Like a mucus bath.
Don't be fooled by this drama's engaging start - a hint of intrigue, the promise of adventure, a powerful secret weapon, political conspiracies aplenty and a heart stopping romance between a intrepid princess and a valiant guard. After about a dozen thrilling episodes this drama turns so icky that it feels like a mucus bath.Instead of the incomprehensible Rebirth For You, this drama's real title should be The Story of Miaorong. Because over 30 super long episodes (50+ minutes), practically all of the screen time is hijacked by the deranged machinations of the female and male love rejects' pathetic, slimy and absurd schemes. Every time you are about to jump ship out of frustration, they will throw some sugar at you with some sweet scenes between Bao Ning and Li Qian but make no mistake, the very boring actress that plays Miaorong gets MOST of the screentime. The final insult to the injury is this smart couple becomes stupid and their devotion and absolute faith in each other devolves into angsty and immature misunderstandings toward the end. The promising plot threads and interesting antagonists are left largely under exploited while the writers strive to bore us to death with every silly, malicious cat fight and scorned lover trope ever conceived of. This is a total waste of both Ju Jingyi and Zeng Shunxi's acting talent and is little more than a shameless exercise in letting second rate actors get too much exposure.
If you are die hard fans, watch about the first twelve episodes and the last one or two. All the rest can be skipped but my overall recommendation is to save some brain cells and not watch this at all. This is my shortest review ever to avoid wasting any more time on this abomination. Rating 3.5/10.0.
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*BEST OF 2020* *JUST GIVE IT A TRY*
*IT JUST ENDED* T_T T_T T_TThis drama shows a side of Life which we don't see much on TV, the struggle of life.
I think there will be at least one character to which you will feel relatable...
*ASIDE FROM*: usual Action, Thriller, Rom-Com drama
THIS is a lot different and Great Show
~IN MY OPINION "THE BEST FAMILY SHOW I HAVE EVER SEEN."
~All the different characters and their issues and how each of their issues are solved throughout the drama is so satisfying, I Haven't seen it in a long time...
~ It Helps u gain confidence in your-self and convey advice about growing up, a life of adulthood, psychological issues, what life is in Reality...
YOU CRY even if you don't want too
YOU LAUGH even IF you don't want too
that's just how lighthearted this drama is...
~GONNA MISS IT BADLY how I Bought IQIYI VIP PASS for it and how I used to wait daily for the episodes air... T_T T_T
~I felt so relatable to Ling Xiao and Qi Ming Yue.....
~The Bond of the sibling shown is so Touching.
~A person like Li Ba should exist in our life as well
Father so supportive
Caring neighbor
Loving Friend
~Its been So long since I have watched such a heartwarming drama
~A Drama which made me cry so hard AT ITS LAST EPISODE Tear OF Happiness... TvT
~this drama contains so many feelings...
hats off to the writer who wrote such a beautiful story and so many touching dialogues.
~I hope whoever reads this Review will Watches this Drama
~*JUST WATCH* it till EP3 and if you liked it, then continue after EP3
~I PROMISE YOU, YOU WON'T REGRET IT ;)
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A little too much chemistry and a little too much of my obsession towards this!!
Set against the backdrop of racecars, winding racetracks, and high-stakes competitions, this series gripped me from the first rev of the engine. I personally liked this premises and the way it's presented, even the whole Alpha X Alpha set up. The drama cranked up quite a bit in the later half of the series plus the stakes were really high and I won't say everything was executed perfectly but regardless I enjoyed watching this. I ain't an avid Omegaverse reader and I don't even know if this can be called Omegaverse but trust me even if you don't know a thing about Omegaverse you can just dive in, it's still interesting because even I just know a thing or two about it.Starting with Babe, I absolutely love him. Pavel nailed his role as Babe. Whether he's delivering a cutting remark or revealing a softer side, Pavel keeps you invested in Babe's journey. Babe is savage but the good kind of savage- if you know what I mean. He seems cold and rude but that's not all there is to him. There's a depth to his character and he is really charismatic. He is impulsive and he's been manipulated his whole life which describes why he can't trust other easily and he is one hell of a jealous type.
Then, we have Charlie, his cuteness blinds me. He is so freaking cute and it makes me want to protect him but then again it seemed like he had a hidden motive and I was scared. I was torn between wanting to trust Charlie and the nagging fear of a potential betrayal. Pooh did a really great job in portraying Charlie. And every time he was treated wrong I felt so freaking bad. I really really love him.
And then there's the chemistry between Charlie and Babe, which is nothing short of electric. They are all over each other. Their chemistry is seriously insane and what makes it more intriguing is their contrast personalities. I absolutely love them. Their papa mama talks were so cliche but damn they are absolutely adorable.
Then we have Alan, the garage and Hunter X owner, I like him so much especially his scenes with Jeff. Jeff is a cold on the outside but soft in the inside kind of genius kid and I absolutely adore his bond with Charlie. Also him and Alan are seriously adorable. Their interactions, subtle moves and glances towards each other, damn I love how their story was portrayed. I loved Charlie and Babe but I was dying to see Alan Jeff's scenes. They had really captured my mind as well as heart. From their very first scene, I found myself rooting for them and I was the happiest seeing their scenes.
Moving on to Way, he is Babe's best friend but he is in love with Babe and Babe doesn't know. All he is ever thinking is about Babe Babe and Babe. He might come off as nosy and sometimes annoying too but no doubt he is a good friend and I just wanted him to move on. I was genuinely rooting for Way and Pete and- urghh I don't want to spoil this. Watch it yourself to know. Also, North and Sonic, they are those likeable support leads who no one can hate and they are best friends but their equation didn't seem like that of just friends. I enjoyed their bond and them too.
A little bumpy ride but I would definitely recommend this!!!
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I dare to say this drama is perfect. And I was stupid enough to almost not watch it. The hype was just too strong and so off putting. WARNING: this is NOT a review for someone who has not seen the show. I just need to express all my thoughts somewhere.
So… Are you bored and tired of the “I’m not gay, I only like you” plot lines in BLs? How much do you wish some shows would address the hardship of coming out? The fear and confusion related to it? How much do you wish to see a well written, heartbreaking conflict that is not based on poorly written and ridiculous random jealousy? How much do you wish to see well written supporting female characters, whose whole arc is not just “I ship two cute boys together”? You get all of that and more in Like in the Movies.
The story revolves around the exploration of sexuality and identity. What makes us who we are? How much should we compromise between who we are, want to be and who others want us to be? How to react when you are both pulled back in line and pushed out of it by people you love and care about? How to make a relationship work when one person has already finished the race, but the other is not even on the track yet? Each character represents a different story, different perspective and different point of view. Their actions might make us angry, sad, heartbroken, happy or annoyed, but we see the reasoning behind what they do. We might disagree, but we understand. And this just proves how good of a writing quality Like in the Movies presents. There are no silly villains, nor over the top crazy exes or evil parents. There are just people. Real people with flaws, fears, hopes and dreams.
“Don’t be scared of the word. You can say it. I don’t mind”.
Vlad was an emotional fluff that spoke the truth and gave everyone some real lessons. I cried because of the words he had spoken. He showed how much being an educator can accomplish. Knowing Karl has no bad intentions, he was willing to explain everything to him, was patient, but firm about his views. As someone who would rather sit down and explain things over getting defensive and offended myself, I truly appreciated and loved that about Vlad. Of course, it was not his responsibility to guide Karl, but his understanding approach just impressed me. Communication is the key, not only in romantic relationships, but also any type of social interactions. He didn’t play mind games, spoke what he thought and felt and it was up to others to accept it or not.
His story is also truly heartbreaking. It shows how stigma and homophobia in a society can shape the way we see and interpret situations, especially at a young age. In the past, he associated every negative and bad action of people around him as a result of him being gay, even if it was not true. But the truth is often meaningless. It’s the perception that matters. It’s the perception that guides your thoughts and feelings. And, like in Vlad's case, it takes years to look at the situation from a different perspective. If society did not present being gay as something bad, Vlad would never assume his dad left because of that. He would never assume his mom was against his relationship because she did not want her son to be gay.
Vlad represents someone who fully accepted himself. Who is proud about his identity and does not want to hide it. Who, after facing so much hurt and struggle, does not waver. Who wants to proudly give and receive love. Who just wants to be happy.
“I don’t know if I’m like you. I don’t even know who I am”
Karl never had a chance to explore who he was. He lived for his brother. He lived as his brother. Getting away from the expectations put on him by his family, allowed him to slowly learn about himself. And it was scary. It was unfamiliar. It felt great when he didn’t think about it, but you cannot shut the thoughts out for eternity. You need to face them one day, but if that day comes too fast, if you are not ready… that can break you. Or push you even more into a corner. And that’s what happened with Karl. External circumstances forced him to face it when he was not ready, when he felt emotionally confused and vulnerable.
He was brave enough to tell his parents about his dream, about the goal of switching majors, about his will to chase his dreams. It was a tough decision to make and required a lot of strength. The aftermath of his decision was still unknown to him, and yet others expected him to do it again. To face the expectations of his parents. To rebuild the identity he had so far, to completely reevaluate how he thought about himself. No time to think, no time to accept, just expected to act accordingly. But he deserved that time. He deserved a minute to explore and get accustomed to who he was. Coming out should have been his decision, that he made on his own terms, in the time that he felt comfortable with.
“But I just don’t know how to get to you (...). I’m still navigating through this.”
Judit represents what happens when driven by guilt, you go from one extreme to the other. She is clearly close to being paranoid and definitely overprotective over Vlad. Taking into consideration the pain she caused him in the past with the words she said, now she does everything she can to save Vlad from disappointment and heartbreak. And she definitely crosses the line doing so.
She acts as a fake ally persona, which is closer to fujoshi. Not knowing the full story and observing her behavior in the first two episodes, one could assume she is another crazy female character without depth who just ships all the guys that are in close proximity (flashbacks to Zol and her “shipping my brother and writing stories about it” behavior). But then, with episode six we get a complete shift of the perspective and actual explanation for her action.
While I still didn’t like her overpowering and overbearing presence, I understood where it came from. As Judit said: she is still navigating through it. It’s obvious her and Vlad never seriously talked about the situation, the past and how to move forward. During that episode she faced her mistakes for the first time, she apologized for the first time. Before that she did what she thought was correct, not what actually would be helpful. As always kids, communication is the key. But even after that confrontation, she still does not completely change her ways. And it’s frustrating, but also realistic. You cannot just change who you were for years after one honest conversation. It takes time, it takes others pointing out your mistakes countless times. Talking with Vlad was a great start. But it was just a start. All the hard work is still ahead of her.
“I don’t want to blame her one day for all the time that I have lost for myself”.
One could say that statement and Anna “running away” from her child is selfish, but it’s the opposite of that. She is not giving up on her kid, but she is not willing to give up on herself too. She is a mother, a great one, who raised her child alone for years, but she is also just Anna, a woman that needs time for herself. Need time to chase her dream, to live and have fun. How could she make her child happy and encourage her to work hard if she gave up on herself? Words are not enough, you need to be a true model for your child. And that’s what she is doing. Feelings are not something we can control. She can love her child with all her heart, but still have these small “what ifs” creeping and poisoning the relationship and bond they have. What if I didn't have her? Where would I be? Who would I be? Would I be happier? Would I be more successful? What would my life look like? The thoughts that we have no control over. So yes, Anna is a badass person and an amazing mother. Even though she is just a supporting character, she also tells an important story that brings more value to the series itself.
Moving away from the characters, I have to admit something: this show slapped me across my dumbass face quite a few times and I’m glad it did. I like to think I’m not one to judge and jump to conclusions (especially negative ones) quickly, and this drama showed me I’m not quite there yet.
It started with the opening scene and my “glorious” thought “wow… way to start a BL with a cliche of 2 pretty guys dancing in random pretty location”. Boy, I was wrong, and when we finally got to see the full scene in episode five, I just felt stupid. It was not “just cliche”, it had powerful messages and quite an impact. “Maybe that’s why it’s such a big deal to me because it’s just a small thing and I still got deprived of it” is quite honestly one of my favorite lines, one of the most impactful, and one that represents well how twisted and wrong the world is.
Another moment that hit me hard was the Judit and Vlad’s conversation I already mentioned. I truly thought she was just hyped fujoshi and there is nothing more to it. And yet again, I have been wrong and I felt stupid for jumping to a conclusion when nothing was even presented to me to validate my position. Don’t know if these two moments say more about me or the BLs as part of the entertainment industry. I was fed poorly written female characters and cliche plot lines for so long, sometimes it’s hard to have higher expectations.
Another thing I loved about Like In The Movies: it had big brain energy. It has been just clever and not a second of screen time was wasted. All the small interactions and details were meaningful and I’m legit too dumb to even notice them all. I just loved how scenes, interactions, small behaviors connected and were explained at different parts of the story. Vlad not liking people touching his hair? Far more than “just because he doesn’t like it”. Small details like that, turned out to have so much emotions and depth for them. Vlad finishing a scary story with the “corpse in the closet” idea, and then he finds a photo of Karl’s brother in the closet, thinking it’s Karl. Truly big brain energy. There were many moments when I went ”damn… that’s why they showed it a few episodes ago”. Everything connects and everything has a meaning and I’m about to cry from happiness overwhelmed by this perfection.
Now, let’s talk about music. I am not an ost person. Unless the soundtrack is truly outstanding or truly bad, I don’t pay that much attention to it. Here we have the case of “truly outstanding”. Each song was beautiful. They were perfectly fitting for the moments and scenes they were playing for. The lyrics were just the cherry on top of this beautiful cake that brought me to tears. This is ALSO the case of big brain energy.
You know what else is big brain energy? The credit scenes! I’m amazed. Truly. You can tell how much care and thought was put into this show when they decided to even use the credits as a way to convey the message, describe the relationship and its progression. As I said, not a second was wasted. There were no fillers. No line wasted. Everything was crafted perfectly to give us this masterpiece, with quotes at the end of the episodes being the dot at the end of the sentence. Tying it all together, leaving us hopeful, emotional and grateful.
Though this will never be seen by anyone involved in the production, I just want to say thank you from the bottom of my heart. This was an amazing, emotional and engaging journey that will stay with me forever. I cared for the characters deeply, as if they were truly my friends. I cried, laughed and screamed with anger. Thank you for making me this emotional mess.
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Li Chengyin is the character I’ve always wanted to see. He is a complex character living in a treacherous world. He has to use his cunning every single moment of every single day just to stay alive. Every mistake that made him appear soft brought danger to his doorstep, so can you blame him for the person he’s become? He’s so clever in the face of his enemies, but that becomes his downfall in the face of love. You love him and then you hate him and then you love him all over again.
Qu Xiaofeng is such a charming girl. She defies norms in costume/historical dramas wherein she IS the politically-favored wife, she doesn’t have to fight her way to the top of the harem, she has almost no trouble getting along with anyone in the palace, yet she’s put in this lonely predicament because of the narrative Li Chengyin fabricates in his best attempt to protect her. He tries so hard to protect her from everyone that he forgets to protect her from himself. The thing is— she doesn’t need to be sheltered; she’s brave, upstanding and receptive. His attempts to preserve her innocent spirit pushes them further away from each other.
While Chengyin lives in a world of darkness dealing with the demons surrounding them, Xiaofeng is the brightest light, his polar opposite. And that’s why they seem to never agree on anything. In another lifetime, their love could have been a romantic comedy; if he were just a regular tea merchant, they would have lived every single day together, trifling and loving. Their chemistry is undeniable. On top of that, the performance by Chen Xingxu and Peng Xiaoran breathes life into the characters from the novel. They convincingly portrayed every sweet moment and every heartbreak. I still feel strong sorrow for these characters as if they’re actual people I know.
The costumes and cinematography in the drama are so lovely, the characters are charming, the dubbing is really well done, the OST is unforgettable, and above all, the story is beautiful. This drama exceeded all of my expectations. If you’re interested in a tale that dares to straddle the line between love and hate and still manages to make it work, I implore you to give this drama a chance.
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A highbrow production with broad appeal.
The Longest Day in Chang'an is an immersive, visually stunning, culturally authentic and thrilling journey back over 1000 years in time to Lantern Festival in Chang'an at the peak of the Tang Dynasty. This is a highbrow and very demanding drama that is immensely enjoyable even if taken simply at face value. The viewer gets to decide how much they wish to invest in it. The production basks in rich historical and cultural detail that marvels over the intellectual, political, legal, administrative, military, cultural and scientific sophistication of Chang'an and the Tang Dynasty more broadly. The faithfulness to historical accuracy and strong edu-drama aspect to this show has history buffs raving with ecstasy. As a layman, the finer nuances would be lost on me were it not for the many knowledgeable insights on this and other sites. That doesn't appeal to everyone and some have remarked on the frequent historical and cultural digressions that interrupt the story-line. My simple take is that "smart fillers" are better than the nonsensical fillers that other dramas spam us with.The absolutely stunning cinematography is the first and most consistent impression throughout - every frame is beautifully angled to create a visual, vibrant feast for the eyes. Even flames from explosions burst in an artistic pattern of controlled natural assymetry. The production is not shy about indulging in artistic license and is littered with lithe and gorgeously willowy Tang ladies with only one small section acknowledging more ingrained images of the classical, prosperously rotund Tang lady. A number of Chinese manhua worthy characters are almost casually dropped in among the otherwise characteristically Tang dynasty cast including Djimon Hounson's Gao Le, the menacing African slave-trader and lord of Changán's underworld; a deadly female assassin who is fanatically devoted to her radical master; and a wildly improbable Western Persian Prince priest with impressive kung fu and building leaping skills. At the end of the day, this is very much a work of fiction and suspension of disbelief will be required as the lead characters achieve superhuman physical feats and survive certain death. All of which make for gripping, visually compelling and heart stopping action scenes.
The drama is not an easy, light watch. The first season (24 episodes) opens with the intense urgency of a fast moving, action packed thriller as the two leads Zhang Xiaojing (Lei Jia Yun) and Li Bi's (Jackson Yi) race against time to foil a terrorist plot during the Lantern Festival. The constraint of the 24 hour timeline forces the narrative to alternate between the high speed chase, political machinations around a power struggle and flashbacks that set up the backstory; all threads which converge in the unraveling of the conspiracy. The many plot twists interact with an extensive cast of complex characters from various factions with unclear and/or malleable loyalties in the power struggle between Li Bi's patron the Crown Prince and his powerful rival the Right Chancellor. In short, there is already a lot to take in so the occasional non sequitur cultural or historical digression can come off as one thing too many.
It took me a long time to care for any of the main characters in this show. Even relatively "good" characters are flawed, primarily driven by self interests and had questionable loyalties and morals. It wasn't obvious that Li Bi' s cause, the Crown Prince was more worthy than the Right Chancellor. Zhao Xiaojing's dealings with Gao Le alienated me; especially when it appeared his real motive was to protect the reckless and misguided Wen Ran. That episode and short lived character stayed with me for a long time because it is the first of many times that bad things happen to good people. And that is how good people can end up doing bad things. Thus there are no outright good or bad characters in this show, they are all products of events beyond their control. Time and again the drama explores how circumstances can push any character to act against his innate nature and self interest. It is a very realistic portrayal of the complexity of human nature's capacity for both good and evil and was acted out compellingly by a truly superb cast. I started to understand the true spirit of the drama when the plight of the common man of the Peacekeeper Corps moved the phlegmatic Li Bi to tears and made him their reckless champion. The real "heroes" in this drama are the common people; that is why it intentionally neglects the main characters and does not attempt to make you root for them and does not care if they have a happy ending. It celebrates the hardships and unrecognized capabilities of the nameless, faceless, powerless, voiceless man - from the forgotten soldier that gives his life for king and country to the ordinary citizens of Chang'an. It wants you to see them, hear them and care about them.
Season 2 (episodes 25-48) was much more enjoyable for me as the intensity of the chase abates and the narrative focus really zeroes in on the power struggle and the unvieling of the conspiracy and ulitmate mastermind. Finally the lead characters are also allowed to shine and shine they did. Zhao Yi Wei's Long Bo was the most provocative and masterfully portrayed character in the drama. As his path converges with that of Zhao Xiaojing, we see the many parallels between the one who seeks vengence and the one who fights to keep dreams alive.
I was surprised by how much I fun I had unraveling the conspiracy. It was very well done and largely kept to the unspoken bargain of hiding enough clues in plain sight that I was able to figure much of it out on my own. The motives of the ultimate mastermind were not convincing. While I had my eye on him as a suspicous character early on, I assumed he was just a link in the chain but not "the guy". It was a stretch that was probably one plot twist too many. One of the other suspects may have been a more credible choice.
Of course it is a foregone conclusion that the emperor was the ultimate villian. While the power dynamics between a manipulative and insecure emperor and his most trusted advisor and his heir has been done before, it was still extremely very well done here. I was completely satisfied when the son takes a leaf out of his father's book in the ultimate act of emotional manipulation. Checkmate. This was the most satisfaction I got from the ending. The bigger question of whether good things happen to good people is left open.
This is definitely the most epic, most idealistic, substantive and thought provoking drama of 2019. Its biggest flaw is that it is overly ambitious and tries to take on too many themes. That it came together so well is a feat in and of itself but as a result, it was not always easy to watch and certainly not something I wanted to dive right into after a hard day at the office. That said, I truly believe it is a must watch and may even be more enjoyable if taken more simplistically just for its stunning aesthetics, intrigue and action.
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Anyone who knows me, knows that I am particularly hard rater. (I have only ever given one perfect 10 out of over 150 dramas watched). However, this ALMOST made my second, as this drama was utter perfection until almost the very end. Dark, mature, suspenseful. This drama had me on the edge of my seat each episode and desperately awaiting each week’s new chapters. Besides the ending, I LOVED everything about the show: the acting, cinematography, soundtrack, writing, and wardrobe. Everything contributed to an amazing story that was unlike anything I’ve ever seen!!
In this drama, Kim Nam Joo blew me away!! She was unbelievable. However, I must say, EVERY SINGLE person in the cast did a fantastic job. This drama had characters that were so layered and complex, that could tell a story based solely on their eyes and facial expressions. There are so many aspects that I loved about this drama and its characters, as flawed as many of them were. One of the best things about this show, was that it was riveting from episode 1 to episode 16, no filler episodes, and filled with intelligent writing with twists and intrigue throughout. Its only downfall was the finale where it floundered what could have been an epic ending. It is not that it is unhappy or happy and I disliked their choice. Instead it was lacking, weak, and inconclusive.
Originally, I did not start this drama until episode 6 or 7 had already been aired, as I had doubts about whether this drama was for me. I love romantic comedies and have never heard of the leads. However, I am so glad that I tried it because it has now in my top 3 dramas of all time. DO NOT LET THE GENRE OR CAST SCARE YOU OFF--or the ending!!! This drama is definitely worth watching. Highly recommend. :)
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Please forgive me if this review's going to be a little unconventional, I'm in no mood for serious considerations on a drama that doesn't take itself too seriously. The followings are random conversations between me and my watching partner, aka my husband (H). Try to imagine us as the two old men at the end of The Muppet Show.H: Why the heck is he (Seung Gi) pining for that almost sister of his when he can have the prettier and much nicer one (Suzy)?
Me: He thinks she's a boy.
H: Rrrrrright. And the winner of Genius of the Year is…
[Kang Chi finds out Yeo Wol's a girl in a slightly unorthodox way]
H: Ok, I take back everything I've said before: the guy IS a genius!!!!
°°°°°°°°°°°°°
[scene: Kang Chi and Yeo Wol are staring into each other's eyes]
H: Whoa, he's finally going to kiss the girl
Me: Hmm, I wouldn't be that optimistic.
H: Trust me, he has that glint in his eyes. He's going to kiss her, I tell you!
Music: "Saranghaee, saranghaeeeeeeeeee, SARANGHAEEEEEEEEEEEEEEEEE…"
[more staring followed by sudden wrist grabbing]
H: Finally…
[off they go eating]
*collective and colourful grunts from the audience*
Me: He clearly hasn't taken after his father
H: Yeah, daddy knew his business. Save the girl, hide the girl, kiss the girl, ta-da… a BABY!
°°°°°°°°°°°°°
[the monk urges Kang Chi to flee for the nth time]
Me: Is that monk ever going to give a valuable advice? Nobody listens to him anyway.
H: Ikr? That monk is as useful as a concrete parachute (he used a different simile, but it can't be repeated here)
°°°°°°°°°°°°°
H: His eyes turned green! What do you think, is he going to morph into Perry Parky now?
Me: Sure, Perry Park would bomb them all, but if you want him to kiss the girl, Shin Se Gi's definitely the one to morph into.
H: Shin Se Gi had red eyes and eyeliner.
Me: True. Like daddy gumiho, now that I think of it.
H: Daddy again. Are we sure Kang Chi's not the monk's child?
(references to Kill Me, Heal Me are sort of involuntary. I hereby decline every responsibility)
°°°°°°°°°°°°°
Me: What do you think is that Gu Book about?
H: A kissing manual?
Me: A recipe for Kimchi, more likely.
"Saranghaee, saranghaeeeeeeeeee, SARANGHAEEEEEEEEEEEEEEEEE…"
°°°°°°°°°°°°
[Kang Chi, his face half covered with a scarf, is surrounded by his comrades, all demanding to know who he is]
Me: Are we the only ones who would recognize him from a 10-km distance? I mean, the clothes, the hairdo, the bracelet…
H: I know. Perhaps they think it's the head Gisaeng incognito. After all, they share 1 neuron among the 20 of them.
°°°°°°°°°°°°°
Me: LOL, now that thug thinks his dongsaeng Kang Chi's gay. A gay gumiho is an interesting take of the trope
H: So he too thinks Yeo Wol is a boy? This drama should be called "The Goofy Family Book"
°°°°°°°°°°°°°
H: Ha, now he's really going to kiss the girl!
Me: You may be right this time. The moment is perfect and the song is clearly suggesting romance.
[7 and a half minutes later, the scene is still frozen like it was 7 and a half minutes before]
Me [making coffee]: Are their heads a little closer now?
H: Hmmm, I'm not sure. 2 cm closer, maybe?
Me: All right, I'm making sandwiches. And please mute that misleading Saranghae song before I explode.
°°°°°°°°°°°
To give this review some semblance of usefulness, let me conclude by saying this is a highly entertaining drama, with a good, rounded-up plot, lots of fun – although laughter is often involuntarily induced - a Seung Gi who never fails to put me in a good mood by simply existing, a lovable Suzy, a despicable villain with a certain, almost compelling elegance, good romance and a fairy-tale feel that won't let you down. Recommended to everyone looking for a light watch with glints of unexpected depth and an awesome finale . If you have a watching partner to frolic with, so much the better.
P.S. Allow me a tiny spoiler: the kiss does come, after all, much to the joy of the two Muppet Old Men.
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Don’t dread the ending, enjoy the journey!
Princess Agents has most definitely been my favorite drama of 2017. I have been waiting for a long time to write this review and many a times I almost gave into the urge to gush about it to everyone but unlike some impatient little boogers, I decided to wait for the drama to completely air first. I'm glad I did.Even though, Princess Agent's story remained interesting from start to finish, it was the cast and characters that were the essence of the show.
Everyone who knows me, knows that I for one have a lot of love for my lady badasses and Chu Qiao was the definition of a badass. She was brilliant, witty, an excellent fighter, loyal to the bone and fully determined in her beliefs. Nobody could boss her around and she always stuck to what she thought was right. Watching Zhao Zanilia on-screen has always been a pleasure. She's such a versatile actress and her effortless elegance along with her sincere charisma never fails to make her acting seem extremely natural. I loved Chu Qiao so much and her fighting scenes always blessed me with these unexpected bursts of adrenaline rush that left me jumping around in excitement.
One thing I absolutely hate in Chinese dramas are the robotic and emotionless male leads that are perfect in every way and while, YuWen Yue started off as being cold and aloof, he soon began to win hearts with his unadulterated devotion towards our girl. He's someone who's not afraid to express his honest feelings and show his vulnerable side and that is what made him so endearing. Lin Geng Xin put out the acting of his life and was able to easily deliver YWY's innermost emotions without having to do much. The chemistry between Chu Qiao and YWY was simply electric.
Princess Agents was Kung Fu made sexy and these two characters communicated their every feeling with it. Every time these two were in a room together the temperature rose a few considerable degrees until everything felt hotter and a lot more sensual.
However, even though I was wholeheartedly rooting for YuWen Yue, my love for Yan Xun wasn't insignificant in any way. Dou Shawn brought to life, with his stunning acting, an unforgettable character. His transition from a reckless, know-no-better, kind-hearted prince to a cruel and blinded by vengeance duke was heart breaking. No matter what he did, it was so hard to truly hate Yan Xun because he was a man shaped by the scars of his life; someone slowly losing grasp of the humanity that defined him and it was all just such a shame. With his sharp eyes and an even sharper jawline Yan Xun slayed the hearts of the viewers without even trying.
Normally, I despise love triangles. Primarily because I'm almost always more inclined towards one of the male leads and then all the romantic scenes with the other just piss me off. However, deciding between Yan Xun and Yuwen Yue was such a hard thing to do because they were both fully committed towards their love for Chu Qiao. Whenever my heart was cheering one of them on, there came fluttering a scene with the other man that melted by insides. Chu Qiao had significant history and a strong bond with both of them and by the end of the show, I was almost praying for YX to mess up in some way so she could go to YWY.
Another actress whose work needs to be commended is Li Qin. She played the role of the extremely annoying, holier than thou, too stupid to live princess and played it in such a way that she was still tolerable till the end. Chun'er, time and time again made me want to bang my head with the wall. Not only was she extremely naive and selfish, she always ended up making a tragedy out of herself. She had everybody bend over backwards to save her worthless ass from her own mistakes and then she chose to blame others for her failures. All of her schemes always failed and it ended in her being utterly humiliated. So it was only because of the brilliant acting that by the end of the show the watchers still harbored some sympathy for her. Li Qin is undeniably talented and her portrayal of some scenes often left me open mouthed.
Backed by stunning visuals, a hauntingly good soundtrack and a gripping plot-line, Princess Agents was a treat throughout. It had me waking up at 7 am every morning because I wanted to see the new episode as soon as the subs were released. It had me watching entire episodes in raw form just because I was too impatient to know what happened next and it had me wishing away my weekends because I had no episode to look forward to then.
All in all, this review clearly shows how much I loved this drama so you must be wondering why then, did I not give it a solid 10? That is where we address the elephant in the room. Up until most of the show, I was willing to give it a 10 without a second thought and then came the outrageous ending.
The drama ends with the worst cliff hanger in Asian Drama history with absolutely nothing resolved. It's like the thing that you've been looking forward to throughout 67 episodes finally appears and when everything is at its peak, the show ends and your celebratory moment is snatched away from you. However, it would've been all okay if a second season with the same cast had been confirmed. Then this horribly disappointing finale would've been converted to a powerful episode that filled one with anticipation for the next season but that is not the case. The news for the second season is muddy at best and there's a high chance that the actors for the show will be changed out.
That is what makes millions of viewers so angry and devastated because this seems like a huge injustice. A disrespect to the drama, the actors who worked their ass off and the viewers who had been wholly attached to the story. What we wanted was closure but instead it was like we were handed the short end of the stick. The last few episodes were filled with unnecessary filler trash and the writers cramped everything into the finale, shoved all of it under a rug and dusted their hands with it.
This is the reason why this show could have been something phenomenal but ended up having its head cut off due to poorly planned decisions made on the behalf of the Princess Agent's team. Just like in the show the foul actions of an insecure King ruined the lives of many, the reckless actions of the drama creators eradicated many hopes.
I myself felt betrayed. The ending was like a personal offense and all the hours invested into the drama suddenly felt wasted. In that moment I wanted to give it a 4/10 rating out of rage, which is why I completely understand the low reviews and the hate comments. Once you see the ending, slowly you start to judge the entire show and downplay everything about it. All the things that seemed so great before, start to leave a sour taste in the mouth. However while I understand it, doesn't mean I would do the same myself because even if I had known beforehand the way it was going to end, I would have still chosen to watch the show. Because upon further thinking I realized that for me being on this journey with these amazing characters and creating a bond with all of them, alone was a great experience and discrediting the whole show just because of the ending seemed unfair.
So if you're considering watching it, don't dread the result rather enjoy the process.
Good Luck!
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Apesar dele ser paranoico, eu o amo
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I briefly considered giving this a 10 (like another review for this drama) simply because I just could not believe that the writer would, with their hand over their heart, believe this steaming pile of dog shit masquerading as a script could actually be halfway-decent enough to be shown to the world. But that would mean the rating for this drama would increase, which would be false advertising. So hence, here is my very honest and slightly disgruntled review (after all, I wasted a good day watching all 10 episodes. A day I will never get back.)
This show is low budget, but that's okay. Low budget shows can also be great (read: Go Princess Go) or at the very least, watchable (read: Master Devil Do Not Kiss Me). Here, on the other hand, it was like the producers didn't even have enough to hire actors. Hell, my aunt who stays at home and reads to her 12 cats can probably act better. For example, when the male lead was talking about his 'Paranoid Personality Disorder' (does this even exist?), he put on this facial expression that really, really wanted to be tortured, but sort of fell in the ballpark of constipated. I think that if the producers spent less on all the fancy sets and locations, they could've afforded some decent actors, but hey, who cares about actors anyway.
I still can't believe this story is what it is. It gives me hope that if crap like THIS can get produced, then anything I end up writing will have the producers queuing in front of my house.
It starts off with our bug-eyed, small faced heroine (whose face kinda creeped me out with its very apparent plasticky-ness) being kidnapped and tied to a chair with a cheap-looking alien brain-sucking device on her head- or so you'd think (muwahaha the budget strikes again!) Its actually a lie detector. We see a bunch of science-y looking scientists (because lab coats, duh) ask her where she hid the baby. Female lead gets confused and vehemently denies ever being pregnant. Lie detector says she's lying, and the scientists keep asking her where she hid the baby. The heroine faints. Fast forward a bit, and we see our hero, looking all serious and hero-like while having a face that is 3 shades lighter than his neck (good make up artists cost money). Now, even HE asks her about the baby- his baby, apparently- and absolutely refuses to accept that they never had sex in the first place, because according to him, they both were drunk at a party she was waitressing at when they had it. While a normal person would accept that an ordinary woman would know if she ever pushed out a baby, this guy was somehow convinced that our female lead birthed a human without her knowledge.
Once this idiocy got over, the male lead had no reason to keep her at his mansion, but ya' know, he still did because he is 'ohmagerd obsezzed!!!' The female lead eventually stayed because Stockholm Syndrome.
Okay, I'll stop there. Not only because I was getting more and more annoyed as I typed, but the review was also suffering (if it hasn't already suffered enough.)
Tl;dr- The actors can't act, the writer can't write, the directors can't direct and the producers can't produce.
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I had to think for a couple of days before writing this review because I had to sort out my feelings and thoughts so I could form them into words. Sadly though, mission is not accomplished. No matter how hard I thought about it, it is really hard to put this movie into words. It is a movie that you need to “sense” not “read” about. Thanks to director Lee Yoon-Ki, who is known as an emotional delicate director, the movie had so much charm and beauty added to the already beautiful story.
'One Day' is a healing-fantasy movie about two wounded people, it depicts the story of a man and a spirit with a similar pain and scar who meet each other ‘one day’. One of the reasons I labeled this movie as a new genre is because even though there was no love story going on between the two, the story was very much about ‘love’. It was fascinating to me that loneliness, emptiness, anxiety, and lack of heart of two people could be healed without the ‘I love you, I don’t love you’ format. I can’t even begin to express how captivated I was by the fact that this movie healed wounds without "love" between Kang Soo and Mi So. With all the sorrow in disguise it still managed to be a refreshing new genre.
One of the modest yet profound messages in the movie is when it suggests that a ‘blind’ person should be referred to as ‘blind’ person and not ‘impaired’ (it made a huge difference in Korean language and in my opinion it makes a difference in English as well as my own language).
Kang Soo and Mi So are two people who face each other through their scars and as they get closer, they realize that their wounds are in 'contact'. The best expression I could define them with is, 'window' because they were like a window to each other. On one hand Mi So is Kang Soo’s window to his inner-self and the memories that he locked away after losing his wife. On the other hand, Kang Soo is Mi So’s window to the world.
The story on the surface ‘a living person meeting a spirit’ is not a new material it's been done before countless of times. However, unlike other projects, ‘One Day’ depicts pain and loss in a beautifully healing fantasy. Mi So as a character as her name suggests (her name means ‘smile’), is not just your average spirit, she’s a bright, vivid, warm, sweet and endearing bundle of joy. Watching her smile was all the joy I needed.
The delicate and modest directing of Lee Yoo-Ki takes this fantasy and naturally applies it in our reality without risking the material becoming overwhelming.
Two of the most remarkable points in 'One Day' are Kim Nam Gil and Chun Woo Hee’s golden performance (calling it 'golden' is an understatement). KNG’s charismatic act through his deep expressive eyes even with scenes featuring no dialogues at all has once again swept me off my feet. He embodied Kang Soo and captured every bits and pieces of his pain and sorrow. KNG’s delicate display of Kang Soo’s emotion was top class graceful performance. However, this movie’s heartthrob I shall say is Chun Woo Hee. It is hard enough to play a blind character, but to also have to play a spirit, who on the other hand can actually see, is a challenge on its own. I don’t know how I will adjust to the fact that she’s not Mi So and she’ll be playing other characters in the future but I do very much look forward to her future projects.
Music:
Wonderful instruments combined with exquisite sceneries that had me taking deep breathe several times as I feast my eyes. This is the first time I’m actually happy with the music section in a movie.
Overall:
I’m a person who enjoys dramas a lot more than I do with movies, simply because movies have different format and the fact that they end so quickly doesn’t allow me to connect emotionally as well as I do mentally. Thus, it’s really hard to find a movie that not only do I NOT want to ever finish, but also makes me feel as if I’ve entered a different world. ‘One Day’ is that kind of movie to me, a movie that I never thought I’d come to meet. I went to watch it as a huge KNG’s fan and came out with a movie that I can finally label as an absolute favorite of mine. ‘One Day’ is definitely not a movie for everyone, but it’s a movie that will have you sensing all shades and colors of emotions.'One Day' is a beautiful, fresh, artistic, delicate, ‘feel good’ (despite the sadness) and enriched with classic vibes movie. It has ‘rightfully’ stole my heart. Finally I have met my 10/10 movie.
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Esta resenha pode conter spoilers
Upon further reflection...
When I finished this, I was satisfied. Just satisfied. It was alright. The body swap thing wasn't cloying and overbearing, the chemistry was there, even the side characters that had the potential to be annoying were okay. The humour from the villagers was fine, and the 2FL wasn't a challenge.But the more I think about it, and look back, this was actually deeply satisfying in the way the story was told and concluded. Usually, when it comes to the body swap thing, I have very little patience but somehow, the way this was done, I found myself just seamlessly falling into the story with the swaps. I was expecting her being the prince to have a greater impact on the palace because of her medical background, and when that didn't happen, I was a little disappointed, but by the end it made more sense.
When it is revealed in the end that the body swap was a mischievous god attempting to help Yeol fulfill his childhood wish of wanting to save the person who saved him, I felt a sense of completion. It wasn't the underlying theory or shadow hanging over the plot, it was just another quirky reveal. It explained why they swapped without invalidating any of the story that came before.
I was also initially angry that they didn't just execute the bad guy. But when you think about it, neither of the leads ever lept into taking lives. They always believed in the ability of people to change and in the idea that if you give someone a chance to reflect, they'll eventually see the error of their ways. It seems wildly naive, but in today's dire world, I think it's a sentiment that's desperately needed. I have come to appreciate the fact that they stayed true to themselves in the end.
Finally, the end. I was glad that she saved herself and Yeol in the final confrontation, and I was also so happy that they didn't get married while he was the king. His logic made sense and it restored stability to the kingdom while he did what needed to be done until he could hand over. Of course, that means they would've had to wait for years before they could finally be together, but we'll just overlook that part.
Ultimately, I'm not changing my initial rating (8/10), but I'm leaving this review because after sitting with it for a few more hours, I realise I really appreciate this drama for what it is, and I will definitely miss tuning in every week.
P/S: the supporting villagers and 2FL were all very charming and adorable to watch too. 2FL having a mini bi-crashout over the body swaps was so funny! 😂
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A Good RomCom! Watch With An Open Mind!
I don’t understand why everyone seems to hate this show! I found the basis of the plot interesting and the main leads kept me coming back for more. Their dynamic was great and I had a lot of fun watching this show. Very cute and lots of funny moments!It’s also pretty tame for a Thai BL, so maybe some reviewers who found it “boring” were just looking for something a bit more explicit.
To each their own, I do highly recommend this show if you’re looking for a lighter-hearted funny show with a cute main couple who has really good chemistry. I looked more into Joong and Dunk after I finished the show, their chemistry in real-life ABSOLUTELY translates onto the screen.
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The saddest happy story.
This is a very simple, funny, and moving story. Twenty-five-year-old Qi Shuo is utterly devastated when his mother Qi Yue dies at an early age after a difficult life. He travels back in time to change her life. The teenage Qi Yue is just a somewhat lonely, happy-go-lucky young girl with no goals or ambitions. She hilariously accepts that she has an adult son and after some initial reluctance, happily goes along with his machinations without looking too deeply into his assertions. She is that kind of oddly naive, scratch-on-the-surface, go-along-get-along kind of person, which is why her life gets so messed up. Qi Shuo is determined to make her go on to university and marry Lu Xiao, a gifted physics student and more importantly, a good man.The unconventional, comedic, and touching mother-son dynamics between a young man who cajoles, threatens, bullies, badgers and manipulates his teenage mother in line is the best thing about this drama. Qi Yandi and Liu Yitong's heartwarming chemistry and goofy humorous antics as they pursue Lu Xiao had me in stitches. This trio of young main actors really impressed me with their spontaneous and brilliant use of comedy to convey deep emotions. Arguably Lu Xiao is the less interesting role but Wu Difei hits all the right notes with his portrayal of a goofy, romantic and insanely hot nerd. The way his Lu Xiao silently sees everything and steps up to take the baton from Qi Shuo adds a resonating depth to this otherwise archetypal character. Qi Landi also compels as the effervescent Qi Yue who each time lives joyously in the moment, oblivious to any undercurrents until after the point of no return that leaves her shattered. But it is Liu Yitong's stunning portrayal of the quirky, intelligent, diabolical and selfless Qi Shuo, a young man-child that completely floors me. His Qi Shuo is a character that makes me want to laugh as hard as I want to weep. His impish, unadulterated joy as he basks in Qi Yue and Lu Xiao's happiness and affection with the barest sheen of moisture in his eyes is iconic. There is no justice in the drama world if this young actor doesn't go places.
This is a very entertaining and very funny drama that makes it easy for me to forgive its flaws from the choppy editing to some plot holes. It is not perfect and there are some digressions including Qi Shuo's mini romance that are unnecessary. Even though unlike Qi Yue, I could see the inevitable ending speeding toward me like the white truck of doom, I was still shaken. Despite disconnected cuts that suggest the heavy hand of censorship towards the end, the final message remains intact - " The past is already gone, the future is not yet here. There's only one moment for you to live and that is the present moment" - Buddha.
This is far from a perfect drama but it is still a story that will stay with me for a long while. It is quite simply the saddest happy story about the absolute, unconditional love between a child and their parent. I rate this as a very heartwarming and funny 8.0/10.0.
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It’s true that the American version has better visuals because…duh, it was produced four years after Infernal Affairs but the original remains the best. Anyhow, I am not here to compare both versions; let’s talk about this movie.
Infernal Affairs is about the underground world, the triads and the moles. This is probably the best undercover story ever written; the developments created a race against time to reveal the moles within the gang and the police. This is a fast paced rollercoaster ride with many twists and turns that will keep you at the edge of your seat. The suspense element was flawless but the mystery built up was somehow lacking that’s why the storyline didn’t manage to get the perfect score.
Like any other action movie, this one contains violence and brutal killing sometimes but I wouldn’t categorize it as a violent movie. This is basically a thriller-crime mixed up with well-made suspense with the undercover theme as its center.
The acting was quite remarkable, with Tony Leung and Andy Lau as main leads you’re bound to expect something with quality and they surely didn’t disappoint. They were both great in portraying their role and delivering feelings; nothing less from two of the best actors in HKC productions. Other actors like Anthony Wong and Eric Tsang were also quite good and pretty convincing.
This movie’s characterization was the major strength point beside the clever writing of course. I wouldn’t be exaggerating if I say that all characters will be able to to get your full intention whether they were the good guys or the villains. The writers succeeded in creating top-notch characters’ development that will make you relate with each and every one of them.
The music was fitting for a suspense thriller movie; I also liked the “Shi Shey” song that was played in the background, it was really calming.
Watch this if:
-You’re looking for good suspense thriller with unexpected twists and turns.
- You’re fond of undercover themed stories.
- You’re in the mood for good screenwriting and compelling storyline.
- You like Andy Lau, Tony Leung or both them. This shouldn’t be missed for both of their fans.
Do not expect:
-Happy ever after ending.
- Romance.
All in all, this movie is wonderfully made since it can draw you into the world of darkness and make you strongly attached to its characters and events. If you like the genres, I can guarantee that this movie will manage to move you one way or another.
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