This review may contain spoilers
Cheeky, cheerful and heartfelt, drops of suspense included
“Knight Flower” is set in Joseon days, yet it is no epic, historical KDrama in a classical sense. It has endearing comedy to offer, the touch of a romance and even a touch of crime thriller, while the setting back then in Joseon is accounted for predominant neo-Cunfucian social ethics in those days. In particular, back then being widowed was bad news for women, whatsoever. (See side note). This circumstance is providing the hook for a cheeky and fresh-minded KDrama plot.In "Knight Flower", the widow simply cannot get herself to merely spending the rest of her long life in honorable, virtuous seclusion, mostly invisible to the rest of the world, trying not to be too much of a burden to her in-laws, and otherwise mourning the deceased husband (whom she never actually met) in the afterlife.
No, this widow does her own thing. She is not interested in being reduced to the virtue of mourning. During daytime, her everyday life is that of a honorable widow and decent daughter-in-law. Yet, at night she is dressed in black, wearing pants and a mask, climbing over walls, jumping over roofs and helping the poor – as "Midam", a kind of Robin Hood of Joseon. Such is her double life. All goes well, until one day...
While the plot is drawing its dynamic appeal from the actually rather sad background of a dubious tradition of treating widows (not only practiced in old Joseon, and not only back then…), the good news is: "Knight Flower", as a production broadcast in 2024, is built on intelligent emancipation, too. What is called for is not compliant bowing, but rather self-confident, creative solutions in dealing with life. Obviously South Koreans are craving for such a role model these days. The show was quite a success. People there apparently enjoyed it. So did I.
"Knight Flower" is cheeky, cheerful, and heartfelt, drops of suspense included, thus with alluring wit offering an enjoyably entertaining genre-mix.
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SIDE NOTE: --- Yeolnyeo or Yeolbu, the virtuous woman of Joseon ---
A loyal subject can only serve ONE king and a virtuous woman can only serve ONE husband. This perhaps briefly summarizes the core of the moral teachings of the period between the 14th century and the beginning of the 20th century. Practically speaking, this implied a widowed woman could face death penalty, if she ever wanted to marry again.
Women had to be obedient to their parents and in-laws. They had to honor their husband. And after his death the eldest son had the say... The greatest asset of a woman, besides bearing children, was her virtue. And that was eventually all that was left, if her husband might have died before herself. There was even granted an official award for valuing outstandingly honorable virtuous widows with the reputation of being a Yeolnyeo or Yeolbu. Thus they had to be particularly determined with living as a commendable model wife even after their husband´s death – according to all the rules regarding morals and daily routines as set out in detail in the book about good conduct for virtuous women…
However, the pressure on widows to be respected as Yeolnyeo became excessive over time. At some point it was even common for widows to consequently take their own lives, too, thus expressing their praiseworthy being loyal to the husband until the bitter end. In this way, they could posthumously provide their family (or that of their deceased husband) an honorable glory of virtue in which all family members could bask. Eventually, suicide was even expected of a widow – especially if she became a widow at a young age...
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So English yet so Korean...
U know that one thing that is different about kdramas that you cannot find in other dramas all around the world. That vibe, feel that is hard to define but it is there. Yes, that is what I find the most in this movie. This movie is so Korean yet so English, one can only understand this after watching it. This masterpiece is unforgettable and has a very realistic ending. The eye contact between the leads is my favorite part of this movie.And of course, this is the best movie of the year...
So don't contemplate whether to watch it or not and just watch it.
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1Sincerity and Hilarity
I just . . . <3 ❤❤❤Such wholesome and supportive MLs! Ida and Aoki were everything good in this world.
The first episode did an amazing job setting up not just the characters and comedic style of the drama (which I adored) but also showing who Ida and Aoki are as people.
Ida is the kind of guy who thinks about things very seriously and carefully and despite not being exposed to/experiencing what many others already have is open to something unfamiliar to him. He also cares deeply about the feelings of others and always takes them into consideration, though he appears quite stoic and awkward at times. Lol.
Aoki is the kind of guy who doesn't let jealousy guide him in acting in ways that would benefit him personally while hurting others. He is willing to make sacrifices for the people he cares about even if it is to his detriment. And, he is very outwardly emotional and expressive, but also quite shy at times. Lol.
That was an impressive thing to accomplish in just the first episode alone.
This is the kind of drama that will not only make you cry from laughing so hard at Ida's dry humor, Aoki's meme-worthy and iconic reactions/facial expressions, Hashimoto's violent/impulsive nature, and Aida's blissful ignorance, but also from how much consideration and kindness oozes from the MLs.
Ida's sincerity was seriously too much for my poor heart to take! And Aoki made my cheeks ache from how many times I couldn't contain my giggles and abrupt bursts of laughter! Needless to say, I along with many of you now have to figure out a way to share custody of the absolute mood that is Aoki Sota.
Something a bit underrated and beautiful I didn't fully notice about this drama until it had a few episodes left was Aoki and Ida saying statements Directly expressing their emotions about things related to their relationship, and also the other paying attention and taking them seriously. Such as, "That made me upset," "That made me happy," etc. Saying This thing you did made me feel This. Basically, "I" statements.
I can't think of very many dramas that do this/have done this.
I've actually read that couples counselors will advise their clients to communicate in this way to directly address their feelings and not be accusatory when/if they're upset with their partner. Yet another reason for me to adore Kieta Hatsukoi and the precious couple in it.
This drama was not only a great showcasing of healthy and communicative relationships, it was also highly addictive. I rewatched each episode (until it was completed) about a dozen times before the next one aired.
Regarding representation, I could not be more happy! Aoki was a wonderful and respectful representation of Bisexuality. It was also delightfully easy to show. He was in love with Hashimoto and then he fell in love with Ida. Simple. He didn't declare that he "doesn't like boys and just likes him" (I hate that trope so much) nor was there any line indicating he never truly loved Hashimoto and was just "confused." He didn't deny his past love and also accepted his present love. I could cry!
I think this was as perfect Bi representation as you could get without actually saying the word Bisexual.
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This review may contain spoilers
Why Mask Girl was great and why some couldn't understand the meaning behind it!
Some are free to dislike or even hate this Kdrama, but it is important to recognize that not every female lead in a Kdrama has to fit the mold of a "strong good girl." We need more complex, enigmatic, and twisted female characters. Personally, I look forward to the day when I can witness a compelling kdrama centered around a female serial killer. Because why not?Among the many memorable scenes in this K-drama that I loved, two that stood out to me were when Mi Mo murdered Oh Nam and when she and Chun Ae joined forces, gripping the rope from opposite sides, killing Chun Ae's abusive boyfriend. These scenes beautifully conveyed the feeling of saying, (I'm done!) even if they weren't executed most kindly.
This kdrama delved into the lives of women from different eras and age groups who harbored dreams and aspirations but were compelled to conceal their true selves, wear a mask, and conform to societal expectations and the whims of men. Some succumbed to defeat and strayed down the wrong path, while others, like teenager Mi Mo, representing the new generation, came to understand the essence of their experiences. This realization was poignantly depicted in the scene where Mi Mo watches a videotape of her mother's performance when she was an innocent child at the end of the show. And even she said that since then, the nightmares that haunted her about her mother have stopped.
To some, it may appear as if there are too many stories interwoven within this story. However, upon closer look, each character embodies a distinct facet of the female experience:
- Kyung Ja represents the older generation of women who were unable to even realize their dreams, thereby dedicating their entire lives to their children and utilizing them as instruments to accomplish their own aspirations and desires that they couldn't do themselves. Hence the obsessiveness in her mind & her crazy way of holding on to God's beliefs as the women in her generation were told.
You can see some of this in Mo Mi's mother as well, as she hates how her daughter wasn't good enough for her expectations.
- Mo Mi embodies the generation of women who were told to be beautiful and finding a tall, handsome, and charismatic man was the ultimate dream and the sole path to love, even if said the man turned out to be the ultimate idiot.
And if she happened to feel good about herself or her body in some way, some creep will see her as a thing to claim!
Nonetheless, women like Mi Mo fail to comprehend that loving oneself is the key to happiness and earning the affection of others. Thus, in her pursuit of conforming to society's superficial beauty standards, believing that it would enable her to start fresh, be beautiful, and be loved, she inadvertently destroyed herself. Consequently, she was labeled a monster despite her "new attractive appearance".
- And finally, Mi Mo symbolizes the younger generation, a girl who is angry at people "the society views on her", dreading the possibility of ending up like her mom, "the previous generation of women," and has a hatred towards her grandma's way of thinking, "the older generation of women.
But in the end, she gradually grasps the reality that the world is not simply divided into black and white, decides to accept herself as she is, forgives her grandmother (Mo Mi's Mother), and contemplates how her mother's fate might have been different had the world been more understanding.
Overall, the show was crazy and dark indeed, but so are the lives of these 3 women.
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1Drink the finest wines, look at lovely girls, make the best friends, and fight glorious battles.
Spymaster Ning Yuanzhou and his elite Liudao Tang spies are tasked to escort a Wu diplomatic delegation to An to pay a king's ransom for their captured ruler. He encounters the stunning and deadly Ren Ruyi, a vengeance driven assassin nonpareil who defected from An. They have overlapping goals and form a wary alliance. Predictably, these aging-out, disillusioned operatives from opposite sides fall in love and indulge in a mid-life crisis amidst a suicide mission to rescue the foolish Wudi. This is an unexpectedly funny drama and the humor works well but masks the monumental task ahead of the delegation. Its best achievement is it makes us fall in love with a motley crew of unforgettable, flawed characters to the point we root for them against all odds and beyond reason.This is a rare drama where I am more invested in the supporting cast than the main leads. Written by a feminist writer, Ren Ruyi is literally superwoman; independent, ruthless and indomitable; an indestructible one woman killing machine with fantasy level combat abilities. Ning Yuanzhou also walks on water; a master spy whose machinations decide who sits on the thrones of both states. Together they are so formidable that it seems more efficient to skip the mission or war as they can easily topple any ruler in their way. These over the top character designs with exaggerated abilities and superficial flaws rarely resonate with me. But I did derive petty enjoyment from their bitch slapping, scolding and kicking ass through the two kingdoms.
The casting of Liu Yuning and Liu Shishi in the leading roles is brilliant. While there are better actors, these roles play to their individual strengths and they both executed well. Liu Yuning plays a character that hides in plain sight. A too pretty actor would not work in this role. And Ren Ruyi the stone cold killer is perfectly reflected in Liu Shishi's stoic expressionless face and bright hard eyes. Even as she becomes less guarded and warms up to the delegation, there is bare of relaxation of her taut features; every frown and smile is controlled. Her head is at an exhausting elevated angle that made me wonder if she has frozen shoulder. Even her grief is so beautiful in a restrained way that I was unaffected, even mildly irritated at her cry scenes. Such an aloof portrayal made their chemistry seem decent but did not light up the screen . So it didn't matter to me if they made it out at the other end. As fully realized characters that live and die by the sword, they know the score. Their romance peaks too early, had few true obstacles and repetitive fan service sweet nothings moments . The heavy handed messaging about women's biological clocks annoyed me.
The more interesting characters are the young ones, Yang Ying and Li Tongguang, both on heroes journeys. He Landou delivers a inspiring portrayal of an uncertain young princess completely in over her head, overcoming fear, heartbreak and every obstacle to emerge as a purposeful person with the the courage of her convictions. At surface Li Tongguang appears to be a fascinating character; strong, smart, ambitious and charming. Unfortunately he has a dark side, an odd and creepy Oedipus complex for his shifu. Part of the problem is this narrative doesn't invest in villains; most antagonists are killed off so quickly they leave no impression. Thus Li Tongguang becomes the default fall guy; whenever something bad has to happen to create angst or move the plot along, it is pinned on him. Nonetheless the role is well played enough that I had a soft spot for the character throughout.
Saving the best for last, Fang Yilun's Yu Shisan stole the show as far as I am concerned. I love flawed, humorously self-aware, very mortal characters like this with no special powers or death defying abilities. Hopefully Fang Yilun's amazing comedic expression and timing gets noticed. His shock and aghast at the idea he was falling in love made me shake with laughter and moved me unaccountably at the same time. When he prosaically warns his love not to fall for a rogue like him, I knew she was as much a lost cause as I was. Shisan is the unsung hero of this story. He picks up the slack so that Yuanzhou can rescue Ruyi and was there for Qian Zhou, Sun Lang and Yuan Lu through the last legs of their mission. He remained true to his life's mantra to live fully with no regrets: drink the finest wine, look at lovely girls, make the best friends, and fight glorious battles. / 这辈子就要喝最烈的酒, 看最美的姑娘, 交最好的朋友, 打最漂亮的仗. It is too bad he did not dare to or did not believe he had the right to love and thus denies his heart to finish the job. If I could have changed just one thing, I would have had Shisan leap on to that horse along with his love. The other flawed character I enjoyed immensely is Wudi. After Shisan, he made me laugh hardest, especially during the great escape. He also moved me with his profound regret and intent do better.
This drama has a linear plot that is not well paced; it either advances at a high speed that glosses over logic holes or stalls out to dwell on repetitive romantic or delusional tropes. The harder you look at the plot, the less it makes sense. As it is more of a character story, I am willing to be forgiving as long as important characters are not destroyed along the way. In that aspect, the drama starts out exceptionally well with a fantastic core of well conceived, multi-layered and compelling characters. Unfortunately, the character designs start to break down quite early on, with Li Tongguang. The ending was rushed, had some sloppy edits and packs in an unnecessary Wu arc. Too many characters are destroyed into the finale including Ruyi and Yuanhou. Ruyi prioritizes her personal agenda, bites off more than she can chew (again) and had to be rescued (again); forcing Yuanzhou to choose his love over his mission. Consequently they were not there when Liudao Tang needed them most. Finally, Ruyi makes a decision that is not true to herself or to her beliefs about living well. After investing so much on Li Tongguang, this character has no development and mucks everything up in the finale. The ending was was bloodier than I expected and unnecessarily cruel. I didn't have a huge issue with the outcome in and of itself, just the figurative character assassinations.
As for the ending scene, upon re-watch, I realized it is not confusing, it simply pays homage to the meaning of the drama's title Yī Niàn Guān Shān / 一念关山 or A Thought of Guanshan and closes the drama on a note of finality. It is a line from an ancient poem 却东西门行/But the East West Gate written by Shen Yue during the Northern and Southern dynasties. It is a sad poem reflecting on life, the passage of time and destiny. Guanshan/ 关山 refers to memories spanning the mountains and rivers (meaning the far reaches of the empire); of past events joyful and sorrowful. It is an Auld Lang Syne moment where someone who lived on longs for the bygone years and lost friends. It is unnecessarily cruel to close the story with a character that was meant to move on with their life. The bigger point is everyone they are thinking of did not make it out at the other end. The ending to me is not ambiguous.
I enjoyed many parts of this drama which started out as an 8.5 for me but there were draggy parts, key characters got destroyed, all the holes become obvious with re-watch and the ending is just not good. It is still a wonderful watch with lovable characters, fabulous fight scenes and divine comedy. I am just petty and I won't forgive them for Yu Shisan. My final rating is 8/10.
ENDING SPOILER COMMENTS
The final scene is actually very clear.:
Ten years later, the countries are at peace. He County which was the frontier battleground is prosperous and thriving; children are well schooled but the naughty ones sneak out to play. Chu Yue visits the battleground which with a decade of peace is covered with grass. She takes a moment to think of the past, of everyone that sacrificed and imagines either what could have been or that they are in another place. Her fantasy doesn't have to make complete sense because it is just her imagination. The child she sees on the horse is not the same younger child that sneaks out of school. Ning Shisan on the horse is older, with loose hair in a pure white outfit. Chu Yue should not be in this scene. Shisan denied his heart to set her free. He saved her and meant for her to go on, to love and live life with no regrets. It enraged me that they did this to poor Chu Yue and it would have broke Shisan to see her like this.
Ruyi should have been in that end scene, possibly with a son and a daughter. She could have escaped and remained true to her promise to Yuanzhou to go on without him, that a woman can live well without love. The drama foreshadowed many times that she would be last woman standing and yet they both literally and figuratively killed her character when she chose to blow herself up after assassinating the Beipan king and prince. Ruyi had a choice and the one she made sends all kinds of wrong messages to women everywhere. The only woman who remained true to herself was Yang Ying. She moved on, made the best of her situation and lived well regardless. If Ruyi had to die, the end scene should have closed with Yang Ying instead of Chu Yue.
I also think they should not have killed off Wudi. The team put themselves in harms way to bring him back; he learned some hard lessons and would have been a much a better ruler for it. They killed him off so that Yuanzhou could play kingmaker. It was a rushed, completely dumb, ridiculous and gratuitous Wu subplot that negates poor Qian Zhou and Chai Ming's sacrifice. I could go on but these are some of the main reasons I am so let down by the ending.
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Dumbed down to the point of fatousness.
Let me keep this short to avoid wasting more time on this mind numbingly boring 39-episode revenge drama that was 40 episodes too many. The original works The Emperor's Book 帝皇书 is a dark and complicated tale of a love, duty, revenge and atonement. The adaptation has been dumbed down to the point of fatuousness in a misguided attempt to make the intricate plot more accessible. The broad plot outline is unmistakably Nirvana in Fire lite with swapped gender roles and a ton of romance.The bright, over-lit palette sets the wrong tone for this kind of dark story of betrayal from the get go. The action heavy open sees swashbuckling badass pirate Ren Anle proposing to crown prince Han Ye with her dowry of 30,000 elite sea troops. Despite Dilraba's impressive flirting skills, Anle's shameless pursuit of Han Ye went on for too long and seems heavy handed. There isn't much natural spark between her and Gong Jun even though they look fantastic together. Despite her exquisite beauty and charisma Dilraba's acting in this is disappointing. She comes across as someone who never suffered or experienced profound loss. Her best distressed or traumatized expressions smack of someone whose favorite pair of Jimmy Choos got muddied; a far cry from someone whose entire clan down to nine generations got unjustly wiped out. The collaterally damaged characters Luo Mingxi, An Ning, Lin Lang and even the delusional Chengán are more convincing as deeply scarred and haunted by the Di family massacre. To be fair, the titular role of Anle is not well written. She barely gets to do any of the hard stuff. Everyone from Luo Mingxxi to An Ning steals her thunder in terms of the scheming, making ruthless decisions and even fighting.
"My heart was once stirred by a woman called Ren Anle, but all my life I will protect Di Ziyuan/ 我对一个叫任安乐的女子动过心，但我这一世都会护着帝梓元" is the novel's best line that encapsulates what Han Ye is all about. If Gong Jun had to get one line right, it was this one. His expressionless lacklustre delivery of this line epitomizes his vacuous, uninspired acting throughout. The only characters that made me care are Wen Zhou and Lin Lang. Liu Yuning also does a decent job largely because he dubbed himself. Sadly his character has no development and doesn't do much other than to mope and slouche around plotting with a sinister twisted smile on his face.
There is too much standing around and talking in this drama but there are only a few good lines that are repeated ad nauseum. Of course the Di family army lost 80,000 troops; more than the 70,000 strong Chiyan army! The sheer hubris and audacity of these third tier writers to repeatedly allude to a masterpiece and hint their Di family suffered more is pathetic. They neutered an amazing plot and weighed it down with a pedestrian rendition of the Romeo and Juliet trope. The revenge arc climaxes too early and the showdown lacks intensity. The narrative further devolves into a bunch of silly sub-plots that are just juvenile attempts to squeeze some angst out of viewers by unimaginatively throwing a few characters off a cliff and killing a few others gratuitously. This just made me laugh instead of cry. This drama seems to drag on forever to the point that the hair turning white oddly makes sense! Only watch this if you are die hard Dilraba or Gong Jun fans. I rate this 6.5/10.0.
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Eun-ho (SYJ) and Dong-jin’s (KWS) views in narration on their life and love are inspiring and can be lessons for most people. Their views can be useful for any person-any age, those who are in love, those who were in love and especially those who yet to be in love!
Acting/cast:
Almost everyone was A+ in acting including guest roles!
Gong Hyung-Jin is brilliant and funny as an unconfident gynecologist and played an important role as best friend of main lead.
Son Ye-Jin: I don’t need to talk about her. She’s proven actress. She is flawless throughout whole show but her best performance was in the last two episodes.
Lee Ha-Na: I’m very very impressed by this actress! This was her first role in her career still she managed to perform it brilliantly. She was very natural, great expressions and dialogue delivery. Sometimes she was suppressed by the presence of Son Ye-Jin but still she outclassed SYJ in many scenes! She definitely deserved her New Star award.
Kam Woo Sung: Poor guy, every other actor in this drama got acknowledgement for their acting by getting either best actress; top excellence, New Star or supporting actor-actress awards but this poor man missed it! I think his acting was best in the whole cast! Clever dialogue delivery! BEST!
Music:
Music was mesmerizing. I couldn't find OST album yet so I don't know specific track names to point out but I loved the music!
Pros:
-Very realistic
-Romantic!
-No angst and typical Asian show riddles
-Excellent combination of all emotions
-Perfect casting & acting!
-Strong and likable characters
-No idols
-0% nonsense
-No annoying characters
-Stable pace
Cons:
None, still I couldn't find anything negative except this was highly addictive. It felt like a 16 hour long movie!
Who should watch this?
As I said it’s mature so it'll definitely suit mature audience but I think it’s more advisable to recommend it to younger audience (I'm also in this group!) to give slight idea about love! So in short everyone! Highly recommended for everyone!
If someone wants to watch a Korean show and wants to watch only one then I'd recommend Alone in Love. I'd easily sideline my previous joint #1 Salaryman and Evasive Inquiry Agency!
Who should avoid this?
-Those who want adrenaline rush in everything.
-Those who want to live in fantasy.
-Those who want to watch mushy, kiddo’s, ‘Love @ 1st sight’, “I love you…I love you too!”/”I can't live without you…” kind of romance.
-Those who want to watch kissing scenes should totally avoid this. There aren't any actual kissing scenes.
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Bleak Night can be uncomfortable at times because it addresses issues like bullying, friendship (in a high school setting), the power (both good and bad) of words, and all the angst and insecurities that come along with being a teenager.
The story is told through a series of flashbacks, which takes some getting used to. The camera work is interesting, as a lot of the shots seem to be hand-held and the color palette of the film is quite gray and drab.
I was completely mesmerized by Lee Je Hoon in this film. Every time he came on screen, my eyes were glued to him. He was definitely the highlight of this film in terms of acting, even if his character isn't necessarily the most likable. Overall, the acting of the cast in this drama is on the better end of the spectrum. All the characters are well portrayed.
My only two gripes with the film: One, there is no explanation of the main character's relationship with his parents and there is a lack of a clear cut ending that satisfied me.
Still, a highly recommended film that shows the darker side of teenage friendships and one of the best South Korean films of the year 2010.
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Well, first of all, you have to consider the time when it was released and the intention.
Because of my many reasons this movie will remain as my favorite one. Let me explain why:
1.The topics
Even though this movie's main target group might be young people, it also deals with very "mature"/serious topics.
The first time I watched this movie ( as a teenager) I didn't realize that this movie was kind of revolutionary or daring comparing to other Korean movies.
On the one hand, serious topics like AIDS and prejudices were shown. And on the other hand, it is also about a teenager's problems and everyday/love life.
For me, it was interesting to see how those "serious" and "ordinary topics" ( I can't think of a more appropriate word) were connected.
Apart from that, this movie was some kind of a roller-coaster ride: It was funny, sometimes sad and then it was funny again.
2. The characters
Apart from the great mix of the topics, the main characters were really...well, it is hard to describe each of them with one word.
The male lead did a great job as an actor considering the fact that it was one of his earliest work. Moreover, his character wasn't presented in a superficial way. As a viewer you could see and feel all his feelings and the changes he went through during the movie:
For instance the shyness when it comes to showing affection or even accepting it.
Actually, the movie helps one to understand his personality that seems to be a bit weird in the beginning: Sometimes he is nice to the female lead and sometimes he isn't nice. In many ways he is a immature young male and but in some ways he is more mature than his friends.
Even though the relationship between the main leads was one the weirdest one I've seen, I could feel/see the romance. You might wonder, why it was weird: The whole relationship between them was rather forced than planned at the beginning. But you could tell that it changed after some time.
For me it was kind of amusing to watch those two arguing,making up and once again arguing. It somehow reminded me of the young boys in the kindergarten who prefer to annoy the girls they like instead being nice to them.
The female lead: She acted pretty well. Even though she played the role of a rather immature student, she was able to show various emotions. I think, I will never forget certain scenes she played with all her heart like jumping up and down with weird clothes on in front of the school jard. Just the thought of it makes me laugh.
3. The plot
Movies aren't dramas with 16 eps or more. So, I guess, as a viewer I will always have the feeling that everything was a bit too rushed and ended too quickly.
Nevertheless, I liked the way everything progressed. It wasn't dragging or something like that.
Even now, I am able to divide the movie in different chapters.
To sum it up:
This movie is great! It might be a bit weird at first but you will like it the more you watch! Apart from that, a movie's intention should count as well. And this movies proves that you can make use of serious topics in a way that you don't even realize that you are learning something new.
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This review may contain spoilers
WOW, what a phenomenal drama! Please watch this if you have the time to! It is simply AMAZING! The story is super intriguing. Just imagine being able to go back in time over and over again to change your life to the
"perfect" life that you want to live. I wish this was reality sometimes! Our main characters, Saiko and Otaro, have such
great character development throughout this drama. We see them grow as individuals, and we see them improve on
themselves by the end of the drama.
Each character has flaws in this drama, and we get to see how their flaws affect their endings and the flow of the story.
I can't really be specific because I don't want to post spoilers, but this drama is SIMPLY AMAZING! The characters are
all intriguing, and I love everyone of them, even the "evil" ones!
For anyone who is skeptical on watching because of what they might have heard about the ending, do not worry! It's not
bad at all in my opinion. Just watch and you will see! And make sure to watch episode 10 of Todome no Parallel for a complete
ending as well!
All in all, a very interesting story that keeps you at the edge of your feet with really good characters that you will fall in love
with by the end of it. And bonus, this drama has AMAZING music! PLEASE WATCH! Easily one of my favorite dramas of all time!
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Addicting and adorable, but ultimately disappointing
I was absolutely sucked into the drama in the first half, but found that I gradually lost interest in the second half because of where the plot was going.I also had problems with the FL, who just seemed immature and annoying. She was also always described as someone who was so strong she could smash rocks, but she seemed weak in real fights? It was quite confusing. Honestly, I kept watching for the second couple, who I rooted for way more than the lead couple. I felt that they had more chemistry overall, and more development to their relationship.
The cast and acting were ok, as was the music, but I generally can't see myself rewatching any part of this.
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Song Hye Ko does an admirable job feigning blindness. Jo In Sung looks amazing in fashions that seemed to be lifted right out of American gangster movies based in the 20's and 30's. Besides the fact that he definitely looks the part of an attractive womanize, the man can also act. I spent pretty much all of the drama heavily sympathizing with and rooting for him, even while realizing what he was doing was highly questionable/just plain wrong.
Kim Tae Woo was awesome as Moo Cheol. I definitely felt all sorts of emotions towards him as his story progressed.
I just thought the story was beautifully acted and filmed. I was on my toes for the whole thing, and could not stop watching it until it was all over. It really got me out of my drama slump!
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This review may contain spoilers
This show could have been more interesting. The best part was the cinematography. While not anything spectacular, it felt calm and cool, like a nice movie. Someone said so in the comments, but this would have better served as a movie than a show. It didn't need 10 episodes, however short they might be.Story spoilers ahead, read on at your own risk...
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So the major plot point is that the two of them can't do something which is a major part of most married couples lives: have sex. And with that, have children.
This is a real issue that affects many men and women, and in this case, it appears that Kumiko has vaginism. However, this was never stated outright within the drama. In fact, she and he never went to the doctor to do the obvious: find out what the issue was and see how they could overcome it.
Instead, we're given a very strange story arc that involves their continuous cheating on each other. First, Kenichi with a number of prostitutes every Saturday for years on end. Second, Kumiko with an online site that is a hookup spot. Kenichi is constantly asserting that sex is not love and that he doesn't need sex, yet it's never clearly spoken about that he constantly goes to a brothel. Kumiko mentions it briefly once, though she takes most of the blame for never revealing the fact that she was not in fact a virgin.
The show ends in a very lackluster note. Nothing is solved. The entire plot seems to be saying, "it's okay the way we are", but then why make this show? Why show this particular couple? What is the point? I love an open ended plot, but this show just seemed to be meandering this way and that, with no particular direction. It was stretched out to 10 episodes to say, "it's okay to be the way you are and love each other this way," but we don't need 5 hours of screen time to do that. Even if this was a movie, the current plot is too lackluster to remember. Very forgettable and no lasting impact.
This show wants to convince the viewer that Kenichi and Kumiko have overcome a problem together, but all I see is two people fumbling without properly addressing a problem or trying to solve it, then saying "let's move on." The resolution is not convincing.
This show could have been much more, but too much time was wasted on repeating the same actions, intermingled with Kumiko's obtuse thinking and communication issues, and Kenichi's lack of commitment to the issue. I'm not even sure who Kenichi is, by episode 10, as he was fairly flat the entire time. He was enigmatic from the beginning, and I wasn't convinced Kumiko actually liked him when they began their relationship. In fact, he was quite weird, just sort of embedding himself into her life without much explanation. And she just sort of quietly accepts it all without any questioning. She seemed like she was just going along with the flow as things happened to her. She wasn't really a part of anything, she just let things happen. Kenichi only did actions, and Kumiko only received them. That was their relationship for 10 episodes.
Even Kumiko's interactions with her students, particularly Miyuki, seemed to have been out of place. She quits suddenly, and that portion of the plot is simply wiped clean off the board. Then, oddly, she visits the home of her former student, but I'm not convinced she even knows why, or even the writer. Nothing was completed or fulfilled by her visit. Simply the satisfaction of entering the house and learning a little more about her. I feel this was underdeveloped and rendered useless..
Wouldn't rewatch. Can't really recommend. This was just a lackluster show. The filming was pretty, though. The acting, was somewhat mediocre. Maybe slightly above for Kumiko's part.
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This review may contain spoilers
Could Use A Few More Chickens
This was an overall well done drama that was unfortunately too short to realize its full potential. The material was great, but eight episodes wasn't long enough to fully develop some of the issues presented or to fully develop the relationships and characters. Even so, I did enjoy this drama for the most part, it has some great messages and it does tackle some tough issues with tact.I liked the concept for the story, how a one night stand could turn into something more. The way Wen helped Jim in so many ways, not just with working at the diner, but also with helping him find closure with his past relationship and heal and move on, was well done. I admired Wen's perseverance and that while he continued to pursue Jim even when Jim had indicated he was not looking for a relationship, he did so relatively tactfully, never pushing too hard, but still making it clear that he was interested and that he thought they could work things out. However, things turned complicated, which was exactly what Jim feared, when Wen's ex-boyfriend who he was still living with, Alan, showed up and threw a wrench in things. Despite their break up, he is still possessive of Wen and hopes that they can patch things up and get back together. Wen, however, is ready to move on, and he is faced with having to do just that and more firmly sever his ties with Alan as he tries to establish a relationship with Jim. And Alan, for his part, is left trying to move on as well and come to terms with the fact that his and Wen's relationship is truly over. Meanwhile, Jim's nephew who he has raised, is a senior in high school and is still trying to figure himself out amidst the limitations of not being the scholarly type and being poor. Jim can be overbearing with him and Li Ming feels trapped and isolated until he meets Heart, a deaf young man his own age and they slowly become friends which then turns romantic. The relationship is a healing one for both as Li Ming finds someone who understands and cares for him exactly as he is and Heart finds someone who treats him as a normal person and actually puts out the effort to communicate with him. They serve as each other's escape in many ways and I loved their relationship in all its facets.
With so many BLs these days sticking to high school or college settings, it was refreshing that this one stepped outside those bounds. I think that opened up a lot more doors for it to tackle issues that it couldn't otherwise. However, because it was confined to only eight episodes and it did try to tackle multiple issues, it wasn't necessarily able to dive into them as deeply as one might have liked. The economy and cost of living were both subjects that were brought up multiple times. Leng, one of Jim's friends and employees, and his girlfriend Praew find themselves unexpectedly expecting, so unplanned pregnancy, the cost of raising a child, and even abortion are touched on, if only briefly. By creating a deaf character, the deaf community was given representation and it was done well. The various ways of parenting is also touched on, how there's not one right way to parent and parents are always learning, even from their children. Relationships serve as a major focus, examining how some relationships simply peter out after a while, unrequited love, and, particularly, moving on from past relationships and how, while it may be painful, we can hope that there's something and someone better out there for us in the future. I enjoyed every part of it, again the only detractor is that I wanted more time to explore those topics.
Probably the biggest downfall of this drama, and I know I've seen others commenting on this, is the miscasting of Earth. Earth is a damn good actor, there is no denying that, but in no way does he, as a 29 year old young man, look anywhere close to 40. I know he's a couple years older than Mix, Khaotung and First but he really doesn't look it, and in the drama, there's presumed to be something like at least a ten year age difference between their characters. Earth is one of those people who looks younger than they really are, but this seemed outside the range of probability to me. Papang, in contrast, who played Jim's former lover, Beam, is only a year older than Earth, but he looks older. I could more easily believe he was in his mid-30's. There's also looking at him next to Lookwa who plays his sister. She's a beautiful woman, don't misunderstand me, and looks fantastic at 42, but they don't look like they are close in age at all. I understand that Earth and Mix are a popular pairing, but if they wanted them paired together, it would have made more sense to change Jim's age to something closer to Earth's actual age. As it was, Jim's age was hammered home so often you couldn't forget it, and there were some scenes that were supposed to be more emotional that just didn't work as well as they might have with a more age appropriate actor.
Jim and Wen's relationship was another issue. The first episode is great. The chemistry and tension between the two is electric and then suddenly, it's just gone and while there are still flickers of it throughout the rest of the drama, it's not quite as strong as that first impression. Wen's feelings for Jim remain clear throughout the drama while Jim's feelings are much harder to decipher. There are moments where it's evident he does feel the same way, but it wasn't always consistent and their relationship felt stagnant at times. Even when things were supposed to be changing between them, I didn't always feel it.
I really enjoyed all the side characters, particularly Alan and Gaipa. Khaotung is such a good actor, I wanted more of Gaipa just so he could showcase his skills more, but also he was so sweet, I just liked his character and I wanted to get to know him a bit more. And Alan, aside from the fact that First is also a fantastic actor, was such an interesting character, I wanted to know more about him and his history with Wen. I felt like there was a lot more to unpack there.
But the highlight couple for me was Li Ming and Heart. Having just seen My School President, I enjoyed seeing them in such different roles. Li Ming is a somewhat similar character to Gun, but much heavier on the teenage angst. But it's not in a bad way. You can feel the frustration Li Ming has with his life and circumstances, and it's justified. Fourth did such a good job with bringing Li Ming to life and bringing such nuance to the character. Heart, being deaf, was a much different character for Gemini to portray. I was so impressed with his ability to emote without speaking a single word and he was utterly believable in the role. He and Fourth have such great chemistry. The build up of Li Ming's and Heart's relationship is so well done and feels very natural.
In general, the romance is not why I enjoyed this drama. Jim and Wen's romance lacked some consistency and while Li Ming and Heart were the highlight couple for me out of those present, what I actually loved about this drama was the chicken rice family that they created. The way the characters all came together for each other to take care of each other and build each other up was so heartwarming. They may not have been related by blood, but that didn't matter, they did what needed to be done even if that cost them personally. And I liked seeing how Wen was welcomed into their family, really without much question, he was just accepted. So if you take it from that angle, rather than a romantic one, it is a very wholesome story. And for me, personally, that is better than any romance.
The production was overall pretty strong. I really liked the sets, particularly the chicken rice shop was just so aesthetically pleasing to me. It made me wish I could go there and visit that place. The lighting was an issue at times. There were a number of late night conversations and sometimes the lighting was too dim and it made it harder to make out faces and expressions. However, one scene that I absolutely loved was the one of Jim and Wen at the beach at twilight. The way it was shot with their silhouettes was beautiful. I do wish they'd translated the sign language as a fair amount of it got missed. There were times when Li Ming would essentially repeat what Heart had said, but a lot of the time I was just left guessing.
This is a drama worth watching at least once. It's short so what do you have to lose? I don't as it's one that I'll come back to which is a bit disappointing because I think it could have been absolutely phenomenal with some tweaking of the story and the cast. And I think this drama really does highlight how important casting truly is. I don't think the miscasting of Earth broke the drama, but it did affect it and its ability to pack an emotional punch. I hope in the future they focus more on delivering a solid story with an appropriate cast than keeping particular pairings together.
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