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Freedom is the oxygen of the soul
Not me has to be one of the best Thai BLs I’ve ever watched. I’ve seen the praise for it for months, so I came in with high expectations and I can tell you I was NOT disappointed.STORY/PLOT : 7.5/10
The premise of this show was interesting from start to end, you could really tell the writers/directors put a lot of thought and purpose into it. The balance between action, mystery, social commentary, and romance was handled well for the most part and you don’t see that in a lot of BLs. The only gripe I have with this would be the pacing and a few plot holes. The first few episodes were pretty slow and more than once it felt a little too convoluted, but after I’d say, episode 6 or so, the pace really picked up and things definitely got a lot more interesting. Also, the ending.. I was happy with it because who doesn’t like a hopeful ending? But it was bit too quick or..easy for me, I guess. It really just left things to be desired.
CHARACTERS: 9.5/10
Each character was charming in their own way. I don’t think there was a character on screen that I wasn’t completely engaged in. Really liked how the female characters had goals and passions and were just overall PEOPLE and not one dimensional objects to help push the m/m romance along. Not only romance, but the friendships in this show were so refreshing, I will always love a good found family trope. Some characters weren’t as developed as I’d liked by the end, but I’d blame that on just not having enough time to flesh everyone out.
ROMANCE: 10/10
Sean and White’s build up to romance was refreshingly gradual and very cute to see. Seeing a couple just exist unapologetically queer, clear consent, and healthily developed was such a breath of fresh air and I loved every second of it. My favorite couple of this series though, has to go to Yok and Dan. The scene where they first arrived at Dan’s hide out and Yok was sketching him honestly made me tear up a little and solidified their chemistry and romance for me. The inevitable betrayal hurt so good and the forgiveness in the end, a promise to help pick up the pieces lost and hopefully build them back stronger, was beautiful to watch.
ACTING/CAST: 10/10
Gun (White/Black) has done it again. Absolutely phenomenal acting especially with such a difficult task of playing 2 different characters. The way you could clearly see the contrast between White and Black just goes to show how much work and effort he put into this role. I loved Off (Sean) in this role, I’m telling you, it felt like it came so naturally to him. Every facial expression and longing glance, you could tell he really embodied this character. First (Yok), Mond (Gram), Papang (Gumpa), and Fluke (Dan), all deserve their flowers too, not one character felt one dimensional or awkward, they all each had their own personality, faults, and goals, and it was really great to see.
MUSIC: 10/10
Loved it. Music can make or break a scene and ruin immersion but the way this team utilized it had me hooked and really did add to the tone of the episodes. Also appreciated the fact that they didn’t use any comedic sound effects in this show, definitely helped with the mature angle they went for.
PRODUCTION/CINEMATOGRAPHY: 10/10
Holy. Shit. I can say this with 100% certainty, I have never seen a BL look this good. I don’t know how many times I was just staring at my screen in awe, replaying a scene over and over because of how damn good it looked. Everything from the camera work, to the locations, to the clothing, to the lighting had a purpose to help tell this story and god damn did it work. The details they put into this production was absolutely jaw dropping.
OVERALL/TLDR: 9.5/10
This show is more than a BL. It’s a story of pain, heartbreak, social justice, corruption, but most of all hope. I will never stop recommending this. The shots were breathtaking, the characters felt real, the story was engaging, and it definitely surpassed any expectations I had going into it! ♡
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so bad its good until it becomes just bad
i was mostly watching this for the trainwreck and i didnt really expect any good resolutions but i was still floored by how bad it ended up being. the first half is at least some kind of messy fun, but the further it goes, the more wattpad-y the writing got... none of the characters are worth rooting for, none of the stories are worth seeing to the end, although i suppose it ends exactly like you would expect it to from such a middling show. it really feels like fanfiction that has weird things happen every chapter that gets updated weekly to keep the readers clicking and reading lmao. first's acting carries and bostonnick had some fun moments for a while, but eventually even that can't carry the show anymore. still i hope first gets some actual good script one day i will be tuning inEsta resenha foi útil para você?
Acting/Cast: No complains about the acting. Everyone in this drama are experienced actors and actresses. A pity that the storyline flopped half way through.
Music: Literally the saving grace of this drama. I absolutely looooove the OSTs, especially Olivia Ong's "Unchangeable". Looking forward to her new album with the OST in it!!
Rewatch value: Not worth rewatching. Seriously.
Overall: Watch if you ran out of drama to watch but do not expect much despite the great start to the drama. Lots of nice memorable scenes in the drama with the wonderful OSTs playing BUT that's just all it is - great looks, OSTs, classic romantic scenes (eg: kissing in the rain, unveiling of the bride etc). The drama simply lacked substance from the storyline point of view. Absolute disappointment... but at least, we leave with a great set of OSTs.
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Don't judge by the comments
i know many people are hating it by calling it pedo shit and creepy or whateven. but if u open ur eyes properly, u can see it clearly,the ml never approached the fl before she got under the disguise of guyu. . in comparison to most other cdramas, their relationship is much more mature and not even a bit toxic. he respected her boundaries throughout the whole time. moreover in those times, it was no big deal to marry anyone as long as they are not blood related, leave apart the age difference. moreover there are a hell lot of cdramas about romanticising adopted siblings romance.overall i am loving this series. the chemistry is no joke. people who are here to hate, didn't u all see the trailer? it was very clear over there that this is not some daily topic. why bother to see if u want to spread blind hate?
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I was reminded of Dr. Who when I watched this but the world created is nowhere as exquisite as in Dr. Who. The accepted lore surrounding time travel and space/time stories don't bother this story, it does its own thing. Sounds like you should not watch ---- but as much as all of this is true, I felt that this show delivered a romance that made it worth a few hours of my time.
Story:
I gave the story a 9 because of its bones. It is not fleshed out well, but there is enough for someone to pick up and let your imagination take you the rest of the way.
The high production value does enough to keep you in the world of the drama even when the story lines when off the rails sometimes.
There is a theme of love across almost impossible boundaries like that which can be found in Crash Landing On You.
I don't mind cheesy romances... I can discount the plot holes and live for the moments where the leading man is dressed in his military dress uniform and stand stately and claim his woman.
Acting/Cast:
Lets just say Woo Do Hwan 10/10 ….
I don't favour Lee Minho's acting but he suited this character and did a credible job of creating the mood of the romance. A cool, smitten, dominant male lead. It isn't a swoony romance and it is not about the female lead. Lee Minho carried the romance for me but it might be because I like a strong male lead. This role seems to be suited for his type of acting. The charisma of a King or a knight in shining armour on a white horse. There were enough times he got to say lines that cheesy romance novels stereo typically write for a King.
The rest of the cast, considering everyone had to play dual roles, I found extremely engaging. The storyline failed a couple of the characters in later episodes.
Music:
10/10 and really, all I need to say is that there is this song: https://www.youtube.com/watch?v=apNWEcuBboI
Rewatch:
I don’t think I would rewatch this without a lot of fast forwarding.
Overall:
You can break a piece of art down into the different lines and colours but until you stand back and look at it as a whole, you don’t really see any substance or merit. This show is like that to me. There is so much I can say that could have been done better. Yet, I feel I could replay some of the moments and get the “feels” all over again. Watching it left me feeling good. If that is all it provides in the world as it is today, then this drama was worth it.
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If you are reading, it means you're hesitant: please don't be. Don Quixote is a fantastic watch, wonderfully acted, well directed, full of sweetness and serious issues treated with a light touch which is neither shallow nor melodramatic.
But most of all, you will laugh. A lot. Loud.
Yes, I'm a fan of Matsuda Shota and started watching because of him. I had been waiting for his next drama with a passion after Liar Game and prepared myself to be swept away by his very natural charm - and looks, I won't deny it.
He did not disappoint me one bit. He's outstanding: infuriating but incredibly sweet, hilarious but bossy, dense but clever in a very down-to-earth way and just as crazy as the famous hero created by the pen of Cervantes.
But a Don Quixote review would be incomplete and totally unfair without including Sancho Panza in it, brilliantly portrayed here by Katsumi Takahashi. As the synopsis explains, there's a soul switch involved in this drama, so that we see the two actors suddenly changing attitude, accent, facial expressions. The attentive viewer won't fail to recognize the ability of these two actors to wear the clothes of the other. The result is comic and endearing. Takahashi and Matsuda form an unforgettable duo.
All the secondary characters do a splendid job. The Yakuza's family is so improbable you can't help but laugh out loud and all the staff of the child consultation centre grows in depth and characterization.
And then there's the children. Japanese have a true knack of telling children stories, in my opinion. The fact that these kids are all incredibly cute and most of the time talented helps.
I loved the music too. It's in Spanish, as required by the title, and the contrast between the Spanish sunny rhythm and the Japanese architecture and landscapes is so sharp it's brilliant. I also loved the open credit tune with the children drawings, I thought it was a very cute touch.
I will rewatch this drama. Soon enough. I will marathon a second time through it and no doubt be left with the same huge grin on my face.
Highly recommended.
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Drama Special Series Season 1: Dream of 400 Years
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Another good thing about this drama is the flashbacks. This is one of the few times I've felt flashbacks are completely necessary and actually helped in the storytelling. I believe they were employed well, and even though they were used a few times, I didn't feel they were abused and that every single one of them achieved its purpose.
The acting was good and the two main leads were more than just good.I thought they portrayed their characters very well. The music helped convey the emotions of those characters too. The only thing that wasn't good were some rather strange/fake effects, but those are not used a lot.
I have to mention another thing which is not really important, but this is possibly the only drama where I have to bow to the stylists. I loved the costumes, both the modern time clothes and the ones in the historical time.
I will very likely be re-watching it soon since it's only two episodes and it doesn't drag.
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Mr. Nietzsche in the Convenience Store
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This bizarre yet smart, over the top yet minimalist comedy has achieved what very few dramas can, it's cast enjoyed the show more than the audience and one can easily tell. There are scenes with the Konbini manager where the rest of the cast literally fights to hold off their laughter; oh how I wish I could watch the behind the scene footage (speakng of that, if anyone has any clue where to, pm me onegaishimasu!).
I didn't know any of the cast beforehand and that's sad, because I can never take them seriously ever. If you have nothing better to do (Heck! If you had, would you be wasting time here reading this?!), go watch this drama and remember,
'God is dead (Kamisama......shinda),
- Nii kun
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don't cry, craft
i'm not sure how to correctly describe this drama or if there is a right way to perfectly capture words that sums up this drama because there isn't...this drama almost feels like a kaleidoscopic view from a newborn witnessing different walks of life and circumstances. in other words, the different stories of the deceased and main characters geu ru, jeongu and songu... they all remind the viewers of what it's like to be human in an almost raw way (even taking in real life events).
one thing i can say is this almost felt impossible to binge because of the emotional impact most of the stories had on me. perhaps the situations the characters had are so similar to real life that it ignites heavy emotions. if anything, i'd crown this as the biggest tear jerker this year so far.
overall, this drama paints different stories and portrays various point of views and delivers great emotions. this drama's title should probably be changed into "move to tears" because *sobs*
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Cutest, well executed BL I've ever watched (genuinely)
I can honestly say that this story is absolutely adorable, I almost couldn't handle the feels. Also, it is a healthy relationship but still realistic to the characters age - they make small mistakes and learn. But still, very positive and seriously cute omgggg.Despite seeming cold, Takara kun was just breathing love for Amagi kun, his love was deep and passionate, yet he was (mostly gentle). And Amagi kun had such a pure and deep love for Takara kun. So heartwarming.
All the actors did such a wonderful job.
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Story: It's similar to another drama, but I won't tell what the name of that drama is because you either know already & seen it or not seen it or have heard of it but want to watch that drama too. But I can tell you it's a little more darker & the writers make the plot their own later down the line. The plot was entertaining from beginning to end!
Acting/Cast: Ji Sung was awesome in this drama! Hwang Jung Eum was amazing as well. I didn't watch a lot of their dramas, but I was so surprised by their acting here. They have amazing chemistry! Bae Soo Bin was amazing in his role as the villian! I hated his character more here than in 49 Days(I won't spoil his character for you if you want to watch that drama yourself). I love the side characters(the main guy's secretary(guy) & the main girl's friends) so much!
Music: It was very beautiful especially "Tears Stole my Heart" by Alee & "Incurable Disease" by Navi ft. Kabee.
Rewatch value: I won't watch this often becuase I cried so much in this drama. But I would we watch this for the side characters & the character development from each character
Overall I give this a ten because this was a lovely drama.
It's for people who love melodrama, romance, comedy(believe me, there are some there) & love character development(there is a lot). It also for people who are fans of the main actors/actress(Ji Sung, Hwang Jung Eum, Bae Soo Bin & Lee Da Hee or other actors/actress).
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A Fleeting Tale Of Young Love Underneath The Cherry Blossoms…
There’s a particular Japanese idiom which comes to mind when talking about the concept of ‘ Yoshihiro Fukagawa’s ‘Love like the Falling Petals’ and that is simply “ Mono No Aware” (“物の哀れ”)- “ The pathos of things, the sensitivity of things which are transient”. At the root core of this idiomatic expression comes to mind with the imagery of fleeting beauty, and none so more than the blossoming and ephemeral period of the Sakura ( cherry blossom) during spring in Japan. Indeed, the symbolic imagery of the Sakura blossom in ‘Love like the Falling Petals ‘ is supposed to represent the beating heart of the narrative. Melancholic and bittersweet in parts, ‘ Love Like the Falling Petals’ is a film which while helping to capture the unpredictable transience of the seasons and young love, could often feel just as fleeting as the cherry blossom.
The film is based upon Uyama Keisuke’s novel "My Lover, Like Cherry Blossoms" (“桜のような僕の恋人”). Adapted to the silver screen by screenwriters Tomoko Yoshida (‘The Liar and His Lover’, ‘Blue Spring Ride’ and ‘Gakkou no Kaidan’) and Uyama Keisuke (‘Switch Girl!!’, ‘Nobunaga Concerto’ and ‘Tonight, At Romance Theater’), the narrative predominantly focuses upon main male lead Haruto Asakura ( Nakajima Kento- ‘Koishite Akuma’, ‘Bad Boys J’ and ‘Nisekoi’). An aspiring photographer with low self-esteem, Haruto falls head over heels in love during a fateful encounter with bubbly hair stylist Ariake Misaki(Honoka Matsumoto- ‘Mio On the Shore’, ‘My Name Is Yours’ and ‘Byoshitsu de Nembutsu o Tonaenaide Kudasai’).
However just as Haruto starts to gain confidence in order to pursue his lifelong ambitions in order to become a photographer, Misaki begins to develop a rare disease that causes her to age rapidly before the falling of next spring’s cherry blossom.
As mentioned previously, ‘Love like the Falling Petals’ attempted to offer its audience with a somewhat sombre reflection of the futility of contingency as well as young love. The initial tone set for the movie is established as somewhat bubbly and sprightly rom-com . ( As established with Haruto and Misaki’s unconventional ‘’meet cute’’ after Misaki accidentally cuts Haruto’s ear with a pair of scissors.)
However as the plot begins to be set in motion with Misaki’s evident dilemma, ‘Love like the Falling Petals’ turns into a sentimental sob story, occasionally dipping into a melodramatic tone also. In addition to our main leads there is also a subplot revolving around Misaki’s brother, Ariake Takashi (Nagayama Kento- ‘Puzzle’, ‘Crows Explode’ and ‘Toge: The Last Samurai’) and his fiancée Yoshino Ayano ( Sakurai Yuki-‘ Love Craft Girl’, ‘A Crimson Star’ and ‘The Night Beyond The Tricornered Window’) attempting to take on the financial burden of Misaki’s circumstances.
Nevertheless despite the attempts for the series to lament over the sorrows of time and existence, the narrative for ‘Love like the Falling Petals’ could often feel discombobulated with its messaging. Of course, while the movie did possess an intrinsic message and an arguable social critique surrounding the financial and emotional burdens of the elderly in Japanese society, these messages could often feel as though they were only approached on a surface-level. This was mainly due to the fact that ‘Love like the Falling Petals’ would often only brief skim over details in a bombastic manner (such as the limited screen time given to the subplot revolving around Misaki’s brother), rarely delving deeper in order to avoid offence.
Kento Nakajima starred as main lead Haruto by adding a reserved yet somewhat blatant charm to his onscreen persona. Co-starring alongside Nakajima was Honoka Matsumoto as Ariake Misaki. Despite Matsumoto’s brilliance as an actress, her performance as Misaki could feel somewhat overblown at times with overexaggerated line deliverances and reactions. Nevertheless, Matsumoto did help to add a tethered charm to Misaki in later scenes of the movie as she falls deeper into a cycle of senescence.
Nakajima and Matsumoto’s onscreen chemistry is decent enough. Matsumoto and Nakajima’s onscreen interactions could feel somewhat childish and stilted at times in the opening of the movie. However by the second-half of ‘Love Like the Falling Petals’, the main leads’ onscreen chemistry turns angst-ridden and woeful, adding a bittersweet as well as an overemotional tone by the ending of the film.
The trajectory of ‘Love Like the Falling Petals’ can arguably be divided into two parts. In the first-half of the film, the narrative takes a lively and pacy approach to Haruto and Misaki’s coup de foudre, while the second-half downplayed events in order to focus on a more serious matter of Haruto and Misaki’s attempting to overcome complicated relationship and problems.
Admittedly this did provide to be a double-edged sword for ‘Love Like the Falling Petals’; the first-half allowing opportunities for viewers to understand the liveliness of Haruto and Misaki’s early courtship, while helping to present the climatic problems of the final part. On the other hand rather than allowing opportunities to delve further into the emotional edge of the characters or their personal backgrounds, Misaki and Haruto’s depth as characters could feel somewhat limited. For example this was particularly shown through the problem of Haruto. His precise reasons for becoming a photographer were limited and unexplored, while the emotional toil for Misaki and her illness were often enforced rather than explored subtly.
In addition to the pacing of the film, it is important to acknowledge the talents of the directing under the leadership of Yoshihiro Fukagawa. Slick and glossy, Fukagawa’s filming encapsulated an onslaught of aesthetic symbols and scenery. In particular, Fukugawa placed heavy emphasis upon the changing of the seasons from the falling cherry blossoms of spring, to the first snowfall of winter in order to mark the literal and metaphorical cycle of the narrative. On the other hand despite some mesmeric moments of the film, the CGI displayed in the opening as well as long-distance shots at times could feel somewhat sloppy at times.
‘ Love Like the Falling Petals’ is a bittersweet love story about transience and young love. Nevertheless despite the movie’s impressive shots and cast line-up, the narrative could often become just as fleeting as the cherry blossom with limited writing cliches, pacing and execution.
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Different time loop, same heartbreak
This movie is a sequel in the sense that it uses characters that are already beloved — and for that I did love it. It was beautiful to see Huang Yu Xuan and Li Zi Wei fall in love again, and my heart broke again for the tragedies that they had to go through.This movie is not, however, really a "sequel" in the sense that the story from the drama is continuing; while the drama's occurrences are canon and ARE mentioned, I felt like it was almost negligible — it was treated more like a prologue, which was honestly kind of disappointing for me because I was hoping that the existing story from the drama and its loose ends would be addressed.
Instead, this movie seemed to introduce a whole new plot (a whole new time loop) — which was A LOT. I almost feel like this could've been an entire season 2 and we would've gotten much needed time with the plot and the characters who were now pretty different people from the ones we knew in the original series.
Nevertheless, as someone who absolutely loves the characters I still cried and laughed and felt butterflies along with them, and while the new plot was definitely just as mind-boggling and tear-inducing, there were just questions that I wish were answered, memories I wish were retrieved, and conversations and confrontations I wish they had.
One thing that this movie absolutely did right, however, is give Wang Quan Sheng his deserved backstory and screentime. WQS was a character that was painfully neglected in the drama despite having one of the most impactful stories, and he never had his story told until now. It was heart-wrenching and possibly one of my favorite parts of the entire film.
All-in-all, this movie just isn't what I expected and I wanted a teensy bit more from it. And yet...yes, I still cried throughout the entire thing. Yes, my brain hurts like hell trying to figure the timeline out. Yes, you should watch it.
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A (very) funny and exciting journey into Dong Jae's story
I simply loved it, from beginning to end!Dong Jae is the kind of character that captured our hearts; it's impossible to hate him, and that's how he went from a supporting character in "Stranger" to the main character in this spin-off.
If you liked "Stranger" and plan to watch this drama, keep one thing in mind: the style is completely different. THIS IS NOT "Stranger" season 3, nor is it intended to be; is's a spin-off from a very different character. Here, the cases are neither important nor mysterious, and everything revolves around the discussion that the name of the drama itself brings up: is Dong Jae, after all, good or bad?
The drama was much lighter to watch than "Stranger", and has many comedic elements; even though I'm not a big fan of comedies and prefer thriller dramas, I still loved it and had a lot of fun with Dong Jae's adventures - his inner monologues are the best!
And here comes the spoiler:
******
I loved the ending!!
I would have been a little disappointed if Dong Jae had left the Prosecutor's Office and become a lawyer, which I thought might happen after SDJ and KWC met.
However, the ending surprised me positively: Dong Jae was finally punished for his actions. Although I would still like to see him as a prosecutor, the idea of a "team" of corrupt people to hunt down more corrupt people was simply brilliant. And it's SDJ's chance to redeem himself for his mistakes from the past.
I would love a sequel (whether it's a 2nd season of SDJ or a 3rd of "Stranger"), and the ending left the stage ready for that.
About the cast:
Lee Jun Hyuk is simply perfect as Seo Dong Jae, once again.
And I loved the characters of Jung Woon Sun and Baek Sun Ho.
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