The Great Doctor
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1An epic historic love story, playing with time and space. Waggish. Affecting. Wonderful acting.
A special dramaturgical drive given by time travel and parallel worlds are quite common in KDrama. Thus contrasting perspectives from different backgrounds quite regulararly add unconventional fun and extra thrill to story dynamics.Additionally, KDramas like to chose a historically exotic context for its intriguing and romantic stories, while still giving them an epic scope. Even if not always historically exact, these plots offer plenty of material for drama and at the same time convey historical facts and heroes in a colorful dress. Epochal personalities and their impact come to life again. As Korean history goes far back in time, there are yet many more heroic stories to be told...
"Faith or the Great Doctor" combines both, the historical approach as well as playing with time and space in one story. In fact, history is thus presented even more funny and colourfully. On the historic side, this KDrama revolves around the legendary General Choe Yeong (1316-1388) who went down in history as the protector of the Goryeo Empire and its royal family. Incidentally, this is not the only KDrama that has been dedicated to him to date... As early as 1983, a series monument was erected for him in "Gyegook" and "Chu Dong Mama". He is also featured in "Tears of the Dragon" (1998), "Shin Don" (2006), "The Great Seer" (2012), "Jung Dojeon" (2014), and "Six Flying Dragons" (2016). You guessed it, he´s a real hero for the Korean Peninsula.
-------------------- SIDE NOTE: --- General Choe Yeong ---
Known for his strength from an early age, the son of a civil servant learned martial arts and studied books on military strategy. Over the centuries he had finally achieved the status of legendary protector of the Goryeo dynasty. Although he was also exiled for 6 years due to intrigues, in the course of his life this did not prevent him from fighting around 80 more battles in the service of the king. He lost his last battle against his former brother-in-arms, General Yi Seonggye, when he seized power in a coup d'etat in 1388 during the Battle of Liaodong. This was also the birth of the Joseon Dynasty.
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"Faith or the Great Doctor" traces the path and integer character of Choe Yeong, whose motto has been handed down as "consider gold as if it were a stone". It´s obviously not pure poetic freedom when he is portrayed as sincere, stylish and gallant. And also does his combative superiority not seem exaggerated - his skills are historically documented. The focus of this KDrama is rather on the young general. He is not only presented as a strong leader, but as a young man who falls in love with a woman who is almost 10 years older. This (fictional) constellation offers some extra driving dynamics to the romance - as well as a comparably pleasant maturity at times as well.
The title plays with the different language styles in Korean - the old Hanja, which was written in Chinese characters until 1443, and the Hangul writing, which was newly created during the Joseon dynasty (and in which many Hanja terms have been preserved to this day.) So the original title "Sin-ui" may be understood both as 'trust in law and order' or as 'gifted healer'. In this sense, the title not only values Choe Yeong, the protector of law and order in the Goyeo Empire (refering to the Hanja translation), but also the gifted female healer (refering to the meaning in Hangul) - Eun Soo, a cosmetic surgeon from Seoul in 2012.
In the midst of waggish and heartbeat, this epic love story with all sorts of dramatic twists and turns absorbs within an eventful chapter of Korean history. The contrasts between modern and traditional medicine, somehow clashing in the middle of the 14th century, as well as between the almost rebellious, outrageous self-confidence of the by modern Seoul life spoiled doctor Eun Hoo and the ancient court of the Goryeo royal family guarantee 24 episodes of evocative entertainment.
"Faith or the Great Doctor" is an epic historic drama and at the same time playing with time and space. With two wonderful leading actors and more. The perfect mix for an epic Rom+/-Com.
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Display of Social Abnormalities shown by exceptional Actresses
Warning ahead: This is no show for softies. And those who have no tolerance for a drama full of amoral siraegis, black characters. And somehow i'm questioning if i'm allowed to like this show, because it left me with a feeling of watching a pileup. Mass collision episode after episode - that i watched with open mouth in the beginning not believing what i'm actually seeing and during the end with fascination and aww for the incredible good actors and the artistic expression of abnormality and social deviances. So don't make the mistake to assume it's like Celebrity because of the title, trailer and beautiful intro and the poster, it cannot be more far away.Mask Girl was shocking, and actually disgusting to certain scenes but on the other hand this was incredible original, creative and well executed in production - because despite the very explicit scenes it had a very captivating plot. Every actor leaves a brilliant mark - especially unrecognizable because of the the obviously incredible work of the make-up artists in a thrilling story, with 7 sub-plots in every episode that web together. If i have to describe what this fast-paced, binge-worthy drama is without spoiling much i would say it gives a vibe like a mix of Oldboy and Somebody: It is bloody with violence, abuse and sexual content. So viewer discretion advised this is +18 for multiple(!) reasons.
And still some funny scenes were just brilliant. Black comedy par excellence.
Be careful not to judge hasty finishing episode 1. The ride begins with episode 2. If you make it to episode 3 congratulations. From now on it gets easier and the true story begins.
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Do not watch the movie with the expectations of it being like the prequel
I am not sure why everyone gave the movie low ratings because I definitely did enjoyed the movie. It is definitely not the Train to Busan but it's a great movie overall if u watch the movie without expectations of it being like the prequel. It is action-packed and has a pretty good story. It has a fair share of emotional moments and the acting was also pretty decent as well. The downside is that there's too much CGI where most of the car battles are CGI.On a last note, it is nowhere near its predecessor but it definitely holds its own.
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My bad. To top it all, I agree with her: this movie is beautiful. I know this is a remake of an older Korean movie with the same title which I haven't seen, but from the start it reminded me a lot of the american/french film "Before Sunrise", with the two leads carving out for themselves a tiny bubble in space and time, far from their present lives and the world outside.
The difference - a notable one for me - is that while in Before Sunrise the two protagonists talk a lot, too much for my taste, here silences are a lot more poignant and meaningful. I am actually glad I watched it raw, to the point I think everybody should do so. To elaborate: most dialogues take place in English, but there are moments when Anna speaks in Chinese and Hoon in Korean. English is their communication tool, but the reason why they understand each other is not a language. Apart from the dance scene mentioned by Violet, I fell in love with another, in which she tells him her story in Chinese and he only comments "bad" or "good", depending on what he feels is her mood. Watching it raw, made me live the entire surreal dialogue as if I were him, not grasping one word, but trying to understand what she conveyed with her posture and eyes.
I also agree about the direction, and I have come up with a sort of theory of my own as to why the colours are so subdued. What we are offered is the world outside the prison as Anna sees it. Since colours only depend on our perception, there isn't much reason for her to paint her life. No wonder she wears make up and happier clothes only for a brief moment: they look fake, in contrast with her mood. The only colourful moments are those in which she imagines.
I guess the choice of Seattle wasn't accidental either: as I recall, it is known as the rainiest city in the States.
The acting is spectacular. Hyun Bin is a gorgeous man, but that's definitely not the point of this movie, where he doesn't have to be good-looking: he has to look vain. And I'm glad it is so, for dwelling on his looks would be an offence to his acting skills.
Wei Tang's performance is outstanding. As I said, she expresses a world via silences.
Beautiful music. I wouldn't have minded a little more of it.
I recommend this movie, but only if you are prepared for its pensive pace and all the untold. Not a fluffy watch by all means, and not for anyone looking for comedy.
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Two Is Better Than One
I'll be honest; I always get nervous with dramas that have multiple seasons. One of the reasons I ditched Western dramas was due to the multiple seasons that always made the overall show draggy and boring after a certain amount of seasons. Despite me being obsessed with Penthouse, I was still nervous for season 2 because of the slight chance it might come off as "unnecessary." Let me say that is nowhere near the case. I have loved many sequels more than the original, and Penthouse is one of them. Is it because it was half the length of season 1 or because we dived right into chaos? I might never know for sure, but I can tell you what I loved about this second season.Story:
Everything that has happened throughout the episodes has led to some fantastic plot, and I enjoyed every moment of it. I won't spoil anything just in case, but all the twists and turns were done fantastically, and I don't think I could have imagined something different, which has usually been the case with other dramas I have watched. One thing I love is how unpredictable the plot has become. You think one thing is set in stone but then it's revealed you were the main act in a circus show, and what you thought wasn't at all what was written in stone.
Characters:
For my season one review, I mentioned how each character, good or bad, was portrayed excellently and written extremely well. The same can be said with season two. One of the things I liked about season one was how, for multiple characters, they were written so you can choose whether to dislike or like them, and that continues in season two. Of course, characters still made my blood boil, as well as the fact I shed tears throughout these fantastic episodes because of them, but I love feeling those emotions with characters. Some characters took me by surprise, good or bad. I found myself at one point hating on a character I thought I liked and liking a character I thought I hated. This season also strengthens my belief that no other actors could portray these incredible characters, or at least I cannot imagine another actor as any character.
Others:
Despite the few OST's we got, all of them were fantastic, especially Repeatedly and The Morass. I wish the season was longer, but I'm glad it at least got extended by 1 episode. It was also great that one of the best episodes, episode 12, happened to air on my birthday, so it was a fantastic birthday gift if I shall say.
Final Thoughts:
Since this is season two, those who watch it or are planning to watch it have watched season one. That being said, I'm already used to the hectic drama that comes with it, so if that's the same for you, then the drama that comes from this season won't be a surprise to you. Although I would say season one technically seems more hectic and "insane," mainly due to having more episodes," season two doesn't shy away from the hectic plot at all.
I cannot wait for season three and how hectic and great it will be. The only thing I'm sad about is one episode a week, which feels like pure torture. But overall, this season is fantastic, and if you watched and liked season one, you should most definitely watch season two.
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I disagree with all of the above statements. Cha Eun Woo has some serious acting chops. I am not really a critic. Honestly, I usually think everyone is great, but all the negative comments he was getting made me pay extra attention. His character was pretty traditional stoic and standoffish. But I thought he played the part well. He would have these minute facial expressions that showed what he was thinking. And his character grew and progressed as the story went on.
Im Soo Hyang did an awesome job for the part. Because of the plastic surgery she was supposed to look more "mature" than her fellow students, so her age wasn't really a problem. The actress was excellent for the part. I can't imagine anyone else doing such a good job portraying someone who looks beautiful but feels ugly.
As for the rest, haters gonna hate.
This was a lovely show about a girl who was bullied all through her childhood for being "ugly". Before entering college, she gets plastic surgery done on her whole face in hopes that she can have a new life. But it turns out, it takes more than a new face to change your life. She has to learn to love herself and to not judge herself or others based on the way they look.
Most importantly, at least for me, the ending was perfect. It had everything I want in a drama ending. And for me that is pretty rare.
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Moving Forward
To think that it was only in 2020 when (arguably) the first Korean BL Drama was released to now in 2022 when we have Korea's first Gay reality dating show is truly surreal.They managed to make this show comforting but also not shy away from hardships. While watching I was wondering to myself if they were ever going to discuss coming out or the posible consequences of being on the show at all, only to see them dedicate one episode specifically to having everyone share their experiences and feelings on the matter. I felt like the creators of this show genuinely cared about Queer people and sharing their stories.
In Korea, we've gone from merely having some side LGBT+ characters to some dramas centered specifically around them and their romances to actually portraying real Queer people on the screen.
His Man and Merry Queer are important stepping stones, for sure. Let's not just stop here though. Let's keep going!
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Lukewarm.
Warm on a Cold Night is a fantasy historical investigative drama set in a fictional Qian kingdom. Qian is a rich kingdom that attracts immigration from the neighboring Qi kingdom. The Qian are more cerebral and capable administrators with strong legal frameworks and institutions. The Qi subsist in the cold and harsh Northern climate and are ridden with internal strife. They are more primitive shapeshifters with formidable and fantastical physical powers. A longstanding treaty enables Qi immigrants to better their lives in Qian defending the border and engaging in more physically demanding professions.A young Qian constable Su Jiuér questions a hot-blooded Qi suspect Han Zheng in connection with a serial murder case. She discovers that he has a strange ability to alleviate the incurable cold disease that afflicts her and latches on to him like a lifeline. They work together grudgingly after it turns out that Han Zheng is also after her suspect Mu Yan. They get off to a bickering start but predictably fall for each other as they investigate a series of mysterious cases that stoke tensions between the Qian and the Qi in the Qian capital. They are aided by friends in high places including Jiuér's admirer and budding playwright Prince Wen Jun, his brother Crown Prince Wen Ying, and the gorgeously spectacular Qi general Chi Lan.
The main romance is carried by Li Yitong's and Bi Wenjun's chemistry; their stunning visuals and incredible charisma. These compelling actors are short-changed by two-dimensional and inconsistent character designs and a frustrating script that is lacking in both character and relationship growth. Jiu'er is a smart and logical character, a keenly astute investigator of consequential crimes in Jiuxiao City. Except when she regresses into childhood, talks to herself in a whiny and high-pitched tone, and behaves like a complete nincompoop. I was dumbfounded at this exaggerated and shallow character interpretation. Still, Li Yitong is so innately likable that she successfully pulls off such a difficult character to connect with and invest in. Although Bi Wenjun delivers a more nuanced portrayal, Han Zheng as a character is equally exasperating. All this grumpy 60-year-old Qi shapeshifter seems to do is scowl, get jealous, lose his temper, and become reckless; rinse and repeat. This is a role with the potential to be interesting and multi-faceted but that is never realized. Initially, I was too busy marveling at how he makes a fanny pack and flowery kimono print robes look so hot. As I soak up his bold, expressive eyes, the high-tanned cheekbones, haughty nose, down to... dry, chapped full lips... wait... did they run out of money for lip balm? Ouch - hope they didn't need to do too many retakes of those kiss scenes. Fabulous visuals don't cut it for long - I was quickly left wanting more from these stagnant roles locked in a juvenile romance that moves at a snooze pace.
In sharp contrast are Chi Lan and Wen Ying's much more complex and interesting stories. Both personas were clearly written by a much more sophisticated and mature writer and they anchor the show. Chi Lan is an awesome female role; measured, analytical, poised, and as cool as a cucumber with a barely perceptible air of danger about her. This lady knows when her head is being turned but if it pleases her, she permits it anyway. And you don't want to mess with her because she makes for a deadly adversary on any battlefield. Her interactions with Wen Ying are laced with tension and have real depth and complexity. Wen Ying is her true equal, another fascinating and layered personality who is at the surface cultured and sincere yet incredibly difficult to get to really know. Theirs is the romance I cared about and they are the main reason I did not drop this drama. I would love to see their story continue down the road. He Ruixian proved to be the true star of this show with her incisive portrayal of a remarkable character.
In terms of world-building, this is a wildly imaginative one that is original and different but errs on the side of being overly far-fetched. The world's "rules" are not firmly established and seem to be made up along the way. This is especially true in terms of the many functions and effects of the cyborg like the Qi vitality stone stuck to the chests of these shapeshifters that are wolves until they become apes. The writer also unnecessarily creates insurmountable biological obstacles between the Qi and Qian races just to impress upon us the depth and endurance of the main love story. It smacks of the work of an immature and lazy writer who couldn't be bothered to show us that their love is epic instead of forcing it upon us. What I like best about the world is the Qi's superpowers and how they engage in combat. The fight scene choreography is amazing; energetic, hard-hitting, lethal, and thrilling. I especially enjoyed watching Chi Lan's badass and deadly grace in combat.
As for the mysteries, they run too long and while they are quite interesting, the only memorable one is the painting case. Their strength is not in the plot but in the wonderful job the production does humanizing the victims as people who lived, laughed, loved, and will be missed. They also tie in nicely with the main conspiracy which is well-conceived. While some of the villains are too obvious, the mastermind hides in plain sight and surfaces with a nice twist. Although I suspected them quite early on, the acting was so masterful I doubted myself until the reveal. As for the ending, it was a mixed bag - an epic showdown, a great escape, some noble idiocy, a bizarre reversal, a ruler is anointed and loose ends aplenty. All things considered, this drama is true to its hot and cold theme in leaving me lukewarm. I rate this 8.0/10.0 simply because of the mastermind twist, without which it was a solid 7.5 all the way for me.
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RECIPROCITY - Walk in a straight line BUT circle back to each other.
----The key point of the series is ----"If there is only ONE person in this world who can understand your words, then he is more important than anyone else.” -Jiang Tian
"The population of the planet is now about seven billion. If the average life expectancy of each person is 80 years and they can meet 1,000 people per day, they will meet about 29.2 million people in their lifetime. The probability of two people meeting is 0.00417. while the probability that you happened to like him, he likes you back and you become each other's special 'someone' is only 0.0000173. Everyone has a "very moment" in their life. Your memory will freeze at that moment, becoming a very special moment. It turns into a most important memory of your life. And every time you think of it, you will always have a special feeling inside" - Sheng Wang
A good coming of age BL drama from Taiwan, adapted from the book 'Mou Mou' by Mu Su Li. It's a story of two 17 year old boys coming from different backgrounds, forced to live in close proximity due to their respective parents cohabitation. Slowly these two find a home in each other and open their hearts to a possible connection. The series is not fast paced which is one of its greatest advantages, it paints a nostalgic picture of the bygone days.
The story wouldn't have been as compelling as it turned out to be without the fabulous performance of both the lead actors. Liu Dong Qin who plays the part of a lonely, privileged and affable, Sheng Wang AND Benjamin Tsang who portrays the often stoic, prickly, Ace student of the class, Jiang Tian.
At first glance, the audience perceives, both Jiang Tian and Sheng Wang are opposite in their disposition and would likely clash due to their different personalities. However just in the case of magnets, opposite poles attract each other, the audience comes to realise that underneath their seemingly contrasting outward personalities, both hide deep seated vulnerabilities that they are unwilling to share or reveal to the world. Their close proximity due their parents' cohabitation enables them to peel the protective outward layer and peek into the inner hidden sensitivity of the other.
There are many instances where the viewers get a glimpse of how well these two fit together. With each Thread of shared experience, unrevealed emotion, conversations with concealed subtexts, silent support, All combining together; their relationship transforms into an unbreakable Rope of blazing love. Some of their interactions that make them realise they have found a 'home' in each other and share RECIPROCITY in their feelings are :-
1. Sheng Wang is beaten by some outside thugs on the school campus (arranged by a jealous competitive classmate). Sheng Wang while taking the beating and trying to escape from the goons, thinks that he is all alone and nobody is there to help him. When Jiang Tian finds out about this incident, he works out a way to catch these fellows and punish them. Later Sheng Wang finds out that Jiang Tian was instrumental in their being caught, he talks with Jiang Tian who divulges that if in place of Sheng Wang, he would have been caught alone by the thugs, he too would feel helpless and wish someone would help him. Jiang Tian further states that at that time he wasn't there to help Sheng Wang but he made sure those guys were punished for attacking Sheng Wang and making him feel powerless. (This conversation makes Sheng Wang realise that Jiang Tian would always protect him)
2. Sheng Wang and Jiang Tian both want to live in a dorm (hostel) at one point of time. However later, after the two feel a sense of fellowship, Sheng Wang no longer wants to live in a dorm but wishes to live in his father's house with Jiang Tian. Jiang Ting confesses that even though he also rejected the idea of living in a dorm due to their growing closeness (and the fact Sheng Wang was hurt by Jiang Tian wanting to live in a hostel) he still wished he could stay in a dorm. At that time Sheng Wang thought that Jiang Tian would leave him so he started distancing himself from Jiang Tian. Later Sheng Wang came to know from Old Man Ding that Jiang Tian never had a permanent home, he always kept his belongings packed in a suitcase, ready to leave the place where he was currently residing at a moment's notice because he had an unstable childhood and never got a place to call 'home'. Sheng Wang then offers to stay with Jiang Tian in a dorm, both of them would live in a dorm together so that Jiang Tian would feel safe for at least the duration of their boarding period (as it was fixed as per the fees paid and duration of their studies, the stay in a dorm is not depended upon unforseen changes in his mother's relationship with Sheng Wang in future) and would UNPACK things from his suitcase as he would get a clear timeline as to how long he could live at one place. (This conversation with Sheng Wang made Jiang Tian acknowledge that someone understood his fears)
By gaining insight into the other's frality, both feel protective towards the other. This understanding creates a bond of friendship and acceptance, however it is complicated by their budding romantic feelings for the other. Sheng Wang is more vocal about things but is oblivious to the romantic undercurrent between them or so it SEEMS, Jiang Tian on the other hand is hyper aware of his feelings but he is accustomed to bottle up his emotions never verbally voicing them out.
The hurdles in their way to a blissful life of togetherness are them being of same gender as well as their parents' relationship which makes them 'brothers' in the eyes of the society.
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I would say this series is multi-layered, it deals with many issues that a young adult goes through.....
1. Dealing with past trauma and loss - Searching for that certain some'ONE'.
2.The Bittersweet school life - surviving the competitive world of education where ranks and grades have to be maintained, the jealousy and backstabbing of other ambitious student(s).
3. The budding romance - Growing affection between two boys who care deeply for each other but are afraid of societal judgement as well as afraid of rejection by the other so they keep their feelings within themselves.
4. The stolen glances - Looking at your crush, trying to gauge their reactions based on subtle changes in their facial expressions. Trying to gain the attention of the person you are captivated by. Realising that what started as infatuation has morphed into an indestructible bond of Love that lasts a lifetime.
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I would also like to praise the director of the series, Liu Kuang Hui. The director made the perfect casting choice, Liu Dong Qin and Benjamin Tsang create a believable love story of two young people who are too afraid to voice out their emotions. The Director, through their slow build relationship managed to tell a heartwarming story of two youths' struggle to find a way to stay together. From Jiang Tian's attentive, observant gaze To Sheng Wang's unwillingness to get close to anyone who might desert him. Both fearing abandonment, their non-date Date, having each other's back. The director laid down layers upon layers of shared experiences to cement their commitment.
The soundtracks also manage to solidify the burgeoning feelings.. Although it's difficult to choose a favourite amongst them, my favourite is '17 Run to You', the lyrics were so appropriate for these two lost souls finding a common ground to flourish and live happily together. Other Songs include 'Just lonely', 'Interlude', 'Rainbow Love' and 'Love Proverbs '(The theme song)- All 5 of them have quite soulful melodies and meaningful lyrics that linger in your heart for a long time.
::::Overall:::: Another good BL drama from Taiwan, a little wistful, evoking memories of youth.
This series is replete with pathos for literary enthusiasts. People who are interested in literature should rewatch the series to savour the metaphors, symbols and references from other literary works that the Scriptwriter/ Director has woven into the narrative of the story.
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My 'Very' Moments (Additional Titbits)
1. Episode 3
'up to you' versus 'down to you' - There is a scene where the English Teacher in Jiang Tian and Sheng Wang's school is asking the students to differentiate between the phrases 'up to you' and 'down to you'.
As per the dictionary:
'up to you' means 'It's your decision! You choose!'
Where as 'down to you' means 'to be someone's responsibility or decision:Duty, obligation and responsibility'
In the same episode before the English Teacher brings up the topic of differentiating between the two phrases, Jiang Tian has given money to Sheng Wang for the bottle of water he had purchased earlier for Jiang Tian, Sheng Wang tells Jiang Tian that it's 'up to you' implying that Jiang Tian can choose to remain formal and stiff with Sheng Wang, unaccepting his clumsy attempt at explaining as to Sheng Wang only kissed Jiang Tian in school due to the game of truth and dare, the kiss was just a part of the game.
Later when Jiang Tian offers to be friends with Sheng Wang while talking in his bedroom. Sheng Wang's soliloquy brings the whole topic of difference between the idioms full circle. Sheng Wang muses - "At this moment, I totally forgot what our English Teacher had said. What's the difference between "up to you" and "down to you". Only then did I realise, the moment Jiang Tian said that, my world turned UPSIDE DOWN. My world toppled."
The thin line between "up to you" i.e choice and "down to you" i.e obligation, blurs as everything turns topsy turvy with one heart to heart conversation of Jiang Tian with Sheng Wang.
2. Episode 7 - Moving into a dorm
As per my perception and the conversation that Sheng Wang had with Jiang Tian, Sheng Wang hopes to find some 'stability' for Jiang Tian hence suggests moving into a dorm.
It was stated by Grandfather Ding that Jiang Ting had NO home while growing up, he was constantly on a move, sometimes living with his father, mother, grandmother or old man Ding... probably he may have spent an occasional night at some acquaintance's home. Now that his mother has moved into Sheng Wang's father's home, logically he might get a stable home but due to his past experiences, psychologically he is still unable to relax and unpack. He may fear things going south between his mother and Sheng Wang's father someday or displeasing his stepfather or ... or ..or...and he may have to 'move' again so he is keeping himself ready for that possibility.
As per Sheng Wang, living in a dorm Jiang Tian may unwind a little because even though they cannot live in a dorm forever, it gives a 'specified duration' wherein the students can live as per the fees they have paid for the term. Hence Jiang Tian can mentally feel some stability for that time period.
So it doesn't matter that there are two other people sharing a dorm room with them because at the current juncture of the story they are looking for 'stability' rather than 'privacy'. Therefore both are rejoicing at having achieved that goal.
Maybe later they may find sharing the accommodation with other two students a little restrictive but that's for the future..In the present, they can heave a sigh of relief on behalf of Jiang Tian.
3 . Episode 8
The difference between the conversation that Sheng Wang has with his father and Jiang Tian has with his mother regarding shifting from Sheng Wang's father's house to a Dorm.
Sheng Wang is quite vocal and doesn't mince words, he is eloquent and has a way with words. His father often considers him immature and doesn't really listen to what he is saying. Sheng Wang very clearly stated what he wanted and put his feelings into words to express what he wanted. He very generously accepted his father's need for a companionship but never faltered from his point of needing to stay in a dorm.
Jiang Tian and his mother's relationship is quite stilted due her guilt of leaving her son to fend for himself while she was busy earning money to support her family. Both stay quite, sitting on a sofa not knowing how to approach the topic, until they break the ice. Jiang Tian comforts his mother by saying that this time he is NOT alone when he moves to a new place, as he has a companion who would accompany him and ensure his happiness. He also expresses happiness that his mother will also not be alone as she has also found a loving companion.
What made me happy to see is that both boys want their respective parents to lead a happy life but they are not willing to change their decision. Their approach of discussing things with their own parent differs but both manage to convey their choice distinctly. They stay firm and polite but don't buckle under the pressure of parental guilt, obligation or coaxing.
4. Episode 9
Once again a topic explained in the beginning of the episode by a school teacher, forms a heartfelt moment...the series did the same in episode 3.
Now again in this episode. The difference between a period (.) and ellipsis (.....)
i.Period (.) means end of conversation, there is nothing left to say anymore.
ii. Ellipsis (.....) means something is left intentionally unsaid, the conversation is at a pause and there are more things that are unsaid, to be said.
This lesson, is quite meaningful as the relationship between Jiang Tian and Sheng Wang is at the ellipsis stage.....
There are so many things bubbling at the surface between these two protagonists waiting to burst out.
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*Through two incidents, we witness different dynamics of the relationship between Sheng Wang and Jiang Tian.*
When Sheng Wang cajoles, coaxes and calls him "ge" all the while pouting, to convince Jiang Tian to wear the sports T-shirt with embarrassing letters printed on, Jiang Tian surrenders, he agrees to put on the T-shirt to make Sheng Wang happy. Sheng Wang sports a smug smile because, he knows he would always get his way with Jiang Tian by pleading.
(Sheng Wang 1 : Jiang Tian 0)
Second incident, when Sheng Wang hurts his foot after the last round of Long Jump, Jiang Tian notices his wince when Jiang Tian is tying their legs together for a three legged race. Jiang Tian immediately calls a halt and asks permission from the teachers to take Sheng Wang to a health centre. Jiang Tian instructs Sheng Wang to get on his back so he could carry Sheng Wang piggyback style. With so many people watching, Sheng Wang is embarrassed to get on Jiang Tian's back, he squirms and tries to make excuses. Jiang Tian doesn't heed and repeatedly asks Sheng Wang to "get on" his back in a protective authoritative manner till Sheng Wang climbs onto his back so that Jiang Tian can carry him to the clinic.
(Jiang Tian 1 : Sheng Wang 0)
Both these incidents highlight their relationship dynamics, Jiang Tian will fold and give in to Sheng Wang's persuasions in all instances except when it comes to Sheng Wang's well being, then Jiang Tian wouldn't be swayed by anything. An interesting fact is that Each of them is aware of their strengths and weaknesses where the other is concerned.
(I have run out is space here so My 'very' moments for episode 11 and some musing on episode 12 specifically the Ending are added as comments to this review, If you are interested to read more please look up the comments)
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SO SO SO UNDERRATED!!!!!! EXCELLENT ACTING
DON'T TRUST THE RATINGS!!!After so long I've come across such a nice drama, really ♥️ It's so fresh and peaceful and sweet and funny at the same time.
The leads are amazing, the second leads are amazing and the whole group is amazing.
The drama so much reminds me of When I Fly Towards You and Our Secret ♥️♥️
I initially started watching it because of Yu Cheng En as I previously watched him as Demo in Go Go Squid, I was so excited to see him in a lead role!!!! And surprisingly I fell in love with the female lead too ♥️ Even the other lead is amazing ♥️♥️
IT'S A MUST WATCH!!!!! IT LITERALLY DESERVES MUCH MORE RECOGNITION 😭
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Comedy thriller? yes!
Rarely can a writer successful combine comedy with mystery thriller. The genres simply don't mix well. Often, such titles suffer from Cerberus effect: they start funny, but when they turn serious halfway through, the entire setting built on comedic premises falls apart.Fortunately, Behind Your Touch (should be touch your behind....) avoids this pitfall. While it does get more serious later, the genre transition is very fluid, and it never completely divorces itself from its comedic roots.
The funny first episodes help us bond with the characters and introduce us to the setting, so then when the serial killing starts we can actually care about people who are killed while never being quite certain who to trust and who might be the culprit.
And what a masterfully written mystery it is! Until the very final episodes, I wasn't certain who dunnit. Watching this with MDL on week by week basis was quite an experience. I pity people who will watch this drama after it already finished airing, they will miss on all the brainstorming and speculah that kept us going all this time!
But of course, they should still watch it. This is legit my favorite k-drama of 2023. I didn't expect much, in fact, I didn't even anticipate this title until it suddenly aired on netflix, and I was very, very pleasantly surprised.
For people who say that premise of touching butt to see memories is creepy: relax, it's not done in sexual way, and she does it through clothes and she just touches their buttcheeks without fingering deeper or whatever you people imagine. There is no sexual abuse or anything! Give it a chance and see for yourselves!
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A viper's nest.
After growing up in the countryside, Zhuang Hanyan returns to the capital to claim her rightful place as the legitimate daughter of the Zhuang family. Her reception is mixed—some family members seek reconciliation, while others fiercely resist her presence. It soon becomes clear that the Zhuang household is a viper’s nest, but Hanyan is no naïve country girl. There’s more to her return than meets the eye, something her late sister’s husband, Fu Yunxi, quickly discerns. Their relationship evolves from adversarial to conspiratorial as they uncover each other’s secrets and forge an uneasy alliance.The Glory/ 雁回时 is another in a recent wave of revenge dramas that starts with a suspenseful, addictive hook but fizzles in the second half. The reveal of Ruan Xiwen’s tragic backstory and her complex, scheming dynamic with her daughter Hanyan forms the emotional core of the drama. Unfortunately, after this peak, the narrative devolves into dog-blood melodrama, riddled with clichés, plot holes, and unconvincing motivations. Wen Zhenrong delivers a vehement, emotionally charged performance as the bitter and wounded Ruan Xiwen, anchoring the first half—but once her arc concludes, the tension noticeably deflates.
Though I typically adore ruthless, morally grey characters like Hanyan and Yunxi, their pairing falls flat. Their silent staring contests and psychological battles feel insipid, especially compared to over-the-top performances by older actors like Yu Entai's exaggerated facial contortions and whispered threats. That said, Chen Duling shines as Hanyan, balancing hidden depths with fiery resolve. Xin Yunlai, however, is stoic to the point of woodenness, though his awkward, crooked half-smiles carry a strange charm.
The biggest flaw lies in the overabundance of toxic characters with nonsensical motives. Why does Hanyan—clearly talented and resourceful—fight so hard for acceptance in such a dysfunctional family? The schemes lack payoff, the villains are cartoonishly petty, and the central "hidden treasure" subplot feels pointless (why hoard wealth with no heirs to inherit it?). The second half is a mess of twists without cohesion, and the ending—hinting at Greek tragedy but lacking the courage to commit—leaves a wishy-washy, unsatisfying aftertaste.
Yet, despite its flaws, I found myself oddly engrossed. Like a drink that starts intoxicating, turns bland, then ends bitter, The Glory is a flawed but strangely compelling ride. 7.5/10—great potential, squandered execution.
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So cute and funny
This drama is a comedy, I don't understand how there are so many people that can't get this and keep complaining about no historical accuracy or that the characters behave in a absurd and unbelievable way for royal standarts. You see, this is a comedy, absurdity is a great part of this genre as well as overacting and misunderstandings. And I loved how the humour was in the whole show, it's very common for cdramas start very humorous and suddenly change its climate and becomes very dramatic. In The Legendary Life of Queen Lau we don't have this, even in dramatic moments there is much comedy, the drama is light and fun from start to end.Even the controversy about the costumes I think are not valid at all because the story takes place in a fictional kingdom, with a lot of anachronical customs and technology, the mix of styles is something that I don't think it cause weirdness.The romance part could have been better, but I don't feel that this would discredit the drama. I'm very used to japanese dramas that have very little to none kisses and skinship, so I didn't found so strange the couple's lack of intimacy. Actually, I found they were very intimate, always hugging, holding hands and showing affection even without kisses. Differently from some I didn't feel that the Emperor was suddenly in love, it was very gradual and we can see his interest in her growing, the dreams and daydreams he have about her are so sweet and funny.
I loved all characters but the Queen is the indeed the owner of the drama! She can be considered ugly but her self esteem and confidence are beyond amazing. I became a Jackie Li fan and already want to see new projects of her.
There are a lot of editing problems and messy plots but this is sooo common in cdramas so I'm already used to it XD
My conclusion:
It is a amazing drama, very light and funny that made feel very happy and smile almost all the time. If you start it having in mind that this is a comedy first, a romance later and palace drama never, if you stop keep searching for logic and understand that the lack of logic is part of the fun, I think you will enjoy as much as I did.
PS: I really hope there will have another season with more antics, craziness and love between the queen and her husband! And who knows, even a child. I would love this so much XD
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A Breathtaking and Emotional Journey
Shadow Love is a cinematic masterpiece that fully immerses you in a compelling and beautifully crafted world. From the first episode, the story captivates with its emotional depth and intricate character relationships. The plot is so unique—one man, three identities—and it kept me guessing and completely hooked. I found myself completely invested in the journey of each character as they navigated crazy politics, wars, and a romance that feels truly epic.The performances by the cast are nothing short of phenomenal. I especially adored Li Shuang's character; her portrayal of a soft, gentle, and utterly cute personality was a highlight. Even as a brave general, she maintains this wonderful, human warmth that makes her so easy to love. And Cheng Lei's ability to play three distinct versions of the male lead is a true testament to his talent. The chemistry between the leads is incredible, conveying a powerful range of emotions that felt authentic and deeply moving. Every actor, down to the supporting roles, brings a high level of dedication and nuance to their part, making the entire ensemble feel incredibly real.
The show's production is stunning. The cinematography is gorgeous, and the costumes and music perfectly fit the mood of every scene. The fight choreography is also top-notch—it's the kind of action that makes you genuinely grip your seat. And the OST? It's beautiful and really adds to the charm of the drama.
This is a series that demands to be rewatched. The complex storytelling and subtle details mean you'll discover something new with every viewing. I highly recommend Shadow Love to anyone who appreciates a well-told story with remarkable acting. It's an unforgettable show that lingers in your mind long after the finale.
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