2This drama started off cute and light-hearted with Ariel and Vin bickering. We also saw a lot more of the masked hero doing his thing. However, the plot wasn’t very deep at this point in the story. So, it started to lose its spark around episode 10-15. Around episode 20, we got a new setting and therefore the story picked up a bit but…it slowed down for another 10 episodes until they decided to quicken the pace again. It felt like I was on a rollercoaster for children; small build-up and boring falls that repeats five to six times. The overall tone of the story changed near the middle of the drama; it went from lighthearted to a more dramatic feel. The scriptwriter did try to insert random comedic parts, but they felt forceful and unnatural. Everything did unravel throughout time and many different issues do come up to provide depth and conflict to the plot, but I lost interest as the plot became more complicated. Not because I dislike conflict and details, but mainly because I found the story to be losing its focus. Too much was going on and I didn’t find the conflicts to be a great addition to the overall plot. Especially with Ariel's identity as the Divine Maiden. I think they could've delved more into it and given her more of a role to stop everyone from trying to hunt her. Could she have learned martial arts/self-defense? Yes, but did she? No. She left it all to Vin (and Austin) and was ultimately a damsel in distress at the end. Besides having an" extraordinary sense for business" she did very little to change her fate.
If you’re looking for a drama where the main couple is together often then look elsewhere. After the first 16-18 episodes, we rarely see them together. They meet and get separated frequently. This doesn’t bother me much if they carried the plot well (but they didn’t) and I got frustrated near the end when the reasons for their misunderstandings could’ve been omitted (i.e. unnecessary love triangles). This also could’ve given the director/writer some more time to dedicate giving their audience a more satisfying ending. I’m quite bitter to have spent so much time watching this and get such an awful ending. I actually laughed when I watched the ending because of its mediocrity. In short, it was a cop-out. Either the director/writer did not plan accordingly to provide a substantial and fulfilling ending, they overspent and decided to make the last episode a cop-out, or both. I don't mind tragic/sad/happy endings as long as they're done well, but this ending was none of the above. It was a badly written and executed ending. They took no responsibility for anyone’s story and provided a distasteful ending. For those curious, I’ll provide a comment below to spoil the ending if you wish to read it.
I was excited to watch Vin Zhang as a lead. I believe there’s a lot of talent that hasn’t been shown as he’s (in my opinion) slowly being type-casted. In the beginning, he would bicker and tease Ariel, so it was refreshing compared to his recent angsty roles. However, this changed quickly, and he lost his shine as the plot thickened. Which was a massive shame. Watching Ariel is the same as watching her in her previous dramas. She’s great at acting out a “dumb” and cute role. Due to her experience, she is also one of the best actors in the series. She portrayed her role well and did well with her more serious parts. But I do want to note that I have a really hard time taking her seriously when she’s trying to be tough. This is mainly because I think she has a face suitable for dumb/cute roles. Sorry, Ariel. Vin’s shine seems to be passed to Austin in the latter part of the drama. Austin has turned into someone who would bicker and tease Ariel, but I didn’t find him to be too memorable in this role. Then again, none of the roles are memorable for me but are these a fault to the actors themselves? No. They did well to portray their roles. I just found the roles to be poorly written...or just poorly implemented into a poorly written plot. I do want to note that I found Austin's character to more interesting than the leads near the end...so I guess that's saying something.
All-in-all, I wouldn’t recommend this if you’re looking for a great plot and a satisfying ending. I think there are better historical romances to dedicate your time to but of course, everyone’s taste is different. So, I would recommend this if you’re looking for a semi-lighthearted historical drama. Just be prepared for an extremely poorly written ending because that's one thing we can all agree on whether we enjoyed watching this or not.
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Amazing True Love from HlSTORICAL Time until MODERN Time (MUST WATCH ONE & ONLY FOR THE 1ST)
why I wrote you have to watch "ONE AND ONLY" first, because your feelings when watching will be very much different if you start this without watching the first season...maybe you think you will still understand the story line but emotions, feelings and moods when you watch it will be much different ... well ... so you are strongly advised to keep watching the first season first, although you may read that the first season ended sadly but I guarantee you will be satisfied with the story and after that you would give 10/10 point for this drama with 2 season...actually this is my first time to write a review before finishing a drama as a whole....but my love for this drama has pushed me to write it....
In short, this drama begins with their very deep encounter and love story between a warlord and king of Nancheng who is very loyal to the kingdom, Zhou ShengCheng which has a called "BEAUTIFUL BONES " by all the people (because of his loyalty to the kingdom who always struggles to overcome the people, not interested in power, wealth or beautiful women only CSY who has melted his hearts) with his very beautiful and intelligent student, CuiShiYi. in historical times they both could not be united by fate where ZSC was accused by a cursed prince who was jealous and wanted to marry CSY had rebelled so that he had to end tragically and because of her love and deep loyalty CSY followed her teacher by ending her life too...but before she dies, she makes a wish if they meet in another life...she hopes ZSC can marry her first...and...
FINALLY HER WISH CAME TRUE , THEIR LOVE IS MEET BACK IN MODERN TIME....(FOREVER AND EVER)
Their suffering in historical drama finally brought them to modern life.
I've never read a novel from this drama before, so I feel I don't need to nor will I compare the story or characters of the cast to the novel....
I really like the story line which is unique and has different characteristics from modern dramas in general, even though it tells the story about now but every time I see an ancient building or residence in this drama can indirectly bring me back to feeling warm when I watch OAO (this is also one reason why you should watch OAO first ) I also like writers to write about the differences in their characters from historical dramas to modern times, so I feel there is an interest for me to watch those differences.....
ZhouShengChen who is an innocent chemistry professor but super genius, responsible, mature sometimes a little shy feels sweet and makes me feel excited to see him especially when sees him in a relationship with ShiYi...he is full of warmth and concern for him, as if made me feel how comfortable it was to be his girlfriend...hahaha...he was reunited with the girl he loved so much in the past but couldn't be with him (because of the oath he made before he met CSY that he would never marry for the rest of his life made him felt guilty towards CSY at the end of his past life for not being able to return his love)
ShiYi as a voice actress who is graceful, beautiful and sometimes a shadow of the past can be seen in her mind makes her have a deep feeling for ZSC from the very beginning of their meeting. some things in the past that hurt her deeply are still a bad feeling in her and I'm sure all of that will be cured after she entered into a romantic relationship and married the person she loved very much from historical times to the present, ZhouShengChen.
and...i really like watching their developmental approach when dating...hahaha...their relationship is very sweet, adorable and mature as well as caring and warm...i really love it....
ALLEN REN and BAILU really are actors and actresses who are very potential and professional...two different characters in two periods of time have been presented by them very perfectly. the characters zhoushengchen and shiyi feel very alive in this drama...their acting is very good, beautiful and natural...as I said in the comments page, so natural that sometimes I forget I'm watching and this is just a drama...
I'm really hope that both of them and this drama both One and Only (season 1) and Forever and Ever (season 2) can get a lot of AWARDS for their really very good performance because they really deserve it...
I'm also very happy that they didn't omit all the soundtrack from historical dramas in this modern drama, and made us still can feel the environment that was brought to modern times...they were good at doing that...some songs added for modern times this also feels okay to me and is suitable for modern-day stories.
I can be sure I will repeat this drama because even before this drama ends I have used my free time waiting for the continuation of the new episode by re-watching this drama ... so for rewatch value, no need to ask again, I will definitely give full marks for it.
overall : 10/10 for this season 2
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1Journeys end in lovers meeting.
Pearl Eclipse is adapted from a beautiful, dark and tragic novel Madame Huzhu 斛珠夫人 set in the Novoland universe. It is an unforgettable and heartbreaking story about guilt, obsession, love and the futile struggle against fate that inextricably entangles the three main protagonists Fang Jianming, Emperor Dixu and Fang Haishi. Although the plot and many characterisations deviate markedly from the novel, the core message that we can choose our destiny but cannot overcome fate remains. Although not quite as dark as the novel, this is an angst filled, tortured tale about tragically flawed characters that won't appeal to everyone.The novel has heavy BL elements to it and the incredibly dark, complicated and almost parasitical relationship between Dixu and Jianming is quite well portrayed in the drama. It is by far the most uniquely fascinating relationship in this drama because they are so entangled neither has free will. Poor Haishi, hers was a lost cause from the start because Jianming already was inextricably bonded to Dixu by ties far more powerful than the baixi. Their depth of shared history and sorrow and Jianming's sense of guilt and his obsession with putting Humpty Dumpty together again are practically insurmountable challenges. And to Jianming's credit, while undoubtedly tempted, he avoids Haishi's many overtures because he already pledged himself to Dixu.
The drama seems slow to start because it took all three leads a surprisingly long time to get into character and to convey the many layers of their intertwined backstories. This is made more difficult because their backstories are told in flashbacks which works well in novels but is harder to do onscreen when the actors are not in character. I don't think it is particularly fair to pick on only one of them but they are all rather seasoned actors so it is disappointing. Xu Kai Cheng overacted in the beginning and he and Chen Weiting were not connecting. Their unspoken rapport only becomes evident later on and that is when the drama starts to get interesting. Even though I find Chen Weiting incredibly handsome despite the terrible wig and enjoyed his performance overall, I don't think he managed to convey the multifaceted, fascinatingly complex character that is Fang Jianming. While he nails it as the archetypal ice-block, noble idiot shifu, a more daring and intense portrayal should have delivered a better glimpse into the dark ruthlessness, frustration and temptation that torments the character.
Haishi of the drama is well fleshed out and far better dimensioned than the novel. It is refreshing to see a brave, capable female character that speaks her mind and goes after her man relentlessly. And her outraged and shocked reaction to rejection just cracked me up because I am sure it is something that a flawless beauty like Yang Mi is personally not accustomed to. While Haishi and Jianming make for a stunning couple, their chemistry emerges slowly and it does fall far short of the sizzle of TMOPB. This is partly because it is supposed to be a hidden, taboo romance; one that is so incredibly ill fated that knowing better, Jianming avoids; while true to her nature, Haishi rushes recklessly headlong into. As much as I applaud Yang Mi for doing her own voice work here, it is a mediocre performance that reflects years of neglect in this area on her part. She already naturally has a young and very feminine voice that should not have been made even younger and quite so girlish. It does not fit the role of a woman passing herself off as a man and it conjures up uncomfortable images with respect to this already forbidden romance. Although she improves towards the end, I can't help but think her usual voice dubber would have elevated her performance considerably.
While I do not like the way Tilan was written, she is the catalyst that enables the drama to take another path. But it is unfair to have practically all of Dixu's darkness heaped upon her and their relationship got so toxic I struggled with the turn around, in particular on her part. She also seemed a lot stronger and smarter in the beginning where she passively aggressively standsup to Dixu. Unfortunately her character was truly thrown under the bus to enable the end outcome. Zhuoying and Zheliu have the only non dysfunctional relationship in this drama that is a welcome relief but oddly boring at the same time.
What I like most about the adaptation is how it is faithful to the novel in terms of how it takes us down the path of the dark, hopeless entanglement between the three main protagonists and then turns it around. At the darkest moment, Haishi convinces Dixu to give himself a second chance which sets in motion an unwind of this vicious circle into a virtuous one. One change leads to another that reveals another layer of each character and get to see them change and grow into a formidable, united force against their enemies. It is a very strong message that we can choose our destiny, ie. how we live our lives and even though ultimately we may or may not be able to overcome fate, the journey is more important than the destination.
This is a very high value production with lavish costumes, sets and some intense and brilliantly choreographed action scenes, notably the epic battle reminiscent of Lord of the Rings at Hangguan Pass. Yet despite a few riveting action scenes, this is largely a character story with very little plot movement. Despite a few thrilling encounters especially in the early episodes, the various sub plots to overthrow the emperor Dixu are not properly fleshed out and don't tie well together. There are interesting villains in the book that get dumbed down to obvious cartoon characters with boring motives that can't even hide well in plain sight. The ending feels like it is missing scenes and beloved characters like Zhuoying and Zheliu's story is ended cursorily almost as an afterthought. The final plot is anti-climatic, predictable and completely premised on the stupidity of two characters. The plight of the mer-folk, their tears for pearls and how this fantasy story that begins and should end with them gets lost as a result of changes made to the character stories.
I have very mixed feelings about the ending. I think the most fitting way to end this is about 20 minutes into the penultimate episode (47) where journeys end in lovers meeting. The final episode and outcome for most of the couples are not deserved, made worse by a weak and rushed end plot that is not earned. They ought to have stopped while they were ahead. That said, Haishi and Jianming's final scene is both actors most moving and resonating performance in the entire drama. But while superficially the important aspects of the drama are faithful to the novel, the final product lacks the finesse, symmetry and haunting dark and cruel inevitably of the novel. The novel is fated and inexorable while the drama is fated and unnecessary. I rate this between 7.5-8.5; it will feel more like an 8.5 to those who stop ~20 minutes into episode 47.
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An amazing journey of self-discovery
I know there are at least a few people who are on the fence about starting this drama since it's heavy on politics and it's not everyone's cup of tea. It sure is not mine. Yet, here I am, loving this drama and recommending it to everyone. And here's why...STORY
Would I call it realistic? Not really. Did it bother me that it was unrealistic? No. Why? Because it was cohesive and consistent. I know that political dramas can be boring for people who are just not interested in the topic, and that's why adding some unrealistic, but definitely grabbing the attention plot points made this drama more approachable for a wider audience.
The main point of the drama was the development and growth of the characters. It's a story of believing in yourself and what you stand for, fighting for the right. Discovering that just because there are winners, does not necessarily mean there must be losers. How to play the game that will make not only you achieve your goals, but also make everyone around you content. It's about slowly realizing your strengths and ways to use them. Figuring out that wanting something does not necessarily make you a bad person who is only led by greed. Many interesting lessons to learn with our main character. An amazing journey of self-discovery.
CHARACTERS & CAST
I was not sold on the idea of Ji Jin Hee being the lead of the whole drama. Especially after watching the first two episodes. Him being surrounded by all the strong and captivating side characters made me worried, if he can truly lead the whole show. And oh boy, I was wrong. Now I would say he was born for this role and he aced the character. Seeing Park Moo Jin slowly grow without giving up on his principles and beliefs was an amazing journey. It was refreshing to see a really smart main character that was also empathetic and, to put it simply, a good person.
It's also worth mentioning other characters that won my heart: Cha Young Jin, whom I loved to hate at the beginning and then just simply loved. Han Na Kyung who was the MVP of the badass team. Oh Young Seok, who made the drama even more thrilling to watch. Yoon Chan Kyung who was the true politician - I never knew where she was standing and what her motives were. Is she good? Is she bad? I guess you will find out for yourself, if you decide to watch it.
OTHER
The show also talks about some serious issues in a realistic and not patronizing way. It helps with understanding the reasoning for specific choices characters make. The cinematography and the way it was shot was beautiful. Definitely a high quality production. The music was good; it was not exactly grabbing my attention, but it's a political drama, the ost is not the main focus here. The ending was perfect, and everything I could wish for.
Overall, I did not expect to like this drama as much as I did, but it will probably stay as one of my favorites.
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Most natural and genuine romance with diabetes chemistry.
“They give me butterflies just by them being in the same airspace.” - meWu Lei & Zhao Jinmai, my all-time favorite couple from now on. I absolutely adore the organic evolution of their relationship, from the initial awkward, blind-date-like tension to becoming utterly smitten with one another. It’s rare to maintain such palpable chemistry throughout the entire series, especially considering that they got together relatively early on. Most shows struggle to keep the romantic tension once the couple has formed, but this series deftly keeps the spark alive in every interaction. What’s even better is that their connection feels incredibly natural and genuine, with unbeatable on-screen chemistry that is both sizzling and enthralling, a testament to their exceptional acting prowess and talent. I'm particularly fond of their meticulous attention to detail, evident in the subtle nuances of facial expressions and deliberate gestures executed by the characters. I can genuinely sense the level of hard work and dedication they pour into their acting behind the scenes, as they excellently presented the delicate interplay of ambiguity and tension inherent in the process of falling in love, and how their interactions still shine after coming together.
Quoting roughly from Wu Lei’s acting teacher, Teacher Cui, on them: “Wu Lei is a very serious person. Every time he takes on a role, he always fully immerses himself in the life of that character in advance. Every frown, every smile, every movement is executed with professionalism and in deep immersion of that character. No wonder so many people like him, because the quality he brings to his performances is exceptional. The manner in which they both handle intricacies and communicate when they're together makes their couple pairing very good.”
Lovely, therapeutic, mesmerizing, heartwarming, soothing, wholesome, tender, and comforting.
An absolute treat that cures depression, yet causes diabetes.
I found the casting to be perfect. Alongside the Lin Yiyang-Yin Guo (Yi-Guo) couple, I thoroughly enjoyed the supporting characters like Wu Wei & lil bro Meng Xiaotian. Their presence injected a playful energy into the story, often through subtle teasing or reactions to the leads, while consistently remaining strongly supportive of them. The bromance and rivalry were superb too—the trio Lin Yiyang, Jiang Yang & Meng Xiaodong all harbored mutual respect and admiration for one another, adding to the wholesome feel of the show. Furthermore, all of them played the role of wingmen well, putting in a decent amount of good words for Lin Yiyang along the way. So how can one not like the cast? Heck, even Yin Guo’s friends are good wingwomen.
I also loved the scenic filming locations that contribute to the gorgeous & cozy vibe of the show—filmed in Finland, France, and China; 3 countries & 11 cities. The BGM adeptly complemented the mood of the show, seamlessly blending with the atmosphere and drawing me in, with the OSTs being catchily good as well.
Some people don’t understand that the plot IS the interactions and the growing relationship/romance. The reason some perceive it as dull, draggy, or devoid of any plot is simply because they don't vibe with the chemistry between the couple as much. And for a series that heavily depends on the dynamics of the couple, this can make-or-break the show for you, so just give few eps a try and feel the chemistry urself to see if you’ll like it or not. And if you are skipping/ff-ing their scenes it’s totally pointless/invalid.
Just know that I love the tension and the tender relationship between the two throughout its entire run.
As someone who enjoys playing 8-ball/9-ball pool & snooker, I appreciate the cast’s efforts to learn the sport from scratch, training hard for a few months, immaculately capturing the aura of a professional player and successfully showcasing some impressive plays.
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Here’s a brief overview of the gameplay for those who have never played before (feel free to skip):
In snooker, players must pot a red ball (1 pt) first before they can attempt to pot a colored ball, which carries varying point values (yellow-2, green-3, brown-4, blue-5, pink-6, black-7 pts).
This alternation between potting reds and colored balls (red, colored, red, colored) continues until all the red balls are cleared from the table, after which players must pot the colored balls in sequence from yellow to black. To maximize their points, players need to strategically position the cue ball (white ball), ideally near the black ball (which yields the most points), after potting a red. They must also position for the next red ball after potting the black. The colored balls are spotted—placed back onto its designated spot once they’re potted, as long as there are still red balls on the table.
Players will also need to deal with being "snookered," where their opponent skillfully blocks the path to the required ball, typically as fewer red balls remain on the table. Failing to hit the required ball results in a foul, with the opponent gaining a minimum of 4 pts (misses all the balls, or hits any colored ball lower than 5 pts). Contacting let’s say a blue ball when you are supposed to hit a red ball will be a foul that gives the opponent the blue-ball points (5 pts), while illegally contacting pink or black ball will give the opponent 6 or 7 pts respectively. The one with the most points at the end of the game wins, obviously, with the maximum break score of 147 attainable (potting red and only black in alternation) which is insanely challenging even for professional players.
For 9-ball pool, it’s simpler, players just have to pot the balls numbered 1 through 9 in sequential order, starting from the lowest numbered ball. The player who pots the 9-ball (yellow stripe ball) at any point wins the game (so a legal shot—hitting a required lowest numbered ball first, but successfully potting the 9-ball in the process results in an instant win). In the show, you will also see the players determining the order of play or break through “lagging”. This involves each player simultaneously hitting their assigned ball from the head string (horizontal line running across the table) towards the opposite cushion of the table, aiming to return the ball closer to the head cushion (the cushion nearest to where they initially hit the ball) than the opponent. The player whose ball stops closest to the head cushion wins the lag and earns the right to break the rack of balls to start the game.
Breaking first is usually more advantageous since the likelihood of pocketing any balls at the break is quite high. This is even more so for skilled players as they have an even higher chance of performing a run-out or clearance, where they pot all the remaining balls on the table in a single turn, thereby winning the game.
Most people (myself included), at least for recreational/non-competitive players, find snooker to be a much more challenging game than pool. This is primarily due to its larger table size, tighter pockets, and smaller balls, making potting more difficult as there is less margin for error, demanding more precise shot-making. Moreover, snooker’s greater number of balls and its scoring system, which includes more extensive rules and fouls, further adds to its complexity (possibly more strategic depth), and a game of snooker is typically longer than a game of 9-ball pool so it can be more mentally taxing as well.
That said, both snooker and pool demands precise ball control (power, spin, accuracy) for positioning and strategic thinking, since players cannot simply pot whichever ball they want and must always plan for the next or several shots ahead.
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I’m now a huge fan of both Wu Lei and Zhao Jinmai. Their chemistry is electrifying and off-the-charts. If they don’t win the best couple award, I’ll riot, because I don’t know who else could.
Please, for the sake of humanity, give them a few more dramas as lovers, because their chemistry is too good to be wasted on just one project.
I’ll miss this show greatly.
And yes, their chemistry outweighs any negatives for me.
10/10.
Weibo Content (BTS, Interviews, etc):
https://docs.google.com/document/d/1-tVcTH8XLtaimpDae1dtmGkXAfbvTcLCERXHEwrl61Y/edit?usp=sharing
Episodes: 30
Runtime: 23 Hours
Please refer to my review’s comments section for further details and discussions regarding some of the criticism or complaints towards the show.
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1Outstanding! A KDrama that somehow satisfyingly feeds the human heart.
The KDrama "Our Blues" unfolds a distinctive magic that gently stretches its silken net around the hearts of the viewers and thus spreads warmth. Big KDrama!Re. musical genre: the blues is a kind of lament, sad in nature and born of pain. In "Our Blues" it's not the lamentations of slaves on the plantations, but those of several very average people living where South Koreans prefer to go for vacation: Jeju Island. The protagonists´ lifes are in no way spectacular. They are rather normal for their age and the place. They work hard for their income, live simply and often on what the land (and in this case the sea) offers them. From the buzz of these individual and yet so normal lamentations, a sense of unity grows, that even transcends the screen - because many can sympathize with it and identify with their painful and often humiliating experiences in their own way. That makes it "OUR" blues in several ways. It reaches out from the world of the KDrama into the world of the audience and brings us as people from all over the world a bit closer to each other.
"Our Blues" fondly tells a dozen stories about disappointments and unhealed mental wounds that many people know in one way or another and may have experienced themselves. Most of the protagonists (all wonderful first-class cast!) have known each other more or less since childhood. They form a community of colleagues, friends, family and family of choice. Although Jeju-do is South Korea's largest island, it is relatively small at 73 km x 31 km. At its center, South Korea's highest mountain - the dormant Hallasan Volcano - divides the island into the northern area around the city of Jeju and the southern area around the city of Seogwipo. Seogwipo has an urban center with the harbor and then there is urban sprawl with village structures along the coast. This city characterizes the living environment of the characters. As audience, we accompany some of them in a kind of latent mental process of molting.
Some say there is no such thing as a storyline in "Our Blues". In fact, it is more of a composition, or rather a kaleidoscope of independent lamentations. At the core of each lies an ancient pain. What's magnificent about "Our Blues" is that (and how) these songs are finally being sung and thus make space for light and love. For far too long, the protagonists have kept their pain deeply hidden within. They tried to live with it neatly packed away, instead of 'giving' it some space. Yet, sooner or later, the old pain just 'takes' its space... for 20 episodes...
I would´t call it healing, rather transformation, because the painful experience of the past is and remains what it was. However, the potential of what is possible in the future is changing. When the pain in the heart is finally allowed to find space and show itself, it can be witnessed and receive the recognition it deserves. The spasm dissolves and energy is released. Thus new experiences are now possible in the future.
Wanting to spare oneself or others, or wanting to avoid conflict and confrontation, has ultimately never really worked or done any good. Actually, emotional pain and psychological suffering have something to offer: they are the key to opening a portal to a new dimension of truthfulness. The recipe is quite simple: friction (in a deliberately tangible sense of rubbing) facilitates closeness. The problem that prevents this potential for closeness is very human: fear. Because the prerequisite is that I have to honestly show myself as I am (e.g. with my feelings). In doing so, I make myself vulnerable. But only then someone dear to me can reach out and touch me for real. And only in this way true encounter between me and the world becomes possible. Self-assured. Aware of myself. Straightforward. Straight. Upright.
In this KDrama lamentations are ´sung´ and ´heard´. Deep down they are sad, true enough. Yet, it makes you happy, that they are sung at last. And it is just beautiful the way those stories are told: The variety of stories about friendship dynamics, unrequited love and sensitive family relationships are affectionately interwoven in many layers and gain in radiance. We repeatedly encounter individual protagonists in several contexts. One person after the other ... we can´t help to grow fond of them. Ultimately, besides the very human blues that life inevitably offers as a portal to become who we are, the constants in all time, here, there and everywhere, are the sea around us and the sky above. Jeju-do as location for this KDama just hits the spot!
A KDrama that somehow satisfyingly feeds the human heart.
(By the way: "Our Blues" has become one of the highest-rated series on South Korean cable television. Viewer ratings have doubled from episode 1 to 20. (As I said, you grow fond of it over time...)
----------------- SIDE NOTE: --- Haenyeo = sea women or daughters of the sea ---
Jeju-do is famous not only as a tourist hotspot with boardwalks and hotels for honeymooners (Jeju International Airport is the third largest in the country), but also for its volcanic landscape, which is now a World Heritage Site. Yet, furthermore, characteristic of the island's tradition are the Haenyeos, who have been diving for centuries without oxygen tanks for abalone (or sea snails) and other sea food. Especially abalone is plentiful on the seabed around the island. However, these are not so easy to harvest by conventional fishing industry.
To this day, the archaic way of free diving is the only proven one: hold your breath, dive down with a hook, a weight belt and a small net, and then skilfully scrape the seafood off the rocks at the bottom. Today, wetsuits, diving goggles and fins help. A buoy marks the 'area'. Not everyone can do that. Apparently women are particularly good at it. Often families practice this craft for many generations already. The technique of holding your breath for around 3 minutes at high underwater pressure, even at a water temperature of 8 °C, is usually passed on to the daughter. (Actually, in these circles the birth of a daughter is finally empathically praised and extensively celebrated.)
The income of the sought-after Haenyeo has become quite respectable. They are economically independent by now. These days, however, there is shadow to it, too. Being able to finance university studies for their offspring, the young generation nowadays prefers to move to the mainland for higher education and more comfortable jobs. Accordingly, the Haenyeos could soon become extinct. Nevertheless, once you are a Haenyeo, you stay with the diving until old age.
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The characters, the story, and the relationships were all so well thought out! I loved all of the characters, and they all have really wonderful relationships with each other- that are REAL. They fight, bicker, annoy the hell out of each other, get seriously frustrated with each other, and they realize that they all have their own flaws. And the story stays realistic, (funnily enough to say about a drama based on mental disorders) showing the true struggles people in relationships (wife, mother, girlfriend, brother, daughter, etc.) with people with mental disorders have to face. It's really wonderful. The cast acted out everything brilliantly- the emotions were conveyed very well and wow, some of the best acting I've ever seen.
AND THE MUSIC. *BREATHES DEEPLY* I DON'T KNOW HOW TO EXPLAIN TO Y'ALL HOW MUCH I LOVED THIS OST. LIKE... THESE SONGS. THEY'RE GREAT. THEY FIT IN SO WELL WITH THE SCENES AND I'VE DOWNLOADED A BUNCH OF THEM AND I NEVER GOT TIRED OF THEM (like I have with very many other songs in other dramas) AND WOW. A++++++++++++++++++ TO WHOEVER PICKED THESE SONGS. A FREAKING PLUS.
Anyways, I totally recommend this drama! It's probably one of my all time favorites now and I loved this drama from start to finish!
For a country still dealing with its own discrimination towards mental disorders, I thought this drama was just plain- WOW. Wonderful. Seriously, good job!!! (I'm in awe)
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Trolley
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This review may contain spoilers
Its empathic. Powerful. Yet, beware: it is rather slow & actually not on the bright side of life
"Trolley" is a SBS production for South Korean TV first of all, even it is promptly running on Netflix, too. One could say that the KDrama is about a politician's wife, who is caught up in an emotionally draining past and overtaken by an extremely unpleasant present. One could say that it is about an ambitious politician with a promising career, who is in the middle of the national assembly election campaign and will give everything for it. One could say that it is about the classic moral trolley dilemma, which is running through the story like a key note – should one intervene in the unstoppable, catastrophic events and sacrifice one human life in the process, or let things take their course, the but then (in the case of the trolley dilemma) will claim several victims? With respect to each of these varying aspects, the story delivers suspense, depth and emotional intensity, enriched with complex details until the end.
"Trolley" is like a large patchwork quilt made up of many colorful, isolated, fateful pieces of the jigsaw puzzle that becomes a whole while increasing in suspense episode by episode. And this spectacular whole is what I particularly appreciate about this KDrama. Because the production is dedicated to a sensitive issue in South Korea society: the devaluation, harassment, oppression, contempt, discrediting, defamation, exploitation, sexualization of women and widespread physical violence against them.
The KDrama articulates a quiet howl calling for change. This howl, which has been rather mute for the longest time, wants a voice. This howl of pain wants to be heard. One voice should become many. Laws protecting women (and victims of abuse in general) would be all well and good. But even more so (and above all) there is a need for courageous role-models of women (and men) who lead the way. (Or for a start: KDramas and their e.g. female protagonists...) Role models are needed, who stand up for themselves, for their lives, for what happened to them, and for their rights as human beings. Tangible role models are needed embodying what lies at the heart of (these much-needed) laws: the non-debatable dignity inherent in every human being, regardless of gender, creed, birth, or ability. Paragraphs alone are not enough. They must be filled with life. With people who dare to actually venture out of the familiar swamp with their heads held high. And that's (for women) still easier said than done in South Korea 2023. "Trolley" embodies these circumstances in an impressive way. In fact, this is more than overdue. This TV production also places this message with some force and spreads it worldwide, too, so it cannot be overheard. Can it? May the message get through and encourage … women, young people, … and men too.
However, the spotlight is not directed at one or 'the' man as such, but at society as a whole, in which women structurally function (or supposed to function) well; in which they themselves participate in the premises - as mothers, as classmates, as part of a bullying, via public and Social media easy to manipulate crowd. The poisonous social thorn is so deeply rooted within women themselves: a systematically and consistently cultivated, inferior attitude towards their life. The the circumstances usually aren´t even seriously questioned because: that's the way it is… has been… (will be?)
Practically all of the women in this KDrama represent a self-esteem that has been deeply hurt and thus weakened as a result of private and public devaluation or even physical violence. They all somehow learned to live with it. They are battered, wounded and scarred, and they suffer from their feeling of inferiority that weakens them into old age. The worst thing about it: that they are still standing there alone, because nobody really can/wants to acknowledge their suffering and justified anger. Women have had to learn to live with the fact that there are no witnesses, no advocate, no encouragement, no attention, no consolation for them and their traumatic experience of harassment. No one is standing in their corner. The social message: You didn't deserve anything else. You´re to blame. 'Submissive, quiet, tame and silenced, everyone can do whatever they want.' Such is fate as a daughter. As an unwanted daughter. As the first daughter. As a daughter-in-law. As a wife. As a divorced woman. As an illegitimate mother. That something, which has remained deeply in these women, now shows impact, too: so that they either secretly and quietly devalue and question themselves, alternatively devalue others on their behalf, or let others devalue them on principle. This painful experience has not been redeemed to this day and should not be redeemed (from the social point of view of some). It is the ingrained yet invisible mark that South Korean society brands its women with. With "Trolley" it is out in the open. In multiple ways. Options for change are discussed, and the difficulties involved are also explored.
A strong portrait of society, cleverly prepared and seriously presented, yet in an entertaining manner. The KDrama meets a red-hot zeitgeist that calls for winds of change. The story courageously challenges the conservative, patriarchal attitude, which by nature denies women the right to be fully acknowledged human beings with the same rights. In the course of the last year, blood boiled high in South Korea after President Yoon declared 'structural sexism' being no longer existent in the Republic and wanted to abolish the Ministry for Equality and Family (or move it to other departments). In these times (see also the side note below), "Trolley" is a courageous and important production, because it tells a different story - that of devalued, sexualized, abused women in a self-satisfied man's world. Respect!
Its empathic. Powerful. Yet, beware: it is rather slow and actually not on the bright side of life.
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SIDE NOTE: --- Always burning topical: violence against women in South Korea ---
If you compare the crime statistics in (i.e.) Germany and South Korea, South Korea is clearly the safer country. Seoul is arguably one of the safest cities in the world. But not for women...
Overall, violence in South Korea may be limited. But against women it is alarmingly widespread. Of the violent crimes recorded in South Korea, about 80 percent of the victims are women. In 2020, more than 58 incidents of sexual violence, including rape, were recorded among 100,000 residents in South Korea. (There were 12 in Germany for comparison). There have been newspaper reports of brutal femicides almost weekly in recent years. In a national survey conducted by the Ministry for Gender Equality and Family in the summer of 2021 (the ministry still existed then), 57.8 percent (!) of women stated that they felt threatened by misogynistic violence.
But the current political line is different. President Yoon stands for the values of the so-called "New Men's Solidarity". Behind this is a deeply patriarchal, conservative thinking that denies women to be full human beings with the same rights. Accordingly, the official line tends to go backwards: the penalties for false allegations of sexual assault are increased and the politicians rather argue with classic perpetrator-victim reversal: the women provoked the men by not doing what the men want them to do . Courts rarely judge in the interests of women. On the contrary. The outcome might be: victims of sexual violence are punished more severely than the perpetrators. Law against defamation of sex offenses is far stricter than that on sex offenses. It allows victims of sexual violence to be sentenced to up to 3 years in prison – even if it is proven that their publicly disclosed allegations are true. In the actual cases of sexual offenses, the verdicts against the perpetrators, however, are mostly merciful, with a mild sentence for crimes against women, as soon as there is one or the other weakening reason or an impeccable good reputation. Lax investigations and re-traumatizing behavior towards female victims in police and judicial authorities make matters worse.
All in all, it is very difficult for women to effectively defend themselves against the violence they might have experienced. Headwind blows from almost everywhere. Here we are again with the deeply patriarchal, conservative basic attitude of a society that denies women as a matter of course that they are full human beings with the same rights. This 'self-evidence' needs to be questioned and confronted. Resistance works best when women unite and at least start to stop this structural mutual devaluation among themselves. Speak, talk, share, cry, console... You don't need laws for that. Supporting one another, acknowledging injustice as such, comfort and compassion would be soothing ointments on the wounds of countless women that could heal a little bit better that way.
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Find a spouse with same value
So here a bit review on each character, please be noted the drama version is bit different from novel. The drama ver is for fans of Ding Yuxi the actor to gain more fans. Haha.1. Ning Yuxuan NYX:
Outside: a cold, heartless man
Inside: a puppy heart
A good govt officer, has 2 wives but touch no one. Haha.
2. Nie Sangyu NSY:
Outside and inside: heartless woman
Spoiled since a little, loved to torture maids. Even until last breath still not instrospect her wrongdoings. She created her own bad karma. What a stupid evil lady.
3. Ji Man JM:
Outside: business maker, money lover
Inside: pursue everlasting love
NSY separated since baby, twin sister. She treated everyone either as potential customers, shareholders, or professional employees. Kind, funny.
4. Gui Bai GB:
Inside outside is just like his master NYX. Even copy his master when pursuing a girl and take an oath to love her one and only forever. Lol.
5. Wen Wan WW:
Outside: kind and soft
Inside: evil
Fooled NYX as if she was abducted and raped, so when NYX found her he got no choice but to take her as concubine. WW is evil but too stupid so we can relax.
Later she worked together with enemy against NYX but was betrayed and executed, so she kinda too late to realize her mistakes.
6. Ling Xingjian LXJ:
Outside: coward and evil
Inside: just want to surpass his childhood buddy NYX
Well at least he realized his mistakes and corrects them, so his head is safe from execution.
7. Yuan Lang YL:
Outside: kind hearted bandit
Inside: also a puppy heart
Together with JM and NYX bring down enemy and decided to let go hatred of their parents, as long as they could work together for people.
8. Emperor:
Inside and outside: a god of matchmaker, treated NYX dearly.
You know, just like King Wendy in drama Love Like The Galaxy, he supported 100% NYX and become a matchmaker for our female and male lead.
Conclusions:
1. Sweet moments NYX and JM, ladies, just imagine yourself is JM. Happy watching.
2. Remember to find a spouse with same value, same morality kindness, so you will be willingly share each other burdens.
That's all,
I will be more than happy to watch the drama repeatedly.
Loveeee~
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I do not say this lightly - TOTAL MASTERPIECE.
I have seen over 400 dramas. I have given a 10 to a drama only ONE time. But I will say unequivocally right now, that this is one of the best asian dramas of all time, and not only will I award it my second 10 ever, but if I could I would give it an 11.Learning To Love stands toe to toe with the heaviest hitters of drama like What Happened in Bali, A Million Stars Falling From the Sky, Meteor Garden, Goodbye My Princess, The Rose, Secret, Que Sera Sera, That Winter The Wind Blows, Scarlet Heart Ryeo, Yanxi Palace, Kleun Cheewit, Chugakusei Nikki, or Rise of the Phoenixes. This is so good it's hard to put into words, but for the sake of leaving a review, I will try not to go on too much and keep this brief... while still conveying the insane degree to which this show is both A) a really effing good watch and B) an incredible work of art.
Where to even start....
The main theme of the story is refracted in a hundred tiny ways all throughout -- each character and each action kind of mirrors possible past or future or parallel lives of the other characters in this incredible kalidescope where you can see how any character could 'there but for the grace of god' be another character, and they all reflect aspects of eachother while retaining a deep and unique individuality at the same time. It's so gorgeous how it's all laid out, and how everything subtly connects to everything else. It's just poetry. Every aspect of this drama transcends the sum of its parts in a myriad of fractals that would be impossible for me to describe in less than 10k words, so I'll spare you. Suffice it to say, it is just so damn good.
This leads into mentioning the cinematography which was classic, beautiful, balanced, powerful. Cinematography that actually added it's own voice to the story, like a narrator's voice in a really good book. Plus, it has that throwback feel we all crave and miss so much from classic asian dramas. We all complain that "they don't make em like they used to". Well, this IS like they used to make 'em. So much so, that when they mentioned "covid" at one point, it kind of threw me off for a minute, because this drama feels so much like one of the really good older dramas.
(And can I just mention here that the ost/bgm is a SLAVE to the story. It serves ONLY to accent the emotions carried in the scene, and it is just as perfectly executed as every other part of this production.)
The characters - all of them - are compelling and SO well-acted. A flawless ensemble, led by two fantastic actors that deftly carry the story and convey so many emotions... this was impeccable casting, and impeccable acting. I haven't been this impressed in a long time. This is where imo it stands above even major classics like Rise of the Phoenixes... Kimura Fumino and Murakami Raul Maito are doing double the lifting compared to Chen Kun and Ni Ni in RotP. I almost can't find an equivalent to compare them to, and they deserve to be considered among some of the best performances of all time.
The vibe of this drama has a very classic flavor, the emotional angst and tension is so palpable, so much happens in each episode, not a minute of screentime is wasted. Gives off an aura of 'A Million Stars Falling From The Sky'. And something really incredible happens as the episodes progress.... the story could end in so many different ways, or it could end on any scene itself and still be really really good. You know what's going to happen like a trainwreck in slow motion, and yet you don't actually know what's going to happen at ALL because there are so many possibilities for where the story could go, and as it hurtles toward it's inevitable ending, you still get the feeling like each new scene will hold some fresh magic in it. You get this incredible blend of dread and hope mixed together indistinguishably from one another, and it just relentlessly ratchets up and up through each episode as the possibilities for how it will end keep multiplying. Every character's psyche is peeled layer by painstaking layer and we are afraid and excited by what we will find at the core of each person. Each character is slowly and inexorably pushed towards their breaking point... the true selves they hide to the world have less and less room to hide... and it all feels so volatile and mysterious as you watch it unfold.
I cannot say enough good things about this drama, and I cannot possibly recc it more to anyone prepared for a serious watch. This is gripping and angsty and a little bit of a hard watch, but so so so freaking good. Nailed the ending. Actors are just so incredible here. So much heart and soul are in this.... it feels like a masterclass in what an asian drama is supposed to be.
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When Elvis Met Elvira
Can anything good come out of MangoTV? Occasionally perhaps and this gem seems to be one of them. I don’t think it is hyperbolic to say that this is perhaps the best rom com I've seen in a long time... in the vein of When Harry Met Sally but more grounded in real world issues. Both leads are upwardly mobile hardworking outstanding professionals in their respective workplaces but circumstances are such that they are stretched to their limits. They live precariously on the precipice as they maneuver the snake pits of corporate culture as "slaves" to their masters' bidding due to the necessity of holding on to their jobs where nothing is ever a guarantee. It's highly realistic in the way it depicts the dog-eat-dog work environment that's all too familiar to struggling wage earners in the East Asian context. In reaction to this global phenomenon there’s been plenty of talk about the Great Resignation or quiet quitting in the past few years. Gone are the days where a person remains in the same job, profession, industry for their entire working life. This drama reflects that harsh reality of a competitive labour market in the everchanging contemporary economic landscape and the need for adaptability. While it satirizes the milieu that it explores, it is at its core a sympathetic exploration of the men and women who live in the coalface of workplace grind.Elvis Han and Elvira Cai headline this office drama where romance is assumed to play an integral part of the work-life realities that afflict many overworked employees today. So how do people find time for courting and wooing in this day and age where men and women work long hours, barely have time for meals, are exploited by the employers competing with other employers for contracts and clients? It's a battleground out there and many are not past dirty tricks to gain the upperhand. A fact that inevitably spills into relationships with significant others.
Elvis Han's Xu Ziquan is an investment banker and for him, a rising star in the industry, it's the neverending chase for that next big deal that's giving him sleepless nights. He looks genuinely exhausted. (I suspect Elvis Han was nursing a cold for most of the shoot) If he can't clinch it, it's reallocations and retrenchments for his team. He meets Tang Ying (Elvira Cai) onboard a plane for the first time and the sparks are ignited. She's a corporate lawyer at the bottom of the food chain barely keeping her head above the water with a demanding supervisor on her back 24/7. She piques his curiosity during their brief exchange and apparently the feeling is mutual but neither expects to see the other again. Of course they do first through her sister then later they work together on a crucial M & A project. The two first decide that they are best suited to be friends and drinking partners in part because she has heard of his (overblown) reputation with women and in part because he is a bit of a commitment phobe. As they start to spend more time together, they begin to rethink their "friendship". Indeed can their "friendship" transition into a "dating relationship"? Not without a few bumps and wake-up calls along the way.
The push and pull is rather well done here and never goes overboard to the point of frustration. Work does get in the way. The leads are busy putting out fires on the one hand while rubbing shoulders with a whole host of potential obstacles to true love — acquaintances, colleagues, and clients. There are plenty of opportunities for them to look elsewhere and keep their options open till kingdom come but in the end they keep finding their way to each other regardless of admirers and ridiculous schedules. There are troublemakers strewn along the path of true love but once the main pairing make their minds up, they are a team in the making. Nonetheless what the series does even better is the way it deals with accommodation. With all the different kinds of relationships on display the narrative acknowledges that seeking companionship and making families is not only a human impulse but clearly constant negotiation is necessary to solidifying long-term relationships. The leads may tease and make jibes at one another but their conversation also have depth and thoughtfulness that show their commitment to each other.
There’s an important side story with Tang Ying’s sister Xinzi who is in search of the perfect mate that will check all the right boxes. It’s a long hard road for the spoilt princess type but through her experiences with a few men she comes to conclude a few home truths on her own.
The best thing about this is the script although it’s undeniable that the chemistry between the leads is fabulous and the direction is classy. The tension, the UST, the build-up is great. The dialogue more than anything else just sparkles especially during the banter between the leads. I find myself grinning from ear to ear as I watch their antics. Of course it’s even better in the Chinese. In a romantic comedy the repartee is almost everything. More than that however is the way the leads and their arcs are written. Tang Ying and Xu Ziquan are relatable people dealing with all the same kinds of issues that the rest of us know only too well. He’s no prince and she’s no Cinderella. They just want in on their piece of the pie. To make their mark in a complex world where they’ve been fed lies about their real priorities. They have their strengths and their flaws. Because they are decent people they try their best to get on with everyone even their bitterest rivals and sometimes it means they can’t say no. Sometimes it means that people who can’t take no for an answer take advantage of their good will.
All in all, it’s a wonderful 14-episode drama that isn’t driven (or hampered) by the usual incoherent adherence to romance tropes that plague a lot of rom coms in recent times. Moreover the length of the drama speaks volumes as to why this one is a cut above the rest.
And the OST... is outstanding. Just like When Harry Met Sally.
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The characters play well off each other as their chemistry is greate and the actors are all well suited for their parts. And honestly, the guys are very cute :P
One notable thing about this drama is it gives you room to imagine in details yourself. For example, they don't necessarily give the full backstory of the characters. Instead they hint at many parts and let you create your own story for them in your mind.
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I don't understand why the rating is so low
First of all, I almost gave up of starting this drama because I thought it would be a mess since all the reviews are a bit negative. I was surprised. The story is a lot cute, there's the romance, the friendship, the visuals. I missed an OST more powerfull but that's all. The drama is refreshing, and it has a good story, the characters development it is really good, and now I ill point why I think this.Hye Jun - It is a character who puts a lot of effort in everything he does, if it is his dream, his relationship, his friendships. His relationship with his grandpa is something that worth watch and we can understand through the episodes how he was capable of maintaining his image even after all the scandals people tried to envolve him, it was all because he's really a good person, considerate, someone who values the people around him more than status. His relationship with his dad is a bit problematic but I thought it was enjoyable in the drama too because that's life, who of us never had any misunderstandings on our own families?
Let's talk about Jung Ah, she's someone who suffered a lot because of her mom, she felt abandoned most of her life so she thinks it's better to admire and support someone who is far, someone who will not dissapoint her, I completely understand. Many times in our lives we admire singers, athletes, models, people that as far as they are we think they are amazing, because you know, life gets a little complicated when we know people personally. She choosed the right person, and you know (maybe there will be some spoilers here), I think she did right when she decided to end/postpone a relationship to focus on herself and build her own career, sometimes you have to do this, you have to considerate your feelings more before things just end up ruined. So I think it's delighting the way they meet again years later after both stay more mature, more openly to live their love fully, I think the end of the drama shows it to us too, it's not a sad ending, it's like if they are starting again, but this time being complete on their own, as individuals.
Talking about the other characters I think this is just what happens with Jin u and Hae Na (but I have to say that I missed a better ending for them), and Hae Hyo discovering himself besides his mom influence worth to watch too because it's him getting out of his bubble to draw his own path.
Anyway, I think I was rambling a bit but I have to say, it's a good drama and the bad reviews doesn't define it really well, I enjoyed to watch and recommend it to everyone who wants to watch a simple drama that you can watch with family and have a good feeling about the story in the end.
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This review may contain spoilers
"Remember, your fate hangs on the tip of your blade." ~Zhou Fei
Legend of Fei is not only a Wuxia drama, but it has several cute love stories, an intriguing mystery, and a lesson that all of us should learn from. This drama is based on a popular Chinese novel with the same name by Priest, which I have not read before. (Translated version is only available as machine translation) Two large downsides to this drama were the the terrible editing skills, and unrealistic backdrop that was very obvious from time to time, but the lovable characters and fascinating storyline eventually overshadowed these disappointments. It is quite understandable that many would be unwilling to "wait" more than 20 episodes or so to finally get into the drama, and this is a barrier that everyone should be aware of before attempting the drama. With strong martial arts skills and intelligent thinking, Zhou Fei teaches us that we can achieve our dreams, but achievements are only the result of endless and persistent hard work. With many setting high expectations for a drama with their favorite actors or actresses, this rather low rating isn't very surprising, but I really enjoyed it.Honestly, I don't even know if this contains spoilers. If it does, please message me about it.
Story-8.0
With the usual pugilistic world (Jianghu), there are admirable heroes who help others, but there are also people greedy for wealth and power. Zhou Fei is born into Forty-Eight Fortress, a sect founded by her grandfather (Li Zheng) known for its good deeds and efforts toward eliminating evil. Growing up, Zhou Fei had always been taught by her parents to only do good, to work hard. Her mother seems overly strict to her, but loves her more than anything in the inside. Zhou Fei longs to please her mother, and to achieve this goal, she plans on becoming a famous heroine. After a series of events, Zhou Fei meets Xie Yun, who appears carefree, and quite annoying. Zhou Fei leaves Fourty-Eight Fortress for the first time, and along with Xie Yun, her two cousins (Li Sheng and Li Yan) and some newly made friends, they start to uncover the reasons for the deaths of her grandfather and many other martial artists. The moves for the martial arts were choreographed fairly well, and it was clear that each actor and actress had put in a lot of effort to perfect their moves. I also really liked the costumes; Although they were simple, they fit perfectly for every character, and the light-weight clothing worked reasonably well to portray everyone's personalities. Each story behind the famous heroes are very motivating, and we learn lessons along with A'Fei. The story starts rather slowly and quite boring (and a few episodes could have been cut), but to make fire, wood is needed, and I promise, as the story progresses, it becomes more and more intriguing. There is no clear plot until episode 20-something, which disappointed many viewers. The story revolves around the idea that evil may seem to win, but oh no, it doesn't. Only with a kind heart can you rule the world.
A very important aspect of this drama is the mystery incorporated into it. An item said to be able to assist one into ruling the world was coveted by countless people, and this didn't exclude the evilest of the evil. In the later episodes of LoF, the main plot is revealed, and things do not cease to captivate.
Acting/Cast-8.5
Legend of Fei has some of the most lovable characters in the history of Wuxia characters, as well as some of the evilest. There were some with some annoying attributes, such as the Third Prince, who I still don't know why he was included in the story. We have quite a few comedic duos that give us quite a show, and each and every character has their own story, no matter if their journey throughout their life was tragic, hopeful, or just mediocre. Here are my descriptions of a few of the most influential protagonists and antagonists:
ZHOU FEI and XIE YUN- A strong-willed young girl, Zhou Fei had wild ambitions, but luckily, her ambitions were to do good for the world. (and impress her mother) She and Xie Yun start on a rather bad note, but friendship quickly links them. She discovers that the world outside of her home is not all that cheerful and fun, but rather dark and scary. A hatred towards the Demons starts to grow inside her after she learns of their countless evil deeds, and she manages to kill many of their leaders through the guidance of many martial art heroes and heroines she meets on her journey. The persistence in Zhao Liying's eyes are present throughout this drama, and her acting never fails to disappoint. (I am not a die-hard ZLY fan) Our female lead matures from a girl ambitious to be the best to a young woman who is admired by the many people she had helped. (may contain spoilers:)With a complicated past, Xie Yun is not your typical male lead. He and Zhou Fei first meet when Xie Yun "steals her father". Underneath his cheerful personality hides an unforgiving identity, which Zhou Fei and everyone else learns later in the drama. This identity isn't very surprising, but is crucial to the story. He is very agile, and always manages to escape the Demons without even exerting too much energy. As talkative as he is, he is also very intelligent, although he doesn't always show this aspect of his personality. In front of Zhou Fei, he is funny but also caring. Although Wang Yibo could be considered a rookie actor, he managed to pull off the complex personality of Xie Yun, which is quite impressive.
Wang Yibo and Zhao Liying do not have that fire chemistry, but their pairing was more than acceptable. It may be disturbing to some that ZLY is 10 years old than WYB, but their interactions in the drama made me forget about this irrelevant detail. Xie Yun and Zhou Fei are our troublemakers, they are really two peas in a pod. They only want the best for each other, and will go to the ends of the earth to save each other.
LI SHENG and WU CHUCHU- Another cute couple, Li Sheng and Chuchu are very adorable as well. Li Sheng never manages to beat Zhou Fei in martial arts, and was rather jealous of her. Later, though, he discovers that he doesn't always need to be #1, because as long as he can use his strong skills to help, he is satisfied. Even though he doesn't have the strongest martial arts skills, his leadership and intelligent are two of his main strengths. I found him particularly annoying in the beginning (because he was rude to A'Fei), but his smart and caring personality eventually stole me heart. His love interest, Wu Chuchu, was born with a silver spoon, but her parents are both killed mercilessly and she spends a large portion of her time with Zhou Fei and Li Sheng on the run. Some of her early actions were very frustrating, because she was doing some really dumb things, but her determination to avenge her parents led her to even start to learn some basic martial arts skills.
LI YAN, YANG JIN and YING HECONG- Oh boy, our three troublemakers. They are quite the trio! These three never fail to make me laugh, especially Yang Jin. His motion of rubbing his head is his most famous movement, and makes him appear dumb and useless, but he has some strong martial arts skills. The actor who portrayed him did a great job in showing his funny but strong personality. His love interest, Li Yan, could be said to be even dumber than Chuchu. I love her as well, but some of the things she did were very unexplainable, and led to all sorts of trouble. She wasn't a very crucial character here, but she did manage to add some comedic elements to the show. Last but not least, Ying Hecong, aka The Poisoner. I didn't really understand his presence until I realized that he was very knowledgeable in poison, and he eventually was a very helpful friend to A'Fei and everyone else, and like the others, after undergoing a tragedy or two, he musters up the courage to stand up for what is right. I loved this trio, they are hilarious.
HEROES/HEROINES- Without the wise and famous heroes and heroines, Zhou Fei couldn't have achieved what she did. Each and every martial artist gave her priceless life lessons, as well as had some of the most beautiful stories. Although most did not have much screen time, they each played a crucial role in fighting the Demons, and passed on their skills to Zhou Fei. Li Zheng and Duan Jiuniang had an unforgivable love story, while Ji Yuncheng was an honest man who couldn't forgive himself for a certain event. Madame Ni Chang was a great woman, and saved Zhou Fei and the others quite a few times. Unlike the Demons, these wise men and women were even willing to give up their life to keep the world at peace, and they probably could have a drama just about themselves!
DEMONS- Demons are demons, evil and merciless. They do not even know what the treasure is, but spent years trying to uncover it. Without these terrible characters, the drama could not have progressed, and the actors/actresses did quite phenomenally as the evil roles they portrayed. I wish that some of them got a closure where they learned the valuable life lesson, but even if none did, their satisfactory ending was enough. Each of the demon leaders had their own detestable personality, and not all of them wanted the treasure.
Music-8.0
The music in this drama wasn't very memorable, but it was far from bad. The OST could have been more delightful with a few more songs, and it was kind of a surprise that Zhao Liying didn't sing any of them. Wang Yibo did, and the tune and lyrics fit quite nicely. As for the background/instrumental music, they were very common in fighting scenes and calming scenes, and were also a snug fit. With the mysterious but upbeat music, the audience could predict that Zhou Fei would win the battle, or that some despicable Demon was about to be defeated. In Forty-Eight Fortress or with our Yunfei couple, the soft music showed us the beauty of peace.
Rewatch Value- 8.0
If I had to rewatch this drama, I would most likely skip the first 10-20 episodes, and go straight to when I started to actually make strong connections with the characters. I did enjoy the second half of the story, and did not skip a single part of it.
Overall-8.5
The start of the drama was a little disappointing and underwhelming but the ending was not, as well as the story as it progressed. Some interactions between the characters were hilarious, while others were tense and dark. We are given three cute couples as we followed the main characters' journey to eliminate evil and help the poor civilians. No matter what happened, Zhou Fei did not give up, and her persistence was the key to defeating the Demons. She and Xie Yun have a very valuable relationship, growing from an unfriendly encounter to unbreakable love. And without the amazing acting of every actor, this drama wouldn't have been able to portray the most important life lesson, which I'll leave for you to discover.
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A viper's nest.
After growing up in the countryside, Zhuang Hanyan returns to the capital to claim her rightful place as the legitimate daughter of the Zhuang family. Her reception is mixed—some family members seek reconciliation, while others fiercely resist her presence. It soon becomes clear that the Zhuang household is a viper’s nest, but Hanyan is no naïve country girl. There’s more to her return than meets the eye, something her late sister’s husband, Fu Yunxi, quickly discerns. Their relationship evolves from adversarial to conspiratorial as they uncover each other’s secrets and forge an uneasy alliance.The Glory/ 雁回时 is another in a recent wave of revenge dramas that starts with a suspenseful, addictive hook but fizzles in the second half. The reveal of Ruan Xiwen’s tragic backstory and her complex, scheming dynamic with her daughter Hanyan forms the emotional core of the drama. Unfortunately, after this peak, the narrative devolves into dog-blood melodrama, riddled with clichés, plot holes, and unconvincing motivations. Wen Zhenrong delivers a vehement, emotionally charged performance as the bitter and wounded Ruan Xiwen, anchoring the first half—but once her arc concludes, the tension noticeably deflates.
Though I typically adore ruthless, morally grey characters like Hanyan and Yunxi, their pairing falls flat. Their silent staring contests and psychological battles feel insipid, especially compared to over-the-top performances by older actors like Yu Entai's exaggerated facial contortions and whispered threats. That said, Chen Duling shines as Hanyan, balancing hidden depths with fiery resolve. Xin Yunlai, however, is stoic to the point of woodenness, though his awkward, crooked half-smiles carry a strange charm.
The biggest flaw lies in the overabundance of toxic characters with nonsensical motives. Why does Hanyan—clearly talented and resourceful—fight so hard for acceptance in such a dysfunctional family? The schemes lack payoff, the villains are cartoonishly petty, and the central "hidden treasure" subplot feels pointless (why hoard wealth with no heirs to inherit it?). The second half is a mess of twists without cohesion, and the ending—hinting at Greek tragedy but lacking the courage to commit—leaves a wishy-washy, unsatisfying aftertaste.
Yet, despite its flaws, I found myself oddly engrossed. Like a drink that starts intoxicating, turns bland, then ends bitter, The Glory is a flawed but strangely compelling ride. 7.5/10—great potential, squandered execution.
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