a co-writer of Cherry Magic, focuses on a period in the two characters’ weirdly co-dependent relationship when the career of the younger actor begins to eclipse that of his mentor. Chiba plays Takarada Takara, who begs to join a penurious theater company after randomly catching one of their plays on a rainy day. Nagayama plays Kamoshima Yujin, an established actor befuddled by the awkward oddball’s request to upend his life and join the troupe. Eventually seeing in Takara a potential for acting greatness, Yujin agrees to take him on. That summary accounts for the first episode, but the second leaps seven years forward in their relationship. By that time, Yujin has become not only Takara’s mentor, but also his closest companion, defacto manager, and personal warden. Chiba and Nagayama inhabit the inner and outer worlds of their characters, as Yoshida’s deft script plumbs the psyche and pathos of their friendship.
Episodes Two through Seven depict the deep connection between Yujin and Takara following those seven unseen years. Their bond fuses the professional and the personal. The duo block acting roles together. They study filmed works of famous actors. They occupy adjacent rooms in a ramshackle dwelling. Because Takara has some sort of reading impediment, Yujin steers their acting process. Because Takara evinces no interest in household chores, Yujin cooks and launders for both. Because Takara loses track of details, Yujin nannies him to ensure he arrives at his appointments. Mostly symbiotic, the dynamic contains dysfunction. When sent to auditions on his own, Takara becomes easily overwhelmed. To cope, he conjures an imaginary version of Yujin, and the specter proffers advice to fit the circumstances. It’s fair to say that both Yujins—the real one and the avatar—own considerable real estate between Takara’s ears.
Change disrupts the established pattern of their comfortable routine when Takara’s career begins to flourish. He secures flashy acting gigs in TV dramas, in commercials, and, most notably, in an arty film directed by a high-profile auteur. Meanwhile, struggling to survive between acting gigs, Yujin languishes as a short-order cook. Success splits the pair. Famous Director resents the unheralded Yujin (or the conjured specter of Yujin) influencing his actor’s on-film decisions. New colleagues question and undermine their closeness. A fresh, professional management agency whisks Takara away to a new living arrangement. On the strength of these novel outside influences, Takara begins to blossom into both a functioning, independent adult and an actor confident enough to make his own performative choices. He is evicting Yujin from his headspace.
The series’ title references two usages of the word “double” in the acting profession. Both usages allow Yoshida’s script to delve into the mental world of each lead character. In the process, Yoshida offers viewers a veritable seminar in performance studies. First, “doubling” is a rehearsal practice in which one actor rehearses their scenes with an actor who won’t actually play the part onstage. The substitute’s job is to double the performance of the absent actor, thereby enabling the scene partner to hone their own portrayal. The technique requires the double to understand the motivations not only of the character, but also of the actor whose performative choices they must emulate. A secondary usage of double, “double-casting”, refers to the practice of having two actors alternate performances in the same role. During their seven years in the theater company, Yujin often employed both senses of doubling as techniques to help teach Takara the craft of acting or to learn his lines in myriad plays. Doubling one another became second-nature by the time outside forces intervened in their dynamic.
Episode Eight features a second time jump, merely six months this time, a period in the pair’s lives when Takara’s success has led to the duo’s near complete estrangement. Having broken her characters apart, Yoshida’s script now must bring them back together ahead of the looming series finale. An instance of doubling, when Yujin fills in for Takara’s co-star in a new theater production, provides the catalyst for the duo’s reunion, both professional and personal. During that rehearsal, the play’s director marked not only Yujin’s own considerable talent as an actor, but also the way his portrayal of the part elevated Takara’s performance. Recognizing that ineffable spark between two performers, the director unceremoniously dumps the actor previously cast. Due to this play’s difficult subject matter, she also seizes Yujin’s addition to the company as an opportunity to reimagine her version of the production. Henceforward, Yujin and Takara will alternate roles. For the characters, the double-casting amounts to regression: having just attained independence, the two will once again become doubles to one another. The final trilogy of episodes explore the repercussions of the director’s double choices. Takara seems to value his fledgling self-sufficiency, and initially he resists the latter’s reinsertion into his life. How he handles the mental crisis created by this development drives the plot in those final three episodes. But is his emotional opposition to Yujin’s casting merely professional anxiety?
The dynamic between Takara and Yujin contains a subtle sexual tension that burbles beneath the surface for the first seven of the ten episodes. Takara’s attraction to Yujin (previously unspoken but implied a few times) erupts into the open in Episode Eight. That verbal outburst proved one-sided, and neither character dwells on the romantic tension in the penultimate episode. The issue ripples through the finale, but primarily as an accent to the character arc, not to flavor the story arc. “I want your everything. Your voice, your eyes, your hand, your foot, everything,” Takara confesses in the Finale. At first blush (and one wants to after hearing the raw, soul-baring need inherent to those words), Takara aims that confession at Yujin. But on consideration, flesh-and-blood Yujin was not there. The confession went to the conjured Yujin in Takara’s head, which means Takara really said that to himself. So it’s an open question whether Takara is asking something of Yujin in absentia or exhorting himself to get his act together. In context, the words come across less as an expression of romantic desire and more as a lost soul’s yearning for connection.
That any sexual attraction arises at all creates a temptation for some viewers to classify the whole series as BL; yet, Double frankly lacks most of that genre’s telltale tics. I cannot fathom the series even aspires to be seen as BL.* If Double never reads as BL, it likewise never reads as LGBTQ+. Its mostly-latent queer tensions never drive any story arc. For these reasons, the stunted gay storyline does not represent a betrayal of the queer sexual tension in the story or of the characters themselves. Queerbaiting, this story is not. Double does offer a beguiling exploration into the friendship bond between two men, a product of one’s need to find greatness and the other’s…need. Everything else, including the putative romance, proves incidental to the other business this series aimed to portray.
Yoshida’s strong focus on character makes Double compelling television. Watching Takara and Yujin—or Takara and Specter Yujiin—takes viewers on a journey that nearly fractures reality. While doubling during rehearsals, the actors explain their performative choices to one another and, by extension, to the audience. This recurrent doubling in Double offers ample opportunity for Yoshida to comment upon the theory and psychology of performativity, the psychology of friendship, the psychology of co-dependency, and the psychology of suppressed attraction. Those scenes where Yujin and Takara explain their acting choices to one another offer viewers a window into the characters’ innermost thoughts. This device of having the characters speak aloud what’s on their minds echoes an earlier series on which Yoshida contributed as screenwriter, Cherry Magic. In that series, two characters acquire the ability to read minds, allowing the inner thoughts of other characters to be shared with the audience via dialog spoken aloud. Double dispenses with Cherry Magic’s fantastical whimsy, replacing the wizards’ mind-reading with a masterclass on how actors create their portrayals. In both series, this added insight into how the important characters think during important moments helped make the characters vivid and memorable; their stories, plausible and impactful. Primarily a character study powered by a provocative script, powerhouse acting (especially from Chiba), and competent direction, Double achieves an echelon of thoughtful brilliance few other series can aspire to match.
Easter Egg: In episode 9, a poster for the play reveals the dates and venues for the performances in 2024. Make plans now!
*-- The class of BL fans who consume the genre just to watch a fluffy story wherein two handsome men kiss will want to skip this series. Double does not deliver what they seek. The class of BL fans who enjoy their same-sex romances accompanied by intelligent dialog, adult drama, or insight into the human condition will consider Double a mixed bag. If such fans can overlook the minimal same-sex romancing, then those other attributes will reward their dedication to watching. The class of BL fans who enjoy a quality drama because it's a quality drama will simply be pleased.
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The acting was impressive, the characters were mainly children but they sure know how to act! It was a rare find for me. A movie like this will shock you. Never knew such things happened.
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The Heart Will Go On
Ye Li is summoned from the elite Lishan Academy to prepare for her wedding to Mo Xiuyao, a crippled and unfavored prince. Her younger sister Ye Ying is now engaged to her former fiancé, Prince Mo Jingli. Ye Li is unfazed by the groom swap and blithely oblivious to her new husband's frosty glowers and suspicious side-eyes. True to Xiuyao's suspicions, there is more to Ye Li than meets the eye. She has secrets and has returned to the capital with a higher purpose than marriage—one focused on righting injustices against the former Prince Ding and Lishan Academy. As it turns out, both Ye Li and Mo Xiuyao were collateral damage in a power play at the highest level of imperial authority. Their common cause draws them together, but in order to truly work together, they must confront the past and put it behind them.Though set in the fictional dynasty of Dachu, the setting for The First Jasmine is clearly inspired by Wu Zetian's controversial ascent, and the costumes, political dynamics, and social structures are distinctly Tang dynasty. While the political plot is not particularly special, the past intrigue is revealed in a way that draws you in, like pieces of a puzzle gradually falling into place. Everyone is an unreliable narrator, divulging their own role in the multiple betrayals eight years ago from their own point of view. The plot does not bother to fully explain itself, leaving the audience to speculate on and eventually piece together what happened with a growing sense of dread.
The problem is that the drama reaches its emotional peak a little too early, and after that, there is a sense of anticlimax heading into the finale. The final plot arc is rushed and fails to deliver a sense that justice was served or that the country is in better hands.
That said, this is a very solid character-driven story about healing. Both Ye Li and Mo Xiuyao are deeply damaged by past trauma, and the way their relationship evolves makes sense given what they endured. Ye Li is a deeply traumatized and complicated protagonist who appears functional only because of the coping mechanisms she relies upon to get through her difficulties. As a character, perhaps Ye Li is too capable, but she embodies the ethos of the elite Lishan Academy, and through her, the heart will go on. That said, the Lishan backstory unveil took too long and left me emotionally exhausted.
While Bai Lu pulls off a memorable and heartbreaking portrayal of Ye Li's trauma, her final showdown lacked sufficient impact. Her cold, resting-death-face missed the mark, and I felt that Xiuyao—no less a victim—deserved to be in on the final confrontation. I am fine with sidelining the male lead in the finale of female-centric storylines, but the actress has to be able to rise to the moment. That didn't happen here.
There were many interesting character arcs that didn't play out. I expected Han Mingxi to play a more consequential role and saw potential in his hilarious interactions with Ye Ying. But to me, Mo Jingli was the biggest missed opportunity. He is a cunning and layered character who pursued a just cause via questionable means. I did not like how the narrative diminished his cause, his motivations, and his intelligence heading into the finale.
Ultimately, this drama tries to combine too many themes. It is difficult to mix romance into a heavy revenge story, so I didn't mind so much that they didn't really try. Where it falls down most for me is how the main revenge plot failed to deliver closure or transformation. The story introduces so many interesting characters who seem to have agency and free will, only to have them go down the path of tired tropes. Screenwriter Zhao Na strikes again - her dramas always start well on the inspiration from borrowed works but she is really building a track record in not knowing how to end her plot arcs properly.
This starts out as an 8.5-level drama, but with the ending, it only earns an 8.0+. Still, it has enough unique aspects to make it an enjoyable and recommended watch.
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Kissing scenes were not satisfying....!
One thing I liked most about this drama is cast!.why "Friendship" or "Best Friends" tag is not added???
Actors and acting is only good thing in the drama. Bad editing, bad direction, no budget, bad screenwriting, scriptwriting(story was draggy when not needed and was rushed when it was supposed to be draggy/detailed), no promotion and everything was mess but not actors, their acting and their chemistry.
Chemistry and understanding between ML and FL was so smooth and perfect. Their relation was so pure and transparent l, there was no misunderstandings, no love triangle, no plotting against each other for love and also other couple(young dragon lord and his fiance) was very much sorted with their feelings.
These days they have started making more cdramas like this where there's no toxic love and tangled relations. Even tho kissing scenes were not really good or mayb lack emotional touch, it worked because of their chemistry throughout the drama.
I cannot even tell how good they portrayed their character, each and every actor-character did their best, The Squad- bestest thing in the drama and probably the only reason to watch drama until the end.
This drama perfectly justifies the phrase 'Friendship is inevitable and Friends are destinated to be'. In the group of four each character had their own bond, story, chemistry equally love, hate, care, responsibility with every other character. There's no grouping or partiality in their squad, all four love all four equally! For someone like me who really cares about Friendship, This drama will not disappoint in terms of Friendship.
There are many mistakes from other teams of drama-makers (like editing team, direction, screenwriting) but not from actor's end and that's what makes this drama deserving!
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oof… where to begin. The premise of the show is borderline offensive. The scene where a guy pretending to be gay lectures an actual gay man on gay rights and coming out made me want to dig a hole and bury myself alive.It’s obviously a straight story, but they were pushing the “gay love line” so badly. The scenes between ML and SL were more romantic and shot in a more “typical for romance” way than the ones between the actual main couple. As if they wanted brownie points for being “progressive”, but they were not willing to actually give us a gay couple, just bait us with stuff like we had here.
So, let’s talk about the characters, because there is quite a lot to unpack.
Park Jin Sung is a disaster of a character. I love me some flawed ones, but he had no redeeming qualities. While I can empathize with his initial decision to join the pilot episode of the show to get money for his dad’s surgery, the fact he kept going with this lie later on was laughable. Why? His reasoning for not dropping the show was: it will hurt my crush. What was in the brain of that dude? He became so amazingly preachy, I wanted to teleport myself into a drama and slap him at least a few times. This whole mess happened, because he did not think about anyone else except what Ah Jin thought and felt. What’s even more frustrating? He didn’t really lose anything in the end. He got his happy ending and we didn't see that much backlash happen directed at him. None of the characters were even that angry with him. Karma ain’t real here ¯\_(ツ)_/¯
Kim Ah Jin… well. I like to think there are two types of naive female leads - nice naive and dumb naive. She is the latter one. When people questioned her on the reasons for the “gay chef” show, she had no real answer. She said she wanted to show how gay people are normal and not different from others, but that’s dumb, since the main focus of the show and its promotion was that it’s a GAY chef as if this was the most important description of him as a human being. She had NO IDEA what she was producing. It shows when she gets so amazingly shocked about these 3 people protesting and asking for the cancellation. “Their eyes were full of hatred” YES HONEY, THERE ARE HOMOPHOBIC PEOPLE.
As someone who was willing to make a whole show focused on the fact your host is gay, you should do some research to know what you are getting yourself and said person into. So you can prepare. So when homophobes show up, no one needs to protect you and make you feel better. It’s you who should stand strong and defend your host and the program you are creating. Her whole character was so amazingly useless and no true development happened.
Luckily we were graced with Kang Tae Wan, the true star of the drama. First, I want to say Lee Hak Joo is an amazing actor and I believed every line he delivered. When he was happy, I was giggling like an idiot, when he was sad I wanted to fight whomever made him sad. Thanks to that awesome performance I was able to engage in his part of the story more. I also appreciate that they avoided going with stereotypes and making the gay character “less manly” with over exaggerated movements, way of speaking and fashion. Tae Wan was none of that. I loved to watch his emotional journey and how he slowly learned how to smile and get close to people around him. I loved the closure he was given and his scene with the dad in the last episode.
The plot had so much potential and could have offered us so much, but for some strange reason they decided to not do it. Why did they give us the typical side couple? They could use that time to explore Park Jin Woo’s character more. Deliver more scenes of Park Jin Sung cooking while they film the show, with some nice messages and a calming mood. Dive deep into the struggles of LGBTQ community. Let Jin Sung taste it a bit, so when he finds out Tae Wan is actually gay, it would truly hit him how much of a bullshit what he did was. Truth to be told, the whole 12 episodes felt like the beginning of the drama, just an introduction. What happened to the characters’ development? We only got Tae Wan opening to people a bit and Gyu Jang being slightly less of an asshole. That’s it.
Not to mention the random journalist which was used in the show two times, when the plot needed it. They should simply incorporate him more into the plot. Otherwise, him being so invested when we saw him only twice makes no sense. Then there is the last episode. They legit got the main couple to break up 20 minutes before the ending, then we jumped to the future and the last scene they met again… wow. hOw oRiGiNaL! In the last scene, I was hoping we will get all three main characters live their lives and move on, taking different paths and not seeing each other anymore. With that I would consider giving it 7.
That said, I might have disliked the story, but I truly liked the directing. How at times the camera focused on smaller details and not the faces of the actors as they were talking about emotional topics. Or when the screen turned to black as the important lines were delivered. This allowed me to truly focus on what was being said and how it was being said. How the whole drama was not overly produced and had this cozy feel to it. Not to mention that bop of ost. I need it all on my laptop asap.
Overall, I would truly not recommend watching. Sure, Tae Wan was amazing, but the amount of frustration I had to deal with as I was watching the rest of the characters was unimaginable. If you decide to watch it, don’t get invested in any character in hopes of seeing them improve and have some nice development - it ain’t gonna happen.
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1A Sword-Grabbing Saga That Will Tickle Your Bones
The Legend of the Female General is a hilarious drama that I enjoyed immensely. Its entire premise is a crater-sized plot hole, so if you can't suspend disbelief big time, best give this one a skip. The title makes its mythic, Hua Mulan-esque aspirations obvious (Mulan, of course, being a legend herself). The indisputably romantic and lyrical Chinese title, 锦月如歌 (Song of the Brocade Moon), makes it clear this is more Art of Love than Art of War. And in that, it delivers in spades as a sword-grabbing saga that will tickle your bones.For me, the unwitting humor here far surpasses that of A Dream Within A Dream (which I dropped), which tried so hard to be a parody it was more stressful than amusing. This drama comically embraces a bunch of the best, most incredulously well-loved tropes with abandon and just runs with them, not caring if they are well-stitched together. While I found it a nonsensical riot, I totally understand why it's been panned.
To preserve their military status, the (dumb-dumb) He family swaps out their sickly, all-important male child, He Rufei, for their robust and completely expendable daughter, He Yan. They couldn't find a big and tall girl, so they made do with a short, scrawny, and chesty one. She grows up wearing a mask and achieves glory as the redoubtable General Feihong, whose military successes are so awesome they make the real He Rufei wish he'd been born short and scrawny sans boobs. He stages an epic recovery at the height of her fame and swoops in to steal her glory. Of course, no one notices the one-head height difference because this kingdom is a classic Darwin 101 example of a state doomed to extinction. After reclaiming his name, he arranges for her to fall off a cliff, evidently unaware that no one dies falling off a cliff in a Chinese drama.
Disguised as a man, He Yan later joins the Yezhou army led by the no less renowned General Feihong—her old classmate, Xiao Jue. Suspecting "he" is a spy, Xiao Jue gives "him" the hot side-eye many times until the thrust of his mighty sword is parried by a pair of boobies. Yes, shame on me! I loved all the dirty jokes and naughty-but-nice innuendo that had me gawking at my big-screen TV with a stupid, lovestruck grin. I wasn't bothered at all that the cross-dressing "pretty boy" He Yan went full-on girly on Xiao Jue with her shameless flirting and half-innocent innuendo.
The truth is, I don't dislike trashy idol romance dramas when they are made like this. Most of the time, I drop them because I've seen the leads go through the same tired motions with so many other pairings that the chemistry feels contrived. There is nothing more nauseating than the dreadful dead-duck stare that so many third-rate traffic actors try to sell as infatuation. This drama works because I was hooked by Zhou Ye and Cheng Lei's chemistry. I saw an explosion of sparks every time he side-eyed her and she ogled him right back like she was ready to misbehave. True story: after the hot moment of enlightenment in Episode 4, my old big-screen TV literally died on me, and I had to rush-order a new one.
I won't bother shredding the plot and logic holes—there are lots of them, and far more articulate voices have already gone to town on it. Undeniably, the compelling chemistry and strong portrayals by both Cheng Lei and Zhou Ye carry this drama, bolstered by solid performances all around. I was charmed by how naturally Li Qing brought to life the face-swapped role of Cheng Lisu, and his romance with Song Tao Tao was cute and funny. Chu Zhao is the best-written, most multifaceted character in the story. The conflict between his ambition and his morality is well-played by Zhang Kangle. I had to laugh at how Bai Shu totally hammed up his cartoon villain with wildly exaggerated facial expressions; he seemed to be having the time of his life.
By far the strongest aspect of this drama are the fight scenes—they are brutally intense, fast-paced, and thrilling. This director is known for problematic storytelling, but his action choreography is really something else. Some of the war tactics are creative takes on famous Three Kingdoms battles.
As for Zhou Ye, she is a total firecracker who absolutely lights up the fiery scenes as delightfully as she owns the cute, girly bits. On the surface, she may not look the part of a female general, but she certainly acted it in the fight scenes. Too many idol actors shirk hardcore action, daring to pass off a few showy twirls and wimpy sleeve-swats as fighting. As He Yan, Zhou Ye really wielded her spear and sword powerfully and vehemently; the strain of demanding moves was visible on her features. She is a professionally trained ballerina—incredibly strong and athletic despite her size. Not all generals have to be tall and physically imposing; many famous ones were more brain than brawn. Zhuge Liang of Three Kingdoms fame was skinny and runty with mediocre combat skills, wandering into battle with his fan. While the fearsome Cao Cao was a killing machine, both he and the unbeatable Yue Fei were allegedly quite short and possibly even stocky. Oh, the preconceived notions we have! What pains me most is that no one asks why cast such a tall actor as Bai Shu as He Rufei instead of why cast Zhou Ye as He Yan.
I'm not trying to deflect the well-deserved criticisms. This is indubitably not an award-winning masterpiece, but it won my heart with its cheeky adult humor, melting romance, gripping action, and overall engaging rehash of cheesy tropes. Even with my 9.5+ rated dramas, I'm not much of a re-watcher. But this is one of the few trashy gems with scenes I can see myself replaying when I'm bored. Happy to rate this 8/10 as a top-tier guilty pleasure.
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Incase if you can’t get this movie this might be helpful!
At first, The Great Flood may not feel like a “bad” movie, but it can definitely feel confusing, especially if you’re used to traditional K-drama or Korean films with a clear emotional or linear storyline. This movie suddenly shifts tone and narrative, which can be disorienting. However, once you understand what the film is actually about, it becomes deeply meaningful and emotionally powerful.The world in the movie is already ending. Humanity is almost extinct. The experiment exists because humans are trying to recreate humanity, not just biologically, but emotionally. They realize that without real emotions, especially love, the new humanity they create will never truly be human.
This is where An-na and Ja-in come in.
An-na is part of the Emotion Engine Experiment. She agrees to have her brain implanted into a simulation where she relives the same scenario again and again which is loop as y’all know.
Her role is to demonstrate genuine human emotion, particularly maternal love, because nothing is more raw or instinctive than a mother’s love for a child.
Ja-in, the child, is technically “just a subject.” She is supposed to abandon him. She is meant to choose logic over emotion. But she doesn’t. She loves him like a real child — and that is the entire point of the experiment.
An-na is tested to see if she can:
• Form real emotional attachment
• Make moral choices
• Choose love even when logic and rules tell her not to
She fails thousands of times.
The drawings scattered throughout the movie are not random. They represent past loops of the simulation. Each drawing shows Ja-in remembering her words: “I’ll be back. Wait for me.”
That’s why he keeps hiding in the closet every time. That’s why he keeps drawing the helicopter scene — and why the drawings slowly get better and more detailed. He remembers. He learns. He feels.
When An-na once tells him, “Draw me with some color,” the drawings begin to change. This proves emotional memory exists — even inside a simulation.
Her shirt changing numbers shows how many times she has repeated the loop. Each number represents another failure. Another reset. In total, she is trapped for 13,499 attempts, spanning around five years from her perspective (or even longer depending on interpretation). Some theories place it closer to 21,499 days, roughly 58 years, emphasizing the unimaginable emotional weight of the experiment.
The AI systems try to stop her ( mans with gun’s) They want to reset the simulation because the machine only activates when the subject reaches their version of emotional perfection. The world ends over and over because the simulation can run thousands of apocalyptic scenarios faster than real time.
The truth is:
An-na and Ja-in are already dead.
This is a machine using their memories to learn how human emotions work so it can create the next generation of “humans.”
In the end, An-na passes the test because she chooses love over logic.
Ja-in separating from her shows free will — something artificial intelligence cannot fake. When she is allowed to return to Earth, we see others who have also passed similar simulations. Humanity doesn’t survive because bodies are recreated — it survives because love was successfully learned.
The final message of the movie is clear:
Being human isn’t about being real or artificial.
It’s about love, memory, sacrifice, and the choices we make.
This movie isn’t confusing — it’s layered.
And once you understand it, it’s devastatingly beautiful. Also including few extra words I would say the experiment proves humans are defined not by survival instincts, but by who they choose to save, plus many of people have asked why “love” they would better come with something else but going deep down maternal love is used because it’s the hardest emotion to fake or replicate while AI can simulate logic endlessly, but love requires irrational sacrifice…
That’s it!!
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What I have come to notice when watching C-dramas is the lack of women being represented as strong or accomplished. They always seem to be so senseless, and honestly I can't handle watching female leads portrayed as stupid. This is just my personal experience though. However I can gladly say that the female lead is strong, sticks to her values, has clear goals, but at the same time is relatable and likeable. She is not easily manipulated allowing the audience to experience the great chemistry with the male lead, while also bringing light hearted moments. They feed off each other and it makes great viewing. They deliver the angst, the drama and the romance. The chemistry between the two main leads is incredible.
Not only do the leads have a great story and chemistry, but the supporting actors also deliver quality side stories and pairings. Most of the time when I watch a drama I either like the side story with the supporting actors, or the main leads story. With About Is Love, I'm equally invested in all 3 pairings and their individual stories. The chemistry between all the actors is stunning, and you can't not get invested in the story.
Though the overall theme of the show a CEO with OCD has been told many times, I think that the cast is what is really making this drama stand out and not be considered cliche. I have watched a few episodes of Want To See You Smile with the same themes of the male lead having OCD and unable to have physical contact with anyone, but I could never get into it. The chemistry between the actors wasn't there for me. The relationship of all the characters and the chemistry is really what makes "About is Love" great for me.
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Didn't get quite what I was expecting from early descriptions though - so, it's roughly: FL gets sent to the country hospital as punishment, ML turns up with a view to buying the place up for a resort, joins the rescue team to get more knowledge, conspiracies happen, fires happen, bad people do bad things etc. :) I should write them for a living don't ya think? :-P
I enjoyed the main storylines and the romance between the ML and FL but there did seem a couple of times that the FL just decided to move on from a previous issue and forgive rather than it feeling like things had been properly worked out...
The bad guy was really quite deranged and I enjoyed (in a 'throw popcorn at the tv' kinda way) when he was on-screen.
There's lots of touching moments, since it's based around a village suffering from problems and a 119 rescue team.
Park Hae Jin had a commanding presence as always and worked will with the scenes and script, whether he was in mega business-man mode, loving boyfriend mode, or action-man rescue team mode.
Jo Bo Ah - this is the first drama i've seen her in so I need to see more (i'll do that, just for you all, i can take it :) ) to get a broader view but i'm tentatively impressed with what I saw. There were some aspects where she seems to be smiling as she delivers her lines that I didn't think smiling was quite the right thing - so it felt out of sync - but - I enjoyed her performance more overall.
I really enjoyed the side couple with the police officer Oh Bo Mi - while the male in that couple was ok, I thought her character and how she played it was brilliant and then the play-off between her and the FL was great too.
Overall it's a great watch, even if you don't gel with the story for some reason, there's some gorgeous scenery and just a generally quite different feel to it than other dramas due it taking place in the depths of the forests in Gangwon-do.
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Short review
So, I'm just gonna say that this drama is so fresh and hilarious. Miaoyi and Jun's chemistry is on par and at the same time, it's so cute. I've never laughed like this. I've also loved the kids who acted as Chao Chao and Tutu. 😭 They're so cute. Every episode is funny af.lmao. I couldn't forget that part where XiaoTu was literally thrown out of their house, and yet she's so happy af.
indeed, it's worth the wait. I just don't like the way they just throw all the episodes in one day, now it's spoiled. But carats are hilarious thought. Their edits are epic.
Now, gimme Wen Junhui in costume drama.
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Good start, poor finish!
To be honest, I didn't know from the start that we would get this series. I found about it in a random way, but when I saw that Gun had the main lead, I was super excited. When I watched the first episode, I felt that they would provide us with the sth different that the rest typical Thai BLs. Boy was I wrong....
Quick summary: A good start that led to a crappy finish.
CHARACTERS
Our main lead couple is Sun and Sky. Sky, who is portrayed by Gun, is the rich son of a ethical mafia boss. I know that "ethical" can't describe a mafia boss, but bear with me. On the other hand, Sun (Boat) is an orphan man that was put under Sky's father guidance since he was young, for a weird reason. After some incidents and as Sky's life is in danger, Sun is appointed as his bodyguard and follow him 24/7.
Our second lead couple is Pitch and Bank. Bank (Tenon), is the goofy childhood friend of Sky, and is familiar with Sky's background, and he attends the same university as SunSky. On the other hand, Pitch (Sugus), is a senior of the three boys. On an unrelated topic, Sugus has a powerful eyebrow game. That dude can do anything with his eyebrows.
Lastly, we have our two females in the series, Juno (Apple) and Toktang (Jane). Both of them are classmates with our trio and friends with Pitch. Toktang is a shy and down to earth girl and at first she seemed to be the love interest of Sky, as he seemed interested in her; while, Juno, is an honest girl who was openly interested in Sun.
PLOT
I am sure that most of us when we read the description for the series we already had an idea of what the plot is going to be like. Honestly, what I thought about the series was true. Every assumption and stereotype that I predicted was true. Bodyguard and young master are falling in love, their statuses won't allow this relationship, they fight, they reunite, happy ending. That's it. Okay, sure, for once the real villain in the series isn't another love interest, but it is an unethical mafia boss that wants to sell drugs on Sky's father territory, but he refused. So, the bad mafia boss tries to kill the son of the good mafia boss.
Though, I have to admit that the first episodes were exciting and I thought that finally we found a thai series that won't have stupid clichés. Well, as I said earlier, I was wrong. One cliché after the other, people falling in love with the other person in a spam of a second, fights between the couples for the silliest things, unwanted jealousy, and happy ending.
ACTING
Well... I might be an asshole... but... the acting... was bad....
First of all, let me say about the role of Gun. I was glad that in this series they didn't make Gun's role as the typical non-good-looking character (e.g. LBC in which everyone pointed out how plain and ugly he was); and instead he played for once a confident role. Even though I liked Gun's role, I didn't like his acting that much. I believe that he is better of with a comedy role. In the series, there were many scenes that required him to either cry or be sad; and for me it just didn't work. That being said, in my personal opinion, I feel that Gun's acting is getting better as the time goes by.
Moving on to Boat's performance, I have to admit that this was the first that I watched with him in the cast. I found that his expressionless face was kind of fun in many cases, but again I don't think that I liked his acting. One of the main reasons, is due to the script. I believe that as an actor he has many things to give, but he needs the right script and plot.
As for Tenon, I found him a little awkward in many scenes and I thought that his expressions could be improved. Taking into account his age, I think that in the future we would see more of him. Last but not least, we have Sugus. That dude he was a master in controlling his eyebrows. What the hell? I found his flow and personality better than the rest of the cast. However, he also had some awkward scenes.
I may point out the negative parts, but as an overall, I believe that the four actors could give us more, if they had better script on their hands.
MY OPINION
I know that nobody cares about my opinion, but whatever! To be honest, the description was pretty descriptive so I do not know why I am so disappointed with what I watched. The thing is that this series seemed to be different from the rest. We didn't have any cringe/stereotypical scenes in the first two episodes, we had a manly main lead, and a story that could give us many things. But then the third episode happened.
WHAT THE FUCK? It was the cringiest and the worst episode that I have ever watched. We have two people, that in the beginning Sky doesn't like Sun, but when he learned that he never relaxed or went to a nice place, he would take him. LIKE A DATE... DUDE!!!! Sky who doesn't like Sun, I REPEAT, takes Sun for a date, and they share their drinks, their food, they wear matching funny hats, take pictures, and Sky buys them a matching heart necklace, that each of them has one part of the heart. DO YOU HEAR ME SCREAMING? Dude, that was so cringy to watch. wtf? I haven't read the novel of the series, so I'm not sure when they were supposed to develop feelings for each other, but that was so tough to watch.
That leads me to my next point. As someone who was only watching the series, I wasn't able to understand when our main leads developed feelings for each other. It was like some scenes didn't make it to the final cut, and we were left with half the story. We don't get to know why Sky's and Sun's blood was so important till the last two episodes. Why? Moreover, if Sky's life was in danger, and many assassinations happened against him, why did he still attend the university and the university activities? Lastly, where is the police in those type of series? Sky was almost killed in the university's bathroom but nothing happened after that? WHAT IS GOING ON? I think that the screenwriters wanted to create more tension for the couple and just used everything they thought.
Also, I want to touch the topic of product placements. As you may have noticed, in the first episodes, there is no product placement. As someone who hates how the products are being showed in the thai series, I was happy with the absence of them. Until that fucking episode came. You know what I am talking about, the one in which they leave for the camping. DUDE! DONT! DO! THAT!
Anyway, that's it. It's a shame that it didn't work out in the end, but I didn't have any kind of expectations for this series.
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Wasted potential
I was absolutely whipped for this drama when it first started. The chemistry between the FL and ML was terrific. I used to look forward to new episodes. However, I wasn't a fan when the ML and FL started dating and their personalities changed a lot. ML, who was known for his cold gaze and strict behavior suddenly acted like a schoolboy. I would've been happier if their dating was written differently...more subtle changes rather than throwing it all the at viewer's face.Another thing I don't understand is the recent trend of inserting murder mystery and/or crime into a storyline. It felt out of place and absolutely unnecessary, especially for episodes 11 and 12. The story would've be so good if it was 'just' an office romance with a sparkle of supernatural. The last two episodes made me feel like I was watching a completely different drama.
I still liked the drama as a whole but the more episodes I watched, the more my interest decreased. The writing had a lot of potential in the early stages but somewhere around episode 7, it started to go downhill. Overall, I hate to say it's an okay drama. The ending felt rushed and could've been executed better.
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