This review may contain spoilers
I've seen lots of dramas and yet this is my first review. The reason I chose to write it for this drama is because of how great it is. I always anticipated the release of a new episode, and would download it on Netflix to watch offline any chance I got. During long commutes to school or work, even for study "breaks". It's plot and characters are so well developed, that you fall in love with every character, whether they were an officer, citizen, victim, or suspect (trying to keep this review spoiler free). It shows the realities of officers and the daily struggles of both becoming a part of the force and staying in it. It removes the romanticized notion of the job of a cop, as it shows the frustrating and devastating moments as well as the miracles of life. It truly gives you a new perspective of life hence the name of the drama.
This is the only drama I found myself crying right at the beginning of the episodes, and crying nonstop right until the end of every single episode. This drama humbles you in ways you never imagined, and helps the viewer to appreciate the meaning of life. While I gave everything else a score of 10 (5 stars) I gave rematch value a 9.0 because I normally don't rewatch dramas anyways (unless it's little clips of them) but this one I feel I would want to rewatch in the future, but only once I've recovered from seeing it the first time. That being said, I've also never laughed as hard and out loud while watching a drama before.
I want to thank everyone who played a part in the creation of this masterpiece, for I genuinely enjoyed every second of the drama 'Live'.
P.S. While I often find myself watching an action or mystery drama, my preference usually is a good rom com. There is just the right amount of romance in this drama as well to make your heart flutter and your stomach feel butterflies. Of course I had to download the soundtrack because of my babes EXO, but all the songs are really amazing. I hope you enjoy it as much as I did!
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a sweet slice of life
Overall: this was a really enjoyable high school setting BL, but the writers needed to narrow the plot/remove some characters. Watched on Gagaoolala.Content Warnings: grief, hit, parental abuse/slap
What I Liked
- beginning grabbed my attention, and the umbrella with About Youth written on it was an excellent prop
- nice intro/OST and music
- sweet/caring moments
- cameo in episode 2 from MODC actor, Wilson Liu
- balance of lighter moments with heavier moments, felt like a realistic high school romance
- production value
Room For Improvement
- there was just too much plot and characters for the short run time which led to dropped plot threads (like the election), characters who vanished (uncle, that bully) and led to choppiness where a scene would suddenly jump to another scene at an unknown time later
- too many repetitive scenes, 5 accidental fall and catches, 3 teach him scenes, time could have been better spent elsewhere
- there were quite a few characters introduced and I was confused who the two friends were wondering who they should tell when they saw the boyfriend in episode 1
- end of ep 1, I was confused about where that water came from, apparently some people do throw water onto the street (per the comment on this review)
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The Marriage Ends, The Love Starts
What a beautifully done series! Its a must watch, one of the best to start 2023 drama. Especially the ending, I love how it did not dwell too much on how to end the evildoers but focus on how to end it all on a side note and everyone got their happy lives.Though it started in ending the marriage and wedding vow, love blooms and ends on lifting the ban and also ends on unconditional love.
The ending also will remain in the back of my head because it is such an eyecandy, the costume, the characters and the story.
ThanK you TFM.
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This review may contain spoilers
Love the story (mostly) and characters, but it is not flawless for sure
Apart from the fact that the series is adapted from a BL work, I see no reason it would be taken down. In fact, suggestions of BL are few and far between even though the relationship between the two main characters approaches the intensity of romance.I think the story has some basic changes from the original work, but the story in the series is pretty strong overall. It is highly engaging as the characters enter the virtual world represented by one door after another. The progress in the dangers of the different levels of the virtual reality game is also nicely calibrated. But the story would have been much less engaging had it not been for a group of interesting and likable characters that the audience will care about. A case in point is the character, Tan Zaozao, a female actress who starts off being a character one doesn't take seriously but ends up with one we might cry over.
It is a little ironic that a series that toes the line in so many ways is taken down after an hour, with most attributing the cause to censorship. If one has no idea that the series is based on a BL work, one might not even imagine that there is any romance going on between the main characters. No doubt, there is a strong bond between them, but it could either be a strong friendship or romantic interest that never really gets a chance to be expressed. I would even say that one of the major flaws of the series is how it toes the line politically, making it thematically simplistic. In the series, it is none too subtly suggested that America = Capitalist = Evil. (No prizes for guessing which country it is antithetical to.)
As a critique of capitalism, what the characters say may make sense at a certain level. However, it is a different matter to posit that evil Western capitalists will go out of their way to corrupt a virtual reality game (or some sort of game where the line between the virtual and the real is blurred) and fill it with violence. Look, in the series, it is not as though the capitalists can make money when:
1. people who start playing the game have no choice but to continue--they can simply go through any door and be transported to one of the worlds of the game even if they do not wish to play and presumably even if they are too poor to pay to continue playing the game.
2. people who die in the game also die in real life, so they cannot continue playing (even if we assume that they have to pay each time they play)--and it it VERY easy to die in the game.
3. people actually actively discuss the game on the Internet and it is quite possible for the game to gain such a bad reputation that not many are adventurous to even start playing it
4. such a game must take an immense amount of energy to power even if it were technologically possible: which profiteering capitalist will foot the bill?
Another issue here is the pitting of the main characters against the agenda of the evil capitalists. You mean as long as the main characters triumph, the evil capitalists won't be able to replicate an older, corrupt version of the game that can cause people to die?
I suspect the original work is more coherent than this, but alas, it probably runs into censorship issues. But if only someone had the foresight to see that the series would be catapulted to the status of a cult classic because it would be taken down after one hour of release, perhaps a decision could have been made to stay more faithful to the original work.
In the last couple of episodes, the series becomes quite perplexing. It does not make sense to have an "it was all a dream" sort of ending, especially one that ends up being self-contradictory. There are at least three key interpretations we are invited to consider:
1. It was all a "dream"--ok, but why would Ling Jiu Shi's dream reveal to him the names and even personalities of people he sees after the dream and not before, and why isn't Ruan Lan Zhu amongst these people?
2. The game has started earlier than Ling Jiu Shi realizes at first, but when he completes the game, he is transported to maybe 15 minutes after the start of the game. This would mean that all the so-called real-life characters for most of the episodes are game characters. Ok, but why are these characters so similar to random people Ling Jiu Shi later sees around.
3. Ling Jiu Shi is still in the game (not mutually exclusive with 2). Maybe there is a challenge he must overcome. Who knows? He chooses to spend the next 50 years creating a replica of the game (presumably without the awful parts) or basically Ruan Lan Zhu and other people he cares about during the previous 70+ episodes we see him. Ultimately, though, this seems to be an act of self-deception... it it suggested that no matter how real we make the virtual world or "merge" it with the real world, we can escape the fact that our physical bodies age in the real world. That is unless we ditch our physical bodies (die physically) and upload ourselves into the virtual world (which can be sustained by god knows what)... I guess this is one way of achieving a happily-ever-after for our leads. Then again, it is a solution that involves cutting oneself off from the people in a different realm.
I think the series makes things unnecessarily complicated and not quite in a purposeful way. This is where it falters despite being a really engaging series to watch about 95% of the time.
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1
2
1Outstanding! A KDrama that somehow satisfyingly feeds the human heart.
The KDrama "Our Blues" unfolds a distinctive magic that gently stretches its silken net around the hearts of the viewers and thus spreads warmth. Big KDrama!Re. musical genre: the blues is a kind of lament, sad in nature and born of pain. In "Our Blues" it's not the lamentations of slaves on the plantations, but those of several very average people living where South Koreans prefer to go for vacation: Jeju Island. The protagonists´ lifes are in no way spectacular. They are rather normal for their age and the place. They work hard for their income, live simply and often on what the land (and in this case the sea) offers them. From the buzz of these individual and yet so normal lamentations, a sense of unity grows, that even transcends the screen - because many can sympathize with it and identify with their painful and often humiliating experiences in their own way. That makes it "OUR" blues in several ways. It reaches out from the world of the KDrama into the world of the audience and brings us as people from all over the world a bit closer to each other.
"Our Blues" fondly tells a dozen stories about disappointments and unhealed mental wounds that many people know in one way or another and may have experienced themselves. Most of the protagonists (all wonderful first-class cast!) have known each other more or less since childhood. They form a community of colleagues, friends, family and family of choice. Although Jeju-do is South Korea's largest island, it is relatively small at 73 km x 31 km. At its center, South Korea's highest mountain - the dormant Hallasan Volcano - divides the island into the northern area around the city of Jeju and the southern area around the city of Seogwipo. Seogwipo has an urban center with the harbor and then there is urban sprawl with village structures along the coast. This city characterizes the living environment of the characters. As audience, we accompany some of them in a kind of latent mental process of molting.
Some say there is no such thing as a storyline in "Our Blues". In fact, it is more of a composition, or rather a kaleidoscope of independent lamentations. At the core of each lies an ancient pain. What's magnificent about "Our Blues" is that (and how) these songs are finally being sung and thus make space for light and love. For far too long, the protagonists have kept their pain deeply hidden within. They tried to live with it neatly packed away, instead of 'giving' it some space. Yet, sooner or later, the old pain just 'takes' its space... for 20 episodes...
I would´t call it healing, rather transformation, because the painful experience of the past is and remains what it was. However, the potential of what is possible in the future is changing. When the pain in the heart is finally allowed to find space and show itself, it can be witnessed and receive the recognition it deserves. The spasm dissolves and energy is released. Thus new experiences are now possible in the future.
Wanting to spare oneself or others, or wanting to avoid conflict and confrontation, has ultimately never really worked or done any good. Actually, emotional pain and psychological suffering have something to offer: they are the key to opening a portal to a new dimension of truthfulness. The recipe is quite simple: friction (in a deliberately tangible sense of rubbing) facilitates closeness. The problem that prevents this potential for closeness is very human: fear. Because the prerequisite is that I have to honestly show myself as I am (e.g. with my feelings). In doing so, I make myself vulnerable. But only then someone dear to me can reach out and touch me for real. And only in this way true encounter between me and the world becomes possible. Self-assured. Aware of myself. Straightforward. Straight. Upright.
In this KDrama lamentations are ´sung´ and ´heard´. Deep down they are sad, true enough. Yet, it makes you happy, that they are sung at last. And it is just beautiful the way those stories are told: The variety of stories about friendship dynamics, unrequited love and sensitive family relationships are affectionately interwoven in many layers and gain in radiance. We repeatedly encounter individual protagonists in several contexts. One person after the other ... we can´t help to grow fond of them. Ultimately, besides the very human blues that life inevitably offers as a portal to become who we are, the constants in all time, here, there and everywhere, are the sea around us and the sky above. Jeju-do as location for this KDama just hits the spot!
A KDrama that somehow satisfyingly feeds the human heart.
(By the way: "Our Blues" has become one of the highest-rated series on South Korean cable television. Viewer ratings have doubled from episode 1 to 20. (As I said, you grow fond of it over time...)
----------------- SIDE NOTE: --- Haenyeo = sea women or daughters of the sea ---
Jeju-do is famous not only as a tourist hotspot with boardwalks and hotels for honeymooners (Jeju International Airport is the third largest in the country), but also for its volcanic landscape, which is now a World Heritage Site. Yet, furthermore, characteristic of the island's tradition are the Haenyeos, who have been diving for centuries without oxygen tanks for abalone (or sea snails) and other sea food. Especially abalone is plentiful on the seabed around the island. However, these are not so easy to harvest by conventional fishing industry.
To this day, the archaic way of free diving is the only proven one: hold your breath, dive down with a hook, a weight belt and a small net, and then skilfully scrape the seafood off the rocks at the bottom. Today, wetsuits, diving goggles and fins help. A buoy marks the 'area'. Not everyone can do that. Apparently women are particularly good at it. Often families practice this craft for many generations already. The technique of holding your breath for around 3 minutes at high underwater pressure, even at a water temperature of 8 °C, is usually passed on to the daughter. (Actually, in these circles the birth of a daughter is finally empathically praised and extensively celebrated.)
The income of the sought-after Haenyeo has become quite respectable. They are economically independent by now. These days, however, there is shadow to it, too. Being able to finance university studies for their offspring, the young generation nowadays prefers to move to the mainland for higher education and more comfortable jobs. Accordingly, the Haenyeos could soon become extinct. Nevertheless, once you are a Haenyeo, you stay with the diving until old age.
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Ok, let's go now: Healer is the best drama I have watched in my two years of watching dramas. I am absolutely speechless, actually I have so much to say and I don't know where should I begin. I'm not biased or something like that because I started this drama out of pure curiosity, I didn't even know JCW and YJT existed(shame on me, stupid girl) and I wasn't fond of PMY's acting. However, the three of them did such a good job portraying their characters and overwhelmed me completely. JCW became my first favorite actor because his acting is simply brilliant, I've never seen a Korean actor before him who's able to portray emotions so perfectly, switching constantly (He played Healer and geek Park Bong Soo). His eyes are expressing every single one of his feelings, I just focus on his eyes and I can read his mind, just perfect. PMY also surprised me (like I said she didn't make impact on me with her acting before) but she was so amazing here, her character Chae Yong Shin suited her so well that it is unbelievable, her chemistry with JCW is something you can't see every day, they are the best couple I've seen in dramas, maybe even in shows generally. That love in Healer was portrayed so beautifully, so intense, so perfect!! Every their interaction made my heart skip a beat, they don't even have to touch, their looking at each other tells you everything! And when they touch I feel like going insane, I've never felt that way before watching some couple in a drama. but this couple is something else. Also, other actors like Do Ji Won who played CYS's mum Myung Hee, Park Sang Won as Kim Moon Shik etc did an awesome job too! Every single character in this drama was portrayed so good, even the ''bad ones'' like Kim Moon Shik and his secretary were interesting to watch because they are not the usual drama-like bad characters who ruin everything, they had their own characteristics which they are known for like every human being, so they were also intriguing. Everything in this drama was done so perfectly I can't even explain it here properly, even If I used so many words.. Plot done by a perfect writer Song Ji Na, acting, OST.. If you haven't seen this drama believe me and start right now, you won't regret it, you'll actually be thankful to God and me, and other people who recommend it. :)
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This review may contain spoilers
What we should ALL be talking about
I want to talk about this drama with someone so badly!When I saw the trailer I wasn't sure if I would like or watch this drama, but I'm so glad I am. The sex scenes are so well placed and tastefully done. The last scene in episode 4 is a MASTER class in the female gaze. I felt like I was watching a truly intimate and life changing moment instead of just a sex scene, if that makes any sense.
The story follows two women, one (Hee Jae) who is waking up from a five year loveless relationship and another (Min Na) who is not chasing love but sex. The two women are charged with hosting a podcast on sex in which they share topics and views with thier audience.
I love the premise, I believe you have to be a person coming out of a long term relationship or a person who has been in a long term relationship to truly empathize and understand how Hee Jae feels when she realizes her relationship has been one-sided and how selfish her partner was. For Min Na, I love the portrayal of a woman taking charge of her sex life and going after what and who she wants in a safe manner. I also like how the author, In Chan, talks about sex in the age of social distancing and how as human beings we long for touch.
As of this writing, I've only watched up to episode 4 but I'm hoping they continue to push the subject of healthy sex between couples and partners and to show that sex isn't anything to be ashamed of.
Update as of Episode 5 & 6:
Ok, I love this drama! The male leads are walking green flags.
Hee Jae chasing In Chan to be FWB (Friends with Benefits) is so adorably cringy. I like the role reversal where the man wants to fall in love and not just have sex. In Chan is genuinely showing Hee Jae that he wants to date her and fall in love not just have sex with her.
Min Na falling for Dr. Cha is unexpectedly cute. Her backstory was heartbreaking.
I dare say this drama is turning into a healing drama.
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You should be warned that this is a full on RomCom, so if you're not interested in romance this is definitely the wrong drama for you. If you are a romance fan, even a slight romance fan, then this is a must see! Not because of the story, which follows the standard kdrama romance formula, but what sets this romance apart is the chemistry between the two leads, and that is 100% due to the breakout lead performance of Ryu Joon Yeol as Je Su Ho. He is perfectly cast, and PERFECT is not an exaggeration. I think the first two episodes are boring because they focus on introducing the plot, and on Shim Bo Nui being weird, but as soon as we get to see more of Su Ho the show became instantly addictive.
Hwang Jung Eum has lucked out with many great pairings, but this one is my new favorite. She relies on her usual perky personality, which can be annoying, but it really fit the quirkiness of this character well. I also liked that even though the character was kooky, and irrational, she was also smart, and not just a doormat. Bo Nui is desperate, and self destructive, without losing her charm, which makes her extremely complicated. They both nailed the balance between silly humor and more emotional scenes. They also looked good together, even with her HORRIBLE outfits (I still don't understand the hospital gown couture). My only complaint about the pairing is their kissing scenes... UGH! Joon Yeol gives everything to those moments, including his beautiful lips, and she just presses her lips to his with no effort. It pisses me off too much not to mention it.
The rest of the cast is also amazing. Gary Choi is a great 2nd lead character. I like his dynamic with the leads, and that he's not a villain-type. I've never seen Lee Soo Hyuk in a drama before, so I wasn't initially impressed, but he grew on me quickly. Amy's character was not as likable, but I still think Lee Chung Ah did a great job. The office team is full of great smaller characters, with their own cute little stories (I loved the office bet moments), but the supporting character MVPs are BFFs Dal Nim and Ryang Ha. They really were hilariously cute together, as well as perfect support for the leads. Some of my favorite moments in the show are their banter. They are the perfect comedy relief when the rest of the story gets less humorous too. I really don't think there are any weak acting links in the cast, and it's the cast that drives this show. I am annoyed by the lack of development for Jung In Ki's role, but that has nothing to do with his acting, which I think was spot on, that's the writer's fault.
That leads me to this dramas biggest weakness, and that's the story. Not only is the premise ridiculous, but how it's handled left many questions unanswered. I think that's part of the charm of the story, not having everything defined as 0's and 1's (a major reoccurring theme), but it is also frustrating. Then there are other storylines that are introduced... a missing father... the chicken guy... disgruntled ex employees... but those stories just aren't ever as interesting as the main love story. Even the game development story is only slightly intriguing, and just another brilliant means for them to interact. So I thought the story was pretty average, but I was still a fan of the writing. What I thought the writer did well were actually what the characters said, or how they interacted with each other. Ju Ho has some brilliant moments, and unless he was totally created through improv, the writer deserves credit for making one of my favorite drama characters EVER.
The music got better. I wasn't initially a fan, but I started liking some of the later songs more. What I really love is how they incorporated the song "Sad Fate" into the story. I thought that was very well done.
Now for the real reason behind me giving this drama a 10, and thats the rewatch value. Of course I gave this a 10 for rewatch value, because I am already rewatching, and I'm already up to episode 7 o.O!!! I've never done that with a drama ever!
So overall, this drama may not be perfect, but Ryu Joon Yeol was perfect, and that earns this drama a 10 score from me. I can't believe he's only been in two dramas!!! Obviously I now have to watch Reply 1988! I know that the next drama he's in will probably have me doing a countdown 'till the first episode.
If you're reluctant to watch, just please remember not to judge this drama by it's first couple of episodes. Once this show gets on a roll it is continuously charming until the very end. There are also some great themes about love, life, and "fate" in it that I appreciate. Oh, and I truly appreciate my new ideal kdrama namja chingu... RJY. I have a feeling I'm not alone in feeling that way!
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This drama started off cute and light-hearted with Ariel and Vin bickering. We also saw a lot more of the masked hero doing his thing. However, the plot wasn’t very deep at this point in the story. So, it started to lose its spark around episode 10-15. Around episode 20, we got a new setting and therefore the story picked up a bit but…it slowed down for another 10 episodes until they decided to quicken the pace again. It felt like I was on a rollercoaster for children; small build-up and boring falls that repeats five to six times. The overall tone of the story changed near the middle of the drama; it went from lighthearted to a more dramatic feel. The scriptwriter did try to insert random comedic parts, but they felt forceful and unnatural. Everything did unravel throughout time and many different issues do come up to provide depth and conflict to the plot, but I lost interest as the plot became more complicated. Not because I dislike conflict and details, but mainly because I found the story to be losing its focus. Too much was going on and I didn’t find the conflicts to be a great addition to the overall plot. Especially with Ariel's identity as the Divine Maiden. I think they could've delved more into it and given her more of a role to stop everyone from trying to hunt her. Could she have learned martial arts/self-defense? Yes, but did she? No. She left it all to Vin (and Austin) and was ultimately a damsel in distress at the end. Besides having an" extraordinary sense for business" she did very little to change her fate.
If you’re looking for a drama where the main couple is together often then look elsewhere. After the first 16-18 episodes, we rarely see them together. They meet and get separated frequently. This doesn’t bother me much if they carried the plot well (but they didn’t) and I got frustrated near the end when the reasons for their misunderstandings could’ve been omitted (i.e. unnecessary love triangles). This also could’ve given the director/writer some more time to dedicate giving their audience a more satisfying ending. I’m quite bitter to have spent so much time watching this and get such an awful ending. I actually laughed when I watched the ending because of its mediocrity. In short, it was a cop-out. Either the director/writer did not plan accordingly to provide a substantial and fulfilling ending, they overspent and decided to make the last episode a cop-out, or both. I don't mind tragic/sad/happy endings as long as they're done well, but this ending was none of the above. It was a badly written and executed ending. They took no responsibility for anyone’s story and provided a distasteful ending. For those curious, I’ll provide a comment below to spoil the ending if you wish to read it.
I was excited to watch Vin Zhang as a lead. I believe there’s a lot of talent that hasn’t been shown as he’s (in my opinion) slowly being type-casted. In the beginning, he would bicker and tease Ariel, so it was refreshing compared to his recent angsty roles. However, this changed quickly, and he lost his shine as the plot thickened. Which was a massive shame. Watching Ariel is the same as watching her in her previous dramas. She’s great at acting out a “dumb” and cute role. Due to her experience, she is also one of the best actors in the series. She portrayed her role well and did well with her more serious parts. But I do want to note that I have a really hard time taking her seriously when she’s trying to be tough. This is mainly because I think she has a face suitable for dumb/cute roles. Sorry, Ariel. Vin’s shine seems to be passed to Austin in the latter part of the drama. Austin has turned into someone who would bicker and tease Ariel, but I didn’t find him to be too memorable in this role. Then again, none of the roles are memorable for me but are these a fault to the actors themselves? No. They did well to portray their roles. I just found the roles to be poorly written...or just poorly implemented into a poorly written plot. I do want to note that I found Austin's character to more interesting than the leads near the end...so I guess that's saying something.
All-in-all, I wouldn’t recommend this if you’re looking for a great plot and a satisfying ending. I think there are better historical romances to dedicate your time to but of course, everyone’s taste is different. So, I would recommend this if you’re looking for a semi-lighthearted historical drama. Just be prepared for an extremely poorly written ending because that's one thing we can all agree on whether we enjoyed watching this or not.
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Love every second of it.
THE CAST IS INSANE.Honestly, it's refreshing to see a drama about the struggles of a declining family instead of the usual rich people drama, this drama also seems to be of quality... I like how simple it is, the common man has the most interesting and realistic stories.
Also wow they got Hu Yitian, Zhang Jingyi, Ceasar Wu, and Hu Chunyang in one drama-
I can tell how great the cast is because I recognize the older actors as well, they just picked up all the popular (and skilled) ones and said "Do your thing, this drama will do well"
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Drink the finest wines, look at lovely girls, make the best friends, and fight glorious battles.
Spymaster Ning Yuanzhou and his elite Liudao Tang spies are tasked to escort a Wu diplomatic delegation to An to pay a king's ransom for their captured ruler. He encounters the stunning and deadly Ren Ruyi, a vengeance driven assassin nonpareil who defected from An. They have overlapping goals and form a wary alliance. Predictably, these aging-out, disillusioned operatives from opposite sides fall in love and indulge in a mid-life crisis amidst a suicide mission to rescue the foolish Wudi. This is an unexpectedly funny drama and the humor works well but masks the monumental task ahead of the delegation. Its best achievement is it makes us fall in love with a motley crew of unforgettable, flawed characters to the point we root for them against all odds and beyond reason.This is a rare drama where I am more invested in the supporting cast than the main leads. Written by a feminist writer, Ren Ruyi is literally superwoman; independent, ruthless and indomitable; an indestructible one woman killing machine with fantasy level combat abilities. Ning Yuanzhou also walks on water; a master spy whose machinations decide who sits on the thrones of both states. Together they are so formidable that it seems more efficient to skip the mission or war as they can easily topple any ruler in their way. These over the top character designs with exaggerated abilities and superficial flaws rarely resonate with me. But I did derive petty enjoyment from their bitch slapping, scolding and kicking ass through the two kingdoms.
The casting of Liu Yuning and Liu Shishi in the leading roles is brilliant. While there are better actors, these roles play to their individual strengths and they both executed well. Liu Yuning plays a character that hides in plain sight. A too pretty actor would not work in this role. And Ren Ruyi the stone cold killer is perfectly reflected in Liu Shishi's stoic expressionless face and bright hard eyes. Even as she becomes less guarded and warms up to the delegation, there is bare of relaxation of her taut features; every frown and smile is controlled. Her head is at an exhausting elevated angle that made me wonder if she has frozen shoulder. Even her grief is so beautiful in a restrained way that I was unaffected, even mildly irritated at her cry scenes. Such an aloof portrayal made their chemistry seem decent but did not light up the screen . So it didn't matter to me if they made it out at the other end. As fully realized characters that live and die by the sword, they know the score. Their romance peaks too early, had few true obstacles and repetitive fan service sweet nothings moments . The heavy handed messaging about women's biological clocks annoyed me.
The more interesting characters are the young ones, Yang Ying and Li Tongguang, both on heroes journeys. He Landou delivers a inspiring portrayal of an uncertain young princess completely in over her head, overcoming fear, heartbreak and every obstacle to emerge as a purposeful person with the the courage of her convictions. At surface Li Tongguang appears to be a fascinating character; strong, smart, ambitious and charming. Unfortunately he has a dark side, an odd and creepy Oedipus complex for his shifu. Part of the problem is this narrative doesn't invest in villains; most antagonists are killed off so quickly they leave no impression. Thus Li Tongguang becomes the default fall guy; whenever something bad has to happen to create angst or move the plot along, it is pinned on him. Nonetheless the role is well played enough that I had a soft spot for the character throughout.
Saving the best for last, Fang Yilun's Yu Shisan stole the show as far as I am concerned. I love flawed, humorously self-aware, very mortal characters like this with no special powers or death defying abilities. Hopefully Fang Yilun's amazing comedic expression and timing gets noticed. His shock and aghast at the idea he was falling in love made me shake with laughter and moved me unaccountably at the same time. When he prosaically warns his love not to fall for a rogue like him, I knew she was as much a lost cause as I was. Shisan is the unsung hero of this story. He picks up the slack so that Yuanzhou can rescue Ruyi and was there for Qian Zhou, Sun Lang and Yuan Lu through the last legs of their mission. He remained true to his life's mantra to live fully with no regrets: drink the finest wine, look at lovely girls, make the best friends, and fight glorious battles. / 这辈子就要喝最烈的酒, 看最美的姑娘, 交最好的朋友, 打最漂亮的仗. It is too bad he did not dare to or did not believe he had the right to love and thus denies his heart to finish the job. If I could have changed just one thing, I would have had Shisan leap on to that horse along with his love. The other flawed character I enjoyed immensely is Wudi. After Shisan, he made me laugh hardest, especially during the great escape. He also moved me with his profound regret and intent do better.
This drama has a linear plot that is not well paced; it either advances at a high speed that glosses over logic holes or stalls out to dwell on repetitive romantic or delusional tropes. The harder you look at the plot, the less it makes sense. As it is more of a character story, I am willing to be forgiving as long as important characters are not destroyed along the way. In that aspect, the drama starts out exceptionally well with a fantastic core of well conceived, multi-layered and compelling characters. Unfortunately, the character designs start to break down quite early on, with Li Tongguang. The ending was rushed, had some sloppy edits and packs in an unnecessary Wu arc. Too many characters are destroyed into the finale including Ruyi and Yuanhou. Ruyi prioritizes her personal agenda, bites off more than she can chew (again) and had to be rescued (again); forcing Yuanzhou to choose his love over his mission. Consequently they were not there when Liudao Tang needed them most. Finally, Ruyi makes a decision that is not true to herself or to her beliefs about living well. After investing so much on Li Tongguang, this character has no development and mucks everything up in the finale. The ending was was bloodier than I expected and unnecessarily cruel. I didn't have a huge issue with the outcome in and of itself, just the figurative character assassinations.
As for the ending scene, upon re-watch, I realized it is not confusing, it simply pays homage to the meaning of the drama's title Yī Niàn Guān Shān / 一念关山 or A Thought of Guanshan and closes the drama on a note of finality. It is a line from an ancient poem 却东西门行/But the East West Gate written by Shen Yue during the Northern and Southern dynasties. It is a sad poem reflecting on life, the passage of time and destiny. Guanshan/ 关山 refers to memories spanning the mountains and rivers (meaning the far reaches of the empire); of past events joyful and sorrowful. It is an Auld Lang Syne moment where someone who lived on longs for the bygone years and lost friends. It is unnecessarily cruel to close the story with a character that was meant to move on with their life. The bigger point is everyone they are thinking of did not make it out at the other end. The ending to me is not ambiguous.
I enjoyed many parts of this drama which started out as an 8.5 for me but there were draggy parts, key characters got destroyed, all the holes become obvious with re-watch and the ending is just not good. It is still a wonderful watch with lovable characters, fabulous fight scenes and divine comedy. I am just petty and I won't forgive them for Yu Shisan. My final rating is 8/10.
ENDING SPOILER COMMENTS
The final scene is actually very clear.:
Ten years later, the countries are at peace. He County which was the frontier battleground is prosperous and thriving; children are well schooled but the naughty ones sneak out to play. Chu Yue visits the battleground which with a decade of peace is covered with grass. She takes a moment to think of the past, of everyone that sacrificed and imagines either what could have been or that they are in another place. Her fantasy doesn't have to make complete sense because it is just her imagination. The child she sees on the horse is not the same younger child that sneaks out of school. Ning Shisan on the horse is older, with loose hair in a pure white outfit. Chu Yue should not be in this scene. Shisan denied his heart to set her free. He saved her and meant for her to go on, to love and live life with no regrets. It enraged me that they did this to poor Chu Yue and it would have broke Shisan to see her like this.
Ruyi should have been in that end scene, possibly with a son and a daughter. She could have escaped and remained true to her promise to Yuanzhou to go on without him, that a woman can live well without love. The drama foreshadowed many times that she would be last woman standing and yet they both literally and figuratively killed her character when she chose to blow herself up after assassinating the Beipan king and prince. Ruyi had a choice and the one she made sends all kinds of wrong messages to women everywhere. The only woman who remained true to herself was Yang Ying. She moved on, made the best of her situation and lived well regardless. If Ruyi had to die, the end scene should have closed with Yang Ying instead of Chu Yue.
I also think they should not have killed off Wudi. The team put themselves in harms way to bring him back; he learned some hard lessons and would have been a much a better ruler for it. They killed him off so that Yuanzhou could play kingmaker. It was a rushed, completely dumb, ridiculous and gratuitous Wu subplot that negates poor Qian Zhou and Chai Ming's sacrifice. I could go on but these are some of the main reasons I am so let down by the ending.
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1A touching drama criticizing society in the most beautiful way
This was an emotional ride with every singel emotion known ... I have probably cried every singel type of tear i know of.... so to say I was touched is an understatement.This drama combines important issues while celebrating peoples life and showing both respect and nuance to peoples death. Every episode has a message and while some kick you making you want to fight back, some will give you hope and others are just sad and that is okay too.
The main story is touching on its own with, trauma, violence, misunderstandings and a whole lot of regret truly has everything and more that one can expect and wish for from this type of drama. I Love the way this drama shows people of different ability as competent humans with emotions deserving respect but also in need of assistance. I also love how this drama tackels prejudice and controversial issues in today's society in an unapologetic yet beautiful way.
I was not annoyed at any one, never had the urge to pause, the humor in it hit just the right spot and all in all I loved it. Yes I did. This does not mean every second was perfect or that every singel actors acting was flawless it just means I liked the way it woke my emotions and made me feel so many different emotions in only 10 episodes.
What also made this drama great was that different episodes where kind of different generas so there was really not time to get bored. While some episodes where more emotional, other episodes kept me on my toes, some truly caught me of guard and supersized me and some even made me fall in love... but to be clear the romance truly is kept to a minimum.
This drama also taught me that even dead people communicate, we just have to listen and observe the objects they leave behind and that as long as some one is in your memory you will never be alone... kind of creepy but sweet and comforting.
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“Why do you Run?”
This drama is about two adults who met in the oddest way, but at the perfect time - one who is an orphan and has been living only for herself, and one who has been living for others to the point that he's left with nothing for himself. And no, they did not need each other nor did they need saving, but they grew as their own person when their worlds collided. This drama follows their journey of self discovery and self love. This drama does not have your usual tropes, angst, and fluff (at least at the beginning- wait for it!), it doesn't have a major conflict, but it just shows the characters' day-to-day lives. It shows a mature and realistic take on relationships. It shows that we are simply the protagonists of our own lives. Moreover, It shows the importance of finding yourself and loving yourself first before you are able to give yourself to others. The cherry on top? Their chemistry. The main leads' chemistry is THROUGH THE ROOF so be prepared to fall in love with them.As the title might suggest - this isn't a sports drama, but a slice-of-life romcom. It's funny, endearing, impactful, and heartwarming. It carries so many life lessons and touches on many sensitive issues like sexuality. As the FL is a movie translator, this also includes a lot of classic movie references/ parodies that enthusiasts may like. It may be slow at the beginning but it's because of the many layers and depth that will be unveiled as the drama progresses. This is also full of parallelism and symbolism that might require reflecting before you fully understand because that's how rich and detailed the writing is. This is a dialogue and character driven drama, which might not be for everyone, but it's as good as it gets. This drama's charms are the raw, rich, refreshing, and excruciatingly honest dialogues, the witty jabs (trust me the humor is very, very well written), and how the story circles back to its title - Run On. Run On, move forward - even if it life gets difficult, you can always slow down, just don't give up. Despite your traumas, life must go on.
This drama is so healthy, real, and good for the soul - no toxic relationships or toxic masculinity. The men: the male lead is a character we haven't seen before - he's odd, awkward, but in every way charming. He is always ready to lend a helping hand to others. He has a hard time communicating and expressing himself but eventually the female lead broke his ice (isn't it fitting that the FL just happened to be literally, a translator?) The 2nd male lead is equally charming, a bit emotional and sensitive, but knows what he wants. He's quite the character. The women? Damn. The women are strong and brilliant. The female lead is the epitome of self love without any selfishness. Despite her tough past, she grew up well. The 2nd female lead is a chaebol (not your ordinary one) - a strong, independent woman, but puts up walls and boundaries. It's beautiful to see all of them grow and come together, with a bit of cute bickering on the side. The characters are very unique - roles/jobs that aren't usually shown in dramas (a translator, retired athlete, movie distributor, artist, and so) so this is quite refreshing. I also loved how all the characters have a relationship with each other (not just the leads) - bromance, sismance, even the male lead and 2nd female lead and vice versa. The friendship that developed among the leads and supporting cast is just phenomenal. The writer also managed to let the 2nd couple shine and not just make them a mere filler even until the last episodes. Even the smallest roles were given recognition. Cannot praise the writer enough for this.
If you are looking for a comforting and healing drama, this is for you. If you are at a bad place or if you are feeling lost, this is for you. Honestly it has been a while since i've been this attached to a drama. I assure that you will fall in love with the characters, the insanely beautiful cinematography, the OST, and the impeccable writing. It is in every way sensible and authentic. It is full of so, so many life lessons if you'll just go beyond the surface.
[Edit after completing] Well, it's still as beautiful as when it started. It's great from start to end, cried a lot in the last episode. The ending has to be the best i've seen in kdramas. I love how everyone was given their own happy endings. I also love how the ending shows that life just goes on for everyone - you don't need a big, grand, happy ending to find meaning in our day to day lives. Again as the title suggests, Run On. Amazing, amazing work by the writer!
It's a long review but in conclusion: YOU NEED TO WATCH THIS NOW!!! This is a rare masterpiece!
My favorite quote: “When you run, you don’t think about what’s behind you. The only thing that matters is what’s right in front of you. Normally, it’s the finish line. But today, it was you.”
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Dumbed down to the point of fatousness.
Let me keep this short to avoid wasting more time on this mind numbingly boring 39-episode revenge drama that was 40 episodes too many. The original works The Emperor's Book 帝皇书 is a dark and complicated tale of a love, duty, revenge and atonement. The adaptation has been dumbed down to the point of fatuousness in a misguided attempt to make the intricate plot more accessible. The broad plot outline is unmistakably Nirvana in Fire lite with swapped gender roles and a ton of romance.The bright, over-lit palette sets the wrong tone for this kind of dark story of betrayal from the get go. The action heavy open sees swashbuckling badass pirate Ren Anle proposing to crown prince Han Ye with her dowry of 30,000 elite sea troops. Despite Dilraba's impressive flirting skills, Anle's shameless pursuit of Han Ye went on for too long and seems heavy handed. There isn't much natural spark between her and Gong Jun even though they look fantastic together. Despite her exquisite beauty and charisma Dilraba's acting in this is disappointing. She comes across as someone who never suffered or experienced profound loss. Her best distressed or traumatized expressions smack of someone whose favorite pair of Jimmy Choos got muddied; a far cry from someone whose entire clan down to nine generations got unjustly wiped out. The collaterally damaged characters Luo Mingxi, An Ning, Lin Lang and even the delusional Chengán are more convincing as deeply scarred and haunted by the Di family massacre. To be fair, the titular role of Anle is not well written. She barely gets to do any of the hard stuff. Everyone from Luo Mingxxi to An Ning steals her thunder in terms of the scheming, making ruthless decisions and even fighting.
"My heart was once stirred by a woman called Ren Anle, but all my life I will protect Di Ziyuan/ 我对一个叫任安乐的女子动过心，但我这一世都会护着帝梓元" is the novel's best line that encapsulates what Han Ye is all about. If Gong Jun had to get one line right, it was this one. His expressionless lacklustre delivery of this line epitomizes his vacuous, uninspired acting throughout. The only characters that made me care are Wen Zhou and Lin Lang. Liu Yuning also does a decent job largely because he dubbed himself. Sadly his character has no development and doesn't do much other than to mope and slouche around plotting with a sinister twisted smile on his face.
There is too much standing around and talking in this drama but there are only a few good lines that are repeated ad nauseum. Of course the Di family army lost 80,000 troops; more than the 70,000 strong Chiyan army! The sheer hubris and audacity of these third tier writers to repeatedly allude to a masterpiece and hint their Di family suffered more is pathetic. They neutered an amazing plot and weighed it down with a pedestrian rendition of the Romeo and Juliet trope. The revenge arc climaxes too early and the showdown lacks intensity. The narrative further devolves into a bunch of silly sub-plots that are just juvenile attempts to squeeze some angst out of viewers by unimaginatively throwing a few characters off a cliff and killing a few others gratuitously. This just made me laugh instead of cry. This drama seems to drag on forever to the point that the hair turning white oddly makes sense! Only watch this if you are die hard Dilraba or Gong Jun fans. I rate this 6.5/10.0.
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This review may contain spoilers
THE BEST ASIAN BL EVER MADE
THE GODS THEMSELVES BLESSED HER. F*CKKKK, WHO TAUGHT SAMMON (writer of Triage) HOW TO WRITE.Triage absolutely caught me unawares. Now, I have watched BLs for 8 years (since 2014) and in that period I have watched over 370+ BLs, BLs from every area of life, from different countries and genres. I can proudly say that Triage is my best BL ever made or released (followed closely by The Untamed at number 2).
I was not ready for the phenomenon that is Triage, like I started this series and it was kind of slow in episode 1 and 2 but I am not the type of person that usually drops a show if I don't like the first few episodes and I can say that was the best decision of my life with regards to BLs, I absolutely love how well knit this series is and how realistic it is, the social issues that it handles and addresses and how it does this without being cliche or boring.
But what amazes me the most is how this woman managed to tie the entirety of Triage to Manner of Death, like her brilliance in all of this, I don't know how I will ever lower my standards for Thai BLs. THIS SERIES WILL NEVER BE DEFEATED IN THAILAND
Anyways, let me get to the review proper.
If you have read my reviews in the past, I review series in 8 standard areas/categories.
1. Introduction
2. General Review, Themes and Specific Issues
3. Story Arc and Storylines
4. Characters and Casting
5. Acting
6. Misses
7. Production
8. Rewatch Value
Introduction
In summary, this series is more about how interconnected the lives of different characters in the series can be without them knowing, it is about an abuse of a position of power and trust, it is about the complexities of love, it is about the desperations of life and how life can hand us such a bad set of cards, it is about the weaponization of poor disparity to keep the oppressed in an oppressed position. Along the line of all these things, we get to witness two men fall in love, in what might be one of the purest forms of love, a love that nurtures and guides, a love that doesn't judge, a love that grows us and develops us.
If I say this series took me by surprise which was what made it all that more pleasant to watch because I had ZERO expectations from it, but it absolutely SMASHED!!!! every possible barrier. Like when this series was being made, all the gods of earth were in the room with them because that is the only thing that can explain the execution I got from this series. I saw one of the videos on twitter, they literally had doctors on set with them to teach them what certain procedures should look like, the precise places to perform a surgery etc and I had a medical student as well as a doctor who watched the series who said their medical procedures were really spot on.
The series was so mature in how they handled their storylines, their concepts and issues, they did not make caricatures of any characters, they did not attempt to villainize any of the characters out of stereotypes (I was particularly worried they would do that to Mai, but the mature way the addressed Mai, Heart and Tol's relationship in the series).
LIKE FUCKKKKKKKK, these people really gave me such a good time in the series, that just thinking about it makes me smile like a child and giggle. I am almost tempted to say this series had no flaws but I won't lie the slow start in episode 1 and 2 is kind of a flaw because it may dissuade the impatient viewer from continuing with the show and making them miss the gem that they will get in the rest of the series.
Alright I know I am sounding like a broken record, so it's time for me to move to the next segment.
General Review, Themes and Specific Issues
For a general review, Triage is a sleeper hit, because Triage was such a refreshing breath to me, I had intended to give up watching BLs in October of 2022 (I don't know why I had a specific date) but the series just had the IT FACTOR, it was refreshing to see detail in that sense, as well as the amount of detail paid to medical terms, autopsy, surgery etc.
I was pleased with the level of suspense they left us with after each episode, like they dropped tidbits of knowledge that make you eager to learn more by the next week, and there was a certain level of complexity with the amount of attention devoted to the mystery. Knowing each character's driving forces and having the utmost suspicion for each one
I loved the series for so many things, they always made me laugh and roll over with laughter with how in love Tol was with Tin, how much of a bxtch Tin was to Tol, sadness with Rit when he discovered his information, sadness for Tin when Tol and Fukfang both died. This series made me feel all the emotions possible, joy, happiness, sadness, rage etc.
Now to the themes and issues addressed, there were so many real-life issues addressed in the show that if I decided to touch on everyone, I would exhaust my word limit on the review, because Sammon is just that good of a writer, she knows how to handle issues, but here are a few that I have identified and picked out:
1. Medical Malpractice and Organ Harvesting - Seeing a BL cover an issue as serious as this and as underrepresented in mainstream media was so exciting because this is a real-life issue we battle in the real world. From the improper administration of drugs to patients to the illegal removal of patient's organs, the series touched on an epidemic that has plagued the lives of so many persons who have had a need to use health facilities especially where the person cannot afford the most expensive of facilities. People don't understand the pain that comes with having your organ stolen but the series handles this pain so beautifully it could not have been better.
2. Relationships that build each other - I think in Thai media and media at large, we have been exposed so much to a love that is always toxic and destructive, that we have started to adapt to this as a form of "healthy" relationship. One thing I loved in the series was the fact that Tin never once judged Tol for his actions, instead he worked with him to try and do better, which is more important than most in a relationship that you are developing each other. Another angle in which I saw this was with Tol to Mai, we can all clearly see that Tol loved Mai in the previous loops (else why would he always die because of her), but I love how much when he found out about the reason why she was dating him, he didn't become bitter or vow to destroy her, no he understood why she did what she did and helped to ensure her mother got the appropriate care she needed, this is what I mean by having relationships when you edify each other.
3. The Effect of each of our actions: This is best portrayed in Tin and Tol and the drunk guy that was saved in the last episode. The effect of choices, every decision we make, no matter how remote or isolated it is, has an adverse effect on tons of lives, take an example, Tol saving that man's life now, impacts not just the man, but his family as well, who only God knows might be the sole bread winner of the family.
Tol said that is in-line with this -"Because someone doesn't love his life, doesn't mean there aren't those they love and that love them back. Saving a guy's life can make a lot of people happy "
It goes to the fact Tin was so blinded in rage about his sister that he forgot one of his core oaths as a doctor, DO NO HARM, his actions hurt someone, whether or not he sees them or not. Tol just talks about making them happy but me, my thoughts take it farther, not just their happiness but the overall impacts on their life
4. Wealth Gap and Oppression of the Poor - One of the most important themes of this series is how the voice of the poor is often robbed from them, we see Rit who initially commits suicide is led to those actions because his rich and more powerful friends' asides treating him like shit, steal his ideas and get away with it because the society is built to favour the rich and powerful. We also get this in Mai, who basically forced to enter a relationship she does not want to be in because it can pay her mother's bills, again portraying how expensive the health system is but also how it oppresses the poor from getting vital healthcare.
5. Mental Health: I felt almost foolish at the finale for hating Doi all through the series, the way she handled Doi's mental health, she didn't do something that writers and the world likes to do often and that is treating mental health as a crime. I always asked myself what Doi's motivators were and I wouldn't lie, I hated him for his interference in the series but I must say, when it was unveiled that he has mental health issues with him in the psych ward, damn, I was so happy with the writer becasue she shows often times, what these people need is the appropriate help not hatred
6. Senseless Injustices - Another prevalent issue or theme in this is the uncontrollable nature of injustice, asides Rit and Mai whom I have spoken about in number 4, we see uncontrollable injustice with Tin's sister and I think this specific theme is important because I understand how bad it can get when some of these injustices happens.
7. Forgiveness because there was a lot of forgiveness going around, from Tol towards Mai, Rit to Tol etc.
8. Bribery and Corruption - Honestly on this theme, I don't think I will go so much into it
So that is everything on general review, themes and specific issues.
Characters/Story Arc and Storyline
1. Tin, for Tin we see Tin have to come out of his shell, his dislike for humans and his judgemental high grounds to actually develop a conscience, fall in love and try saving people. At the start of the series, we meet an already broken person in Tin without realizing that he is broken, although we get a first hint of this where he is being kinda bitchy about treating a drunk person but the story arc of Tin has him maturing, seeing that life is not always what it seems to be especially with him discovering that Tol was not actually drunk and he had judged him too much. From his attempt to save Tol, we see Tin slowly change as a person on a whole he becomes softer not to only Tol, but those around him as well. His character development was really great to see. Seeing the efforts Tin put in on his side to being there for Tol broke me😭😭😭😭, man legit studied a course he has no background in, just to stop Tol from cheating.... This is why I always say, it's the tiny things that matter.... This is such a positive example of passing across what a healthy relationship should look like.... Working to build each other up.
Also Tin being an ER doctor makes sense, when you explain it like this, he is an ER doctor, prolong their lives long enough to see other doctors. Because his personality doesn't mix well with other humans, and as an ER doctor, most patients are not in a state to be able to talk.
2. Tol is a rich boy, who it pretty and has always gotten what he wants, this of course makes him a spoilt brat who doesn't appreciate anything beside him. It makes him ruin his friendships with people without realizing that he is doing so, it makes him lazy and naive (the attempt to cheat in the anti-fraud exam.... the irony of cheating on anti-fraud). I mentioned it earlier but I love how his dynamic with Tin through the series, why did I particularly love this because Tin corrected Tol with love rather than judgement, he took his time to teach and explain why each of the imperfections and flaws. I think we get to see Tol develop from this immature self to ultimately being the one that has to save everyone in this final loop. If that is not character development, I don't know what is.
But can we take a moment to acknowledge how cursed Tol is with love, I mean my guy, women are using him for his money and the man is cursed to either watch him die or he watches the man die, like my dude should just give it up. But Tol was so in love
3. Jinta, our ultimate hookup master, lol, this man needs to be taught what privacy laws, because the way he just drops in it is funny, Tol trying to cover his eyes from seeing him and Tin do the deed got me. Jinta's hookup service is extreme because it is literally do or die, either you get him to be with you or he dies and you never get him back, the terms of his deal are simple, which is hillarious to see him stress Tol like that
4. Heart and Mai, surprisingly, I did not hate Heart and Mai, I love the clarity that the series gave to them both, Heart was not made to be some deadbeat guy who was using his girlfriend to defraud someone, instead you could see him actively trying to be better and available for her and Mai couldn't be blamed either, society put her in the position of having to trick Tol for the sake of her mother's life.
5. Gap and Sing were just adorable, watching Gap get jealous all the time was so funny to see because he was sulky about it. I liked how in this current loop; they are already together.
6. I hated Sak and his Lackey
Now on a general, I love how they tied their stories together and created parallels
1. If you followed the memories carefully, you would notice that the Tol and Mai fight, where he throws her and she gets cut, it's a replica of Heart and Mai fight, so since in the previous loop, he is in the knowledge of everything and he is already with Tin, balance is struck by having Heart and Mai have the fight instead.
2. Similar to how Tin also died at 10:55pm July 18th similar to Tol's time of death in the loop. Notice the cause of death is always linked to a party? Since the first cause of death was him chasing after Mai at the party, he threw to appease her, Tin's death was at Tol's party for his accomplishment because in this loop, Mai's party couldn't exist and be the cause of death... So now it's Tol's party that has replaced it and is the cause of death
3. The crossing of the loop with Tol seeing the memories, thus why Tol was physical in one of Tin's loops just made so much fucking sense, because in Tol's view, he is seeing how far Tin went for him, literally battling days of no sleep, just to have a way to save him and if you link if to the previous episode 4, it is shown to be a driving motivation for Tin... if you go back to episode 4 where the OG Tin seeing Tol scene happened, the music is the same as the music in episode 11, the conversations are also the same... Word for word.... The scene also makes sense now, on why Tol was so intimate with him in the scene when they didn't have a relationship yet.... Also, if you noticed, Tin "woke up" in episode 4, right when Jinta switched the memories in episode 11... LIKE THE FUCKING ATTENTION TO DETAILS!!!!!!!!!!!
4. Using their parents to get to each other
5. There was no scene that was left unexplained, every part was carried fully
Casting and Acting.
1. Tee Thanapon Jarujitranon is a FUCKING ACTOR!!!!!! The way he portrayed one important factor in his search for Jinta, so he can bring back Tin.... It's very important because Tin has had a cool and measured approach because he started trying to save Tol when he had no feelings for Tol, but subsequently those feelings developed and that's why his death in episode 6 pained him more.... But with Tol, we see that he is already in love with Tin when Tin dies, so the way they portrayed his anxiety to get his lover back is so great and realistic...... Like the utter desperation he displayed to Jinta as well as when he was still in his ghost form at the beginning of the memories and Tin was trying to save his life.... His reactions 🥺🥺🥺🥺, when he is back to the past, we can see the desperation with which he tries to reunite with Tin, including faking the medical emergency (to a literal doctor), Tee is able to embody all of this, including the great love for Tin, which is beautiful
2. Tae was absolutely awesome as well as Dr. Tin, he gave the sassy and bitchy vibes completely well, his sequence in episode 6 after the deaths of Tol and Fang was so painful to watch, the tears and all. His gentle smile when he sees Tin. He absolutely delivered his scenes as well. His struggle to save Tol was palatable to me, I felt his frustrations in episode 1 and 2, I felt every disappointment of his because he was communicating it so well. I love how he characterizes Tin as a flawed human who was also in need of fixing.
3. The entire burial scene of Tin was really good acting from the cast, it felt like someone really died, the tears and crying didn't seem forced
Misses (There are none to me, so here are funny bits instead)
1. Tol assaulting Tin in his sleep (joking), so he can get him to remember him
2. Tol trying to block Jinta's eyes from him and Tin
3. Tin saying Nosy/Rosy
4. Tol trying to fake drowning (a medical incident to a doctor)
5. Gap thinking sing wanted to have sex in the medical room
Production
On production this series definitely put total thought into all aspects that they needed to make sure they are a 100% and they did their assignment on that, from the medical scenes to the acting etc. Like the open heart surgery, it was way too real, the irony of that scene was that right before they showed it, I was dragging them that they won't show it, they would just skip the scene and show us hours later, next thing I saw a blade cutting someone's skin and blood gushing out and I was like "alright, too realistic for me" but yes, scenes like that accentuated the series for me.
Rewatch Value
Heck I am rewatching this show this night
Again, I must say I absolutely love this show. It is the Best Thai BL ever
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