My bad. To top it all, I agree with her: this movie is beautiful. I know this is a remake of an older Korean movie with the same title which I haven't seen, but from the start it reminded me a lot of the american/french film "Before Sunrise", with the two leads carving out for themselves a tiny bubble in space and time, far from their present lives and the world outside.
The difference - a notable one for me - is that while in Before Sunrise the two protagonists talk a lot, too much for my taste, here silences are a lot more poignant and meaningful. I am actually glad I watched it raw, to the point I think everybody should do so. To elaborate: most dialogues take place in English, but there are moments when Anna speaks in Chinese and Hoon in Korean. English is their communication tool, but the reason why they understand each other is not a language. Apart from the dance scene mentioned by Violet, I fell in love with another, in which she tells him her story in Chinese and he only comments "bad" or "good", depending on what he feels is her mood. Watching it raw, made me live the entire surreal dialogue as if I were him, not grasping one word, but trying to understand what she conveyed with her posture and eyes.
I also agree about the direction, and I have come up with a sort of theory of my own as to why the colours are so subdued. What we are offered is the world outside the prison as Anna sees it. Since colours only depend on our perception, there isn't much reason for her to paint her life. No wonder she wears make up and happier clothes only for a brief moment: they look fake, in contrast with her mood. The only colourful moments are those in which she imagines.
I guess the choice of Seattle wasn't accidental either: as I recall, it is known as the rainiest city in the States.
The acting is spectacular. Hyun Bin is a gorgeous man, but that's definitely not the point of this movie, where he doesn't have to be good-looking: he has to look vain. And I'm glad it is so, for dwelling on his looks would be an offence to his acting skills.
Wei Tang's performance is outstanding. As I said, she expresses a world via silences.
Beautiful music. I wouldn't have minded a little more of it.
I recommend this movie, but only if you are prepared for its pensive pace and all the untold. Not a fluffy watch by all means, and not for anyone looking for comedy.
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I disagree with all of the above statements. Cha Eun Woo has some serious acting chops. I am not really a critic. Honestly, I usually think everyone is great, but all the negative comments he was getting made me pay extra attention. His character was pretty traditional stoic and standoffish. But I thought he played the part well. He would have these minute facial expressions that showed what he was thinking. And his character grew and progressed as the story went on.
Im Soo Hyang did an awesome job for the part. Because of the plastic surgery she was supposed to look more "mature" than her fellow students, so her age wasn't really a problem. The actress was excellent for the part. I can't imagine anyone else doing such a good job portraying someone who looks beautiful but feels ugly.
As for the rest, haters gonna hate.
This was a lovely show about a girl who was bullied all through her childhood for being "ugly". Before entering college, she gets plastic surgery done on her whole face in hopes that she can have a new life. But it turns out, it takes more than a new face to change your life. She has to learn to love herself and to not judge herself or others based on the way they look.
Most importantly, at least for me, the ending was perfect. It had everything I want in a drama ending. And for me that is pretty rare.
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Moving Forward
To think that it was only in 2020 when (arguably) the first Korean BL Drama was released to now in 2022 when we have Korea's first Gay reality dating show is truly surreal.They managed to make this show comforting but also not shy away from hardships. While watching I was wondering to myself if they were ever going to discuss coming out or the posible consequences of being on the show at all, only to see them dedicate one episode specifically to having everyone share their experiences and feelings on the matter. I felt like the creators of this show genuinely cared about Queer people and sharing their stories.
In Korea, we've gone from merely having some side LGBT+ characters to some dramas centered specifically around them and their romances to actually portraying real Queer people on the screen.
His Man and Merry Queer are important stepping stones, for sure. Let's not just stop here though. Let's keep going!
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1Lukewarm.
Warm on a Cold Night is a fantasy historical investigative drama set in a fictional Qian kingdom. Qian is a rich kingdom that attracts immigration from the neighboring Qi kingdom. The Qian are more cerebral and capable administrators with strong legal frameworks and institutions. The Qi subsist in the cold and harsh Northern climate and are ridden with internal strife. They are more primitive shapeshifters with formidable and fantastical physical powers. A longstanding treaty enables Qi immigrants to better their lives in Qian defending the border and engaging in more physically demanding professions.A young Qian constable Su Jiuér questions a hot-blooded Qi suspect Han Zheng in connection with a serial murder case. She discovers that he has a strange ability to alleviate the incurable cold disease that afflicts her and latches on to him like a lifeline. They work together grudgingly after it turns out that Han Zheng is also after her suspect Mu Yan. They get off to a bickering start but predictably fall for each other as they investigate a series of mysterious cases that stoke tensions between the Qian and the Qi in the Qian capital. They are aided by friends in high places including Jiuér's admirer and budding playwright Prince Wen Jun, his brother Crown Prince Wen Ying, and the gorgeously spectacular Qi general Chi Lan.
The main romance is carried by Li Yitong's and Bi Wenjun's chemistry; their stunning visuals and incredible charisma. These compelling actors are short-changed by two-dimensional and inconsistent character designs and a frustrating script that is lacking in both character and relationship growth. Jiu'er is a smart and logical character, a keenly astute investigator of consequential crimes in Jiuxiao City. Except when she regresses into childhood, talks to herself in a whiny and high-pitched tone, and behaves like a complete nincompoop. I was dumbfounded at this exaggerated and shallow character interpretation. Still, Li Yitong is so innately likable that she successfully pulls off such a difficult character to connect with and invest in. Although Bi Wenjun delivers a more nuanced portrayal, Han Zheng as a character is equally exasperating. All this grumpy 60-year-old Qi shapeshifter seems to do is scowl, get jealous, lose his temper, and become reckless; rinse and repeat. This is a role with the potential to be interesting and multi-faceted but that is never realized. Initially, I was too busy marveling at how he makes a fanny pack and flowery kimono print robes look so hot. As I soak up his bold, expressive eyes, the high-tanned cheekbones, haughty nose, down to... dry, chapped full lips... wait... did they run out of money for lip balm? Ouch - hope they didn't need to do too many retakes of those kiss scenes. Fabulous visuals don't cut it for long - I was quickly left wanting more from these stagnant roles locked in a juvenile romance that moves at a snooze pace.
In sharp contrast are Chi Lan and Wen Ying's much more complex and interesting stories. Both personas were clearly written by a much more sophisticated and mature writer and they anchor the show. Chi Lan is an awesome female role; measured, analytical, poised, and as cool as a cucumber with a barely perceptible air of danger about her. This lady knows when her head is being turned but if it pleases her, she permits it anyway. And you don't want to mess with her because she makes for a deadly adversary on any battlefield. Her interactions with Wen Ying are laced with tension and have real depth and complexity. Wen Ying is her true equal, another fascinating and layered personality who is at the surface cultured and sincere yet incredibly difficult to get to really know. Theirs is the romance I cared about and they are the main reason I did not drop this drama. I would love to see their story continue down the road. He Ruixian proved to be the true star of this show with her incisive portrayal of a remarkable character.
In terms of world-building, this is a wildly imaginative one that is original and different but errs on the side of being overly far-fetched. The world's "rules" are not firmly established and seem to be made up along the way. This is especially true in terms of the many functions and effects of the cyborg like the Qi vitality stone stuck to the chests of these shapeshifters that are wolves until they become apes. The writer also unnecessarily creates insurmountable biological obstacles between the Qi and Qian races just to impress upon us the depth and endurance of the main love story. It smacks of the work of an immature and lazy writer who couldn't be bothered to show us that their love is epic instead of forcing it upon us. What I like best about the world is the Qi's superpowers and how they engage in combat. The fight scene choreography is amazing; energetic, hard-hitting, lethal, and thrilling. I especially enjoyed watching Chi Lan's badass and deadly grace in combat.
As for the mysteries, they run too long and while they are quite interesting, the only memorable one is the painting case. Their strength is not in the plot but in the wonderful job the production does humanizing the victims as people who lived, laughed, loved, and will be missed. They also tie in nicely with the main conspiracy which is well-conceived. While some of the villains are too obvious, the mastermind hides in plain sight and surfaces with a nice twist. Although I suspected them quite early on, the acting was so masterful I doubted myself until the reveal. As for the ending, it was a mixed bag - an epic showdown, a great escape, some noble idiocy, a bizarre reversal, a ruler is anointed and loose ends aplenty. All things considered, this drama is true to its hot and cold theme in leaving me lukewarm. I rate this 8.0/10.0 simply because of the mastermind twist, without which it was a solid 7.5 all the way for me.
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SO SO SO UNDERRATED!!!!!! EXCELLENT ACTING
DON'T TRUST THE RATINGS!!!After so long I've come across such a nice drama, really ♥️ It's so fresh and peaceful and sweet and funny at the same time.
The leads are amazing, the second leads are amazing and the whole group is amazing.
The drama so much reminds me of When I Fly Towards You and Our Secret ♥️♥️
I initially started watching it because of Yu Cheng En as I previously watched him as Demo in Go Go Squid, I was so excited to see him in a lead role!!!! And surprisingly I fell in love with the female lead too ♥️ Even the other lead is amazing ♥️♥️
IT'S A MUST WATCH!!!!! IT LITERALLY DESERVES MUCH MORE RECOGNITION 😭
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This review may contain spoilers
Sizzling Chemistry, Great Comedy---Acting & Plot Sold Separately.
For the first time ever, I'm giving a high score to a show where there was virtually no acting nor real plot. Starting with the pros as usual.Pros: The absolutely sizzling chemistry between the leads for starters. From the the day they meet which is episode one, even if they don't like each other in the slightest, they're drawn to each other. Doesn't hurt that ML does come off as a cross between Elvis and Christian Grey (he cooks, cleans, can speak the language of cacti, can both play and teach golf, is a motorcycle rider/racer, knows various computer programs, is a magician, a gamer, can livestream, sings and plays the piano, plays chess, as well as can fly a helicopter and land in any emergency). The comedy is awesome; it makes you laugh hysterically sometimes at the ridiculous situations both leads find themselves in or put themselves in. The ML started as a bit of a selfish character, in reality he had a great heart all around and was very likable. The FL though stubborn and had nothing in her life save for work, was a sweet and caring woman. ML does chase FL first and that's where the primary comedy comes from, though there's a lot of it before he comes to that realization.
All of the secondary characters and couples have their own stories and they all come in when needed and resolved accordingly. I'm very glad that ML's best friend didn't just disappear because he was in a coma the entire series as often seen with useless characters. He was given etches of improvements and then him being shown awake at a very important time in the series. The OSTs were very on point and appropriate where they were added. Very glad the singular antagonist was dealt with accordingly and that it didn't drag on for eternity considering this was a series with only 24 episodes.
Cons: No plot; this show hinged on the lives of office workers and a romance between a younger man and older woman. There was also a love triangle or quad happening. The acting was subpar at best. ML is an idol with very little acting experience; if he wants to continue in the industry, I hope he gets himself an acting coach and learns how to show emotions not just say the lines. The stone-faced look didn't help the softer scenes or anywhere really; even the two times he really cried just didn't hit the mark, like he was trying too hard. Also not sure what was going on with the fashion on this show; the ML in particular had some avant-garde Project Runway thing going on that more often than not, didn't make any sense for neither him nor his character. Also way too much product placement; KellyOne water was literally everywhere.
LYR or cling wrap chick as I called her had to be the worst thing in this entire series. Though she did slightly evolve towards the end; I still do not understand this need to stick these whiny, annoying, stalkerish second or third female leads into these series, modern or otherwise. Even if she's supposed to be 23, she legit acts like she's a pre-teen. Once she finally got it through her head that GJX was not interested (and it took a few times), she proceeded to latch onto another man like gorilla glue also following him overseas. It's mind boggling that these kinds of characters are used over and over again. Real women do not act like that! There was a necessity to ffw her a few times.
Would I recommend it? I was looking for a rom-com where it was easy on the brain and you could just enjoy. This fit the bill to a T. So if that's what you're looking for as well, this is your show! Grab some popcorn, get ready to laugh a lot, and enjoy the cuter then hell moments especially starting with episode 17. ;)
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So English yet so Korean...
U know that one thing that is different about kdramas that you cannot find in other dramas all around the world. That vibe, feel that is hard to define but it is there. Yes, that is what I find the most in this movie. This movie is so Korean yet so English, one can only understand this after watching it. This masterpiece is unforgettable and has a very realistic ending. The eye contact between the leads is my favorite part of this movie.And of course, this is the best movie of the year...
So don't contemplate whether to watch it or not and just watch it.
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So cute and funny
This drama is a comedy, I don't understand how there are so many people that can't get this and keep complaining about no historical accuracy or that the characters behave in a absurd and unbelievable way for royal standarts. You see, this is a comedy, absurdity is a great part of this genre as well as overacting and misunderstandings. And I loved how the humour was in the whole show, it's very common for cdramas start very humorous and suddenly change its climate and becomes very dramatic. In The Legendary Life of Queen Lau we don't have this, even in dramatic moments there is much comedy, the drama is light and fun from start to end.Even the controversy about the costumes I think are not valid at all because the story takes place in a fictional kingdom, with a lot of anachronical customs and technology, the mix of styles is something that I don't think it cause weirdness.The romance part could have been better, but I don't feel that this would discredit the drama. I'm very used to japanese dramas that have very little to none kisses and skinship, so I didn't found so strange the couple's lack of intimacy. Actually, I found they were very intimate, always hugging, holding hands and showing affection even without kisses. Differently from some I didn't feel that the Emperor was suddenly in love, it was very gradual and we can see his interest in her growing, the dreams and daydreams he have about her are so sweet and funny.
I loved all characters but the Queen is the indeed the owner of the drama! She can be considered ugly but her self esteem and confidence are beyond amazing. I became a Jackie Li fan and already want to see new projects of her.
There are a lot of editing problems and messy plots but this is sooo common in cdramas so I'm already used to it XD
My conclusion:
It is a amazing drama, very light and funny that made feel very happy and smile almost all the time. If you start it having in mind that this is a comedy first, a romance later and palace drama never, if you stop keep searching for logic and understand that the lack of logic is part of the fun, I think you will enjoy as much as I did.
PS: I really hope there will have another season with more antics, craziness and love between the queen and her husband! And who knows, even a child. I would love this so much XD
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MUST WATCH DRAMA
I have watched and i have loved so many cdramas, but this one particularly has a special place in my heart.Every single episode its so unique,and the drama portrays the meaning of the family and friendship in such a good way. There were many episodes that i couldn't hold my tears as I could identify with the characters feelings. This one is definitely on the good acting skills. The cast may be young in age but their acting skills were on point. FL and ML had such a good chemistry that you could feel from the very first moment the strong friendship between them, the same goes for the other characters too. Also, it was very intersting to watch the parents of each child and how they were managing their families differently.I could keep writing about this drama forever, but i will stop and suggest you to watch it right away so you can understand how I feel haha .
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“Why do you Run?”
This drama is about two adults who met in the oddest way, but at the perfect time - one who is an orphan and has been living only for herself, and one who has been living for others to the point that he's left with nothing for himself. And no, they did not need each other nor did they need saving, but they grew as their own person when their worlds collided. This drama follows their journey of self discovery and self love. This drama does not have your usual tropes, angst, and fluff (at least at the beginning- wait for it!), it doesn't have a major conflict, but it just shows the characters' day-to-day lives. It shows a mature and realistic take on relationships. It shows that we are simply the protagonists of our own lives. Moreover, It shows the importance of finding yourself and loving yourself first before you are able to give yourself to others. The cherry on top? Their chemistry. The main leads' chemistry is THROUGH THE ROOF so be prepared to fall in love with them.As the title might suggest - this isn't a sports drama, but a slice-of-life romcom. It's funny, endearing, impactful, and heartwarming. It carries so many life lessons and touches on many sensitive issues like sexuality. As the FL is a movie translator, this also includes a lot of classic movie references/ parodies that enthusiasts may like. It may be slow at the beginning but it's because of the many layers and depth that will be unveiled as the drama progresses. This is also full of parallelism and symbolism that might require reflecting before you fully understand because that's how rich and detailed the writing is. This is a dialogue and character driven drama, which might not be for everyone, but it's as good as it gets. This drama's charms are the raw, rich, refreshing, and excruciatingly honest dialogues, the witty jabs (trust me the humor is very, very well written), and how the story circles back to its title - Run On. Run On, move forward - even if it life gets difficult, you can always slow down, just don't give up. Despite your traumas, life must go on.
This drama is so healthy, real, and good for the soul - no toxic relationships or toxic masculinity. The men: the male lead is a character we haven't seen before - he's odd, awkward, but in every way charming. He is always ready to lend a helping hand to others. He has a hard time communicating and expressing himself but eventually the female lead broke his ice (isn't it fitting that the FL just happened to be literally, a translator?) The 2nd male lead is equally charming, a bit emotional and sensitive, but knows what he wants. He's quite the character. The women? Damn. The women are strong and brilliant. The female lead is the epitome of self love without any selfishness. Despite her tough past, she grew up well. The 2nd female lead is a chaebol (not your ordinary one) - a strong, independent woman, but puts up walls and boundaries. It's beautiful to see all of them grow and come together, with a bit of cute bickering on the side. The characters are very unique - roles/jobs that aren't usually shown in dramas (a translator, retired athlete, movie distributor, artist, and so) so this is quite refreshing. I also loved how all the characters have a relationship with each other (not just the leads) - bromance, sismance, even the male lead and 2nd female lead and vice versa. The friendship that developed among the leads and supporting cast is just phenomenal. The writer also managed to let the 2nd couple shine and not just make them a mere filler even until the last episodes. Even the smallest roles were given recognition. Cannot praise the writer enough for this.
If you are looking for a comforting and healing drama, this is for you. If you are at a bad place or if you are feeling lost, this is for you. Honestly it has been a while since i've been this attached to a drama. I assure that you will fall in love with the characters, the insanely beautiful cinematography, the OST, and the impeccable writing. It is in every way sensible and authentic. It is full of so, so many life lessons if you'll just go beyond the surface.
[Edit after completing] Well, it's still as beautiful as when it started. It's great from start to end, cried a lot in the last episode. The ending has to be the best i've seen in kdramas. I love how everyone was given their own happy endings. I also love how the ending shows that life just goes on for everyone - you don't need a big, grand, happy ending to find meaning in our day to day lives. Again as the title suggests, Run On. Amazing, amazing work by the writer!
It's a long review but in conclusion: YOU NEED TO WATCH THIS NOW!!! This is a rare masterpiece!
My favorite quote: “When you run, you don’t think about what’s behind you. The only thing that matters is what’s right in front of you. Normally, it’s the finish line. But today, it was you.”
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JoongDunk Stole the Spotlight in The Heart Killers
Now that The Heart Killers has ended, I have to admit… I was really only watching for Fadel and Style. Going into this, I already loved both FirstKhao and JoongDunk. FirstKhao has always been one of my absolute favorite pairings, and I’ve enjoyed JoongDunk too, but they weren’t at the top of my list—until now.To be honest, Kant and Bison’s storyline just didn’t pull me in the way I hoped. I still love First and Khao, but their dynamic in this show didn’t hit as hard for me. Meanwhile, JoongDunk completely stole my heart. Their chemistry, their emotional depth, the way their characters just clicked—I was obsessed. They were the highlight of the entire series for me, and now I love them so much more than I did before.
So yeah, The Heart Killers had its moments, but for me? It was the joondunk show all the way.
Looking back, I think one of the reasons JoongDunk didn’t impress me as much in their previous BLs was because the stories didn’t really suit them. It’s not that they were bad, but I feel like those roles didn’t bring out the best in them. But with The Heart Killers, Fadel and Style felt made for them. Their dynamic, the way they balanced each other out—it just worked so well.
As for Dunk’s acting, I actually think he’s good and has improved a lot. Of course, there’s always room for growth, but I honestly don’t get the hate he gets. He has a naturally relaxed face, which can make some expressions harder to convey, but you can tell he’s putting in the effort. And I respect that. Seeing him in this role made me appreciate him even more.
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This review may contain spoilers
I've seen lots of dramas and yet this is my first review. The reason I chose to write it for this drama is because of how great it is. I always anticipated the release of a new episode, and would download it on Netflix to watch offline any chance I got. During long commutes to school or work, even for study "breaks". It's plot and characters are so well developed, that you fall in love with every character, whether they were an officer, citizen, victim, or suspect (trying to keep this review spoiler free). It shows the realities of officers and the daily struggles of both becoming a part of the force and staying in it. It removes the romanticized notion of the job of a cop, as it shows the frustrating and devastating moments as well as the miracles of life. It truly gives you a new perspective of life hence the name of the drama.
This is the only drama I found myself crying right at the beginning of the episodes, and crying nonstop right until the end of every single episode. This drama humbles you in ways you never imagined, and helps the viewer to appreciate the meaning of life. While I gave everything else a score of 10 (5 stars) I gave rematch value a 9.0 because I normally don't rewatch dramas anyways (unless it's little clips of them) but this one I feel I would want to rewatch in the future, but only once I've recovered from seeing it the first time. That being said, I've also never laughed as hard and out loud while watching a drama before.
I want to thank everyone who played a part in the creation of this masterpiece, for I genuinely enjoyed every second of the drama 'Live'.
P.S. While I often find myself watching an action or mystery drama, my preference usually is a good rom com. There is just the right amount of romance in this drama as well to make your heart flutter and your stomach feel butterflies. Of course I had to download the soundtrack because of my babes EXO, but all the songs are really amazing. I hope you enjoy it as much as I did!
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a sweet slice of life
Overall: this was a really enjoyable high school setting BL, but the writers needed to narrow the plot/remove some characters. Watched on Gagaoolala.Content Warnings: grief, hit, parental abuse/slap
What I Liked
- beginning grabbed my attention, and the umbrella with About Youth written on it was an excellent prop
- nice intro/OST and music
- sweet/caring moments
- cameo in episode 2 from MODC actor, Wilson Liu
- balance of lighter moments with heavier moments, felt like a realistic high school romance
- production value
Room For Improvement
- there was just too much plot and characters for the short run time which led to dropped plot threads (like the election), characters who vanished (uncle, that bully) and led to choppiness where a scene would suddenly jump to another scene at an unknown time later
- too many repetitive scenes, 5 accidental fall and catches, 3 teach him scenes, time could have been better spent elsewhere
- there were quite a few characters introduced and I was confused who the two friends were wondering who they should tell when they saw the boyfriend in episode 1
- end of ep 1, I was confused about where that water came from, apparently some people do throw water onto the street (per the comment on this review)
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This review may contain spoilers
Booty Call Appointments
Oh, Mr. Khun Elyes, now talk about a guy you wanna punch under a mistletoe. Yes, this show is not called 'Very Nice Tall Guy My Boss' but damn Susan, did Elyes have to be so good at being a red flag? He got under my skin so much, I'm lowkey having beef with a fictional character. And can someone please slap Pat with a rubber chicken? cuz I'm this close to throwing the holy Bible at his head. Homeboy is so pathetic I can physically see myself losing braincells with every decision he makes.Reasons why this show gave me headache, and yet, cuz I'm nosy and love drama, I kept coming back for more. This is the whole romance plot sums up in one:
Pat: I love you so much Khun Elyes. Do you love me too?
Elyes: *crickets* y'all hear sumthin?
Pat: Well, then you have to leave. I have my dignity.
ME: Dignity? Where? Child where is it?
*Khun Elyes and his long legs leaves*
*Five seconds later*
Elyes: I bought you bird nest soup. I'm gonna take care of you, although you don't need it.
Pat: bird nest soup? You are the best human in the whole wide world. *In-love noises*
Me: Child, that's not bird nest soup, that's literally water with rock salt and some plantain leaves, ask him about the feelings thing.
Pat: I love my water soup. *opens legs*
ME: Ah, there was your dignity... ON THE EFFING FLOOR.
This show lived up to its title. It promised exactly what it said it was gonna give us, a bad boss. What it didn't though, was how my blood pressure was going to hit the roof because of Pat. Homeboy had me fighting to stay sane with every decision he made. Pat was in love with a boss who had a schedule for his booty calls, treated him and his feelings with no care, and still he kept forgiving him, and coming back for more. Pat, son of Adam, please, quit!! He kept threatening to quit every 2-3 business days, then comes running four seconds later.
Like, tell me why you gonna love a guy who makes you drive him to his booty calls, schedule the appointments for his hoes, and knowingly plays with your feelings, and is somehow also still hung up on his ex who cheated on him? No, but Elyes is an asshole with a capital jerk! He's the kind of character you wanna shove down a long cliff, then throw a bulldozer over just to be sure.
Cuz, literally 2 episodes in, and Elyes have:
1) Double booked a booty call. Homeboy has a schedule where he appoints his booty calls!! Nah ah, it could never be me! Come try that in my backyard, child, see what happens ho! I dare you.
2) Made Patt filled in for a date so he could get with another booty call instead. The angry girl threw water on Pat for his troubles, while Elyes was having a good time against some wall.
3) Made Pat buy a birthday gift for his booty call, just to hurt him. He was like, 'you know what he likes, get to it.'
4) Humiliated Pat by letting him serve him and yet another booty call as their waiter.
5) Forbad him from quitting, or being friendly with people he dislikes.
And after all that, all THAT, Pat still loves him with a capital stupid, and let him kiss and bed him. Child of Adam, why? Why yous so stupid?? Pat deserves no right. Do you enjoy getting hurt?? QUIT, child, QUIT! Listen, I love drama, and stupid arse characters with no self respect makes me love myself more, but this was just sad. And the worse part was, Pat knew he didn't deserves how he was being treated, yet he still stayed. And to that I say once again, ON THE FLOOR. At this point, I don't even blame Elyes for how pathetic Pat was, cuz homeboy should have known better, he was literally the one in charge of Elyes' eff-buddy list. Falling in love with a guy who actively hurts you to teach you a lesson cuz he sorts of cares---miss me with that BS!
I still can't get my head around why Pat didn't just quit and save himself the tears. Pat helped Elyes build an empire in five years only to remain an assistant, a booty call, and the designated driver while Elyes is out effing everyone and their mamas. Elyes even made him a stand in for his dates. And he has to wait in the car while he's out ho-ing. Plus, after all that Pat have genuine feelings for Elyes. Like, why? Literally, why you gonna fell for someone who treats you with less respect than dirt? Sure, there was a scene where Pat said he didn't mind the ho-ing and felt nothing about it, but dude, you have a random else photo of your boss and you, with you in the corner in a frame, on your bed-stand, probably taken off the internet. Come on son, have some shame! Self respect Susan, do you have any? Cuz bish, after 5 years together, working so close with him, many late night dinners, if he doesn't know you're allergic to seafood, you should riot.
And the sad truth is, it's not that Elyes didn't see that what he was doing hurt Pat, he did, and even knew when he was mad at him for it. Plus he seemed to like him back, and didn't want him to quit. Then of course he got all jealous and possessive when that random ex-girlfriend showed up. (Sidenote: Literally, are there girls like her who can't take a hint and just disappear?) So yeah, Elyes still liked Pat while hurting him, which was the worse.
Listen, I felt so embarrassed for the villains in this show. No, really, they were pathetic and flat-out cartoonish. Like, that one guy who went to steal whatever from Elyes's computer. Mfker was like grinning, doing whatever with his eyebrows and trying to look very sly, but came off looking constipated. Like dude, give it a rest. And the two big bad villains. HAHAHAH, like, one of them was like:
Villain #2: We need to kill Run cuz his lover is a mafia. Big bad mafia.
Only for the big bad mafia to show up to a kidnap/blackmail with one hand in his pocket and get totally beat up. Then in the end, he was standing there doing some real hard staring and breathing, while Villain #2 fell down like he did something, and my arse was like, my brother, my brother, go find somewhere to sit, you've embarrassed me and your ancestors enough for today. While they were fighting, I was laughing my arse off, all that guns and both weren't smart enough to keep one on them? And in the end one of them pulled out a knife and got shot in the head.
PLOT:
This had an interesting premise, falling for a bad guy who is also your boss. I went in knowing there would be nonsense drama, and that's what I got, so they nailed that part. The execution of the plot however was all over the place. The bad guys were mid, the secondary characters were uninteresting, and the mains kept going in circle with their relationship. Yes, after a while they made Elyes changed his way, and with some backstory, we came to understand why he's the way he was, so it added to his character. Unfortunately, there wasn't so much meat anywhere else to make this go from interesting premise to a very good show.
I'm still wondering what the reason for that random arse time jump after all the close up shots was about. I went from: how many close up of his effing shoes did we need to see, how is the camera work weird and all over the place to, 'a time jump literally after 1 scene is rubbish'. The director and editors might have thought they ate with that, but my arse was staring like... pack it up and bring it back Sharon, you've done nothing impressive enough to time jump.
CHARACTERS:
Though both leads had my head spinning, I enjoyed the drama they brought to the table. Stupid, braincell losing drama, but still drama. As for the acting, it could have used more work to weed out the awkwardness, and whatever Elyes kept doing with his eyebrows. Most of my attention was on the leads, but Run's character also seemed very interesting, though he was as dumb as Pat, falling in love with an abusive cheater. I wished we'd have gotten more depths from the other characters, but even with Pat, he was a nice guy, stupid and a pushover, and that's basically most of what he was. Once in a while he'd get some bold genes but they deflated pretty quickly. I almost reached into the screen to shake him when he couldn't just be straight with the ex-girlfriend. Though in his defence, homegirl just couldn't take a hint.
As mentioned, the story with the business part was uninteresting, and all that bidding stuff went straight over my head, so it didn't make the secondary characters any interesting than they were made to be. Even in the finally whatever problem arose, all we saw were different montages and Pat putting his pen to his chin. I'm sure they solved it, cuz they had wine, so... yaay for them, I guess.
FINALE.
That finale pissed me the eff off. Literally, after all the work they did with Elyes, only to have him cheat one last time. He could easily have told Kim they should just be friends instead of making out with him. And Pat, after... you know what, why bother, homeboy is officially too stupid to insult, so whatever. I stayed in this show for the drama, but damn, did the writers even know what they were doing with the plot? And was I supposed to cheer that Pat and Elyes ended up together? cuz all I did was roll my eyes and laughed at that corny arse candle love scene. Literally, why?
All in all, a typical bl, nothing special, but watchable like most bls, but you gonna need patience for this one. So if you're looking for some dramatic arse show that's probably gonna make you want to reach into the screen and slap yourself a lead, then this show is for you. Grab some popcorn cuz we've got a red flag and a lead who is colorblind by choice, it doesn't get any dramatic than this. I am looking forward to more series with James and Kad in a different drama. Hopefully, something that will keep our interest from start to finish, and with their acting improved.
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1
1Outstanding! A KDrama that somehow satisfyingly feeds the human heart.
The KDrama "Our Blues" unfolds a distinctive magic that gently stretches its silken net around the hearts of the viewers and thus spreads warmth. Big KDrama!Re. musical genre: the blues is a kind of lament, sad in nature and born of pain. In "Our Blues" it's not the lamentations of slaves on the plantations, but those of several very average people living where South Koreans prefer to go for vacation: Jeju Island. The protagonists´ lifes are in no way spectacular. They are rather normal for their age and the place. They work hard for their income, live simply and often on what the land (and in this case the sea) offers them. From the buzz of these individual and yet so normal lamentations, a sense of unity grows, that even transcends the screen - because many can sympathize with it and identify with their painful and often humiliating experiences in their own way. That makes it "OUR" blues in several ways. It reaches out from the world of the KDrama into the world of the audience and brings us as people from all over the world a bit closer to each other.
"Our Blues" fondly tells a dozen stories about disappointments and unhealed mental wounds that many people know in one way or another and may have experienced themselves. Most of the protagonists (all wonderful first-class cast!) have known each other more or less since childhood. They form a community of colleagues, friends, family and family of choice. Although Jeju-do is South Korea's largest island, it is relatively small at 73 km x 31 km. At its center, South Korea's highest mountain - the dormant Hallasan Volcano - divides the island into the northern area around the city of Jeju and the southern area around the city of Seogwipo. Seogwipo has an urban center with the harbor and then there is urban sprawl with village structures along the coast. This city characterizes the living environment of the characters. As audience, we accompany some of them in a kind of latent mental process of molting.
Some say there is no such thing as a storyline in "Our Blues". In fact, it is more of a composition, or rather a kaleidoscope of independent lamentations. At the core of each lies an ancient pain. What's magnificent about "Our Blues" is that (and how) these songs are finally being sung and thus make space for light and love. For far too long, the protagonists have kept their pain deeply hidden within. They tried to live with it neatly packed away, instead of 'giving' it some space. Yet, sooner or later, the old pain just 'takes' its space... for 20 episodes...
I would´t call it healing, rather transformation, because the painful experience of the past is and remains what it was. However, the potential of what is possible in the future is changing. When the pain in the heart is finally allowed to find space and show itself, it can be witnessed and receive the recognition it deserves. The spasm dissolves and energy is released. Thus new experiences are now possible in the future.
Wanting to spare oneself or others, or wanting to avoid conflict and confrontation, has ultimately never really worked or done any good. Actually, emotional pain and psychological suffering have something to offer: they are the key to opening a portal to a new dimension of truthfulness. The recipe is quite simple: friction (in a deliberately tangible sense of rubbing) facilitates closeness. The problem that prevents this potential for closeness is very human: fear. Because the prerequisite is that I have to honestly show myself as I am (e.g. with my feelings). In doing so, I make myself vulnerable. But only then someone dear to me can reach out and touch me for real. And only in this way true encounter between me and the world becomes possible. Self-assured. Aware of myself. Straightforward. Straight. Upright.
In this KDrama lamentations are ´sung´ and ´heard´. Deep down they are sad, true enough. Yet, it makes you happy, that they are sung at last. And it is just beautiful the way those stories are told: The variety of stories about friendship dynamics, unrequited love and sensitive family relationships are affectionately interwoven in many layers and gain in radiance. We repeatedly encounter individual protagonists in several contexts. One person after the other ... we can´t help to grow fond of them. Ultimately, besides the very human blues that life inevitably offers as a portal to become who we are, the constants in all time, here, there and everywhere, are the sea around us and the sky above. Jeju-do as location for this KDama just hits the spot!
A KDrama that somehow satisfyingly feeds the human heart.
(By the way: "Our Blues" has become one of the highest-rated series on South Korean cable television. Viewer ratings have doubled from episode 1 to 20. (As I said, you grow fond of it over time...)
----------------- SIDE NOTE: --- Haenyeo = sea women or daughters of the sea ---
Jeju-do is famous not only as a tourist hotspot with boardwalks and hotels for honeymooners (Jeju International Airport is the third largest in the country), but also for its volcanic landscape, which is now a World Heritage Site. Yet, furthermore, characteristic of the island's tradition are the Haenyeos, who have been diving for centuries without oxygen tanks for abalone (or sea snails) and other sea food. Especially abalone is plentiful on the seabed around the island. However, these are not so easy to harvest by conventional fishing industry.
To this day, the archaic way of free diving is the only proven one: hold your breath, dive down with a hook, a weight belt and a small net, and then skilfully scrape the seafood off the rocks at the bottom. Today, wetsuits, diving goggles and fins help. A buoy marks the 'area'. Not everyone can do that. Apparently women are particularly good at it. Often families practice this craft for many generations already. The technique of holding your breath for around 3 minutes at high underwater pressure, even at a water temperature of 8 °C, is usually passed on to the daughter. (Actually, in these circles the birth of a daughter is finally empathically praised and extensively celebrated.)
The income of the sought-after Haenyeo has become quite respectable. They are economically independent by now. These days, however, there is shadow to it, too. Being able to finance university studies for their offspring, the young generation nowadays prefers to move to the mainland for higher education and more comfortable jobs. Accordingly, the Haenyeos could soon become extinct. Nevertheless, once you are a Haenyeo, you stay with the diving until old age.
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