Sweet Mutual Crush to Mutual Love Story ?
OMG, okay, I just finished it and I am LITERALLY screaming! 😭💖 It is so cute, it gave me actual butterflies!Here is why you HAVE to watch it, from a totally obsessed perspective:
• The "Long-Time Crush" Vibes: Ruan Yu (FL) is writing a novel based on her high school crush, and then—PLOT TWIST—she hires that same dude, Xu Huaisong (ML), to be her lawyer! It's that "I knew you when we were kids" energy but they are adults now! 👩❤️👨
• Miles Wei is TOO MUCH: Okay, I know dude is famous for being a "cold CEO," but here? He is so gentle and smart. The way he looks at her? 🫠 He is like a protective puppy, not just a boss.
(BTW, love love love Miles Wei! I swear dude is THE best for romantic ML roles 😭😭
• Hilarious Besties: The two best friend dudes are actually comedic genius. Their fast-talking banter in the background is the best part of some episodes, LOL. 🤣
• Visuals & Vibe: It’s super "fluffy" and lighthearted. Perfect for when you want a break from super dramatic stuff. Plus, the scenes with the "video call imagination" are actually pretty clever! 📱🎆
Cons? Ugh, the mid episodes dragged a bit with the "I’m not telling you I remember you" thing! I was literally shouting "JUST TELL HER!" at my screen! 😤 But it's worth it for the fluff later 💋😘
Overall Rating: 9/10 Butterflies 🦋—definitely watching again just for the cute scenes. Go watch it!!
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This is one of my favorite dramas. This drama just my 2020-2021. I don't usually watch historical dramas and when I do it is usually something that has to do with present days like this drama. I really liked how the main character switched to the Josean which made it even more funnier. The characters where very funny and I loved all of them a lot. I didn't expect so much romance, but I love how the King started to like the Queen. My favorite parts were when the Queen just roasted everyone and proved to all of them that she is greater than them. I really liked the ending, which in some dramas I don't always like them. It would be pretty cool if they showed the baby at the end. I was happy that both Jang Bong Hwan and the queen had a good ending. It was so weird to see the present days because I was so used to seeing the palace. Esta resenha foi útil para você?
A complicated poem saved by the bell
Choi Yu Jin fled to America after his slave parents were murdered. Due to the harsh treatment which he endured for being a slave in the Joseon period, Eugene feels no love or kinship towards Joseon. In America, he is known as Eugene Choi and has climbed his way up to be a distinguished figure by joining the American military. Several years later, he is stationed in Joseon during an American expedition. There he meets a noblewoman Ae Shin who by day seems to be a quiet lady but by night she's running across rooftops with her sniper rifle, secretly fighting for Joseon's independence. He falls for her but he isn't alone as she is also loved by her joyful quirky fiancee Hee Sung and a yakuza Dong Mae whose heart is a black box. Neither of them is really sure if the other is a friend or foe. This makes three relationships that look like they can never be: Ae Shin and Eugene, Ae Shin and Dong Mae, Ae Shin, and Hee Sung. This is not a love square but a love pentagram because there is also a mysterious hotel owner Kudo Hina who is also a fencing master. So there is lots of love but no one's really happy, yes it's very sad.A few things that draw me into this drama are first, I know this is a show of quality and I'm gonna enjoy it. There is an artistic flavor to how every scene is set up and shots from the color grading to the music to the overall backdrop are very breathtaking. However, it's not glamorizing life, for every gorgeous breathtaking sunset there's a brutal portrayal of war and violence and death and these scenes are visually engrossing. Second, it was deeply rooted in real important history and also it is set in the early 1900s which doesn't feel that long ago, there was real political scheming in this drama that still left an impact on today's society.
The five leads came from multiple cultures but don’t really belong anywhere, their stories are so full of heart and their arcs are so noble. I think a lot of diaspora like me can relate to Eugene as a character who doesn't belong to either Joseon or America, he's in this gray area. He is a very nuanced character and he holds the whole drama together. Even though he's happy being accepted by the American, as the show progresses he becomes more and more interested in the Korean culture and he wants to find his roots. I just love that his one bullet was used with such wisdom and just such grand effect. Ae Shin is a very compelling character, I love Kim Tae Ri played this role with such unbelievable complexity and nuance that I want to watch her and everything that she does: she gets a lot across with simple looks and she also has an extremely royal noble way about her presence. Kudo Hina, the hotel owner is truly one of the best most complicated female characters and the script took her exactly where I wanted it to.
I absolutely loved the iconic Dong Mae with the double swords at his hip and his sweaty hair, open chest, and half ponytail. Simply Yoo Yeon Seok acting was amazing as the dark and tragic Dong Mae. Hee Sung is such a man with tremendous growth, he goes from this total privilege boy to a guy running an underground newspaper to spurn on the resistance and I was so proud of him at the end. I really loved when he realizes his fiancee is not going to be with him and he respects it, he still loves her but he is respectful. His character was so well written and played so amazingly by Byun Yo Han.
However, I didn't enjoy a significant chunk of my watching experience as the story goes on because this show is very heavy with political maneuvering. It's really taking 20 episodes' time to set up and I got bored but I keep watching for the main characters. Also, there are a lot of different languages being spoken there's Korean, Japanese and then there's American English with a very weird accent. I'm very sensitive to dislike English-spoken very weirdly in Korean dramas. It feels like they're trying to over-pronounce things correctly. These elements dominate the screen time and are really too dry to watch. It is so unfortunate because there are a lot of actions with gunfights and fist fights within each episode and when they do action, these scenes are so well-choreograph almost perfection! I wish there had been a bit more action and bromance moments.
This drama has a fantastic and unlikely bromance between Eugene, Dong Mae, and Hee Sung at its core. Whenever they were on screen together, they made me so happy because they blurted out humor and heart to the drama. I was not expecting these three weird trio were going to be so beloved and it was definitely the highlight of the drama for me. Without giving any spoilers, the finale is an absolute masterpiece, which is really impactful! I dropped my heart because it just gave such cathartic blows. It feels like I was being rewarded for all the time I sit through and overcome the frustrations I had in the first 20 episodes. Thus, my overall impression is actually really positive as time goes by. I'm glad I watched it and the way it impacted me when it's done makes me feel like I came out a better person. If I can divide my enjoyment value, I would give up 1-20 a 7 and ep 21 - 24 a 10.
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Drama Especial Serie Temporada 1: Natal Branco
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White Christmas' main themes are very similar to the masterpiece by Agatha Christie that was written over seven decades ago. What happens to the people in extreme fear when they can trust no one but themselves and they can't escape the danger they are confronting? Each of them reacts to the situation in their own way and various different social bonds are formed. But while "And Then There Were None" by Agatha Christie is clearly a detective story where the reader is fooled until the very end, White Christmas offers us rather clear hints throughout the series. I would say that in the end White Christmas' best offering for the viewers was not the mysterious guessing game but the psychological themes it dealt with.
The characters of the story were very well written. They had realistic background stories, as well as the personalities they had formed until now. The most interesting was to watch how they all would develop in the journey of eight episodes. None of them was entirely good or bad, and everyone of them had to deal with their own problems, their own values and their own emotions, and to answer the main question of the drama: "Are monsters born or created?"
Besides the great plot and characters, the production of the drama was done very well. The drama was very artistry - but not in a way that it would look forced or unnatural. The set was very simple but in the same time even more stunning. In the end you don't need some fancy effects if you know how to film: the talented use of the angles, light etc. The silent scenes with stunning views and some well-thought music, and you have everything you need for a very emotional scene. And not only was it just nice to watch - the talented production made the atmosphere very eerie and stagnant, something to get you completely absorbed into the story. I also liked the fact how the characters' uniqueness was emphasized by the way they were filmed - all in their own way.
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The above was my main thoughts after watching the the whole drama in one day (night, woops :D) - I will discuss more of the cast, music, story etc. below! :)
Story - The story was in the end pretty unpredictable although that viewers were given pretty clear hints about the mysteries in the drama throughout the series. Altogether White Christmas is a fresh and unique drama among the sometimes very cliched dramaworld. The greatest pros in this drama were the deep, well-thought characters and the many thoughts it offered to the its viewers in every single episode. Some illogical gaps though made me reduce half of a point in this section.
Acting/Cast - I have nothing bad to say about the cast or the acting. Although there were many rookie actors (e.g. Kim Woo Bin, Sung Joon) I never felt that they were actually "acting" - was it then the direction of the drama or the well-written characters, I really got into it and felt more like they were real characters rather than just normal people behind the characters they were trying to create.
Music - This soundtrack didn't have songs of its own but it borrowed many famous and also not-so famous songs from around the world. Majority of the songs were Western songs, varying from pop to alternative rock and ballads. But who could have imagined that Vivaldi's Nisi Dominus would actually be so creepy?
Rewatch value - Although I love thrillers, the series always suffer from it as well. As you know what's going to happen in the second time when you're watching the series, it doesn't really feel exactly same anymore. That's why you should always cherish the moment when you watch a drama for the first time. (:D) But with great production quality and the many thoughts that the drama offered, I think that it would still be pretty enjoyable when it is watched for the second time! (And I'm sure that I'm going to watch it for the second time for sure! ^^)
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This is more than boy-meets-girl kind of movie where the story usually just revolves around the lead actors being in love and how they conquer anything and everything that hinders their relationship. This movie, on the other hand, will give the viewer a glimpse of both lead actors' selfless character that one would agree that they really deserve each other and would hope that they end up together. It's unique in it's own way; smartly revealing each of the lead actor's amusingly cool character that any film viewer would be able to relate to and appreciate.
The concept of destiny that often seen in romantic films was given a different twist in this movie. A must-watch film that will leave a smile on your face and a smile in your heart and soul.
What are you waiting for?! Go check out this wonderful Thai movie!
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Messy but Charming
Honestly when I watched the first episode of this drama, it was so far removed than what I thought this drama was going to be, I was going to drop it and move on....I AM SO GLAD I DIDN'T! If you stick with it, don't take it to seriously, you will be won over and love this drama when you finish with it.STORY: As I stated above, do not take this drama and it's storyline too seriously. Just go with the flow and you will enjoy it more. I am not saying that the story was bad it just had its moments where it seemed very farfetched and messy, some parts even were a little predictable for it being a spy drama. If you don't look that much into it, you will find the story to be charming, exciting, funny and adorable all at the same time. It is a fun ride to be on.
CASTING: At first when I started this drama, I did not like some of the characters because they seemed to be a little tropey and annoying but as the drama went on, the characters got more depth and color which helped you as a viewer fall in love with them and their interactions. By the end of the drama, it was hard to say goodbye to them. MY favorite characters HANDS DOWN in this drama was the Ahjumma group and Jin Young Tae surprisingly (I found him to be annoying at first). I thought the actors did a great job and the drama was well casted.
MUSIC: I LOVE LOVE LOVE THE FIRST OST FOR THIS DRAMA!! I listen to it all the time. I also liked the music that played when the action was happening. It gave depth to the fight scenes and made them very exciting to watch.
REWATCH VALUE: I would rewatch this again if it was a rainy day and I had nothing else to watch. It is an easy drama to watch.
OVERALL: Even though this drama was messy and all over the place, you can't help but fall for its charms. It was a drama that didn't take itself to seriously and had action, comedy, and a little romance. If a second season happened, I would watch it. It would be interesting to revisit all the characters and see where they are. Just watch this drama for an easy drama to watch and go with the flow. Also So Ji Sub with kids is always a plus
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Disillusioned life scenario, yet spiked with moments as the ego steps aside + heartopening happens
A wonderful movie in many ways.This KMovie is aiming straight at the heart. This is already indicated in the international title "Keys to the Heart". Also, that the piano plays a key role - i. e. its 88 white and black keys.
The original title is more like "This only is my world" and refers in its own way to the piano, because this is the world of the autistic protagonist Jin-tae. However, this also refers to the (also limited) world of his brother Jo-ha, to which Jin-tae starts belonging. Additionally, revolving around Jin-tae (and Jo-ha) is their mother. "Keys to the Heart" is a story about that mother and her two very different sons. She left one of them decades ago as a little boy under dramatic circumstances and to date he hasn't forgotten, let alone forgiven. The other is autistic with savant syndrome.
It´s a given that the story intends to bring tears to your eyes. Yes. The story wants to get to the heart. But not generally in a tender, comforting and blissful manner. In fact, there is nothing but pain drifting around those hearts in this story. The framework of the plot draws a disillusioned, depressed scenario of the lives of ALL characters - regardless of whether they are rich or penniless, or otherwise have a more or less comfortable living. (The exception to the rule here is the autistic Jin-tae.) As if it were the most natural thing in South Korean everyday life for people to suffer. There is a good deal of social criticism in this KMovie. I think that's often overlooked in its critics or reviews.
There's the drinking, beating father; the abandoned son; the penniless son who can do nothing but box; the brutal world of dog fighting, where boxers beat each other bloody for money; the single mother with cancer; the mother with guilt; the autistic son; the depressed, suicidal, rich, once famous invalid; the Jaebeol CEO, whose money doesn't help her to be able to buy back her daughter's happiness. Eventually "Key to the Heart" is a dreary, sobering contemporary document. Not a picture of society of the crisis-ridden 1990s, no. It is a simple, unpretentious social inventory of the South Korean affluent society from the year 2018...
Now, some heart-warming light is shining into this fundamentally gloomy everyday world. (And in those of the audience as well.) In rather small spots though. These are brief details, inconspicuous moments (apart from the big spotlight of the finale, which is a bit more spectacular). However, those little spots make all the difference. Not a flash of inspiration, rather a flash of the heart, in which the injured ego steps aside for a moment: for a moment of clarity for the essential: actually, what´s NOW. For a moment, people can just let go of all grief and become open to what life has to offer just NOW: beauty, warmth, joy, hope. This NOW can transform, heal, completely change the view of the world. The world on this earth itself is the same, yes, the planet does not change its orbit because of it. It's not suddenly 'everything will be fine again'. And yet it is something like 'everything-IS-good'. ... That brings us to the KMovie's favorite quote: "Impossible is not a fact. It's an opinion." (Muhammad Ali)
Admittedly, a button is pressed when it comes to the piano music. The classics take their space. But here, too, the story does not fail to take the opportunity to point out the ego-driven business with it - the talent and passion of the musicians may be on the one hand, but the very personal interests of teachers and directors are on the other...
Of course, with Jin-tae as a young man with an autism spectrum disorder with savant syndrome, the KMovie is deliberately pressing another selected button, with the intention of moving hearts. Nevertheless, even this developmental disorder is not romanticized, yet shown as demanding and exhausting to deal with.
Particularly pithy and powerful: The contrast between the world of the buttoned-up, reserved, respectable, reasonable and properly dressed classical music scene and the childlike, impulsive and playful but brilliant Jin-tae, whose piano playing tears down walls for a moment.
At last, we are back at the beginning: a story about that mother and her two very different sons... There is hurt, sorrow, the pain of loss and guilt - all is there, what life has to offer to become estranged from each another, or to feel lonely and abandoned. And that's where love - no matter how screwed up - finds its screwed-up moments. I don't think predictability is a problem with this movie, because it doesn't want to be 'enthralling'. Yet, it wants to touch the heart, and it does. Eventually, that's good for everyone. With this movie, it is the HOW that is decisive: by sober narration of a basically rather depressing story that thrives on short, unspectacular moments (and the actors) in which 'new' NOW-decisions are made and heart opening becomes possible.
Great!
--------------------------- SIDE NOTES --- Savant syndrome ---
Savant syndrome has often been a topic in the cinema, for example in the US production "Rain Man". There are only around 100 "Savants" known worldwide (from the French 'savoir' = knowing, how to do it). Accordingly, the phenomenon has only been scientifically examined to a limited extent. In the musical field, there are various examples of Savants (like the fictitious Jin-tae here in the movie) who, without any music lessons, are able to play the most difficult pieces of music with accentuated detail after just hearing it once - solely thanks to their perfect hearing.
However, Savant syndrome usually goes hand in hand with autism spectrum disorders. This in turn refers to developmental disorders of varying severity. The people affected typically have little interest and competence when it comes to social interaction. They prefer to live in their own world. Generally, their perception is strongly focused on details and does not weight them like the otherwise socialized majority around them. Details that others usually overlook become subjectively crucial, while information considered essential to their environment may not play any particular role at all. Information is initially unfiltered, being of equal value in its perception. Thus, without the social-cognitive filters that non-autistic people learn to develop, the moment of sensory overload followed by stress is quickly reached.
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Adeus, Minha Princesa: Versão do Diretor
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Gut-wrenching drama that will haunt you for ages with an incredibly compelling male lead!!!
SPOILERS....As a veteran drama watcher (grew up watching Asian dramas), I'm extremely picky and only like dramas (prefer romance or ancient historical fiction) with a decent script and production. Story and characters are the most important to me and I find many romantic dramas these days to be crappy with non-existent plots.
"Goodbye my princess" took me completely by surprise and will go down as one of my favorite romantic dramas of all time along with "Ten Miles of Peach Blossoms" and "Someday or One Day" (both are well-crafted/quality dramas with a romance that stole my heart). "Ten Miles" also has one of the most charismatic/powerful MLs (male lead) who's as relentless as Li Chengyin (ML in "Goodbye my princess") when it comes to the FL (female lead) -lol, love it!!!
I initially never even bothered to look at "Goodbye my princess" as not only is it a tragedy, it's based on a novel by Fei Wo Si Chun, an author I avoid like the plague because I don't like the type of angst she writes -depressing plots and angst just for the sake of torturing her characters. Even when someone who shared my exact taste for possessive MLs recommended it, I still resisted.
Luckily, my sister stumbled upon some clips and finally convinced me to watch at least the first and last 10 episodes since it has the kind of angst I like, an extremely compelling and obsessive ML, and a very lovable FL. The clips she showed me peaked my interest and the rest is history. I hunted for the director's cut and knew from the first episode that this drama was going to be my jam. It had everything I wanted in a drama: Irreplaceable leads with explosive chemistry, an obsessive/powerful ML, a high quality production, and a decent script that mainly stayed on track even if the pacing did slow down massively from episodes 15-29. I loved episodes 1-15 and 30 to the end the most (though the drama did get rushed towards the end and I would have liked to see more episodes of Chengyin dealing with his memories coming back -that kind of angst would have be stellar).
And aside from being a tragedy, GMP (Goodbye my princess) surprisingly embodied the kind of romantic angst I love and avoided almost every type of angst I hate.
The kind of angst I hate in a romance is noble idiocy (ML pushing the FL away for her own good, etc.), cheating/constantly parading women in front of the FL, angst for the sake of angst, ML being too passive and self sacrificing (I only love MLs who go after their girl no matter what and like to take the initiative), and ML giving up/letting the FL go (only love MLs who never give up or let go of their girl).
GMP mainly had angst I liked and it all fit into the story organically and didn't feel forced. I generally can't tolerate the ML sleeping with anyone other than the FL, but in GMP, he actively avoided it as much as he can while keeping up his charade and it can even be argued the number of times he may have touched the secondary FL, Sese, was minute as she was constantly subjected to house arrests by the Empress due to his shenanigans. I was able to handle it because the drama made it clear Chengyin only wants to be with the FL, Xiaofeng, but is forced to spend the occasional night with Sese to keep up pretenses. Even then, he does his best to keep himself pure by using work/the Empress to ward her off.
Above all else, when it comes to the love story, the ML encompassed everything I could possibly want in a leading man. He's obsessive/possessive and relentless when it comes to Xiaofeng -will never give up on her. Plus, he's faithful, capable, intelligent, charming, charismatic, hot as hell, and can see through subterfuge.
He can be ruthless to everyone except for his beloved Xiaofeng and that just really appeals to me in a romance. Ruthless and powerful MLs who's only soft towards the FL and can't live without her is my kryptonite in a romance. Never in a million years did I expect one of Fei Wo Si Chun's stories to have this kind of ML. Especially when the source novel has Chengyin being abusive and always hiding his affections.
I never expected the drama to portray the "abuse" in such a humorous and charming manner. It just never felt malicious to me (there was too much love/affection in Chengyin's eyes and mannerisms -he acted more like a spoilt child) as the drama made it so blantantly obvious that every cruel act's a show that I was thoroughly entertained and enjoyed all of their bickering. Lol, I found it as endearing as Chengyin did. He's literally engaging in foreplay with the heroine even in their public fights and whenever he gets mad for real, it's always due to his petty jealousy. Lol, this guy becomes wary of every male Xiaofeng has a good relationship with. It's like he wants to be the only recipient of her smiles and laughter.
I really felt Chengyin's all-consuming love for Xiaofeng: I actually loved watching their married life because even though he couldn't display his feelings in front of her, he still wore his heart on his sleeve for us viewers. Every one of his supposed "mean" actions toward Xiaofeng was juxtaposed by his pained/regretful reactions when he later talked to his subordinates.
Lol, as a viewer, I actually thought Sese suffered more in the palace than Xiaofeng because of Chengyin's fake love that effectively used her as a meat shield to protect Xiaofeng from the Empress's jealous antics. Many people in the palace were very nice to Xiaofeng as the ML concentrated on surrounding her with trustworthy people.
Unlike some fans, I didn't mind his scenes with Sese as his fake interactions with her made for a brilliant contrast in comparison to his genuine interactions with Xiaofeng. His eyes literally light up whenever he sees her, even when Sese's around -his eyes are always kind of dead when he's spending time with Sese. In my opinion, Sese's presence in this drama highlights Chengyin's deep love for Xiaofeng even more.
He always acts so distantly polite whenever he interacts with Sese and it just gets worse as he finds it harder to rein in his passion for Xiaofeng. Towards the end, he looks like a zombie and is struggling to even maintain decent courtesy whenever he bothers to see her. I found it hilariously entertaining and can't understand the fans who think his scenes with Sese were too lovey-dovey. His affections were so obviously (his mask was always on and I felt no affection) fake and it only served its intended effect, which was to keep the Empress off of Xiaofeng.
I love Chengyin and find him to be one of the most fascinating and compelling protagonists I've ever seen. I've always loved more villainous MLs and Chengyin is a poster child for that trope. I live for drama characters like him. Honestly, the only thing Chengyin did wrong was to both fall in love and covet the key pawn in his plans. His unwavering love for Xiao Feng is both his curse and salvation.
My heart bleeds for both Xiaofeng and Chengyin as she can never be with him with her memories intact and he can never stop himself from chasing after her because she's his only hope of happiness, the light to yank him back from the darkness. Only when Chengyin is with Xiaofeng does he let down his guard completely and reveal his true self. I completely understood why he went nuclear and full on yandere when he thought she hated him and loved someone else. He's terrified of losing the one thing he can't live without. It's utterly heartbreaking when what he feared the most inevitably happened and he couldn't even follow after her as he was binded by his promise to her to live on. Even then, he had to delude himself into thinking she faked her death in order to make it through those 30 yrs. His love for Xiaofeng is all-consuming and he will go down as my favorite ML along with Ye Hua from "Ten Miles."
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First off, would I recommend the drama? Yes. Rewatch? Potentially, after some time has passed, though personally I'm not one to rewatch many dramas, no matter how great of an impression it left. Did I like it? Of course, and I was hooked like nothing else mattered, which led me to binge all 61 episodes in less than 4 days.
Now, onto the details:
I watched this series on TV at first, then on Youtube, both of which had no English subtitles. It took me a while to decide to continue watching because the first three episodes start very slow, and they're mostly there to set up the main characters' positions. From what I saw in the comments on every episode, every watcher seemed to greatly dislike the female MC, Xu Bi Cheng, to the point where they blamed her (as a character) for every mishap in the story, or claimed she ruined the drama. I have to admit, I didn't particularly like her either at the beginning, nor in the first twenty or so episodes that followed, because she was pretty clumsy (especially considering her job as an agent) and tended to cause trouble for the other MCs, which wouldn't be so bad if she would actually learn from enduring all the dire consequences that others have to suffer from as a result of her own recklessness and selfishness. Throughout the drama, she continues to have other clean up her messes and never loses that vexing everyone-will-take-care-of-me perception - until one certain event becomes her turning point. Thus, this is a bit of a let-down as she IS the female MC so we automatically set up high expectations for her performance and role from the beginning; however, it could also be down to the actress selection, since Zhou Dong Yu, though feminine and petite and perhaps fitting a Shanghainese beauty ideal in that period, has an expression that makes her look 10 years younger and perpetually petrified like a deer caught in headlights (i.e anything but mature, sophisticated, and steady in mind). But worry not, because in the last arc of the drama where things get to their climax, we do see her finally think more rationally about her actions before carrying them out, and manages to play a part in saving others, including the MC: Chen Shen.
Chen Shen and Xu Bi Cheng's relationship? I liked it. I think it was simple, straightforward, and pure. Considering all the manipulating, strategizing, and assassinating that occurred constantly around them, I think their love was refreshing and heart-warming from when it started to the end, regardless of how XBC herself was as a character for the most part. With such complicated plots like the one in this drama, the relationship drama should be toned down to keep it balanced, which imo this drama did perfectly well.
Plot twists: this drama was full of them, and while some were fairy predictable from the beginning (like who "Sparrow' really was), many did catch me by surprise, and I thoroughly enjoyed the guessing/watching process. The drama was also never short of touching moments, where some did trigger some tears, especially towards the end, which you'd expect from the overall vibe of the drama and its intro song.
Music was used beautifully at just the right moments, and the quality of filming is definitely not to be worried about.
The antagonists were truly masterpieces of the drama, for it was a struggle between hating/wanting them dead and loving/wanting them to survive with the MCs the whole way. The relationship between the MC Chen Shen and his closest friend Bi Zhong Liang was unique among all the MC-Antagonist relations I've come across in the dramas I've watched. Just this focal relationship alone should make many people want to watch this drama.
Finally, the ending. The ending is always a huge deciding factor as to whether or not a drama will become a favourite, or an absolutely terrible experience you wish you hadn't set foot upon: because what happens in the end can either ruin everything that has happened till then, or make it all worthwhile. For dramas like these, set in the revolutionary period of Shanghai, I always feel dread towards the end because tragedies have become so common, even as a plot twist in happy-go-lucky dramas, never mind in such a suspenseful, intense drama like this one. I can say that the ending was fitting and well-rounded, and I am satisfied, though I won't say it wasn't bittersweet or that it didn't leave a slight pang in my heart, which was to be expected from the beginning.
A masterful piece that is worth your time; even if suspense/mystery isn't your usual genre, please give it a try.
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If you are looking for a simple love story or a plain science fiction, this one is not for you. This is like a brain game. Every single detail shouldn't be missed, well, of course, there are some scenes and dialogues that are so cheezy and quite long, but that's the downside of the story.
The writer was not able to justify bringing the two lovers in one world, but that's the exact reality of what might happen if there is really a parallel world. I love the story.
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Fluff, fluffier, fluffiest! !
This was just a huge dose of fluff and is probably the sweetest fluffiest drama out there at the moment, Everybody is just so cute, not only as characters, but together too. The story is both interesting, sweet and of course not completely without drama, but even the drama is cute and resolved in a sweet manner making your (my) heart flutter over and over again of ooooh that is just so cute!While many other shows may have some unnecessary drama that may frustrate you, the drama here is different, it shows some struggles (without letting it take over the cute), some well known prejudice one may face or be afraid to face, but that too is handled really well.
The grownups here do not make me want to scream, or ashamed of being part of the grown up community. There is actually a teacher who is shown to be kind, supportive and honest, who knew that was possible?
The mother here is just soooo sweet, I just wanted to hug her!
The different types of friends here are also, yes you guessed it, Sweet, supportive, super cute!
Even the love triangle (yes real triangle) is just sweet and cutely done....
To top it off we get a bickering couple, and adorable dog, a lovely visit of the see thru umbrella and opposites attract...
Yes even the misunderstandings in this are.... CUTE...
Did I mention it is cute? So for you in need of a shot of some highly bingeable cuteness and fluff, this is it!
A small warning: I will however just mention that I was a bit bothered by the leads way of over acting with big comedic gestures that I normally hate, but they grew on me and I ended up finding it, yes you probably guessed it: CUTE
Also this probably is the drama, with the highest ratio smiles per minute I have ever seen...
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Good Morning Call - Nossos Dias no Campus
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I really enjoyed this, I hope you do to.
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Boy was I wrong.
The teasers all showed sport and excitement. Could the final product live up to that hype?
The good:
The actors are amazing! The sportsmanship, the comradery, the brothership all felt through their performances!
The stunts were totally believable! Sports can be dangerous, but these actors were actually in the action!
The action! Wow! From the opening scene there never was a slow moment!
The epic:
That soundtrack! Those emotional songs! Perfection!
The characters! Well rounded as 8 episodes can make them! They did not feel flat! Just the amount of background to set up their issues! Even the background characters become part of the team, they don't feel like fillers.
The story! Wow! Clearly set-up, well executed. Never left the audience wanting!
The creative use of the camera to create tension, slow motion, zooms! Superb! The director (can't remember his name) has produced amazing work in the past and it shows here!
All in all an amazing story, if short. Takes Thai Drama to another level and in another direction! Great start to the rest of Project S!
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1Hope is not a strategy.
The Hope is the Chinese adaptation of a Japanese manga Dragon Zakura about an unconventional teacher who takes on a class of underachieving students. While I haven't watched the Japanese television version, this Chinese adaptation has clearly been heavily localized even though it retains a manga-like flavor in certain characterizations and comedic sequences. This drama critically examines the Chinese education system and its strong emphasis on the all-important Gāokǎo/高考 nationwide college entrance exam which takes 9 hours over two or three days. In a nation of largely single-child families, nothing is more important than getting their only child into the college of their dreams. With over 10mm taking the Gāokǎo each year, the competition is intense. Even though the pass rate is very high (85-90 percent), a minimum score of 600 (out of 750) is needed to gain acceptance to the most elite universities. Less than 7pct of students are accepted at these top universities and the acceptance rate at Qingbei (Tsinghua University and Peking University) where the crème de la crème matriculate is less than 0.1pct.After a series of entrepreneurial setbacks, star lecturer Lei Ming returns to teaching. He teams up with Sang Xia, a psychology teacher on an experimental program to turn around students that are not living up to their potential. His handpicks five students for his experimental Class 11; an orphan Li Ran, a math whizz Cheng Yushan, an aspiring rapper Jiang Qinglang, gossip girl Bian Xiaoxiao and the browbeaten Yu Yang. With Gāokǎo just a year away, his lofty boast of getting all five of them into Qingbei is widely ridiculed. His biggest skeptics are the students themselves and Sang Xia. His methods though unconventional are hardly trailblazing; much of it involves tried and tested methods used by successful students including time management, minimising distractions, identifying focus areas and being tactical about selecting courses. The drama makes it clear that hope is not a strategy and that while there are smarter, better ways to study, there is just no way around putting in the hours.
This is an exceptional drama that makes a poignant and compassionate case for students who have fallen behind. It exposes how they are failed by an indifferent sink or swim kind of education system. Each of the young actors does a fantastic job portraying their hardships, self-doubt and how they discover their best selves in their struggle against overwhelming odds. I don't have a favorite among them because they all have their own special talents, their own crosses to bear and blossom in their own ways as they learn to take ownership over their own destines rather than just being victims of circumstances they can only change at the margin. Lei Ming and Sang Xia are like fairy god parents who can help but can't make their lives perfect. Rather, they impart upon them the invaluable gift of learning how to cope and the ability to feel compassion for others. This is seen in how the understanding they show poor little rich boy Shen Yao and Lei Ming himself when he lets them down. In saving them, in many ways Lei Ming saves himself.
As for Zhang Ruoyun, he once again shows his uncanny ability to pick fantastic scripts. As always, he leaves so much runway for his young co-stars to shine and lets this story really be about them without defaulting into simply being a plot device. Because his Lei Ming is far from perfect; he is cynical and beneath his confident facade, deeply damaged by his resentment of his father, the great teacher Lei. In helping Class 11 in their struggles with Gāokǎo and their personal devils, he gains perspective on his own journey many years ago and gains some understanding of his father. My heart was in my throat watching Zhang Ruoyun portraying this role so movingly in light of his own difficult relationship with his father. Probably largely due to Zhang Ruoyun's powerful charisma, I found Sang Xia's constant baiting and argumentativeness to be pompous and super annoying initially. But she grew on me and I came to appreciate how their relationship actually thrives on calling each other out and challenging each other to do better.
This drama for all intents and purposes ends at episode 29 and it is fine to just stop there. The episode 30 "twelve years later" epilogue replaces the young actors with older vague lookalikes. That broke my connection with the young actors that I grew to love so much. I didn't mind the sober tone of the epilogue. It delivers the right message that there are no absolutes in life; that even Qingbei is no guarantee that all's well that ends well. The biggest lesson learned, the one that stands the test of time beyond all the academics is about coping with life's ups and downs. And they are still young enough that the whole world still lies ahead of them so their journey continues. My biggest issue with it is I had hoped for better for Lei Ming. But I guess that is what makes this drama so special; this ability of to be so incredibly inspiring yet so unbearably realistic at the same time. If you wish to skip the realism, then call it a day at episode 29. It still falls short of a fairytale but at least there is an abundance of hope.
This is a highly recommended and very memorable watch that I enthusiastically rate 8.5/10.0.
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